The Cinema of Southeast Asia: Bibliography
PHILIPPINES
Buruma, Ian. "Marcos plays Romeo to Aquino's Juliet." Far Eastern Economic
Review, 25 September 1986, 49.
"The Cash-Flows in the Dream Business." Asiaweek, 8 July 1977, 40-41.
David, Joel. Fields of Vision: Critical Applications in Recent Philippine Cinema.
Quezon City: Ateneo de Manila University Press, c1995.
Del Mundo, Clodualdo Jr. “Philippine Cinema: An Historical Overview.” Asian
Cinema 10, 2 (1999): 29-66.
__________. “The Philippines: Renewed Vigour.” Cinemaya 41 (1998): 48-49.
Deocampo, Nick. “Homosexuality as Dissent/Cinema as Subversion: Articulating
Gay Consciousness in the Philippines.” In Gever, Martha, John Greyson and
Pratibha Parmar, eds. Queer Looks: Perspectives on Lesbian and Gay Film
and Video. NY: Routledge, 1993. 395-402.
__________. Short Film: Emergence of a New Philippine Cinema. Manila:
Communication Foundation for Asia, 1985.
"Filipino film tastes turn to real-life violence." The Straits Times (Singapore), 24
November 1993, 5.
Francia, Luis. "Film-makers battle with sex, laws, and indifference." Far Eastern
Economic Review, 25 September 1986, 48-49.
__________. "Philippine Cinema: The Struggle against Repression." In Downing,
John D.H., ed. Film & Politics in the Third World. New York: Praeger
Publishers, 1987. 209-18.
Gallaga, Peque. “Senate Madness.” BigO 172 (2000): 39, 41, 43, 45, 47.
Guerrero, Rafael Ma., ed. Readings in Philippine Cinema. Manila: Experimental
Cinema of the Philippines, 1983.
"Hot and Getting Hotter." Asiaweek, 25 October 1985, 55-56, 58, 65.
"Hottest of All." Asiaweek, 25 October 1985, 57.
Infante, J. Eddie. Inside Philippine Movies 1970-1990: Essays for Students of
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Philippine Cinema. Manila: Ateneo de Manila University Press, 1991.
Ishizaka Kenji. "Gumapang Ka Sa Lusak (Dirty Affair)" (film review). New Horizon
of Creation and Discovery (program of the Southeast Asian Film Festival
1992). Tokyo: The Japan Foundation ASEAN Culture Center, 1992.
__________. "Miguelito: Ang Batang Rebelde (Miguelito: The Rebel Boy)" (film
review). New Horizon of Creation and Discovery (program of the Southeast
Asian Film Festival 1992). Tokyo: The Japan Foundation ASEAN Culture
Center, 1992.
__________. "What Lino Brocka Left After His Life-Long Dash." New Horizon of
Creation and Discovery (program of the Southeast Asian Film Festival 1992).
Tokyo: The Japan Foundation ASEAN Culture Center, 1992.
Kidlat Tahimik. "Birthday Age vs. Cosmic Age in the `Young' Cinema Movement."
New Horizon of Creation and Discovery (program of the Southeast Asian
Film Festival 1992). Tokyo: The Japan Foundation ASEAN Culture Center,
1992.
Lim, Felicidad C. “The Politics of Horror: The Aswang in Film.” Asian Cinema 9, 1
(1997): 81-98.
Moraes, Dom. "The Flesh Films." The Asia Magazine, 7 November 1971, 7, 10.
Motoe Terami-Wada. "The Japanese Propaganda Corps in the Philippines."
Philippine Studies 38 (1990): 279-300.
Marchetti, Gina. "`Four Hundred Years in a Convent, Fifty in Hollywood': Sexual
Identity and Dissent in Contemporary Philippine Cinema." East-West Film
Journal 3, 3 (June 1988): 24-48.
__________. "Firecracker: Contest and Contradiction" (an analysis of the Cirio
Santiago Philippine-American co-production), Jump Cut #32 (April 1987):
44-48.
Murayama Kyoichiro. "Maynila: Sa Mga Kuko Ng Liwang (Manila: In the Claws of
Light)" (film review). New Horizon of Creation and Discovery (program of
the Southeast Asian Film Festival 1992). Tokyo: The Japan Foundation
ASEAN Culture Center, 1992.
Okubo Kenichi. "The Strange Uneasiness Red Evokes." New Horizon of Creation
and Discovery (program of the Southeast Asian Film Festival 1992). Tokyo:
The Japan Foundation ASEAN Culture Center, 1992.
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"The Perils of Going Bold." Asiaweek, 25 October 1985, 60.
Pinga, Ben G. "Cinema in the Philippines." In Brandon, James R., ed. The
Performing Arts in Asia. Paris: Unesco, 1971.
Quirino, Joe. Don Jose and the Early Philippine Cinema. Quezon City: Phoenix
Publishing House, 1983.
Red, Raymond. "Works of Raymond Red" (filmography). New Horizon of Creation
and Discovery (program of the Southeast Asian Film Festival 1992). Tokyo:
The Japan Foundation ASEAN Culture Center, 1992.
Reyes, Emmanuel A. Notes on Philippine Cinema. Manila: De La Salle University
Press, c1989.
Rubio, Sonny. "The Bomba: Its Birth and Rise." The Asia Magazine, 7 November
1971, 7.
Silberman, Robert. "Was Tolstoy Right? Family Life and the Philippine Cinema."
East-West Film Journal 4, 2:69-78.
Sotto, Agustin. "Filmography: Lino Brocka." New Horizon of Creation and
Discovery (program of the Southeast Asian Film Festival 1992). Tokyo: The
Japan Foundation ASEAN Culture Center, 1992.
__________. "A Memorable 1984 Season Ahead." Far Eastern Economic Review, 3
May 1984, 64-65.
Stein, Elliott. "Manila's Angels." Film Comment 9, 5 (1983): 48-55.
Taylor, David. “Shocking Asia: Exploitation Cinema in the Philippines.” In
Jaworzyn, Stefan, ed. Shock Xpress. London: Titan Books, 1991. 17-27.
Tiongson, Nicanor G. "The Filipino Film Industry." East-West Film Journal 6, 2:2361.
Tolentino, Rolando B. “Transnationalization as Affected From Within:
Contestation of the Nation-Space in Lino Brocka's Jaguar.” Asian Cinema 9,
1 (1997): 34-45.
Ueno Koji. "Manila: In the Claws of Light: There Was Once a Boy with Eyes Like
This." New Horizon of Creation and Discovery (program of the Southeast
Asian Film Festival 1992). Tokyo: The Japan Foundation ASEAN Culture
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Center, 1992.
Vasudev, Aurna. "The Last Interview with Lino Brocka: Caught Between the World
and the Cinema." New Horizon of Creation and Discovery (program of the
Southeast Asian Film Festival 1992). Tokyo: The Japan Foundation ASEAN
Culture Center, 1992.
Vera, Noel. “In the Navel of the Sea (Sa Pusod Ng Dagat)” (film review).
Cinemaya 41 (1998): 41-42.
__________. “The Many Faces of Jose Rizal.” Cinemaya 44 (1999): 9-11.
__________. “Three Corners (Tatsulok)” (film review). Cinemaya 41 (1998): 4243.
__________. “Upcoming from the Philippines.” Cinemaya 44 (1999): 63.
__________. “Woman on a Tin Roof (Babae Sa Bubungang Lata)” (film review).
Cinemaya 43 (1999): 29.
Vertido, Cris. "Filipino Film Industry: A Profile." Media Asia 15, 3 (1988): 128-33.
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