CURTIN CREATIVE QUARTER CONCEPT PL A N R E P O RT Curtin University Bentley Campus Contents Team Credits Matthews and Scavalli Architects suite 3/781 Canning Hwy po box 313 Applecross 6953 p 9316 0531 e info@mandsarchitects.com.au w w w w. m a n d s a r c h i t e c t s . c o m . a u Place Laboratory 3 / 1 2 0 La k e S t r e e t F r e m a n t l e N o r t h b r i d g e WA 6 0 0 3 p 9227 9313 e o u r p l a c e @ p l a c e l a b o r a t o r y. c o m w w w w. p l a c e l a b o r a t o r y. c o m Placematch Lv l 1 , 2 1 An g o v e S t r e e t N o r t h Pe r t h WA 6 0 0 6 p 9468 2014 e info@placematch.net.au w w w w. p l a c e m a t c h . n e t . a u R a l p h B e a t t i e B o s w o r t h P t y. L t d . c o n s t r u c t i o n C o s t Co n s u l t a n t s Le v e l 3 , 1 2 K i n g s P a r k R d We s t P e r t h WA p 9321 2777 f 9481 1783 e info@rbb.com.au w w w w. r b b . c o m . a u Curtin University B e n t l e y Ca m p u s Kent Street, Bentley P e r t h WA 6102 p 9266 9266 f 9266 3131 w w w w. c u r t i n . e d u . a u Introduction and Overview 5 Stakeholder Engagement 6 creative quarter diagrams concept- movement and zones e v e n t s pa c e s activity nodes s h e lt e r e d a r e a s 8 8 9 10 11 creative quarter desti nation s 01 M a i n H u b a n d C a n o p y 02 C a f e / B i k e w o r k s h o p / O u t d o o r S e at i n g 03 O u t d o o r P l ay A r e a 04 O u t d o o r G a l l e r y / E x h i b i t i o n S pa c e 05 O u t d o o r C l a s s r o o m 06 P i n e T r e e s A n d T u r f 07 P e d e s t r i a n A c c e s s a n d R o u t e / L i n k 08 D i g i ta l C o m m o n R o o m 09 G r e e n T o w e r s 10 O u t d o o r S t u d y A r e a 12 14 16 18 20 22 24 26 28 30 32 sections Section Section 34 34 35 ( a a ) ( b b ) through classroom through canopy Technical Consi derations T r e e R o o t C o n s i d e r at i o n Fire Services Access 36 36 37 procurement-STAGE ONE Plan Cost plan Deliverables 38 38 39 39 Programme 41 I n t r o d u c ti o n and O verview The Design The Curtin Place Activation Plan 2012 seeks to utilise a place-led approach to the Opportunities for formal (learning / events) and informal gatherings have been designed overall campus revitalisation and relies on the concept of strengthening key parts alongside play areas, a new café / bar and associate bike pod and shopfront gallery. The to improve the whole. As outlined in the introduction of the document it is not large expanse of turfed area and associated pine trees is retained and strengthened. The just a beautification or a schedule of physical change, it is a careful consideration space is further formalised by the design of a series of covered links around three sides of a variety of destinations, attractions and activities, which may be physical, of the green space creating a new cloister as a backdrop to the space. A large, super- spatial or programmatic. scaled canopy links the main body of the space to the eastern portion of the site. The canopy unifies the site and implies a new space beneath it consisting of a large ‘main As identified within the Place Activation Plan study in 2012 – Speakers Corner is hub’ for gathering associated to Building 208 and a café and bar area towards the east. the heart of the Creative Quarter and the hub of arts and communication. The The canopy allows for the inclusion of significant trees within the space by incorporating vision proposed at the time was to bring creativity out from behind the walls of them into the architecture. the buildings and into the public realm. Key Design Strategies: • Opportunities for people to sit, lean, recreate, lie, eat, talk, sleep, learn, imagine. • Retention and strengthening of the existing green space • The provision of a covered link between Buildings 209 and 208 • A large elevated gathering space – The Main Hub. To promote outdoor learning, connectivity and gatherings of various scales • A designated outdoor classroom that can be used in formal (programmed) and informal (un-programmed) ways The design team sought to develop the concept further through design workshops, • A food and beverage precinct within the overall site as a designated eating zone collaborative meetings with Curtin and detailed stakeholder engagement, focussing on both the immediate users and the broader ‘tidal’ population. The • A large canopy structure linking the main hub with the eating zone acting as distinct nodal point to the Corso as it changes direction concept plan and associated indicative uses was further scrutinised and refined during the schematic design process. The result is a proposal that seeks continuity through the design language while still clearly identifying clear individual parts within the whole. The connection between the various elements builds upon the current movement paths and orchestrates additional ‘theatre-of-use’ within each part and the connection with the greater whole. Stakeholder engagement has allowed the opportunity for a further layer to the design approach by addressing particular student and staff comments. 