Politics of Culture: Europe, 1789-2000
-- Music
-- Theater/Cinema/Radio/Television
-- Fine Arts/Painting and Sculpture/Monuments/Decorative Arts
Blume, Friedrich. Protestant Church Music: A History. New York: Norton, 1974.
Adler, Israel. Musical Life and Traditions of the Portuguese Jewish Community of
Amsterdam in the XVIIIth Century. Jerusalem: Magnus Press, 1974.
Plantinga, Leon. Romantic Music: A History of Musical Style in Nineteenth-Century
Europe. New York: Norton, 1984.
Curwen, John. School Music Abroad (1879-1901). Kilkenny: Boethius Press, 1985.
*Merrick, Paul. Revolution and Religion in the Music of Liszt. Cambridge: Cambridge
UP, 1986.
*Segel, Harold. Turn of the Century Cabaret: Paris, Barcelona, Berlin, Munich, Vienna,
Cracow, Moscow, St. Petersburg, Vienna. New York: Columbia UP, 1987.
*Bujić, Bojan, ed. Music in European Thought, 1851-1912. Cambridge: Cambridge, UP,
1988.
Goldin, Max. On musical connections between Jews and the neighboring peoples of
Eastern and Western Europe. Amherst : International Area Studies Programs,
University of Massachusetts at Amherst, 1989.
*Ryback, Timothy W. Rock around the bloc: a history of rock music in Eastern Europe
and the Soviet Union. New York: Oxford UP, 1990.
Morgan, Robert P. Twentieth-century music: a history of musical style in modern Europe
and America. New York: Norton, 1991.
Ringer, Alexander, ed. The Early Romantic era: between revolutions: 1789 and 1848
(Series: Music and society). Englewood Cliffs: Prentice Hall, 1991.
Samson, Jim, ed. The Late romantic era : from the mid-19th century to World War I
(Music and Society Series). Englewood Cliffs: Prentice Hall, 1991.
Schwarz, Elliott. Music Since 1945: Issues, Material and Literature. New York:
Schirmer, 1993.
Downs, Philip G. Classical music: the era of Haydn, Mozart, and Beethoven. New York:
Norton, 1992.
Music industries and creativity : papers presented to the Symposium organised by the
Council of Europe on "Creative artists and the industrialisation of culture-music," Strasbourg, 26-27 November 1982.
Butler, Christopher. Early modernism: literature, music and painting in Europe, 19001916. Oxford: Clarendon, 1994.
Bellman, Jonathan. The style hongrois in the music of Western Europe. Boston:
Northeastern University Press, 1993.
Hartley, Keith, ed. The Romantic Spirit in German Art, 1790-1990. London: Thames and
Hudson, 1994.
Ramet, Sabrina P. Social currents in Eastern Europe: the sources and consequences of
the great transformation. [Has a chapter on Rock music and counterculture]
Durham: Duke UP, 1995.
Eyck, F. Gunther. The voice of nations: European national anthems and their authors.
Westport: Greenwood Press, 1995.
1
Thomson, Peter, ed. The Cambridge companion to Brecht. Cambridge: Cambridge UP,
1994.
Abraham, Gerald. Slavonic and Romantic Music. London: Faber, 1968.
Dunwill, Wilfrid. Music and the European Mind. London: Jenkins, 1962.
*Ramet, Sabrina Petra. Rocking the state: rock music and politics in Eastern Europe and
Russia. Boulder: Westview Press, 1994.
*Bermingham, Ann, ed. The consumption of culture, 1600-1800: image, object, text. New
York: Routledge, 1995.
Senelick, Laurence. Cabaret Performance. Baltimore: Johns Hopkins UP, 1993.
Dean, John, ed. European readings of American popular culture. Westport: Greenwood
Press, 1996.
deVries, Willem. Sonderstab Musik: music confiscations by the Einsatzstab Reichsleiter
Rosenberg under the Nazi occupation of Western Europe. Amsterdam:
Amsterdam UP, 1996.
