AUTHOR INDEX TO NEWSLETTERS & JOURNALS (1964 - 2004)
AUTHOR(S)
TITLE
Abbott, D.
See Segerman, E. -- issue 25:24-26 5/76
See Segerman, E. -- issue 29:29-33 5/78
Abbott, J. A.
Abbott, J. A.
Abbott, W. M.
Abbott, J. A.
Doyle, E.
Mountain mahogany: A domestic alternate for ebony?
The legacies of John Bolander: opportunities for bow research
48:32
1.5:1-4
Violin bow dynamics - an initial response to John Bolander's plea (Note)
1.5:30-31
Abbott, W. M.
See Abbott, J. A. -- issue 1.5:1-4 5/90
Abild, E. N.
Cleaning a violin or bow
38:10
11/82
Ågren, C. H.
A second look at the viol family
Rebec resurrection, or appreciation of an ancient ancestor
Optical contouring of violin and viol plates
Electro-optical vibration probe using integrated circuits
Textile security or taming the elusive viol (Note)
Fiddle after a viol player's heart (Note)
Fiddle after a viol-player's heart: monster progres report, part deux
Measuring the wood resonances of treble viol plates by
hologram interferometry (abstract)
10:6-11
13:11-14
14:17-18
19:10-12
1.7:35
2.4:28
3.3:58-59
11:5
11/68
5/70
11/70
5/73
5/91
11/93
5/97
5/69
Akiyama, K.
Matsuda, M.
Nakano, M.
Spectral analysis of melody patterns by linear prediction:
formant frequencies and spectral slopes (abstract)
2.3:29
Alf, G. T.
Curtin & Alf's bass bar frame
3.2:51-53
11/96
Allen, J. B.
Harmonic structure of an aging guitar string (abstract)
On the aging of steel guitar strings
22:20
26:27-28
11/74
11/76
Anderson, J. M.
See Hanson, R. J. -- issue 2.4:45 11/93
Anderson, P.
Tailpiece tests (Note)
See Rodgers, O. E. -- issue 4.2:13-19 11/00
See Rodgers, O. E. -- issue 4.4:13-26 11/01
4.8:6-8
11/03
Ando, S.
A sound field reproduction system for use in music training rooms (abstract)
2.3:31
5/93
Ando, Y.
On bore shape of a shakuhachi and its resonance characteristics
[Abstracted 46:40 11/86]
Linearized models of shakuhachi bore shape and the significance of its
configuration on musical properties (abstract)
Several peculiar structural devices of Japanese musical instruments and some
aspects of timbre taste in Japanese music common with western ones
[Repeat of ISMA '92 see 2.3:23 5/93] (abstract)
47:21-25
5/87
Andras, K.
The subjective judgments of musicians and public in a
reconstructed multi-purpose theater (abstract)
Angster, Joseph
See Angster, Judith -- issue 1.4:39 11/89
Angster, Judith
Angster, Joseph
Milos, A.
Angster, Judith
Milos, A.
Aoyagi, R.
See Kishi, K. -- issue 2.8:39 11/95
Apgar, V.
See Bram, Marjorie -- issue 8:3-6 11/67
Ågren, C. H.
Stetson, K. A.
ISSUE:PAGE(S) DATE
11/87
5/90
5/90
5/93
1.4:39
11/89
2.4:47
11/93
2.3:31
5/93
The investigation of the changes of the sound quality of an organ pipe during
the intonation process (abstract)
1.4:39
11/89
Transient sound spectra of a variable length organ pipe (abstract)
2.3:30
5/93
1
Ariyama, M.
See Ueda, K. -- issue 2.3:26 5/93
Arruda, J. R. F.
See Sando, R. -- issue 4.6:37-42 11/02
Askenfelt, A.
Eigenmodes and tone quality of the double bass
Study your bowing technique! (abstract)
Mini-meeting on the acoustics of the piano
The motion of the piano hammer during string contact (abstract)
Properties of violin bows (abstract)
A look at violin bows (abstract)
Observations on the transient components of the piano tone (abstract)
Observations on the violin bow and the interaction with the string (abstract)
See Guettler, K. -- issue 2.8:38 11/95
See Guettler, K. -- issue 3.6:9-15 11/98
See Suzuki, H. -- issue 2.1:42 5/92
The bouncing bow: an experimental study
38:34-39
41:8
1.2:32
1.8:52
2.3:24
2.4:46
2.4:48
2.8:38
11/82
5/84
11/88
11/91
5/93
11/93
11/93
11/95
3.6:3-8
11/98
Properties of piano hammers (abstract)
1.4:41
11/89
Piano touch, hammer action and string motion (abstract)
41:8
Vibration levels and finger forces in string instrument playing (abstract)
1.8:50
11/91
Askenfelt, A.
Guettler, K.
Askenfelt, A.
Hall, D.
Askenfelt, A.
Jansson, E. V.
5/84
Attal, J.
See Bucur, V. -- issue 2.1:41 5/92
Atwood, W.
Plate margins: the next frontier [refeatured in 4.1:96-99 5/00]
A bridge collection examined
A simple sound post cutting jig
3.2:36-39
3.4:38-43
4.2:61-63
11/96
11/97
11/00
Auhagen, W.
Experimental research in the perception of tonality (abstract)
1.4:46
11/89
Auld, L. E.
See Priesing, D. -- issue 46:47 11/86
Bachman, W.
Inharmonicity and line-splitting in piano sound spectra (abstract)
1.4:41-42
11/89
Bacon, R. A.
A discrete string model (abstract)
28:7
11/77
Baese, G. L.
See Thompson, R. P. -- issue 1.2:29 11/88
Bailliet, H.
Pelorson, X.
Richardson, B.
Lallouache, T.
Lip vibration and pressure recordings during french horn playing (abstract)
2.8:40
11/95
Bain, R.
See Firth, I. M. -- issue 46:3-6 11/86
Banerjee, B. M.
See Sengupta, R. -- issue 41:11 5/84
Bariska, M.
Acoustics of Wood by Voichita Bucur -- Book review
3.1:51-52
Barkeshli, M.
Un instrument traditionnel dans la musique Iranienne (abstract)
46:40
Barlow, C. Y.
Woodhouse, J.
Microscopy of wood finishes
1.1:9-15
5/88
Of old wood and varnish: Peering into the can of worms
Investigating old varnish and ground layers (abstract)
Mechanical properties and microstructure of bent spruce (abstract)
1.4:2-9
1.4:37-38
2.4:47
11/89
11/89
11/93
Analysis of sound spectra from bowed violins and violas
40:21-26
11/83
Crystallinity of wood measured by X-ray diffraction techniques
Measurement of material properties of wood for
musical instrument construction (abstract)
Predicting sound quality of a violin from its frequency response (abstract)
7:8
1.4:43
5/67
11/89
2.4:42
11/93
Atwood, W.
Croen, T.
Barnes, P.
Chandler, P. F.
Cooke, L.
Fredin, S.
Hammel, G.
Townsend, P. D.
Whitlow, H. J.
Wilzen, L.
Bartram, S. F.
Bazant, P.
Povolny, J.
Bazant, P.
Stépánek, T.
2
5/96
11/86
Malka, A.
Beauchamp, J.
Beauchamp, J.
Horner, A.
Gennaula, C.
Goudeseune, C.
Time-varying spectra of violin tones (abstract)
Investigation of timbre using spectral matching, modelling, and interpolation (abstract)
Bedrane, G.
See Doutaut, V. -- issue 2.8:44 11/95
Bein, J.
Thanks to the luthiers!
40:4
11/83
Beldie, I. P.
Vibration and sound radiation of the violin at low frequencies
Letter to the editor: Answer to T. Cox's Question [4.7:7 5/03] & reply by T.Cox
About the brigde hill mystery (Note)
See Ghelmeziu, N. -- issue 17:10-16 5/72
22:13-14
4.8:3
4.8:9-13
11/74
11/03
11/03
Bell, A. J.
Vibrations of the harp soundboard and soundbox (abstract)
The Helmholtz resonance and higher air modes of the harp sound box
41:12
3.3:2-8
5/84
5/97
Bell, D. R.
Modal analysis for the working luthier (Note)
Letter to the editor: Additional refernces on modal analysis [see also 4.6:7-13 11.02]
4.6:7-13
4.7:7
11/02
5/03
Benade, A. H.
4:12-13
11:5
24:21-23
25:5
28:3-6
28:7-9
28:9-10
33:3
33:6
36:3
38:30-33
40:3
46:30-36
11/65
5/69
11/75
5/76
11/77
11/77
11/77
5/80
5/80
11/81
11/82
11/83
11/86
Benade, A. H.
Roberts, E.
Response of a plate in the region of unresolved resonances as affected by damping
Spectrum measurements in a somewhat reverberant room (abstract)
The wolf tone on violin family instruments
The path from string to ear (abstract)
Fiddle acoustics: The summer of 1977
Violin stringing and Leopold Mozart's advice
The room around the instrument
John Schelleng in retrospect
News from Cleveland
News from Cleveland
An essay on the interpretation of realtime analyzer data
News from Cleveland
Musical acoustics today
See Field, C. W. -- issue 35:3-4 5/81
See Schelleng, J. C. -- issue 26:4 11/76
See Weinreich, G. -- issue 1.7:39 5/91
See Worman, W. E. -- issue 1.5:17-22 5/90
Tape recorder transposition of standard violin to simulate the highest seven
members of C. M. Hutchins' family of true violins
13:8-10
5/70
Benade, M.
A simple gauge for measuring purfling groove depth
15:15
5/71
Benade, V.
Arthur H. Benade -- The making of a musical acoustics
researcher, theorist and teacher
See Brownell, D. -- issue 3.4:59 11/97
1.2:24-27
11/88
Berendt, R. D.
See Schelleng, J. C. -- issue 28:31 11/77
Bernot, F.
See Besnainou, C. -- issue 1.4:42 11/89
Bernstein, R.
Tuning the top of a New Family small bass
A tip for a perfect hollow grind
35:12-15
37:26
5/81
5/82
Besainou, C.
From the editors: Introduction to the use of composite materials in musical instruments
4.2:9-10
11/00
1.4:41
2.4:46
2.8:43
11/89
11/93
11/95
Besnainou, C.
Bernot, F.
Looking for the properties of ancient gut strings (abstract)
Composite materials versus musical instruments (abstract)
Modal stimulation: a sound synthesis approach (abstract)
See Vaiedelich, S. -- issue 1.4:38 11/89
See Vallete, C. -- issue 1.4:45 11/89
A new instrument: The Klanoun, which may be used as a
small portable harpsichord (abstract)
1.4:42
11/89
Bessaraboff, N.
Translation -- "Two main types of arching" by A. K. Leman
8:9-11
11/67
Besnainou, C.
3
11:5
2.3:25
5/69
5/93
See Boyden, D. D. -- issue 21:3-4 5/74
See Bram, Marjorie -- issue 8:3-6 11/67
Billaud-Siefert, F.
See Rocaboy, F. -- issue 1.8:41 11/91
Bishop, C. D.
See Hanson, R. J. -- issue 46:39 11/86
Bissinger, G.
The Science of Sound by Thomas D. Rossing -- Book review
Violin Acoustics - A New Look at Old Art by Augustus F. Mathews -- Book review
The Physics of Musical Instruments by Neville H. Fletcher and T. D. Rossing -- Book review
Violin cavity mode dependence on f-hole shape, area and position (abstract)
Semiempirical relationships for A0 and A1 cavity mode frequencies for bowed string
instruments of the violin, viola and cello family
Effect of f-hole shape, area, and position on violin cavity modes below 2kHz
The effect of violin cavity volume (height) changes on the cavity modes below 2 kHz
The Absolute Tone - The Secret of Stradivari by Solomon Budnick -- Book review
Bounce tests, modal analysis, and the playing qualities of the violin bow
Ambiguity in A1 - B1 delta criterion for violin tone and quality
Mode-ling the sound of the violin: the V-R model and the role of the soundpost
Toward a normal-mode understanding of the violin
Modal analysis of assembled string instruments
From the editors: Viocadeas - Th violin octet revisited
From the editors: Simulating violin sounds may the (driving) force be with you!
A standardized qualitative violin evaluation procedure?
38:6
1.5:40
1.7:41
1.8:49
2.1:8-12
11/82
5/90
5/91
11/91
5/92
2.2:12-17
2.2:18-21
2.3:20
2.8:17-22
3.1:13-16
3.5:29-37
3.6:21-22
3.8:19-23
4.3:3-4
4.6:5-6
3.6:44-45
11/92
11/92
5/93
11/95
5/96
5/98
11/98
11/99
5/01
11/02
11/98
Relating normal mode properties of violins to overall qualty: Part I: Signature modes
4.8:37-45
11/03
Relating normal mode properties of violins to overall quality: Part II: Modal averages/trends
Plate tuning project on (machine figured) violins (abstract)
4.8:46-52
25:5
11/03
5/76
Tuning the bassbar in a violin plate, I [refeatured in 4.1:65-68 5/0]
Tuning the bassbar in a violin plate, II [refeatured in 4.1:69-73 5/00]
"Q" measurements of mode #2 and mode #5 in a number of violin and
viola top and back plates [refeatured in 4.1:74-76 5/00]
Evidence for the coupling between plate and enclosed air vibrations in violins
[refeatured in 4.3:39-43 5/01]
Further evidence for coupling between plate and enclosed air vibrations in
string instruments [refeatured in 4.3:44-46 5/01]
Tracking "enclosed air plate" coupling with interior gas exchange (abstract)
Air-plate --> neck fingerboard coupling and the "feel" of a good violin
[refeatured in 4.3:52-53 5/01]
A1 cavity-mode-enhanced fundamental in bowed violin and viola sound
[refeatured in 4.3:54-56 5/01]
26:10-12
30:23-27
35:5-7
11/76
11/78
5/81
39:7-11
5/83
40:18-19
11/83
41:13
44:11-12
5/84
11/85
1.2:11-13
11/88
Bixler, M.
Sacksteder, R.
Software review: SCORE desktop music publishing system for the IBM PC
1.4:31-32
11/89
Bodley, N.
Inharmonicities in the piano -- Report on lecture-demonstration by
Dr. Albert E. Sanderson (abstract)
25:5
Bonamini, G.
Chiesa, V.
Uzielli, L.
Anatomical features and anisotropy in spruce wood with identical rings
1.8:12-16
11/91
Bonta, S.
Further thoughts on the history of strings
Compromises in the design of the bass violin, 1530-1700 (abstract)
26:21-26
46:39
11/76
11/86
Boomsliter, P. C.
Creel, W.
Research potentials in auditory characteristics of violin tone (abstract)
11:5
Prestimulus perceptual activity in perception of tone in musical sequences
32:3-7
11/79
Bork, I.
Modal analysis in musical acoustics (abstract)
Impulse measurements on violins (abstract)
See Meyer, J. -- issue 46:38 11/86
See Meyer, J. -- issue 2.8:43 11/95
1.4:37
2.4:43
11/89
11/93
Boullosa, R. R
The use of transient excitation for guitar frequency response testing
36:17-20
11/81
Bissinger, G.
Gearhart, F.
Bissinger, G.
Gregorian, A.
Bissinger, G.
Hutchins, C. M.
4
5/76
5/69
Boullosa, R. R.
Admittance at the frets of a classical guitar
4.4:33-36
11/01
Boutillon, X.
The piano hammer action (abstract)
On the duration of violin transients (abstract)
See David, B. -- issue 2.8:42 11/95
Hybrid synthesis (abstract)
46:37-38
2.4:44
11/86
11/93
2.8:43
11/95
Measuring the admittance of a violin bridge in three directions (abstract)
1.4:48
11/89
Bower, V. E.
Die Akustik der Gitarre in Einzeldarstellungen by Jürgen Meyer -- Book review
Manual of Guitar Technology by Franz Jahnel -- Book review
46:45-46
48:33
11/86
11/87
Bowie, J. C.
Principles in bridge design (abstract)
Principles in acoustic bridge design (abstract)
1.4:48
2.4:46
11/89
11/93
Bowsher, J. M.
Subjective assessment of musical instruments (abstract)
25:15
5/76
Boyden, D. D.
Nicholas Bessaraboff's Ancient European Musical Instruments -- reprinted from
Notes -- Book review
21:3-4
5/74
Bram, Marjorie
Viol Family
An interview with Carl-Hugo Aogren
The World of Baroque and Classical Instruments by Jeremy Montagu -- Book review
The World of Romantic and Modern Musical Instruments by
Jeremy Montagu -- Book review
Interview with Nicholas Bessaraboff
11:2-3
14:12-15
32:2
36:4
5/69
11/70
11/79
11/81
8:3-6
11/67
Bram, Marvin
Regarding viola tone
25:8-9
5/76
Branning, H. P.
Audition preferences of trained and untrained ears on hearing melodic and harmonic
intervals when tuned in just intonation or Pythagorean ratios
40:5
Brelay, H.
Hoejke, P.
Rossing, T. D.
Vibrational modes and decay rates of solid and laminated piano soundboards (abstract)
2.3:28
5/93
Bresciani, J. F.
See Caussé, R. -- issue 2.3:25 5/93
Bretos, J.
Santamaría, C.
Ezcurra, A.
Moral, J. A.
Bretos, J.
Santamaría, C.
Moral, J. A.
Natural eigenmodes and random response of the violin box:
numerical and experimental study (abstract)
2.8:38
11/95
Effect of the bass bar on the free violin top plate studied by finite element analysis
3.6:16-20
11/98
Brock-Nannestad, G.
The masking of characteristic spectra by the acoustico-mechanical
recording process (abstract)
41:8
5/84
Brown, D. E.
See Rossing, T. D. -- issue 2.3:34 5/93
Brown, E.
Letter to the editor: Reactions to the alto violin
29:3,26
5/78
Brown, J. C.
Fourier analysis of the bowed string (abstract)
46:42
11/86
Brownell, D.
Research Papers in Violin Acoustics 1975-1993,
editted by C. M. Hutchins and V. Benade -- Book review
3.4:59
11/97
Bucur, V.
Anatomical structure and some acoustical properties of resonance wood
Relationships between grain angle of wood specimens and ultrasonic velocity
Ultrasonic velocity, stiffness matrix and elastic constants of wood
Variability of resonance wood expressed by its elastic constants (abstract)
Varieties of resonance wood and their elastic constants
Wood stiffnesses determined by mode conversion technique (abstract)
Acoustic emission techniques in wood science (abstract)
The application of acoustic emission techniques in wood science and technology
33:24-29
41:30-35
44:23-28
46:41
47:42-48
1.4:43
1.8:48
2.1:28-31
5/80
5/84
11/85
11/86
5/87
11/89
11/91
5/92
Boutillon, X.
Guerard, J.
Boutillon, X.
Weinreich, G.
Bram, Marjorie
Apgar, V.
Hutchins, C. M.
5
11/83
Bucur, V.
Clement, A.
Thomas, D.
Bucur, V.
Saied, A.
Attal, J.
Viscoelastic behavior of resonance wood expressed by ultrasonic measurements (abstract)
See Bariska, M. -- issue 3.1:51-52 5/96
See Rocaboy, F. -- issue 1.6:21-28 11/90
Relationships between the inorganic component of the cellular wall and
acoustic properties of wood for violins
2.3:24
Identification of wood anatomical elements by acoustic microscopy (Note)
2.1:41
Budnick, S.
See Bissinger, G. -- issue 2.3:20 5/93
Buen, A.
Differences of sound spectra in violins by Stradivar and Guaneri del Gesu (Note)
Burroughs, C. B.
See Wang, L. M. -- issue 4.6:65-72 11/02
See Wang, L. M. -- issue 3.7:9-17 5/99
Calder, J.
Caldersmith, G. W.
Caldersmith, G. W.
Rossing, T. D.
