do not leave personal items in practice rooms overnight (musical

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SCHOOL OF MUSIC
UNDERGRADUATE MUSIC MAJOR HANDBOOK
UNIVERSITY OF CENTRAL OKLAHOMA
2015-2016
(Revised 2015)
DR. BRIAN LAMB
Director
DR. ROB GLAUBITZ
Assistant Director
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Phone: (405) 974-5004
Website: http://www.uco.edu/cfad/academics/music/index.asp
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TABLE OF CONTENTS
Welcome and Mission Statements…………………………………………….................................……….………….……..3
General Academic Regulations……………………………………………………………………………….……….………4
Degree Programs and Curriculum Requirements…………………………………….....………………………...…..………5
Degree Information
Requirements for the B.M. and B.M.E. Degrees………………………………………….……………………..…6
Theory Placement Exam
Application to the College of Education and Professional Studies………………………….....................…....…..7
Recital Attendance……………………………………………………………………………………..………..….8
Applied Lessons……………………………………………………………………………………..……………...9
Juries
Degree Recitals
Final Exam Information
Credit by Examination……………………………………………………………………………..……………...10
Piano Proficiency Exams
Enrollment and Advisement………………………………………………………………………………...……………….10
Enrollment Process
Departmental Advisors………………………………………………………………………..…………...……...11
College of Fine Arts and Design Advisor
School of Music Faculty/Staff……………………………………………………………………………………………….12
School of Music Organizational Structure……………………………………………………………………………..…….16
Performance Opportunities…………………………………………………………………………………………………..17
Performance Venues…………………………………………………………………………………………………………18
Music Student Organizations…………………………………………………………………………………………….…..19
Sigma Alpha Iota
Kappa Kappa Psi
National Association for Music Education (CNAfME)
Oklahoma Music Teachers Association (Collegiate Chapter)
Pi Kappa Lambda
General Information…………………………………………………………………………………………………….……20
Notices
Music Building Usage
Music Office
Practice Rooms
The MIDI Lab and Other Technology Resources…………………………………...…………………………….21
Telephone Usage
Grievance Procedures
Publications………………………………………………………………………..………………………………22
Public Relations
Address Change
Food and Beverages
School of Music Safety Statement
General Performance Dress Code……………………………………………………..…………………………..23
Instrument Checkout Procedures……………………………………………………..……………………...……24
Locker Checkout Procedure
Audio Recording and Production Services
Important Resources on Campus………………………………………………………………………………………….…25
Police Services
Wellness Center
Counseling Center
Financial Assistance, Scholarship Information, and Employment Opportunities…….……………………………………..25
Scholarship Packet
Student Workers and Work Study
Central Community Music School
Piano Division Handbook
Contact Information………………………………………………………………………………………………………….26
Campus Directory Information
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WELCOME TO THE UNIVERSITY OF CENTRAL OKLAHOMA SCHOOL OF MUSIC
This handbook answers questions most frequently asked by students and offers some general information
about the School of Music. If you find that you need additional information after reading this handbook, visit
the Music Office (MU133) between 8:00 a.m. and 5:00 p.m., Monday through Friday. The Music Office phone
number is (405) 974-5004.
UNIVERSITY OF CENTRAL OKLAHOMA MISSION STATEMENT
The University of Central Oklahoma (UCO) exists to help students learn by providing transformative
education experiences to students so that they may become productive, creative, ethical and engaged citizens
and leaders serving our global community. UCO contributes to the intellectual, cultural, economic and social
advancement of the communities and individuals it serves.
The University of Central Oklahoma is the Leadership University, delivering education based on our shared
values of Community, Character and Civility. UCO transforms each student by focusing our resources on the
Central Six tenets of transformative learning.
All students will be transformed with:
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Discipline Knowledge
Leadership
Problem Solving (Research, Scholarly and Creative Activities)
Service Learning and Civic Engagement
Global and Cultural Competencies
Health and Wellness
Transformative learning is a holistic process that places students at the center of their own active and reflective
learning experience.
COLLEGE OF FINE ARTS AND DESIGN MISSION STATEMENT
The College of Fine Arts and Design prepares creative individuals to become leaders, professionals and
educators through innovative, diverse, and collaborative transformative experiences. CFAD serves as the
gateway to the University’s Cultural Life through performances, exhibitions, working studios and outreach
programs. Our connection with the greater metropolitan area engages students in the local, national and global
Arts and Design communities.
SCHOOL OF MUSIC MISSION STATEMENT
Teaching and performing
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GENERAL ACADEMIC REGULATIONS
UCO CATALOG:
The University catalog is the source of information for academic rules, regulations, procedures and
programs. Each student is responsible for identifying and completing requirements of his or her degree
program. Students are responsible for the accuracy of their schedules, including changes and
withdrawals.
REGULATIONS PERTAINING TO GRADUATION:
A. Credit Hour Minimums
(1) 124 total college-level semester hours
(2) 30 semester hours at UCO exclusive of extra-institutional credit
(3) 15 of the last 30 semester hours from UCO exclusive of extra-institutional credit must apply
toward the degree at UCO.
(4) 60 semester hours, excluding physical education activity courses, must be earned from colleges
that award bachelor’s degrees (senior colleges/universities)
(5) 40 semester hours, excluding physical education activity courses, must be at the upper division
(3000 and 4000) level
(6) 15 semester hours of major courses must be the upper division (3000 and 4000) level
(7) 10 semester hours in the major must be in residence at UCO
(8) 6 semester hours in each minor must be at the upper division (3000 and 4000) level
(9) 30 semester hours used in the second major are required for students earning double majors
B. Other regulations:
(1) Extra-institutional examination credit such as CLEP, AP, etc., is not considered residence credit
at UCO.
(2) Up to 124 semester hours required for graduation must be coursework exclusive of physical
education activity courses.
(3) Up to 6 semester hours of workshop credit (courses numbered 3000-3006) may apply toward the
degree. (A workshop credit is any course for which you receive a “Pass” or “Fail,” rather than a
grade such as an “A” or “B.”)
(4) A course (or courses) may apply to both the general education and other components of a
student’s degree, e.g., major, minor, and professional education, except for the B.S. in General
Studies. In the B.S. in General Studies, course work may not apply to both the general education
and the major.
(5) When a course or courses may apply to both the major and the minor, the course or courses must
be replaced with an equal number of credit hours from either of the two areas. This limitation
also applies to double majors and courses required in both the major and professional education.
(6) The General Studies program is not allowed to be a component in a double major. See an
undergraduate academic advisor to determine criteria for a double major or second degree.
C. Computer proficiency:
Students admitted after Fall, 1998, must demonstrate computer proficiency as defined by the
Oklahoma State Regents for Higher Education.
