FRANÇOIS BOUCHER, Cupid a Captive, 1754. Oil
on canvas, 5’ 6” x 2’ 10”.
ANTOINE WATTEAU, Return from Cythera, 1717. Oil on canvas, 4’ 3” x 6’ 4 1/2”.
JEAN-HONORÉ
FRAGONARD, The Swing,
1766. Oil on canvas, approx.
2’ 8 5/8” x 2’ 2”.
CLODION, Nymph
and Satyr, c.1775,
terracotta
JEAN-BAPISTE-SIMEON
CHARDIN, Back from the Market,
1739, oil on canvas
JOSEPH WRIGHT OF DERBY, A Philosopher Giving a Lecture at the Orrery, ca. 1763–1765.
Oil on canvas, 4’ 10” x 6’ 8”.
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ÉLISABETH LOUISE
VIGÉE-LEBRUN, Self-Portrait,
1790. Oil on canvas, 8’ 4” x 6’
9”.
WILLIAM HOGARTH, Breakfast Scene, from Marriage à la Mode, ca. 1745. Oil on canvas,
2’ 4” x 3’.
THOMAS GAINSBOROUGH, Mrs.
Richard Brinsley Sheridan, 1787. Oil on
canvas, 7’ 2 5/8” x 5’ 5/8”.
BENJAMIN WEST, Death of General Wolfe, 1771. Oil on canvas, approx. 4’ 11” x 7’
JOHN SINGLETON
COPLEY, Portrait of Paul
Revere, ca. 1768–1770. Oil on
canvas, 2’ 11 1/8” x 2’ 4”.
JACQUES-LOUIS DAVID, Oath of the Horatii, 1784. Oil on canvas, approx. 10’ 10” x 13’
11”.
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JACQUES-LOUIS DAVID, The
Death of Marat, 1793. Oil on
canvas,. 5’ 5” x 4’ 2 1/2”.
Jacques-Louis David, The Coronation of Napoleon, 1805-1808, oil on canvas
ANDREA PALLADIO, Villa
Rotonda (formerly Villa Capra),
near Vicenza, Italy, ca. 1566–
1570
1570.
RICHARD BOYLE and WILLIAM KENT, Chiswick House, near London,
England, begun 1725.
ANTONIO CANOVA, Pauline Borghese as Venus, 1808. Marble, 6’ 7” long. Galleria
Borghese, Rome.
JEAN-ANTOINE HOUDON,
George Washington, 1788-1792.
Marble, 6’ 2” high. State Capitol,
Richmond.
HORATIO GREENOUGH,
George Washington, 1840.
Marble, 11’ 4” high.
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THOMAS JEFFERSON, Monticello, Charlottesville, United States, 1770–1806.
JEAN-AUGUSTE-DOMINIQUE INGRES, Apotheosis of Homer, 1827. Oil on canvas, 12’
8” x 16’ 10 3/4”.
JEAN-AUGUSTE-DOMINIQUE INGRES, Grande Odalisque, 1814. Oil on canvas,
approx. 2’ 11 7/8” x 5’ 4”.
HENRY FUSELI, The Nightmare, 1781. Oil on canvas, 3’ 4 3/4” x 4’ 1 1/2”.
WILLIAM BLAKE, Ancient of Days,
frontispiece of Europe: A Prophecy,
1794. Metal relief etching, hand
colored, 9 1/2” x 6 3/4”.
FRANCISCO GOYA, The Sleep of
Reason Produces Monsters, from Los
Caprichos, ca. 1798. Etching and aquatint,
8 1/2” x 5 7/8”.
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FRANCISCO GOYA, The Family of Charles IV, 1800. Oil on canvas, approx. 9’ 2” x 11’.
FRANCISCO GOYA, Third of May, 1808, 1814. Oil on canvas, 8’ 9” x 13’ 4”.
FRANCISCO GOYA, Saturn Devouring One of
His Children, 1819–1823. Detached fresco
mounted on canvas, 4’ 9 1/8” x 2’ 8 5/8”.
THÉODORE GÉRICAULT, Raft of the Medusa, 1818–1819. Oil on canvas, 16’ 1” x 23’ 6”.
THÉODORE
GÉRICAULT, Insane Woman
1822–1823. Oil on canvas, 2’
4” x 1’ 9”.
EUGÈNE DELACROIX, Liberty Leading the People, 1830. Oil on canvas, 8’ 6” x 10’ 8”.
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FRANÇOIS RUDE,
Departure of the Volunteers of
1792 (La Marseillaise), Arc de
Triomphe, Paris, France,
1833–1836. Limestone, 41’
8” high.
EUGÈNE DELACROIX, Tiger Hunt, 1854. Oil on canvas, 2’ 5” x 3’.
JOHN CONSTABLE, The Haywain, 1821. Oil on canvas, 4’ 3” x 6’ 2”.
JOSEPH MALLORD WILLIAM TURNER, The Slave Ship (Slavers Throwing Overboard the
Dead and Dying, Typhoon Coming On), 1840. Oil on canvas, 2’ 11 11/16” x 4’ 5/16”.
JOHN NASH, Royal Pavilion, Brighton, England, 1815–1818.
LOUIS-JACQUES-MANDÉ DAGUERRE, Still Life in Studio, 1837. 6 1/4” x 8 1/4”.
Daguerreotype. Collection Société Française de Photographie, Paris.
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NADAR, Eugène Delacroix, ca.
1855. Modern print, 8 1/2”x 6
2/3”
TIMOTHY O’SULLIVAN, A Harvest of Death, Gettysburg, Pennsylvania, July 1863.
Negative by Timothy O’Sullivan. Original print by ALEXANDER GARDNER, 6
3/4" x 8 3/4".
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