4.2:39-47
5/93
11/00
5/92
4.8:14-18
11/03
Graphs and formulae for piano string design
1.8:17
11/91
Low range guitar function and design
A new fiddle family -- The Almas
Alternative configurations for fiddles
Physics at the workbench of the luthier
Plate fundamental coupling and its musical importance
The guitar family -- Prospectus
Letter to the editor: Comment on J. Woodhouse's article "On recognizing violins"
[see 39:22-24 5/83]
Alma, an experimental violin constructed on a simple physical model (abstract)
Vibration theory and wood properties, I
The violin quality debate: Subjective and objective parameters
Vibration theory and wood properties, II
Wood properties from sample plate measurements I
Ring modes, X-modes and Poisson couplings
27:19-25
32:11-14
34:11-14
35:15-18
36:21-27
38:22-23
40:19-20
5/77
11/79
11/80
5/81
11/81
11/82
11/83
41:9
42:4-11
43:6-12
1.2:7-10
1.5:8-12
39:12-14
5/84
11/84
5/85
11/88
5/90
5/83
Campbell, D. M.
See Sharp, D. B. -- issue 2.8:41 11/95
Camras, M.
Letter to the editor: Response to request by N. E. Hannan for information on a
rough patch of tone [see 21:10 5/74]
27:31
5/77
Canfield, G. H.
Rossing, T. D.
Modes of vibration in hammered dulcimers (abstract)
2.8:44
11/95
Carruth, A.
Loosening white glue joints (Note)
An inexpensive air resonance mode tester (Note)
Great Guitars by Robert Shaw -- Book review
An experiment in wood substitution on the classical guitar
1.7:35
2.5:24-25
3.4:60
3.5:24-28
5/91
5/94
11/97
5/98
Carterette, E. C.
Kendall, R. A.
Convergent methods of psychological and musical acoustics (abstract)
1.8:52
11/91
Psychoaoustics of the stretched octave of Javanese gamelans (abstract)
Castellengo, M.
See Fabre, B. -- issue 1.4:39 11/89
See Vallete, C. -- issue 1.4:45 11/89
Castellengo, M.
Perception du vibrato vocal (abstract)
Richard, G.
d'Alessandro, C.
2.8:45
11/95
1.4:46
11/89
Caussé, R.
Art Benade at the Institut de Recherche et Coordination Acoustique/Musique in Paris
See Eckel, G. -- issue 2.8:44 11/95
See Marandas, E. -- issue 2.8:41 11/95
See Weinreich, G. -- issue 1.4:36 11/89
Radiation of musical instruments and control of reproduction with loudspeakers (abstract)
1.4:26-30
11/89
2.3:25
5/93
Study of several multiphonic sounds of the cello (abstract)
41:10-11
5/84
On the reproduction of directivity patterns using multi-loudspeaker sources (abstract)
2.8:43
11/95
The influence of inharmonicity of a string on its vibrations: simulations and
1.8:50
11/91
Caussé, R.
Bresciani, J. F.
Warusfel, O.
Caussé, R.
Chaintreuill, S.
Strauch, P.
Caussé, R.
Wausfel, O.
Caussé, R.
6
Weinreich, G.
observations with the digital bow (abstract)
Chafe, C.
A comparison of timbres inherent in traditional violoncello playing
29:19-22
5/78
Chaigne, A.
Numerical simulations of stringed instruments - Today's situation and trends for the future
See Doutaut, V. -- issue 2.8:44 11/95
See Lambourg, C. -- issue 2.8:42 11/95
4.5:12-20
5/02
Chaigne, A. J.
Chaigne, A. J.
Rosen, M.
Viscoelastic properties of nylon violin strings [Abstacted 1.4:40 11/89]
Analysis of guitar tones
1.7:21-27
3.8:24-31
5/91
11/99
Chaintreuill, S.
See Caussé, R. -- issue 41:10-11 5/84
Chandler, P. F.
See Barnes, P. -- issue 40:21-26 11/83
Chang, Nagyoung
See Haines, D. W. -- issue 23:13-15 5/75
Chen, K. C.
See Schwab, H. L. -- issue 25:13-15 5/76
Chiang, C. J.
Houtsma, A. J. M.
A comparison between expensive and inexpensive violin strings
38:8-10
11/82
Chiesa, V.
See Bonamini, G. -- issue 1.8:12-16 11/91
Childers, R. L.
An analytical expression for the shape of a guitar
41:28-29
5/84
Chowning, J. M.
See Field, C. W. -- issue 35:3-4 5/81
Chrapkiewicz, D. L.
Silicates "in violino": Stiffiening American topwoods
2.8:31-33
11/95
Chrien, R. E.
Reflections on the development of a physicist
1.3:8-13
5/89
Christensen, F.
Some reflections regarding short-neck violin and viola
Talking violin problems
21:16
23:8
5/74
5/75
Christensen, O.
Quantitative evaluation of guitar response (abstract)
41:8
5/84
Chu, W. K.
See Tove, P. A. -- issue 22:5-8 11/74
Cingolani, S.
The Complete Luthier's Library by Roberto Regazzi -- Book review
1.7:40
5/91
Claassen, C.
See Hanson, R. J. -- issue 1.4:41 11/89
Clement, A.
See Bucur, V. -- issue 4.2:39-47 11/00
Coates, S. R.
Higgs, S. J. R.
Parsons, L. J.
Townsend, P. D.
Analysis of tones from automatically bowed violins
24:16-17
11/75
Cohen, D.
Rossing, T. D.
Normal modes of vibration in two mandolins
4.2:48-54
11/00
Coltman, J. W.
Just noticeable difference in timbre of the flute
3.1:26-33
5/96
Compton, Jr. S. R.
The Art of Drawing a Violin by Åke Ekwall -- Book review
Further commentary and related thoughts on review of Ekwall's book [2.6:34 11/94] (Note)
2.6:34
2.6:35-36
11/94
11/94
Condax, L.
The soundpost of the violin
Violin varnishes created by two prominent authors, George Fry and
Joseph Michelman: Their comparison to the Old Masters
Report on my European trip
Examination of the ground layer of the Italian violin varnish
Italian violin varnish and dichroism
Final summary report of violin varnish research project
The soundpost of the violin [reprinted from 2:6-7 11/64]
2:6-7
6:7-11
11/64
11/66
10:11-12
10:12-13
12:10-12
37:31-36
1.2:28
11/68
11/68
11/69
5/82
11/88
7
Condax, L.
Kimball, M.
The Condax-Kimball cello podium (including drawing)
16:7
11/71
Cook, P. R.
Trueman, D.
Spherical radiation from stringed instruments
3.8:8-14
11/99
Cooke, L.
See Barnes, P. -- issue 40:21-26 11/83
Copley, D. C.
Strong, W. J.
Stroboscopic sequences of lip vibrations in a trombone (abstract)
2.8:41
11/95
Corliss, E. L. R.
Review of concert by the Violin Octet at ASA meeting, San Diego, 9 November 1983
Efforts to study near field patterns of directivity in musical instruments (abstract)
See Schelleng, J. C. -- issue 28:31 11/77
41:2
1.8:51
5/84
11/91
Cowell, E.
The importance of violin design
See Hancock, M. -- issue 1.3:62 5/89
39:15-18
5/83
Cox, S.
An equivalent-circuit approach to the coupling between the Helmholtz and
top-plate modes in a stringed instrument
33:30-35
5/80
Cox, T. M.
A note on tonewood selection
Letter to the editor: A1- B1 Question
Wood testing by tap-tone (Note)
3.2:45-46
4.7:7
4.7:17-19
11/96
5/03
5/03
Craighill, L.
Letter to the editor: Reconstruction of a king's lyre
Letter to the editor: Reflections on making a 21st century rebec
4.7:4
4.7:5-6
5/03
5/03
Creel, W.
Sounds of Music by Charles A. Taylor -- Book review
Musical intonation for fiddlers
See Boomsliter, P. C. -- issue 11:5 5/69
See Boomsliter, P. C. -- issue 32:3-7 11/79
Focus on stringed instrument research and development [refeatured in 4.1:16-18 5/00]
26:3
26:7-10
11/76
11/76
14:9-12
11/70
Creitz, L.
How to play the tenor violin now: A brief compendium of resources
The new and the old violin families -- An organological comparison
28:17
30:18-22
11/77
11/78
Cremer, L.
The influence of "bow pressure" on the movement of a bowed string, part I
The influence of "bow pressure" on the movement of a bowed string, part II
Hermann Meinel
The absorption of "secondary correction waves" in the excitation of
a string by bowing (I)
The absorption of "secondary correction waves" in the excitation of
a string by bowing (II)
Consideration of the duration of transients in bowed instruments
Remarks on the prediction of the eigen-vibrations of the body of a violin (abstract)
Remarks on the prediction of eigenmodes of violins
See Tubis, A. -- issue 44:2 11/85
See Weinreich, G. -- issue 37:4 5/82
18:13-19
19:21-25
28:11-12
31:12-16
11/72
5/73
11/77
5/79
32:27-32
11/79
38:13-18
1.4:36-37
1.6:1-5
11/82
11/89
11/90
3.3:15-18
3.7:18-22
5.1:6-7
5/97
5/99
5/04
Creel, W.
Rogers, C. P.
Hutchins, C. M.
Croen, T.
Cuesta, C.
See Atwood, W. -- issue 4.2:61-63 11/00
See Vallete, C. -- issue 1.4:45 11/89
Curtin, J.
The reciprocal bow as a workshop tool
Innovation in violin making
Tap tones -- an update
d'Alessandro, C.
See Castellengo, M. -- issue 1.4:46 11/89
Dalmont, J. -P.
See Nederveen, C. J. -- issue 2.8:41 11/95
Dane, H.
See Hirschberg, A. -- issue 1.4:40 11/89
Dane, H. J.
See Nederveen, C. J. -- issue 2.8:41 11/95
8
David, B.
Boutillon, X.
Using vacuum to measure the acoustical efficiency (abstract)
2.8:42
11/95
Davis, E. B.
A design guide for steel core, bronze-wound musical instrument strings
Guitar acoustics
38:40
3.8:39-43
11/82
11/99
Day, R. K.
Jansson, E. V.
Vibration modes of neck, scroll and fingerboard
2.4:10-14
11/93
de Jong, W. C.
See van Zoest, W. H. -- issue 23:9-10 5/75
Decker, J. A.
A composite materials classical guitar (abstract)
Commercial graphic acoustic guitars (abstract)
1.5:42
1.8:48
5/90
11/91
Dettloff, J. A.
Statistical relationships between acoustic parameters of violin tonewoods
43:13-15
5/85
DeVilbiss, E. L.
Earplugs for classical musicians (Note)
1.7:33
5/91
DiBella, A.
Piasentini, F.
Zecchin, R.
Violin top wood qualification:
Influence of growth ring distance on acoustical properties of red spruce
4.6:22-25
11/02
Dickens, E. D.
See Hutchins, M. A. -- issue 41:9 5/84
Dickens, F. T.
Tuning of guitar plates
Inertance of the guitar soundhole
Analysis of the first and second vibration modes in a guitar using
an equivalent electrical circuit
See Haines, D. W. -- issue 25:4 5/76
26:19-20
29:27-28
35:18-21
11/76
5/78
5/81
Dickreiter, M.
See Wall, E. -- issue 1.1:32 5/88
Dickstein, B.
The 1974 University of New Hampshire course in elementary principles of
stringed instrument repair
23:16
5/75
Dipper, A.
Mineral grounds for violin varnish (abstract)
2.4:49
11/93
Dodd, H.
Letter to the editor: Violin acoustics
22:16
11/74
Doerr, K. H.
Violin plate selection and tuning [see erratum 1.2:35 11/88]
Violin plate tuning by the numbers
Fingerboard thinning fixture (Note)
1.1:29
1.2:16-18
1.5:32-33
5/88
11/88
5/90
Doerr, R. S.
Ray Doerr's violin varnish -- A different concept
1.3:32
5/89
Dols, K.
See Rossing, T. D. -- issue 25:17-18 5/76
Domenicali, P.
Universal grinding jig for violinmakers
3.1:34-37
5/96
Doschek, A.
Some physical aspects of the vibrato
9:12-15
5/68
Dostrovsky, S.
Doutaut, V.
Chaigne, A.
Bedrane, G.
Musical overtones and the origins of vibration theory [refeatured in 4.1:11-12 5/00]
Time-domain simulations of the sound pressure radiated by
mallet percussion instruments (abstract)
26:17-18
2.8:44
11/76
11/95
Doyle, E.
See Abbott, J. A. -- issue 1.5:30-31 5/90
Dünnwald, H.
Deduction of objective quality parameters on old and new violins (abstract)
Deduction of objective quality parameters on old and new violins
Discussion of "The effect of the musical key on perceived violin tone quality" by
O. E. Rodgers [2.5:19 5/94] (Note)
1.4:37
1.7:1-5
2.6:33
11/89
5/91
11/94
Dudley, D. J.
Strong, W. J.
Computed impedance and impulse response curves for brasswind
instrument configurations (abstract)
1.4:44
11/89
Dunlop, J.
Acoustical properties of some Australian woods
1.7:17-20
9
5/91
Shaw, M.
Dunlop, J. I.
See Harjono, R. D. -- issue 3.5:10-14 5/98
Eban, G.
Musical instrument wood -- A luthier's view [see also 37:7 5/82]
Wood for guitar backs, sides and bridges (abstract)
36:8-10
1.8:48
11/81
11/91
Eckel, G.
Iovino, F.
Caussé, R.
Sound synthesis by physical modeling with Modalys (abstract)
2.8:44
11/95
Eckhardt, P. A.
Sanding machine
45:4
Eggers, F.
Mechanical impedance measurements on the violoncello (abstract)
See Terhardt, E. -- issue 1.4:47-48 11/89
1.4:47
11/89
Ek, L.
Jansson, E. V.
VibraVision and electroacoustical methods applied to determine vibration
properties of wooden "blanks" for violin plates
44:16-22
11/85
Ekwall, Å.
Computer-processed plate-archings for bowed instruments
A new type of violin drawing
Contour-control
A study of the Stradivari-Sacconi violin arching for getting a computerizable
arching of the same type
Tuning air-body resonances for the violin maker (Note)
Measuring the string angle on a violin (Note)
More on violin string angles (Note)
Blister cup indicators and bm-values as aids when indicating body resonances B1, B0 and B-1
Air resonance testing, experiments and views
Paillette indicators: an alternative to the blister cup indicators
See Compton, Jr. S. R. -- issue 2.6:34 11/94
18:6-12
24:18-20
34:14
35:33-36
11/72
11/75
11/80
5/81
1.6:37
1.7:28
2.4:29
2.8:14-16
2.8:29-30
3.3:48
11/90
5/91
11/93
11/95
11/95
5/97
Elejabarrieta, M. J.
Ezcurra, A.
Santamaria, C.
Variational dynamics of the resonance box of a guitar:
finite element method and modal anlysis
4.4:37-41
11/01
Elfrath, T.
Analysis on ancient harpsichords (abstract)
1.4:42
11/89
Emery, J.
Letter to the editor: Reaction to CAS tuning techniques
Bowing eigenmodes on free plates
26:20
40:27-28
11/76
11/83
Esty, E.
The Myth of Invariance by Ernest G. McClain [see also 28:16 11/77] -- Book review
27:3
Esty, M. L.
Esty, M. L.
Hutchins, C. M.
Bassbar clamping device
Project Tiny
25:16
30:29-30
5/76
11/78
Project Tiny -- An overview [refeatured in 4.3:36-38 5/01]
The Undercut Club
31:3-4
28:18
5/79
11/77
Evans, R. E.
Lady Esther makes violins
21:24-26
5/74
Extebarria, V.
Riera, I.
Ezcurra, A.
Measuring the frequency response of musical instruments with a PC-based system
4.6:26-30
11/02
Fabre, B.
Castellengo, M.
Caracterisation du timbre d'un jeu d'orgue (abstract)
1.4:39
11/89
Facchini, M.
See Langhoff, A. -- issue 2.6:15 11/94
Fang, N. J.
Rodgers, O. E.
Violin sound post elastic vibration (Note)
Farrar, D. F., Jr.
See Rubin, C. -- issue 47:8-11 5/87
Fedyniuk, P.
See Harajda, H. -- issue 2.4:45 11/93
Esty, M. L.
Spear, D. Z.
5/86
5/77
See Bretos, J. -- issue 2.8:38 11/95
See Elejabarrieta, M. J. -- issue 4.4:37-41 11/01
2.1:39-40
10
5/92
Fellgett, P. T.
Working speculations -- About "magic varnish"
Working speculations -- About the "clear full ring" and strutting
28:24-25
28:26
Field, C. W.
Making Musical Instruments by Charles Ford -- Book review
Sound Generation in Winds, Strings, Computers -- A collection of papers given at
a seminar at the Royal Swedish Academy of Music -- Book review
Record review: Historic Instruments in Performance
A study of the effect of string characteristics on the performance of the alto violin
[see erratum 3:24 5/85]
Summary in English of 'La mesure de la qualité sonore des bois Québécois' by
F. W. Slingerland [see 45:10-12 5/86]
New strings for the Violin Octet
Do strings matter? (abstract)
Effects of f-holes and bassbar on the frequencies of violin and viola top plates
Tuning the B0 mode in four new violins [refeatured in 4.3:60-61 5/01]
Down-home lutherie III: a loudness history of a newborn cello
Down-home lutherie: a simple technique for measuring loudness
33:8
35:3-4
45:26-27
46:41
2.3:17
2.7:14-15
3.7:5-8
3.3:29-36
5/86
11/86
5/93
5/95
5/99
5/97
Down-home lutherie II: a computer-based technique for measuring integral loudness and
observation of a bow-velocity independent loudness quantity
3.4:44-51
11/97
Field, C. W.
Field, F. H.
37:19
42:22-25
45:10
11/77
11/77
5/80
5/81
5/82
11/84
5/86
Field, F. H.
See Field, C. W. -- issue 3.3:29-36 5/97
See Field, C. W. -- issue 3.4:44-51 11/97
Firth, I. M.
The wolf in the cello
Wolf tone in the cello: Acoustic and holographic studies (abstract)
Small device for measuring mechanical admittance
Project Platerik: Report of measurements in St. Andrews
Listening for resonances
Some measurements on the lute
Overwrapped strings: Design guide incorporating acoustical limitations
Construction and performance of quality commercial violin strings (abstract)
Construction and performance of quality commercial violin strings
Modal analysis of the air cavity of the violin
Temperature of the top plate of a guitar in the playing position
Harp strings of the eighteenth century
Harps of the Baroque period [Abstracted 46:39 11/86]
Violin air modes and action of f-holes (abstract)
String design equations
18:19-23
22:14
25:19-20
25:20-22
27:11
27:12
45:7-9
46:42
47:17-20
48:17-24
1.1:30
1.2:19-23
1.3:52-61
1.5:41
46:3-6
11/72
11/74
5/76
5/76
5/77
5/77
5/86
11/86
5/87
11/87
5/88
11/88
5/89
5/90
11/86
Fix, D.
Louis Condax' violin varnish study (abstract)
46:41
11/86
Fletcher, D.
Translation (I) -- Felix Savart: A. Masson reports on his work, (pub. in L'Institut, 1840)
Translation (II) -- Felix Savart: A. Masson reports on his work, (pub. in L'Institut, 1840)
5:11-19
21:5-7
Fletcher, N. H.
Damping of strings (abstract)
Plucked strings -- A review
Transient response and the musical characteristics of bowed stringed instruments (abstract)
Linearity and nonlinearity in musical instruments [Repeated in SMAC '93 2.4:47] (abstract)
Spectra, transients and nonlinearity (abstract)
The alemba - a new musical percussion instrument (abstract)
Research Papers in Violin Acoustics 1975-1993,
editted by C. M. Hutchins and V. Benade -- Book review
See Bissinger, G. -- issue 1.7:41 5/91
See Savage, W. R. -- issue 29:3 5/78
25:4
26:13-17
34:8
2.3:23
2.4:47
2.8:45
3.3:56-57
5/76
11/76
11/80
5/93
11/93
11/95
5/97
Ford, C.
See Field, C. W. -- issue 33:8 5/80
Fowler, H. P.
In re the integrity of small whole number intervals
Pythagorean intonation today (abstract)
The perfect fifth series as the key to scales ancient and modern (abstract)
34:20-21
1.4:46
1.8:51
11/80
11/89
11/91
Fox, S.
Thinning movable-foot violin and viola bridges to improve tone quality
1.4:16-18
11/89
Firth, I. M.
