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Page 1 of 127
TATE
Immunity from Seizure
This page contains information about works of art that are intended to form part of a forthcoming exhibition at
Tate, which may be covered by immunity from seizure.
Part 6 of the Tribunals, Courts and Enforcement Act 2007 provides immunity from seizure for cultural objects
which are loaned from overseas to temporary public exhibitions in approved museums or galleries in the UK
where conditions are met when the object enters the UK.
The conditions are:
The object is usually kept outside the UK
The object is not owned by a person who is resident in UK
The import of the object does not contravene any law
The object is brought into UK for purpose of a temporary public exhibition at an approved museum or
gallery
The museum or gallery has published information about the object
You can find links to all works currently being proposed or covered by Immunity from Seizure
You can find out more about immunity from seizure on the DCMS website
.
Tate's policy on due diligence and provenance research (PDF, 27K)
For further enquiries, please write to:
Immunity from Seizure
Director's Office
Tate
Millbank
London SW1P 4RG
Turner and the Masters
Tate Britain (London, UK) from 21 Sep 2009 until 24 Jan 2010.
Thomas Girtin
(1775-1802, born: London, died: London)
X26035
Lindisfarne Castle, Holy Island
c. 1797
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Page 2 of 127
on paper, unique
Watercolour on paper
support: 381 x 520 mm frame: 610 x 762 mm
Provenance:
Coll: Hopkins (St Michael's Mount)
W Palser, 1906;
Metropolitan Museum, New York, Rogers Fund, 1906
Nationality of Artist: British
Identifying Marks:Not Known
Catalogue Raisonne: Thomas Girtin and David Loshak, "The Art of Thomas Girtin, with a catalogue" (London, 1954), p. 159, no. 185
Jacob van Ruisdael
(1628-1682)
X22034
Rough Sea at Jetty
1650s
painting
Oil on canvas
support: 985 x 1314 mm frame: 1295 x 1651 x 102 mm
Purchased in 1989
Provenance:
(Hoogeveen et. al. sale, van de Linden and de Winter, Amsterdam, 5 June 1765, no. 36 ); purchased for 214 Dutch florins by (Pierre Fouquet,
Amsterdam) for Gerrit Braamcamp [1699-1771], Amsterdam; (his sale, de Bosch, Amsterdam, 4 June 1766, no. 6, as by Dubbels); bought in, 160
Dutch florins, for Braamcamp; (his sale, van de Schley, Amsterdam, 31 July 1771, no. 198); purchased by (Pierre Fouquet) for 264 Dutch florins.
(Paillet and Coclers, Paris); (their sale, Paris, 26-27 August 1801, no. 17); sold to (or bought in by) Louis-François-Jacques Boileau for 1460 francs.
(Jaufret, et al. sale, Paillet and Delaroche, Paris, 18-25 April 1803, no. 199); purchased for 1601 francs by Sigismund Ehrenreich, Graf von Redern
[1761-1841]. Marquês de Marialva, probably Pedro José Joaquim Vito de Menezes, 6th marquês de Marialva and 8th count of Cantanhede [17651823], Portugal; his heirs, Portugal; purchased for 9000 francs (£360) by (John Smith, London), 1824; purchased for £500 by Robert Bankes
Jenkinson, 2nd earl of Liverpool [1770-1828], 1826; (his sale, Christie's, London, 25 March 1829, no. 76); purchased for £530.5 for Henry PettyFitzMaurice, 3rd marquess of Lansdowne [1780-1863], Bowood House, Calne, Wiltshire; by descent to his son, Henry Petty-FitzMaurice, 4th
marquess of Lansdowne [1816-66], Bowood House, Calne, Wiltshire; by descent to his son, Henry Charles Keith Petty-FitzMaurice, 5th marquess of
Lansdowne, and 9th lord Nairne [1845-1927], Bowood House, Calne, Wiltshire; by descent to his son, Henry William Edmond Petty-FitzMaurice, 6th
marquess of Lansdowne, and 10th lord Nairne [1872-1936], Bowood House, Calne, Wiltshire; by descent to his son, Charles Hope PettyFitzMaurice, 7th marquess of Lansdowne, 11th lord Nairne [1917-1944], Bowood House, Calne, Wiltshire. Probably his sister, Katherine Evelyn
Constance Petty-FitzMaurice Bigham, Lady Nairne [1912-1995], Bignor Park, Pulborough, Sussex. (Possibly Thomas Agnew and Sons, London, c.
1950-55). Possibly private collection, England. (Thomas Agnew and Sons, London, by 1977); Charles C. Cunningham [1910-1979], Boston, 1977;
probably his heirs; purchased by (Artemis, London), 1988; (French and Company, Inc., New York); purchased by Kimbell Art Museum, Fort Worth,
1989.
Nationality of Artist: Dutch
Identifying Marks:
Place of manufacture: Netherlands
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Catalogue Raisonne:
X26038
Rough Sea
c.1670
painting
Oil on canvas
support: 1070 x 1258 mm frame: 1378 x 1556 x 89 mm
Provenance:
Acquired in Holstein, Germany by Georg Ernst Harzen (b. 1790 - d. 1863), Hamburg. Richard Foster (d. 1830), Clewer Park, Berkshire, England; by
descent to Edmund Foster (d. 1863), Clewer Park; by descent to Edmund Benson Foster (b. about 1850), Clewer Park; July 13, 1895, Richard
Foster sale, Christie, Manson, and Woods, London, lot 70, to Colnaghi. Until 1906, Alfred Beit (b. 1853 - d. 1906), London; 1906, by inheritance to
his brother, Sir Otto John Beit (b. 1865 - d. 1930), London [see note 1]; 1930, probably by inheritance to his widow or his son, Sir Alfred Lane Beit (b.
1903 - d. 1994), London [see note 2]. Duits, London. 1956, Rudolf J. Heinemann (dealer, b. 1920 - d. 1975), New York and Agnew's, London (joint
account) [see note 3]; 1957, sold by Heinemann to the MFA for $39,000. (Accession Date: January 10, 1957)
NOTES:
[1] The painting was in his possession until at least 1929, when he lent it to the Exhibition of Dutch Art, 1450-1900 (London: Royal Academy of Art,
1929), cat. no. 100. [2] Upon Otto Beit's death in 1930, his collection was divided between his widow and his son. See Adrian Le Harivel et al., "The
Beit Collection" (Dublin: National Gallery of Ireland, 1988). [3] Agnew's purchased a half-share in the painting from Heinemann in October, 1956 and
sold it back to him in February, 1957.
Nationality of Artist: Dutch
Identifying Marks: Signature lower left, Ruisdael
Place of Manufacture: Not Known
Catalogue Raisonne:
Joseph Mallord William Turner
(1775-1851, born: London, died: Chelsea)
X26037
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Venice from the Porch of the Madonna della Salute
1835
painting
Oil on canvas
support: 912 x 1333 mm
Provenance:
H.A. Munro of Novar, London (by 1847-60; sale, Christie's, London, March 26, 1860, no. 150, for £2,520 to Gambart); [Gambart, London, from 1860;
sold to Heugh]; John Heugh, Manchester (until 1862, sold to Angew); [Agnew, London, 1862; sold to Mendel]; Sam Mensel, Manley Hall,
Manchester (1862-75; cat., 1867, no. 125; his sale, Christie's, London, April 24, 1875, no. 445, for £7,350 to Agnew); [Agnew, London, 1875, sold to
Dudley]; WIlliam Ward, 1st Earl of Dudley, Dudley House, London (1875-d. 1885); William Humble Ward, 2nd Early of Dudley, Dudley House (18651886/7; sold through Farrer to Vanderbilt); Cornelius Vanderbilt, New York (1886/87-d. 1899); Metropolitan Museum, New York, bequest of Cornelius
Vanderbilt, 1899 (99.31)
Nationality of Artist: British
Identifying marks: none
Place of Manufacture: Not recorded
Catalogue Raisonne: Martin Butlin and Evelyn Joll, "The Paintings of J.M.W.Turner", revised edition (New Haven and London, 1984) p. 212, no. 362
X03510
Depositing of John Bellini's Three Pictures in la Chiesa Redentore, Venice
exhibited 1841
painting
Oil on canvas
support: 736 x 1155 mm frame: 956 x 1368 mm
Provenance:
Bought from Charles Birch in December 1847 by Joseph Gillott and resold by him to Thomas Rought in January 1849 (referred to as 'Jean Bellini' in
both transactions); Lloyd Brothers; sale Foster's 13 June 1855 (60) bought in; bought by Agnew from Lloyd in 1857 and sold to Richard Hemming of
Bentley Manor, Bromsgrove; bought back from Mrs Hemming in 1892 by Agnew and sold to Sir John Pender; sale Christie's 29 May 1897 (84)
bought Agnew for J. Pierpont Morgan; in the Morgan collection until c. 1947 when bought by Myron Taylor, the U.S. Ambassador to the Vatican;
acquired from him in 1961 by Wildenstein and Agnew and sold in the same year to the Hon. Colin Tennant; acquired by a private collection in 1969;
bought by The ArtColl Trust in 1999.
Nationality of Artist: British
Identifying Marks:
Place of Manufacture: London, England
Catalogue Raisonne: Martin Butlin and Evelyn Joll, "The Paintings of J.M.W.Turner", revised edition (New Haven and London, 1984) p. 242, no. 393
Pop Life: Art in a Material World
Tate Modern (London, UK) from 01 Oct 2009 until 17 Jan 2010.
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Ashley Bickerton
(born 1959, born: Barbados, active: Bali)
X27569
Tormented Self Portrait (Susie at Arles)
1987-1988
sculpture
Synthetic polymer paint, bronze powder and lacquer on wood, anodized aluminum, rubber, plastic, formica, leather, chrome-plated steel, and canvas
object: 2271 x 1745 x 400 mm
The Museum of Modern Art, New York. Purchased 1988
Provenance:
Ashley Bickerton
Sonnabend Gallery, New York. Acquired from the artist in 1988
The Museum of Modern Art, New York. Acquired from above in 1988
Nationality of Artist: American
Identifying Marks: not recorded
Place of Manufacture: not recorded
Chris Ofili
Tate Britain (London, UK) from 27 Jan 2010 until 16 May 2010.
Chris Ofili
(born 1968, born: Manchester)
X29174
Prince amongst Thieves
1999
painting
Acrylic, oil, paper collage, glitter, polyester resin, map pins and elephant dung on linen
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support: 243.8 x 182.8 cm
The Museum of Modern Art, New York. Mimi and Peter Haas Fund, 1999
Provenance:
Purchased Gavin Brown's Enterprise, New York, 1999.
Consigned by the artist to Gavin Brown's Enterprise, New York, 1999
Nationality of Artist: British
Indentifying marks: None
Place of manufacture: UK
Catalogue Raisonné: none
Afro Modern: Journeys through the Black Atlantic
Tate Liverpool (Liverpool, UK) from 29 Jan 2010 until 25 Apr 2010.
Jacob Lawrence
(1917 - 2000)
X29151
Street to Mbari
1964
on paper, unique
Tempera, gouache and graphite on paper
support: 565 x 784 mm
National Gallery of Art, Washington D.C. Gift of Mr. and Mrs. James T. Dyke, 1993
Provenance:
National Gallery of Art, Washington D.C. Gift of Mr. and Mrs. James T. Dyke, 1993
Mr. and Mrs. James T. Dyke (after 1986) [1]
Terry Dintenfass Inc., New York (by 1983) [2]
Dr. and Mrs. Marvin L. Radoff. Purchased 1965 [3]
Terry Dintenfass Inc., New York
Nationality of Artist: American
Identifying Marks: Signed and dated L.R. "Jacob Lawrence / 64"; verso: inscribed U.R. in graphite "Street to MBari / 30 ¾ x 22"
Place of Manufacture: not recorded
Catalogue Raisonné: Nesbitt, Peter et al. The Complete Jacob Lawrence. Seattle and London: The University of Washington Press, 2000, cat. no.
p64-03
Notes:
[1] Exhibition catalogue, Jacob Lawrence, American Painter, Seattle Art Museum, 1986
[2] Exhibition catalogue, The Forty-Seventh Annual Mid-Year Show, The Butler Institute of American Art, Youngstown, Ohio, 1983, cat. no. 83
[3] Date of acquisition by Radoff provided in email from Terry Dintenfass Inc. to Tate, 2 December 2009
Fernand Léger
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(1881-1955, born: Argentan, died: Gif-sur-Yvette)
X29390
Mise-en-scène for the ballet 'La Création du Monde'
1922
on paper, unique
Pencil on paper
support: 210 x 270 mm
The Museum of Modern Art, New York. Gift of John Pratt, 1949
Provenance:
The Museum of Modern Art, New York. Gift of John Pratt, 1949
John Pratt, New York. Purchased from the below, c. 1937
Katherine Kuh Gallery, Chicago [1]. Purchased from the below
John Becker Gallery, New York, by 1931
Nationality of Artist: French
Identifying Marks: Inscribed, signed and dated L.R. in pencil "La Création du Monde / Ballet nègre / Projet de décor 22 / FL"
Place of Manufacture: not recorded
Alternate titles: Creation of the World (Ballet Negre) [2]; The Creation of the World, set design [3]
Notes:
[1] Katharine Kuh papers are available through the Archives of American Art, Smithsonian Institution, Washington DC. See link for info:
http://www.aaa.si.edu/collections/collection/kuhkath.htm
[2] Legg, Alicia. Fernand Léger. New York: The Museum of Modern Art, 1976, cat. no. 10
[3] Exhibition catalogue, John Becker Gallery, New York, 1-23 October 1931, cat. no. 12 [Creation of the World (Ballet Negre) 1922]
Van Doesburg and the International Avant-Garde: Constructing a New World
Tate Modern (London, UK) from 04 Feb 2010 until 16 May 2010.
Johannes Theodor Baargeld
(1892-1927)
Max Ernst
(1891-1976, born: Brühl, died: Paris, active: Sedona, Chinon, New York, Köln,
Paris, Bonn)
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X28375
Typescript Manifesto We 5 (Weststupiden)
1920
on paper, unique
Collage on board
object: 284 x 221 mm frame: 380 x 320 mm
Courtesy Galerie Natalie Seroussi
Provenance:
- Private collection
[unknown]
Nationality of artist: German
Identifying marks: not recorded
Place of manufacture: Berlin
Publications: Laurent le Bon (ed) 'Dada', exh cat. Centre Pompidou, 2005; Werner Spies et al 'Max Ernst: Dada and the Dawn of Surrealism' exh cat,
Menil Collection, Houston; Art Institute Chicago; Museum of Modern Art New York 1993, plate 52
Herbert Bayer
(1900-1985, born: Haag am Hausruck, died: Santa Barbara, active: Deutschland,
New York)
X29274
Postcard for State Bauhaus Exhibition, Weimar, July-September
1923
on paper, print
Lithograph on cardboard
support: 144 x 94 mm frame: 630 x 450 mm
Collection Merrill C. Berman
Provenance:
November 1987: Purchased by Merrill C Berman from the book sellers Ex Libris, New York. Ex Libris published the priced catalogue 'Herbert Bayer
& Piet Zwart: Masters of Design' between 1987 and 1993.
