SCHOOL OF MUSIC UNDERGRADUATE MUSIC MAJOR HANDBOOK UNIVERSITY OF CENTRAL OKLAHOMA 2015-2016 (Revised 2015) DR. BRIAN LAMB Director DR. ROB GLAUBITZ Assistant Director ii Phone: (405) 974-5004 Website: http://www.uco.edu/cfad/academics/music/index.asp ii TABLE OF CONTENTS Welcome and Mission Statements…………………………………………….................................……….………….……..3 General Academic Regulations……………………………………………………………………………….……….………4 Degree Programs and Curriculum Requirements…………………………………….....………………………...…..………5 Degree Information Requirements for the B.M. and B.M.E. Degrees………………………………………….……………………..…6 Theory Placement Exam Application to the College of Education and Professional Studies………………………….....................…....…..7 Recital Attendance……………………………………………………………………………………..………..….8 Applied Lessons……………………………………………………………………………………..……………...9 Juries Degree Recitals Final Exam Information Credit by Examination……………………………………………………………………………..……………...10 Piano Proficiency Exams Enrollment and Advisement………………………………………………………………………………...……………….10 Enrollment Process Departmental Advisors………………………………………………………………………..…………...……...11 College of Fine Arts and Design Advisor School of Music Faculty/Staff……………………………………………………………………………………………….12 School of Music Organizational Structure……………………………………………………………………………..…….16 Performance Opportunities…………………………………………………………………………………………………..17 Performance Venues…………………………………………………………………………………………………………18 Music Student Organizations…………………………………………………………………………………………….…..19 Sigma Alpha Iota Kappa Kappa Psi National Association for Music Education (CNAfME) Oklahoma Music Teachers Association (Collegiate Chapter) Pi Kappa Lambda General Information…………………………………………………………………………………………………….……20 Notices Music Building Usage Music Office Practice Rooms The MIDI Lab and Other Technology Resources…………………………………...…………………………….21 Telephone Usage Grievance Procedures Publications………………………………………………………………………..………………………………22 Public Relations Address Change Food and Beverages School of Music Safety Statement General Performance Dress Code……………………………………………………..…………………………..23 Instrument Checkout Procedures……………………………………………………..……………………...……24 Locker Checkout Procedure Audio Recording and Production Services Important Resources on Campus………………………………………………………………………………………….…25 Police Services Wellness Center Counseling Center Financial Assistance, Scholarship Information, and Employment Opportunities…….……………………………………..25 Scholarship Packet Student Workers and Work Study Central Community Music School Piano Division Handbook Contact Information………………………………………………………………………………………………………….26 Campus Directory Information 4 WELCOME TO THE UNIVERSITY OF CENTRAL OKLAHOMA SCHOOL OF MUSIC This handbook answers questions most frequently asked by students and offers some general information about the School of Music. If you find that you need additional information after reading this handbook, visit the Music Office (MU133) between 8:00 a.m. and 5:00 p.m., Monday through Friday. The Music Office phone number is (405) 974-5004. UNIVERSITY OF CENTRAL OKLAHOMA MISSION STATEMENT The University of Central Oklahoma (UCO) exists to help students learn by providing transformative education experiences to students so that they may become productive, creative, ethical and engaged citizens and leaders serving our global community. UCO contributes to the intellectual, cultural, economic and social advancement of the communities and individuals it serves. The University of Central Oklahoma is the Leadership University, delivering education based on our shared values of Community, Character and Civility. UCO transforms each student by focusing our resources on the Central Six tenets of transformative learning. All students will be transformed with: Discipline Knowledge Leadership Problem Solving (Research, Scholarly and Creative Activities) Service Learning and Civic Engagement Global and Cultural Competencies Health and Wellness Transformative learning is a holistic process that places students at the center of their own active and reflective learning experience. COLLEGE OF FINE ARTS AND DESIGN MISSION STATEMENT The College of Fine Arts and Design prepares creative individuals to become leaders, professionals and educators through innovative, diverse, and collaborative transformative experiences. CFAD serves as the gateway to the University’s Cultural Life through performances, exhibitions, working studios and outreach programs. Our connection with the greater metropolitan area engages students in the local, national and global Arts and Design communities. SCHOOL OF MUSIC MISSION STATEMENT Teaching and performing 4 5 GENERAL ACADEMIC REGULATIONS UCO CATALOG: The University catalog is the source of information for academic rules, regulations, procedures and programs. Each student is responsible for identifying and completing requirements of his or her degree program. Students are responsible for the accuracy of their schedules, including changes and withdrawals. REGULATIONS PERTAINING TO GRADUATION: A. Credit Hour Minimums (1) 124 total college-level semester hours (2) 30 semester hours at UCO exclusive of extra-institutional credit (3) 15 of the last 30 semester hours from UCO exclusive of extra-institutional credit must apply toward the degree at UCO. (4) 60 semester hours, excluding physical education activity courses, must be earned from colleges that award bachelor’s degrees (senior colleges/universities) (5) 40 semester hours, excluding physical education activity courses, must be at the upper division (3000 and 4000) level (6) 15 semester hours of major courses must be the upper division (3000 and 4000) level (7) 10 semester hours in the major must be in residence at UCO (8) 6 semester hours in each minor must be at the upper division (3000 and 4000) level (9) 30 semester hours used in the second major are required for students earning double majors B. Other regulations: (1) Extra-institutional examination credit such as CLEP, AP, etc., is not considered residence credit at UCO. (2) Up to 124 semester hours required for graduation must be coursework exclusive of physical education activity courses. (3) Up to 6 semester hours of workshop credit (courses numbered 3000-3006) may apply toward the degree. (A workshop credit is any course for which you receive a “Pass” or “Fail,” rather than a grade such as an “A” or “B.”) (4) A course (or courses) may apply to both the general education and other components of a student’s degree, e.g., major, minor, and professional education, except for the B.S. in General Studies. In the B.S. in General Studies, course work may not apply to both the general education and the major. (5) When a course or courses may apply to both the major and the minor, the course or courses must be replaced with an equal number of credit hours from either of the two areas. This limitation also applies to double majors and courses required in both the major and professional education. (6) The General Studies program is not allowed to be a component in a double major. See an undergraduate academic advisor to determine criteria for a double major or second degree. C. Computer proficiency: Students admitted after Fall, 1998, must demonstrate computer proficiency as defined by the Oklahoma State Regents for Higher Education. D. Minimum grade point requirements: Each degree program in the UCO undergraduate catalog specifies minimum grade point averages for: (1) major course work, and (2) total work, exclusive of physical education activity courses. All programs require a minimum 2.00 GPA for all UCO courses taken unless otherwise specified at a higher GPA. ADMISSION TO PROFESSIONAL TRAINING: A. All students majoring in education must apply for admission to the Teacher Education program after completing 40 hours. Admission to Teacher Education requires a minimum 2.75 grade point average. B. See additional requirements in the UCO Undergraduate Catalog. 