Bain, R.
Gallaher, A.
11
5/66
5/74
Fredin, S.
Fredin, S.
Townsend, P. D.
See Barnes, P. -- issue 40:21-26 11/83
Analysis of sound spectra from bowed violins and violas (abstract)
41:8
French, M.
Calculating bridge correction
Piezo-film sensors for luthiers
Instrument Body Descriptin Usng Polar Coordinates (Note)
2.8:25-28
3.1:38-40
4.5:8-10
11/95
5/96
5/02
Frydén, L.
See Jansson, E. V. -- issue 1.6:11-15 11/90
See Jansson, E. V. -- issue 2.2:6-11 11/92
See Jansson, E. V. -- issue 2.4:42 11/93
See Jansson, E. V. -- issue 2.8:39 11/95
See Jansson, E. V. -- issue 3.3:9-14 5/97
Fryxell, R. E.
Influence of moisture on the behavior of stringed instruments
Further studies of "moisture breathing" by wood [see also 1.5:37-8 5/90]
The structure of bow hair [see also 21:7 5/74]
Further observations on moisture breathing by wood
Did early makers use mineral additives in varnish?
Comment on paper of Matusiewicz and Barnes on tree ring wood analysis
Helen Rice -- The Great Lady of Chamber Music by Rustin McIntosh -- Book review
Further studies of "moisture breathing" by wood [reprinted from 4:14-15 11/65] (Brief)
2:8-9
4:14-15
20:8-9
35:7-11
41:18-19
44:5
45:5
1.5:37-38
11/64
11/65
11/73
5/81
5/84
11/85
5/86
5/90
Fujita, K.
See Tokuhiro, I. -- issue 2.3:29 5/93
Fulton, W. M.
Old Italian varnish
Surface preparation and varnish application on string instruments (abstract)
The bent violin top and back plate [Abstracted 1.8:48 11/91]
Making violins with bent plates (abstract)
Letter to the editor: Re articles by O. Rodgers on tuning, etc. [See 2.5:11-14;19-21 5/94]
12:6-10
46:40
2.1:24-27
2.4:49
2.7:30-32
11/69
11/86
5/92
11/93
5/95
Fuwamoto, Y.
See Oohashi, T. -- issue 2.3:28 5/93
Fyk, J.
Static and dynamic model of musical intonation (abstract)
2.4:48
11/93
Gabrielsson, A.
Gabrielsson, A.
Jansson, E. V.
Emotional expression in music performance (abstract)
An analysis of long-time-average-spectra of twenty-two quality-rated violins
2.4:42
27:13-19
11/93
5/77
Gadd, C. W.
Stress relaxation of wood
Some effects of grain run-out on the properties of spruce (abstract)
Use of a bent top to reduce long-term violin deformation
41:17-18
1.8:48
3.3:45-47
5/84
11/91
5/97
Gallaher, A.
See Firth, I. M. -- issue 46:3-6 11/86
Gallwey, T.
See Naspo, R. -- issue 46:46-47 11/86
Garoff, S.
See Schumacher, R. T. -- issue 3.2:9-17 11/96
Gatjen, B.
Untersuchungen zur Saitenbewegung des Cembalos, -- der Einfluss von
Konstruktionsmerkmalen auf den Cembaloklang (abstract)
1.4:42
11/89
Gazengel, B.
Gilbert, J.
From the measured input impedance to the synthesized pressure signal:
application to the saxophone (abstract)
2.8:44
11/95
Gearhart, F.
See Bissinger, G. -- issue 3.6:44-45 11/98
Geissler, P.
See Müller, H. A. -- issue 41:12 5/84
Genda, S.
Fibre optic soundpost inspection light (Note)
1.6:39
11/90
Gennaula, C.
See Beauchamp, J. -- issue 2.3:25 5/93
Ghelmeziu, N.
Beldie, I. P.
On the characteristics of resonance spruce wood
Gheroldi, ed., I.
See Stoppani, G. -- issue 4.3:63-64 5/01
12
17:10-16
5/84
5/72
Gibiat, V.
Multiphonics analysis by means of phase space representations and
Poincaré sections (abstract)
Gilbert, J.
See Gazengel, B. -- issue 2.8:44 11/95
Gillespie, F. C.
Thompson, R. P.
A low cost audio-oscillator for violin plate tuning
29:25-26
5/78
Golber, D.
Letter to the editor: Comment on Drawing body outlines and response by Mark French
4.7:7
5/03
Goodway, M.
See Savage, W. R. -- issue 41:10 5/84
Gorrill, S.
A viola with electronically synthesized resonances
Electronic viola demonstration
24:11-13
25:4
Gossick, B. R.
Wheatstone's work on acoustics
27:6-9
5/77
Goudeseune, C.
See Beauchamp, J. -- issue 2.3:25 5/93
Gough, C. E.
The acoustics of stringed instruments studied by string resonances
Acoustical studies of stringed instruments using string resonances (abstract)
Acoustic radiation resonance spectroscopy as a possible method for
studying musical instruments (abstract)
Large amplitude free vibrations of an elastic string (abstract)
Microcomputers for acoustic measurement and violin assessment [Abstracted 46:37 11/86]
35:22-28
41:7
41:8
5/81
5/84
5/84
41:9
48:4-9
5/84
11/87
GRAM
The Group for Research in the Acoustics of Music
18:5
11/72
Green, B.
See Naspo, R. -- issue 46:46-47 11/86
Gregorian, A.
See Bissinger, G. -- issue 4.8:37-45 11/03
See Bissinger, G. -- issue 4.8:46-52 11/03
Greilsamer, L.
See Menzel, R. E. -- issue 2.2:30 11/92
Gruppe, P.
Reminiscences of a professional cellist and problems of cello adjustment
30:30-32
11/78
Güth, W.
See Wall, E. -- issue 1.7:39 5/91
Guerard, J.
See Boutillon, X. -- issue 2.8:43 11/95
Guettler, K.
2.2:22-26
11/92
2.4:45
11/93
2.6:8-14
4.2:11-12
4.5:5-7
4.7:12-16
11/94
11/00
5/02
5/03
Guettler, K.
Askenfelt, A.
The bowed string computer simulated - some characteristic features of the attack
[See erratum 2.3:40 5/93] [Abstracted 1.8:50 11/91]
Dynamics of the sound spectrum with relations to bow pressure, string torsion,
bow/hair compliance and resin characteristics (abstract)
Wave analysis of a string bowed to anomalous low frequencies
From the editors: The Hagetrø violin
From the editors: On playing "harmonics" (flageolet tones)
From the editors: A closer look at the string player's bowing gestures
See Askenfelt, A. -- issue 3.6:3-8 11/98
Relation between bow resonances and the spectrum of a bowed string (abstract)
On the kinematics of spiccato and ricochet bowing
2.8:38
3.6:9-15
11/95
11/98
Gunzburger, M. D.
See Meir, A. J. -- issue 46:38 11/86
Hacklinger, M.
Violin adjustment -- Strings and bridges
Note on bridge inclination
Introduction to the chamber music demonstration concert Mittenwald 19.06.89 (abstract)
31:17-19
33:18
1.5:42
5/79
5/80
5/90
Haines, D. W.
The Foundations of Acoustics by Eugen Skudrzyk -- Book review
Wood substitutes and a program of wood testing
Request for samples of wood and varnished wood suitable for stringed instruments
Musical Acoustics, Part I, Violin Family Components, ed. by C. M. Hutchins -- Book review
Mechanical properties of wood and varnish of importance in radiating panels
Musical Acoustics, Part II, Violin Family Functions, ed. by C. M. Hutchins -- Book review
On musical instrument wood (I)
On musical instrument wood (II): Surface finishes, plywood, light and water exposure
On Measuring the Elastic and Damping Constants of Orthotropic Sheet Materials by
20:5
22:22
22:23
24:3
24:9-10
26:4-5
31:23-32
33:19-23
1.3:65-66
11/73
11/74
11/74
11/75
11/75
11/76
5/79
5/80
5/89
13
1.4:40
11/89
11/75
5/76
Haines, D. W.
Chang, Nagyoung
Haines, D. W.
Dickens, F. T.
Haines, D. W.
Hutchins, C. M.
Hutchins, M. A.
Thompson, D. A.
Halgedahl, F. W.
M. E. McIntyre and J. Woodhouse -- Book review
Stiffness values of spruce determined by ultrasonic tests
The essential mechanical properties of wood prepared for musical instruments
Letter to the editor: Comments on a paper entitled
"The Essential Musical Properties of Musical Instrument Wood
See Haltiwanger, M. -- issue 24:29-34 11/75
Application of graphite composites in musical instruments
3.6:23
4.2:20-32
4.5:4
11/98
11/00
5/02
23:13-15
5/75
Moving resonance frequencies in guitars (abstract)
25:4
5/76
A violin and a guitar with graphite-epoxy composite soundboards
24:25-28
11/75
24:29-34
11/75
11/64
11/66
11/74
5/75
11/77
11/80
11/82
5/89
5/89
11/91
See Hanson, R. J. -- issue 1.8:51 11/91
See Hanson, R. J. -- issue 2.6:1-7 11/94
See Hanson, R. J. -- issue 2.8:39 11/95
Hall, D.
See Askenfelt, A. -- issue 1.4:41 11/89
Haltiwanger, M.
Haines, D. W.
A study of body resonances and their influence on the performance of a folk guitar
Hammel, G.
See Barnes, P. -- issue 40:21-26 11/83
Hammerl, eds., J & R
See Stoppani, G. -- issue 4.3:62-63 5/01
Hancock, M.
Thoughts on the response of a violin
Letter to the editer: About soundposts
The mechanical impedances of violin strings -- Part Ia (abstract)
The mechanical impedances of violin strings -- Part Ib
The mechanical impedances of violin strings -- Part II
The mechanical impedances of violin strings -- A progress report (abstract)
The dynamics of isolated musical strings [see erratum 40:7 11/83]
The dynamics of musical strings [see erratum 1.4:50 11/89 and 1.8:56 11/91]
Violin and Viola Designs of the Old Italian Masters by E. Cowell -- Book review
The dynamics of musical strings [Abstracted 1.8:50 11/91]
2:7-8
6:5
22:25
23:17-26
28:14-16
34:8
38:24-29
1.3:33-45
1.3:62
1.8:23-25
Hannan, N. E.
Request for information on a rough patch of tone on the violin [response in 27:31 5/77]
21:10
5/74
Hansen, U. J.
Hansen, U. J.
McDonald, S.
Lozano, J.
Rossing, T. D.
Hansen, U. J.
Rossing, T. D.
Jelatis, G. J.
See Popp, J. -- issue 46:39 11/86
Mode studies of a baritone guitar (abstract)
1.4:43
11/89
Holographic studies of vibrational modes in noncircular cylinders (abstract)
2.3:33
5/93
Hanson, C. C.
"Catgut churches"
38:39
11/82
Hanson, R. J.
Hanson, R. J.
Anderson, J. M.
Macomber, H. K.
Hanson, R. J.
Bishop, C. D.
Hanson, R. J.
Claassen, C.
Hanson, R. J.
Schneider, A. J.
Halgedahl, F. W.
Analysis of "live" and "dead" guitar strings
Measurements of nonlinear effects in a vibrating wire (abstract)
48:10-16
2.4:45
11/87
11/93
Factors contributing to "deadness" of plucked strings (abstract)
46:39
11/86
Nonlinear phenomena in vibrating strings (abstract)
1.4:41
11/89
Low-pitched notes associated with large bowing force (abstract)
1.8:51
11/91
Anomalous low-pitched tones from a bowed violin string
Anomalous low pitched-tones from a bowed violin string (abstract)
2.6:1-7
2.8:39
11/94
11/95
Hansson, H. O.
Constructional principles for the five-stringed violino grande [Abstracted 11:5 5/69]
18:23-32
11/72
Harajda, H.
Changes in amplitude of violin sounds in a concert hall
33:13-17
5/80
14
The characteristics of the sound dynamic possibilities of the contemporary master
bowed instruments (abstract)
Der Einfluss mancher Veränderungen in der Struktur der Klänge nach dem Muster der
Simulierten Geigenklänge auf die Veränderungen des Gehöreindruks (abstract)
Sound response of violin instruments: The spectral structure changes in
violin sounds during the attack phase (abstract)
41:10
5/84
1.4:47
11/89
2.4:45
11/93
Harazono, M.
Study of a string vibration affected by negative stiffness of
an electromagnetic transducer (abstract)
2.3:27
5/93
Harbold, M. L.
Musical Acoustics, Piano and Wind Instruments, ed. by Earle L. Kent -- Book review
28:13-14
11/77
Hariharan, P.
See Marty, S. M. -- issue 47:26-29 5/87
See Marty, S. M. -- issue 47:30-33 5/87
Harjono, R. D.
Dunlop, J. I.
Acoustic Properties of some Australian and Indonesian woods
3.5:10-14
5/98
Harnor, R.
Townsend, P. D.
Influence of bow direction on the harmonics of a viola
42:25-28
11/84
Hashimoto, S.
See Sato, A. -- issue 2.3:26 5/93
Heckl, M.
The equivalent sources method - Cremer's last contribution to
structure-borne sound (abstract)
2.3:34
Hegeman, A. S.
Hutchins, C. M.
Preliminary studies on violin radiation patterns
4:11
Helmick, C. N., Jr.
Alberta Hurst plays the tenor violin
15:8-10
5/71
Hendrickson, T. J.
See Marshall, K. D. -- issue 1.4:42 11/89
See Savage, W. R. -- issue 41:12 5/84
Herschbach, D.
Musical metaphors: The string quartet
31:33
5/79
Hertzberg, H. T. E.
Letter to the editor: A workshop on the repair and maintenance of
stringed instruments
8:6-7
11/67
Higgs, S. J. R.
See Coates, S. R. -- issue 24:16-17 11/75
Hirasawa, Y.
See Maekawa, Z. -- issue 2.3:30 5/93
Hiroshi, T.
See Tatsumi, I. -- issue 2.4:44 11/93
Hirsch, I. J.
See Strong, W. J. -- issue 1.3:67 5/89
1.4:40
11/89
24:4
11/75
Harajda, H.
Fedyniuk, P.
Hirschberg, A.
See Wijnands, A. P. J. -- issue 1.4:40 11/89
Hirschberg, A.
Some fluid dynamic aspects of the behaviour of reed organ pipes and clarinet (abstract)
Laar, R. v. d.
Marrou-Maurières, J. P.
Wijnands, A. P. J.
Houtsma, A. J. M.
Dane, H.
Kruijswijk, S.
Hodges, E. D.
Thoughts about the violin
Hoejke, P.
See Brelay, H. -- issue 2.3:28 5/93
Hoekje, P.
A brief summary of A. H. Benade's wind instrument adjustment principles
Hojo, H.
See Tokuhiro, I. -- issue 2.3:29 5/93
Holmer, C. I.
Horiuchi, R.
Kikuchi, T.
Sato, S.
Miura, H.
5/93
11/65
2.7:16-24
5/95
L. Cremer's contributions to sound transmission through and within structures (abstract)
2.3:35
5/93
Time-frequency analysis of `samisen' sound (abstract)
2.3:24
5/93
15
Horiuchi, T.
Experimental analysis of bowed string excitation using a position sensitive diode (abstract)
Horner, A.
See Beauchamp, J. -- issue 2.3:25 5/93
Houtsma, A. J. M.
Carillons with major-third bells: Musical acoustics by computer (abstract)
Perception of bit-compressed digitally coded music (abstract)
Tuning of orchestral chimes: pitch and consonance (abstract)
Letter to the editor: On the relationship of sound power and
loudness of violins [4.7:27-39 5/03]
See Chiang, C. J. -- issue 38:8-10 11/82
See Hirschberg, A. -- issue 1.4:40 11/89
See Strong, W. J. -- issue 1.3:67 5/89
Huallpa, B. N.
See Sando, R. -- issue 4.6:37-42 11/02
Huber, J.
The application of acoustical testing methods to the guitar
See Zaret, P. -- issue 1.3:64 5/89
Hubler, A.
See Rose, M. -- issue 1.4:38 11/89
Hutchins, C. M.
Notes on plate testing and variables
A chapter in the history of the violin family
Possible effects of shear in bringing violin plates to optimum condition
That elusive "clear full ring"
Tuning top and back plates electronically
Plate tuning -- A progress report
A history of violin research -- Part I --1800-1920 [illustrations in
33:35 5/80 and 37:20-23 5/82 -- see erratum 13:5 5/70]
Comparison of information obtained with various test methods and
procedures applied to the violin and parts thereof (abstract)
More about plate tap tones
Wood sizes for the New Violin Family
Variations in violin testing
Musical acoustics in the United States
Progress report on a method of checking eigenmodes of free violin plates during
instrument construction
A note on top plate tuning
A note on the function of the soundpost
Six weeks abroad with the fiddles
Some effects of moisture and varnish on free plate modes (abstract)
Tuning violin plates (abstract)
The alto violin
Free plate resonances of 16 conventional violas (abstract)
Brescian viola tone quality (abstract)
Fundamental bending vibrations in violin making [refeatured in 4.1:35-37 5/00]
The Helmholtz air resonance of the cello and baritone
How come "SUS" [refeatured in 4.1:13 5/00]
Acoustics for the violin maker, II -- Complex tones -- The vibrating string
Music Room and Acoustics -- Eight papers given at a seminar at
the Royal Institute of Technology, Stockholm -- Book review
Acoustics for the violin maker, III [refeatured in 29:33 5/78 & 4.1:38-42 5/00]
Another piece of the free plate tap tone puzzle [refeatured in 4.1:77-79 5/00]
Wood for violins
A possible rationale for tuning violin free plates to a given narrow frequency range
A history of violin research -- Part II -- Illustrations
A study of mode couplings (abstract)
Eigenmode plate tuning methods (abstract)
The Helmholtz resonance of the baritone violin
A note on plate theory and the eigenmodes of free violin plates
[refeatured in 4.1:50-51 5/00]
A history of violin research -- Part III -- More illustrations
Problems of moisture changes when tuning violin plates [refeatured in 4.1:61-62 5/00]
Violin makers' electronic test equipment
Stradivarius plate tests [refeatured in 4.1:80 5/00]
Meditations Through the Quran by Ernest G. McClain -- Book review
Orient adventure with the fiddles
Plate tuning for the violin maker [refeatured in 4.1:52-60 5/00]
The effect on tone quality of a violin when the
lower air modes are eliminated (abstract)
16
2.3:23
5/93
1.4:45
2.3:29
2.8:45
4.8:4
11/89
5/93
11/95
11/03
11:15-18
5/69
2:5
4:5-9
4:9
5:4-6
6:15-18
8:12-16
12:17-22
11/64
11/65
11/65
5/66
11/66
11/67
11/69
14:5
11/70
14:15-17
15:12
15:15-21
17:6-9
19:17-20
11/70
5/71
5/71
5/72
5/73
21:11
21:27-28
22:1,3-4
22:22
22:22
22:27
25:3
25:8
25:9-11
26:5-6
27:2
27:3-5
28:10-11
5/74
5/74
11/74
11/74
11/74
11/74
5/76
5/76
5/76
11/76
5/77
5/77
11/77
28:19-22
28:22-24
29:14-18
32:21-23
33:35-36
34:8
34:8
34:34-36
36:16-17
11/77
11/77
5/78
11/79
5/80
11/80
11/80
11/80
11/81
37:20-23
37:25
37:26
37:30
39:3
39:5-6
39:25-32
41:9
5/82
5/82
5/82
5/82
5/83
5/83
5/83
5/84
Hutchins, C. M.
Rodgers, O. E.
Hutchins, C. M.
Stetson, K. A.
Taylor, P. A.
Hutchins, C. M.
Voskuil, D.