Nationality of artist: Austrian
Identifying marks: not recorded
Place of manufacture: not recorded
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X29391
Design for Illuminated Roof Sign
c.1923
on paper, unique
Pencil, ink, gouache on paper
support: 224 x 159 mm (8 13/16" x 6 1/4")
Collection Merrill C. Berman
Provenance:
November 1987: Purchased by Merrill C Berman from the book sellers Ex Libris, New York. Ex Libris published the priced catalogue 'Herbert Bayer
& Piet Zwart: Masters of Design' between 1987 and 1993
Nationality of artist: Austrian
Identifying marks: not recorded
Place of manufacture: not recorded
Publications: Maud Lavin, 'Graphic Design in the Mechanical Age: Selections from the Merrill C Berman Collection, 1998, pg 194
* Cleared by the Art Loss Register on 14th December 2009
X29808
Design for Illuminated Roof sign, Glass painter Kraus
1923
on paper, unique
Pencil, ink, gouache on pasted paper
support: 285 x 212 mm
Collection Merrill C. Berman
Provenance:
November 1987: Purchased by Merrill C Berman from the book sellers Ex Libris, New York. Ex Libris published the priced catalogue 'Herbert Bayer
& Piet Zwart: Masters of Design' between 1987 and 1993.
Nationality of artist: Austrian
Identifying marks: not recorded
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Place of manufacture: not recorded
Publications: Maud Lavin, 'Graphic Design in the Mechanical Age: Selections from the Merrill C Berman Collection, 1998, no 10, plate 47
* Cleared by the Art Loss Register on 14th December 2009
Henryk Berlewi
(1894-1967)
X28393
Mechano-Faktura. Contrasting Elements
1924
on paper, unique
Gouache on paper
support: 830 x 1090 mm frame: 955 x 1225 x 30 mm, 13 kg (with glass)
Courtesy Galerie Natalie Seroussi
Provenance:
2004, Autumn, Lempertz Auction, Cologne: From Galerie Gmurzynska, Cologne to Galerie Natalie Seroussi
1972: Collection RG Winkler, Atlanta (USA) (part of this collection was donated to the Museum of Applied Arts, Cologne in 2008) to Galerie
Gmurzynska, Cologne.
- From Private Collection, Germany to Collection RG Winkler, Atlanta. (possibly same collection ? RG Winkler moved from Germany to the US)
- [presumably] From the artist to RG Winkler.
Nationality of artist: Polish
Distinguishing marks: Not recorded
Place of manufacture: Not recorded
Publications: Ryszard Stanislawski (ed) 'Constructivism in Poland 1923-1936', Kröller-Müller Museum, Otterlo, 1976, p 36
I.K. Bonset (Theo van Doesburg)
(1883-1931)
X27552
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Mécano no. Jaune, Geel, Gelb, Yellow, February
1922
supporting material
Printed matter, magazine
support: 320 x 520 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan to Centraal Museum, Utrecht
1981: donated to the Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4989)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27553
Mécano no. Blue, Blauw, Blau, Blue, July
1922
supporting material
Printed matter, magazine
support: 320 x 520 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan to Centraal Museum, Utrecht
1981: donated to the Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4989)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
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X27554
Mécano no. 3 Rouge, Rood, Rot, Red, October
1922
supporting material
Printed matter, magazine
support: 320 x 520 mm image: 160 x 130 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan to Centraal Museum, Utrecht
1981: donated to the Netherlands Institute for Cultural Heritage, Rijswijk, from Mrs L.H.M van Moorsel (AB4987)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27530
Denaturalized material. Destruction 2.
[La matière dénaturalisée. Déstruction 2.] c.1923
on paper, unique
Collage, ink and gouache on card
support: 595 x 440 mm frame: 630 x 475 x 52 mm
Fries Museum Leeuwarden, Netherlands (on loan from Netherlands Institute for Cultural Heritage)
Provenance:
1985: on loan to Fries Museum, Leeuwarden
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel.
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
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Identifying marks: verso label with inscription: Sidney Janis Gallery, New York
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27555
Mécano no.4/5 White, Blanc, Wit, Weib, January
1924
supporting material
Printed matter, magazine
support: 160 x 130 mm overall: 395 x 325 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan to Centraal Museum, Utrecht
1981: donated to the Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4989)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
Sándor Bortnyik
(1893-1976)
X30983
Geometric Forms in Space
1924
painting
Oil on canvas
support: 540 x 740 mm frame: 730 x 930 x 35 mm
Private collection
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Provenance:
2005: Purchased by Private Collection, Zurich, from Carl Laszlo, Basel
1974: Purchased by Carl Laszlo, Basel from Mrs. Alfred Forbat.
- from Mr Alfred Forbat to Mrs Alfred Forbat (by inheritance)
1924: Gift from the artist to Mr Alfred Forbat (Dessau/ Stockholm) in Weimar, Germany.
Nationality of artist: Hungarian
Distinguishing marks: not recorded
Place of manufacture: not recorded
Publications: Bernard Ceysson (ed) 'L'Art en Hongrie: 1905-1930, art et révolution', Musée d'art moderne de la Ville, Paris, 1980 p 91. A similar work
with the same title is held in MoMA New York. (996.83)
Otto Gustaf Carlsund
(1897-1948)
X28141
First Programme Picture. Six Announcements for Art Concret
1930
painting
Oil on panel
support: 330 x 330 mm frame: 550 x 550 mm
Eskilstuna Art Museum, Sweden
Provenance:
1949: Purchased Eskilstuna Art Museum. [possibly, from the estate of the artist]
Nationality of Artist: Swedish
Identifying marks: Written on the back of the canvas: dedicated to Ellen and Ragnar Hoppe. [The latter was an art critic who wrote a positive review
of the 1930 exhibition in Stockholm]
Place of manufacture: Not recorded
Publications: Susan Weber Soros (ed) 'Utopia and Reality: Modernity in Sweden 1900-1960' New York, 2002 p 74
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X28142
Second Programme Picture. Six Announcements for Art Concret
1930
painting
Oil on panel
support: 330 x 330 mm frame: 550 x 550 mm
Eskilstuna Art Museum, Sweden
Provenance:
[date unrecorded, possibly c.1981] Purchased by Eskilstuna Art Museum from the artist Prof. Oscar Reutersvärd
[date unknown] (presumably) from the Collection Gunnar Asplund to Prof. Oscar Reutersvärd.
[possibly c. 1930] Gift from the artist to Gunnar Asplund (curator of the Art Concret exhibition in Stockholm organised by Carlsund, 1930)
[Reutersvärd studied under Carlsund (1941-46) in Stockholm. Carlsund curated an exhibition at the Eskilstuna Art Museum in 1946, and Reutersvärd
exhibited his own work there in 1981]
Nationality of Artist: Swedish
Identifying marks: Written on the back of the panel: dedicated to Gunnar Asplund
Place of manufacture: Not recorded
Publications: Susan Weber Soros (ed) 'Utopia and Reality: Modernity in Sweden 1900-1960' New York, 2002 p 74; Prof. Oscar Reutersvärd,
'Otto G Carlsund: fjärrperspektiv', Åhus, 1988; and 'Carlsund och Neo-plasticism' in Konsthistorisk Tidskrift, No 1, 1949 pp 19-27.
X28143
Third Programme Picture. Six Announcements for Art Concret
1930
painting
Oil on panel
support: 330 x 330 mm frame: 555 x 555 mm
Eskilstuna Art Museum, Sweden
Provenance:
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1996: Purchased Eskilstuna Art Museum from Professor Gregor Paulsson
[c. 1930] (presumably) Acquired from the artist by Professor Gregor Paulsson [General Commissioner of the Art Concret exhibition in Stockholm,
1930]
Nationality of Artist: Swedish
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Susan Weber Soros (ed) 'Utopia and Reality: Modernity in Sweden 1900-1960' New York, 2002 p 74
X28144
Fourth Programme Picture. Six Announcements for Art Concret
1930
painting
Oil on panel
support: 330 x 330 mm frame: 525 x 525 mm
Eskilstuna Art Museum, Sweden
Provenance:
[date unrecorded, possibly c.1981] Purchased by Eskilstuna Art Museum from the artist Prof. Oscar Reutersvärd
[date unknown] (presumably) from the Collection Gunnar Asplund to Prof. Oscar Reutersvärd.
[possibly c. 1930] Gift from the artist to Gunnar Asplund (curator of the Art Concret exhibition in Stockholm organised by Carlsund, 1930)
[Reutersvärd studied under Carlsund (1941-46) in Stockholm. Carlsund curated an exhibition at the Eskilstuna Art Museum in 1946, and Reutersvärd
exhibited his own work there in 1981]
Nationality of Artist: Swedish
Identifying marks: Written on the back of the panel: dedicated to Gunnar Asplund
Place of manufacture: Not recorded
Publications: Susan Weber Soros (ed) 'Utopia and Reality: Modernity in Sweden 1900-1960' New York, 2002 p 74; Prof. Oscar Reutersvärd,
'Otto G Carlsund: fjärrperspektiv', Åhus, 1988; and 'Carlsund och Neo-plasticism' in Konsthistorisk Tidskrift, No 1, 1949 pp 19-27.
Serge Charchoune
(1888-1975)
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X28552
Bibi
c.1921
on paper, unique
Chinese ink and pencil on beige paper
image: 209 x 269 mm frame: 450 x 555 x 27 mm
Centre Pompidou, Paris. Musée national d'art moderne / Centre de création industrielle. Gift of Henri Goetz 1981.
Provenance:
1981: Donation to Centre Pompidou from Henri Goetz (AM 1981-628)
[the artist Henri Goetz was possibly a friend or acquaintance of Charchoune's. Both were associated with the Purist and Surrealist movements. The
Collection Goetz-Boumeester in Villefranche-sur-Mer also includes work by Charchoune]
Nationality of Artist: Russian
Identifying marks: Not recorded
Place of manufacture: Not recorded
Catalogue raisonné: Pierre Guenegan, 'Serge Charchoune: 1912-24', Paris, 2006. (shows a similar work is held in the René Guerra Collection,
Paris)
Jean Crotti
(1878-1958, born: Bulle, died: Paris)
X28566
Sentimental Poetry
1920
on paper, unique
Gouache and ink on paper
support: 536 x 441 mm frame: 800 x 650 x 30 mm (with glass)
Courtesy Galerie Natalie Seroussi
Provenance:
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- Private Collection (Courtesy of Galerie Natalie Seroussi, Paris)
1990, April 3rd: Acquired Mes. Laurin-Guilloux Buffetaud-Tailleur at auction (Drouot, Paris) no 43 repr: cat. from Collection Marteau
(?) Collection Marteau, Paris
(?) Merrill Berman Collection, New York
(?) M. Pertinet, paris;
(?) Mme Angeles, Paris;
Nationality of Artist: French
Identifying marks: signature, title, date on the bottom left: J Crotti 1920
Place of manufacture: not recorded
Catalogue raisonné: Jean Carlo Bertoli, 'Jean Crotti: L'Oeuvre peint [1900 -1958]', Paris, 2007.
Publications: Deborah Rothschild (ed) 'Graphic Design in the Mechanical Age: From the Merrill C Berman Collection', New Haven, 1998, pg 27 ;
Henry-Claude Cosseau 'Helion', Paris, 1992 p 62.
Walter Dexel
(1890-1973)
X28033
Composition 1923 XXI
1923
painting
Pencil and gouache on gray cardboard
support: 365 x 303 mm frame: 680 x 520 x 25 mm
Staatsgalerie Stuttgart, Graphic Collection
Provenance:
1979: Acquired by Staatsgalerie Stuttgart, Germany (Inv.: C 1979/2938)
from Gallery Valentien, Stuttgart
between 1973 and 1979: from Galerie Gmurzynska, Zürich to Galerie Valentien, Stuttgart.
[possibly from artist's estate after his death in 1973 to] Galerie Gmurzynska, Zürich.
Nationality of artist: German
Distinguishing marks: Not recorded
Place of manufacture: Not recorded
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X33280
Design for advertising clock
1927
on paper, print
Lithograph
support: 203 x 283 mm frame: 630 x 450 mm
Collection Merrill C. Berman
Provenance:
c 1990: Purchased by Merrill C Berman from MJS books and Graphics, New York
Nationality of artist: German
Distinguishing marks: not recorded
Place of manufacture: not recorded
X27662
Design for signage
1926-28
on paper, unique
Gouache over photograph
support: 221 x 159 mm frame: 630 x 450 mm
Collection Merrill C. Berman
Provenance:
Friday, June 12, 1992 [Lot 00169] Moderne Kunst: Purchased Merrill C Berman, Auction Hauswendell and Nolte, Hamburg, Germany
- MJS Books and Graphics, New York
Nationality of artist: German
Identifying marks: Signed
Place of manufacture: not recorded
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X29365
Poster for Contemporary Photography Exhibition, Magdeburg
1929
on paper, print
Linocut
support: 838 x 594 mm frame: 870 x 625 x 45 mm
Collection Merrill C. Berman
Provenance:
c.1981-1982 Purchased by Merrill C Berman from the Reinhold Brown Gallery, New York (the gallery specialises in modern and contemporary
advertisement and art posters)
Nationality of the artist: German
Distinguishing marks: not recorded
Place of manufacture: not recorded
Publications: Maud Lavin (ed) 'Graphic Design in the Mechanical Age: Selections from the Merrill C Berman collection' 1998, no, 50, fig 3.6
* Cleared by the Art Loss Register on 14th December 2009
Theo van Doesburg
(1883-1931, born: Utrecht, died: Davos)
X27405
Girl with Buttercups
1914
painting
Oil on canvas
support: 800 x 800 mm frame: 890 x 890 mm
Centraal Museum, Utrecht
Provenance:
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1994: acquired Central Museum, Utrecht 27771 from A. Tarica, Paris.
- from S. Tarica to A. Tarica, Paris (by inheritance)
1979, 5-6 November: acquired by S. Tarica from William N. Copley at Sotheby Parke Bernet auction, New York, cat.no. 9A, with colour ill.
1974-1979: on loan Yale University Art Gallery, New Haven, USA (as Girl with Buttercups) from William N. Copley
Probably 1947/1948. acquired by William N. Copley, USA from Nelly Van Doesburg
Nationality of Artist: Dutch
Identifying marks: verso Theo van Doesburg // Vreewjikst 11 // Leiden
Place of manufacture: Leiden
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27406
Composition
1915
on paper, unique
Pastel on black paper
support: 320 x 240 mm frame: 630 x 445 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultral Heritage; gift of van Moorsel)
Provenance:
1985: on loan Centraal Museum, Utrecht (25289)
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB5605)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg;
Nationality of Artist: Dutch
Identifying marks: lower right in pastel crayon [monogram]
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27936
Landscape
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1915
on paper, unique
Pastel on paper
support: 255 x 355 mm support, secondary: 455 x 590 mm (passe-partout) frame: 535 x 670 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4584)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: lower right on passe-partout, in pencil: 19 [monogram] 14
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27937
Composition
1915
on paper, unique
Pastel on black paper
support: 235 x 320 mm frame: 450 x 625 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1985: on loan Centraal Museum, Utrecht (25291)
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4567)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
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X27938
Composition
1915
on paper, unique
Pastel on black paper
support: 235 x 300 mm frame: 450 x 625 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1985: on loan Centraal Museum, Utrecht (25292)
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4568)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27939
Composition
1915
on paper, unique
Pastel on black paper
support: 315 x 240 mm frame: 625 x 455 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht (25290)
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4571)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
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X27407
Heroic Movement
[Mouvement héroïque] 1916
painting
Oil on canvas
support: 1360 x 1105 mm frame: 1420 x 1160 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1985: on loan to Centraal Museum, Utrecht (25282)
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4094)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance).