27 JUNE 2013 C R EAT I V E Q UA RT E R CO N C EPT REPORT 5 S ta k e h o l d e r Engagement • Design the outdoor learning space to be an informal collection of smaller Creative Quarter Stakeholder Engagement was delivered throughout May 2013. The engagement communal work spaces. Infrastructure that supports the learning environment approach was targeted to ensure stakeholder inputs and directions can support a relevant design should be incorporated, including plug in points and seating with places to balance response as crafted by those who will use the space, delivering an outcome that is loved and a laptop, tablet and books. Access to digital technology should be considered, as utilised by the ‘Creative Quarter Community’. should the inclusion of blackboard space. The Stakeholder Engagement approach predominantly focussed on staff and students of faculties • Ensure the space is well shaded and sheltered and is distinct from surrounding immediately adjacent to the Creative Quarter, who are anticipated to be the primary users of the spaces to enable it to be closed off and seen to be occupied when required. space. The objectives were to: • Create a high level of awareness, understanding, engagement and empowerment 2. Transition WiFi Lounge concept to common room / activity based amongst target audiences learning model: • Secure genuine and representative stakeholder input and ensure aspirations and Consultation revealed that students were comfortable with the WiFi network currently provided ideas are considered and reflected in the Creative Quarter re-development options across campus and recommended the ‘WiFi lounge’ transition into a common room / activity based • Provide opportunities for effective input into the development of the Creative Quarter by identified stakeholders learning space similar to environments provided in large companies such as Google. Several gaps • Manage stakeholder expectations and effectively address any issues/concerns in in current facilities were identified through consultation that would ideally be addressed in this a timely and responsive manner space, including access to printers; bookable meeting spaces; storage lockers; moveable furniture; • Ensure stakeholders who participate in the engagement process are ‘kept in the and, plug in points to recharge laptops, mobile phones etc. Key strategies and design directions loop’ regarding project progress. include: The stakeholder engagement findings have been outlined below, along with priorities that have • Based in the proposed existing location, the indoor and proposed outdoor spaces been identified for the design team to respond, that will then set the strategic direction for the should be cohesive to encourage passive use. design and development of the Creative Quarter. The following priorities can be drawn from the • Provide an area dedicated to printing and layout with a small number of computers. engagement completed to date: • Consider including 2-3 small meeting rooms that can be booked by students for group work or for those involved Guild Groups and fundraising activities. 1. Informal outdoor learning and teaching environments • Install a number of lockers that can be assigned to Guild groups to store materials were supported by all stakeholders particularly those that would facilitate group work and adjacent to meeting spaces. tutorial style sessions. The key to this type of space will be to ensure that it’s flexible • Consider additional facilities, including a small kitchenette and break out area that could also be used for seminars, training and conference sessions. and comfortable enough to support a range of uses and appropriately located to minimise • Provide bike racks nearby for ease of access and passive surveillance. distractions. Key strategies and design directions include: 6 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 3. Incorporate digital technology: Considering the synergies identified between schools and faculties within the Creative A number of additional opportunities were raised that should be considered and incorporated Quarter precinct, investing in projection/digital technology that can support and provide into the current design response: exposure for students and staff is highly supported. Key strategies and design directions include: Comfort: Making people feel welcome and comfortable within the Creative Quarter will be crucial to its • Include digital and related technology into the space as an important asset to showcase the work