Mitchell, Tony. Popular music and local identity: rock, pop, and rap in Europe and
Oceania. London: Liecester UP, 1996.
*Tambling, Jeremy. Opera and the Culture of Fascism. Oxford: Clarendon Press, 1996.
Slobin, Mark. Retuning Culture: Musical Changes in Central and Eastern Europe.
Durham: Duke UP, 1996.
Lang, Paul Henry, ed. Contemporary music in Europe; a comprehensive survey. New
York: Norton, 1965.
Lotz, Rainer E. Black people: entertainers of African descent in Europe and Germany.
Bonn: Bigit Lotz, 1997.
Sullivan, Jack. New World symphonies: how American culture changed European music.
New Haven: Yale UP, 1999.
Hall, Stuart, ed. Questions of Cultural Identity [A chapter on Music and Identity]
London: Sage, 1996.
Brinkmann, Reinhold, ed. Driven Into Paradise: The Musical Migration from Nazi
Germany to the United States. Berkeley: UC Press, 1999.
Peyser, Joan. To Boulez and beyond: music in Europe since The rite of spring. New
York: Billboard, 1999.
Heide Fehrenbach, ed. Transactions, transgressions, transformations: American culture
in Western Europe and Japan. New York: Berghahn Books, 2000.
*White, Harry, ed. Musical constructions of nationalism: essays on the history and
ideology of European musical culture, 1800-1945. Cork: Cork UP, 2001.
Zwerin, Mike. Swing Under the Nazis: Jazz as a Metaphor for Freedom. New York:
Cooper Square Press, 2000.
Radano, Ronald, ed. Music and the Racial Imagination. Chicago: U of C Press, 2000.
Bennett, Andy. Cultures of Popular Music. Buckingham: Open University Press, 2001.
Papathanassopoulos, Stylianos. European television in the digital age: issues, dynamics
and realities. Cambridge: Polity Press, 2002.
Budds, Michael J, ed. Jazz & the Germans: essays on the influence of "hot" American
idioms on the 20th-century German music. Hillsdale: Pendragon Press, 2002.
Radice, Mark A. Concert music of the twentieth century : its personalities, institutions,
and techniques. Upper Saddle River: Prentice Hall, 2003.
2
Pekacz, Joltana T. Music in the culture of Polish Galicia, 1772-1914. Rochester:
URochester Press, 2002.
Ramet, Sabrina P, ed. Kazaaam! splat! ploof!: the American impact on European popular
culture since 1945. Lanham: Rowman and Littlefield, 2003.
Ross, Larry. African-American jazz musicians in the diaspora. Lewiston: Mellen Press,
2003.
*Buch, Esteban. Beethoven's Ninth: a political history. Chicago: UofC Press, 2003.
*Carroll, Mark. Music and Ideology in Cold War Europe. Cambridge: Cambridge UP,
2003.
Mickenberg, David, ed. The last expression : art and Auschwitz. Evanston: Northwestern
UP, 2003.
*Saffle, Michael, ed. Liszt and the birth of modern Europe: music as a mirror of
religious, political, cultural, and aesthetic transformations: proceedings of the
international conference held at the Villa Serbelloni, Bellagio (Como) 14-18
December 1998. Hillsdale: Pendragon Press, 2003.
Caute, David. The dancer defects: the struggle for cultural supremacy during the Cold
War. Oxford: Oxford UP, 2003.
Raphael-Hernandez, Haike. Blackening Europe: the African American presence. New
York: Routledge, 2004.
Geppert, Dominik, ed. The postwar challenge: cultural, social, and political change in
Western Europe, 1945-58. [Some chapters] Oxford: Oxford UP, 2003
Bernstein, Eckhard. Culture and Customs of Germany. Westport: Greenwood Press,
2004.
*Weber, William. Music and the middle class: the social structure of concert life in
London, Paris and Vienna between 1830 and 1848. Aldershot: Ashgate, 2004.