Nationality of Artist: Dutch
Identifying marks: l.r. in black paint: [monogram] 1916 verso: Th v Doesburg
Place of manufacture: Not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27444
Composition (The Cow)
c.1917
on paper, unique
Gouache, oil, and charcoal on paper
support: 397 x 557 mm frame: 560 x 760 mm (approx.)
The Museum of Modern Art, New York. Purchased 1948
Provenance:
1948: acquired by the Museum of Modern Art, New York (226.48) from Nelly van Doesburg (estate of the artist)
Nationality of Artist: Dutch
Identifying marks: lower left in pencil: Theo van Doesburg 1916; upper right in type on paper stuck to the work: XIII; lower left in ink: Made in France.
Place of manufacture: France
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Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X28613
Composition (The Cow)
c.1917
on paper, unique
Pencil on paper
image: 117 x 159 mm frame: 360 x 430 mm (approx.)
The Museum of Modern Art, New York. Purchased 1948
Provenance:
1948: acquired by the Museum of Modern Art, New York (227.48-6) from Nelly van Doesburg (estate of the artist)
Nationality of Artist: Dutch
Identifying marks: lower right in pencil, probably in Nelly van Doesburg's handwriting: 7
Place of manufacture: France
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X33178
De Stijl, I, no.1
1917
supporting material
Printed matter, journal
support: 260 x 195 mm
Centraal Museum, Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
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Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27446
Composition VIII (The Cow)
c.1918
painting
Oil on canvas
support: 375 x 635 mm frame: 410 x 670 mm (approx.)
The Museum of Modern Art, New York. Purchased 1948
Provenance:
1948: acquired by Museum of Modern Art, New York (225.48) from Nelly van Doesburg
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27449
Composition XI
1918
painting
Oil on canvas, mounted in artist's painted frame
support: 570 x 1010 mm frame: 646 x 1090 mm
Solomon R. Guggenheim Museum, New York, 54.1360
Provenance:
1954: Acquired by the Solomon R Guggenheim Museum, New York, (54.1360) from Nelly van Doesburg
c. 1953: Purchased by Nelly van Doesburg, Meudon, from Jan Meijer
c. 1947: Acquired by Jan Meijer [or Meyer] from Evert Rinsema, Amsterdam.
1918/ 1919: gift from Theo van Doesburg, Drachten to Evert Rinsema.
Nationality of Artist: Dutch
Identifying marks: l.r. 19 [monogram] 18, verso 19 [monogram] 18
Place of manufacture: Drachten
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
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X27456
Composition XIII
1918
painting
Oil on panel
support: 295 x 300 mm frame: 501 x 502 x 6 mm
Stedelijk Museum Amsterdam
Provenance:
1970: Acquired by the Stedelijk Museum, Amsterdam from Mrs J.M.A Oud-Dinaux (estate of the architect J.J.P Oud)
Nationality of the artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27461
Rhythm of a Russian Dance
1918
painting
Oil on canvas
support: 1359 x 616 mm
The Museum of Modern Art, New York. Acquired through the Lillie P. Bliss Bequest, 1946
Provenance:
1946: acquired by the Museum of Modern Art, New York (135.46) from Nelly van Doesburg (via Gallery Art of This Century with the help of Lillie P.
Bliss bequest)
Nationality of Artist: Dutch
Identifying marks: verso: 19[monogram]18 Théo van Doesburg // Holland
Place of manufacture: Holland
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Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27701
Typeface for De Stijl, vols 1-3 (1917-20) a. writing paper (two versions); b. postcard (two versions);
c. envelope (two versions); d. cover; e. title page; f. mailing wrapper; g. receipt; h. business card; i.
press card; j. advertisement page.
1917-18
on paper, print
Printed matter
frame: 635 x 750 mm (all items)
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: Centraal Museum, Utrecht and various other collectors
1981: donated to Netherlands Institute for Cultural heritage, Rijswijk, by Mrs L.H.M van Moorsel.
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27934
Composition X
1918
painting
Oil on canvas
support: 640 x 430 mm
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Centre Pompidou, Paris. Musée national d'art moderne / Centre de création industrielle. Bought in memory of Sylvie Boissonnas with the
participation of the Clarence Westbury Foundation, the Scaler Foundation and Fonds du Patrimoine, 2001.
Provenance:
2001: Purchased by Centre Pompidou in memory of Sylvie Boissonnas with the participation of the Clarence Westbury Foundation, the Scaler
Foundation and Fonds du Patrimoine from M. Oskar Müller-Widmann, Basel.
1956: M. Oskar Müller-Widmann, Basel (by inheritance)
1926 or later: Acquired by Oskar Müller-Widmann, Basel from Nelly van Doesburg
[unknown] (from Lena Milius to Nelly van Doesburg)
probably 1921: From the artist to Lena Milius
Nationality of Artist: Dutch
Identifying marks: l.r. in oil: 19 [monogram] 18 verso on list, lable inscribed: Kunstschau der Hansa Werkstätten no. 8
Place of manufacture: Leiden
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27943
Girl Knitting on the Harbour, prelude to Stained-Glass Composition II
1918
on paper, unique
Pencil, ink and gouache on paper
support: 115 x 110 mm frame: 450 x 625 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4453)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: verso in pencil: portrait sketch
Place of manufacture: Not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
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X27944
Girl Knitting on the Harbour, prelude to Stained-Glass Composition II
1918
on paper, unique
Pencil, ink and gouache on paper
support: 275 x 85 mm frame: 450 x 625 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4664)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27954
Study for L'enfant mécanique
1918
on paper, unique
Pencil and East Indian ink on transparent paper
support: 130 x 200 mm frame: 535 x 685 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4699)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
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Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27955
Mechanical Child
[L'enfant mécanique] 1918
on paper, unique
East Indian ink on transparent paper
support: 120 x 140 mm support, secondary: 155 x 180 mm frame: 535 x 685 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB5607)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: Low right on passe-partout, in pencil: Theo van Doesburg 1916
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27962
Composition, design for tiled floor, De Vonk holiday home, Noordwijkerhout
c.1917-18
painting
Oil on eternite
support: 270 x 270 mm frame: 310 x 310 mm
Collection Mrs. Armand Bartos, New York
Provenance:
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- Collection Mrs Armand Bartos
1951 or earlier: Mr and Mrs Armand P Bartos, New York, from Pinacotheca, New York
Probably 1947/1949: acquired by Pinacotheca (Rose Fried Gallery), New York, from Nelly van Doesburg
- Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: verso [monogram] 1917
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000, p 225. Other sources: Rose Fried Gallery Archives. Smithsonian Institute,
Washington DC
X29710
Model for the Leeuwarden Monument
1918, reconstruction 1998
sculpture
Wood
object: 546 x 248 x 248 mm (x1 object) object, each: 70 x 248 x 47 mm (x4 objects)
Ron Mittelmeijer, Leiden
Provenance:
1998: Reconstruction by Ron Mittelmeijer, Leiden
Nationality of artist: Dutch
Distinguishing marks: reconstruction
Place of manufacture: Leiden (reconstruction)
X33210
De Stijl, II, no.1
1918
supporting material
Printed matter, journal
support: 260 x 195 mm
Centraal Museum, Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
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Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X33237
De Stijl, I, no.6
1918
supporting material
Printed matter, journal
support: 260 x 195 mm
Centraal Museum, Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27464
Composition in Dissonances
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1919
painting
Oil on canvas
support: 635 x 585 mm
Kunstmuseum Basel, Gift Marguerite Arp-Hagenbach 1968
Provenance:
1968: donation to Öffentliche Kunstsammlung Basel from Marguerite Arp-Hagenbach G (1968.56)
1946: Acquired by Marguerite Arp-Hagenbach from Nelly van Doesburg (estate of the artist)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: Not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27468
Design for a Cheese Label
1919
on paper, unique
Pencil and East Indian ink on paper
support: 230 x 230 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1985: On loan from ICN, Rijswijk, (gift van Moorsel) to Centraal Museum, Utrecht
1981: Gift to Rijksdienst Beeldende Kunst, Den Haag (ICN) from L.H.M van Moorsel
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: Not recorded
Place of manufacture: Not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
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X27546
Monogram design for Antony Kok
1919
on paper, unique
Pencil, East Indian ink and gouache on transparent paper
support: 80 x 80 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to the Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4957)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance).
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27547
Monogram design for A. Hagemeyer
1919
on paper, unique
Pencil and East Indian ink on transparent paper
support: 105 x 105 mm with passe-partout image: 80 x 85 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht (AB4957)
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4957)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
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Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27562
Printed matter for Hagemeyer & Co Exporters; writing paper, envelope, postcard, visiting card, card
with French text, card with English text, visiting card
1919
on paper, print
Printed matter
support: 323 x 400 mm (all items pasted onto single sheet black cardboard)
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan to Centraal Museum, Utrecht
1981: donated to the Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4989)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27863
Design of lettering for Letter Foundry Amsterdam
1919
on paper, unique
Pencil and East Indian ink on transparent paper
support: 155 x 650 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB9133, formerly AB4961)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
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Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X33213
De Stijl, II, no.8
1919
supporting material
Printed matter, journal
support: 260 x 195 mm
Centraal Museum, Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27471
Design for cover of Clay
1920
on paper, unique
Pencil, gouache, East Indian ink and collage on transparent paper
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support: 800 x 570 mm frame: 905 x 635 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1985: On loan from ICN, Rijswijk, (gift van Moorsel) to Centraal Museum, Utrecht
1981: Gift to Rijksdienst Beeldende Kunst, Den Haag (ICN) from L.H.M van Moorsel
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: Not recorded
Place of manufacture: Not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27548
Classical, Baroque, Modern
1920
supporting material
Printed matter, book
support: 395 x 325 mm image: 153 x 87 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB5948)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
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X28429
Letter to Tristan Tzara, 8 December
1920
supporting material
Ink on De Stijl headed paper
support: 213 x 129 mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZR C 4084 1-2/2
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27550
Letter paper. Typography for De Stijl
1921
supporting material
Printed matter
support: 275 x 215 mm overall: 325 x 400 mm (black cardboard)
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4952)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
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Page 40 of 127
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X28107
'I like the spirit of Dada more and more'. Letter to Tristan Tzara, 2 December
1921
supporting material
Handwritten manuscript
support: 276 x 217 mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZR C 4087
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X28378
Letter to Tristan Tzara, Weimar, 23 June
1921
supporting material
Ink on card
support: 102 x 152 mm
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Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZR e 4088 1_2/2
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X33227
De Stijl, IV, no.11
1921
supporting material
Printed matter, journal
support: 210 x 260 mm
Centraal Museum, Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27551
Letter paper. Typography for De Stijl
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1922
supporting material
Printed matter
support: 285 x 220 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan to Centraal Museum, Utrecht
1981: donated to the Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4989)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27560
Small Dada Soirée. Dada tour of the Netherlands 10 January - 14 February 1923
1922
on paper, print
Printed matter, poster
support: 300 x 300 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan to Centraal Museum, Utrecht
1981: donated to the Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB9143)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue Raisonné: Theo Van Doesburg, edited by Els Hoek, 2000
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X28862
Letter to Tristan Tzara. Dada tour in Holland. 18 October
1922
supporting material
Ink on paper
support: 286 x 223 mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZR C 4099
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X33229
De Stijl, V, no.6
1922
supporting material
Printed matter, journal
support: 210 x 260 mm
Centraal Museum Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
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Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X33230
De Stijl, V, no.10/11
1922
supporting material
Printed matter, journal
support: 210 x 260 mm
Centraal Museum Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X33492
De Stijl, V, no.8, 1922
1922
supporting material
Printed matter, journal
support: 210 x 260 mm
Centraal Museum, Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
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Page 45 of 127
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27445
Counter-Construction, Axonometric, Maison Particulière
1923
on paper, unique
Gouache on lithograph
support: 572 x 572 mm
The Museum of Modern Art, New York. Gift of Edgar Kaufmann, Jr., 1947
Provenance:
1947: acquired by the Museum of Modern Art, New York, Edgar J. Kaufmann Jr. Fund (149.47) from Nelly van Doesburg (estate of the artist)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27559
What is Dada?
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[Wat is Dada?] 1923
supporting material
Printed matter, brochure
support: 155 x 125 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB9122)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27561
Dada Matinée on 28 January 1923 in the Diligentia Theatre, The Hague
1923
on paper, print
Printed matter, poster
support: 620 x 850 mm frame: 830 x 1235 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB6011)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
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X28868
Dada Soirée in the Hague. Letter to Tristan Tzara, 19 Janurary
1923
supporting material
Ink on De Stijl headed paper
support: 285 x 222 mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZR C 4103 1-2/2
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X33240
De Stijl, VI, no.5
1923
supporting material
Printed matter, journal
support: 210 x 260 mm
Centraal Museum, Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
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X27458
Counter-Composition V
1924
painting
Oil on canvas
support: 1000 x 1000 mm frame: 1050 x 1050 x 77 mm displayed: 1147 x 1150 x 133 mm (protection frame)
Stedelijk Museum Amsterdam
Provenance:
1936: Acquired by the Stedelijk Museum Amsterdam from Nelly van Doesburg (estate of the artist)
Nationality of artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X28295
Composition
1924
painting
Oil on canvas
support: 415 x 335 mm
Kunstmuseum Basel, Gift Marguerite Arp-Hagenbach 1968
Provenance:
1968: donated to Öffentliche Kunstsammlung Basel, (1968.57) by Marguerite Arp-Hagenbach
1955: Marguerite Arp from HU Gasser [according to Fondazione M Arp archive, Locarno]
- H.U Gasser from unknown gallery [according to Fondazione M Arp archive, Locarno]
-unknown gallery, London from Jane Heap [according to Fondazione M Arp archive, Locarno]
Nationality of Artist: Dutch
Identifying marks: verso Solomon R Guggenheim Museum Loan 35.53 Robinson
Lr TH v D 24
Place of manufacture: Not recorded
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Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X28510
Design for cover of Principles of Neo-Plastic Art
1924
on paper, unique
East Indian ink and gouache on transparent paper
support: 205 x 285 mm (folded open) overall: 300 x 425 mm (in passe-partout)
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4998)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27960
Advertisement for Fagus-Werk
1925
on paper, print
Printed matter pasted on cardboard
image: 200 x 130 mm support (passe-partout): 210 x 140
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB5004d)
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1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: lower right in pencil: theo van Doesburg 1925, upper right in pencil: [arrow pointing] 9 cm [arrow pointing right]
Place of manufacture: Not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X28511
Principles of Neo-Plastic Art
[Grundbegriffe der neuen gestaltenden Kunst] 1925
supporting material
Printed matter, book
support: 325 x 510 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1985: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB4999)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X33497
De Stijl, VI, 10/11
1925
supporting material
Printed matter, journal
support: 210 x 260 mm
Centraal Museum, Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
Nationality of Artist: Dutch
Identifying marks: not recorded
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Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X33500
De Stijl, VI, no.12
1925
supporting material
Printed matter, journal
support: 210 x 260 mm
Centraal Museum, Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27549
De Stijl typography on mail-wrapper
1926
supporting material
Printed matter
support: 150 x 370 mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan to Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, by Mrs L.H.M van Moorsel (AB5933)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
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X29971
Colour design for the floor and two long walls, Cinema-Dance Hall, conversion of the Café l'Aubette
interior, Strasbourg
1927
on paper, unique
Ink, gouache and metallic gouache on paper
image: 533 x 375 mm
The Museum of Modern Art, New York. Gift of Lily Auchincloss, Celeste Bartos and Marshall Cogan, 1982
Provenance:
1982: acquired the Museum of Modern Art, New York (391.82) from Kocher Collection, Cambridge Mass., with the help of a gift from Lily
Auchincloss, Celeste Bartos and Marshall Cogan
- Kocher Collection, Cambridge, Mass. From Sandra Kocher Collection, Worchester, Mass.
