Amanda Brauer Donatello Biography October 15, 2009 Donatello Donato di Niccolo Bardi, known as Donatello was one of the most influential, artists of the Italian Renaissance. Not much is known about Donatello’s life except for that he was very gifted from the start. Born into a family of wood carders, he developed his skills at a very young age. Giorgio Vasari’s book Lives of the Artists has many short stories about his life, but none can be proven true. Donatello first became an apprentice for Lorenzo Ghiberti, but soon went to sculpt bronze reliefs on the doors of the Florentine Baptistery. Donatello’s earliest; most famous work of art is his statue of David. Done in the gothic style, David was dramatic, had given off much energy, and had a graceful feel with soft curved lines. The statue of David stood as a civic-patriotic symbol in the Palazzo Vecchio before being replaced with Michelangelo’s version. Donatello had many other works in the course of the next few years, including the marble statues of St. John the Evangelist, St. Mark, St. George, and in bronze a statue of St. Louis of Toulouse. Donatello soon teamed up with Michelozzo, a sculptor and architect. Together, they created very pure sculptures including the Feast of Herod, which first displayed Donatello’s use of linear perspective. After Donatello left Michelozzo, and went to work in Padua, his last three years there he was very stationary with his art. He was going through a crisis that kept him from doing his artwork. He was quoted as saying he almost died from the “frogs in Padua”. He was then soon treated and created the wooden statue of John the Baptist. Donatello changed Florence’s view on art when he returned. Donatello returned sick and died in December of 1466 while he was working on twin bronze pulpits for San Lorenzo. Donatello still to this day, along with many others is one of the most significant artists of not only the Italian Renaissance period, but of all time. David Statue- (Bronze) First unsupported bronze statue in the Renaissance period First free-standing nude male Portrays David stepping on Goliath’s head after his victory against him Standing naked with a hat and boots bearing Goliath’s sword Has another statue of David done in marble, although this statue was fully clothed, having Goliath’s head resting between his feet David being naked portrays the idea of gods presence David’s stance portrays that Goliath did not pose a threat to him The statue is now in the Bargello3 Very controversial stature—1. because he’s naked. 2. the feather wrapped around his leg represented homosexuality, and at the time sodomy was illegal which made this allegation risky Sculpted in gothic style influenced by northern European art Unusual- feminine