The function of the violin -- What the maker wants to know (abstract)
A note on practical bridge tuning for the violin maker
Effects of an air-body coupling on the tone and playing qualities of violins
[refeatured in 4.3:47-51 5/01]
An Amateur in Music by Bernard W. Robinson -- Book review
Free plate tuning frequencies for the Violin Octet instruments
Some notes on free plate tuning frequencies for violins, violas and cellos
[refeatured in 4.1:81-83 5/00]
Effects of five years of filler and varnish seasonings on the eigenmodes in
four pairs of viola plates
A note for the violin maker in free plate mode tuning and plate stiffnesses
[refeatured in 4.1:85 5/00]
A measurable controlling factor in the tone and playing qualities of violins
[see erratum 1.5:48 5/90]
A controlling factor in the tone and playing qualities of the finest violins (abstract)
The cavity (air) modes of the violin [refeatured in 4.3:34-45 5/01] (Brief)
Some of the effects of adjusting the A0 and the B0 modes of a
violin to the same frequency [refeatured in 4.3:57-58 5/01] (Brief)
Acoustical effects of "dressing down" a fingerboard and/or thinning a violin neck
[refeatured in 4.3:59 5/01] (Brief)
Sympathetic vibration and coupling of resonances (Brief)
Body length found to be the primary factor controlling tone quality between
violins, violas, cellos, and basses (Brief)
A rationale for BI-TRI-OCTAVE plate tuning [refeatured in 4.1:86-89 5/00] (Brief)
Experimental evidence that free plate mode tuning is primarily a method of
controlling stiffness in the top and back of violins (abstract)
The future of violin research [Abstracted 1.8:46 11/91] [refeatured in 4.1:19-26 5/00]
The effect of relating the tailpiece frequency to that of other violin modes
From the memory department (Brief)
The Scientific Image, From Cave to Computer by Harry Robin -- Book review
Tonal effects of interactions between the two lowest cavity modes and
corpus modes of the violin (abstract)
Experiments leading to better violins, violas, and cellos (abstract)
A measurable effect of long-term playing on violin family instruments
[also abstracted in 2.8:39 11/95]
Letter to the editor: Sound power of mezzo violin
Free-free plate tuning and beyond
The Catgut Acoustical Society story
See Bissinger, G. -- issue 25:5 5/76
See Bissinger, G. -- issue 26:10-12 11/76
See Bissinger, G. -- issue 30:23-27 11/78
See Bissinger, G. -- issue 35:5-7 5/81
See Bissinger, G. -- issue 39:7-11 5/83
See Bissinger, G. -- issue 40:18-19 11/83
See Bissinger, G. -- issue 41:13 5/84
See Bissinger, G. -- issue 44:11-12 11/85
See Bissinger, G. -- issue 1.2:11-13 11/88
See Bram, Marjorie -- issue 8:3-6 11/67
See Brownell, D. -- issue 3.4:59 11/97
See Creel, W. -- issue 14:9-12 11/70
See Esty, M. L. -- issue 30:29-30 11/78
See Esty, M. L. -- issue 31:3-4 5/79
See Field, C. W. -- issue 35:3-4 5/81
See Fletcher, N. H. -- issue 3.3:56-57 5/97
See Haines, D. W. -- issue 24:25-28 11/75
See Haines, D. W. -- issue 24:3 11/75
See Haines, D. W. -- issue 26:4-5 11/76
See Hegeman, A. S. -- issue 4:11 11/65
See Hutchins, M. A. -- issue 41:9 5/84
See Menzel, R. E. -- issue 13:30-35 5/70
See Menzel, R. E. -- issue 14:5 11/70
See Moral, J. A. -- issue 39:18-22 5/83
41:11-12
42:15-18
44:12-15
5/84
11/84
11/85
45:5
45:12-14
47:39-41
5/86
5/86
5/87
48:25-26
11/87
1.3:25
5/89
1.4:10-15
11/89
1.4:37
1.5:34-35
1.5:35-37
11/89
5/90
5/90
1.5:37
5/90
1.6:40-41
1.7:36-38
11/90
5/91
1.8:36-37
1.8:49
11/91
11/91
2.1:1-7
2.3:5-8
2.3:19
2.3:20
2.4:43
5/92
5/93
5/93
5/93
11/93
2.4:49
3.5:38-40
11/93
5/98
4.7:4
5.1:8-10
5.1:16-30
5/03
5/04
5/04
Methods of changing the frequency spacing (delta) between
the A1 and B1 modes of the violin
Clarification of "free plate tap tones" by hologram interferometry
[refeatured in 4.1:43-49 5/00]
2.1:13-19
5/92
16:15-23
11/71
Mode tuning for the violin maker
2.4:5-9
11/93
17
Hutchins, M. A.
Hutchins, M. A.
Hutchins, C. M.
Marshall, K. D.
Dickens, E. D.
Violin varnish -- Appearance rating of fillers and sealers (abstract)
Acoustical parameters for violin and viola back wood
Physical measurements on sampling of European spruce and maple for
violin top and back plates
Study of the physical parameters of 7 species of spruce and other soft woods with
relation to their suitability for violin top plates (abstract)
Effects on spruce test strips of four-year application on four different
sealers plus oil varnish [Abstracted 1.4:38 11/89]
See Haines, D. W. -- issue 24:25-28 11/75
Moisture proofing wooden instruments (abstract)
25:5
36:29-31
40:28-30
5/76
11/81
11/83
41:13
5/84
1.7:11-16
5/91
41:9
5/84
Idogawa, T.
See Ishibashi, M. -- issue 46:41 11/86
See Kobata, T. -- issue 2.3:30 5/93
See Kobata, T. -- issue 2.8:41 11/95
See Komuro, K. -- issue 1.4:39 11/89
See Plitnik, G. -- issue 2.3:30 5/93
Iovino, F.
See Eckel, G. -- issue 2.8:44 11/95
Irie, T.
See Ise, M. -- issue 2.3:33 5/93
Ise, M.
Irie, T.
Free vibration of bells with variable meridional profiles effects of variable wall thickness (abstract)
2.3:33
5/93
Ishibashi, M.
Idogawa, T.
Input impulse response of the bassoon (abstract)
46:41
11/86
Ishii, R.
See Koide, H. -- issue 2.3:25 5/93
Iwaki, M.
See Nakamura, N. -- issue 2.3:28 5/93
Iwamiya, S.
Obita, T.
Yamshita, K.
The interaction between auditory and visual processing when listening to
music via audio-visual media - the effects of the matching of sound and
video, and the quality of the sound system (abstract)
2.3:33
5/93
Jahnel, F.
See Bower, V. E. -- issue 48:33 11/87
Jameson, G. H.
Janakiram, V. L.
Janakiram, V. L.
Reddy, K. C.
Ramakrishna, B. S.
Arthur Benade -- Synthesizer
Musician's estimation of the heard and unheard harmonics of the tambura (abstract)
Harmonic analysis of tambura (abstract)
1.3:23-24
46:41-42
41:11
5/89
11/86
5/84
Jansson, E. V.
On higher air modes in the violin [refeatured in 4.3:30-33 5/01]
Long-time-average-spectra in critical bands for analysis of complex sound sources
in reverberant rooms
Long-time-average-spectra used for analysis of violins (abstract)
On relations between wood parameters and bending vibrations of wood (abstract)
Acoustical properties of violin-shaped and guitar-shaped cavities (abstract)
The function of the violin body -- What the physicist does not know! (abstract)
On the acoustics of the violin body (abstract)
My year with Art Benade in retrospect
See Askenfelt, A. -- issue 41:8 5/84
See Askenfelt, A. -- issue 1.8:50 11/91
See Day, R. K. -- issue 2.4:10-14 11/93
See Ek, L. -- issue 44:16-22 11/85
See Field, C. W. -- issue 35:3-4 5/81
See Gabrielsson, A. -- issue 27:13-19 5/77
See Lindberg, B. -- issue 2.6:24-27 11/94
See Meyer, J. -- issue 46:38 11/86
See Molin, N.-E. -- issue 46:24-29 11/86
See Moral, J. A. -- issue 31:5-12 5/79
See Moral, J. A. -- issue 34:29-32 11/80
See Rossing, T. D. -- issue 41:15-17 5/84
See Saldner, H. O. -- issue 3.4:10-16 11/97
See Sundberg, J. -- issue 42:4 11/84
19:13-15
22:9-12
5/73
11/74
25:3
25:4
25:5
41:13
1.4:36
1.5:5-7
5/76
5/76
5/76
5/84
11/89
5/90
18
Jansson, E. V.
Frydén, L.
Mattsson, G.
Jansson, E. V.
Molin, N.-E.
Jansson, E. V.
Moral, J. A.
Niewczyk, J.
Jansson, E. V.
Niewczyk, B. K.
Frydén, L.
Jansson, E. V.
Niewczyk, B. K.
Jansson, E. V.
Sundberg, J.
Jansson, E. V.
Sundin, H.
On tuning of the violin bridge
1.6:11-15
11/90
On tuning of free violin plates
1.3:27-30
5/89
Experiments with free violin plates
1.2:2-6
11/88
Experiments on the construction and the function of the violin [Abstracted 1.8:49 11/91]
2.2:6-11
11/92
Timbre and properties of a violin (abstract)
The bass bar and the quality of a violin (abstract)
On body resonance C3 and violin construction
On the acoustics of the violin bridge or body hill
2.4:42
2.8:39
3.3:9-14
3.7:23-27
11/93
11/95
5/97
5/99
Long-time-average-spectra applied to analysis of music
20:18-21
11/73
A pilot study on coupling between top plate and air volume vibrations
21:11-15
5/74
2.2:28-29
11/92
Jansson, E.V.
See Molin, N.-E. -- issue 2.4:43 11/93
Jelatis, G. J.
See Hansen, U. J. -- issue 2.3:33 5/93
Jingye, L.
Proposed curved fingerboard for the violin family (Note)
Johnson & Courtnal
See Loen, J. S. -- issue 4.3:65 5/01
Johnson, J. G.
Portable carving bench for backs and bellies
35:3
5/81
Jolly, V. G.
Letter to the editor: More about the structure of bow hair
Letter to the editor: Descriptive terms for tone quality
22:20
31:35
11/74
5/79
Jones, R. T.
A simple violin oscillator
Magnetic thickness measuring device
Acoustic experiments with the violin
20:14-16
44:9
3.3:37-41
11/73
11/85
5/97
Jovi_i_, J.
Jovi_i_, O.
The dependence of the changes of the natural vibrations of the body of a guitar on
the number and distribution of the ribs on the fixed resonance board (abstract)
The role of radial ribs on the resonance board of the guitar: Their effect on
the nodal lines of the board (holographic study) (abstract)
Study of the acoustic properties of the guitar (abstract)
29:1
5/78
29:2
5/78
34:8
11/80
1.4:42
11/89
Jovi_i_, O.
See Jovi_i_, J. -- issue 29:1 5/78
See Jovi_i_, J. -- issue 29:2 5/78
See Jovi_i_, J. -- issue 34:8 11/80
Kaetel, K.
See Winkler, K. -- issue 1.7:31-32 5/91
Kahle, E.
Woodhouse, J.
Modelling the microstructure of wood (abstract)
Kamada, M.
See Nakamura, N. -- issue 2.3:28 5/93
Karon, J.
The violin as an instrument
Observations about the effect of strains and distortion on violin tone
25:23
1.3:26
5/76
5/89
Karp, C.
Evidence of bridge and soundboard contributions to keyboard inharmonicity (abstract)
41:9
5/84
Kashino, K.
Tanaka, H.
A rule-based approach toward sound source segregation (abstract)
2.3:26
5/93
Kass, P. J.
Modern historical research - the violin as art (abstract)
2.4:49
11/93
Katayose, H.
See Nagatsuka, T. -- issue 2.3:26 5/93
Kautzky, T.
See Rose, M. -- issue 1.4:38 11/89
Kawai, N.
See Oohashi, T. -- issue 2.3:28 5/93
19
Kawakami, F.
See Shimuzu, Y. -- issue 2.3:31 5/93
Keefe, D. H.
Woodwind design algorithms to achieve desired tuning
1.3:14-22
Kellert, E.
Microscopic examination of wood
4:14
Kendall, R. A.
See Carterette, E. C. -- issue 1.8:52 11/91
See Carterette, E. C. -- issue 2.8:45 11/95
Kent, E. L.
See Harbold, M. L. -- issue 28:13-14 11/77
Kikuchi, T.
See Horiuchi, R. -- issue 2.3:24 5/93
Killion, M. C.
The effect of extended playing on the tone of new violins (Note)
See Ling, D. -- issue 3.3:42-43 5/97
2.5:22
5/94
Kimball, D.
Five days at 112 Essex Avenue
See Tourin, P. -- issue 25:2 5/76
11:8-10
5/69
Kimball, M.
Bow design for the violin family
On making a violin bow
The violin bow, center of gravity - center of percussion
See Condax, L. -- issue 16:7 11/71
2:9
11:22-26
2.7:28-29
11/64
5/69
5/95
King, A. T.
Retuning the plates of a cello [refeatured in 4.1:84 5/00]
Stradivari-Cremona Mystery Disclosed by Pete Molenaar -- Book review
Measurements of principal resonance modes of historic instruments
See Loen, J. S. -- issue 4.7:40-41 5/03
See Waddle, J. R. -- issue 4.8:25-31 11/03
44:10
1.8:41
4.7:23-26
11/85
11/91
5/03
Kishi, K.
Kishi, K.
Aoyagi, R.
Digital simulation of the oscillations of the bowed string (abstract)
1.8:50
Transient time of the oscillations of a bowed string calculated by simulation method (abstract) 2.8:39
Kiyoko, M.
Mitsuo, M.
Osamu, Y.
Research on the timbres of Japanese musical instruments and other sound sources (abstract)
2.3:33
5/93
Knatt, T.
Acoustic criteria for guitars and a comparison with violins
Correlating glitter pattern tests with quality in classical guitars (abstract)
The relationship of tone quality to the torsional vibrations of
guitar strings and to neck angle (abstract)
21:9-10
46:39
1.4:41
5/74
11/86
11/89
Kobata, T.
Idogawa, T.
Attractors of stable vibrations excited in the clarinet artificially blown (abstract)
2.3:30
5/93
A study of clarinet equations of Schumacher (abstract)
2.8:41
11/95
Kohut, J.
Mathews, M. V.
Bowed violin string is perfect (abstract)
14:5
11/70
Koide, H.
Tada, K.
Ishii, R.
Komuro, K.
Idogawa, T.
A synthesis method of a musical instrumental tone considered with phase variation (abstract)
2.3:25
5/93
Impulse response and reflection function of the woodwind instrument (abstract)
1.4:39
11/89
Kondo, M.
On the motion of the swing thread of a Taiwan toy -- A singing cicada (abstract)
Helmholtz motion of a bowed string seen in the light of "acceleration" (abstract)
A new identification expression of Helmholtzian waves (abstract)
46:42
2.4:46
41:7
11/86
11/93
5/84
Bowing positions and vibrational structures of bowed strings (abstract)
Fundamental constructions of bowed strings - a Helmholtzian wave has
its twin brother unacknowledged (abstract)
The stational motion of a string bowed at distances L/m from its end (abstract)
41:7
1.8:51
5/84
11/91
2.3:23
5/93
41:35-36
5/84
Kondo, M.
Kubota, H.
Kopac, J.
See Šali, S. -- issue 3.5:15-21 5/98
Kottick, E. L.
Just because it glitters doesn't mean it bounces
See Marshall, K. D. -- issue 1.4:42 11/89
20
5/89
11/65
11/91
11/95
See Savage, W. R. -- issue 41:12 5/84
Koyama, I,
See Tokuhiro, I. -- issue 2.3:29 5/93
Kristiansen, U. K.
See Tro, J. -- issue 40:7-9 11/83
Krüger, W.
Findings in the manipulation of guitar top plates
Kruijswijk, S.
See Hirschberg, A. -- issue 1.4:40 11/89
Krupowicz, S.
Skalmierski, B.
Cold rib bending as an explanation for the shape of the violin
2.3:9
5/93
Kubota, H.
Velocity measurement for the bowed string and plural Helmholtz waves (abstract)
Matrix analysis on the bowed string by dissolving into plural Helmholtz waves (abstract)
Matrix analysis of motion of the bowed string with
single stick and slip in a fundamental period (abstract)
See Kondo, M. -- issue 41:7 5/84
See Kondo, M. -- issue 41:7 5/84
See Kondo, M. -- issue 1.8:51 11/91
See Kondo, M. -- issue 2.3:23 5/93
46:41
1.8:51
2.4:46
11/86
11/91
11/93
Kuistad, G.
See Rossing, T. D. -- issue 25:6 5/76
Kurakata, K.
Kuwano, S.
Namba, S.
Factors determining the impression of "smoothness" in piano performance (abstract)
2.3:32
5/93
Kuwano, S.
See Kurakata, K. -- issue 2.3:32 5/93
Laar, R. v. d.
See Hirschberg, A. -- issue 1.4:40 11/89
Laird, P. R.
The violin octet: its first forty years
The Baroque Double Bass Violone by Alfred Planyavsky -- Book review
3.4:3-9
3.7:3-4
11/97
5/99
Lallouache, T.
See Bailliet, H. -- issue 2.8:40 11/95
Lambourg, C.
Chaigne, A.
Time domain simulation of vibrating plates: preliminary results (abstract)
2.8:42
11/95
Langhoff, A.
Measurement of acoustic violin spectra and interpretation using a 3D representation (abstract) 2.4:43
Modal analysis of violin, viola and cello compared to the acoustical spectrum (abstract)
2.8:40
Static deformation measurements on violins by optical TV-holography
2.6:15
11/93
11/95
11/94
Comparison of violin impulse responses by listening to convoluted signals (abstract)
2.8:39
11/95
Larson, D. C.
Instrument set-up for historical performance: A study of early bridges
4.8:53-63
11/03
Lawergren, B.
A new and a rediscovered type of motion of the bowed violin string (or) How bowing
position affects the shape and the sound of the string
30:8-13
11/78
Lazarus, H.
Dynamical theory of string excitation by bowing (abstract)
14:5
11/70
Lebet, C.
See Loen, J. S. -- issue 4.4:54 11/01
Lee, A. R.
See Rafferty, M. P. -- issue 41:7 5/84
Lee, R. M.
Letter to the editor: Photoelectric vibration pickups
The motions of the top surface of a violin (abstract)
21:10
1.4:37
5/74
11/89
Leman, A. K.
See Bessaraboff, N. -- issue 8:9-11 11/67
Lewin, F.
The recording revolution
New Violins exhibited at Leipzig Messe
15:6-7
34:6-7
5/71
11/80
Li, S.-N.
See Strong, W. J. -- issue 1.4:47 11/89
See Strong, W. J. -- issue 2.3:27 5/93
Langhoff, A.
Facchini, M.
Zanetta, P.
Langhoff, A.
Tronchin, L.
21
38:19-22
11/82
Lincoln, J.
The Northumbrian small pipes (abstract)
28:6
11/77
Lindberg, B.
Lindgren, L.-E.
Molin, N.-E.
Jansson, E. V.
Experiments with transient waves in a violin bridge
2.6:24-27
11/94
Lindevald, I. M.
A. H. Benade and the perception of music
2.1:32-36
5/92
Lindgren, L.-E.
See Lindberg, B. -- issue 2.6:24-27 11/94
Lindsay, A. D.
Willgloss, R. A.
Finite-element analysis of "Stradavari"and "modern" top plates
3.4:30-37
11/97
Ling, D.
Violin Makers' Corner: Questions and answers re wood and viola C strings
2.7:36
Letter to the editor: Audibility of Tonal Qualities in Old and New Violins
4.2:4-7
New versus old: Playing-in instruments through vibratory transmission of music to the bridge 3.3:42-43
5/95
11/00
5/97
Ling, D.
Killion, M. C.
Lipkin, Richard
To build a better violin - reprinted from Science News 1994
2.7:34-35
5/95
Loen, J. S.
The Art of Violin Making by Chris Johnson and Roy Courtnall -- Book review
Editorial: Thickness graduation mapping: methods and goals
Thickness graduation systems of violin family instruments:
Preliminary statistics and conclusions
The Dance Master's Kit (La Pochette du Maitre a Danser) by Claude Lebet -- Book review
Fingerprints under the varnish: Comparing thickness graduations of
the "Messiah" violin to the golden age Strads
Strings for violin, viola and cello: A survey of what elite players use
Tap tones of old Italian top plates
Reverse graduation in fine Cremonese instruments
Editorial: The little ice age: The key to Stradivari's success?