190/1982: on loan The Museum of Modern Art, New York, from Sandra Kocher Collection, Worchester, Mass.
1970, or earlier: Sandra Kocher Collection, Worchester, Mass. (During 1970 exhibition in New York this work was already in the MoMA Collection
according to the MoMA archive)
Nationality of Artist: Dutch
Identifying marks: l.r Theovandoesburg archt. // peinture. ll. Plan A. Parquet avec 2 murs
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X33493
De Stijl, VII, no.79/84
1927
supporting material
Printed matter, journal
support: 210 x 260 mm
Centraal Museum Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
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Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27455
Composition in Half-Tones
1928
painting
Oil on canvas
support: 500 x 500 mm
Kunstmuseum Basel, Gift Jean Arp 1966
Provenance:
1966: Donated to Öffentliche Kunstsammlung Basel (G 1966.10) by Marguerite Arp-Hagenbach.
- From Jean (Hans) Arp to Marguerite Arp-Hagenbach (by inheritance).
[date unknown] (presumably) from the artist to his friend the artist Jean (Hans) Arp. [Portfolio, no 207a with caption 'Collection Hans Arp' in Nelly van
Doesburg's handwriting, see catalogue raisonné].
Nationality of Artist: Dutch
Identifying marks: ll. In paint: TH.v.D // 1928, verso in paint: Theo v DOESburg // 1928 Paris
Verso on stretcher in stencilled letters: THEO VAN DOESBURG // COMPOSITION // EN DEMI VALEURS
Place of manufacture: Paris
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X33234
De Stijl, VIII, no.87/89
1928
supporting material
Printed matter, journal
support: 210 x 260 mm
Centraal Museum Utrecht
Provenance:
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1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27447
Simultaneous Counter-Composition
1929
painting
Oil on canvas
support: 495 x 495 mm
The Museum of Modern Art, New York. The Riklis Collection of McCrory Corporation, 1985
Provenance:
1985: acquired by the Museum of Modern Art, New York (1002.83) from The Riklis Collection of McCrory Corporation.
1974: acquired The Riklis Collection of McCroy Corporation from Galerie Beyeler, Basel.
1973: Galerie Beyeler, Basel, from Petzold- Müller Collection, Basel.
1970: bequest Petzold-Müller Collection, Basel, from Oskar Müller-Widmann, Basel.
1937 probably: acquired Oskar Müller-Widmann, Basel, from Nelly van Doesburg.
- acquired Nelly van Doesburg from Antony Kok, Tilburg.
1930: acquired Antony Kok, Tilburg, from Theo van Doesburg
Nationality of Artist: Dutch
Identifying marks: verso, in oil: Théo van Doesburg // Paris 1929
Place of manufacture: Paris
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
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X27544
Simultaneous Composition
1929
painting
Oil on canvas
support: 502 x 504 mm
Yale University Art Gallery, Gift of Katherine S. Dreier to Collection Société Anonyme
Provenance:
- Yale University Art Gallery (Société Anonyme Collection) 1948.209, Gift of Katherine S. Dreier
1948: acquired Katherine Dreier and Marcel Duchamp (co-founders of Société Anonyme) from Nelly van Doesburg.
Nationality of artist: Dutch
Distinguishing marks: verso Théo van Doesburg 1929 Paris Verso on frame at top: No.1 / / Haut
Place of manufacture: Paris
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X28382
Study for Arithmetic Composition
c.1929
on paper, unique
Pencil and East Indian ink on transparent paper
support: 235 x 235 mm overall: 425 x 600 mm (in passe-partout)
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1985: On loan from ICN, Rijswijk, (gift van Moorsel) to Centraal Museum, Utrecht
1981: Gift to Rijksdienst Beeldende Kunst, Den Haag (ICN) from L.H.M van Moorsel
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
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Page 56 of 127
Nationality of Artist: Dutch
Identifying marks: Not recorded
Place of manufacture: Not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X28747
Composition
1929
painting
Oil on canvas
support: 300 x 302 mm frame: 562 x 562 x 83 mm
Philadelphia Museum of Art, A.E. Gallatin Collection, 1952
Provenance:
1943: donated to the Philadelphia Museum of Art (A.E. Gallatin Collection) (1952-61-124) by A.E. Gallatin
1938: acquired A.E. Gallatin, New York, from Nelly van Doesburg (estate of artist) [after the painting's appearance in the Stedelijk Museum exhibition
in April 1938, probably during Gallatin's trip to Europe in summer 1938. He announced the acquisition in a press release of November 19, 1938]
Nationality of Artist: Dutch
Identifying marks: verso: Théo van Doesburg 29
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27448
Simultaneous Counter-Composition
1930
painting
Oil on canvas
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support: 501 x 498 mm
Museum of Modern Art, New York. The Sidney and Harriet Janis Collection, 1967
Provenance:
1967: acquired by the Museum of Modern Art, New York (Sidney and Harriet Janis Collection) (588.67) from Sidney and Harriet Janis.
1961: Sidney Janis from Dr and Mrs Norman F. Laskey, Mount Kisco
1953: Dr and Mrs Norman F. Laskey, Mount Kisco, from Sidney Janis
1952: Sidney Janis from John Senior Jr.
1951: John Senior Jr. from Nelly van Doesburg (estate of the artist)
Nationality of Artist: Dutch
Identifying marks: verso on old stretcher in black paint: Theo v. Doesburg; verso on old stretcher in black paint: HAUT
Verso on frame label: ART CONCRET FONDÉ EN 1930 // RUE PIERRE LAROUSSE PARIS 14EME // N° Nom: Théo van Doesburg // adresse: 2 r
d'Arceuil // Paris 14e // Titrre: Contre Composition Simultanée 1930 // Prix Francs Français 3300 // Adresse de Renvoi: Théo van Doesburg // 43, rue
Charles Infroit 41 // Meudon Val Fleury (S)
Verso on frame, on label : Exposition d'art Franç 1932 // n(76
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27578
Arithmetic Composition
1929-30
painting
Oil on canvas
support: 1010 x 1010 mm frame: 1295 x 1295 x 75 mm
Kunstmuseum Winterthur, Permanent loan from a private collection, 2001
Provenance:
1980: Private Collection (by inheritance). Now in deposit of Kunstmuseum Winterthur.
1937: Acquired by Private Collector, Basel, from Nelly van Doesburg (estate of the artist)
Nationality of Artist: Dutch
Identifying marks: Not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
Theo van Doesburg
(1883-1931, born: Utrecht, died: Davos)
I.K. Bonset (Theo van Doesburg)
(1883-1931)
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X27426
Scandalous Chronicle of the 'Flatland' (Pays-Plats). Dadaglobe.
1921
on paper, print
Handwritten manuscript
support: 680 x 214 mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZR 783 42
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27959
I.K.B Manifesto. Dadaglobe
1921
supporting material
Handwritten manuscript
274 x 213 mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZR 783 43
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
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Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Els Hoek, 'Theo van Doesburg', Utrecht, 2000
X27978
Manifesto 69. Dadaglobe
[Manifeste 69] 1921
supporting material
Handwritten manuscript with collage
274 x 213 mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZ 783 44
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Els Hoek, 'Theo van Doesburg', Utrecht, 2000
Viking Eggeling
(1880-1925)
X28363
Study for Diagonal Symphony
1919
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on paper, unique
Mine graphite on paper
support: 260 x 200 mm
Centre Pompidou, Paris. Musée national d'art moderne / Centre de création industrielle. Gift of Marcel Janco 1966.
Provenance:
1966: Donation to Centre Pompidou from Marcel Janco (AM 3569 D)
c.1919/1920: [presumably] From the artist to Marcel Janco. [Janco and Eggeling were acquainted through Tristan Tzara c.1919 when Eggeling
joined the activities of Zurich Dada]
Nationality of Artist: Swedish
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Louise O'Konor, 'Viking Eggeling, 1880-1925, Artist and Filmmaker: Life and Work', trans Catherine G. Sundström and Anne Libby,
Stockholm, Almqvist and Wiksell, 1971
Jean Gorin
(1899-1981)
X28663
Spatial study of colours for an interior, Nort-sur-Erdre. Neo-plastic design for a living room no.1,
axonometric view
1927
on paper, unique
Pencil, Chinese ink and gouache on paper
support: 627 x 420 mm frame: 785 x 635 x 27 mm
Centre Pompidou, Paris. Musée national d'art moderne / Centre de création industrielle. Gift of Jean and Suzanne Gorin 1978.
Provenance:
1978: Donation to Centre Pompidou by Jean and Suzanne Gorin (AM 1978-615)
Nationality of Artist: French
Identifying marks: None
Place of manufacture: France
Publications: Maurice Allemand, 'Jean Gorin: Peintures, reliefs, constructions dans l'espace, documents 1922-1968', Paris, 1969 ;
Marianne Lemoine, 'Dessins de Jean Gorin', Paris, 1977
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X28664
Maison de bureaux, Nort-sur-Erdre
1927
on paper, unique
Mine graphite, Chinese ink and gouache on paper
support: 653 x 500 mm frame: 785 x 635 x 27 mm
Centre Pompidou, Paris. Musée national d'art moderne / Centre de création industrielle. Gift of Jean and Suzanne Gorin 1978.
Provenance:
1978: Donation to Centre Pompidou by Jean and Suzanne Gorin (AM 1978-612)
Nationality of Artist: French
Identifying marks: None
Place of manufacture: France
Publications: Maurice Allemand, 'Jean Gorin: Peintures, reliefs, constructions dans l'espace, documents 1922-1968', Paris, 1969 ;
Marianne Lemoine, 'Dessins de Jean Gorin', Paris, 1977 (AM 1978-612)
Jean Hélion
(1904-1987, born: France, died: Paris)
X28046
Orthogonal Composition
1930
painting
Oil on canvas
support: 1000 x 810 mm
Centre Pompidou, Paris. Musée national d'art moderne / Centre de création industrielle. Purchased 1975.
Provenance:
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1975: purchased Musée National d'Art Moderne, Centre Georges Pompidou, Paris from the Karl Flinker Gallery, Paris
[date unknown]: Karl Flinker Gallery, Paris [In 1974 Hélion began a twelve-year association with Flinker]
[date unknown] Private Collection
[date unknown] Galerie Louis Carre, Paris
Nationality of Artist: French
Identifying marks: None
Place of manufacture: Unknown
Publications: Henry-Claude Cousseau, 'Hélion', Paris, 1992 ; Bruno Racine (ed), 'Jean Hélion' Centre Pompidou, Paris, 2004; exh cat. 'Hélion les
anne´es 50 : exposition du 8 mai au 28 juin 1980, Galerie Karl Flinker'.
X28139
Complex Tensions
1930
painting
Oil on canvas
support: 900 x 890 mm
Private collection, courtesy Galerie Louis Carré & Cie
Provenance:
- Private collection (by inheritance)
1962: acquired by Louis Carré from the artist.
Nationality of artist: French
Distinguishing marks: Not recorded
Place of manufacture: Not recorded
Publications: Henry-Claude Cousseau, 'Helion', Paris, 1992 p. 309
X28190
Circular Tensions
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1931-32
painting
Oil on canvas
support: 750 x 750 mm frame: 800 x 800 mm
Courtesy Galerie Natalie Seroussi
Provenance:
- Private Collection
by 1987: Centre d'Art et de Communication, Vaduz, Liechtenstein
Robert Altmann, Vaduz
Galerie Weiller, Dallas,
Nationality of artist: French
Distinguishing marks: signed and dated Hélion 32
Place of manufacture: Not recorded
Publications: Claude-Henri Cosseau, 'Jean Hélion', Paris, 1992
Dörte Helm-Heise
(1898-1941)
X28456
Design for Bauhaus invitation card
1923
on paper, print
Lithography
support: 151 x 103 mm
Centre Pompidou, Paris. Musée national d'art moderne / Centre de création industrielle. Gift of Nina Kandinsky 1981.
Provenance:
1981: Gift to Centre Pompidou from Nina Kandinsky (Inv. : AM 81-65-1059(14) )
1944: (presumably) from Wassily Kandinsky to Nina Kandinsky (by inheritance)
[date unknown] (presumably) From the artist to Wassily Kandinsky
[Helm-Heise was at the Bauhaus from Weimar from 1919/20, took classes with Wassily Kandinsky 1920-2. Wassily and Nina Kandinsky were
married from 1917. After the death of her husband, Nina Kandinsky started the Kandinsky Fund, and donated a large part of works she inherited to
the Centre Pompidou in 1981]
Nationality of Artist:German
Identifying marks: not recorded
Place of manufacture: Weimar
Publications: Barry Bergdoll and Leah Dickerman 'Bauhaus: Workshops for Modernity', MoMA, New York, 2009 ; Gerd Fleischmann, 'Bauhaus:
drucksachen, typografie, reklame', Düsseldorf, 1994
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Vilmos Huszár
(1884-1960)
X27664
Composition with Female Figure
1918
painting
Oil on canvas
support: 800 x 604 mm
Museum of Modern Art, New York. The Riklis Collection of McCrory Corporation, 1985
Provenance:
1983: Acquired by the Museum of Modern Art, New York, from the Riklis Collection of McCrory Corporation (1026.1983)
By 1977: The Riklis Collection of McCrory Corporation, New York
By 1964: Malborough-Gerson Gallery Inc, New York
Nationality of artist: Hungarian
Identifying marks: not recorded
Place of manufacture: not recorded
The work was cleared by MoMA through the Art Loss Register on June 4, 2009
X29593
Poster for Miss Blanche Virginia Cigarettes
1926
on paper, print
Lithograph
support: 298 x 190 mm frame: 880 x 630 mm
Collection Merrill C. Berman
Provenance:
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November 1988 (?): Work exchanged between Merrill C Berman, New York and the Stedelijk Museum, Amsterdam.