D. Minimum grade point requirements:
Each degree program in the UCO undergraduate catalog specifies minimum grade point averages for:
(1) major course work, and (2) total work, exclusive of physical education activity courses. All
programs require a minimum 2.00 GPA for all UCO courses taken unless otherwise specified at a
higher GPA.
ADMISSION TO PROFESSIONAL TRAINING:
A. All students majoring in education must apply for admission to the Teacher Education program
after completing 40 hours. Admission to Teacher Education requires a minimum 2.75 grade
point average.
B. See additional requirements in the UCO Undergraduate Catalog.
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APPLICATION FOR GRADUATION:
Students must complete an application for graduation at the Center for Undergraduate Advisement as soon as
possible after their final enrollment and no later than the second week after the final semester begins. The
university charges $35 to apply for graduation, whether you actually graduate or not, so be sure you are ready.
Students applying for graduation later than the deadlines above will be charged an additional $25 above the
early graduation fee. Students who complete their degree requirements should receive diplomas by mail
approximately four to five weeks following the last day of class in the semester in which they graduate.
DEGREE PROGRAMS AND CURRICULUM REQUIREMENTS
DEGREE INFORMATION
Areas of concentration in the School of Music include performance, composition, history, music education,
musical theatre and opera. The diversity of interests within the School is exemplified by the variety of
performance organizations, including orchestras, bands, choirs, various chamber groups, as well as an opera
workshop and a musical theatre group.
The undergraduate music curriculum provides programs for:
1)
the student who wishes to become a professional musician;
2)
the student who plans to enter the teaching profession;
3)
the student for whom music is part of a general education;
4)
the student who intends to pursue an advanced degree in music.
UNDERGRADUATE MUSIC DEGREES OFFERED
Bachelor of Music - Instrumental Performance (Woodwind, Brass, Percussion, String)
Bachelor of Music - Piano Performance
Bachelor of Music - Vocal Performance
Bachelor of Music - Musical Theatre
Bachelor of Music Education - Instrumental
Bachelor of Music Education - Vocal
Minor of Music (Undergraduate)
Instrumental, Vocal, Piano, Collaborative Piano*, Piano Pedagogy*, Composition
Jazz Studies Minor (Undergraduate)
*Only Piano Performance Majors may choose to minor in Collaborative Piano or Piano Pedagogy.
Exceptions (non-piano music majors) may be made with approval of the piano faculty. Contact the Piano
Division Head to apply for admission to the program.
The Bachelor of Music degree focuses on a professional level of performance, with majors available in voice,
woodwind, brass, percussion, string, keyboard, and musical theatre. Course requirements include private
instruction on the student's individual instrument/voice as well as courses in pedagogy, vocal diction,
principles of conducting, composition, music theory, and music history. This degree offers a variety of
performance opportunities including junior and senior recitals.
Students of Musical Theatre are required to audition for each of the four major musical productions sponsored
by the School of Music each year and have the option of auditioning for any of the opera productions. If you
have any further questions, please direct them to the Head of Opera and Vocal Arts, Dr. Kevin Eckard, or
Head of Musical Theatre, Ms. Shannon Hurleigh.
The Bachelor of Music Education degree is focused on meeting the demands of the teaching field. The
teaching certificate requires education courses including techniques, methods, psychology, testing and
measurements and student teaching, as well as competency in music.
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The Music Minor degree requires 24 credit hours of music courses in theory, conducting, history/literature,
applied instrument, piano (if not applied instrument), and major ensemble.
NOTE: Students will need to get a UCO Undergraduate Catalog, a UCO Student Handbook, and a Class
Schedule, all of which can be found online at www.uco.edu. The General Information, General Academic
Regulations, and Majors and Degrees should be carefully studied.
REQUIREMENTS FOR THE B.M. AND B.M.E. DEGREE
Before students can be accepted as candidates for the B.M. Degree, they must demonstrate through
examination a repertory and technical proficiency sufficient to justify beginning the program. The candidates
must receive minimum grades of “B” in their applied major each semester they are enrolled. Failure to do so
will require repetition of that semester’s work.
The School of Music requires all full-time Music majors to enroll EACH 16-Week Semester in an Applied
music class in his/her major, and an appropriate Major Ensemble class. All full-time music majors are also
required to enroll in and attend six semesters of Recital Attendance (MUS 1120). For Music Education
majors, the semester of student teaching is considered full time, and enrollment in applied lessons and
ensembles is not required.
Request a Curriculum Program and Recommended Course Outline for your degree from the Music Office.
THEORY PLACEMENT EXAM
Music Theory and Aural Skills Placement Exams:
All entering freshmen that have successfully completed and passed the AP Theory test must bring proof to the
Music Office. If you took the AP Theory course in your school, but did not take the test, you are eligible to
take the placement exams before classes begin. Transfer students who have taken theory at another college or
university must bring a transcript with the information of the classes taken. Be aware that there are fees
associated with taking placement exams. For more information about placement exams, visit
www.uco.edu/testing or call (405) 974-2388.
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APPLICATION TO THE COLLEGE OF EDUCATION & PROFESSIONAL STUDIES
for B.M.ED. VOCAL OR INSTRUMENTAL MAJORS
Students who wish to apply to the Teacher Education program should follow the guidelines listed below:
Admission to UCO does not automatically grant admission to the teacher education program.
UNDERGRADUATE STUDENTS SEEKING TO PURSUE THE TEACHER EDUCATION PROGRAM
MUST APPLY FOR ADMISSION TO TEACHER EDUCATION.
The application may be found on the Teacher Education Services website. http://www.uco.edu/ceps/tes/
The application is submitted to room 207 in the Education building.
Each teacher candidate must have the following completed to be accepted into the teacher education program.
a) 40 semester hours of college credit.
b) A grade of “C” or better in all major and professional teacher education courses completed at
UCO or other colleges or universities at the time of application.
c) An overall grade average of 2.75 or a 3.00 in the last 30 UCO semester hours.
d) English Composition 1113 & 1213 with a grade of "C" or better totaling six (6) semester hours.
e) A passing OGET (Oklahoma General Education Test) score.
f) PTE 3023: Field Experience I: Foundations of American Education with a grade of "C" or better.
During the Field Experience course, Foundations of American Education, the teacher candidate will receive a
packet of information that details their time in Teacher Education.
When the teacher candidate's application has been reviewed by the teacher education services office, a folder is
created and sent to the program coordinator or department chair of the teacher candidate's major. The folder
contains the teacher candidate’s application, along with a current transcript and any additional information
received with the application, an interview questionnaire and, if passed, the OGET scores.
The program coordinator from the department of the teacher candidate's major interviews the student. The
program coordinator will cover the interview questionnaire with the teacher candidate and address any
concerns the teacher candidate may have concerning their major’s program. Teacher candidates will be
notified approximately 2 weeks after the interview if they have received an accepted status or pending status
into the teacher education program. If a teacher candidate has received the pending status they will receive
information as to the deficiencies that must be completed for acceptance to the Teacher Education Program.