5 6 APPLICATION FOR GRADUATION: Students must complete an application for graduation at the Center for Undergraduate Advisement as soon as possible after their final enrollment and no later than the second week after the final semester begins. The university charges $35 to apply for graduation, whether you actually graduate or not, so be sure you are ready. Students applying for graduation later than the deadlines above will be charged an additional $25 above the early graduation fee. Students who complete their degree requirements should receive diplomas by mail approximately four to five weeks following the last day of class in the semester in which they graduate. DEGREE PROGRAMS AND CURRICULUM REQUIREMENTS DEGREE INFORMATION Areas of concentration in the School of Music include performance, composition, history, music education, musical theatre and opera. The diversity of interests within the School is exemplified by the variety of performance organizations, including orchestras, bands, choirs, various chamber groups, as well as an opera workshop and a musical theatre group. The undergraduate music curriculum provides programs for: 1) the student who wishes to become a professional musician; 2) the student who plans to enter the teaching profession; 3) the student for whom music is part of a general education; 4) the student who intends to pursue an advanced degree in music. UNDERGRADUATE MUSIC DEGREES OFFERED Bachelor of Music - Instrumental Performance (Woodwind, Brass, Percussion, String) Bachelor of Music - Piano Performance Bachelor of Music - Vocal Performance Bachelor of Music - Musical Theatre Bachelor of Music Education - Instrumental Bachelor of Music Education - Vocal Minor of Music (Undergraduate) Instrumental, Vocal, Piano, Collaborative Piano*, Piano Pedagogy*, Composition Jazz Studies Minor (Undergraduate) *Only Piano Performance Majors may choose to minor in Collaborative Piano or Piano Pedagogy. Exceptions (non-piano music majors) may be made with approval of the piano faculty. Contact the Piano Division Head to apply for admission to the program. The Bachelor of Music degree focuses on a professional level of performance, with majors available in voice, woodwind, brass, percussion, string, keyboard, and musical theatre. Course requirements include private instruction on the student's individual instrument/voice as well as courses in pedagogy, vocal diction, principles of conducting, composition, music theory, and music history. This degree offers a variety of performance opportunities including junior and senior recitals. Students of Musical Theatre are required to audition for each of the four major musical productions sponsored by the School of Music each year and have the option of auditioning for any of the opera productions. If you have any further questions, please direct them to the Head of Opera and Vocal Arts, Dr. Kevin Eckard, or Head of Musical Theatre, Ms. Shannon Hurleigh. The Bachelor of Music Education degree is focused on meeting the demands of the teaching field. The teaching certificate requires education courses including techniques, methods, psychology, testing and measurements and student teaching, as well as competency in music. 6 7 The Music Minor degree requires 24 credit hours of music courses in theory, conducting, history/literature, applied instrument, piano (if not applied instrument), and major ensemble. NOTE: Students will need to get a UCO Undergraduate Catalog, a UCO Student Handbook, and a Class Schedule, all of which can be found online at www.uco.edu. The General Information, General Academic Regulations, and Majors and Degrees should be carefully studied. REQUIREMENTS FOR THE B.M. AND B.M.E. DEGREE Before students can be accepted as candidates for the B.M. Degree, they must demonstrate through examination a repertory and technical proficiency sufficient to justify beginning the program. The candidates must receive minimum grades of “B” in their applied major each semester they are enrolled. Failure to do so will require repetition of that semester’s work. The School of Music requires all full-time Music majors to enroll EACH 16-Week Semester in an Applied music class in his/her major, and an appropriate Major Ensemble class. All full-time music majors are also required to enroll in and attend six semesters of Recital Attendance (MUS 1120). For Music Education majors, the semester of student teaching is considered full time, and enrollment in applied lessons and ensembles is not required. Request a Curriculum Program and Recommended Course Outline for your degree from the Music Office. THEORY PLACEMENT EXAM Music Theory and Aural Skills Placement Exams: All entering freshmen that have successfully completed and passed the AP Theory test must bring proof to the Music Office. If you took the AP Theory course in your school, but did not take the test, you are eligible to take the placement exams before classes begin. Transfer students who have taken theory at another college or university must bring a transcript with the information of the classes taken. Be aware that there are fees associated with taking placement exams. For more information about placement exams, visit www.uco.edu/testing or call (405) 974-2388. 