Nationality of artist: Dutch
Identifying marks: not recorded
Place of manufacture: Not recorded
Vilmos Huszár
(1884-1960)
Gerrit Thomas Rietveld
(1888-1964)
X28148
Model of the Space-Colour-Composition for the Nonjuried Exhibition in Berlin
1923, reconstruction 1983
sculpture
Wood, metal, cardboard and paint
overall: 278 x 600 x 550 mm overall: 405 x 760 x 760 mm (perspex showcase)
Centraal Museum, Utrecht (on loan from Tjarda Mees, Amsterdam)
Provenance:
1999: (reconstruction) on loan from Tjarda Mees, Amsterdam (manufacturer), to Centraal Museum, Utrecht (inv 28600)
Identifying marks: reconstruction
Place of manufacture: Amsterdam
Bart van der Leck
(1876-1958, born: Utrecht, died: Blaricum)
X28024
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Composition
1921
painting
Oil on canvas
support: 425 x 425 mm frame: 460 x 465 mm (without glass/perspex)
Centraal Museum, Utrecht with support of Vereniging Rembrandt
Provenance:
1988: Purchased with support of the Vereniging Rembrandt from the heirs of GA Schröder-Schräder, Utrecht
[date unknown]: (presumably) Acquired by Schröder-Schräder from the artist. [Schröder-Schräder probably knew Van der Leck through Rietveld,
whose friend the architect P. J. C. Klaarhamer shared a studio with van der Leck after 1906]
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Publications: Toos van Kooten, 'Bart van der Leck', Kröller-Müller, Otterlo, 1994
Harold Loeb
X27829
Broom, III, no.3
1922
supporting material
Rotogravure on paper
support: 333 x 232 mm
Collection Merrill C. Berman
Provenance:
c.1990: Purchased Merrill C Berman from the antiquariat book auction.
Distinguishing marks: Not recorded
Place of manufacture: Rome
Farkás Wolfgang Molnár
(1897 - 1945)
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X28455
Postcard for State Bauhaus Exhibition, Weimar, July-September
1923
supporting material
Colour lithograph on cardboard
support: 144 x 94 mm frame: 630 x 450 mm
Collection Merrill C. Berman
Provenance:
1987 Purchased by Merrill C Berman from the booksellers Ex Libris, New York.
Nationality of artist: Hungarian
Distinguishing marks: Not recorded
Place of manufacture: Not recorded
Publications: Maud Lavin (ed) 'Art and Design from the Merrill C Berman Collection, 1998
Piet Mondrian
(1872-1944, born: Amersfoort, died: New York, active: Amsterdam, Paris,
Nederland, London, New York)
X27593
Composition with Blue, Yellow, Black and Red 1922
1922
painting
Oil on canvas
support: 530 x 540 mm frame: 574 x 567 x 23 mm
Staatsgalerie Stuttgart
Provenance:
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1980: acquired by the Staatsgalerie Stuttgart (inv. 3353) from Private Collector (Spain)
1975: (Oct 22) Acquired by a Private Collector (Spain) at auction, Sotheby Parke Bernet, New York.
c. 1959 - (?): Acquired by the Phillipe Reichenbach Collection, Houston from Sidney Janis Gallery
c.1950-59: Sidney Janis Gallery, New York
1928 (?) - c. 1950: (possibly) from the artist to Nico Eekman (friend of Mondriaan's), Paris [the two artists had a joint exhibition: 'Mondrian - Eekman',
Paris, 1928 at the Galerie Jeanne Bucher]
Nationality of artist: Dutch
Place of manufacture: Not recorded
Identifying marks: Not recorded
Catalogue raisonné: Joop M Joosten (ed) 'Piet Mondrian', Vol 2, 1998, p 306.
Georges Ribemont-Dessaignes
(1884 - 1974)
X28345
Silence
c.1915
painting
Oil on canvas
support: 921 x 733 mm
The Museum of Modern Art, New York. Katherine S. Dreier Bequest, 1953
Provenance:
1953: Museum of Modern Art, New York from the Katherine S Dreier Bequest. (1078.1983)
1920-53 Katherine S Dreier, west Redding, CT
(presumably) acquired by the patron Katherine S Dreier from the artist.
Nationality of artist: French
Identifying marks: Alternate title: Szegedin (inscribed on recto)
Place of manufacture: Not recorded
Publications: Leah Dickerman (ed) 'Dada' exh. cat, Washington, New York, Paris, 2006 p 397
Hans Richter
(1888-1976)
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X28387
Letter to Tristan Tzara. 2 December, Berlin
[Lettre autographe á Tristan Tzara, Berlin, 2 décembre 1922] 1922
supporting material
Graphite on paper with film negatives attached to the front
282 x 221 mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZR C 3409 1/3
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
X28027
Rhythmus 23
1923
painting
Oil on canvas
support: 700 x 4200 mm frame: 960 x 4500 x 100 mm, 160 kg
Museo Cantonale d'Arte, Lugano
Provenance:
1991: Acquired by the Museo Cantonale d'Arte, Lugano, from the estate of the artist.
Nationality of Artist: Swiss
Identifying marks: not recorded
Place of manufacture: not recorded
Gerrit Thomas Rietveld
(1888-1964)
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X28068
Sideboard design
1919, reconstruction 1996
sculpture
Sycamore and three-ply birch
object: 1045 x 2000 x 450 mm
Centraal Museum, Utrecht
Provenance:
1996: Reconstruction by Centraal Museum, Utrecht (inv 28111)
Identifying marks: Not recorded
Place of manufacture: Utrecht
Catalogue raisonné: Marijke Küper, Ida van Zijl, 'Gerrit Th. Rietveld', Centraal Museum, Utrecht, 1992
X28071
Armchair
Design 1918; executed 1918-20
sculpture
Beech and sycamore
object: 930 x 610 x 820 mm
Centraal Museum, Utrecht (with support of Vereniging Rembrandt, Mondriaan Stichting, Stichting bedrijfsvrienden Centraal Museum)
Provenance:
2004: Purchased by Centraal Museum, Utrecht, from Frans Leidelmeijer, Amsterdam
2004: Purchased by Frans Leidelmeijer, Amsterdam from Mrs CM ten Doesschate, Rotterdam
(date unknown) [presumably] Acquired by Mrs CM ten Doesschate from her friend Gerrit Rietveld (presumably)
Nationality of artist: Dutch
Identifying marks: Not recorded
Place of Manufacture: Not recorded
Catalogue raisonné: Marijke Küper, Ida van Zijl, 'Gerrit Th. Rietveld', Centraal Museum, Utrecht, 1992.
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X28069
Hanging Lamp
1922
sculpture
3 tubular glass lamps, glass tubes, wood
object: 945 x 401 x 400 mm
Centraal Museum, Utrecht
Provenance:
1959: Gift from Truus Schröder-Schräder (commissioner), Utrecht to Centraal Museum, Utrecht. [All furniture and fittings were part of the
commission. Original designs by Rietveld were modified to fit the house.]
Nationality of Artist: Dutch
Identifying marks: Not recorded
Place of manufacture: Not recorded
Catalogue raisonné: Marijke Küper, Ida van Zijl, 'Gerrit Th. Rietveld', Centraal Museum, Utrecht, 1992, p 102.
X29384
Study for the office of Dr A.M. Hartog, Maarssen
1922
supporting material
Gelatin silver print
support: 225 x 155 mm (unframed)
Centraal Museum, Utrecht/Rietveld-Schröder Archive
Provenance:
1985: On loan from the Rietveld-Schröder House Foundation to Centraal Museum Utrecht (inv 059F001)
Identifying marks: Not recorded
Place of manufacture: Not recorded
Catalogue raisonné: Marijke Küper, Ida van Zijl, 'Gerrit Th. Rietveld', Centraal Museum, Utrecht, 1992 pg 87
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X28067
Red-Blue chair
1923 (this is the correct date)
sculpture
Five-ply wood and beech
object: 880 x 600 x 660 mm
Centraal Museum, Utrecht
Provenance:
1959: Gift from the artist to Centraal Museum, Utrecht.
Nationality of Artist: Dutch
Identifying marks: Not recorded
Place of manufacture: Not recorded
Catalogue raisonné: Marijke Küper, Ida van Zijl, 'Gerrit Th. Rietveld', Centraal Museum, Utrecht, 1992
X28445
End Table
1923
sculpture
Five-ply wood and beech
object: 595 x 500 x 500 mm
Centraal Museum, Utrecht
Provenance:
1994: Purchased from Mrs AM Pezarro-Schröder, Amsterdam by Centraal Museum, Utrecht.
- From Hanneke Schröder to Mrs AM Pezarro-Schröder (inheritance)
1985: From Mrs Truus Schröder-Schräder (commissioner) to her daughter Hanneke Schröder (by inheritance)
Nationality of Artist: Dutch
Identifying marks: Not recorded
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Place of manufacture: Not recorded
Catalogue raisonné: Marijke Küper, Ida van Zijl, 'Gerrit Th. Rietveld', Centraal Museum, Utrecht, 1992, p. 102.
X28090
Model for the Rietveld-Schröder House
1924, reconstruction 1987
sculpture
Cardboard and wood
object: 265 x 345 x 265 mm displayed: height tbc x 550 x 770 mm (perspex box)
Centraal Museum, Utrecht
Provenance:
1959: Gift from artist to Centraal Museum, Utrecht (inv 12589)
Nationality of Artist: Dutch
Identifying marks: Not recorded
Place of manufacture: The Netherlands
Catalogue raisonné: Marijke Küper, Ida van Zijl, 'Gerrit Th. Rietveld', Centraal Museum, Utrecht, 1992
X28471
Isometric projection from the east, first floor Rietveld-Schröder House
1924
on paper, unique
Pencil, ink, watercolour on collotype
frame: 1025 x 1025 mm (wooden frame) support: 840 x 870 mm
Centraal Museum, Utrecht/Rietveld-Schröder Archive
Provenance:
1985: On loan from the Rietveld Schröder House Foundation to Centraal Museum. Utrecht.
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Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: The Netherlands
Catalogue raisonné: Marijke Küper, Ida van Zijl, 'Gerrit Th. Rietveld', Centraal Museum, Utrecht, 1992
X28443
Berlin Chair
1923
sculpture
Five-ply wood and beech
object: 1062 x 753 x 583 mm
Centraal Museum, Utrecht
Provenance:
1988: Gift from Truus Schröder-Scräder (commissioner), Utrecht, to Centraal Museum, Utrecht (inv 26104) (all furniture and fittings were part of the
commission. Original designs by Rietveld were modified to fit the Rietveld-Schröder House)
Nationality of Artist: Dutch
Identifying marks: Not recorded
Place of manufacture: Not recorded
Catalogue raisonné: Marijke Küper, Ida van Zijl, 'Gerrit Th. Rietveld', Centraal Museum, Utrecht, 1992, p 102.
Thijs Rinsema
(1877 - 1947)
X28621
Olympia
1920-30
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on paper, unique
Collage on paper
support: 131 x 115 mm
Fries Museum Leeuwarden, Netherlands
Provenance:
1985: Acquired by Fries Museum, Leeuwarden, from the Sandberg Collection [Sandberg was the Director of the Stedelijk Museum, Amsterdam, from
1945-1962]
Nationality of the artist: Dutch
Distinguishing marks: not recorded
Place of manufacture: not recorded
Publications: Thom Mercuur (ed) 'Thijs Rinsema 1877-1947', Fries Museum, Leeuwarden, 1980
X28622
Day's Tobacco Company
1920-30
on paper, unique
Collage on paper
support: 131 x 111 mm
Fries Museum Leeuwarden, Netherlands
Provenance:
1985: Acquired by Fries Museum, Leeuwarden, from the Sandberg Collection [Sandberg was the Director of the Stedelijk Museum, Amsterdam, from
1945-1962]
Nationality of the artist: Dutch
Distinguishing marks: not recorded
Place of manufacture: not recorded
Publications: Thom Mercuur (ed) 'Thijs Rinsema 1877-1947', Fries Museum, Leeuwarden, 1980
Christian Schad
(1894-1982, born: Miesbach, died: Stuttgart)
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X29311
Typewritten Picture. Dada Portrait. Walter Serner
1920
on paper, unique
Collage
165 x 192mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara TZR 820
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Els Hoek, 'Theo van Doesburg', Utrecht, 2000
Paul Schuitema
(1897 - 1973)
X29313
Advertisement for Hil Berkel Competition
1928
on paper, unique
Lithograph
support: 298 x 213 mm frame: 630 x 450 mm
Collection Merrill C. Berman
Provenance:
1990: Purchased by Merrill C Berman from the book sellers Ex- Libris, New York.
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Nationality of artist: Dutch
Distinguishing marks: not recorded
Place of manufacture: not recorded
Kurt Schwitters
(1887-1948, born: Hannover, died: Kendal, active: Hamburg, London)
X30859
Letter to Tristan Tzara. Hanover. 7 December
1920
supporting material
Handwritten manuscript with collage
support: 146 x 107 mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZR 3682/ TZR C 3681 - A
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Catalogue raisonné: Hatje Cantz, 'Kurt Schwitters: 1905-1922', Hannover, 2003
X27511
Typeset Poem
1922
on paper, unique
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Black chalk on paper
support: 116 x 96 mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZR 3682
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Catalogue raisonné: Hatje Cantz, 'Kurt Schwitters: 1905-1922', Hannover, 2003
X28309
Typeset Poem
1922
on paper, unique
Black chalk on paper
support: 101 x 79 mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZR C 3409 1/3
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Catalogue raisonné: Hatje Cantz, 'Kurt Schwitters: 1905-1922', Hannover, 2003
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X30858
Typeset Poem
1922
on paper, unique
Black chalk on paper
105 x 90mm
Chancellerie des Universités de Paris - Bibliothèque littéraire Jacques Doucet, Paris
Provenance:
1967: Acquired by the Bibliothèque littéraire Jacques Doucet, Paris, from Christophe Tzara. TZR 3683 3
1963: From Tristan Tzara to Christophe Tzara (by inheritance).
- Correspondence received by the artist Tristan Tzara
Identifying marks: Not recorded
Place of manufacture: Not recorded
Publications: Laurent le Bont, 'Dada', Centre Pompidou, Paris, 2005
Catalogue raisonné: Hatje Cantz, 'Kurt Schwitters: 1905-1922', Hannover, 2003
X28180
Untitled (I.K. Bonset)
1925
on paper, unique
Collage, oil and cardboard on paper
support: 175 x 145 mm frame: 272 x 226 x 31 mm
Private collection
Provenance:
After 1968: Private Collection, Brussels (by inheritance)
1956 - 1968: Pierre Janlet, Brussels
1954: Galerie Heinz Berggruen, Paris
(possibly) 1948-1954: Ernst Schwitters (the artist’s son), Lysaker, Norway. (By inheritance)
Nationality of Artist: German
Identifying marks: Not recorded
Place of manufacture: Not recorded
Catalogue raisonné: Hatje Cantz, 'Kurt Schwitters: 1923-1936', Hannover, 2003, p. 162
Karel Teige
(1900 - 1951)
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X30268
Fragment (b), Reworked typographical poetry page from book by K. Biebl, 'With a Ship Importing
Tea and Coffee'
1928
on paper, unique
Lithograph and gouache on paper
support: 190 x 137 mm
Collection Merrill C. Berman
Provenance:
Oct-Nov 1988 Purchased by Merrill C Berman from Galerie Gmurzynska
Nationality of artist: Czech
Distinguishing marks: Not recorded
Place of manufacture: Not known
X30819
Fragment (a), Reworked typographical poetry page from book by K. Biebl, 'With a Ship Importing
Tea and Coffee'
1928
on paper, unique
Lithograph and watercolour on paper
support: 190 x 137 mm
Collection Merrill C. Berman
Provenance:
Oct-Nov 1988 Purchased by Merrill C Berman from Galerie Gmurzynska
Nationality of artist: Czech
Distinguishing marks: Not recorded
Place of manufacture: Not known
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Jan Tschichold
(1902-1974)
X28313
Graphic Advertising Art
1927
on paper, print
Printed matter, booklet
support: 218 x 153 mm
Collection Merrill C. Berman
Provenance:
1988: Purchased Merrill C Berman from the book sellers Ex Libris, New York. This work is listed in the priced catalogue 'Lissitzky, Schwitters,
Tschichold, Werkman, Zwart' c. 1985
Nationality of artist: German
Distinguishing marks: Not recorded
Place of manufacture: Not recorded
X29315
The New Typography
[Die Neue Typographie] 1928
supporting material
Printed matter, book
support: 210 x 284 mm
Collection Merrill C. Berman
Provenance:
July 1988: Purchased by Merrill C Berman from the Barry Friedman Gallery, New York
Nationality of artist: German
Distinguishing marks: Not recorded
Place of manufacture: Berlin
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Publications: Maud Lavin (ed), 'Graphic Design in the Mechanical Age: Selections from the Merrill C Berman Collection', fig 2.2, no 188.