*Bohlman, Philip. The music of European nationalism: cultural identity and modern
history. Santa Barbara: ABC-CLIO, 2004.
Elschek, Oscar, ed. A history of Slovak music: from the earliest times to the present.
Bratislava: VEDA, 2003.
McKay, George. Circular breathing: the cultural politics of jazz in Britain. Durham:
Duke UP, 2005.
Schildt, Axel, ed. Between Marx and Coca-Cola: youth cultures in changing European
societies, 1960-1980. New York: Berghahn Books, 2006.
Sharma, Bhesham R. Music and culture in the age of mechanical reproduction. New
York: Peter Lang, 2000.
McDonnell, Patricia. Painting Berlin stories: Marsden Hartley, Oscar Bluemner and the
first American avant-garde in expressionist Berlin. New York: Peter Lang, 2003.
Cherlin, Michael, ed. The great tradition and its legacy: the evolution of dramatic and
musical theater in Austria and Central Europe. New York: Berghahn Books,
2003.
*Holmes, Diana, ed. 100 years of European cinema: entertainment or ideology?
Manchester: Manchester UP, 2000.
Kelleher, Joe, ed. Contemporary theatres in Europe: a critical companion. London:
Routledge, 2006.
Blanning, Tim, ed. Unity and diversity in European culture c.1800. Oxford: Oxford UP,
2006.
3
Parker, Mara E, ed. Music in eighteenth-century life: cities, courts, churches. Ann Arbor:
Steglein, 2006.
*Cowgill, Rachel, ed. Europe, empire, and spectacle in nineteenth-century British music.
Aldershot: Ashgate, 2006.
*McBridge, Patrizia C., ed. Legacies of modernism: art and politics in northern Europe,
1890-1950. New York: Palgrave, 2007.
Cooper, John Michael. Mendelssohn, Goethe, and the Walpurgis night: the heathen muse
in European culture, 1700-1850. Rochester: URochester Press, 2007 [Seems too
specific, but chapter headings look useful]
Wynn, Neil A. Cross the water blues: African American music in Europe. Jackson
UMississippi Press, 2007.
*Raykoff, Ivan, ed. A song for Europe: popular music and politics in the Eurovision song
contest. Aldershot: Ashgate, 2007.
Laycock, Jolyon, A changing role for the composer in society: a study of the historical
background and current methodologies of creative music-making. Oxford: Peter
Lang, 2005.
*Hall, Duncan. A pleasant change from politics: music and the British Labour movement
between the wars. Cheltenham: New Clarion, 2001.
*Mackerness, Eric D. A Social History of English Music. London: Routledge, 1964.
*Raynor, Henry. A social history of music, from the Middle Ages to Beethoven. [Maybe
the later part; Beethoven = 1770-1827] New York: Schocken Books, 1972.
Nettel, Reginald. A Social History of Traditional Song. London: Adams and Dart,
1969.
David P. Szatmary. A time to rock: a social history of rock and roll. New York: Schirmer
Books, 1996.
Trochimczyk, Maja, ed. After Chopin: essays in Polish music. Los Angeles: Polish
Music Center at USC, 2000.
Clapp-Itnyre, Alisa. Angelic airs, subversive songs: music as social discourse in the
Victorian novel. Athens: Ohio UP, 2002.
*Applegate, Celia. Bach in Berlin: nation and culture in Mendelssohn's revival of the St.
Matthew Passion. Ithaca: Cornell UP, 2005.
Buchanan, Donna A., ed. Balkan popular culture and the Ottoman ecumene: music,
image, and regional political discourse. Lanham: Scarecrow Press, 2007.
Campbell, Sean. Beautiful Day: Forty Years of Irish Rock. Cork: Atrium, 2005.
*DeNora, Tia. Beethoven and the construction of genius: musical politics in Vienna,
1792-1803. Berkeley: UC Press, 2005.