of surrounding faculties and encourage participation / knowledge sharing. • Consider incorporating technology into the proposed built form of the café, where success and activation. Flexibility and choices in where students sit will encourage people to use the space in a variety of different ways. Ensure that the precinct provides spaces that provide deep shade in heat, access to warmth of the sun in winter and rain protection during the winter. its relationship to proposed surrounding uses ensures it can be utilised for events Conferences and Networking events: and exhibitions. Consider this additional user group, who will likely utilise the space and facilities outside of regular semester times. Gallery Space: 4. Food and Beverage as an activity anchor: Provision of gallery space was strongly supported and will be an important use and activity generator Delivering an additional campus food and beverage use within the space was supported by all for the space. Ideally this space would be associated with the café, either co-located or nearby. stakeholders, as was the provision to extend to a small bar. It was also noted that this use could Engage key faculties in design process: be leveraged for networking functions and special events. Key strategies and design directions The School of Art and School of Engineering have been exploring opportunities for collaboration include: on art pieces/sculpture. This opportunity should be encouraged through the allocation of a specific piece to them to deliver in collaboration with the design team. • Build on the temporary / pop up theme for the food and beverage use ensuring its design is fun, colourful and captivating. • The structure could be a contributing a piece of public art to the precinct itself. • Incorporate gallery space (or secure hanging space) for students to utilise for exhibitions and events. • Consider inclusion of additional flexible and ‘hireable’ space that could be incorporated within the building footprint and respond to need for quality eventing/ networking spaces on campus. Performance space: Considering proximity to performing arts and film and media students, incorporating a stage/ podium space is recommended, ideally located adjacent to the café, where eventing opportunities can be maximised. Supply appropriate access to power and additional infrastructure. Games and recreation: Incidental activity such as those provided by ping pong and foosball tables, will inject a sense of fun and vibrancy to the area. Incorporate additional bike racks in a visible location. 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 7 c r e ati v e q u a rter di agram s 8 concept- movement and zones 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT e v e n t s pa c e s 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 9 activity nodes 10 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT s h e lt e r e d a r e a s 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 11 c r e ati v e q u arter dest inat ion s 01 Main Hub • Outdoor Gathering space for individual and group work. • Outdoor lounge and relaxation space with feature elements and movable outdoor furniture. • Adaptable spaces for events and study. 02 Cafe • Cafe kiosk/ small bar/ bike pod facility with outdoor seating and conection to outdoor play area and main hub. • Spill out space for events and functions. 03 Outdoor Play Area • Fixed outdoor game faciltiy for active and passive play. • Outdoor basketball court/ bocce courts/ adaptable outdoor space for performances and events/ functions. • Stage area for events and functions. 04 Gallery • Exhibition space for students work with visual link to cafe. 05 Outdoor Classroom • Shaded outdoor class facility with seating elements for individual and group uses. 06 Pine Trees and Turf • Play elements including hammocks. • Shaded informal seating area with fixed and movable furniture for individual and groups 07 Pedestrian Access Route/Link • Shade and Shelter and casual seating. 08 Proposed Digital Common Room 09 Outdoor Study Area 10 Green Towers • Begins to indentify and create space for gathering 12 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 01 M a i n H u b and Canopy Acting primarily as a new forecourt to Building 208 the elevated deck area provides a place to meet, discuss, perform, lounge and connect. Originally envisioned as an outdoor extension of the proposed Digital Common Room working with the concept of drawing the activity out from the walls within Building 208 the space has evolved to have its own identity and provide a focus within the overall proposal. Four existing pine trees are included within the overhead canopy structure. The inclusion of the trees within the design and structure will create a unique space in contrast