Nelly Van Doesburg
(1899-1975)
X33175
De Stijl, 1917-1931, last issue
1932, January
supporting material
Printed matter, journal
210 x 260 mm
Centraal Museum, Utrecht
Provenance:
1983: Purchased by Centraal Museum, Utrecht, from Booksellers Schuhmacher, Amsterdam
Nationality of Artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
Georges Vantongerloo
(1886-1965, born: Antwerpen, died: Paris)
X30030
Study, no.III
1920
painting
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Caseine on panel
support: 300 x 225 mm frame: 470 x 400 mm
Museum voor Schone Kunsten, Gent
Provenance:
2008: acquired by the Museum voor Schone Kunsten, Gent from Annely Juda Fine Art, London
c. 2006: Acquired by Annely Juda Fine Art, London from Max Bill
- Collection Max Bill (Georges Vantongerloo Foundation, Zumikon, Switzerland)
(date unknown) from the artist to Max Bill (Zurich, Switzerland)
Nationality of artist: French
Distinguishing marks: inscribed verso: top left with ink '(5)', top half with blue crayon '1920', signed and dated with ink 'G Vantongerloo 1920'
typewritten on white label 'Georges Vantongerloo / (5) etudes Bruxelles 1920. Vantongerloo's later address in Paris is stuck out on label.
Place of Manufacture: Brussels
Catalogue raisonné, 'Georges Vantongerloo' Angela Thomas Janowski, Kunsthaus Zurich, 1981 no. 11 pg 31
Publications: Angela Schmid, 'Georges Vantongerloo: A Restrospective' Annely Juda Fine Art, London, 2006, no 17.
X29973
Composition II, Indigo Violet Derived from Equilateral Triangle
1921
painting
Oil on canvas mounted on cardboard
support: 330 x 375 mm
The Museum of Modern Art, New York. The Riklis Collection of McCrory Corporation, 1985
Provenance:
1983: the Museum of Modern Art, New York, from The Riklis Collection of McCrory Corporation (1078.1983)
1977: the Riklis Collection of McCrory Corporation.
1971: [Denise René Hans Mayer (gallery)] Düsseldorf
(?) Max Bill, Zurich
Nationality of Artist: French
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Angela Thomas Janowski (ed), 'Georges Vantongerloo' Kunsthaus Zurich 1981
Cleared by MoMA through the Art Loss Register on June 4, 2009
Clara Wichmann
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X28630
The Theory of Syndicalism
[De theorie van het syndicalisme] 1920
supporting material
Printed matter, book
image: 190 x 180mm
Centraal Museum, Utrecht (on loan from the Netherlands Institute of Cultural Heritage; gift van Moorsel)
Provenance:
1999: on loan Centraal Museum, Utrecht
1981: donated to Netherlands Institute for Cultural Heritage, Rijswijk, from Mrs L.H.M van Moorsel (AB4979)
1975: Mrs L.H.M (Wies) van Moorsel estate from Nelly van Doesburg (by inheritance)
Identifying marks: not recorded
Place of manufacture: not recorded
Catalogue raisonné: Els Hoek, 'Theo van Doesburg', Utrecht, 2000
Piet Zwart
(1885-1977)
X29314
Advertisement for NKF, Dutch Cable Works, Delft
1925
on paper, print
Letterpress
support: 297 x 211 mm frame: 375 x 287 x 37 mm
Collection Merrill C. Berman
Provenance:
c. 1985-1988: Purchased by Merrill C Berman from the book sellers Ex Libris, New York. Ex Libris published the priced catalogue 'Herbert Bayer
& Piet Zwart: Masters of Design' between 1987 and 1993.
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Nationality of artist: Dutch
Identifying marks: not recorded
Place of manufacture: not recorded
Arshile Gorky: A Retrospective
Tate Modern (London, UK) from 10 Feb 2010 until 09 May 2010.
Arshile Gorky
(c.1904-1948, born: Armenia, died: Sherman)
X31434
The Antique Cast
1926
painting
Oil on canvas
support: 921 x 1178 mm
San Francisco Museum of Modern Art, Gift of Mr. and Mrs. David McCulloch © Estate of Arshile Gorky / Artists Rights Society (ARS), New York San
Francisco Museum of Modern Art, Gift of Mr. and Mrs. David McCulloch
Provenance:
Acquired from the artist by Julien Levy; to Mrs. David Metzger, 1947; to Mrs. Warren McCulloch; to David McCulloch; donated by Mr. and Mrs. David
McCulloch
X31438
Self-Portrait at the Age of Nine
1928
painting
Oil on canvas
support: 311 x 260 mm
The Metropolitan Museum of Art, Gift of Leon Constantiner, 2002
Provenance:
Acquired from the artist by Mrs. Nat Austin, after 1928; to Nicholas Wilder and James Corcoran, Los Angeles, circa 1970s; to Nicholas Wilder; Estate
of Nicholas Wilder, New York; to Leon Constantiner, New York, ca. 1990; to The Metropolitan Museum of Art, 2002
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X31439
Self Portrait
circa 1928
painting
Oil on canvas
support: 610 x 406 mm
Los Angeles County Museum of Art. Gift of Mr. and Mrs. Hans Burkhardt
Provenance:
Acquired from artist by Hans Burkhardt between 1934-1937; donated to the Los Angeles County Museum of Art, 1947
X31457
Woman with Palette
circa 1928
painting
Oil on canvas
support: 1359 x 952 mm
Philadelphia Museum of Art. Purchased with funds (by exchange) from the bequest of Henrietta Myers Miller with proceeds from the sale of other
deaccessioned works of art
Provenance:
Acquired from the artist by Maxfield Franz Vogel during early-1930s; by descent to Louise Vogel; to Philadelphia Museum of Art, 2004
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X31458
Untitled (Study for Woman with Palette)
circa 1928
on paper, unique
Pencil on paper
support: 489 x 730 mm
Stephen Mazoh
Provenance:
Estate of the artist; to private collection; to Stephen Mazoh & Co., Rhinebeck, New York
X31442
Enigma (Composition of Forms on a Table)
1928-1929
painting
Oil on canvas
support: 838 x 1118 mm
The Honorable and Mrs. Joseph P. Carroll
Provenance:
Acquired from the artist by Mr. and Mrs. M. Martin Janis, Buffalo, 1934; to Allan Stone Collection; sold Christies, 12 November, 2007 to The
Honorable and Mrs. Joseph P. Carroll
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X31443
Abstraction with Palette
circa 1930
painting
Oil on canvas
support: 1219 x 891 mm
Philadelphia Museum of Art
Provenance:
Acquired from the artist by Bernhard Davis, circa 1930; donated to Philadelphia Museum of Art, 1942
X31449
Still Life
circa 1930-1
painting
Oil on canvas
support: 978 x 1279 mm
Chrysler Museum of Art, Norfolk, VA, Bequest of Walter P. Chrysler, Jr.
Provenance:
Acquired from artist by Charles Mergentime; donated to the Museum of Modern Art, New York, 1953; to Jeffrey H. Loria, March 1976; to M. Knoedler
and Co., May 1976; to Walter P. Chrysler Jr.; bequethed to the Chrysler Museum of Art 1989
X31471
Study for “Nighttime, Enigma, and Nostalgia”
circa 1932
on paper, unique
Pen, brush, and ink on paper
support: 511.2 x 730.25 mm
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, Joseph H. Hirshhorn Purchase Fund, 2000.
Provenance:
Estate of the artist; to private collection; to Sidney Janis Gallery, New York; to private collection, New York; to Sigrid Freundorfer Fine Art, New York;
to Harvey and Francoise Rambach, New Jersey, 1984; to James Goodman Gallery, New York, 1999; to Hirshhorn Museum and Sculpture Garden,
April 28, 2000
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X31472
Nighttime, Enigma, and Nostalgia
circa 1931-2
on paper, unique
Pen, brush and ink on board (recto); Pen and black ink and graphite pencil on board (verso)
support: 662 x 867 mm
Whitney Museum of American Art, New York. 50th Anniversary Gift of Mr. and Mrs. Edwin A. Bergman. 80.54a-b
Provenance:
Mr. and Mrs. Edwin A. Bergman, Chicago, by 1969; donated to Whitney Museum of American Art, 1980
X31478
Untitled (Study for a Mural)
circa 1931-2
on paper, unique
Pen and black ink over graphite on wove paper
support: 1841 x 660 mm frame: 660 x 813 x 25 mm
The Detroit Institute of Arts, Founders Society Purchase with funds from Mr. and Mrs. Richard A. Manoogian and K.T. Keller Fund.
Provenance:
Acquired from the artist by Jeanne Reynal; to Detroit Institute of Arts
X31479
Nighttime, Enigma, and Nostalgia
circa 1932
on paper, unique
Ink on paper
support: 724 x 966 mm
Private collection
Provenance:
Estate of the artist; to Sidney Janis Gallery, New York; to private collection; sold by Jason McCoy, New York to private collection, October 2001
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X31461
Portrait of Myself and My Imaginary Wife
1933-1934
painting
Oil on paperboard
support: 219 x 362 mm frame: 394 x 533 mm
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Provenance:
Acquired from the artist by Joseph H. Hirshhorn, 20 March, 1943; to the Joseph H. Hirshhorn Foundation; donated to Hirshhorn Museum and
Sculpture Garden, 17 May, 1966
X31480
Organization (Nighttime, Enigma, and Nostalgia)
circa 1933-4
painting
Oil on canvas mounted on masonite
support: 343 x 549 mm
University of Arizona Museum of Art. Gift of Edward Joseph Gallagher, Jr.
Provenance:
Edward J. Gallagher, Jr.; to University of Arizona Museum of Art, 1958
X31481
Nighttime, Enigma, and Nostalgia
circa 1933-4
painting
Oil on canvas mounted onto panel
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support: 914 x 1216 mm
The Museum of Fine Arts, Houston. Museum purchase with funds provided by the Caroline Wiess Law Accessions Endowment Fund
Provenance:
Acquired from the artist by Mr. and Mrs. Martin Janis, 1934; to The Martha Jackson Gallery, circa 1955; to the Estate of the artist; to private
collection; to Gagosian Gallery by 1999; to Museum of Fine Arts, Houston, 2005
X31451
The Artist and His Mother
circa 1926-36
painting
Oil on canvas
support: 1524 x 1270 mm
Whitney Museum of American Art, New York. Gift of Julien Levy for Maro and Natasha Gorky in memory of their father. 50.17
Provenance:
Estate of the artist; to Julien Levy; donated to Whitney Museum, 1950
X31483
Organization
1933-1936
painting
Oil on canvas
support: 1264 x 1524 mm
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund 1979.13.3
Provenance:
Estate of the artist; to private collection after 1966; to Xavier Fourcade, Inc., New York by 1979; purchased by National Gallery of Art, 28 February,
1979
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X31499
Study for Mural, “Aviation: Evolution of Forms under Aerodynamic Limitations”
circa 1935-6
painting
Oil on canvas
support: 762 x 889 mm
Grey Art Gallery, New York University Art Collection. Gift of May Walter, 1965.
Provenance:
Acquired by Mr. Alfred Auerbach at auction, 1940s; to Miss May Walter, February 1963; donated to New York University Art Collection, February
1965
X31500
Aviation: Evolution of Forms under Aerodynamic Limitations I
1935-1936
on paper, unique
Gouache on paper
support: 153 x 263 mm
Diocese of the Armenian Church of America (Eastern) on Deposit at the Calouste Gulbenkian Foundation, Lisbon, Portugal
Provenance:
Estate of the artist; to Vartoosh Mooradian (sister); by descent to Karlen Mooradian (nephew); bequeathed to the Diocese of the Armenian Church of
America (Eastern)
X31501
Aviation: Evolution of Forms under Aerodynamic Limitations II
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1935-1936
on paper, unique
Gouache on paper
support: 464 x 304 mm
Diocese of the Armenian Church of America (Eastern) on Deposit at the Calouste Gulbenkian Foundation, Lisbon, Portugal
Provenance:
Estate of the artist; to Vartoosh Mooradian (sister); by descent to Karlen Mooradian (nephew); bequeathed to the Diocese of the Armenian Church of
America (Eastern)
X31503
Aviation: Evolution of Forms under Aerodynamic Limitations IV
1935-1936
on paper, unique
Gouache on paper
support: 160 x 255 mm
Diocese of the Armenian Church of America (Eastern) on Deposit at the Calouste Gulbenkian Foundation, Lisbon, Portugal
Provenance:
Estate of the artist; to Vartoosh Mooradian (sister); by descent to Karlen Mooradian (nephew); bequeathed to the Diocese of the Armenian Church of
America (Eastern)
X31505
Study for Activities in the Field (Mural for Administration Building, Newark Airport, New Jersey)
1935-1936
on paper, unique
Gouache on paper
support: 474 x 926 mm
Museum of Modern Art
Provenance:
Extended loan to the Museum of Modern Art from the United States WPA Art Program. Fine Arts Collection, Public Buildings Service, General
Services Administration, 1939.
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X31507
Khorkom
circa 1933-6
on paper, unique
Brush, pen and ink, and graphite on paper, with some erasing
support: 578 x 730 mm
L&M Arts, New York
Provenance:
Estate of the artist; to private collection by 1999; to L+M Arts by 2003
X31509
Image at Khorkum
circa 1934-6
on paper, unique
Graphite and Ink on paper
support: 470 x 619 mm
Collection of Mr. and Mrs. J. Tomilson Hill
Provenance:
Estate of the artist; to Gagosian Gallery; to Mr. and Mrs. J. Tomilson Hill by 2003
X31510
Khorkum
circa 1933-6
on paper, unique
Brush, pen, ink, and wash on wove paper
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support: 580 x 781 mm
Ellen Phelan and Joel Shapiro
Provenance:
Estate of Arshile Gorky; to private collection; to Stephen Mazoh, New York; to Ellen Phelan and Joel Shapiro, after 1994
X31464
Portrait of Willem de Kooning
circa 1937
on paper, unique
Ink on paper
support: 216 x 137 mm
Carroll Janis
Provenance:
Acquired from the artist by Bartolet Collection; to Sidney Janis Gallery, New York; to Carroll Janis, New York.