7 8 APPLICATION TO THE COLLEGE OF EDUCATION & PROFESSIONAL STUDIES for B.M.ED. VOCAL OR INSTRUMENTAL MAJORS Students who wish to apply to the Teacher Education program should follow the guidelines listed below: Admission to UCO does not automatically grant admission to the teacher education program. UNDERGRADUATE STUDENTS SEEKING TO PURSUE THE TEACHER EDUCATION PROGRAM MUST APPLY FOR ADMISSION TO TEACHER EDUCATION. The application may be found on the Teacher Education Services website. http://www.uco.edu/ceps/tes/ The application is submitted to room 207 in the Education building. Each teacher candidate must have the following completed to be accepted into the teacher education program. a) 40 semester hours of college credit. b) A grade of “C” or better in all major and professional teacher education courses completed at UCO or other colleges or universities at the time of application. c) An overall grade average of 2.75 or a 3.00 in the last 30 UCO semester hours. d) English Composition 1113 & 1213 with a grade of "C" or better totaling six (6) semester hours. e) A passing OGET (Oklahoma General Education Test) score. f) PTE 3023: Field Experience I: Foundations of American Education with a grade of "C" or better. During the Field Experience course, Foundations of American Education, the teacher candidate will receive a packet of information that details their time in Teacher Education. When the teacher candidate's application has been reviewed by the teacher education services office, a folder is created and sent to the program coordinator or department chair of the teacher candidate's major. The folder contains the teacher candidate’s application, along with a current transcript and any additional information received with the application, an interview questionnaire and, if passed, the OGET scores. The program coordinator from the department of the teacher candidate's major interviews the student. The program coordinator will cover the interview questionnaire with the teacher candidate and address any concerns the teacher candidate may have concerning their major’s program. Teacher candidates will be notified approximately 2 weeks after the interview if they have received an accepted status or pending status into the teacher education program. If a teacher candidate has received the pending status they will receive information as to the deficiencies that must be completed for acceptance to the Teacher Education Program. Teacher Candidates who transfer from another institution must meet the requirements established by the unit. During the two weeks after the interview, the Admissions and Retention Committee of the Council on Teacher Education reviews the qualifications of each teacher candidate seeking admission to teacher education. The committee then recommends a Status I (approved), Status II (concurrent applicant), Status III (pending), or a Status IV (candidate request to withdrawal). The recommendations are presented to the Council on Teacher Education. A final decision is made by the Council. 8 9 MUS 1120 - RECITAL ATTENDANCE ALL MUSIC MAJORS ARE REQUIRED TO ENROLL IN AND ATTEND RECITAL ATTENDANCE, MUS 1120, FOR 6 SEMESTERS. There will be a student recital each Thursday at 2:00 p.m. General Recitals will take place in the Radke Fine Arts Theatre in the Center for Transformative Learning, and Area Recitals will take place in a location determined by the division head. See schedules and locations on the board across the hall from the music office. The Thursday Recital time is listed in the schedule of classes. NO CLASS SCHEDULE CONFLICTS SHOULD OCCUR -- exceptions to the rule will be rare. Recital attendance provides a weekly listening and performing experience for music majors, allowing students to experience a variety of musical performances, styles, periods, instrumentation, etc. Student participation as performer and/or listener is required for the development of accurate and critical performance and listening skills. This course also provides undergraduate music majors with a performing venue that seeks to create a learning experience that simulates actual professional experience. Students, both performers and audience members, will learn appropriate standards of performance, concert etiquette, stage deportment and attire. METHOD(S) OF EVALUATION: Grade of “P” (pass) or “U” (unsatisfactory) based upon attendance Attendance requirements: Students MUST attend 12 recitals each semester. EIGHT Thursday recitals, PLUS FOUR other performances, TWO of which MUST be student performing ensembles or student recitals, and TWO MUST be UCO Faculty recitals or other professional performances, i.e. Oklahoma City Philharmonic or the Canterbury Choral Society. * All programs or ticket stubs must be signed by UCO faculty, and turned in within one week of the performance for the student to receive credit. Your name and ID# must be on this program for you to receive credit. 1) Requests for exceptions to these regulations must be brought to the attention of the Director or attendance recorder in MU133 at the beginning of each semester. 2) Transfer students must enroll in Recital Attendance all of the remaining semesters of their degree to satisfy the above requirements. (6 semesters, including those transferred from another university). Must retain a "P" grade. STUDENTS ARE RESPONSIBLE FOR TURNING IN EACH PROGRAM FOR PERFORMANCES ATTENDED. TO PERFORM IN A THURSDAY RECITAL: We encourage students to perform in Thursday Recitals as often as possible. This is a great way to get more performance experience! Click here to find the Schedule for Thursday Recitals. To sign up to perform in a recital, please fill out a Recital Reservation Request Form. If this is your first time to sign up for Thursday Recital, ask your applied teacher for assistance. Area Recital forms are to be submitted to the area coordinator. Ask your applied instructor for the current area coordinator. Please turn completed General and/or Honors Recital forms into Ariel West in the main office. Locations of all recitals are posted in the case on the wall across from the Music Office. 9 10 APPLIED LESSONS Applied lesson times are scheduled on an individual basis with the instructor. A certain number of applied lesson credit hours for instrument or voice is required of all music majors. All students enrolling in applied lessons must obtain permission from the instructor before enrolling*. A student must come to the Music Office to have his/her enrollment form signed prior to enrolling, and, in some areas, fill out an "instructor preference form." This must be done each semester, even for those students taking lessons from a specific instructor on a continuing basis. The first week of each semester, a meeting is held amongst the voice and keyboard faculty, and students are assigned to an instructor for applied lessons. Instructor/student lists will be posted on the bulletin board across from the Music Office at the end of the first week of class. Please check this list for your instructor assignment. If you have been assigned an instructor, contact them in order to schedule a lesson time. IT IS THE STUDENT'S RESPONSIBILITY TO CONTACT THE INSTRUCTOR TO SET UP A TIME FOR THE LESSON. FAILURE TO CONTACT THE INSTRUCTOR MAY RESULT IN THE STUDENT BEING DROPPED FROM THE APPLIED LESSON. IT IS THE STUDENT'S RESPONSIBILITY TO BE PRESENT FOR ALL APPLIED LESSONS UNLESS EXCUSED BY THE INSTRUCTOR. FAILURE TO COMPLETE AT LEAST 80% OF APPLIED LESSONS MAY RESULT IN A FAILING GRADE. *Prior to enrolling in an applied lesson, it is a good idea to check with the instructor of your choice and discuss your plans. In this way, the instructor knows you and your needs, etc., and this may give you a better chance to be worked