s. TESr~K MATCHING. Match the name or term on the left with the identification or definition on the right. 1. alla prima 2. Book of Hours 3. Broederlam 4. Deposition 5. Ditn 6. dog 7. Fontainebleau 8. g~e 9. Harp of David 10. Lochner 1 1. impasto 12. iris and columbine 13. Jean Pucelle 14. Joachim Patinir 15. Master of Flemalle 16. polyptych 17. Portinari 18. predella 19. sheaf of wheat 20. shoes not on feet 21. sink or basin and towel 22. Stoss 23. triptych 24. woodcut 25. Witz A. Netherlandish city important for trade B. French capital of the Dukes of Burgundy C. German sculptor D. symbol of the purity of the Virgin E. fourteenth-century French miniaturist F. also known as Robert Campin G. taking Christ down from the Cross H. symbol of fidelity I. symbol of the Eucharist J. symbol of the ancestor of Christ K . symbol of holy ground L. symbol of Sorrows of the Virgin M. small panel(s) at the bottom of an altarpiece N. richly decorated style popular in sixteenth-century Spain O. three paneled altarpiece P. scenes of everyday life Q. multi-paneled altarpiece R. Italian banker, patron of Hugo van der Goes S. sixteenth-century French palace T. contains prayers for various times of day U. painting directly onto canvas with little or no underpainting V. paint applied thickly, often with lumps W. sixteenth-century Flemish painter who specialized in landscapes X. Netherlandish painter active c. 1400 Y. fifteenth-century German/Swiss painter Z. graphic technique particularly popular in Germany MULTIPLE-CHOICE QUESTIONS. Select the response that best answers the question or completes the statement. 26. Who is known as a Flemish "Romanist"? a . Van der Goes b. Bartholomeus Spranger c. Pieter Bruegel d. Joachim Patinir 27. Who is most famous for his work at Fontainebleau? a . Jean Clouet b. Jean Goujon c. Francesco Primaticcio d. Germain Pilon 28. The royal patron of the Escorial was a. Francis I b. Henry VIII c. Charles V d. Phillip II 29. The artist who is famous for his scenes of peasants was a . Jerome Bosch b. Matthias Grunewald c. Pieter Bruegel d. Albrecht Durer 30. The artist who worked for Henry VIII and is famous for his portraits was a. Hans Holbein b. Jean Clouet c. ElGreco d. Albrecht Durer 31. The German artist who was most interested in classical form was a. Grunewald - b. Cranach c. Durer d. Schongauer 32. The artist Martin Schongauer is most famous for his work in the medium of a. woodcut b. engraving c. sculpture d. architecture 33. Which of the following Netherlandish artists travelled to Italy in the mid-fifteenth century and was influenced to some degree by Italian art? a . Van Eyck b. Van der Weyden c. Van der Goes d. Bosch 34. The style of Michael Pacher shows the influence of a. the hard linearity of Mantegna b. the sfumato of Leonardo da Vinci c. the Humanism of Botticelli d. the soft style of Broederlam 35. Sluter's sculptural work can be characterized as a. elegant, using sweeping curvilinear b. bulky space-displacing forms with realistic lines details c. typical of the "sofY' style d. strongly influenced by the style of Donatello 36. One of the most important trading cities of fifteenth-century Netherlands was a. Dijon b. Bruges c. Basel d. Amsterdam 37. A series of nymphs inspired by classical prototypes was created for the Fountain of the Innocents in Paris by a . Germain Pilon b. Primaticcio c. Pierre Lescot d. JeanGoutn 38. Which of the following statements about the chateau of Chambord is not true? a. It served as a hunting lodge. b. It was built for the French King Henry III. c. The roof contains a jumble of towers. d. The plan imposes Italian concepts of symmetry and balance on the irregularity of an old French fortress. 39. Durer's artistic work consisted of a. woodcuts b. paintings c. engravings d. all of the above 40. Which of the following statements is true? a. Dirk Bouts was an important b. Bouts's Last Supper is one of the earliest northern fifteenth-century French artist. paintings to demonstrate linear perspective. c. Bouts's Last Supper was d. Intense emotionality is demonstrated by the commissioned by Francis I. participants of Bouts's Last Supper. 