Huq, Rupa. Beyond subculture : pop, youth and identity in a postcolonial world. London:
Routledge, 2006.
Kallberg, Jeffrey. Chopin at the Boundaries: Sex, History and Musical Genre.
Cambridge: Harvard UP, 1996.
Gramit,David. Cultivating music : the aspirations, interests, and limits of German
musical culture, 1770-1848. Berkeley: UC Pres, 2002.
*Woodford, Paul G. Democracy and music education : liberalism, ethics, and the politics
of practice. Bloomington: IU Press, 2005.
Rice, John A. Empress Marie Therese and music at the Viennese court, 1792-1807.
Cambridge: Cambridge UP, 2003.
4
*Fulcher, Jane F. French cultural politics and music : from the Dreyfus affair to the first
world war. New York: Oxford UP, 1999.
Turino, Thomas, ed. Identity and the arts in diaspora communities. Warren: Harmonie
Park Press, 2004.
Richards, Jeffrey. Imperialism and music : Britain, 1876-1953. Manchester: Manchester
UP, 2001.
Moore, Hilary. Inside British jazz : crossing borders of race, nation and class. Aldershot:
Ashgate, 2007.
*Potter, Pamela M. Most German of the arts : musicology and society from the Weimar
Republic to the end of Hitler's Reich. New Haven: Yale UP, 1997.
Green, Lucy. Music, gender, education. Cambridge: Cambridge UP, 1997.
Randall, Annie J. Music, Power, and Politics. New York: Routledge, 2005.
Lesure, Francois. Music and Art in Society. University Park: Penn State UP, 1968.
Bashford, Christina, ed. Music and British culture, 1785-1914 : essays in honor of Cyril
Ehrlich. Oxford: Oxford UP, 2000.
*Applegate, Celia, ed. Music and German National Identity. Chicago: UofC Press, 2002.
Jackson, Jeffrey H., ed. Music and history : bridging the disciplines [Helen Marsh
Jeffries -- Angels and furies : women and popular song during the French
revolution / Laura Mason -- Music, memory, and the people in selected British
periodicals of the late eighteenth the early nineteenth centuries] Jackson:
UMississippi Press, 2005.
Ballantine, Christopher John. Music and its Social Meanings. New York: Gordon and
Breach, 1984.
Gilliam, Bryan, ed. Music and performance during the Weimar Republic. Cambridge:
Cambridge UP, 1994.
Eyerman, Ron. Music and social movements : mobilizing traditions in the twentieth
century. Cambridge: Cambridge UP, 1998.
Walker, Robert. Music education : cultural values, social change and innovation.
Springfield: Charles C. Thomas, 2007.
*Nott, James J. Music for the people : popular music and dance in interwar Britain.
Oxford: Oxford UP, 2002.
Goldberg, Halina. Music in Chopin's Warsaw. New York: Oxford UP, 2008.
*Solie, Ruth A. Music in other words : Victorian conversations. Berkeley: UC Press,
2004.
Wellens, Ian. Music on the frontline : Nicolas Nabokov's struggle against communism
and middlebrow culture. Aldershot: Ashgate, 2002.
Fauser, Annegret. Musical encounters at the 1889 Paris World's Fair. Rochester:
URochester Press, 2005.
*Spies, Andre Michael. Opera, state, and society in the Third Republic, 1875-1914. New
York: P. Lang, 1998.
Kramer, Lawrence. Opera and modern culture : Wagner and Strauss. Berkeley: UC Pres,
2004.
Buchanan, Donna. Performing democracy: Bulgarian music and musicians in transition.
Chicago: UofC Press, 2002.
Bennett, Tony, ed. Rock and popular music : politics, policies, institutions. London:
Routledge, 1993.
5
Alter, Nora M., ed. Sound matters : essays on the acoustics of modern German culture.
New York: Berghahn Books, 2004.