to the open nature of the grassed area alongside the canopy to the north. KEY DESIGN STRATEGIES • The canopy is imagined as a fine steel framework suspending ‘tree-rooms’ within it • The canopy provides a unifying structure bridging the west and east portions of the site • Areas of shade and cover to be integrated within the canopy structure • An elevated deck as a platform for gathering • Provision of various scales of inhabitation / use. Seats, tables, ledges for laptops etc. OPPORTUNITIES CONSTRAINTS • Level changes to be used to the advantage of the design to create interest • The canopy structure demarcates a zone below it for activity 14 27 JUNE 2013 • Existing Pine trees and associated root structure presents a significant coordination issue primarily with the structure of both the canopy and decking system • Extent of paving areas are to be controlled to ensure minimum impact to existing ground level conditions and tree root extent C R EAT I V E Q UA RT E R CO NCEPT REPORT STAKEHOLDER ENGAGEMENT FINDINGS • To make people feel welcome and comfortable in the creative quarter • Flexibility as a core element of the outdoor space. • Consider the need for users to seek shade when its hot, shelter when it rains or access to sunlight when its cool. 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 15 02 C a f e / B i k e workshop/ O u t d o o r S e at i n g A new café structure is proposed under the canopy to the east portion of the site. The café structure is imagined as part of the canopy, grounded into the landscape and contained within its walls part of the necessary structure required for the canopy. The building is proposed to be an identifiable marker within the landscape ensuring it is visible and read from all sides. It is designed to become the focus of the food and beverage zone of the site. KEY DESIGN STRATEGIES • Incorporate within the shell of the café a bike workshop component • Flexibility in internal planning allowing the interior to spill into the landscape • Consideration given to the immediate space around the café to include areas of external shaded space as well as access to sunlight OPPORTUNITIES CONSTRAINTS • The ability of the café building to act as a key focus within the food and beverage precinct OPPORTUNITIES of the site allowing for day to day activities as well as accommodating specific event based activities such as performances, sun-downers or small concerts • Toilet access. Initial advice suggests the existing facilitiesCONSTRAINTS suit the purposes of a café, but should the venue be licenced then on site toilets must be provided depending on the leasing and licencing structure. • In its association with the small gallery space the café can be used in conjunction with arts based events • The extent of the fit-out requires further input from all parties to determine what is delivered and expended • Through the use of the bike workshop component the café automatically attracts a degree of bike-culture oriented use. • An opportunity to host ‘bike-events’ to both encourage cycling to the campus and create a network of like minded individuals • Provision of suitable event space for use by staff, students and others 16 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT STAKEHOLDER ENGAGEMENT FINDINGS • A small bar was generally strongly supported throughout staff and students • A dynamic, functional, openable space • Consideration to be given to the potential for utilizing the café / bar for networking events between students and the external professions • A cycling workshop was supported 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 17 03 O u t d o o r P l ay A r e a The design team recognised the opportunity to provide open areas of play that could be further used for event type spaces such as gatherings and performances. An open grassed area, fixed ping pong table and a halfcourt basketball have been incorporated into the eastern end of the site. The open nature of the basketball court could facilitate gatherings associated to specific arts events or the wider bike community. The play area has been purposefully pulled away from the more study oriented areas of the design. A small stage has been incorporated into the eastern end of the canopy. The elevated platform could provide additional seating areas or performance space. KEY DESIGN STRATEGIES • Variety of play types allowing for different type of play activation • Separated from the more formal aspects of gathering such as the outdoor learning area and Main Hub • The ability for the open nature of the space to provide for other activities other than play OPPORTUNITIES CONSTRAINTS • A play focussed destination to the overall proposal • The existing levels of the access way upon which the court is proposed would require levelling out • The potential for the court to become an open air sculpture gallery associate to the gallery and arts event. 