Teacher Candidates who transfer from another institution must meet the requirements established by the unit.
During the two weeks after the interview, the Admissions and Retention Committee of the Council on Teacher
Education reviews the qualifications of each teacher candidate seeking admission to teacher education. The
committee then recommends a Status I (approved), Status II (concurrent applicant), Status III (pending), or a
Status IV (candidate request to withdrawal). The recommendations are presented to the Council on Teacher
Education. A final decision is made by the Council.
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MUS 1120 - RECITAL ATTENDANCE
ALL MUSIC MAJORS ARE REQUIRED TO ENROLL IN AND ATTEND RECITAL
ATTENDANCE, MUS 1120, FOR 6 SEMESTERS. There will be a student recital each Thursday at 2:00
p.m. General Recitals will take place in the Radke Fine Arts Theatre in the Center for Transformative
Learning, and Area Recitals will take place in a location determined by the division head. See schedules and
locations on the board across the hall from the music office.
The Thursday Recital time is listed in the schedule of classes. NO CLASS SCHEDULE CONFLICTS
SHOULD OCCUR -- exceptions to the rule will be rare.
Recital attendance provides a weekly listening and performing experience for music majors, allowing students
to experience a variety of musical performances, styles, periods, instrumentation, etc. Student participation as
performer and/or listener is required for the development of accurate and critical performance and listening
skills. This course also provides undergraduate music majors with a performing venue that seeks to create a
learning experience that simulates actual professional experience. Students, both performers and audience
members, will learn appropriate standards of performance, concert etiquette, stage deportment and attire.
METHOD(S) OF EVALUATION: Grade of “P” (pass) or “U” (unsatisfactory) based upon attendance
Attendance requirements:
Students MUST attend 12 recitals each semester.
EIGHT Thursday recitals, PLUS
FOUR other performances, TWO of which MUST be student performing ensembles or
student recitals, and TWO MUST be UCO Faculty recitals or other professional
performances, i.e. Oklahoma City Philharmonic or the Canterbury Choral Society.
* All programs or ticket stubs must be signed by UCO faculty, and turned in within one week of the
performance for the student to receive credit. Your name and ID# must be on this program for you to
receive credit.
1)
Requests for exceptions to these regulations must be brought to the attention of the Director or
attendance recorder in MU133 at the beginning of each semester.
2)
Transfer students must enroll in Recital Attendance all of the remaining semesters of their degree to
satisfy the above requirements. (6 semesters, including those transferred from another university).
Must retain a "P" grade.
STUDENTS ARE RESPONSIBLE FOR TURNING IN EACH PROGRAM FOR PERFORMANCES
ATTENDED.
TO PERFORM IN A THURSDAY RECITAL:
We encourage students to perform in Thursday Recitals as often as possible. This is a great way to get more
performance experience! Click here to find the Schedule for Thursday Recitals.
To sign up to perform in a recital, please fill out a Recital Reservation Request Form. If this is your first time
to sign up for Thursday Recital, ask your applied teacher for assistance.
Area Recital forms are to be submitted to the area coordinator. Ask your applied instructor for the current area
coordinator. Please turn completed General and/or Honors Recital forms into Ariel West in the main office.
Locations of all recitals are posted in the case on the wall across from the Music Office.
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APPLIED LESSONS
Applied lesson times are scheduled on an individual basis with the instructor. A certain number of applied
lesson credit hours for instrument or voice is required of all music majors. All students enrolling in applied
lessons must obtain permission from the instructor before enrolling*. A student must come to the Music
Office to have his/her enrollment form signed prior to enrolling, and, in some areas, fill out an "instructor
preference form." This must be done each semester, even for those students taking lessons from a specific
instructor on a continuing basis.
The first week of each semester, a meeting is held amongst the voice and keyboard faculty, and students are
assigned to an instructor for applied lessons. Instructor/student lists will be posted on the bulletin board across
from the Music Office at the end of the first week of class. Please check this list for your instructor
assignment. If you have been assigned an instructor, contact them in order to schedule a lesson time. IT IS
THE STUDENT'S RESPONSIBILITY TO CONTACT THE INSTRUCTOR TO SET UP A TIME
FOR THE LESSON. FAILURE TO CONTACT THE INSTRUCTOR MAY RESULT IN THE
STUDENT BEING DROPPED FROM THE APPLIED LESSON.
IT IS THE STUDENT'S RESPONSIBILITY TO BE PRESENT FOR ALL APPLIED LESSONS
UNLESS EXCUSED BY THE INSTRUCTOR. FAILURE TO COMPLETE AT LEAST 80% OF
APPLIED LESSONS MAY RESULT IN A FAILING GRADE.
*Prior to enrolling in an applied lesson, it is a good idea to check with the instructor of your choice and discuss
your plans. In this way, the instructor knows you and your needs, etc., and this may give you a better chance
to be worked into his/her schedule.
JURIES
All music majors and minors, and others enrolled in applied (individual) instruction for instrument or voice,
are required to take a jury examination at the end of each semester.
Juries are held during finals week. Check with your applied instructor for dates and other specific information.
DEGREE RECITALS: Junior and Senior Recitals
Dr. Emily Butterfield, Recital Coordinator
(405) 974-5691
Music Majors are required to perform a degree recital as partial fulfillment of their undergraduate music
degree. In order to perform a degree recital, students, upon the advisement of their applied teacher, enroll in
the appropriate course of Junior Recital or Senior Recital. Students enrolled in this recital course are required
to attend a mandatory class session/meeting, which occurs at the beginning of each semester. Here, students
will receive additional information and learn about course requirements. Announcements of this mandatory
meeting will be made via emails to enrolled students and posted at the beginning of the semester throughout
the building. The instructor will administratively withdraw any students who do not attend this mandatory
class session/meeting. The School of Music website may also have further information.
Students who wish to perform a recital, but are not performing a degree recital should still contact both Dr.
Butterfield and the music office.
FINAL EXAM INFORMATION
For information about times and locations of final exams click here. For accurate information, be sure to click
“Final Exams” in the upper right of the screen, then scroll to the proper term (example: Fall 2014).
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CREDIT BY EXAMINATION
CLEP tests are available in most general education subjects. For information, call Testing Services at ext.
2388 or send an email to testingservices@uco.edu. As a general rule, the School of Music does not offer credit
by examination. In rare cases, the School of Music may grant a waiver with approval from the Director of the
School of Music, the instructor, and the academic advisor.
For non-piano music majors/minors, piano credit may be earned by passing a CLEP test for each level of
piano. Call testing services to complete the necessary forms and pay the appropriate fee. Piano CLEP exams
are normally administered during final exam week.