Rohr, Deborah. The careers and social status of British musicians, 1750-1850 : a
profession of artisans. [Has a chapter on music education] New York: Cambridge
UP, 2001.
*Fulcher, Jane F. The composer as intellectual : music and ideology in France 19141940. New York: Oxford UP, 2005.
White, Harry. The keeper's recital : music and cultural history in Ireland, 1770-1970.
Notre Dame: Notre Dame UP, 1998.
Weliver, Phyllis. The musical crowd in English fiction, 1840-1910 : class, culture and
nation. Basingstoke: Palgrave Macmillan, 2006.
Worrall, David. The politics of Romantic theatricality, 1787-1832 : the road to the stage.
Basingstoke: Palgrave Macmillan, 2007.
Porter, Celia Hopkins. The Rhine as musical metaphor : cultural identity in German
romantic music. Boston: Northeaster UP, 1996.
Richards, David A.J. Tragic manhood and democracy : Verdi's voice and the power of
musical art [Chapter on Verdi and Italian nationalism]. Brighton: Sussex
Academic Press, 2004.
Currid, Brian. A national acoustics : music and mass publicity in Weimar and Nazi
Germany. Minneapolis: UMinnesota Press, 2006.
*Dennis, David B. Beethoven in German politics, 1870-1989. New Haven: Yale UP,
1996.
Stilwell, Robynn J., ed. Composing for the screen in Germany and the USSR : cultural
politics and propaganda. Bloomington: IU Press, 2008.
Thacker, Toby. Music after Hitler, 1945-1955. Aldershot: Ashgate, 2007.
Kater, Michael H, ed. Music and Nazism : art under tyranny, 1933-1945. Laaber: Laaber,
2003.
Kater, Michael H. The twisted muse : musicians and their music in the Third Reich. New
York: Oxford UP, 1997.
Jelavich, Peter. Berlin Cabaret. Cambridge: Harvard UP, 1993.
*Bacht, Nikolaus, ed. Music, theatre and politics in Germany : 1848 to the Third Reich.
Aldershot: Ashgate, 2006.
Fosler-Lussier, Danielle. Music divided : Bartók's legacy in cold war culture. Berkeley:
UC Press, 2007.
Locke, Brian S. Opera and ideology in Prague. Rochester: URochester Press, 2006.
Sackett, Robert Eben. Popular entertainment, class, and politics in Munich, 1900-1923.
Cambridge: Harvard UP, 1982.
Cloonan, Martin. Popular music and the state in the UK : culture, trade or industry.
Aldershot: Ashgate, 2007.
Robb, David, ed. Protest song in East and West Germany since the 1960s. Rochester:
Camden House, 2007.
Yoffe, Mark, ed. Rock & roll and nationalism : a multinational perspective. Newcastle:
Cambridge Scholars Press, 2005.
*Painter, Karen. Symphonic aspirations : German music and politics, 1900-1945.
Cambridge: Harvard UP, 2007.
David Whitwell. Band music of the French revolution. Tutzing: Schneider, 1979.
6
McClellan, Michael Edward. Battling over the lyric muse : expressions of revolution and
counterrevolution at the Théâtre Feydeau, 1789-1801. Ann Arbor: UMI
Dissertation Service, 1996.
Kelder, Diane. Aspects of "official" painting and philosophic art, 1789-1799. New York:
Garland, 1976.
Herbert, Robert L. David, Voltaire, "Brutus", and the French Revolution: an essay in art
and politics. London: Allen Lane, 1972.
Crow, Thomas. Emulation : making artists for revolutionary France. New Haven: Yale
UP, 1995.
Paulson, Ronald. Representations of revolution, 1789-1820. New Haven: Yale UP, 1983.
Heffeman, James A.W., ed. Representing the French Revolution : literature,
historiography, and art. Hanover: University Press of New England, 1992.
Leith, James A. The idea of art as propaganda in France, 1750-1799; a study in the
history of ideas. Toronto: University of Toronto Press, 1965.