41. Which of the following was not included on Van Eyck's Ghent altarpiece? a. AdamandEve b. God the Father c. Deposition d. Adoration of the Holy Lamb 42. Which of the following was painted by Grunewald? a. Creglingen Altarpiece b. Ghent Altarpiece c. Isenheim Altarpiece d. Merode Altarpiece 43. Which of the following artists was famous for his sculpture? a. Martin Schongauer b. Tilman Riemenschneider c. Stephen Lochner d. Conrad Witz 44. Recent scholarship has indicated that many of the images of Bosch's Garden of Earthly Delights are most likely based on a . stories from The Golden Legend b. alchemical symbolism c. visions of St. Bridget of Sweden d. Ovid's Metamorphosis 45. An important fifteenth-century French painter and miniaturist was a . Jean Pucelle b. Jean Fouquet b. Jean Couet d. Jean Goutn 46. The Guild of St. Luke was a guild of a. weavers b. glassmakers c. masons d. painters 47. Hugo van der Goes' Portinari Altarpiece is characterized by a . joyful angels and muted colors b. an exclusive concern with formal problems c. a flat gold background d. rich colors and a somber mood 48. The major part of El Greco's work was done in a. France b. Spain c. Italy d. Greece 49. The Ghent altarpiece is a a. diptych b. panel c. polyptych d. triptych 50. So-called "disguised symbolism" is thought to have originated in the court of a. Philip the Bold b. Albrecht of Brandenberg c. Francis I d. Henry VIII SHORT ANSWER QUESTIONS. 51. What are the Italian Renaissance features of the Chateau of Chambord? 52. Name two French Renaissance sculptors. 53. List some of the factors that are thought to have contributed to the decline of art in Germany after 1530. 54. Name two German sculptors of the Late Gothic period. 55. How does Van der Weyden's style differ from that of Van Eyck? 56. In what type of art did Joachim Patinir specialize? 57. In what type of art did Hans Holbein specialize? 58. What traditions did Durer attempt to synthesize in his work? ESSAY QUESTIONS. 59. In what ways do you think the work of Durer and Leonardo da Vinci resembled each other, and in what ways do you think they were different? 60. List what you believe to be the six most important works of art created between 1500 and 1520 in Europe. Include at least one from the Netherlands and one from Germany. Why do you believe they are the most important? What differences do you see between the ones you have selected from the north and those from Italy? What do you think these differences reveal about the different conceptions of man held by the two regions? Which set of beliefs do you think is closest to the one we hold today? 61. How does Bosch's conception of the creation and man's fate compare with Michelangelo's as expressed in the Sistine ceiling and the Last Judgment frescoes? Compare both the iconography and the styles of the two artists. SLIDE QUESTIONS. 62. Name the artist and describe the style of this work. 63. Identify the artist, country, and subject of this work. 64. Compare these two works, identifying the artists who did each and the countries from which they come. Which work is the most dynamic? How does the artist achieve that affect? 65. Who painted this work and what is the object that seems to float in the lower part of the picture? 66. What is the style of this building and in what country was it constructed? 67. Who painted this work and what is being represented? 68. What is going on in the three panels of this altarpiece, and who painted them? 69. In what country was this work painted, and is it closer in spirit to the work of Jan van Eyck or to that of Rogier van der Weyden? 70. Give the artist and the decade in which this work was painted and describe the meaning of at least three symbols found in it. MULTIPLE-CHOICE SLIDE RESPONSES. Select the response that best suits the image on the screen. 71. a. Tilman Riemenschneider b. Claus Sluter c. Veit Stoss d. JeanGoutn 72. a. Dirk Bouts b. JeanPucelle c. Petrus Christus d. Hans Memling 73. a. JeanFouquet b. Conrad Witz c. Stephan Lochner d. MartinSchongauer 74. a. Michel Pacher b. LucasCranach c. Albrecht Durer d. Quentin Metsys 75. a. German b. Netherlandish c. French d. Spanish 76. a. thirteenth century b. fourteenthcentury c. fifteenth century d. sixteenth century 77. a. Van Eyck b. Van der Weyden c. Robert Campin d. Bosch 78. a. Holbein b. Altdorfer c. Grunewald d. Durer 79. a. France b. Netherlands c. Germany d. Spain 80. a. Crelingen Altarpiece b. Isenheim Altarpiece c. Portinari Altarpiece d. Ghent Altarpiece UNKNOWN IMAGES. Short Essays. 81-83. Attribute the images on the screen to a culture or country and to a stylistic grouping, dating the work to the century. Give the reasons for your attributions, using complete sentences and referring to specific works that you know.