into his/her schedule. JURIES All music majors and minors, and others enrolled in applied (individual) instruction for instrument or voice, are required to take a jury examination at the end of each semester. Juries are held during finals week. Check with your applied instructor for dates and other specific information. DEGREE RECITALS: Junior and Senior Recitals Dr. Emily Butterfield, Recital Coordinator (405) 974-5691 Music Majors are required to perform a degree recital as partial fulfillment of their undergraduate music degree. In order to perform a degree recital, students, upon the advisement of their applied teacher, enroll in the appropriate course of Junior Recital or Senior Recital. Students enrolled in this recital course are required to attend a mandatory class session/meeting, which occurs at the beginning of each semester. Here, students will receive additional information and learn about course requirements. Announcements of this mandatory meeting will be made via emails to enrolled students and posted at the beginning of the semester throughout the building. The instructor will administratively withdraw any students who do not attend this mandatory class session/meeting. The School of Music website may also have further information. Students who wish to perform a recital, but are not performing a degree recital should still contact both Dr. Butterfield and the music office. FINAL EXAM INFORMATION For information about times and locations of final exams click here. For accurate information, be sure to click “Final Exams” in the upper right of the screen, then scroll to the proper term (example: Fall 2014). 10 11 CREDIT BY EXAMINATION CLEP tests are available in most general education subjects. For information, call Testing Services at ext. 2388 or send an email to testingservices@uco.edu. As a general rule, the School of Music does not offer credit by examination. In rare cases, the School of Music may grant a waiver with approval from the Director of the School of Music, the instructor, and the academic advisor. For non-piano music majors/minors, piano credit may be earned by passing a CLEP test for each level of piano. Call testing services to complete the necessary forms and pay the appropriate fee. Piano CLEP exams are normally administered during final exam week. PIANO PROFICIENCY EXAMS Non-piano music majors/minors: All four levels of piano proficiency exams are administered each semester. Students enrolled in class piano will take their exam as the final exam. Music majors/minors who are not enrolled in class piano may take any of the required levels at the same time. Piano majors/minors are required to take piano major proficiency exams two week before the final exams week. Your applied piano teacher will provide more information. ENROLLMENT AND ADVISEMENT ENROLLMENT PROCESS The following information is for returning students. Incoming freshman need to meet with Pam Platz during Enrollment Central in the Nigh University Center and then see Dr. Sandra Thompson in the Music Office. Transferring students will also need to see Pam Platz for information about which classes will transfer and then, with that information, go to Dr. Sandra Thompson in the music office for enrollment. The Student will: 1) Get enrollment and information sheets from Music Office. (Office 136) 2) Get current transcript from Enrollment Services (You can print them in the University Center) 3) Complete information sheet. 4) Take all paperwork to his/her Departmental Advisor. 5) Take approved sheets and transcripts to Dr. Sandra Thompson. The Advisor will: a. Advise the student b. Check that the student is “on track” in theory and in piano c. Sign off on the enrollment sheet if everything is in order d. Send the student to see Dr. Sandra Thompson for final step in process (Please double check the enrollment sheet and current transcript for accuracy and consistency. Also, check information sheet to see it is all filled out.) 11 12 Departmental Advisors Every semester there will be a list posted in the student lounge assigning each student to one of the advisors listed below. Your advisor will assist you in “staying on track” in your degree program. AT THE BEGINNING OF EACH SEMESTER -- take time to make sure you are properly enrolled in the correct courses. Meet with your School of Music faculty advisor. (1) Consult the fee adjustment and refund policy and corresponding dates as printed in the Class Schedule each semester before adjusting your class schedule. (2) DO NOT WAIT until the semester is nearly over to become aware of changes you should have made at the beginning. The "paper-chase" is time consuming and can be very frustrating. (3) Consult with your Advisor/Instructor with curriculum needs. The major advisor for undergraduate music majors is Pam Platz in the University Center, Room 121. Please Contact Your Advisor To Set Up An Appointment Musical Theatre: Dr. Marilyn Govich: Office 221; mgovich@uco.edu Ms. Shannon Hurleigh: Office 001; gwhite10@uco.edu Steven Smeltzer: Office 001; ssmeltzter@uco.edu Vocal Performance: Dr. Kevin Eckard: Office 209; keckard@uco.edu Dr. Barbara Streets: Office 206; bstreets@uco.edu Piano: Dr. Chindarat Charoenwongse-Shaw: Office 128A; ccharoenwongse@uco.edu Dr. David Forbat: Office 115; dforbat@uco.edu Instrumental Performance: Dr. Dawn Marie Lindblade: Office 202; dlindblade@uco.edu Instrumental Music Education: Jeff Kidwell: Jazz Lab; jkidwell3@uco.edu David Hanan: Office 137; dhanan@uco.edu Dr. Brian Lamb: Office 133; blamb@uco.edu Dr. Emily Butterfield: Office 205; ebutterfield@uco.edu Vocal Music Education: Dr. Darla Eshelman: Office 137; deshelman@uco.edu String Advisement: Dr. Ralph Morris: Office 201; rmorris@uco.edu Dr. Michael Geib: Office 002; mgeib@uco.edu COLLEGE OF FINE ARTS AND DESIGN ADVISOR Ms. Pam Platz - Undergraduate Advisor for the College of Fine Arts, and Design Nigh University Center Room 121; (405) 974-2727 The Music Office has current degree requirement outline sheets that are available anytime. Undergraduate and Graduate catalogues are available online, as are the semester Class Schedules. 