X31482
Architectonic Panel: Nighttime, Enigma, and Nostalgia
1936-1937
on paper, unique
Wash and Indian ink on paper
support: 558 x 762 mm
Diocese of the Armenian Church of America (Eastern) on Deposit at the Calouste Gulbenkian Foundation, Lisbon, Portugal
Provenance:
Estate of the artist; to Vartoosh Mooradian (sister); by descent to Karlen Mooradian (nephew); bequeathed to the Diocese of the Armenian Church of
America (Eastern)
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X31488
Composition with Head
circa 1936-7
painting
Oil on canvas
support: 1943 x 1537 mm
Donald L. Bryant, Jr. Collection
Provenance:
Estate of Arshile Gorky; to private Collection by 1989; sold at
Sotheby's New York, 14 November, 2001 to Donald L. Bryant, Jr
X31489
Painting
circa 1936-7
painting
Oil on canvas
support: 965 x 1219 mm
Whitney Museum of American Art, New York. Purchase 37.39
Provenance:
Acquired by Whitney Museum of American Art, New York, from the 1937 Whitney Annual exhibition, 1937
X31490
Composition
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1937
painting
Enamel on canvas
support: 739 x 1013 mm
The Museum of Fine Arts, Houston. Bequest of Caroline Wiess Law
Provenance:
Acquired from the Estate of the artist by private collection; bequest of Caroline Wiess Law to the Museum of Fine Arts, Houston
X31502
Aviation: Evolution of Forms under Aerodynamic Limitations III
1936-1937
on paper, unique
Gouache on paper
support: 464 x 342 mm
Diocese of the Armenian Church of America (Eastern) on Deposit at the Calouste Gulbenkian Foundation, Lisbon, Portugal
Provenance:
Estate of the artist; to Vartoosh Mooradian (sister); by descent to Karlen Mooradian (nephew); bequeathed to the Diocese of the Armenian Church of
America (Eastern)
X31493
Composition
circa 1936-9
painting
Oil on canvas
support: 756 x 908 mm
Minneapolis Institute of Arts, The Francisca S. Winston Fund
Provenance:
Estate of Arshile Gorky; to Paul Kantor Gallery, Beverly Hills, California; purchased by the Minneapolis Institute of Art, 1963
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X31544
Hitler Invades Poland
1939
on paper, unique
Mixed media on paper
support: 445 x 581 mm
Private Collection
Provenance:
The artist; to Ailes Gilmour [Isamu Noguchi's sister]; to private collection, 1985
X31511
Untitled (Xhorkum)
1940
on paper, unique
Pencil on paper
support: 216 x 260 mm
Private Collection
Provenance:
Phyllis Kind Gallery, New York; to Harold X. Weinstein, Chicago; to Richard Feigen Gallery, New York; to Dunkelman Gallery, Toronto/ Allan Stone
Gallery, New York; to Melissa C. Brumder, New York, c. 1979; to Mitchell-Innes & Nash, New York; to private collection; sold at Christies, New
York, to private collection, 17 May, 2007
X31515
Untitled (Study for Garden in Sochi)
1940
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painting
Watercolor and gouache on gessoed balsa wood panel
support: 129 x 186 mm
Collection of Ms. Andrea Balian, Ms. Katherine Balian, Dr. Bruce Berberian, and Mr. Mark Berberian
Provenance:
Estate of the artist; to Statenig Avedisian (sister), Watertown, Massachussets; by descent to Florence Berberian (niece), 11 February, 1985; by
descent to Andrea Balian, Katherine Balian, Mark Berberian and Dr. Bruce Berberian, 8 August 2001
X31514
Garden in Sochi
1941
painting
Oil on canvas
support: 1124 x 1581 mm
Museum of Modern Art
Provenance:
Acquired from artist by Mr. and Mrs. Wolfgang S. Schwabacher; to Museum of Modern Art, New York, 1942
X31452
The Artist and His Mother
1926-1942
painting
Oil on canvas
support: 1524 x 1270 mm
National Gallery of Art, Washington, Ailsa Mellon Bruce Fund, 1979.13.1
Provenance:
Estate of the artist; to private collection after 1966; to Xavier Fourcade, Inc., New York by 1979; purchased by National Gallery of Art, 28 February,
1979
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X31494
Central Park at Dusk
1936-1942
painting
Oil on canvas
support: 622 x 775 mm
Curtis Galleries, Minneapolis, MN
Provenance:
Acquired from the artist by Mr. and Mrs. William Muschenheim, 1931; to Sidney Janis Gallery, 1963; to Eugene V. Thaw, 1976; to private collection;
to Acquavella Gallery, New York; to private collection; to Salander O'Reilly Galleries, New York; to Curtis Galleries, Minneapolis, 1994
X31496
Untitled
1941-1942
on paper, unique
Gouache on paper on board
support: 432 x 559 mm
Frederick R. Weisman Art Foundation
Provenance:
Peter Socolof by 1981; to Allan Stone Gallery; sold by Christies New York to Frederick Weisman Company, 8 November, 1983; to Frederick R.
Weisman Art Foundation, 15 January, 2003
X31497
Mojave
1941-1942
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painting
Oil on canvas
support: 732 x 1029 mm
Los Angeles County Museum of Art. Gift of Burt Kleiner
Provenance:
Mr. and Mrs. Burt Kleiner; donated to Los Angeles County Museum of Art, 1964
X31512
After Khorkum
1940-1942
painting
Oil on canvas
support: 914 x 1213 mm
The Art Institute of Chicago, Gift of Mr. and Mrs. Howard Wise
Provenance:
Estate of the artist; to Allan Stone and Howard Wise, 1963; to Howard Wise, 1964; donated to The Art Institute of Chicago, 1968
X31519
The Pirate II
1942
painting
Oil on canvas
support: 743 x 1019 mm
Private collection, courtesy Waqas Wajahat Ltd., New York
Provenance:
Acquired from artist by Julien Levy, 1945; sold at Tajan auction, Paris, to private collection, 5 October, 2004
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X31517
Garden in Sochi
circa 1943
painting
Oil on canvas
support: 787 x 990 mm
Museum of Modern Art
Provenance:
Estate of the artist; to The Museum of Modern Art, New York, 1969
X31520
The Pirate I
1942-1943
painting
Oil on canvas
support: 762 x 921 mm
The Honorable and Mrs. Joseph P. Carroll
Provenance:
Acquired from artist by Julien Levy, 1945; sold at Tajan auction, Paris, to Lawrence B. Salander, New York, 6 October, 2004; to The Honorable and
Mrs. Joseph Carroll, 2006
X31522
Waterfall
circa 1943
painting
Oil on canvas
support: 968 x 638 mm
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, Gift of Joseph H. Hirshhorn, 1966
Provenance:
Estate of the artist; to Sidney Janis Gallery, New York; to Harold Diamond, New York; to Joseph H. Hirshhorn, New York, 1964; donated to
Hirshhorn Museum and Sculpture Garden, 1966
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X31524
Anatomical Blackboard
1943
on paper, unique
Graphite and crayon on paper
support: 514 x 695 mm
Private Collection
Provenance:
Estate of the artist; to Sidney Janis collection, New York, 1950s; to Walter Bareiss, New York by 1962; to private collection
X31525
Drawing (Virginia Landscape)
1943
on paper, unique
Pencil and wax crayon on paper
support: 581 x 737 mm frame: 752 x 910 mm
Glenstone
Provenance:
Estate of the artist; to private collection; to Xavier Fourcade, Paris; to Allan Stone Gallery, New York; to private collection; to C&M Arts, New
York; to Glenstone Foundation, 1999
X31526
Untitled (Virginia Landscape)/Act of Creation
1943
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on paper, unique
Graphite and wax crayon on paper
support: 527 x 730 mm frame: 835 x 1035 x 33 mm
Collection Calouste Gulbenkian Foundation, Lisbon, Portugal
Provenance:
Estate of the artist; to Vartoosh Mooradian (sister); by descent to Karlen Mooradian (nephew); bequeathed to the Diocese of the Armenian Church of
America (Eastern); to Collection Calouste Gulbenkian Foundation, Lisbon, Portugal
X31527
Untitled (Virginia Landscape)
circa 1943
on paper, unique
Graphite pencil and pastel on paper, mounted on board
support: 510 x 692 mm
Collection of Ms. Andrea Balian, Ms. Katherine Balian, Dr. Bruce Berberian, and Mr. Mark Berberian
Provenance:
Estate of the artist; to Statenig Avedisian (sister), Watertown, Massachussets; by descent to Florence Berberian, 11 February, 1985; by descent to
Andrea Balian, Katherine Balian, Mark Berberian and Dr. Bruce Berberian, 8 August 2001
X31528
Study for The Liver is the Cock’s Comb
1943
on paper, unique
Graphite and crayon on paper
support: 483 x 629 mm
The Museum of Contemporary Art, Los Angeles. Bequest of Marcia Simon Weisman
Provenance:
Estate of Arshile Gorky until May 1961; Sidney Janis Gallery; Ferus Gallery/Sidney Janis Gallery; to Mr. and Mrs. Frederick R. Weisman by 1962; to
Marcia Simon Weisman; donated to Museum of Contemporary Art, 1996
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X31523
Housatonic Falls
1943-44
painting
Oil on canvas
support: 864 x 1118 mm
Private Collection, New York
Provenance:
Estate of the artist; to William B. Jaffe by 1966; to Mr. and Mrs. Albrecht Saalfield by 1981; to private collection
X31529
One Year the Milkweed
1944
painting
Oil on canvas
support: 940 x 1194 mm
National Gallery of Art, Washington, Ailsa Mellon Brunce Funda 1979.13.2
Provenance:
Estate of the artist; to private collection after 1966; to Xavier Fourcade, Inc., New York by 1979; purchased by National Gallery of Art, 28 February,
1979
X31530
How My Mother’s Embroidered Apron Unfolds in My Life
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1944
painting
Oil on canvas
support: 1016 x 1145 mm
Seattle Art Museum, gift of Mr. and Mrs. Bagley Wright
Provenance:
Estate of the artist; to Sidney Janis Gallery; to Mr. and Mrs. Bagley Wright, 1959; donated to the Seattle Art Museum, 1974
X31531
Love of the New Gun (l’Amour du fusil neuf)
1944
painting
Oil on canvas
support: 756 x 959 mm
The Menil Collection, Houston
Provenance:
Acquired from the artist by Julien Levy, 1945; to Richard L. Feigen Gallery, New York; to the Menil Foundation, 1980
X31532
Untitled
1944
painting
Oil on canvas
support: 1670 x 1782 mm
Peggy Guggenheim Collection
Provenance:
Acquired from the artist, 1945
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X31533
Untitled
1944
painting
Oil on cardboard
support: 610 x 765 mm frame: 841 x 1000 mm
Glenstone
Provenance:
Acquired from the artist by the Magruder Collection, Washington, D.C.; to Henri Gallery, Washington, D.C.; to Felix Landau Gallery, Los Angeles; to
Mr. & Mrs. Argo E. Landau; to private collection, USA; sold at Sotheby's New York, Contemporary Art sale to C&M Arts, New York,
November 5-6, 1985; to Glenstone
X31534
Cornfield of Health
circa 1944
painting
Oil on canvas
support: 864 x 1118 mm
Private Collection
Provenance:
Estate of Arshile Gorky; to private collection after 1966; to private collection after 1982
X31535
Good Afternoon, Mrs. Lincoln
circa 1944
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painting
Oil on canvas
support: 762 x 965 mm
Collection of Barney A. Ebsworth
Provenance:
Estate of the artist to Merrill Berman after 1966; to Allan Stone Gallery by 1974; to private collection by 1995; to Allan Stone Gallery by 1997; to
Barney Ebsworth, 1997
X31550
Study for The Plow and the Song
1944
on paper, unique
Graphite and crayon on paper
support: 483 x 643 mm
The Allen Memorial Art Museum
Provenance:
Estate of the artist; acquired by Allen Memorial Art Museum from Sidney Janis Gallery, 1956
X31553
Haikakan Gutan I (Armenian Plow I)
1944
sculpture
Wood
object: 194 x 175 x 116 mm
Diocese of the Armenian Church of America (Eastern) on Deposit at the Calouste Gulbenkian Foundation, Lisbon, Portugal
Provenance:
Estate of the artist; to Vartoosh Mooradian (sister); by descent to Karlen Mooradian (nephew); bequeathed to the Diocese of the Armenian Church of
America (Eastern)
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X32524
The Liver Is the Cock's Comb
1944
painting
Oil on canvas
support: 1860 x 2500 mm
Collection Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox, 1956
Provenance:
Acquired from the artist by Mrs. Jean Lamson Hebbeln, 1944; exhibited at Sidney Janis Gallery 1953; to Seymour H. Knox Jr.; donated to AlbrightKnox Gallery, 1956
X31538
Untitled
1945
on paper, unique
India ink and red crayon on grey paper
support: 229 x 146 mm
Doreen and Gilbert Bassin
Provenance:
Estate of the artist; Allan Frumken Gallery; sold at Sotheby's, New York, to Doreen and Gilbert Bassin, March 18, 1972
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X31539
Untitled
circa 1945
on paper, unique
Ink and gouache on paper
support: 610 x 480 mm
Collection Marcel and David Fleiss, Galerie 1900-2000, Paris
Provenance:
Acquired from the artist by André Breton; to Marcel and David Fleiss, Galerie 1900-2000, Paris, France
X31545
The Unattainable
1945
painting
Oil on canvas
support: 1048 x 743 mm
The Baltimore Museum of Art: Purchase with exchange funds from Blanche Adler Bequest, Frederic W. Cone, William A. Dickey, Jr., Nelson and
Juanita Greif Gutman Collection, Wilmer Hoffman, Mr. and Mrs. Albert Lion, ** continued in object notes field
Provenance:
Acquired from artist by Edgar A. Levy; to Mr. Julien Levy; to Sidney Janis Gallery; to Mr. Barney Rosset; to Harold Diamond; to Baltimore Museum of
Art, 1964
X31546
Hugging (Good Hope Road II). (Pastoral)
1945
painting
Oil on canvas
support: 647 x 827 mm
Museo Thyssen-Bornemisza
Provenance:
Acquired from the artist by Julien Levy; to Mr. and Mrs. Sidney Janis, 1966; to The Museum of Modern Art, 1967; to Andrew Crispo Gallery, New
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York; to Thyssen-Bornemisza Collection, Madrid, Spain, 1978
X31547
Landscape Table
1945
painting
Oil on canvas
support: 920 x 1219 mm
Centre Pompidou
Provenance:
Acquired from the artist by Julien Levy; to Mr. and Mrs. B. H. Friedman by 1966; to M. Knoedler & Co.; to Musee National d'Art Moderne, Centre
National d'Art et Culture George Pompidou, Paris, France, 1971
X31554
Haikakan Gutan II (Armenian Plow II)
1945
sculpture
Wood and aluminum
object: 155 x 613 x 143 mm
Diocese of the Armenian Church of America (Eastern) on Deposit at the Calouste Gulbenkian Foundation, Lisbon, Portugal
Provenance:
Estate of the artist; to Vartoosh Mooradian (sister); by descent to Karlen Mooradian (nephew); bequeathed to the Diocese of the Armenian Church of
America (Eastern)
X32532
Diary of a Seducer
1945
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painting
Oil on canvas
support: 1270 x 1575 mm
Provenance:
Acquired from artist by Julien Levy; to Mr. and Mrs. William A. M. Burden, 1951; donated by Mr. William A. M. Burden, 1985
X31537
Untitled
1945-1946
on paper, unique
India ink and gouache on grey paper
support: 308 x 365 mm
Collection Timothy Baum, New York
Provenance:
Acquired from the artist by André Breton; by descent to Aude Breton Elleouet; to Timothy Baum
X31540
Nude
1946
painting
Oil on canvas
support: 1273 x 968 mm
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Provenance:
Acquired from the artist by Julien Levy Gallery; to Mr. and Mrs. Frederic Varady, New York; to Harold Diamond, New York, 1964; to Joseph H.