Ears of the Angels by Deena Z. Spear -- Book review
See Waddle, J. R. -- issue 4.8:25-31 11/03
See Waddle, J. R. -- issue 4.8:32-36 11/03
Documentation of a 1604 violin by Hieronymous Amati, Cremona, Italy
4.3:65
4.4:5-6
4.4:42-44
5/01
11/01
11/01
4.4:54
4.6:14-16
11/01
11/02
4.6:17-21
4.7:20-21
4.7:27-39
5.1:4-5
5.1:35-36
11/02
5/03
5/03
5/04
5/04
4.7:40-41
5/03
Lottermoser, W.
Violin acoustics
30:14-18
11/78
Lozano, J.
See Hansen, U. J. -- issue 1.4:43 11/89
Lundberg, G.
The cello -- Not a big violin (abstract)
Luscher, E.
See Merte, B. -- issue 1.4:45-46 11/89
See Rose, M. -- issue 1.4:38 11/89
Macomber, H. K.
See Hanson, R. J. -- issue 2.4:45 11/93
Maekawa, Z.
Hirasawa, Y.
Waki, T.
Sound radiation from an organ pipe (abstract)
Malka, A.
See Bazant, P. -- issue 2.4:42 11/93
Mansell, E. R.
Rossing, T. D.
Loen, J. S.
King, A. T.
41:9
5/84
2.3:30
5/93
Sound radiation from bass handbells (abstract)
2.8:43
11/95
Marandas, E.
Caussé, R.
Tuning of trichords in the piano (abstract)
2.8:41
11/95
Marcus, R.
See Menzel, R. E. -- issue 32:14-20 11/79
41:12-13
41:13
45:28-33
46:7-17
5/84
5/84
5/86
11/86
Marrou-Maurières, J. P. See Hirschberg, A. -- issue 1.4:40 11/89
Marshall, K. D.
Computer aided engineering and musical instruments (abstract)
Prediction of coupled plate modes from free plate measurements (abstract)
The musician and the vibrational behavior of a violin
Modal analysis: A primer on theory and practice
22
Marshall, K. D.
Hendrickson, T. J.
Kottick, E. L.
Savage, W. R.
Marty, S. M.
Oreb, B. F.
Hariharan, P.
Three subtle problems in modal testing, and when is
the data "good enough" (abstract)
See Hutchins, M. A. -- issue 41:9 5/84
The air modes of a harpsichord (abstract)
46:37
11/86
1.4:42
11/89
Assessment of innovations in the construction of the classical guitar: Part I, Analysis
of top plate resonances using FFT techniques and holographic interferometry
47:26-29
5/87
Assessment of innovations in the construction of the classical guitar: Part II,
New developments in guitar construction
47:30-33
5/87
Masino, T. R.
See Rodgers, O. E. -- issue 1.6:6-10 11/90
Masui, M.
An experimental environment for separating sound source (abstract)
2.3:25
5/93
Mather, J.
Propolis: Its composition and purification
43:15-18
5/85
Mathews, A. F.
See Bissinger, G. -- issue 1.5:40 5/90
Mathews, M. V.
An electronic violin with a singing formant (abstract)
See Kohut, J. -- issue 14:5 11/70
41:11
5/84
Matsuda, M.
See Akiyama, K. -- issue 2.3:29 5/93
Mattsson, G.
See Jansson, E. V. -- issue 1.6:11-15 11/90
McClain, E. G.
The scroll and the cross
Comments on H. Fowler article on small, whole-number intervals [see 34:20-21 11/80]
See Esty, E. -- issue 27:3 5/77
See Hutchins, C. M. -- issue 39:3 5/83
23:11-12
34:21
5/75
11/80
McDonald, G. R.
Back and belly clamps
Violin making
Letter to the editor: Contour mapping
Violin structure
4:10-11
9:16-18
12:4
13:14-21
11/65
5/68
11/69
5/70
McDonald, S.
See Hansen, U. J. -- issue 1.4:43 11/89
McIntosh, R.
See Fryxell, R. E. -- issue 45:5 5/86
McIntyre, M. E.
See Haines, D. W. -- issue 1.3:65-66 5/89
McIntyre, M. E.
Schumacher, R. T.
Woodhouse, J.
New results on the bowed string
28:27-31
11/77
McIntyre, M. E.
Woodhouse, J.
Toward a psychoacoustically realistic violin physics
22:18-19
11/74
Toward a theoretical understanding of violin plate tuning (abstract)
On measuring wood properties, part I
A parametric study of the bowed string: The violinist's menagerie
On measuring wood properties, part II
On measuring wood properties, part III
25:4
42:11-15
42:18-21
43:18-24
45:14-23
5/76
11/84
11/84
5/85
5/86
McLennan, J. E.
The violin as a structure -- A consideration of the static force in the instrument
Shear modulus of tone wood
A new bowing machine
34:15-20
2.6:20-23
4.2:55-60
11/80
11/94
11/00
Meinel, H.
Zum Problem des Baues klanglich hervorragender Geigen und
anderer Streichinstrumente
Investigation of a necessary way for numerical analysis and judgment of the musical
quality of violin tones (German version also included)
Musikalisch-technische Probleme des Geigenbaues
17:22-26
5/72
23:7
5/75
23:27-29
5/75
Normal modes of orthotropic plates (abstract)
46:38
Meir, A. J.
Gunzburger, M. D.
23
11/86
Schumacher, R. T.
Menzel, R. E.
Drawing of tenor violin
A plate outline tracer
Classic Guitar Making by A. E. Overholtzer -- Book review
Violin Bow Rehair & Repair by H. S. Wake -- Book review
The Health of the Violin and the Viola and Cello by Lucien Greilsamer -- Book review
A peg box split
The bridge curve
The optical proximity detector in violin testing
15:11
22:17
22:25-26
24:3
2.2:30
2.7:25-27
2.8:1-5
13:30-35
5/71
11/74
11/74
11/75
11/92
5/95
11/95
5/70
Optical proximity detection techniques in violin testing (abstract)
The microtexture of horse hair [see also 33:35 5/80]
14:5
32:14-20
11/70
11/79
Merte, B.
Ruckerl, R.
Luscher, E.
Directional characteristics of the sound emission of fiddles with horns (abstract)
1.4:45-46
11/89
Meyer, E.
Early tuning pegs and tailpieces
4.7:42-47
5/03
Meyer, H. G.
A practical approach to the choice of tone wood in the instuments of the violin family
Acoustic conditions for a soloist's concert violin
Thinning behavior of normal-mode frequencies of arched violin and viola top plates
Emission of difference tones from a violin
2.7:9-13
3.3:25-28
4.2:33-38
3.5:22-23
5/95
5/97
11/00
5/98
Directivity of the string instruments and its influence on the
orchestra sounds in concert halls (abstract)
Die Richtcharakteristiken der Streichinstrumente und ihre Bedeutung für die
Aufstellung des Orchesters
An acoustical method of violin testing [Abstracted 22:8 11/74]
Tonal quality of violins (abstract)
The musician's subjective impression of sound on the concert platform
Physical aspects of flute playing (abstract)
Interaction between musical instruments and room acoustics (abstract)
Vibrato sounds in large halls (abstract)
See Bower, V. E. -- issue 46:45-46 11/86
See Schelleng, J. C. -- issue 19:6 5/73
11:5
5/69
17:17-21
5/72
23:2-6
41:10
43:26-29
1.8:47
2.3:31
2.4:41
5/75
5/84
5/85
11/91
5/93
11/93
On the radiation of the attack noise of the grand piano (abstract)
2.8:43
11/95
How to measure the acoustical properties of violins (abstract)
46:38
11/86
The Savart violin revisited
Tools for setting the soundpost of small violins
Abraham Prescott: Bass Viol Maker of Deerfield and Concord by
Edward Wall -- Book review
Source of a crack (Brief)
Art & Method of the Violin Maker - Principles and Practice by Henry A. Strobel -- Book review
42:30-33
45:6
1.1:31
11/84
5/86
5/88
2.2:30
2.5:28
11/92
5/94
Michaelsen, P.
The Hardingfiddle -- An investigation on its sympathetic strings
34:21-25
11/80
Mikumo, M.
Finger-tapping strategy for encoding melodies (abstract)
2.3:32
Miles, J. L.
Taking the sting out of exothermic reactions (Note)
Simple method to measure air resonance modes (Note)
Tuning the A1 mode without changing the body size of an instrument
Tuning the A0 mode without changing the body or f-hole size
2.2:27
2.5:26-27
3.2:29-35
3.4:52-53
11/92
5/94
11/96
11/97
Miller, H. Burritt
Letter to the editor: Contour mappings
Translation -- "Controviolino" from the Catalog of the Musical Instruments of the
Community of Milano (Italy)
A caveat for would-be "genuine Cremona varnish makers"
12:3
12:3
11/69
11/69
15:14
5/71
Miller, Harry B.
Reminiscences of Art Benade
1.3:2-7
5/89
Miller, J. E.
Spectral measurements of violins
2.4:1-4
11/93
Menzel, R. E.
Hutchins, C. M.
Menzel, R. E.
Marcus, R.
Meyer, H. G.
Wit, H. P.
Meyer, J.
Meyer, J.
Bork, I.
Meyer, J.
Jansson, E. V.
Bork, I.
Meyer, R. M.
24
5/93
Real-time spectral studies of violins (lecture-demo)
2.4:49
11/93
Miller, R. T.
Visualizing complete violin modes
2.2:1-5
11/92
Milos, A.
See Angster, Judith -- issue 1.4:39 11/89
See Angster, Judith -- issue 2.3:30 5/93
Minato, K.
See Yano, H. -- issue 1.5:41 5/90
Mitsuo, M.
See Kiyoko, M. -- issue 2.3:33 5/93
Miura, H.
See Horiuchi, R. -- issue 2.3:24 5/93
Molenaar, P.
See King, A. T. -- issue 1.8:41 11/91
Molin, N.-E.
Visualizing instrument vibrations and sound fields - the state of the art
See Jansson, E. V. -- issue 1.3:27-30 5/89
See Lindberg, B. -- issue 2.6:24-27 11/94
See Saldner, H. O. -- issue 3.4:10-16 11/97
Eigenmodes and electronic holography on three violins (abstract)
4.5:21-29
2.4:43
11/93
A violinmaker's practical test of wood properties suggested from
FEM-analysis of an orthotropic shell
46:24-29
11/86
Molin, N.-E.
Saldner, H. O.
Jansson, E.V.
Molin, N.-E.
Tinnsten, M.
Wiklund, U.
Jansson, E. V.
5/02
Montagu, J.
See Bram, Marjorie -- issue 32:2 11/79
See Bram, Marjorie -- issue 36:4 11/81
Moral, J. A.
Input admittance and the function of the violin (abstract)
See Bretos, J. -- issue 2.8:38 11/95
See Bretos, J. -- issue 3.6:16-20 11/98
See Field, C. W. -- issue 35:3-4 5/81
See Jansson, E. V. -- issue 1.2:2-6 11/88
Input admittance and vibration patterns of free violin plates
41:12
5/84
39:18-22
5/83
Long-time-average-spectra of scales and spectra of single tones from a violin
31:5-12
5/79
Eigenmodes and the function of the violin
34:29-32
11/80
Morser, L. H.
A low-cost PC-based tool for violin acoustics measurements
4.4:45-48
11/01
Müller, H. A.
The function of the violin bridge
How the violin makers choose the wood and what the procedure means from a
physical point of view (abstract)
The acoustical quality of the violin with respect to physical properties (abstract)
31:19-22
46:41
5/79
11/86
2.4:42
11/93
Modal analysis applied to instruments of the violin family (abstract)
41:12
5/84
Is scientific research useful for violin makers? (abstract)
1.4:48
11/89
5/93
Moral, J. A.
Hutchins, C. M.
Moral, J. A.
Jansson, E. V.
Müller, H. A.
Geissler, P.
Müller, H. A.
Schleske, M.
Myers, A.
See Sharp, D. B. -- issue 2.8:41 11/95
Nag, D.
See Sengupta, R. -- issue 41:11 5/84
Nagai, K.
Tamaki, I.
Parameters effecting on eigenmodes of violin top plate (abstract)
2.3:24
Nagai, Y.
The calculation of the sound directional characteristics of the violin body with a
given source distribution
20:10-14
Naganuma, D.
Naganuma, D.
Nakamura, I.
See Nakamura, I. -- issue 2.8:42 11/95
Time-frequency distribution using product kernel - theory and
application to piano sound (abstract)
2.3:27
5/93
Nagashima, Y.
An experiment of real-time control for "pseudo granular" synthesis (abstract)
2.3:25
5/93
Nagatsuka, T.
Saiwaki, N.
Automatic transcription system for ensemble music (abstract)
2.3:26
5/93
25
11/73
Katayose, H.
Nakajima, Y.
Nonaka, T.
Tsumura, T.
Physically wrong rhythms can be subjectively correct (abstract)
2.3:31
5/93
Nakamori, S.
Original estimation technique for music by using covariance information (abstract)
2.3:27
5/93
Nakamura, I.
Simulation of string vibrations on the piano -- A struck string (abstract)
The formation of piano sound (abstract)
The decay characteristics of piano tones for the group of three strings (abstract)
See Naganuma, D. -- issue 2.3:27 5/93
The cause of piano sound spectra (abstract)
34:9
41:7
1.5:41
11/80
5/84
5/90
2.8:42
11/95
Nakamura, N.
Toraichi, K.
Kamada, M.
Iwaki, M.
Nakamura, N.
Toraichi, K.
Yamaura, I.
Contribution of ultra sound to timbre (abstract)
2.3:28
5/93
Audible tone on a human tympanic membrane evoked by ultrasonic components (abstract)
2.3:28
5/93
Nakano, M.
See Akiyama, K. -- issue 2.3:29 5/93
Namba, S.
See Kurakata, K. -- issue 2.3:32 5/93
Naspo, R.
The Inner Game of Music by Barry Green and Timothy Gallwey -- Book review
46:46-47
11/86
Naylor, G. M.
Stylistic response to problems of audibility in ensemble performance (abstract)
A study of the effects of tempo and reverberation on the maintenance of
synchronization (abstract)
46:40
1.4:44
11/86
11/89
Nederveen, C. J.
Letter to the editor: Comments on "A brief summary of A. H. Benade's
wind instrument adjustment principle" [See 2.7:16-24 5/95]
Influence of static flow on the input impedance of a woodwind instrument, or why
a clarinet with tiny holes demands another reed or mouthpiece (abstract)
3.1:43
5/96
2.8:41
11/95
1.4:44
11/89
2.3:32
5/93
Nakamura, I.
Naganuma, D.
Nederveen, C. J.
Dalmont, J. -P.
Dane, H. J.
Ngai, H.,-C.
See Sie, A. -- issue 1.4:46 11/89
Niewczyk, B. K.
See Jansson, E. V. -- issue 2.2:6-11 11/92
See Jansson, E. V. -- issue 2.4:42 11/93
See Jansson, E. V. -- issue 2.8:39 11/95
See Jansson, E. V. -- issue 3.3:9-14 5/97
See Jansson, E. V. -- issue 3.7:23-27 5/99
Niewczyk, J.
See Jansson, E. V. -- issue 1.2:2-6 11/88
Nishina, E.
See Oohashi, T. -- issue 2.3:28 5/93
Nonaka, T.
See Nakajima, Y. -- issue 2.3:31 5/93
Nosek, J.
Raffaj, A.
The contribution to problems of the material influence and acoustical
measurement on the brasswind instruments (abstract)
Obita, T.
See Iwamiya, S. -- issue 2.3:33 5/93
Odell, J. S.
See Savage, W. R. -- issue 41:10 5/84
Ohgushi, K.
Ohgushi, K.
Sueoka, T.
Taguti, T.
See Taguti, T. -- issue 2.3:32 5/93
Subjective evaluation of piano performances and their physical correlates (abstract)
Ohteru, S.
See Sato, A. -- issue 2.3:26 5/93
Ojalvo, M. S.
See Schelleng, J. C. -- issue 28:31 11/77
Oldham, W. H.
Equalising taptone pitch at the two ends of a violin plate
The button's influence on the tuning of free violin backs
Onodera, K.
See Plitnik, G. -- issue 2.3:30 5/93
26
48:29
1.3:31-32
11/87
5/89
Oohashi, T.
Nishina, E.
Kawai, N.
Fuwamoto, Y.
"Hypersonic effect" by high frequency sound above the audible range (abstract)
Orduña-Bustamante, F. Experiments on the relation between acoustical properties and
the subjective quality of classical guitars
2.3:28
5/93
2.1:20-23
5/92
Oreb, B. F.
See Marty, S. M. -- issue 47:26-29 5/87
See Marty, S. M. -- issue 47:30-33 5/87
Ormestad, H.
The Norwegian Hardanger fiddle (abstract)
28:6
Osada, Y.
An approach for music education (abstract)
2.3:26
5/93
Osamu, Y.
See Kiyoko, M. -- issue 2.3:33 5/93
Ot_enásek, Z.
See Stépánek, J. -- issue 3.8:32-38 11/99
Overholtzer, A. E.
See Menzel, R. E. -- issue 22:25-26 11/74
Owen, A. J.
Some effects of varnish on the viscoelastic properties of violin tone wood (abstract)
On the shape of the violin [See erratum 1.8:56 11/91] (Note)
1.4:38
1.7:29
11/89
5/91
Owen, I.
Musical instrument technology in an educational setting (abstract)
Bent violin fronts (Note)
Letter to the editor: The contents of newsletters
28:7
1.6:38
24:8
11/77
11/90
11/75
Pace, A.
Violin making as an exercise in creative anachronism
"What's in a name?" . . . The philology of the violin soundpost [see erratum 1.2:35 11/88]
Bee in a foxglove bell: Historical and cultural perspectives on the
stylistic quandary of the present day violin maker
38:11-12
1.1:27-28
1.8:1-6
11/82
5/88
11/91
Parrott, J. R.
Report on a bibliographic project on science and music (abstract)
Report on a citation index on the acoustics of the violin and guitar families
29:36
36:5-8
5/78
11/81
Parsons, L. J.
See Coates, S. R. -- issue 24:16-17 11/75
Patterson, B. R.
Quantum musical dynamics
21:17-24
Pavlidou, M.
Richardson, B. E.
The string-finger interaction in the classical guitar (abstract)
2.8:42
11/95
Peknik, J.
Selch, F. R.
America's first school of violin making (abstract)
2.4:49
11/93
Pelorson, X.
See Bailliet, H. -- issue 2.8:40 11/95
Perry, J.
Rebuilding a Chinese yangqin (abstract)
1.8:52
11/91
Petersen, O. Kr. Ø.
See Tro, J. -- issue 40:7-9 11/83
Petersson, S.
See Tove, P. A. -- issue 25:4 5/76
Phillipp, J. E.
Automatic transcription of polyphonic music by linear predictive analysis (abstract)
41:9-10
5/84
Piasentini, F.
See DiBella, A. -- issue 4.6:22-25 11/02
Pichler, H.
See Wildholm, G. -- issue 1.4:44 11/89
Pickering, N. C.
High-frequency output of bowed violins
Physical properties of violin strings
Transient response of certain violin strings
Elasticity of violin strings
A musician's spectrum analyzer (abstract)
A musician's spectrum analyzer for violins
Nonlinear behavior in overwound violin strings
Owen, L.
27
32:7-11
44:6-8
45:24-26
46:2-3
46:37
47:34-39
1.3:46-50
11/77
5/74
11/79
11/85
5/86
11/86
11/86
5/87
5/89
Effect on string frequency of discrete weighting
Pitch rise with amplitude in violin strings
String tone quality related to core material
Violin tonal evaluation with the dual-channel FFT analyzer (abstract)
Problems in string making
45 years of violin acoustics (abstract)
Strings and metallurgy
See Rickard, J. H. -- issue 2.1:44 5/92
1.3:51
1.4:19
1.5:23-28
1.8:47
2.3:1-4
2.4:49
3.4:24-29
5/89
11/89
5/90
11/91
5/93
11/93
11/97
Pitteroff, R.