12 13 SCHOOL OF MUSIC FACULTY/STAFF DIRECTOR: Dr. Brian Lamb ASSISTANT DIRECTOR: Dr. Rob Glaubitz STAFF: Ms. Laurie Flewwellin Ms. Ariel West Ms. Mariann Searle Ms. Megan Clewell Mr. Clint Rohr Mr. Aaron Tomasko Mr. Bryan Mitschell Administrative Assistant Marketing and Communication Accompanist Accompanist Jazz Lab Manager Jazz Lab Assistant Manager Recording Engineer COLLEGE OF FINE ARTS AND DESIGN ADVISOR: Pam Platz Undergraduate Advisor (Academic Advisement Center) Dr. Brian Lamb Mr. David Hanan Wind Symphony Symphonic Band, Marching Band Dr. Ryan Sharp Dr. James Klages Dr. Peggy Moran Mr. Jeff Kidwell Mr. Paul Nesper Trumpet Trumpet Horn Trombone Low Brass BANDS: BRASS: CHAMBER MUSIC Dr. Emily Butterfield Mr. David Hardman Mr. Martin King Mr. Jeff Kidwell Dr. James Klages Dr. Peggy Moran Dr. Tess Remy-Schumacher Dr. Dawn Marie Lindblade Dr. Hong Zhu Flute Choir Percussion Consort Saxophone Quartets Trombone Choir Trumpet Choir Horn Choir String Ensembles, Cello Choir Chamber Music Initiative String Ensembles Dr. Karl Nelson Director of Choirs, Chamber Singers, Concert Chorale, Edmond Community Chorale Cantilena (Women’s Ensemble) CHORAL: Dr. Darla Eshelman 13 14 COMPOSITION & THEORY: Mr. Brian Gorrell Dr. Samuel Magrill Dr. Peggy Moran Dr. Cheryl Bocanegra Ms. KaDee Bramlett Dr. Sandra Thompson Mr. Zachary Lee Jazz Theory & Analysis 1 and 2 Theory, Composition, Computer Music Theory, Aural Skills Theory, Aural Skills Theory, Aural Skills Music Theatre Theory Jazz Arranging & Composition CONDUCTING: Dr. Karl Nelson Dr. Brian Lamb Mr. David Hana Choral Instrumental Instrumental MUSIC TECHNOLOGY: Mr. Zachary Lee Computer Music Technology JAZZ: Mr. Brian Gorrell Mr. Clint Rohr Mr. Aaron Tomasko Mr. Jeff Kidwell Dr. Ryan Sharp Dr. Michael Geib Mr. Danny Vaughan Mr. David Hardman Mr. Dennis Borycki Mr. Lee Rucker Mr. Zachary Lee Director of Jazz Studies, Jazz Ens. 1, Saxophone Jazz Lab Director, Jazz History Jazz Lab & Recording Studio Manager Asst. Dir. of Jazz Studies, Jazz Ens. 2, Combos, Trombone Jazz Ensemble 3, Trumpet Jazz Ensemble 4, Combos, Bass Jazz Guitar Ensemble, Guitar Combos, Drums Combos, Piano Combos, Jazz Improvisation Music Technology, Jazz Arranging & Composition MUSIC EDUCATION: Dr. Darla Eshelman Dr. Pamela Bradford Mr. Jeff Kidwell Mr. Martin King Mr. Andrew Brooks Mr. Steve Fraser Mr. David Hanan Vocal Music Education Elementary Music Education Instrumental Music Education Coordinator Woodwind Techniques Percussion Techniques String Techniques Marching Band Techniques MUSIC HISTORY & LITERATURE Dr. Ted Honea Mr. Earl Hefley Dr. James Klages Ms. Pamela Richman Dr. Tess Remy-Schumacher Mr. Mathew Evans Mr. David Hanan Mr. Kerry Folsom History, Research Music Appreciation, World Musi Music Appreciation Music Appreciation Western Music Appreciation Music in Film, Music Appreciation Video Game Music Native American Music, Music History 14 15 MUSICAL THEATRE: Dr. Greg White Ms. Shannon Hurleigh Mr. Steven Smeltzer Ms. Kathryn McGill Division Head OPERA: Dr. Kevin Eckard Dr. Barbara Streets Dr. Robert Glaubitz Dr. Barbara DeMaio Director Diction Diction Diction PERCUSSION: Mr. David Hardman Mr. Bill Repavich PIANO: Dr. Chindarat Charoenwongse Piano Pedagogy, Applied Piano, Piano Literature, Chamber Music Coach Dr. David Forbat Class Piano, Applied Piano Mr. Dennis Borycki Jazz Piano Dr. Valery Kuleshov Artist-in-Residence, Applied Piano Dr. Linda Owens Applied Piano Ms. Jennifer Mansour Class Piano Ms. Natalie Syring Class Piano Dr. Sallie Pollack Collaborative Piano Dr. Brad Bennight Applied Harpsichord Ms. Rachel Cho Applied Piano STRINGS: Dr. Hong Zhu Ms. Lu Deng Ms. Doris Morris Dr. Ralph Morris Dr. Tess Remy-Schumacher Dr. Michael Geib Mr. Colin Diebert Mr. Danny Vaughan Ms. Chelsea Bushong Violin Violin/Viola Violin/Viola Violin/Viola Violoncello Double Bass/String Techniques Guitar/Classical Guitar Ensemble Guitar/Jazz Guitar Ensemble Harp VOICE AND CHOIR: Dr. Barbara DeMaio Dr. Kevin Eckard Dr. Darla Eshelman Dr. Robert Glaubitz Dr. Marilyn Govich Dr. Karl Nelson Dr. Barbara Streets Dr. Sandra Thompson Dr. Molly Johnson Dr. Mark Johnson 15 16 WOODWINDS: Dr. Emily Butterfield Ms. KaDee Bramlett Dr. Dawn Marie Lindblade Mr. Brian Gorrell Dr. Lori Wooden Mr. Martin King Ms. Jennifer Rucker Flute Oboe Clarinet Saxophone Bassoon Saxophone Clarinet 16 17 CENTER FOR HISTORICAL PERFORMANCE: General Coordinator: Academic Coordinator: Dr. Tess Remy-Schumacher Dr. Ted Honea Performers: Dr. Emily Butterfield: Baroque Flute Ms. KaDee Bramlett: Baroque Oboe Dr. John Clinton: Conductor Dr. Michael Geib: Baroque Bass Dr. Ted Honea: Musicology, Natural Horn Dr. Peggy Moran: Natural Horn Dr. Brad Bennight: Harpsichord Dr. Ralph Morris: Baroque Violin and Viola Ms. Theodora Morris: Recorder and Baroque Violin Dr. Tess Remy-Schumacher: Baroque Cello and Musicology Ms. Natalie Syring: Baroque Flute Dr. Hong Zhu: Baroque Violin 17 18 ORGANIZATIONAL STRUCTURE 1. STRINGS: Dr. Hong Zhu, Head of String Division Applied Strings Cello Ensemble Chamber Ensembles Chamber Orchestra String Pedagogy 2. KEYBOARD: Dr. Sallie Pollack, Head of Piano/Keyboard Division Applied Piano Collaborative Piano Piano Pedagogy 3. OPERA AND VOCAL ARTS: Dr. Kevin Eckard, Head of Opera and Vocal Arts Division Applied Voice Chamber Choir Concert Chorale Cantilena Opera Vocal Pedagogy 4. MUSICAL THEATRE: Ms. Shannon Hurleigh, Head of Musical Theatre Division Special Events Variety Shows 5. WINDS & PERCUSSION: Dr. Emily Butterfield, Head of Winds & Percussion Division Applied Winds & Percussion Chamber Ensembles Studio Chamber Groups Symphonic Band Marching Band Wind Symphony Percussion Consort 6. JAZZ STUDIES: Mr. Brian Gorrell, Head of Jazz Studies Division Jazz Ensembles 1-4 Jazz Guitar Ensemble Jazz Repertory Combos 1-3 Conjunto de Jazz Latino Combo Applied Jazz Improvisation Jazz Theory & Analysis 1 & 2 Jazz History Computer Music Technology CD Album Pre-Production CD Album Production Jazz Composers Combo 5th Street Strutters Dixieland Combo Jazz Arranging & Composition Advanced Recording Technology Jazz Pedagogy 18 19 PERFORMANCE OPPORTUNITIES CHORAL: Concert Chorale Chamber Singers Cantilena (Women’s) Edmond Community Chorale Director: Dr. Karl Nelson Director: Dr. Karl Nelson Director: Dr. Darla Eshelman Director: Dr. Karl Nelson BAND: Wind Symphony Marching Band Symphonic Band Pep Band Director: Dr. Brian Lamb Director: Mr. David Hanan Director: Mr. David Hanan Director: Mr. David Hanan JAZZ: Jazz Ensemble I Jazz Ensemble II Jazz Ensemble III Jazz Ensemble IV Jazz Guitar Ensemble Jazz Repertory Combo 1 Jazz Repertory Combo II Jazz Repertory Combo III 5th Street Strutters Dixieland Combo Conjunto de Jazz Latino Combo Jazz Composers Combo Director: Mr. Brian Gorrell Director: Mr. Jeff Kidwell Director: Dr. Ryan Sharp Director: Dr. Michael Geib Director: Mr. Danny Vaughan Director: Dr. Michael Geib Director: Mr. Dennis Borycki Director: Mr. Danny Vaughan Director: Mr. Jeff Kidwell Director: Mr. David Hardman Director: Mr. Lee Rucker OPERA AND MUSIC THEATRE: 1-2 Major Opera Productions per year 3-4 Major Musical Productions per year Director: Dr. Kevin Eckard Director: Dr. Greg White ORCHESTRA: Chamber Orchestra Symphony Orchestra Director: Dr. Hong Zhu Director: Dr. Ralph Morris Associate Director: Dr. Lori Wooden PERCUSSION: Percussion Consort Director: Mr. David Hardman GUITAR: Guitar Ensemble Jazz Guitar Ensemble Director: Mr. Colin Deibert Director: Mr. Danny Vaughan CHAMBER MUSIC: Trumpet Choir Trombone Choir Horn Choir Chamber Music Initiative Flute Choir Clarinet Choir Saxophone Quartets Recorder Choir String Quartets Cello Ensemble Piano Ensembles Jazz Combos Director: Dr. James Klages Director: Mr. Jeff Kidwell Director: Dr. Peggy Moran Director: Dr. Dawn Marie Lindblade Director: Dr. Emily Butterfield Director: Ms. Jennifer Rucker Director: