Lesson Plan: “Wingfoot Lake” by Rita Dove Grade Level: 9th grade Duration of Lesson: 90 minutes Purpose: The poem “Wingfoot Lake” by Rita Dove expresses an elderly African-American woman’s perspective on how her concept of identity fits within an evolving context of national African-American identity. This poem exemplifies to students one expression of historical and contemporary racial issues. By examining this poem as a comment on racial diversity in America, students will explore their personal interactions with larger social-cultural concerns. Objective: Students will discuss “Wingfoot Lake” as an expression of cultural diversity, relevant to issues of personal and racial identities. Resources: Copy of “Wingfoot Lake” from Rita Dove’s book Thomas and Beulah. Dove, R. (1986). Thomas and Beulah. Pittsburgh, PA: Carnegie Mellon University Press. Copy of the teacher-prepared questions for group discussions Whiteboard with colored markers (several different colors are ideal), or acetate paper with colored markers. Materials: Copy of poem Copies of questions distributed to groups Something to record opening lines of student-generated poems (paper and pen, laptop, printout from Smart Board, etc) Biographical information on Rita Dove, to include as a handout to students (possibly on the back of the group discussion questions), or for a “Plan B” scenario in which class discussion lags considerably Lesson: I. Introduction The day before the lesson, announce that the class will apply to poetry some of the literary analysis techniques they have already learned. Tell them that, for this poem, the objective is to understand the meaning of the poem and see how individual readers respond to that meaning. Distribute the poem and ask them to read it before class. Remind them that re-reading poetry is sometimes necessary to get a clear understanding. Suggest that they look for how Rita Dove uses the elements of literature, such as point of view, tone, and imagery, to communicate her meaning. Remind them that they have mastered these skills in other forms of literature, and they will be able to understand this poem as well. II. Body of Lesson Lee Hayes EDU 610 On the day of the lesson, write the following question on the white board: “How does the subtitle, ‘Independence Day, 1964,’ relate to the various meanings in poem?” When class begins, have students free write for 5 minutes on that prompt. After the exercise, discuss the students’ responses as a class for approximately 10 minutes. Have two volunteers record the responses to “Independence Day” and “1964” on separate sides of the white board. This discussion will ensure that all students have a basic understanding of the poem. It will establish the significance of the date to the speaker, as it is the 10-year anniversary of her husband’s death. Class brainstorming on “Independence Day” and “1964” should also relate the poem to American ideas of freedom and historical civil rights events. Divide the class into groups of 4-5 students. Assign students to groups to create as much diversity—racial, ethnic, social—as possible. Determine how you will assign students prior to class, so this does not take up much class time. Assign each group a number so they will know which questions to answer. Ask the groups to elect a recorder who will be able to summarize the discussion and present the group’s conclusions to the class. Explain that each group will discuss and respond to two questions. Tell them that they will then imagine how they would convey their group’s discussion in an original poem. The original poem should address issues of personal experience and diversity, as Rita Dove does in “Wingfoot Lake.” Each group will create a title and subtitle for the poem they imagined. Emphasize that their poems do not have to be on African-American identity or American history, but can be about any experience their group finds relevant. Pass out the questions and remind groups of their numbers. The instructions are also on the question sheets. The questions are as follows: 1. a. What has been the speaker’s feelings about swimming pools? Why? b. Have you felt similarly about a location? Where was it? Why did you feel that way? 2. a. What is the relationship between the Goodyear symbol and the themes of the poem? b. With what corporations are you most familiar? What kind of cultural influence do they have? How would you define their values? 3. a. What references to the past does Dove include? What is the speaker’s attitude to the past? b. What do you think you would be like if you were the speaker’s age (born in 1904)? What kinds of roles would you have filled in American society? How are you different because you were born in the late 20th century? 4. a. What does the speaker feel about Africa? What does she feel about being “Afro-American?” b. What do you feel is your heritage? How is this important, or not important, to you? How do you show it? 5. a. To what is Dove referring in the line, “a crow’s wing moved slowly through / the white streets of government?” How does this event affect the speaker? b. What historical events can students your age remember? How do these memories characterize your “generation?” 2 Lee Hayes EDU 610 6. a. Track the images of swimming and water throughout the poem. How does this motif change? What does it mean? b. What are some of the most striking images (from magazines, newspapers, television, film, etc.) dealing with diversity? Are there any similarities? What are the differences? Give the students 20 minutes to discuss. When 10 minutes and 5 minutes are remaining, remind them to write their poem titles. When time is up, have reporters from each group write their titles on the board. After all titles are written, ask each reporter to explain how their group’s discussion inspired the title. Open the floor for discussion and invite the students to ask questions of the individual groups. III. Conclusion Ask students if they have any additional questions about the poem. Select 3-4 students to clarify one point made about the poem or about identity. Select another student to summarize those points. Tell the class that these topics will become themes of their original poems, reiterating the concept of “theme” in poetry. Give the assignment instructions. Assessment: Students will choose one of titles and subtitles from the groups. It can be their own group’s title or a title from another group. Each student will compose a poem of at least 10 lines that would match the title he or she chooses. Students can use the report of the topics that inspired the title, or they may decide to create a different meaning. The poems should explore some of the themes from the lesson. These may include How personal experiences are shaped by culture, race, and history How people define their identities, and how that compares with the ways other people see them What cultural heritage means and how it is expressed What injustices have existed in America, and what injustices currently exist How memories are connected to society, history, and identity What influences individuals today—family, media, work, corporations, etc. Evaluation: The lesson will be successful if students begin to have a dialogue about the issues of race, identity, and inequality that are in “Wingfoot Lake.” As they discuss in small groups, the teacher should walk from group to group to see that the students are engaged in the discussion, to ensure that all voices are heard, and to diffuse potentially hostile situations. The lesson will be successful if the students are able to connect a discussion of a poem to a discussion of society, thus increasing their awareness that poetry is relevant. Plan B If students lack a basic understanding of the poem, divide the class into eight groups of a Poetry Circle (adapted from Online Poetry Classroom): 1. Language: This group will examine the diction of the poem, examining why Dove chose the words she used. 3 Lee Hayes EDU 610 2. Imagery: This group will identify images in the poem and explain their significance. 3. Structure: This group will look at the structure of the poem, including line breaks, stanzas, rhyme, and meter. Illustrator: This group will sketch key scenes from the poem. Plot: This group will explain the narrative line of the poem. Speaker: This group will identify and explain the speaker and the tone. Performing Troupe: This group will perform a dramatic reading or act out the poem. 8. Interpreter: This group will identify figurative language (similes, metaphors, etc) and explain their significance. After small group discussions, have each group teach the class what they learned. Then, have the class as a whole raise questions about the poem. 4. 5. 6. 7. References: Dove, R. (1986). “Wingfoot Lake.” In Thomas and Beulah (pp. 72-73). Pittsburgh, PA: Carnegie Mellon University Press. Online Poetry Classroom. (n.d.). Poetry circle method and rules. Retrieved June 25, 2003, from http://www.onlinepoetryclassroom.org 4