PIANO PROFICIENCY EXAMS
Non-piano music majors/minors: All four levels of piano proficiency exams are administered each semester.
Students enrolled in class piano will take their exam as the final exam. Music majors/minors who are not
enrolled in class piano may take any of the required levels at the same time.
Piano majors/minors are required to take piano major proficiency exams two week before the final exams
week. Your applied piano teacher will provide more information.
ENROLLMENT AND ADVISEMENT
ENROLLMENT PROCESS
The following information is for returning students. Incoming freshman need to meet with Pam Platz during
Enrollment Central in the Nigh University Center and then see Dr. Sandra Thompson in the Music
Office. Transferring students will also need to see Pam Platz for information about which classes will transfer
and then, with that information, go to Dr. Sandra Thompson in the music office for enrollment.
The Student will:
1) Get enrollment and information sheets from Music Office. (Office 136)
2) Get current transcript from Enrollment Services (You can print them in the University Center)
3) Complete information sheet.
4) Take all paperwork to his/her Departmental Advisor.
5) Take approved sheets and transcripts to Dr. Sandra Thompson.
The Advisor will:
a. Advise the student
b. Check that the student is “on track” in theory and in piano
c. Sign off on the enrollment sheet if everything is in order
d. Send the student to see Dr. Sandra Thompson for final step in process
(Please double check the enrollment sheet and current transcript for accuracy and consistency. Also, check
information sheet to see it is all filled out.)
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Departmental Advisors
Every semester there will be a list posted in the student lounge assigning each student to one of the advisors
listed below. Your advisor will assist you in “staying on track” in your degree program.
AT THE BEGINNING OF EACH SEMESTER -- take time to make sure you are properly enrolled in the
correct courses. Meet with your School of Music faculty advisor.
(1) Consult the fee adjustment and refund policy and corresponding dates as printed in the Class
Schedule each semester before adjusting your class schedule.
(2) DO NOT WAIT until the semester is nearly over to become aware of changes you should have
made at the beginning. The "paper-chase" is time consuming and can be very frustrating.
(3) Consult with your Advisor/Instructor with curriculum needs. The major advisor for
undergraduate music majors is Pam Platz in the University Center, Room 121.
Please Contact Your Advisor To Set Up An Appointment
Musical Theatre:
Dr. Marilyn Govich: Office 221; mgovich@uco.edu
Ms. Shannon Hurleigh: Office 001; gwhite10@uco.edu
Steven Smeltzer: Office 001; ssmeltzter@uco.edu
Vocal Performance:
Dr. Kevin Eckard: Office 209; keckard@uco.edu
Dr. Barbara Streets: Office 206; bstreets@uco.edu
Piano:
Dr. Chindarat Charoenwongse-Shaw: Office 128A; ccharoenwongse@uco.edu
Dr. David Forbat: Office 115; dforbat@uco.edu
Instrumental Performance:
Dr. Dawn Marie Lindblade: Office 202; dlindblade@uco.edu
Instrumental Music Education:
Jeff Kidwell: Jazz Lab; jkidwell3@uco.edu
David Hanan: Office 137; dhanan@uco.edu
Dr. Brian Lamb: Office 133; blamb@uco.edu
Dr. Emily Butterfield: Office 205; ebutterfield@uco.edu
Vocal Music Education:
Dr. Darla Eshelman: Office 137; deshelman@uco.edu
String Advisement:
Dr. Ralph Morris: Office 201; rmorris@uco.edu
Dr. Michael Geib: Office 002; mgeib@uco.edu
COLLEGE OF FINE ARTS AND DESIGN ADVISOR
Ms. Pam Platz - Undergraduate Advisor for the College of Fine Arts, and Design
Nigh University Center Room 121; (405) 974-2727
The Music Office has current degree requirement outline sheets that are available anytime. Undergraduate and
Graduate catalogues are available online, as are the semester Class Schedules.
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SCHOOL OF MUSIC FACULTY/STAFF
DIRECTOR:
Dr. Brian Lamb
ASSISTANT DIRECTOR:
Dr. Rob Glaubitz
STAFF:
Ms. Laurie Flewwellin
Ms. Ariel West
Ms. Mariann Searle
Ms. Megan Clewell
Mr. Clint Rohr
Mr. Aaron Tomasko
Mr. Bryan Mitschell
Administrative Assistant
Marketing and Communication
Accompanist
Accompanist
Jazz Lab Manager
Jazz Lab Assistant Manager
Recording Engineer
COLLEGE OF FINE ARTS AND DESIGN ADVISOR:
Pam Platz
Undergraduate Advisor (Academic Advisement Center)
Dr. Brian Lamb
Mr. David Hanan
Wind Symphony
Symphonic Band, Marching Band
Dr. Ryan Sharp
Dr. James Klages
Dr. Peggy Moran
Mr. Jeff Kidwell
Mr. Paul Nesper
Trumpet
Trumpet
Horn
Trombone
Low Brass
BANDS:
BRASS:
CHAMBER MUSIC
Dr. Emily Butterfield
Mr. David Hardman
Mr. Martin King
Mr. Jeff Kidwell
Dr. James Klages
Dr. Peggy Moran
Dr. Tess Remy-Schumacher
Dr. Dawn Marie Lindblade
Dr. Hong Zhu
Flute Choir
Percussion Consort
Saxophone Quartets
Trombone Choir
Trumpet Choir
Horn Choir
String Ensembles, Cello Choir