Mr. Martin King Director: Ms. Theodora Morris Director: Dr. Ralph Morris Director: Dr. Tess Remy-Schumacher Director: Dr. David Forbat Director: Mr. Brian Gorrell 19 20 (PERFORMANCE OPPORTUNITIES, Continued) COMMUNITY OUTREACH Music Outreach Program Manager – Ines Burnham Director – Dr. Chindarat Charoenwongse Student Coordinators: Jose Batty: jbatty@uco.edu Buyun Li: bli2@uco.edu Tanja Kneczevic: tasica1234567@gmail.com PERFORMANCE VENUES Mitchell Hall - UCO’s performing arts venue since 1926, is the showcase for the College of Fine Arts and Design's Department of Theatre Arts and Department of Dance and the UCO School of Music’s theatrical productions and concerts featuring UCO’s talented and award-winning students. Mitchell Hall Box Office: (405) 974-3375 Online ticketing available for some College of Fine Arts and Design Events. Click here to purchase. Radke Fine Arts Theatre (RFAT) – A recital hall in the Center for Transformative Learning built in 2010 Recital Hall (Room 101) – A small recital and lecture hall in the Music Building Jazz Lab - The Jazz Lab is home of the Jazz Studies Division of the University of Central Oklahoma School of Music. Students utilize the Lab on a daily basis. The Jazz Lab is also a world-class entertainment venue featuring a relaxed atmosphere styled after jazz clubs in New Orleans! Every week the Jazz Lab features live entertainment with food and beverages provided by Hideaway Pizza. Jazz Lab Box Office: (405) 359-7989 x 1 Website: ucojazzlab.com The Y Chapel of Song - The Y Chapel of Song is unique among college chapels in that it was almost entirely designed and created by the students, faculty, staff, and friends of the University. It was completed in 1949 and was placed on the National Register of Historical Places in 2001. To reserve the Y Chapel of Song, click here. Music Building Room 135 – This room in the Music Building is recommended for percussion students giving Junior Degree Recitals or other appropriate events. 20 21 MUSIC STUDENT ORGANIZATIONS Women’s Fraternity: Sigma Alpha Iota – Delta Iota Chapter Faculty Sponsor: Dr. Barbara DeMaio Information about Sigma Alpha Iota from sai-national.org: Sigma Alpha Iota is an organization which promotes interaction among those who share a commitment to music. Members of SAI are active in all areas of campus music and campus life, working closely with faculty, administration, campus and community groups, music professionals and patrons. In addition to personal encouragement and support, members may receive scholarships, loans and awards in many areas and at all levels of music-related study. Sigma Alpha Iota has long been recognized as a leader in the field of music and provides a lifetime of fraternity contact. Band Fraternity: Kappa Kappa Psi – Mu Mu Chapter Faculty Sponsor: Caleb Cash Information about Kappa Kappa Psi from kkpsi.org: Kappa Kappa Psi operates primarily as a student service and leadership recognition society whose chief aim is to assist the Director of Bands in developing the leadership and enthusiasm that is required of his/her band. Our goals are to provide the band not only with organized and concentrated service activities, but to give our membership valid and wholesome experiences in organization, leadership and social contacts. The honorary nature of membership is based on our premise that “it is an honor to be selected to serve” this band, its department of music, its sponsoring institution, and the cause of band music in the nation's colleges and universities. Music Education Organizations: National Association for Music Education (CNAfME) Faculty Sponsors: Mr. David Hanan and Dr. Darla Eshelman Information about National Association for Music Education from nafme.org: National Association for Music Education (NAfME), among the world’s largest arts education organizations, is the only association that addresses all aspects of music education. NAfME advocates at the local, state, and national levels; provides resources for teachers, parents, and administrators; hosts professional development events; and offers a variety of opportunities for students and teachers. The Association orchestrates success for millions of students nationwide and has supported music educators at all teaching levels for more than a century. Oklahoma Music Teachers Association (Collegiate Chapter) Faculty Sponsor: Dr. Chindarat Charoenwongse-Shaw Information about OMTA from oklahomamta.org: The Oklahoma Music Teachers Association (OMTA) is dedicated to promoting the growth and professional development of its members by providing programs that encourage and support high professional standards of teaching, performance, composition and research. National Music Honor Society: Pi Kappa Lambda (PKL) Membership with PKL is available by invitation only. The faculty nominates and votes on potential members. Information about Pi Kappa Lambda from pikappalambda.org: The purpose of this Society is to provide an organization dedicated to the furtherance of music in education and education in music in colleges, universities, and other institutions of higher learning, which offer music degree programs in one or more fields. The primary objective of the Society is the recognition and encouragement of the highest level of musical achievement and academic scholarship. The Society is convinced that recognizing and honoring persons who have enhanced their talents by serious, diligent, and intelligent study will stimulate others to do the same. 21 22 GENERAL INFORMATION NOTICES During the semester notices and signs are placed in the Student Lounge to inform you of upcoming events or special meetings. Please be aware of postings, and take responsibility for being informed. DO NOT “TAPE” POSTERS, MESSAGES, ETC. TO WALLS, DOORS OR WINDOWS IN THE MUSIC BUILDING WITHOUT PERMISSION FROM THE MUSIC OFFICE. MUSIC BUILDING USAGE Anyone in need of the building at a time when it is not open must get permission and fill out a building use request form that will be faxed to Police Services. The Master Key is not available to open faculty studios without written permission. The Music Building has classrooms that may be available for ensemble rehearsals when they do not have scheduled classes. You may reserve the following rooms for rehearsals in the Music Office: 101 104 105 111 114 135 128 RFAT Recital Hall Band Room Classroom Classroom Classroom Choral Room Keyboard Lab - This room is restricted to keyboard practice only. Radke Fine Arts Theatre – Faculty member must get key and be present during student use Please do not abuse the privilege of using these rooms! Any furniture that is rearranged while using the classrooms must be replaced before leaving. Make sure the room is ready for the next class when you leave. If you need to make a change in your schedule, please inform someone in the office as soon as possible. Please do not leave equipment or personal items in any room. Any items left in a classroom will be removed. If you lose