Bindman, David. The shadow of the guillotine : Britain and the French Revolution.
London: British Museum Publications, 1989.
Roberts, Warren. Jacques-Louis David, revolutionary artist : art, politics, and the French
Revolution. Chapel Hill: UNC Press, 1989.
Landes, Joan B. Visualizing the nation : gender, representation, and revolution in
eighteenth-century France. Ithaca: Cornell UP, 2001.
Roberts, Warren. Jacques-Louis David and Jean-Louis Prieur, revolutionary artists : the
public, the populace, and images of the French Revolution. Albany: SUNY Press,
2000.
Maslan, Susan. Revolutionary acts : theater, democracy, and the French Revolution.
Baltimore: Johns Hopkins UP, 2005.
Lehning, James R. The melodramatic thread : spectacle and political culture in modern
France. Bloomington: IU Press, 2007.
Johnson, James H. Listening in Paris : a cultural history. Berkeley: UC Press, 1995.
*Kennedy, Emmet. A cultural history of the French Revolution. New Haven: Yale UP,
1989.
Marrinan, Michael. Painting politics for Louis-Philippe : art and ideology in Orléanist
France, 1830-1848. New Haven: Yale UP, 1988.
Levin, Miriam R. Republican art and ideology in late nineteenth century France. Ann
Arbor: PhD Dissertation, 1996.
Porterfield, Todd. The allure of empire : art in the service of French imperialism, 17981836. Princeton: Princeton UP, 1998.
Lehmann, Hartmut, ed. Culture and politics in nineteenth- and twentieth-century
Germany. Washington, DC: German Historical Institute, 1992.
Pommerin, Reiner, ed. Culture in the Federal Republic of Germany, 1945-1995. Oxford:
Berg, 1996.
Perkins, Mary Anne, ed. Nationalism versus cosmopolitanism in German thought and
culture, 1789-1914 : essays on the emergence of Europe. Lewiston: Mellen Press,
2006.
Mosher, John. Unavoidable Germans : art vs. politics, and the consequences. Lanham:
University Press of America, 1997.
Petropoulos, Jonathan. Art as politics in the Third Reich. Chapel Hill: UNC Press, 1996.
7
Bernstein, Eckhard. Culture and customs of Germany. Westport: Greenwood Press, 2004.
Cuomo, Glenn R., ed. National Socialist cultural policy. Houndmills: Macmillan, 1995.
Rao, Barbara L. The development of the German National Socialist point of view on art
and art criticism as seen in the "Völkischer Beobachter", 1920-1937. Ann Arbor:
UMI Dissertation Service, 1988.
Petropoulos, Jonathan. The Faustian bargain : the art world in Nazi Germany. Oxford:
Oxford UP, 2000.
Slater, Don. Consumer culture and modernity. Cambrdige: Blackwell, 1997.
McCracken, Grant. Culture and consumption : new approaches to the symbolic character
of consumer goods and activities. Bloomington: IU Press, 1988.
Landy, Marcia. Film, politics, and Gramsci. Minneapolis: UMinnesota Press, 1994.
Street, John. Politics and popular culture. Philadelphia: Temple UP, 1997.
Boswell, David, ed. Representing the nation, a reader : histories, heritage and museums.
London: Routledge, 1999.
Affron, Matthew, ed. Fascist visions : art and ideology in France and Italy. Princeton:
Princeton UP, 1997.
Antliff, Mark. Avant-garde fascism : the mobilization of myth, art, and culture in France,
1909-1939. Durham: Duke UP, 2007.
Gottlieb, Julie V., ed. The culture of fascism : visions of the Far Right in Britain. London:
I.B. Tauris, 2004.
Lazzaro, Claudia, ed. Donatello among the Blackshirts : history and modernity in the
visual culture of Fascist Italy. Ithaca: Cornell UP, 1995.
Stone, Marla Susan. The patron state : culture & politics in fascist Italy. Princeton:
Princeton UP, 1998.