Chamber Music Initiative
String Ensembles
Dr. Karl Nelson
Director of Choirs, Chamber Singers, Concert Chorale,
Edmond Community Chorale
Cantilena (Women’s Ensemble)
CHORAL:
Dr. Darla Eshelman
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COMPOSITION & THEORY:
Mr. Brian Gorrell
Dr. Samuel Magrill
Dr. Peggy Moran
Dr. Cheryl Bocanegra
Ms. KaDee Bramlett
Dr. Sandra Thompson
Mr. Zachary Lee
Jazz Theory & Analysis 1 and 2
Theory, Composition, Computer Music
Theory, Aural Skills
Theory, Aural Skills
Theory, Aural Skills
Music Theatre Theory
Jazz Arranging & Composition
CONDUCTING:
Dr. Karl Nelson
Dr. Brian Lamb
Mr. David Hana
Choral
Instrumental
Instrumental
MUSIC TECHNOLOGY:
Mr. Zachary Lee
Computer Music Technology
JAZZ:
Mr. Brian Gorrell
Mr. Clint Rohr
Mr. Aaron Tomasko
Mr. Jeff Kidwell
Dr. Ryan Sharp
Dr. Michael Geib
Mr. Danny Vaughan
Mr. David Hardman
Mr. Dennis Borycki
Mr. Lee Rucker
Mr. Zachary Lee
Director of Jazz Studies, Jazz Ens. 1, Saxophone
Jazz Lab Director, Jazz History
Jazz Lab & Recording Studio Manager
Asst. Dir. of Jazz Studies, Jazz Ens. 2, Combos, Trombone
Jazz Ensemble 3, Trumpet
Jazz Ensemble 4, Combos, Bass
Jazz Guitar Ensemble, Guitar
Combos, Drums
Combos, Piano
Combos, Jazz Improvisation
Music Technology, Jazz Arranging & Composition
MUSIC EDUCATION:
Dr. Darla Eshelman
Dr. Pamela Bradford
Mr. Jeff Kidwell
Mr. Martin King
Mr. Andrew Brooks
Mr. Steve Fraser
Mr. David Hanan
Vocal Music Education
Elementary Music Education
Instrumental Music Education Coordinator
Woodwind Techniques
Percussion Techniques
String Techniques
Marching Band Techniques
MUSIC HISTORY & LITERATURE
Dr. Ted Honea
Mr. Earl Hefley
Dr. James Klages
Ms. Pamela Richman
Dr. Tess Remy-Schumacher
Mr. Mathew Evans
Mr. David Hanan
Mr. Kerry Folsom
History, Research
Music Appreciation, World Musi
Music Appreciation
Music Appreciation
Western Music Appreciation
Music in Film, Music Appreciation
Video Game Music
Native American Music, Music History
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MUSICAL THEATRE:
Dr. Greg White
Ms. Shannon Hurleigh
Mr. Steven Smeltzer
Ms. Kathryn McGill
Division Head
OPERA:
Dr. Kevin Eckard
Dr. Barbara Streets
Dr. Robert Glaubitz
Dr. Barbara DeMaio
Director
Diction
Diction
Diction
PERCUSSION:
Mr. David Hardman
Mr. Bill Repavich
PIANO:
Dr. Chindarat Charoenwongse Piano Pedagogy, Applied Piano, Piano Literature,
Chamber Music Coach
Dr. David Forbat
Class Piano, Applied Piano
Mr. Dennis Borycki
Jazz Piano
Dr. Valery Kuleshov
Artist-in-Residence, Applied Piano
Dr. Linda Owens
Applied Piano
Ms. Jennifer Mansour
Class Piano
Ms. Natalie Syring
Class Piano
Dr. Sallie Pollack
Collaborative Piano
Dr. Brad Bennight
Applied Harpsichord
Ms. Rachel Cho
Applied Piano
STRINGS:
Dr. Hong Zhu
Ms. Lu Deng
Ms. Doris Morris
Dr. Ralph Morris
Dr. Tess Remy-Schumacher
Dr. Michael Geib
Mr. Colin Diebert
Mr. Danny Vaughan
Ms. Chelsea Bushong
Violin
Violin/Viola
Violin/Viola
Violin/Viola
Violoncello
Double Bass/String Techniques
Guitar/Classical Guitar Ensemble
Guitar/Jazz Guitar Ensemble
Harp
VOICE AND CHOIR:
Dr. Barbara DeMaio
Dr. Kevin Eckard
Dr. Darla Eshelman
Dr. Robert Glaubitz
Dr. Marilyn Govich
Dr. Karl Nelson
Dr. Barbara Streets
Dr. Sandra Thompson
Dr. Molly Johnson
Dr. Mark Johnson
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WOODWINDS:
Dr. Emily Butterfield
Ms. KaDee Bramlett
Dr. Dawn Marie Lindblade
Mr. Brian Gorrell
Dr. Lori Wooden
Mr. Martin King
Ms. Jennifer Rucker
Flute
Oboe
Clarinet
Saxophone
Bassoon
Saxophone
Clarinet
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CENTER FOR HISTORICAL PERFORMANCE:
General Coordinator:
Academic Coordinator:
Dr. Tess Remy-Schumacher
Dr. Ted Honea
Performers:
Dr. Emily Butterfield: Baroque Flute
Ms. KaDee Bramlett: Baroque Oboe
Dr. John Clinton: Conductor
Dr. Michael Geib: Baroque Bass
Dr. Ted Honea: Musicology, Natural Horn
Dr. Peggy Moran: Natural Horn
Dr. Brad Bennight: Harpsichord
Dr. Ralph Morris: Baroque Violin and Viola
Ms. Theodora Morris: Recorder and Baroque Violin
Dr. Tess Remy-Schumacher: Baroque Cello and Musicology
Ms. Natalie Syring: Baroque Flute
Dr. Hong Zhu: Baroque Violin
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ORGANIZATIONAL STRUCTURE
1.
STRINGS:
Dr. Hong Zhu, Head of String Division
Applied Strings
Cello Ensemble
Chamber Ensembles
Chamber Orchestra
String Pedagogy
2.
KEYBOARD:
Dr. Sallie Pollack, Head of Piano/Keyboard Division
Applied Piano
Collaborative Piano
Piano Pedagogy
3.
OPERA AND VOCAL ARTS:
Dr. Kevin Eckard, Head of Opera and Vocal Arts Division
Applied Voice
Chamber Choir
Concert Chorale
Cantilena
Opera
Vocal Pedagogy
4.
MUSICAL THEATRE:
Ms. Shannon Hurleigh, Head of Musical Theatre Division
Special Events
Variety Shows
5.
WINDS & PERCUSSION:
Dr. Emily Butterfield, Head of Winds & Percussion Division
Applied Winds & Percussion
Chamber Ensembles
Studio Chamber Groups
Symphonic Band
Marching Band
Wind Symphony
Percussion Consort
6.