something, the Lost & Found is located in the Music Office, Room 132, but there is no way to guarantee that your items will be there. MUSIC OFFICE The music staff will be in the music office between the hours of 8 a.m. and 5 p.m., Monday through Friday. Please do not use the music office as a student gathering place or as a center for social activity. Excessive activity is distracting to those who work in the office area. PRACTICE ROOMS Practice rooms are available for student use and are available on a “first come, first served” basis. There are also a limited number of practice rooms available at the Jazz Lab from 10:00 am – 5:00 pm, during school hours. PLEASE ADHERE TO PRACTICE ROOM RULES POSTED IN EACH ROOM. DO NOT LEAVE PERSONAL ITEMS IN PRACTICE ROOMS OVERNIGHT (MUSICAL INSTRUMENTS, BOOKS, MUSIC, ETC.). USE A LOCKER OR TAKE ITEMS HOME. 22 23 THE MIDI LAB AND OTHER TECHNOLOGY RESOURCES The MIDI Lab is a twelve-station computer lab outfitted with software, instruments, hardware devices and clerical supplies intended to aid specifically music students in completion of their research and coursework assignments. The MIDI Lab is located in room 112 of the Music Building and is made available to all music students generally during the late morning and early afternoon hours of each weekday contingent on what monitoring staff are available and whether or not the space has been reserved for classes. A fluctuating schedule of open hours is kept up-to-date and posted on the front door. In addition to the MIDI Lab, there are three other technology resources music students should be aware of: - Three of the practice rooms within the Music Building are Wenger “V-Rooms” which have some technology incorporated in to them. Here, students can alter the sound of the acoustic space and enjoy a high degree of sound isolation. Limited ability to record oneself is also available here. - Located next to the Music Office is the Music Building Student Recording Studio: a small project studio outfitted with one digital recording workstation, microphones and other peripherals. This space is reserved for use primarily by students enrolled in Music Technology, and secondarily for students who have taken and passed Music Technology. - On the fourth floor of the Max Chambers Library there is a Multimedia Center that provides two workstations and a variety of equipment to aid in digital music composition/manipulation. The software available here is generally synonymous with the MIDI Lab and Jazz Lab offerings, but the Multimedia Center is available a greater number of hours in the day. TELEPHONE USAGE Two telephones are available for student use in the Music Office and the MIDI Lab. These telephones are for business purposes only. Please do not use the telephone in the Music Office unless you have an emergency as it renders the staff unable to answer incoming calls. When using the telephone in the MIDI Lab please be considerate of classmates who may be using the space to work. Inform your family or anyone else who may need to notify you in case of an emergency, to call Student Affairs at 974-2361, who will readily call up your current class schedule and promptly locate you with the message. GRIEVANCE PROCEDURES On occasion, a student experiences difficulties with a particular class. If this should occur, please follow the guidelines below in finding a solution: 1) First, speak with your instructor. Often an instructor is not aware of your difficulty with a class or your personal problems. A solution may be as simple as discussing your options with that instructor who may have some suggestions, i.e., peer tutoring, counseling, etc., to resolve your problems. 2) Second, if you feel your instructor has not satisfactorily resolved your difficulty, you may make an appointment with the Division Head of that area. The Division Head will act as a liaison with your instructor and the Director, and will assist you in finding a solution. 3) Third, if you feel the Division Head has not satisfactorily resolved your difficulty, you may make an appointment with the Director of the School of Music. We are dedicated to our students, and will do everything we can to find a solution to the problem. Remember, your instructor is the best person to start with should a problem arise. Don't wait too long into the semester to speak with your instructor if you find you have a problem. The earlier your difficulties can be addressed, the easier it will be to arrive at a solution. 23 24 PUBLICATIONS The College of Fine Arts and Design publishes a magazine called Impressions that goes out to alumni and persons interested in college events and news. Should you know of someone who is interested in being added to this mailing list, please call the CFAD office at (405) 974-3770. PUBLIC RELATIONS If you are involved in a musical event on or off campus or win an award or scholarship that is newsworthy, the School of Music will work with the CFAD publicity office to issue publicity. Please feel free to stop by the office to discuss this with the staff or inform your applied teacher. ADDRESS CHANGE Please make address corrections with the terminal operator in Admission and Records Service Center or on the UCO website via UCONNECT. FOOD AND BEVERAGES Beverage and snack machines are located in the main hallway near the Piano Lab in the Music Building. Please remember these simple rules: 1) NO FOOD OR DRINK IS ALLOWED IN THE PRACTICE ROOMS, CLASSROOMS, CHORAL ROOM, INSTRUMENTAL REHEARSAL HALL, or RECITAL HALL. PLEASE CONFINE THE CONSUMPTION OF FOOD AND BEVERAGE TO THE STUDENT LOUNGE AREA. 2) NO FOOD OR DRINK IS ALLOWED ON OR AROUND ANY KEYBOARD INSTRUMENT OWNED BY THE SCHOOL OF MUSIC. 3) Please dispose of trash in the proper receptacles provided. Failure to comply with these rules may result in the removal of the machines, or the removal of the Student Lounge all together. SCHOOL OF MUSIC SAFETY STATEMENT The School of Music recognizes the importance of safety for all students and faculty. In addition to the standard, and frequent, safety training offered by the University for all students and faculty, the School of Music wishes to make all musicians cognizant of the potential dangers of their aural environment. Musicians should always be aware of the sound level around them, both in performance/rehearsal settings as well as in all general daily activities. Every member of the School of Music faculty will explain to students at the beginning of each semester the possible consequences of loud sound environments, how to determine dangerous situations and possible solutions. 