Griffin, Roger. Modernism and fascism : the sense of a beginning under Mussolini and
Hitler. Basingstoke: Palgrave Macmillan, 2007.
Mancini, Elaine. Struggles of the Italian film industry during fascism, 1930-1935. Ann
Arbor: UMI Research Press, 1985.
Ben-Ghiat, Ruth. Fascist modernities : Italy, 1922-1945 [Chapters on film] Berkeley: UC
Press, 2001.
Berghaus, Gunter. Futurism and politics : between anarchist rebellion and fascist
reaction, 1909-1944. Providence: Berghahn Books, 1996.
Pavlovic, Tatjana. Despotic bodies and transgressive bodies : Spanish culture from
Francisco Franco to Jesús Franco. Albany: SUNY Press, 2003.
*Roshwald, Aviel, ed. European culture in the Great War : the arts, entertainment, and
propaganda, 1914-1918. Cambridge: Cambridge UP, 1999.
Saunders, Nicholas J. Trench art : materialities and memories of war. Oxford: Berg,
2003.
Gorog, Lisa de. From Sibelius to Sallinen : Finnish nationalism and the music of
Finland. New York: Greenwood Press, 1989.
Hooker, Lynn Marie. Modernism meets nationalism : Béla Bartók and the musical life of
Pre-World War I Hungary. UofC Dissertation, 2001.
Curtis, Ben. On Nationalism and Music. UofC Dissertation, 2002.
Appignanesi, Lisa. The Cabaret. London: Studio Vista, 1975.
Faulk, Barry J. Music hall & modernity : the late-Victorian discovery of popular culture.
Athens: Ohio UP, 2004.
8
Damase, Jacques. Les folies du music-hall: a history of the music-hall in Paris from 1914
to the present day. London: Spring Books, 1970.
Lareau, Alan. The wild stage : literary cabarets of the Weimar Republic. Columbia:
Camden House, 1995.
Kift, Dagmar. The Victorian music hall : culture, class, and conflict. Cambridge:
Cambridge UP, 1996.
Booth, Michael R., ed. The Edwardian theatre : essays on performance and the stage.
New York: Cambridge UP, 1996.
Stoil, Michael J. Balkan cinema : evolution after the revolution. Ann Arbor: UMI
Research Press, 1982.
Ellwood, David W., ed. Hollywood in Europe : experiences of a cultural hegemony.
Amsterdam: VU UP, 1994.
Higson, Andrew, ed. "Film Europe" and "Film America" : cinema, commerce and
cultural exchange, 1920-1939 . Exeter: UExeter Press, 1999.
Fay, Jennifer. Theaters of occupation : Hollywood and the reeducation of postwar
Germany. Minneapolis : University of Minnesota Press, c2008.
Saunders, Thomas J. Hollywood in Berlin : American cinema and Weimar Germany.
Berkeley: UC Press, 1994.
Ryall, Tom. Britain and the American cinema. London: SAGE, 2001.
Harvey, Sylvia. May '68 and film culture. London: BFI, 1978.
Sarkisova, Oksana, ed. Past for the eyes : East European representations of communism
in cinema and museums after 1989. Budapest: Central European University Press,
2008.
Lant, Antonia. Blackout : reinventing women for wartime British cinema. Princeton:
Princeton UP, 1991.
von Dassanowsky, Robert. Austrian cinema: A History. Jefferson: McFarland, 2005.
Prawer, S.S. Between two worlds : the Jewish presence in German and Austrian film,
1910-1933. New York: Berghahn Books, 2005.
Barber, Stephen. The art of destruction : the films of the Vienna Action Group. London:
Creation, 2004.
Iordanova, Dina. Cinema of flames : Balkan film, culture and the media. London: British
Film Institute, 2001.
Mosley, Philip. Split screen : Belgian cinema and cultural identity. Albany: SUNY Press,
2001.