JAZZ STUDIES:
Mr. Brian Gorrell, Head of Jazz Studies Division
Jazz Ensembles 1-4
Jazz Guitar Ensemble
Jazz Repertory Combos 1-3 Conjunto de Jazz Latino Combo
Applied Jazz Improvisation Jazz Theory & Analysis 1 & 2
Jazz History
Computer Music Technology
CD Album Pre-Production CD Album Production
Jazz Composers Combo
5th Street Strutters Dixieland Combo
Jazz Arranging & Composition
Advanced Recording Technology
Jazz Pedagogy
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PERFORMANCE OPPORTUNITIES
CHORAL:
Concert Chorale
Chamber Singers
Cantilena (Women’s)
Edmond Community Chorale
Director: Dr. Karl Nelson
Director: Dr. Karl Nelson
Director: Dr. Darla Eshelman
Director: Dr. Karl Nelson
BAND:
Wind Symphony
Marching Band
Symphonic Band
Pep Band
Director: Dr. Brian Lamb
Director: Mr. David Hanan
Director: Mr. David Hanan
Director: Mr. David Hanan
JAZZ:
Jazz Ensemble I
Jazz Ensemble II
Jazz Ensemble III
Jazz Ensemble IV
Jazz Guitar Ensemble
Jazz Repertory Combo 1
Jazz Repertory Combo II
Jazz Repertory Combo III
5th Street Strutters Dixieland Combo
Conjunto de Jazz Latino Combo
Jazz Composers Combo
Director: Mr. Brian Gorrell
Director: Mr. Jeff Kidwell
Director: Dr. Ryan Sharp
Director: Dr. Michael Geib
Director: Mr. Danny Vaughan
Director: Dr. Michael Geib
Director: Mr. Dennis Borycki
Director: Mr. Danny Vaughan
Director: Mr. Jeff Kidwell
Director: Mr. David Hardman
Director: Mr. Lee Rucker
OPERA AND MUSIC THEATRE:
1-2 Major Opera Productions per year
3-4 Major Musical Productions per year
Director: Dr. Kevin Eckard
Director: Dr. Greg White
ORCHESTRA:
Chamber Orchestra
Symphony Orchestra
Director: Dr. Hong Zhu
Director: Dr. Ralph Morris
Associate Director: Dr. Lori Wooden
PERCUSSION:
Percussion Consort
Director: Mr. David Hardman
GUITAR:
Guitar Ensemble
Jazz Guitar Ensemble
Director: Mr. Colin Deibert
Director: Mr. Danny Vaughan
CHAMBER MUSIC:
Trumpet Choir
Trombone Choir
Horn Choir
Chamber Music Initiative
Flute Choir
Clarinet Choir
Saxophone Quartets
Recorder Choir
String Quartets
Cello Ensemble
Piano Ensembles
Jazz Combos
Director: Dr. James Klages
Director: Mr. Jeff Kidwell
Director: Dr. Peggy Moran
Director: Dr. Dawn Marie Lindblade
Director: Dr. Emily Butterfield
Director: Ms. Jennifer Rucker
Director: Mr. Martin King
Director: Ms. Theodora Morris
Director: Dr. Ralph Morris
Director: Dr. Tess Remy-Schumacher
Director: Dr. David Forbat
Director: Mr. Brian Gorrell
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(PERFORMANCE OPPORTUNITIES, Continued)
COMMUNITY OUTREACH
Music Outreach Program
Manager – Ines Burnham
Director – Dr. Chindarat Charoenwongse
Student Coordinators:
Jose Batty: jbatty@uco.edu
Buyun Li: bli2@uco.edu
Tanja Kneczevic: tasica1234567@gmail.com
PERFORMANCE VENUES
Mitchell Hall - UCO’s performing arts venue since 1926, is the showcase for the College of Fine Arts and
Design's Department of Theatre Arts and Department of Dance and the UCO School of Music’s theatrical
productions and concerts featuring UCO’s talented and award-winning students.
Mitchell Hall Box Office: (405) 974-3375
Online ticketing available for some College of Fine Arts and Design Events. Click here to purchase.
Radke Fine Arts Theatre (RFAT) – A recital hall in the Center for Transformative Learning built in 2010
Recital Hall (Room 101) – A small recital and lecture hall in the Music Building
Jazz Lab - The Jazz Lab is home of the Jazz Studies Division of the University of Central Oklahoma School
of Music. Students utilize the Lab on a daily basis. The Jazz Lab is also a world-class entertainment venue
featuring a relaxed atmosphere styled after jazz clubs in New Orleans! Every week the Jazz Lab features live
entertainment with food and beverages provided by Hideaway Pizza.
Jazz Lab Box Office: (405) 359-7989 x 1
Website: ucojazzlab.com
The Y Chapel of Song - The Y Chapel of Song is unique among college chapels in that it was almost entirely
designed and created by the students, faculty, staff, and friends of the University. It was completed in 1949
and was placed on the National Register of Historical Places in 2001. To reserve the Y Chapel of Song, click
here.
Music Building Room 135 – This room in the Music Building is recommended for percussion students giving
Junior Degree Recitals or other appropriate events.
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MUSIC STUDENT ORGANIZATIONS
Women’s Fraternity:
Sigma Alpha Iota – Delta Iota Chapter
Faculty Sponsor: Dr. Barbara DeMaio
Information about Sigma Alpha Iota from sai-national.org: Sigma Alpha Iota is an organization which
promotes interaction among those who share a commitment to music. Members of SAI are active in all areas
of campus music and campus life, working closely with faculty, administration, campus and community
groups, music professionals and patrons. In addition to personal encouragement and support, members may
receive scholarships, loans and awards in many areas and at all levels of music-related study. Sigma Alpha Iota
has long been recognized as a leader in the field of music and provides a lifetime of fraternity contact.
Band Fraternity:
Kappa Kappa Psi – Mu Mu Chapter
Faculty Sponsor: Caleb Cash
Information about Kappa Kappa Psi from kkpsi.org: Kappa Kappa Psi operates primarily as a student service
and leadership recognition society whose chief aim is to assist the Director of Bands in developing the
leadership and enthusiasm that is required of his/her band. Our goals are to provide the band not only with
organized and concentrated service activities, but to give our membership valid and wholesome experiences in
organization, leadership and social contacts. The honorary nature of membership is based on our premise that
“it is an honor to be selected to serve” this band, its department of music, its sponsoring institution, and the
cause of band music in the nation's colleges and universities.
Music Education Organizations:
National Association for Music Education (CNAfME)
Faculty Sponsors: Mr. David Hanan and Dr. Darla Eshelman
Information about National Association for Music Education from nafme.org: National Association for Music
Education (NAfME), among the world’s largest arts education organizations, is the only association that
addresses all aspects of music education. NAfME advocates at the local, state, and national levels; provides
resources for teachers, parents, and administrators; hosts professional development events; and offers a variety
of opportunities for students and teachers. The Association orchestrates success for millions of students
nationwide and has supported music educators at all teaching levels for more than a century.
Oklahoma Music Teachers Association (Collegiate Chapter)
Faculty Sponsor: Dr. Chindarat Charoenwongse-Shaw
Information about OMTA from oklahomamta.org: The Oklahoma Music Teachers Association (OMTA) is
dedicated to promoting the growth and professional development of its members by providing programs that
encourage and support high professional standards of teaching, performance, composition and research.
National Music Honor Society:
Pi Kappa Lambda (PKL)
Membership with PKL is available by invitation only. The faculty nominates and votes on potential members.
Information about Pi Kappa Lambda from pikappalambda.org: The purpose of this Society is to provide an
organization dedicated to the furtherance of music in education and education in music in colleges,
universities, and other institutions of higher learning, which offer music degree programs in one or more fields.
The primary objective of the Society is the recognition and encouragement of the highest level of musical
achievement and academic scholarship. The Society is convinced that recognizing and honoring persons who
have enhanced their talents by serious, diligent, and intelligent study will stimulate others to do the same.