24 25 GENERAL DRESS CODE FOR SCHOOL OF MUSIC PERFORMANCES* PERFORMERS, STAGE HANDS, AND PAGE TURNERS When you participate in a School of Music performance (performing, setting the stage, or turning pages), you are representing yourself, the ensemble, the School of Music, and the University of Central Oklahoma. Dress in a manner that projects professionalism and respect for yourself and the organizations that you represent. Consider the following as you dress for a School of Music concert or recital: - Practice good hygiene – be sure you’ve showered within the 24 hours before the performance, and brush your teeth. - Make sure your hair is clean and styled neatly, in a manner that keeps it out of your face. - Choose clothing that fits well, not too big or too small for you. - Choose clean clothes, and remove wrinkles by ironing, steaming, or dry-cleaning. - Choose clothing that is not too revealing. The audience’s attention should be on your performance, not your attire. - Wear clean shoes that are in good condition. - Jeans, sweatpants, sweatshirts (hoodies), gym clothing, t-shirts, shorts, tank tops, flip-flops, and athletic shoes are not appropriate concert attire. *Your ensemble director or coach may have specific dress code guidelines. Please refer to the syllabus for that course, and consult with the director if you have questions about proper attire. 25 26 INSTRUMENT CHECKOUT PROCEDURES A music student may check out a school-owned instrument for the techniques/methods courses in exchange for his/her UCO I.D. The instrument must be returned after the class is finished. Any student that wishes to check out an instrument for an entire semester, or for an extended period of time, must obtain a signature by the relevant professor of that particular instrument and fill out a contract with the Instrument Storage Manager. (Certain restrictions apply; please contact the Instrument Storage Manager for inquiries). If an instrument is left unattended in any room, the student will lose his/her instrument check out privileges for 30 days. (Any additional violations may result in a loss of privileges for a longer period).* *Instrument storage faculty/staff members have the authority to override policies if necessary depending on the situation. Please see the Instrument Storage Managers, Mr. David Hanan – Winds or Dr. Michael Geib – Strings, or any of the UCO faculty/staff for further details and questions regarding these policies. LOCKER CHECKOUT PROCEDURE Locker assignment is on a "first-come, first-served" basis. At the beginning of the fall semester you may sign up for a locker. Since locker space is limited, you may be asked to share a locker with another student. Lockers are located in the student lounge and room 104. Should you not require your locker for the spring semester, please let us know so the locker can be reassigned to a new student. If for any reason your locker will not open, please contact the faculty member that issued it to you for assistance. Brass, Woodwind, and Percussion department lockers are issued by Mr. Hanan, Room 225. String department lockers are issued by Dr. Michael Geib, Room 118. AUDIO RECORDING AND PRODUCTION SERVICES Most School of Music performances, including student degree recitals, are audio recorded digitally by staff and archived on compact disc in the Archives & Special Collections department of the Max Chambers Library on the University of Central Oklahoma campus. These recordings are available to students for on-premise listening. Additionally, principal performers of degree recitals can receive a compact disc copy of the finalized recording which they can keep free-of-charge. For students performing degree recitals, part of the paperwork submitted is the “Audio Recording and Production Services Request Form.” This form will be provided with a packet of other pertinent materials after enrollment in Junior or Senior Recital. For more information on this, refer to the previous section of this handbook relating to Degree Recitals. Students can also gain access to digital files of any recordings of ensembles they performed in. For more information on this or anything other aspect of the Audio Recording and Production Services contact Mr. Bryan Mitschell at Pmitschell@UCO.edu. 26 27 IMPORTANT RESOURCES ON CAMPUS POLICE SERVICES The campus police are available to assist students with stalled cars, keys locked in the car, escort service to the parking lot (SafeWalk), stolen property, and any security problem a student has while on campus. The campus police building is located just southwest of the library on University Drive. Call (405) 974-2345 for assistance. WELLNESS CENTER Mercy Clinic's UCO location serves University of Central Oklahoma students, faculty, staff, and the Edmond community. Mercy Clinic is located inside the Wellness Center on the northwest corner of the UCO campus. Call us the next time you need a flu shot, physical or treatment for a minor medical condition: (405) 974-3115 http://www.mercy.net/practice/mercy-clinic-primary-care-uco COUNSELING CENTER The UCO Student Counseling Center exists to help the University of Central Oklahoma achieve its mission of enabling students to achieve their intellectual, professional, personal, and creative potential. All counseling services are offered in a confidential setting, and all staff members uphold strict professional standards protecting the privacy of all clients. The offices are located on the fourth floor of the Nigh University Center in Suite 402. Please call (405) 9742215 (or stop by the office), if you have any questions or would like to schedule an appointment. Counseling services are free of charge to currently enrolled students. FINANCIAL ASSISTANCE, TUITION WAIVER INFORMATION, AND EMPLOYMENT OPPORTUNITIES SCHOLARSHIP PACKET To find current information and a downloadable packet about College of Fine Arts and Design scholarships for new and returning students, click here. STUDENT WORKERS AND WORK STUDY Positions for students are available in the various divisions of the School of Music, as well as other departments on campus. A student interested in employment should contact the Human Resources Department, Room 204 of the Lillard Administration Building for positions available on campus, or check the website. If a student is interested in working in a specific area, he/she may discuss the availability of openings with the director of that division. Students that would like to establish eligibility for the College Work Study Program must complete the appropriate forms in the Student Financial Aid Office. All work-study student employees must be certified by the Student Financial Aid Office before applying for on-campus employment. To search employment postings and apply for employment visit jobs.uco.edu. CENTRAL COMMUNITY MUSIC SCHOOL Student teachers must be interviewed and approved by the Central Community Music School. Please speak with Ms. Ines Burnham, Evans Hall room 104 or call (405) 974-3784, for more information. 27 28 PIANO DIVISION HANDBOOK For specific information regarding piano degrees and policies, visit: http://www.uco.edu/cfad/files/pdfs/music/pianohandbook.pdf CONTACT INFORMATION CAMPUS DIRECTORY To find contact information for various departments, offices, faculty, staff, student organizations, and emergency offices, visit the Campus Directory. 28