Preparing for Socratic Seminars
Socrates (470-399 B.C), a Greek philosopher, was convinced that the surest way
to attain reliable knowledge was through the practice of disciplined
conversation. He called this method dialectic, meaning the art or practice of
examining opinions or ideas logically, often by the method of question
and answer, so as to determine their validity.
Participants in a Socratic seminar respond to one another with respect by
carefully listening instead of interrupting. They are encouraged to
paraphrase essential elements of another’s ideas before responding, either
in support of or in disagreement. Members of the dialogue look each other
in the eyes and use each other’s names. They also raise their hands to be
called on, and wait for the moderator to acknowledge them before
speaking.
Participant Preparations – What to do before coming to a Socratic
seminar:
I. Read the text thoroughly, marking or using Post-it notes to highlight key passages
II. Familiarize yourself with unique vocabulary
III. Brainstorm themes and ideas relevant to the text
IV. Brainstorm character traits of key figures in the text
V. Create five questions
Before you come to class, please read the assigned text and write FIVE questions – one from each of
the five categories explained below. Examples are based on Ender’s Game by Orson Scott Card.

CLOSE-ENDED QUESTION: A question that will help everyone come to agreement about the
events or characters in the text. This question usually has a correct answer. Example: Why is Ender
considered “a third?”

OPEN-ENDED QUESTION: An insightful question that requires proof, insights, and group
discussion to discover or explore the answer. Example: Why does Ender feel sympathy toward the
Buggers?

WORLD CONNECTION QUESTION: A question that connects the text to the real world.
Example: Would it be possible for students today to have similar influence on local, national, or
world events via the Internet as Peter and Valentine had as “Locke” and “Demosthenes?”

UNIVERSAL THEME/CORE QUESTION: A question that deals with a theme or themes of the text
that will encourage group discussion about its universality. Example: What do you think needs to
happen for the human race to unite and end war?

LITERARY ANALYSIS QUESTION: A question about the author’s style, and how he or she uses
literary techniques (word choice, dialogue, description, characterization, setting, symbols, plot, point
of view, etc) in the story. Example: How does Orson Scott Card use point of view to allow his
reader to know what Ender is thinking, and also what others think of him?
How I conduct the Socratic seminar
1) Students bring five seminar questions to class. They show them to me and receive a
Socratic seminar “pass” – a small picture of Socrates that serves as their admission ticket.
2) A student moderator is selected. The moderator will call on those who raise their hands
to ask questions or respond to others’ comments. The moderator is tasked with keeping
order and ensuring that only those who raise their hand to speak, speak.
The moderator also encourages students to further the discussion and build on others’
responses. The moderator encourages students to paraphrase others’ ideas. When no
students raise their hands to further discussion on a particular topic, the moderator then
says, “OK, who has a new question?”
3) As teacher, I sit at the back and do not speak or react to students’ comments (as best I
can). The idea is that this is their space, their forum, their expression. Sometimes I’ll
prompt the moderator to call on a student if the moderator misses a volunteer, or I’ll
encourage the moderator to prompt students to further develop or explore an idea, but
overall, I do my best not to say anything.
4) In my gradebook I create three columns. One for “asked initial question,” another for
“provided an initial response,” and a third for “secondary or tertiary response.” These are
the three grading categories I use. My goal is for all students to earn a “check,” which
means they asked two questions, were the first to respond to two questions, and built on
two other students’ responses.
Seminar
After all students have read the text, the discussion will begin. Students will alternate into
the role of leader, and each student is expected to contribute to the discussion with at
least one response, one question, and one detail from the text.
Focus Questions:
Who is responsible for Coyotito's death? Why?
What do the visions in the pearl show has happened to Kino?
Why do Kino and Juana throw the pearl away?
Post-Seminar
In writing, respond to the following set of questions:
- What is the most important theme in this story? Describe at least three different
instances of the theme, and how it transforms the character, setting, or plot.
- What lesson do you think this theme is meant to teach? Do you agree with the point of
view offered by the author?
- What are the positive and negative consequences of how your selected theme played out
in The Pearl?
# Kino throws away the world’s most valuable pearl. Smart decision? Poor decision?
Right decision?
# If this book critiques capitalism and the American Dream, why is it set in colonial
Mexico?
# Why are the intruders, attackers, and trackers in the book faceless?
# When Kino and Juana return to La Paz, it is described as "an event that happened to
everyone." Everyone in the novel, or everyone in the world? How is this possible?
# Kino and Juana are "removed from human experience" upon their return to La Paz.
What does this mean? Were they removed by their experience of pain, or did they choose
to remove themselves as a recourse to their pain?
# To what degree is The Pearl realistic? Where does the realism falter and where does it
ring true?
1. Everyone seems to suffer from greed and selfish motives in The Pearl. Does that
make them evil? If all the neighbors, doctors, priests, buyers, trackers, townsfolk are
"bad," then how can we blame them for having what seem to be universal human traits?
2. Is the pearl itself good, evil, or neither?
3. Does good or evil triumph at the end of The Pearl?
1. Is the natural world an enemy or a friend to Kino?
2. How does Kino’s relationship with the natural world change over the course of the
novel?