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GENERAL INFORMATION
NOTICES
During the semester notices and signs are placed in the Student Lounge to inform you of upcoming events or
special meetings. Please be aware of postings, and take responsibility for being informed.
DO NOT “TAPE” POSTERS, MESSAGES, ETC. TO WALLS, DOORS OR WINDOWS IN THE MUSIC
BUILDING WITHOUT PERMISSION FROM THE MUSIC OFFICE.
MUSIC BUILDING USAGE
Anyone in need of the building at a time when it is not open must get permission and fill out
a building use request form that will be faxed to Police Services.
The Master Key is not available to open faculty studios without written permission.
The Music Building has classrooms that may be available for ensemble rehearsals when they do not have
scheduled classes. You may reserve the following rooms for rehearsals in the Music Office:
101
104
105
111
114
135
128
RFAT
Recital Hall
Band Room
Classroom
Classroom
Classroom
Choral Room
Keyboard Lab - This room is restricted to keyboard practice only.
Radke Fine Arts Theatre – Faculty member must get key and be present during student use
Please do not abuse the privilege of using these rooms!
Any furniture that is rearranged while using the classrooms must be replaced before leaving. Make sure the
room is ready for the next class when you leave.
If you need to make a change in your schedule, please inform someone in the office as soon as possible.
Please do not leave equipment or personal items in any room. Any items left in a classroom will be removed.
If you lose something, the Lost & Found is located in the Music Office, Room 132, but there is no way to
guarantee that your items will be there.
MUSIC OFFICE
The music staff will be in the music office between the hours of 8 a.m. and 5 p.m., Monday through Friday.
Please do not use the music office as a student gathering place or as a center for social activity.
Excessive activity is distracting to those who work in the office area.
PRACTICE ROOMS
Practice rooms are available for student use and are available on a “first come, first served” basis. There are
also a limited number of practice rooms available at the Jazz Lab from 10:00 am – 5:00 pm, during school
hours.
PLEASE ADHERE TO PRACTICE ROOM RULES POSTED IN EACH ROOM.
DO NOT LEAVE PERSONAL ITEMS IN PRACTICE ROOMS OVERNIGHT (MUSICAL
INSTRUMENTS, BOOKS, MUSIC, ETC.). USE A LOCKER OR TAKE ITEMS HOME.
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THE MIDI LAB AND OTHER TECHNOLOGY RESOURCES
The MIDI Lab is a twelve-station computer lab outfitted with software, instruments, hardware devices and
clerical supplies intended to aid specifically music students in completion of their research and coursework
assignments. The MIDI Lab is located in room 112 of the Music Building and is made available to all music
students generally during the late morning and early afternoon hours of each weekday contingent on what
monitoring staff are available and whether or not the space has been reserved for classes. A fluctuating
schedule of open hours is kept up-to-date and posted on the front door.
In addition to the MIDI Lab, there are three other technology resources music students should be aware of:
- Three of the practice rooms within the Music Building are Wenger “V-Rooms” which have some technology
incorporated in to them. Here, students can alter the sound of the acoustic space and enjoy a high degree of
sound isolation. Limited ability to record oneself is also available here.
- Located next to the Music Office is the Music Building Student Recording Studio: a small project studio
outfitted with one digital recording workstation, microphones and other peripherals. This space is reserved for
use primarily by students enrolled in Music Technology, and secondarily for students who have taken and
passed Music Technology.
- On the fourth floor of the Max Chambers Library there is a Multimedia Center that provides two
workstations and a variety of equipment to aid in digital music composition/manipulation. The software
available here is generally synonymous with the MIDI Lab and Jazz Lab offerings, but the Multimedia Center
is available a greater number of hours in the day.
TELEPHONE USAGE
Two telephones are available for student use in the Music Office and the MIDI Lab. These telephones are for
business purposes only. Please do not use the telephone in the Music Office unless you have an emergency as
it renders the staff unable to answer incoming calls. When using the telephone in the MIDI Lab please be
considerate of classmates who may be using the space to work.
Inform your family or anyone else who may need to notify you in case of an emergency, to call Student Affairs
at 974-2361, who will readily call up your current class schedule and promptly locate you with the message.
GRIEVANCE PROCEDURES
On occasion, a student experiences difficulties with a particular class. If this should occur, please follow the
guidelines below in finding a solution:
1) First, speak with your instructor. Often an instructor is not aware of your difficulty with a class or your
personal problems. A solution may be as simple as discussing your options with that instructor who may
have some suggestions, i.e., peer tutoring, counseling, etc., to resolve your problems.
2) Second, if you feel your instructor has not satisfactorily resolved your difficulty, you may make an
appointment with the Division Head of that area. The Division Head will act as a liaison with your
instructor and the Director, and will assist you in finding a solution.
3) Third, if you feel the Division Head has not satisfactorily resolved your difficulty, you may make an
appointment with the Director of the School of Music. We are dedicated to our students, and will do
everything we can to find a solution to the problem.
Remember, your instructor is the best person to start with should a problem arise. Don't wait too long into the
semester to speak with your instructor if you find you have a problem. The earlier your difficulties can be
addressed, the easier it will be to arrive at a solution.
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PUBLICATIONS
The College of Fine Arts and Design publishes a magazine called Impressions that goes out to alumni and
persons interested in college events and news. Should you know of someone who is interested in being added
to this mailing list, please call the CFAD office at (405) 974-3770.
PUBLIC RELATIONS
If you are involved in a musical event on or off campus or win an award or scholarship that is newsworthy, the
School of Music will work with the CFAD publicity office to issue publicity. Please feel free to stop by the
office to discuss this with the staff or inform your applied teacher.
ADDRESS CHANGE
Please make address corrections with the terminal operator in Admission and Records Service Center or on the
UCO website via UCONNECT.
FOOD AND BEVERAGES
Beverage and snack machines are located in the main hallway near the Piano Lab in the Music Building.
Please remember these simple rules:
1) NO FOOD OR DRINK IS ALLOWED IN THE PRACTICE ROOMS, CLASSROOMS, CHORAL
ROOM, INSTRUMENTAL REHEARSAL HALL, or RECITAL HALL. PLEASE CONFINE THE
CONSUMPTION OF FOOD AND BEVERAGE TO THE STUDENT LOUNGE AREA.
2) NO FOOD OR DRINK IS ALLOWED ON OR AROUND ANY KEYBOARD INSTRUMENT
OWNED BY THE SCHOOL OF MUSIC.
3) Please dispose of trash in the proper receptacles provided. Failure to comply with these rules may
result in the removal of the machines, or the removal of the Student Lounge all together.