A crucial detail of all bowed-string instruments,
the interaction of the string and the bow-hair (abstract)
2.4:48
11/93
Planyavsky, A.
See Laird, P. R. -- issue 3.7:3-4 5/99
Playfair, Q.
Curtate cycloid arching in golden age Cremonese violin family instruments
4.7:48-58
5/03
Plitnik, G.
Onodera, K.
Idogawa, T.
Measurement and calculation of the natural frequencies of
freely vibrating clarinet reeds (abstract)
2.3:30
5/93
Pollard, H. F.
Physical specification of musical timbre (abstract)
Perception and specification of musical sounds
Feature analysis and musical timbre
34:9-10
36:11-16
1.1:16-24
11/80
11/81
5/88
Polstein, D.
See Rossing, T. D. -- issue 41:10 5/84
Popp, J.
Popp, J.
Hansen, U. J.
Rossing, T. D.
Strong, W. Y.
Popp, J.
Rossing, T. D.
See Rossing, T. D. -- issue 41:10 5/84
Modal analysis of classical and folk guitars (abstract)
46:39
11/86
Sound radiation from classical folk guitars (abstract)
46:39
11/86
Povolny, J.
See Bazant, P. -- issue 1.4:43 11/89
Priesing, D.
Burning Bright (The Genesis of an Opera), ed. by Louis E. Auld -- Book review
46:47
11/86
Purich, P.
A new look at viola design and acoustics
3.2:47-50
11/96
Raffaj, A.
See Nosek, J. -- issue 1.4:44 11/89
Rafferty, M. P.
Lee, A. R.
Fast decay of longitudinal vibrations in violin strings (abstract)
41:7
5/84
Rakowski, A.
Subjective evaluation of the quality of musical instruments (abstract)
Measurements of pitch
Short-term memory for tone height (abstract)
25:5-6
27:9-11
2.3:31
5/76
5/77
5/93
Ramakrishna, B. S.
See Janakiram, V. L. -- issue 41:11 5/84
Raman, C. V.
List of publications on acoustics by C. V. Raman
13:7
5/70
Randerson, J. T.
A study of white glue debasement of violins
The aging of tonewood and its effects on candling, working properties and acoustics
2.7:1-8
3.1:9-12
5/95
5/96
Rasch, R.
Jitter in voice and violin tones (abstract)
41:11
5/84
Reddy, K. C.
See Janakiram, V. L. -- issue 41:11 5/84
Reder, O.
The search for the perfect bow
Rules for testing a violin by playing or listening (abstract)
Free plate resonances of string instruments covering the conventional range from
violin to contrabasso
Regazzi, R.
See Cingolani, S. -- issue 1.7:40 5/91
See Wall, E. -- issue 1.5:39 5/90
Reinicke, W.
Übertragungseigenschaften des Streichinstrumentenstegs [see also 29:1 5/78]
Rice, H.
See Fryxell, R. E. -- issue 45:5 5/86
28
13:21-23
22:26
27:28-31
5/70
11/74
5/77
19:26-34
5/73
Richard, G.
See Castellengo, M. -- issue 1.4:46 11/89
Richardson, B.
See Bailliet, H. -- issue 2.8:40 11/95
Richardson, B. E.
Guitar acoustics, preliminary report (abstract)
The influence of strutting on the top-plate modes of a guitar
Stringed musical instruments: searching for a relationship between
construction and tone (abstract)
Numerical modelling of stringed musical instruments (abstract)
The acoustical development of the guitar
Simple models as a basis of guitar design [see erratum 4.6:75 11/02]
See Pavlidou, M. -- issue 2.8:42 11/95
See Wright, H. A. K. -- issue 2.8:45 11/95
Measurement and prediction of the function of the guitar (abstract)
28:6
40:13-17
1.8:47
11/77
11/83
11/91
2.4:44
2.5:1-10
4.5:30-36
11/93
5/94
5/02
46:38
11/86
Richardson, B. E.
Roberts, G. W.
Numerical modelling of two violin plates
Numerical modelling of stringed musical instruments (abstract)
The adjustment of mode frequencies in guitars: A study by means of holographic
interferometry and finite element analysis (abstract)
47:12-16
1.4:37
41:12
5/87
11/89
5/84
Rickard, J. H.
Riera, I.
The Bowed String by Norman C. Pickering -- Book review
See Extebarria, V. -- issue 4.6:26-30 11/02
2.1:44
5/92
Roberts, E.
See Benade, A. H. -- issue 13:8-10 5/70
Roberts, G. W.
Finite element analysis of stringed instruments (abstract)
See Richardson, B. E. -- issue 41:12 5/84
See Richardson, B. E. -- issue 46:38 11/86
See Richardson, B. E. -- issue 47:12-16 5/87
See Richardson, B. E. -- issue 1.4:37 11/89
46:38
11/86
Roberts, H.
Recorded improvisation on the tenor (Note)
2.5:23
5/94
Roberts, M.
Rossing, T. D.
Normal modes of vibration in violins
3.5:3-9
5/98
Robertson, B. M.
Operating instructions for milling machine for violin bows
24:23-25
11/75
Robin, H.
See Hutchins, C. M. -- issue 2.3:20 5/93
Robinson, B. W.
See Hutchins, C. M. -- issue 45:5 5/86
Rocaboy, F.
Proposed model for reed action in the bassoon
The structure of bow-hair fibers
Le Crin de Cheval et L'Archet by Florence Billaud-Siefert -- Book review
About the physical properties of wood of twentieth century violins
1.4:20-25
1.6:34-36
1.8:41
1.6:21-28
11/89
11/90
11/91
11/90
Rocchesso, D.
Turra, F.
A generalized excitator for real-time sound synthesis by physical models (abstract)
2.4:47
11/93
Rodgers, O. E.
A note on rib bending and lining
Initial results on finite element analysis of violin backs [see erratum 1.2:35 11/88]
Analytical investigation of the effects of plate variables on the
free vibration modes of violin plates (abstract)
The effect of the elements of wood stiffness on violin plate vibration -[see erratum 1.2:35 11/88]
The influence of arching on supported violin plate frequencies (abstract)
Influence of local thickness changes on violin plate frequencies [Abstracted 1.4:43 11/89]
Relative influence of plate arching and plate thickness patterns on
violin back free plate tuning
Influence of local thickness changes on violin top plate frequencies [Abstracted 1.8:49 11/91]
Effect on plate frequencies of local wood removal from
violin plates supported at the edges [Abstracted 1.8:47 11/91]
The adequacy of thin shell finite element analysis methods and
a comment on bent plates (Brief)
Influence of local thickness changes on violin top plate frequencies Part 2
Letter to the editor: Re C. W. Field's article on free plate tuning 2.3:17 5/93
Tri-octave tuning of violin top free plates
Influence of bassbar length on free plate frequencies of a violin top (Note)
The limits of violin plate tuning, an overview (abstract)
36:4
46:18-23
46:37
11/81
11/86
11/86
Richardson, B. E.
Roberts, G. W.
Walker, G. P.
Rocaboy, F.
Bucur, V.
29
1.1:2-8
5/88
1.4:43
1.5:13-16
1.6:29-33
11/89
5/90
11/90
1.7:6-10
1.8:7-11
5/91
11/91
2.1:37-38
5/92
2.3:14-16
2.3:18
2.4:18-25
2.4:26-27
2.4:44
5/93
5/93
11/93
11/93
11/93
Aids for tuning violin components (abstract)
Experimental free-plate tuning and examples of tuned components (lecture-demo)
The next task in violin tuning
The effect of the musical key on perceived violin tonal quality
Material properties from resonance frequencies of violin blanks
Effect of sound post adjustment
Another look at the Swiss cheese violin
Nodal line seeker
On the function of the violin bass bar
Letter to the editor: Comments on a paper entitled "Acoustic Radiation from Bowed Violins"
Creative listening
See Fang, N. J. -- issue 2.1:39-40 5/92
See Hutchins, C. M. -- issue 2.1:13-19 5/92
An engineering approach to the violin making problem
2.4:49
2.4:49
2.5:11-14
2.5:19-21
2.8:6-13
3.3:19-24
3.4:17-25
3.5:41-43
3.8:15-18
4.4:4
5.1:13-15
11/93
11/93
5/94
5/94
11/95
5/97
11/97
5/98
11/99
11/01
5/04
4.2:13-19
11/00
Finite element analysis of a violin corpus
The effect of wood removal on bridge frequencies [Abstracted 1.4:48 11/89]
4.4:13-26
1.6:6-10
11/01
11/90
Rogers, C. P.
A summer workshop and the New Violin Family
See Creel, W. -- issue 14:9-12 11/70
8:2-3
11/67
Rose, M.
Kautzky, T.
Hubler, A.
Luscher, E.
Control of Karman vortex sheet by acoustical perturbations (abstract)
1.4:38
11/89
Rosen, M.
See Chaigne, A. J. -- issue 3.8:24-31 11/99
Ross, R.
Rossing, T. D.
Plate vibrations and resonances of classical and folk guitars (abstract)
41:13
5/84
Rossing, T. D.
The guitar as seen by a physics teacher
A visit to Kraslice and Zwota
Function, Construction and Quality of the Guitar, ed. by E. V. Jansson -- Book review
Sound spectra of ancient Chinese bells (abstract)
Current directions in musical acoustics (abstract)
Acoustics of some less-common percussion instruments
[Repeated in SMAC '93 see 2.4:47 11/93] (abstract)
Musical acoustics research during the past decade (abstract)
See Bissinger, G. -- issue 38:6 11/82
See Bissinger, G. -- issue 1.7:41 5/91
See Brelay, H. -- issue 2.3:28 5/93
See Caldersmith, G. W. -- issue 39:12-14 5/83
See Canfield, G. H. -- issue 2.8:44 11/95
See Cohen, D. -- issue 4.2:48-54 11/00
See Hansen, U. J. -- issue 1.4:43 11/89
See Hansen, U. J. -- issue 2.3:33 5/93
See Mansell, E. R. -- issue 2.8:43 11/95
See Popp, J. -- issue 46:39 11/86
See Popp, J. -- issue 46:39 11/86
See Roberts, M. -- issue 3.5:3-9 5/98
See Ross, R. -- issue 41:13 5/84
See Strong, W. J. -- issue 1.3:67 5/89
See Tsai, J. -- issue 1.8:52 11/91
See Watson, E. T. -- issue 1.4:37 11/89
Second-order beats between complex tones
34:10
41:14
41:15-17
1.4:45
1.8:46
2.3:23
11/80
5/84
5/84
11/89
11/91
5/93
2.4:41
11/93
25:17-18
5/76
Acoustics of timpani: Preliminary studies (abstract)
25:6
5/76
Acoustical response of guitars (abstract)
41:10
5/84
Some acoustical features of tuning forks (abstract)
2.3:34
5/93
Finite element modelling of violin plate vibrational characteristics
47:8-11
5/87
Rodgers, O. E.
Anderson, P.
Rodgers, O. E.
Masino, T. R.
Rossing, T. D.
Dols, K.
Rossing, T. D.
Kuistad, G.
Rossing, T. D.
Popp, J.
Polstein, D.
Rossing, T. D.
Russell, D. A.
Brown, D. E.
Rubin, C.
Farrar, D. F., Jr.
30
Ruckerl, R.
See Merte, B. -- issue 1.4:45-46 11/89
Russell, D. A.
See Rossing, T. D. -- issue 2.3:34 5/93
Sacksteder, R.
On the calculation of acoustic radiation
How well do we understand Helmholtz resonance? [Abstracted 46:38 11/86]
Do violin makers need theorems?
See Bixler, M. -- issue 1.4:31-32 11/89
Saied, A.
See Bucur, V. -- issue 2.1:41 5/92
Saiwaki, N.
See Nagatsuka, T. -- issue 2.3:26 5/93
Sakurai, Y.
Skudrzyk, E.
Acoustic properties of wood (abstract)
11:5
Saldner, H. O.
Saldner, H. O.
Molin, N.-E.
Jansson, E. V.
See Molin, N.-E. -- issue 2.4:43 11/93
Sound distribution from forced vibration modes of a violin measured by reciprocity and
TV holography [also abstracted in 2.8:43 11/95]
3.4:10-16
11/97
Šali, S.
Šali, S.
Kopac, J.
Frequency response function of a guitar - a significant peak
The influnce of different machining processes on the acoustic properties
of wooden resonant boards
4.6:31-36
3.5:15-21
11/02
5/98
Sando, R.
Huallpa, B. N.
Arruda, J. R. F.
Violin quality assessment with an objecive criterion using the constant Q-transform
4.6:37-42
11/02
Santamaría, C.
See Bretos, J. -- issue 2.8:38 11/95
See Bretos, J. -- issue 3.6:16-20 11/98
Santamaria, C.
See Elejabarrieta, M. J. -- issue 4.4:37-41 11/01
Sasaki, M.
See Shima, T. -- issue 2.3:24 5/93
Sato, A.
Hashimoto, S.
Ohteru, S.
Virtual singer & virtual band for computer music performance (abstract)
Sato, S.
See Horiuchi, R. -- issue 2.3:24 5/93
Savage, W. R.
Savage, W. R.
Goodway, M.
Odell, J. S.
Savage, W. R.
Kottick, E. L.
Hendrickson, T. J.
36:27-28
48:27-28
2.6:28-32
11/81
11/87
11/94
5/69
2.3:26
5/93
Physics and Music by Neville H. Fletcher -- Book review
Internal energy losses in music wire (abstract)
See Marshall, K. D. -- issue 1.4:42 11/89
A study of the internal friction composition and elasticity of historic and
modern harpsichord wire (abstract)
29:3
46:42
5/78
11/86
41:10
5/84
A study of the soundboard and air cavity vibrations of a
Zukermann Flemish VI harpsichord (abstract)
41:12
5/84
Savart, F.
See Fletcher, D. -- issue 5:11-19 5/66
See Fletcher, D. -- issue 21:5-7 5/74
Sawara, S.
See Shimuzu, Y. -- issue 2.3:31 5/93
Scanlan, R. H.
Factors affecting plate vibrations
Letter to the editor: Urging a more rigorous publication policy
5:7-8
40:4
5/66
11/83
Scavone, G. P.
The Musical Acoustics Research Library
3.6:24-26
11/98
Schelleng, J. C.
On damping of wood vibrations and the effect of shear; Also some
thoughts about the violin arch
On the physical effects of violin varnish, I-A
Power relations in the violin family (abstract)
2:6
11/64
4:15-18
5:8
11/65
5/66
31
Schleske, M.
On the physical effects of violin varnish, I-B
On the physical effects of violin varnish, II -- Experimental results
Letter to the editor: Teaching advantages in using tenor and soprano violins
On the physical effects of violin varnish, III -- Estimation of acoustical effects
On vibrational patterns in fiddle plates
On polarity of resonance [refeatured in 4.3:26-29 5/01]
The sound of strings
The bowed string (abstract)
Requirements for sounding board material
Negative resistance and the bowed string
Pressure on the bowed string
Wood translucence and violin making
Negative resistance in the bowed string (abstract)
The action of the soundpost
Akustik und Musikalische Aufführungs Praxis by Jürgen Meyer -- Book review
Fundamentals of Musical Acoustics by A. H. Benade -- Book review
Quieting, A Practical Guide to Noise Control by Raymond D. Berendt, Edith L. R.
Corliss, and Morris S. Ojalvo -- Book review
Wood for violins
Adjusting the wolftone suppressor - reprinted from
American String Teacher winter 1967 (Note)
The violin as a circuit -- reprinted from JASA vol 35 No. 3 326-338 3/63
6:11-15
7:9-14
8:7-8
8:17-24
9:4-10
10:14-18
10:18-21
11:5
11:18-22
12:12-17
13:24-27
13:27-30
14:5
16:11-15
19:6
26:4
28:31
11/66
5/67
11/67
11/67
5/68
11/68
11/68
5/69
5/69
11/69
5/70
5/70
11/70
11/71
5/73
11/76
11/77
37:8-19
1.5:29
5/82
5/90
4.3:13-25
5/01
The influence of typical violin-varnishes on the acoustical qualities of
thin spruce strips (abstract)
Stiffness and damping of spruce in relation to the direction of grain and ray (abstract)
Speed of sound and damping of spruce in relation to the direction of grains and rays
The influence of changes in the distribution of mass and stiffness of
violin-plates on eigenfrequencies and mode-shapes of the violin (abstract)
Investigation on the changes of eigenfrequencies and mode-shapes in
the working process of the violin (abstract)
Eigenmodes of vibration in the working process of a violin [refeatured in 4.1:90-95 5/00]
On making "tonal copies" of a violin
On the acoustical properties of violin varnish
Empirical tools in contemporary violin making:
Part 1. Analysis of design, materials, varnish, and normal modes
Empirical tools in contemporary violin making:
Part II. Psychoacoustic analysis and use of acoustic tools
See Müller, H. A. -- issue 1.4:48 11/89
1.4:38
11/89
1.4:43
1.6:16-20
2.4:44
11/89
11/90
11/93
2.8:38
11/95
3.1:2-6
3.2:18-28
3.6:27-43
4.5:50-64
5/96
11/96
11/98
5/02
4.6:43-61
11/02
Schneider, A. J.
See Hanson, R. J. -- issue 1.8:51 11/91
See Hanson, R. J. -- issue 2.6:1-7 11/94
See Hanson, R. J. -- issue 2.8:39 11/95
Schumacher, R. T.
Note on J. M. C. Duhamel's Memoire on the bowed string
Some mathematics of the bowed string
Some aspects of the bow
Violin stringing and Heron-Allen's advice
Measurement of the parameters of bowing (abstract)
Aperiodicity, subharmonics and noise in musical instruments (abstract)
From the editors: Bowing with a glass bow: an update
See McIntyre, M. E. -- issue 28:27-31 11/77
See Meir, A. J. -- issue 46:38 11/86
See Woodhouse, J. -- issue 2.3:35 5/93
Bowing with a glass bow
20:17-18
22:23
24:5-8
29:23-24
46:42
2.4:45
4.4:7-12
11/73
11/74
11/75
5/78
11/86
11/93
11/01
3.2:9-17
11/96
Schwab, H. L.
Schwab, H. L.
Chen, K. C.
Finite element analysis of a guitar soundboard (I)
Finite element analysis of a guitar soundboard (II)
24:13-15
25:13-15
11/75
5/76
Segerman, E.
Segerman, E.
Abbott, D.
Some aspects of wood structure and function [see erratum 4.6:75 11/02]
Historical background to the strings used by catgut-scrapers
4.3:5-9
25:24-26
5/01
5/76
More on the history of strings and instruments
29:29-33
5/78
41:11
5/84
Schumacher, R. T.
Garoff, S.
Selch, F. R.
See Peknik, J. -- issue 2.4:49 11/93
Sengupta, R.
Banerjee, B. M.
Tonal qualities of the Indian tanpura (abstract)
32
Sengupta, S.
Nag, D.
Sengupta, S.
See Sengupta, R. -- issue 41:11 5/84
Serafin, S.
Smith III, J. O.
Impact of string stiffness on digital waveguide models of bowed strings
4.4:49-52
11/01
Input impedance measurements on wind instruments using pulse reflectometry (abstract)
2.8:41
11/95
Sharp, D. B.
Campbell, D. M.
Myers, A.
Shaw, M.
See Dunlop, J. -- issue 1.7:17-20 5/91
Shaw, R.
Shima, T.
Sasaki, M.
See Carruth, A. -- issue 3.4:60 11/97
An observation on Soh's vibrational properties excited by a plucked string (abstract)
2.3:24
5/93
Shimuzu, Y.
Sawara, S.
Takizawa, T.
Kawakami, F.
Active control of sound field for the musical performers (abstract)
2.3:31
5/93
Sie, A.
Comment on the "double octaves" tuned violins
Note on "bitri octaves" tuned violins
The tonal quality of double and bitri harmonic matching tuned violins (abstract)
46:36
47:7
1.4:46
11/86
5/87
11/89
Sie, A.
Ngai, H.,-C.
Sigurd, D.
See Tove, P. A. -- issue 25:4 5/76
Sirr, S. A.