Richards, Jeffrey. The age of the dream palace : cinema and society in Britain, 19301939. London: Routledge, 1984.
Aldgate, Anthony. Censorship and the permissive society : British cinema and theatre,
1955-1965.Oxford: Oxford UP, 1995.
Robertson, James C. The hidden cinema : British film censorship in action, 1913-1972.
London: Routledge, 1989.
Higginbotham, Virginia. Spanish film under Franco. Austin: UT Press, 1988.
Hill, John, ed. Border crossing : film in Ireland, Britain and Europe. Belfast: BFI, 1994.
Nowell-Smith, Geoffrey, ed. Hollywood and Europe : economics, culture, national
identity, 1945-95. London: BFI, 1998.
Stoil, Michael. Cinema beyond the Danube: the camera and politics. Metuchen:
Scarecrow, 1974.
9
Liehm, Mira. The most important art : Eastern European film after 1945. Berkeley: UC
Press, 1977.
Stollery, Martin. Alternative empires : European modernist cinemas and the cultures of
imperialism. Exeter: UExter Press, 2000.
Rivi, Luisa. European cinema after 1989 : cultural identity and transnational production.
New York: Palgrave Macmillan, 1997.
Sieglohr, Ulrike, ed. Heroines without heroes : reconstructing female and national
identities in European cinema, 1945-51. London: Cassell, 2000.
Hewitt, Nicholas, ed. The Culture of reconstruction : European literature, thought, and
film, 1945-50. New York: St. Martin’s Press, 1989.
Monaco, Paul. Cinema and society : France and Germany during the Twenties. New
York: Elsevier, 1976.
Ehrlich, Evelyn. Cinema of paradox : French filmmaking under the German occupation.
New York: Columbia UP, 1985.
Slavin, David. Colonial cinema and imperial France, 1919-1939 : white blind spots,
male fantasies, settler myths. Baltimore: Johns Hopkins UP, 2001.
Ezra, Elizabeth, ed. France in focus : film and national identity. Oxford: Berg, 2000.
Smith, Alison. French cinema in the 1970s : the echoes of May. Manchester: Palgrave,
2005.
Hayward, Susan. French national cinema. London: Routledge, 2005.
Dine, Philip. Images of the Algerian War : French fiction and film, 1954-1992. Oxford:
Oxford UP, 1994.
Greene, Naomi. Landscapes of loss : the national past in postwar French cinema.
Princeton: Princeton UP, 1999.
Hewitt, Leah D. Remembering the occupation in French film : national identity in
postwar Europe. New York: Palgrave, 2008.
Colombat, Andre Pierre. The Holocaust in French film. Metuchen: Scarecrow, 1993.
Pilgert, Henry O. Press, radio and film in West Germany, 1945-1953. Historical Division,
Office of the Executive Secretary, Office of the U.S. High Commissioner for
Germany, 1953.
Rinke, Andrea. Images of women in East German cinema, 1972-1982 : socialist models,
private dreamers and rebels. Lewiston: Mellen Press, 2006.
Allan, Sean, ed. DEFA : East German cinema, 1946-1992. New York: Berghahn Books,
1999.
Berghahn, Daniela. Hollywood behind the Wall : the cinema of East Germany.
Manchester: Palgrave, 2005.
Davidson, John, ed. Take two : fifties cinema in divided Germany. New York: Berghahn
Books, 2007.
Meurer, Hans Joachim. Cinema and national identity in a divided Germany, 1979-1989 :
the split screen. Lewiston: Mellen, 2000.
Reimer, Robert C., ed. Cultural history through a National Socialist lens : essays on the
cinema of the Third Reich. Rochester: Camden House, 2000.
Murray, Bruce. Film and the German left in the Weimar Republic : from Caligari to
Kuhle Wampe . Austin: UT Press, 1990.
Hull, David. Film in the Third Reich; a study of the German cinema, 1933-1945.
Berkeley: UC Press, 1969.
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