SCHOOL OF MUSIC SAFETY STATEMENT
The School of Music recognizes the importance of safety for all students and faculty. In addition to the
standard, and frequent, safety training offered by the University for all students and faculty, the School of
Music wishes to make all musicians cognizant of the potential dangers of their aural environment. Musicians
should always be aware of the sound level around them, both in performance/rehearsal settings as well as in all
general daily activities. Every member of the School of Music faculty will explain to students at the beginning
of each semester the possible consequences of loud sound environments, how to determine dangerous
situations and possible solutions.
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GENERAL DRESS CODE FOR SCHOOL OF MUSIC PERFORMANCES*
PERFORMERS, STAGE HANDS, AND PAGE TURNERS
When you participate in a School of Music performance (performing, setting the stage, or turning pages), you
are representing yourself, the ensemble, the School of Music, and the University of Central Oklahoma. Dress
in a manner that projects professionalism and respect for yourself and the organizations that you represent.
Consider the following as you dress for a School of Music concert or recital:
- Practice good hygiene – be sure you’ve showered within the 24 hours before the performance, and brush your
teeth.
- Make sure your hair is clean and styled neatly, in a manner that keeps it out of your face.
- Choose clothing that fits well, not too big or too small for you.
- Choose clean clothes, and remove wrinkles by ironing, steaming, or dry-cleaning.
- Choose clothing that is not too revealing. The audience’s attention should be on your performance, not your
attire.
- Wear clean shoes that are in good condition.
- Jeans, sweatpants, sweatshirts (hoodies), gym clothing, t-shirts, shorts, tank tops, flip-flops, and athletic shoes
are not appropriate concert attire.
*Your ensemble director or coach may have specific dress code guidelines. Please refer to the syllabus for that
course, and consult with the director if you have questions about proper attire.
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INSTRUMENT CHECKOUT PROCEDURES
A music student may check out a school-owned instrument for the techniques/methods courses in exchange
for his/her UCO I.D. The instrument must be returned after the class is finished.
Any student that wishes to check out an instrument for an entire semester, or for an extended period of time,
must obtain a signature by the relevant professor of that particular instrument and fill out a contract with the
Instrument Storage Manager. (Certain restrictions apply; please contact the Instrument Storage Manager for
inquiries).
If an instrument is left unattended in any room, the student will lose his/her instrument check out
privileges for 30 days. (Any additional violations may result in a loss of privileges for a longer period).*
*Instrument storage faculty/staff members have the authority to override policies if necessary depending on the
situation. Please see the Instrument Storage Managers, Mr. David Hanan – Winds or Dr. Michael Geib –
Strings, or any of the UCO faculty/staff for further details and questions regarding these policies.
LOCKER CHECKOUT PROCEDURE
Locker assignment is on a "first-come, first-served" basis. At the beginning of the fall semester you may sign
up for a locker. Since locker space is limited, you may be asked to share a locker with another student.
Lockers are located in the student lounge and room 104.
Should you not require your locker for the spring semester, please let us know so the locker can be reassigned
to a new student.
If for any reason your locker will not open, please contact the faculty member that issued it to you for
assistance.
Brass, Woodwind, and Percussion department lockers are issued by Mr. Hanan, Room 225.
String department lockers are issued by Dr. Michael Geib, Room 118.
AUDIO RECORDING AND PRODUCTION SERVICES
Most School of Music performances, including student degree recitals, are audio recorded digitally by staff
and archived on compact disc in the Archives & Special Collections department of the Max Chambers Library
on the University of Central Oklahoma campus. These recordings are available to students for on-premise
listening. Additionally, principal performers of degree recitals can receive a compact disc copy of the finalized
recording which they can keep free-of-charge.
For students performing degree recitals, part of the paperwork submitted is the “Audio Recording and
Production Services Request Form.” This form will be provided with a packet of other pertinent materials
after enrollment in Junior or Senior Recital. For more information on this, refer to the previous section of this
handbook relating to Degree Recitals.
Students can also gain access to digital files of any recordings of ensembles they performed in. For more
information on this or anything other aspect of the Audio Recording and Production Services contact Mr.
Bryan Mitschell at Pmitschell@UCO.edu.
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IMPORTANT RESOURCES ON CAMPUS
POLICE SERVICES
The campus police are available to assist students with stalled cars, keys locked in the car, escort service to the
parking lot (SafeWalk), stolen property, and any security problem a student has while on campus. The campus
police building is located just southwest of the library on University Drive. Call (405) 974-2345 for
assistance.
WELLNESS CENTER
Mercy Clinic's UCO location serves University of Central Oklahoma students, faculty, staff, and the Edmond
community.
Mercy Clinic is located inside the Wellness Center on the northwest corner of the UCO campus. Call us the
next time you need a flu shot, physical or treatment for a minor medical condition: (405) 974-3115
http://www.mercy.net/practice/mercy-clinic-primary-care-uco
COUNSELING CENTER
The UCO Student Counseling Center exists to help the University of Central Oklahoma achieve its mission of
enabling students to achieve their intellectual, professional, personal, and creative potential. All counseling
services are offered in a confidential setting, and all staff members uphold strict professional standards
protecting the privacy of all clients.
The offices are located on the fourth floor of the Nigh University Center in Suite 402. Please call (405) 9742215 (or stop by the office), if you have any questions or would like to schedule an appointment. Counseling
services are free of charge to currently enrolled students.
FINANCIAL ASSISTANCE, TUITION WAIVER INFORMATION, AND EMPLOYMENT
OPPORTUNITIES
SCHOLARSHIP PACKET
To find current information and a downloadable packet about College of Fine Arts and Design scholarships for
new and returning students, click here.
STUDENT WORKERS AND WORK STUDY
Positions for students are available in the various divisions of the School of Music, as well as other
departments on campus. A student interested in employment should contact the Human Resources
Department, Room 204 of the Lillard Administration Building for positions available on campus, or check the
website. If a student is interested in working in a specific area, he/she may discuss the availability of openings
with the director of that division.
Students that would like to establish eligibility for the College Work Study Program must complete the
appropriate forms in the Student Financial Aid Office. All work-study student employees must be certified by
the Student Financial Aid Office before applying for on-campus employment.
To search employment postings and apply for employment visit jobs.uco.edu.
CENTRAL COMMUNITY MUSIC SCHOOL
Student teachers must be interviewed and approved by the Central Community Music School. Please speak
with Ms. Ines Burnham, Evans Hall room 104 or call (405) 974-3784, for more information.
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PIANO DIVISION HANDBOOK
For specific information regarding piano degrees and policies, visit:
http://www.uco.edu/cfad/files/pdfs/music/pianohandbook.pdf
CONTACT INFORMATION
CAMPUS DIRECTORY
To find contact information for various departments, offices, faculty, staff, student organizations, and
emergency offices, visit the Campus Directory.
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