See Waddle, J. R. -- issue 4.8:25-31 11/03
See Waddle, J. R. -- issue 3.2:3-8 11/96
Skalmierski, B.
See Krupowicz, S. -- issue 2.3:9 5/93
Skudrzyk, E.
See Haines, D. W. -- issue 20:5 11/73
See Sakurai, Y. -- issue 11:5 5/69
Slaby, W. E.
Peg shavers that work
A purfling groove caliper (Note)
48:30-31
1.7:34
11/87
5/91
Slingerland, F. W.
La mesure de la qualité sonore des bois Québécois pour la construction d'instruments
de musique (English summary by Carolyn W. Field)
45:10-12
5/86
Smith III, J. O.
Smith III, J. O.
Van Duyne, S. A.
See Serafin, S. -- issue 4.4:49-52 11/01
Recent results in piano synthesis via physical modeling (abstract)
Smith, B.
See Weinreich, G. -- issue 1.4:36 11/89
Smith, J.
See Wolfe, J. -- issue 2.8:41 11/95
Smith, J. H.
2.8:44
11/95
Query: Information on David James Blaikley, 1846-1936
1.3:68
5/89
Soloninka, J.
Research suggestions to CAS Editors
3.6:52
11/98
Spear, D. Z.
Achieving an air/body coupling in violins, violas and cellos: A practical guide
for the violin maker
Air-body coupling (abstract)
See Esty, M. L. -- issue 28:18 11/77
See Loen, J. S. -- issue 5.1:35-36 5/04
47:4-7
5/87
1.8:49
11/91
Spear, R. J.
Practical application of free plate matching in cellos (abstract)
1.8:49
Influence of form on "signature modes" of a second generation new violin family quintet (Note) 4.8:19-24
What the CAS has meant to the working luthier
5.1:11-12
11/91
11/03
5/04
Stépánek, J.
Ot_enásek, Z.
Rustle as an attribute of timbre
11/99
Stépánek, T.
See Bazant, P. -- issue 2.4:42 11/93
Stetson, K. A.
3.8:32-38
Why use holograms to study fiddle plates?
33
9:10-12
5/68
Some techniques for hologram interferometry of string instruments (abstract)
A progress report on holographic testing of string instruments
A holographic examination of a treble viol with a wolf tone
Mode doubling and the production of wolf tones (abstract)
The effect of thickness perturbations of the vibration modes of plates
See Ågren, C. H. -- issue 11:5 5/69
See Hutchins, C. M. -- issue 16:15-23 11/71
14:5
14:19-22
16:8-10
25:3
28:32-34
Stewart, R. L.
Replacing the cello with the baritone violin (Note)
1.7:30
5/91
Stoppani, G.
Violin Varnish edited by Joseph and Reiner Hammerl -- Book review
Varnishes and Very Curious Secrets of Cremona 1747 edited by
Incenzo Gheroldi -- Book review
The lower violin tailpiece resonances
E string whistles
4.3:62-63
4.3:63-64
5/01
5/01
3.1:17-25
3.7:28-33
5/96
5/99
Strahle, D.
Thoughts on viols -- A few observations and a plea for more research
A jig for use in arching and thicknessing viol front plates
29:9-13
34:27-28
5/78
11/80
Strauch, P.
See Caussé, R. -- issue 41:10-11 5/84
Ström, P.
String displacement detector (abstract)
Strobel, H. A.
See Meyer, R. M. -- issue 2.5:28 5/94
See Wake, H. S. -- issue 1.8:40 11/91
Strong, W. J.
Record review: Auditory Demonstrations, by A. J. M. Houtsma and W. M. Wagenaars,
T. D. Rossing, and I. J. Hirsch
See Copley, D. C. -- issue 2.8:41 11/95
See Dudley, D. J. -- issue 1.4:44 11/89
Simulation of source-to-receiver transmission in an enclosure:
Spectral properties (abstract)
Spectral properties of source-to-receiver transmission in a simulated room (abstract)
Stough, B.
Strong, W. J.
Li, S.-N.
Strong, W. Y.
See Popp, J. -- issue 46:39 11/86
Sueoka, T.
See Ohgushi, K. -- issue 2.3:32 5/93
Sundberg, J.
See Jansson, E. V. -- issue 20:18-21 11/73
See Titze, I. -- issue 1.3:63 5/89
New Violin Octet initiatives in Sweden
Sundberg, J.
Jansson, E. V.
11/70
11/70
11/71
5/76
11/77
41:10
5/84
1.3:67
5/89
1.4:47
11/89
2.3:27
5/93
42:4
11/84
Sundin, H.
See Jansson, E. V. -- issue 21:11-15 5/74
Sung, K.-M.
String instrument tone synthesis using nonlinear distortion technique (abstract)
1.4:46
11/89
Supek, L. R.
Cutting gauge
Purfling groove marker
Making a sanding wheel
Helpful hint for joining two-piece backs
40:9
42:33
43:24-25
45:6
11/83
11/84
5/85
5/86
Suzuki, H.
Model analysis of a hammer-string interaction (abstract)
The Acoustics of the Piano by Anders Askenfelt -- Book review
Vibration analysis of a hammer shank (abstract)
46:37
2.1:42
2.3:27
11/86
5/92
5/93
Syrovy, V.
Impulse measurements on woodwind musical instruments (abstract)
1.4:39
11/89
Tada, K.
See Koide, H. -- issue 2.3:25 5/93
Taguti, T.
Taguti, T.
Ohgushi, K.
See Ohgushi, K. -- issue 2.3:32 5/93
Computational rendition of piano music and its subjective evaluation a performance - model approach (abstract)
2.3:32
5/93
Takizawa, T.
See Shimuzu, Y. -- issue 2.3:31 5/93
Tamaki, I.
See Nagai, K. -- issue 2.3:24 5/93
Tanaka, H.
See Kashino, K. -- issue 2.3:26 5/93
34
Tarnóczy, T.
Some experiments with split aluminum bells (abstract)
See Wall, E. -- issue 2.1:43 5/92
1.4:45
11/89
Response feature of the `straight-cone' diaphragm of loudspeakers simulated by
a membrane theory of conical shells (abstract)
Measured level and phase contours of pressure on the surface of vibrating shells (abstract)
2.3:33
5/93
2.4:44
11/93
Acoustical treasures at the Royal Institution in London
See Creel, W. -- issue 26:3 11/76
See VandeKopple, J. J. -- issue 2.4:30 11/93
See Hutchins, C. M. -- issue 16:15-23 11/71
20:7-8
11/73
Teaney, D. T.
Vibraphone-midi conversion: Timing and performance nuance in
mallet playing (abstract)
46:40
11/86
Terhardt, E.
Terhardt, E.
Eggers, F.
Auditory characteristics relevant to perception of musical sound (abstract)
Frequency characteristics and step responses of strings at the bowing point:
Theoretical and experimental results (abstract)
1.4:36
1.4:47-48
11/89
11/89
Thomas, D.
See Bucur, V. -- issue 4.2:39-47 11/00
Thompson, D. A.
See Haines, D. W. -- issue 24:25-28 11/75
Thompson, R. P.
Letter to the editor: Reactions to the mezzo violin
A new mold for violin construction
Strings around the world
A modification of Fulton's "old Italian varnish"
The effect of variations in relative humidity on the frequency of response of free
violin plates [refeatured in 4.1:63-64 5/00]
Coloured terpene resin violin varnish (abstract)
Terpene resin violin varnish
Amber-terpene resin violin varnish
Classic Italian Violin Varnish: Its History, Materials, Preparation and
Application by G. L. Baese -- Book review
Moisture breathing properties of wood: Let's get it right!
See Gillespie, F. C. -- issue 29:25-26 5/78
26:20
27:26-28
29:4-6
29:35-36
32:25-27
11/76
5/77
5/78
5/78
11/79
34:8
41:20-21
42:28-29
1.2:29
11/80
5/84
11/84
11/88
4.6:62-64
11/02
Thompson, Richard
Further comments on small whole number intervals
35:4-5
5/81
Thwaites, S.
Some acoustics of a clavichord [Abstracted 34:8-9 11/80]
35:29-33
5/81
Tinnsten, M.
See Molin, N.-E. -- issue 46:24-29 11/86
Titze, I.
The Science of the Singing Voice by J. Sundberg -- Book review
1.3:63
5/89
Tokuhiro, I.
Koyama, I,
Fujita, K.
Hojo, H.
Psychological test and power spectrum in musical melodies (abstract)
2.3:29
5/93
Topham, J.
Working methods of early classical violin makers:
Implications of recent dendrochronological studies
4.7:59-67
5/03
Toraichi, K.
See Nakamura, N. -- issue 2.3:28 5/93
See Nakamura, N. -- issue 2.3:28 5/93
Tourin, P.
Constructing the Mountain Dulcimer by Dean Kimball -- Book review
A gauge for measuring thickness of musical instrument soundboards
25:2
32:23-25
5/76
11/79
Tove, P. A.
Chu, W. K.
Tove, P. A.
Sigurd, D.
Petersson, S.
Investigations of the elemental composition of violin finish and wood composition,
by ion backscattering
Ion backscattering and X-ray investigations of varnish and wood (abstract)
22:5-8
11/74
25:4
5/76
Townsend, P. D.
A violin bowing mechanism (abstract)
See Barnes, P. -- issue 40:21-26 11/83
See Coates, S. R. -- issue 24:16-17 11/75
See Fredin, S. -- issue 41:8 5/84
28:7
11/77
Tatsumi, I.
Tatsumi, I.
Hiroshi, T.
Taylor, C. A.
Taylor, P. A.
35
See Harnor, R. -- issue 42:25-28 11/84
Traeger, C.
The bass violin revolution
"Impedance matching" in bass violins
Tuning flat backs
The setup and repair of the bass violin for optimum sound
21:15-16
30:28
1.2:14-15
3.2:40-44
Trasoff, D.
The tanpura, a preliminary spectrographic analysis of the jawari phenomenon (abstract)
2.3:24
5/93
Tro, J.
Petersen, O. Kr. Ø.
Kristiansen, U. K.
Sound radiation from a double bass visualized by intensity vectors
40:7-9
11/83
Tronchin, L.
See Langhoff, A. -- issue 2.8:39 11/95
Trott, W. J.
Mechanical impedance (admittance) measurements on violin SUS #181
A circuit analysis of the cello
The violin and its bridge (abstract)
37:26-28
41:22-28
46:38
5/82
5/84
11/86
Trueman, D.
See Cook, P. R. -- issue 3.8:8-14 11/99
Tsai, J.
Rossing, T. D.
Holographic studies of a modern Chinese two-tone bell (abstract)
1.8:52
11/91
Tseng, D.
A simple function generator
37:29-30
Tsumura, T.
See Nakajima, Y. -- issue 2.3:31 5/93
Tubis, A.
The Physics of the Violin by Lothar Cremer -- Book review
Turra, F.
See Rocchesso, D. -- issue 2.4:47 11/93
Ueda, K.
Ariyama, M.
Musical performance transcription using score information (abstract)
Uzielli, L.
See Bonamini, G. -- issue 1.8:12-16 11/91
Vadnais, M.
See Worman, W. E. -- issue 1.5:17-22 5/90
Vaiedelich, S.
Besnainou, C.
44:2
5/74
11/78
11/88
11/96
5/82
11/85
2.3:26
5/93
About the mechanical properties of wood used in instrument-making and
their replacement by carbon fibers composite (abstract)
1.4:38
11/89
Vallete, C.
Cuesta, C.
Castellengo, M.
Besnainou, C.
The tampura bridge as a precursive wave generator (abstract)
1.4:45
11/89
Van Duyne, S. A.
See Smith III, J. O. -- issue 2.8:44 11/95
van Zoest, W. H.
Translation -- "Paul Gerhard Schmidt's violoncello ingrandito" by W. C. de Jong
23:9-10
5/75
VandeKopple, J. J.
Exploring Music: The Science and Technology of Tones and Tunes -by Charles Taylor -- Book review
2.4:30
11/93
Vemer, R.
Letter to the editor: The vertical viola
24:2
11/75
Voskuil, D.
An improved violin plate bending jig
Rethinking the finger board material
Letter to the editor: Response to William Fulton [See 2.7:30-32 5/95]
See Hutchins, C. M. -- issue 2.4:5-9 11/93
2.5:15-18
2.8:23-24
3.1:41-42
5/94
11/95
5/96
Vroom, J.
A method for constructing violin edge clamps
19:16-17
5/73
Waddle, J. R.
Loen, J. S.
Waddle, J. R.
Sirr, S. A.
Loen, J. S.
King, A. T.
Waddle, J. R.
Sirr, S. A.
Weights of violin, viola, and cello (Note)
4.8:32-36
11/03
CT scan cross-profiles through Cremonese stringed instruments (Note)
4.8:25-31
11/03
X-ray computerized transaxial tomographic analysis of stringed instruments
3.2:3-8
11/96
36
Wade, J.
A Prescott bass
Wagenaars, W. M.
See Strong, W. J. -- issue 1.3:67 5/89
Wake, H. S.
A Violin Maker's Notebook by Henry A. Strobel -- Book review
See Menzel, R. E. -- issue 24:3 11/75
See Maekawa, Z. -- issue 2.3:30 5/93
Waki, T.
30:4
11/78
1.8:40
11/91
Walker, G. P.
See Richardson, B. E. -- issue 46:38 11/86
See Richardson, B. E. -- issue 47:12-16 5/87
See Richardson, B. E. -- issue 1.4:37 11/89
Wall, E
Letter to the editor: A question about "Reverse graduation in fine Cremonese violins" &
reply by Jeff Loen
4.8:5
11/03
Wall, E.
Notes on Abraham Prescott -- I
Notes on Abraham Prescott -- II
Preliminary studies of flat-backed basses
Microphon-Aufnahmetechnik by Michael Dickreiter -- Book review
Il Manoscrito Liutario di G. A. Marchi ed. by Robert Regazzi -- Book review
Physik im Giegenbau by W. Güth -- Book review
Buzzing about the shop (Note)
Einführung in die Musikalische Akustik by Tamás Tarnóczy -- Book review
A trial of Fuhr's method of testing violins and violin plates
Violin Makers' Corner: Q: Trigonometry of the sound post [A: issue 2.8:34 11/95]
Violin Maker's Corner: Q: Stretching a string [A: issue 3.1:50 5/96]
See Meyer, R. M. -- issue 1.1:31 5/88
29:34-35
30:4-6
44:28-33
1.1:32
1.5:39
1.7:39
1.8:37-39
2.1:43
2.4:15-17
2.7:37
2.8:34
5/78
11/78
11/85
5/88
5/90
5/91
11/91
5/92
11/93
5/95
11/95
Wang, L. M.
Burroughs, C. B.
Directivity patterns of acoustic radiation from bowed violins
3.7:9-17
5/99
Comparison of radiated power from structurally different violins
4.6:65-72
11/02
Wang, X.
Zhu, H.
A holographic study on violin's vibration (abstract)
46:38
11/86
Warusfel, O.
See Caussé, R. -- issue 2.3:25 5/93
Watson, E. T.
Rossing, T. D.
From string forces to sound radiation in guitars (abstract)
1.4:37
11/89
Wausfel, O.
See Caussé, R. -- issue 2.8:43 11/95
Weiner, L.
Letter to the editor: Linseed oil, its selection, preparation and use in violin varnish
33:7-8
5/80
Weinreich, G.
Physik der Geige by Lothar Cremer -- Book review
Violin radiativity: Concepts and measurements (abstract)
Fundamentals of Musical Acoustics by Arthur H. Benade -- Book review
The reciprocal bow: a new device for testing violins (abstract)
Radiativity revisited; theory and experiment ten years later (abstract)
The lip reed: puzzles and partial answers (abstract)
Sound radiation from the violin - as we know it today
See Boutillon, X. -- issue 1.4:48 11/89
See Caussé, R. -- issue 1.8:50 11/91
Bowed-string research with the digital bow (abstract)
37:4
41:7
1.7:39
1.8:46
2.4:42
2.8:40
4.5:37-42
5/82
5/84
5/91
11/91
11/93
11/95
5/02
1.4:36
11/89
Wells, J.
The collectors point of view (abstract)
2.4:49
11/93
Wenxuan, X.
See Zhenxiong, G. -- issue 2.3:28 5/93
Wheeler, J.
Reconstructing King David's harp
1.1:25-26
5/88
White, T.
The edges of guitar making
34:28-29
11/80
Whitlow, H. J.
See Barnes, P. -- issue 40:21-26 11/83
Whitney, L.
Query: Seeking CAS members who are also amateur radio operators
1.3:68
5/89
Wijnands, A. P. J.
Wijnands, A. P. J.
Hirschberg, A.
See Hirschberg, A. -- issue 1.4:40 11/89
The role of vortex shedding in the acoustical behaviour of the clarinet and
the sound production in flue organ pipes (abstract)
1.4:40
11/89
Weinreich, G.
Caussé, R.
Smith, B.
37
Wiklund, U.
See Molin, N.-E. -- issue 46:24-29 11/86
Wildholm, G.
Pichler, H.
Computer-aided research on brasswind instrument quality and interaction of
the musician and instrument (abstract)
1.4:44
11/89
Wilkins, R. A.
Violin mode relationships in free plates, after attachment to the ribs and
in the finished instruments [see erratum 4.6:75 11/02]
Cello modes throughout three stages of construcyion
4.4:27-32
11/01
4.8:64-71
11/03
1.7:31-32
5/91
Willgloss, R. A.
See Lindsay, A. D. -- issue 3.4:30-37 11/97
Wilzen, L.
See Barnes, P. -- issue 40:21-26 11/83
Winkler, K.
Kaetel, K.
Natural sound from inside out: SMS - Symphonic Mike System A new microphone system for amplifying instruments (Note)
Wit, H. P.
See Meyer, H. G. -- issue 3.5:22-23 5/98
Wogram, K.
Transients of brasswind instruments (abstract)
1.4:44
11/89
Wolfe, J.
Smith, J.
A comparison of acoustic impedances of flutes - a premininary study (abstract)
2.8:41
11/95
Woodhouse, J.
On recognizing violins: Starting transients and the precedence effect
An experiment in player-rating of violins: preliminary report (abstract)
Computer modeling of the bowed string (abstract)
Body vibration of the violin - What can a maker expect to control?
See Barlow, C. Y. -- issue 1.1:9-15 5/88
See Barlow, C. Y. -- issue 1.4:2-9 11/89
See Barlow, C. Y. -- issue 1.4:37-38 11/89
See Barlow, C. Y. -- issue 2.4:47 11/93
See Haines, D. W. -- issue 1.3:65-66 5/89
See Kahle, E. -- issue 1.4:42 11/89
See McIntyre, M. E. -- issue 22:18-19 11/74
See McIntyre, M. E. -- issue 25:4 5/76
See McIntyre, M. E. -- issue 28:27-31 11/77
See McIntyre, M. E. -- issue 42:11-15 11/84
See McIntyre, M. E. -- issue 42:18-21 11/84
See McIntyre, M. E. -- issue 43:18-24 5/85
See McIntyre, M. E. -- issue 45:14-23 5/86
Investigating the structure of bowed-string transients by systematic simulations (abstract)
39:22-24
2.4:42
2.4:45
4.5:43-49
5/83
11/93
11/93
5/02
2.3:35
5/93
Worman, W. E.
Benade, A. H.
Vadnais, M.
A simplified model for a beating reed - preliminary results
1.5:17-22
5/90
Wright, H. A. K.
Richardson, B. E.
Psychoacoustical evaluation of synthesized guitar tones:
linking tone quality to construction (abstract)
2.8:45
11/95
Wyszkowski, P.
Letter to the editor: An offer to a plucky minority
A guitar maker's tool
35:1
36:32
5/81
11/81
Yako, M.
Timbre of shamisen tone and perception of decay in the amplitude envelopepreliminary study on the relation between timbre and musical structure (abstract)
2.3:29
5/93
Yamada, M.
Where does the originality of pianists underlie in terms of
fluctuation of time interval? (abstract)
2.3:32
5/93
Yamaura, I.
See Nakamura, N. -- issue 2.3:28 5/93
Yamshita, K.