Hirshhorn Foundation, 1964; to Hirshhorn Museum and Sculpture Garden, 1966
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X31541
Study for 'Nude'
1946
on paper, unique
Ink on paper
support: 241 x 159 mm
Private Collection
Provenance:
Acquired from the artist by André Breton; to Galerie 1900 - 2000, Paris, France; acquired by private collection from Galerie 1900-2000, Paris, 2002;
sold at Christies, London, February 9, 2007, to private collection
X31548
Apple Orchard
circa 1943-6
on paper, unique
Pastel on paper
support: 1067 x 1321 mm
Private Collection, New York
Provenance:
Estate of the artist; to Sidney Janis Gallery, New York; to Galerie Beyeler, Basel, November 1959; to Mr. Luigi Carluccio, Turin, Italy, April 1960; to
Allan Stone Gallery, New York; to private collection, New York
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X31549
Apple Orchard
1942-1946
painting
Oil on canvas
support: 1110 x 1360 mm
Collection of Samuel and Ronnie Heyman
Provenance:
Estate of the artist; to Samuel and Ronnie Heyman, 31 March,1998
X31556
Untitled
1946
on paper, unique
Pencil and colored crayon on paper
support: 483 x 635 mm
Private Collection
Provenance:
Estate of artist; acquired by Norma Pechenik from Sidney Janis Gallery exhibition, c.1950s; to private collection, late 1960s
X31557
Abstract Composition
1946
on paper, unique
Graphite and colored crayon
support: 483 x 635 mm
Private collection
Provenance:
Private collection
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X31558
Untitled
1946
on paper, unique
Graphite and crayon on paper
support: 483 x 635 mm
Paula Cooper Gallery
Provenance:
Acquired from the artist or Estate by Julien Levy, New York; to private collection, Chicago; to Richard Feigen Gallery, Chicago; to Roger and Myra
Davidson, Toronto, Canada; bought in at Sotheby's New York, Thursday, 14 November, 1991; to Paula Cooper Gallery
X31560
Drawing
1946
on paper, unique
Pencil and crayon on paper
support: 476 x 578 mm
Private Collection
Provenance:
Julien Levy collection; to private collection
X31561
Virginia – Summer
1946
on paper, unique
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Graphite and crayon on paper
support: 481 x 620 mm
The Museum of Fine Arts, Houston. Gift of Oveta Culp Hobby
Provenance:
Estate of Arshile Gorky; M. Knoedler & Co., New York; to Xavier Fourcade, New York; to Katharine Komaroff Fine Arts, Inc., New York; to
Barbara Mathes Gallery, 1989; to Janie C. Lee Gallery; bought in at Sotheby's New York, Contemporary Art, Part I [Lot 00005]; Gift of Oveta Culp
Hobby to The Museum of Fine Arts, Houston
X31562
Abstract
1946
on paper, unique
Ink and crayon on paper
support: 483 x 635 mm
Indiana University Art Museum, Bloomington, Indiana
Provenance:
Estate of the artist; to Herbert Ferber, New York,1966; to Dr. Ilse Falk by 1969; to IUAM, March, 1969
X31563
Study for 'Agony'
circa 1946
on paper, unique
Crayon and pencil on paper
support: 457 x 610 mm
Private Collection
Provenance:
B.C. Holland, Chicago; to Allan Stone Gallery, New York; to private collection; to Allan Stone Gallery, New York; to private collector, March 3, 2007
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X31567
Charred Beloved II
1946
painting
Oil on canvas
support: 1370 x 1016 mm
National Gallery of Canada, Ottawa, Purchased 1971
Provenance:
Estate of the artist; to Michel Tapies de Celeyran, Turin, Italy; to Fruart d'Angeli; to M. Knoedler and Co., Inc.; to The National Gallery of Canada,
1971
X31573
Study for “Summation”
1946
on paper, unique
Graphite and crayon on paper
support: 481 x 622 mm
Whitney Museum of American Art, New York. Gift of Mr. and Mrs. Wolfgang S. Schwabacher. 50.18
Provenance:
Acquired from the artist by Ethel Schwabacher, June 1947; donated to the Whitney Museum of American Art, 1950
X32528
Untitled
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1946
on paper, unique
Oil pastel and graphite on paper
support: 457 x 610 mm frame: 698 x 838 mm
Collection of Harry W. and Mary Margaret Anderson
Provenance:
William Copley Collection; sold at Sotheby's, June 1979 to Harold Diamond; to Harry W. and Mary Margaret Anderson, 1981
X31552
The Plow and the Song
1947
painting
Oil on canvas
support: 1283 x 1591 mm
The Allen Memorial Art Museum
Provenance:
Estate of the artist; acquired from Julien Levy Gallery, 1952
X31555
Haikakan Gutan III (Armenian Plow III)
1947
sculpture
Wood
object: 194 x 175 x 116 mm
Diocese of the Armenian Church of America (Eastern) on Deposit at the Calouste Gulbenkian Foundation, Lisbon, Portugal
Provenance:
Estate of the artist; to Vartoosh Mooradian (sister); by descent to Karlen Mooradian (nephew); bequeathed to the Diocese of the Armenian Church of
America (Eastern)
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X31564
Study for 'Agony'
circa 1946-7
on paper, unique
Crayon, pencil, and wash on paper
support: 571.5 x 752.5 mm
Private Collection
Provenance:
The Estate of Arshile Gorky, New York; to M. Knoedler & Co., Inc., New York; to George Perutz, Dallas, Texas; to Sarah Campbell Blaffer
Foundation, Houston; to private collection, New York, 1987; sold by Christies, New York to private collection, New York, 20 November, 1996; sold at
Christies New York, PostWar & Contemporary Evening Sale to private collection, 12 November, 2008
X31566
Study for Agony
1946-1947
on paper, unique
Pen and ink with crayon on paper
support: 216 x 279 mm
North Carolina Museum of Art, Raleigh, Gift of Mr. and Mrs. John Foushee
Provenance:
Estate of the artist; to Mr. and Mrs. John Foushee, Chapel Hill, NC; donated to North Carolina Museum of Art, 1963
X31568
Study for 'The Betrothal'
1947
on paper, unique
Graphite, charcoal, pastel and crayon on paper
support: 1264 x 1019 mm
Donald L. Bryant, Jr. Collection
Provenance:
Acquired from the artist by Jeanne Reynal, New York; to Julien Levy, Connecticut; to Mr. and Mrs. Andrew Saul; sold at Sotheby's New York to
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private collection, New York, November 9, 1981; to Ben Heller, New York; sold at Christies, New York, to Donald L. Bryant, Jr., November 15, 2006
X31569
The Betrothal
1947
painting
Oil on canvas
support: 1286 x 997 mm
Yale University Art Gallery, The Katherine Ordway Collection
Provenance:
Donated by the artist to the International Rescue Committee, 27 January, 1948; acquired by Katherine Ordway from the International Rescue
Committee, April 4, 1949; acquired as part of The Katherine Ordway Collection by Yale University Art Gallery, 1980
X31570
The Betrothal I
1947
on paper, unique
Oil on paper
support: 1295 x 1016 mm
The Museum of Contemporary Art, Los Angeles. The Rita and Taft Schreiber Collection, Given in loving memory of her husband, Taft Schreiber, by
Rita Schreiber
Provenance:
Estate of Arshile Gorky; to Martha Jackson Gallery, New York; to Rita and Taft Schreiber, Los Angeles; donated to The Museum of Contemporary
Art, Los Angeles, 1989
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X31571
The Betrothal II
1947
painting
Oil on canvas
support: 1289 x 965 mm
Whitney Museum of American Art, New York. Purchase 50.3
Provenance:
Acquired from the artist by Julien Levy; to Samuel M. Kootz Gallery by 1950; Whitney Museum of American Art, 1950
X31576
Soft Night
1947
painting
Oil, india ink, and conté crayon on canvas
support: 968 x 1273 mm
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, The Joseph H. Hirshhorn Bequest, 1981
Provenance:
Estate of the artist; to Julien Levy; to Mr. and Mrs. John Stephan, Greenwich, Conneticut, November 1948; to Ruth (Stephan) Wagreen Franklin,
1962; to New York City Health and Hospital Corporation/Bellevue Hospital Center, New York, 1976; sold at Sotheby's, New York, May 27, 1976 to
Joseph H. Hirshhorn, New York; to Estate of Joseph H. Hirshhorn, 1981; to Joseph H. Hirshhorn Foundation, 1981; to Hirshhorn Museum and
Sculpture Garden, 1981
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X32533
Agony
1947
painting
Oil on canvas
support: 1016 x 1283 mm
The Museum of Modern Art, New York. A. Conger Goodyear Fund
Provenance:
Acquired from estate of the artist, 1950
X31578
Untitled
1943-1948
painting
Oil on canvas
support: 1384 x 1638 mm
Dallas Museum of Art
Provenance:
Estate of the artist; to Sidney Janis Gallery; to Dallas Museum of Fine Arts, 1965
X31581
Dark Green Painting
crica 1948
painting
Oil on canvas
support: 1114.4 x 1419.2 mm
Philadelphia Museum of Art. Gift by exchange of Mr. and Mrs. Rudolphe Meyer de Schaunsee and Mrs. R. Sturgis Ingersoll
Provenance:
Mr and Mrs. H. Gates Lloyd, Haverford, Pennsylvania; sold by heirs at Sotheby's, New York, 4 May, 1994 to William Acquavella, New York; to
Philadelphia Museum of Art, 1995
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X31582
Last Painting ("The Black Monk")
1948
painting
Oil on canvas
support: 786 x 1015 mm
Museo Thyssen-Bornemisza
Provenance:
Estate of the artist; to private collection; to Andrew Crispo Gallery, New York after 1966; to Museo Thyssen-Bornemisza, 1978
Henry Moore
Tate Britain (London, UK) from 24 Feb 2010 until 08 Aug 2010.
Henry Moore OM, CH
(1898-1986, born: Castleford)
X29321
Reclining Figure
1930
sculpture
Ancaster stone
object: 330 x 514 x 197 mm
The Detroit Institute of Arts, Founders Society Purchase, Friends of Modern Art Fund
Provenance:
Mrs Fletcher LeB. B. Dailey (Miss Lois Orswell), Narragansett, Rhode Island; the M. Knoedler and Co., Inc., New York; purchased by The Detroit
Institute of Arts, Detroit, 2 April 1962
Nationality of Artist: British
Identifying marks: None recorded
Place of manufacture: None recorded
Catalogue Raisonné: Sylvester, David, ed., Henry Moore: Sculptures and Drawings: 1921-1948, vol. 1, London, 1979, no. 94, pp.7, 57
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X28899
Two Forms
1934
sculpture
Pynkado wood
object (including base): 279 x 546 x 308 mm
The Museum of Modern Art, New York. Sir Michael Sadler Fund, 1937
Provenance:
Collection of the artist, London, 1934-1937; The Museum of Modern Art, New York, 1937 (purchased from Moore)
Nationality of Artist: British
Identifying marks: None recorded
Place of manufacture: None recorded
X28910
Two Forms
1936
sculpture
Hornton stone
object: 1067 x 432 x 203 mm object: 1029 x 337 x 305 mm base: 800 x 826 x 483 mm
Philadelphia Museum of Art: Gift of Mrs H. Gates Lloyd, 1963
Provenance:
The artist; Sir Michael Sadler; Curt Valentin Gallery, New York; Mrs H. Gates Lloyd, Haverford, PA (acquired from Valentin between 1940 and 1945);
Philadelphia Museum of Art: Gift of Mrs H. Gates Lloyd, 1963
Nationality of Artist: British
Identifying marks: None recorded
Place of manufacture: None recorded
Catalogue Raisonné: Sylvester, David, ed., Henry Moore: Sculptures and Drawings: 1921-1948, vol. 1, London, 1979, no. 170, pp.11, 98
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X28904
Sculpture
1937
sculpture
Hopton-wood stone
object including base: 521 x 505 x 337 mm
Lent by The Metropolitan Museum of Art, Bequest of Lydia Winston Malbin, 1989 (1990.38.41)
Provenance:
The artist; Curt Valentin, New York, 1940s; Martha Jackson Gallery, New York, 1955; M. Knoedler & Co. NY, 1959; Lydia Winston Malbin,
1959-1990; bequeathed to The Metropolitan Museum of Art, New York, 1989
Nationality of Artist: British
Identifying marks: None recorded
Place of manufacture: None recorded
Catalogue Raisonné: Sylvester, David, ed., Henry Moore: Sculptures and Drawings: 1921-1948, vol. 1, London, 1979, no. 179, pp.11, 106 (contains
all ref. up to 1979)
X28913
Reclining figure
1938
sculpture
Cast lead
object: 146 x 330 mm
The Museum of Modern Art, New York. Purchase, 1939
Provenance:
Collection of the artist, England, 1938-1939; The Museum of Modern Art, New York, 1939 (purchased from Moore)
Nationality of Artist: British
Identifying marks: None recorded
Place of manufacture: None recorded
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X29044
Reclining Figure
1939
sculpture
Elmwood
object: 940 x 2007 x 762 mm
The Detroit Institute of Arts, Founders Society Purchase with funds from the Dexter M. Ferry, Jr. Trustee Corporation
Provenance:
The artist; Gordon Onslow-Ford, purchased 1941; The Detroit Institute of Arts, Detroit, purchased from the Marlborough-Gerson Gallery, New York,
1965
Nationality of Artist: British
Identifying marks: None recorded
Place of manufacture: None recorded
Catalogue Raisonné: Sylvester, David, ed., Henry Moore: Sculptures and Drawings: 1921-1948, vol. 1, London, 1979, no. 208, pp.12, 199
X29542
Sculpture and Red Rocks
1942
on paper, unique
Crayon and ink on paper
support: 486 x 362 mm
The Museum of Modern Art, New York. Gift of Philip L. Goodwin, 1949
Provenance:
Buchholz Gallery (Curt Valentin), New York; Philip L. Goodwin, New York, probably purchased from the above, 1943; gift of Philip L. Goodwin to The
Museum of Modern Art, New York 1949
Nationality of Artist: British
Identifying marks: signed L.R. in ink Moore/42
Place of manufacture: None recorded
Catalogue Raisonné: Garrould, Ann, ed. Henry Moore: Complete Drawings, Volume 3, 1940-49, London: Henry Moore Foundation in association
with Lund Humphries, 2001, p.164, AG 42.1176; HMF 2066
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