See Iwamiya, S. -- issue 2.3:33 5/93
Yankovskii, B. A.
Comments on a 1926 paper by P. N. Zimin concerning a uniform method of
investigating plate thickness
The paradoxes of violin parameters
30:3
33:9-13
5/80
Yano, H.
Minato, K.
Improvement of acoustic properties of spruce wood by chemical treatments (abstract)
1.5:41
5/90
Yoder, L. L.
Normalizing a coil-magnet driver for stringed instrument measurements (abstract)
1.8:47
11/91
Woodhouse, J.
Schumacher, R. T.
38
11/78
Yoshikawa, S.
Zanetta, P.
"Reed" as an energy collector in wind instruments (abstract)
See Langhoff, A. -- issue 2.6:15 11/94
2.3:30
5/93
Zaret, P.
Violin Price Determination: Violins and Bows -- What Determines Their Value? by
J. Huber -- Book review
1.3:64
5/89
Zecchin, R.
See DiBella, A. -- issue 4.6:22-25 11/02
Zhenxiong, G.
Wenxuan, X.
Zero factor method - a new threshold audiometry (abstract)
2.3:28
5/93
Zhu, H.
See Wang, X. -- issue 46:38 11/86
Zi, M.-Y.
Chinese music and Chinese people (abstract)
1.4:45
11/89
Zimmermann, M. H.
Letter to the editor: Wood seasoning
30:7
11/78
Zoernig, R.
Acoustical features of the Condax podium
Clamps
A method for patching cracks in top plates
19:8-9
22:14-15
28:10
5/73
11/74
11/77
*******
CAS JOURNAL FEATURED TOPICS
A Historical Perspective -- Carleen Hutchins
A History of Violin Research -- Carleen Hutchins
A Retrospective on Plate Tuning -- Carleen Hutchins
A Retrospective on Air and Wood Modes -- Carleen Hutchins
Erik V. Jansson - 60 years -- Anders Askenfelt and Johan Sundberg
Historical Instruments -- Jeff Loen
*******
39
4.1:3
4.1:4-26
4.1:27-100
4.3:12-61
4.5:11
4.7:22
5/00
5/00
5/00
5/01
5/02
5/03
CAS EVENTS
Concert at the 92nd St. Y, "Music in our Times", conducted by Henry Brant [see announcement 3:1 5/65]
F. A. Saunders Memorial Concert 3 June 1966
American Philosophical Society - Lecture/Concert - Nov 1968
CAS Technical Meeting, research report summaries, Montclair, NJ, 18-19 Nov 1972
NJ State Council on the Arts - Competition for Music for the Family of New Violins [announced in 19:4 5/73]
CAS International Symposium on Violin Acoustics, Mittenwald, West Germany, 15-19 July 1974
CAS Technical Conference, Montclair, NJ, 3-4 April 1976
ASTA Conference (concert), NJ, August 1976
CAS International Symposium on Violin Acoustics, Cambridge, England, 27 June - 1 July 1977
CAS 15th Anniversary Meeting, Montclair, NJ, 13 May 1978
CAS Cooperative Workshop on the Acoustics of Stringed Musical Instruments,
Wollongong, Australia, July 1980 -- reported by J. E. McLennan
The Cornish Institute Composer Competition for works for the New Violin Family,
Seattle, WA, 28 Feb 1982 [see announcement33:6 5/80]
CAS Conference, DeKalb, IL, 23-26 April 1982 -- reported by G. W. Caldersmith [see program page 2]
Concert of the Violin Octet at the Musik Museet, Stockholm, Sweden 29 July 1983
[see competition announcement 37:2 5/82]
Bertram Turetsky conducts concert of the Violin Octet -- ASA, San Diego, 1983
SMAC 83 -- Stockholm Musical Acoustics Conference, 28 July-1 August 1984 -reported by C. E. Gough [See also 40:2,3]
New England Conservatory of Music - Lecture/Concert of the Violin Octet - Boston, November 1984
CAS Hartford International Symposium on Musical Acoustics -- reported by M. L. Esty and E. L. R. Corliss
ASTA Convention Violin Octet Concert, Baltimore, MD, 8 March 1987 [see also 47:50 5/87]
MIT Violin Octet Concert, Cambridge, MA, 22 Feb, 1987
NJ Women's Project: Violin Octet Concert, Douglas College, New Brunswick, NJ, 18 March, 1987
CAS meeting, Seattle, 20 May 1988
The Metropolitan Museum of Art acquires the Violin Octet for its permanent collection of musical instruments
CAS International Symposium on Musical Acoustics, Mittenwald, West Germany,
19-22 August 1989 -- reported by O. E. Rodgers
CASA '91 Annapolis, MD 3-5 May 1991 reported by O. E. Rodgers; photos, abstracts
Guild of American Luthiers 13th National Convention & CAS Vermillion, SD
24-28 August 1992 -- reported by Edward L. Kottick & Alan Carruth; photos - Tim Olsen
ISMA '92 Tokyo, Japan 28 August - 1 September 1992 -- by T. D. Rossing; program, photos, and
reported by Neville Fletcher, abstracts See 2.3:22-34 5/93
SMAC '93 Stockholm, Sweden 28 July - 1 August 1993 reported by T. D. Rossing;
technical & concert programs, photos, abstracts
Joint Meeting of VSA-CAS Cromwell, CT 14-16 May 1993 reported by
Edith R. L. Corliss & William E. Slaby; program, abstracts, photos
Concerts by YoYo Ma playing Bartok Viola Concerto on Alto in Baltimore 4-5 March 1993;
SONY CD recording issued 20 Sept 1994 [Announced also in 2.3:38 5/93]
Tokyo Quartet Concert ASA Cambridge, MA, 6 June 1994:
"Old versus new instruments at Cambridge" reported by Norman C. Pickering
Concert Reviews: Tokyo Quartet - ASA Cambridge, MA, 6 June 1994 reprinted from the Boston Globe and The New York Times [See photos 2.7:33 5/95]
Violin Octet in Russia 2.7:38-41
Violin Octet Concerts in '95: Edinburg, Scotland; Provo, UT; Princeton, NJ; Portland, MN.
ISMA '95 Dourdan, France 2-6 July 1995 -- reported by O. E. Rodgers
Parallels in Creativity Symposium: Harvard University, Cambridge, MA21, October 1995 -- reviewed by N. Sturiale
Montclair Premier Performance of the Hutchins Violin Octet, Montclair, NJ, 3 March 1996 -reviewed by J. Smith, A. Reller, and D.D. Sasselov
ISMA '98 Leavenworth, WA 26 June - 1 July 1998
Carleen Maley Hutchins Medal: First Award to Carleen M. Hutchins June 1998
Octet Demonstration Concert at Mannes College 6 May 1998
The 1998 Gregory Sedukh Tour (Violin Octet Cocerts)
ISMA 2001, September, Perugia, Italy
VERNIX 2000, February, SanJuan, Puerto Rico
ISMA 2001, September, Perugia, Italy - Preliminary schedule of workshops and abstracts
ISMA 2001, September, Perugia, Ital y - report by Jeff Loen
ISMA 2002, December, Mexico City, Mexico - report by Knut Guettler
40
4:1
6:13
11:10-11
19:7
20:1
22:4-5,25
25:1,3
26:1
28:1-2,12
30:1-2,3
34:1
37:1
38:1
40:10-12
11/65
11/66
5/69
5/73
11/73
11/74
5/76
11/76
11/77
11/78
11/80
5/82
11/82
11/83
41:2
41:4-6
5/84
5/84
43:2
46:43
48:35
48:35
48:35
1.2:30
1.3:69
1.4:35
5/85
11/86
11/87
11/87
11/87
11/88
5/89
11/89
1.8:44-52
2.2:34-37
11/91
11/92
2.2:38-45
11/92
2.4:34-41
11/93
2.4:50-51
11/93
2.6:37
11/94
2.6:39
11/94
2.6:41-42
11/94
2.7:39-40
2.8:37
3.1:47-48
3.1:48
5/95
5/95
11/95
5/96
5/96
3.6:48-50
3.6:49
3.6:53
3.6:53-55
4.1:108
4.1:109
4.3:67-68
4.5:66
4.7:72
11/98
11/98
11/98
11/98
5/00
5/00
5/01
5/02
5/03
MISCELLANEOUS
CAS status report -- C. M. Hutchins
Science in Action -- California Academy of Science TV tape
Aims of the Catgut Acoustical Society, Inc. [refeatured in 4.1:14-15 5/00]
Violin Acoustics Symposium, ASA meeting, Philadelphia, 11 April 1969 -- reported by A. H. Benade
Violin Octet Photographs
A study of the Family of Violins at Missouri Valley College -- by L. B. King
Measurements and scaling factors for the Violin Family
Demonstration of New Violin Family instruments -- Michael Haran
Editorial: On the 'no policy' policy for submissions to the CAS Newsletter
Some pre-history of the Catgut Acoustical Society -- by R. E. Fryxell
Fifth Wieniawski Violin Making Competition, Poznan, Poland, July 1977 -- reported by J. Karon
Camillo Sivori's biography -- reprinted from the Violin Times, 15 March 1894
Report on Savart's experiments -- reprinted from The Penny Magazine, 30 June 1838
Announcements of AAAS Symposium on Science and Music [see also 41:15 5/84]
Report on The Association of Polish Violin Makers Artists (ZPAL)
XIII International Viola Congress, Boston, June 1985
Helen Rice Memorial Music Collection
Recording session by Jim Metzner for "Sounds of Science"
ASA New Orleans, LA 31 Oct - 4 Nov 1992; abstracts re L. Cremer
Journal Editor in France. Spring 1993 - Daniel W. Haines
The Stewart's visit to Edinburgh June 1993 - Robert L. Stewart
Virginia Apgar commemorative US postal stamp dedicated 24 Oct 1994
Tributes to Elizabeth McGilvray upon her retirement
Web site links to related organizations
Bibliography of Carleen M. Hutchins
The New Violin Family Association, Inc. -- report 1
Norman C. Pickering, recipient of Carleen Maley Hutchins Medallion
From the edtors: A Next Step in the Advancement of Violinmaking:
Announcing the CAS Tone-Wood Study Group -- G.T. Alf
CAS Member Publications -- No 1
The New Violin Family Association, Inc. -- report 2
A Tribute to John Schelling by Carleen M. Hutchins
The New Violin Family Association, Inc. -- report 3
CAS Member Publications -- No 2
New CAS Editor: Jeff Loen by A. Thomas King
Dr. Herman Medwin, ASA Gold Medal
Q & A; Foam for composite soundboards
Related web pages
.
Gabriel Weinreich, recipient of the Carleen Maley Hutchins medal
tributes by Carleen Maley Hutchins, Joseph Curtin, and Xavier Boutillon
Research briefs: von Bolen, Loen & King, Topham, Sirr & Waddle, Giussto & Tronchin
CAS Distinguished Service Award to Joan E Miller
Results of CASJ readers' survey by Jeff Loen, ed.
Research briefs: Woodhouse, Brown, Jansson, Tinnsten, Schumacher
Research briefs: Loos, Stainer exhibition, Jansson, Harris
Letter from the President, Julius J. VandeKopple
Reflections on the Catgut Acoustical Society -- D. W. Haines, Roger Hanson
Research briefs: CAS archives, Voskuil
*******
Argument with a concert violinist -- Poem by J. A. McMillan
Acoustics -- Poem by J. A. McMillan
Lines to a Suspicious Customs Officer, Meeting an Unusual Pig -- Poem by B. W. Robinson
Fiddler's Ghost -- reprinted from Strings Magazine August 1894
Maxims for Musical Students -- reprinted from Strings Magazine February 1895
The saga of the pig, Susie Snowwhite
*******
41
1:1-7
1:5
3:2-3
11:4-8
14:6-7
21:8
22:26
25:12
26:30
29:7-8
29:13
37:4-6
37:24
39:2
40:5
44:1
44:5
45:1
2.3:34-35
2.4:31
2.4:31
2.6:37
3.8:4-6
3.8:53-55
4.1:100-1
4.1:104-7
4.2:3
4.2:8
5/64
5/64
5/65
5/69
11/70
5/74
11/74
5/76
11/76
5/78
5/78
5/82
5/82
5/83
11/83
11/85
11/85
5/86
5/93
11/93
11/93
11/94
11/99
11/99
5/00
5/00
11/00
11/00
4.2:63
4.2:66-68
4.3:10-11
4.3:66
4.3:69
4.3:71
4.4:3
4.4:53
4.4:56-57
4.6:3-4
11/00
11/00
5/01
5/01
5/01
5/01
11/01
11/01
11/01
11/02
4.6:73
4.7:3
4.7:8-11
4.7:68-69
4.8:72-74
5.1:3
5.1:31
5.1:32-34
11/02
5/03
5/03
5/03
11/03
5/04
5/04
5/04
1.3:76
1.4:32
48:37
40:31
44:33
34:3
5/89
11/89
11/87
11/83
11/85
11/80
OBITUARIES
John A. Abbott -- tribute by Carleen M. Hutchins
W. D. Allen
Virginia Apgar
Hammond Ashley -- tributes by Carleen M. Hutchins and Peggy Warren
John Backus -- tribute by Carleen M. Hutchins
Felix Bandi
Mehdi Barkeshli
Harriet M. Bartlett -- tribute by Carleen M. Hutchins
Benjamin Bauer
Arthur H. Benade -- tribute by Carleen M. Hutchins
Nicholas Bessaraboff
Benjamin Bladier
Donald Blatter -- tribute by G. R. McDonald
George M. Boal
Paul C. Boomsliter -- tribute by Carleen M. Hutchins
Lawrence Brullo
L. Joseph Butterfield -- tribute by D. Quincy Whitney and Carleen M. Hutchins
Nicholas Cambourakis
Marvin Camras
William Carboni
Siang Ho Chang
Alice Cobb
Louis Condax -- tributes by R. E. Fryxell & Carleen M. Hutchins
Warren Creel -- tribute by Paul & Pat Boomsliter
Lothar Cremer -- tribute by Carleen M. Hutchins
G. S. Cromarty
Keith Doerr -- tribute by Carleen M. Hutchins
Raymond S. Doerr -- tribute by Carleen M. Hutchins
Paul Doktor
Louis Dunham -- tribute by Carleen M. Hutchins
Broadus Erle -- tribute by Carleen M. Hutchins
H. J. K. Eskes -- tribute by T. D. Rossing
Donald Atkinson Fletcher -- tribute by Carleen M. Hutchins
Harvey Fletcher -- tribute by M. V. Mathews
Sidney Fox -- tributes by Daniel W. Haines, Oliver Rodgers,
Joan E. Miller, and Carleen M. Hutchins
Robert Edward Fryxell -- tribute by R. M. Meyer
W. Sterling Gorill -- tribute by Norman C. Pickering
Dr. Richard Childers -- tribute by Daniel Haines
Harry Hepburn Hall
A. Stewart Hegeman -- tribute by Carleen M. Hutchins
Mary White Hinckley
Irwin D. Hoffman -- tribute by Carleen M. Hutchins
Pauline Holbert
Sterling Hunkins
L. Stanley James
Floyd W. Johnson
John Godschall Johnson -- tribute by Carleen M. Hutchins
Ellis Kellert
Maxwell Kimball
William Kroll
Emile Leipp
R. Bruce Lindsay -- tribute by A. H. Benade
Professor Dr Werner Lottermoser
David Mankovitz
Dugald McGilvray -- tribute by Morton & Carleen Hutchins
Rustin McIntosh -- tribute by Ruth McGregor
Hermann Meinel
Yehudi Lord Menuhin -- tribute by Carleen M. Hutchins
Arthur Methot -- tribute by Carleen M. Hutchins
Henry Allen Moe -- tribute by K. Smith
Herbert M. Neustadt -- tribute by Carleen M. Hutchins
John W. Olds
Frank W. Phillips
Orville L. Polly
Quincy Porter
42
1.6:46
2.8:48
22:1-2
2.4:55-56
1.3:74
2.8:48
1.4:51
47:50
31:32
48:3
21:3
45:2
19:8
3.3:51
1.5:48
2.8:48
3.8:45
14:3
2.8:48
45:3
2.7:51
30:6
16:4-6
1.4:51
1.7:48
2.7:51
2.7:51
3.5:49
1.4:51
39:1
28:19
46:44
29:2
36:4
2.5:39-40
11/90
11/95
11/74
11/93
5/89
11/95
11/89
5/87
5/79
11/87
5/74
5/86
5/73
5/97
5/90
11/95
11/99
11/70
11/95
5/86
5/95
11/78
11/71
11/89
5/91
5/95
5/95
5/98
11/89
5/83
11/77
11/86
5/78
11/81
5/94
47:3
2.7:51
4.1:109
45:2
46:44
27:1
1.3:74
18:4
8:1
2.7:51
2.7:51
4.8:76
9:3
6:4
33:6
45:3
43:1
3.4:56
18:4
1.4:52
45:2
27:1
3.7:43
47:52
25:2
3.5:50
40:5
3.4:56
16:10
7:1
5/87
5/95
5/00
5/86
11/86
5/77
5/89
11/72
11/67
5/95
5/95
11/03
5/68
11/66
5/80
5/86
5/85
11/97
11/72
11/89
5/86
5/77
5/99
5/87
5/76
5/98
11/83
11/97
11/71
5/67
William Primrose -- tribute by D. Dalton
Chandrasekara Venkata Raman -- tribute by A. H. Benade
Otto Reder
Helen Rice
Helen Rice -- tributes by Carleen M. Hutchins, S.P. Hayes, Bernard W. Robinson,
Eunice Wheeler, and Rustin McIntosh
Kenneth T. Rice
Marie Riggenbach -- tribute by Carleen M. Hutchins
Bernard Wheeler Robinson -- tribute by Maurice Hancock
Martha Baird Rockefeller
Ernst Rohloff -- tribute by Carleen M. Hutchins
Jay C. Rosenfeld
Fernando Sacconi -- tribute by Carleen M. Hutchins
Margaret Tucker Saunders
William R. Savage [see erratum 1.3:73 5/89] -- tribute by Carleen M. Hutchins
Eleanor Schelleng
John C. Schelleng
John C. Schelleng -- tributes by R. H. Scanlan, G. Bissinger, and D. W. Haines
Henry S. Shaw
Eugen J. Skudrzyk -- tribute by Carleen M. Hutchins
William Slaby -- tribute by Carleen M. Hutchins
Thomas W. W. Stewart
Leopold Stokowski -- tribute by Carleen M. Hutchins
David Strahle
Walter Sullivan
Martha Taylor -- tribute by Carleen M. Hutchins
Per-Arne Tove
W. James Trott -- tribute by Carleen M. Hutchins
Herbert Ueltz
Howard Van Sickle
W. H. Van Zoest
Paul S. Veneklasen
Harry Sebastian Wake -- tributes by Carleen M. Hutchins and Leonard Showalter
Robert Wallace
Harold Weaver
Harold Weaver
Eunice Wheeler -- tribute by Carleen M. Hutchins
Boris A. Yankovskii
Dr. Paul Krikorian
Dimitry Markevitch -- tribute by Carleen M. Hutchins
John T. Randerson -- tribute by Carleen M. Hutchins
Charles Taylor -- tribute by Bernard E. Richardson
38:7
15:1-2
30:6
34:2
34:3-6
11/82
5/71
11/78
11/80
11/80
2.8:48
29:2
3.4:56
15:4
39:1
24:28
20:2
24:1
1.2:36
15:13
33:1-2
33:2-4
7:1
1.5:48
4.8:76
47:50
28:19
34:27
3.2:59
2.2:48
1.2:36
1.8:56
44:3
32:11
24:1
3.2:59
3.5:49
13:2
25:28
26:3
37:3
30:3
4.4:3
4.5:3
4.5:3
4.5:4
11/95
5/78
11/97
5/71
5/83
11/75
11/73
11/75
11/88
5/71
5/80
5/80
5/67
5/90
11/03
5/87
11/77
11/80
11/96
11/92
11/88
11/91
11/85
11/79
11/75
11/96
5/98
5/70
5/76
11/76
5/82
11/78
11/01
5/02
5/02
5/02
Final Edition (4.0) - JEM 5/15/04
43