18 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT STAKEHOLDER ENGAGEMENT FINDINGS • A stage was generally supported including the association of the space near the café area. • Table Tennis tables and fossball tables were supported uses by students and provide incidental activity to the space. 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 19 04 O u t d o o r G a l l e r y / E x h i b i t i o n S pa c e A shipping container to the south of the café located within the landscape apron of the Arts Building 202 provides an opportunity for a ‘shopfront gallery’. Imagined as a glass box facing the café the gallery allows for the students to showcase their work for both public viewing around the clock and associated to specific arts related activities such as end of year shows. The design team recognised the opportunity for a synergy between the gallery and the café/bar venue combined with the digital/media projectionon walls when events are taking place. KEY DESIGN STRATEGIES • To establish a shopfront to the arts building OPPORTUNITIES CONSTRAINTS • To showcase the student’s work to the broader campus. • The space needs to be secure to protect the student’s work • Greater exposure to the work to the general student body • Potential consideration to the heat and solar gain associated to the glass box and th effect this may have on the work on display • Existing services with in this location will need to be carefully considered 20 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT STAKEHOLDER ENGAGEMENT FINDINGS • Generally strongly supported • Security is a key concern • Secure Gallery/ hanging space was strongly desireduse 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 21 05 O u t d o o r C l a s s r o o m A key component of the briefing to the design team was the need to consider the opportunity for an outdoor teaching space. The location of the teaching space was explored across the site with the final location influenced by the recognition that the Main Hub space was in many ways a larger extension of an outdoor teaching space. Hence the dedicated teaching space extends to the north of the Main Hub as a satellite space providing enough connection to activate the overall space. KEY DESIGN STRATEGIES • A multi-use space that allows for formal and informal gatherings OPPORTUNITIES CONSTRAINTS • Considered as an object in the landscape. By the nature of the form the space provides a defined interior space (open to the edges) and a wall to project against, lean against stand against etc. 22 27 JUNE 2013 • The size of the facility has been limited to accommodate approximately only 15 – 20 people • Classroom needs to be appropriately located to avoid distractions C R EAT I V E Q UA RT E R CO NCEPT REPORT STAKEHOLDER ENGAGEMENT FINDINGS • Generally supported especially by students. • Requirement for plug in points recommended • The potential for blackboards (or possibly white boards) was considered more conducive to this type of learning environment 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 23 06 P i n e T r e e s A n d T u r f An early design decision was the consideration to retain and strengthen the existing landscaped area as it provided a unique counterpoint to the hard-scaping around the remainder of the site. The turfed space allows for a greater passive use focussed area for lying in the sun, or shade of the trees, gathering of small groups of people etc.. KEY DESIGN STRATEGIES • Openness • Small areas of paving / walls to accommodate seating • Hammocks scattered throughout the space to promote loungin OPPORTUNITIES CONSTRAINTS • A natural, uncluttered area giving users the opportunity to sit under the shade of the trees either on the grass or on moveable furniture items 24 27 JUNE 2013 • Any work undertaken within this area requiring foundations must be considered in light of the root systems associated to the pine trees. C R EAT I V E Q UA RT E R CO NCEPT REPORT STAKEHOLDER ENGAGEMENT FINDINGS • Consider this space for possible sculptural pieces to be developed by art/ engineering faculties 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 25 07 P e d e s t r i a n A c c e s s and Route/ Link The design strategy allows for a covered access way circulating around the green space ensuring that pedestrian traffic has the ability to take a sheltered route around the majority of the site. While the new link adapts to suit the various existing conditions that it interfaces with the intent is that it will be designed in a unifying language to provide coherence to the space. KEY DESIGN STRATEGIES • To provide a unifying design approach to the backdrop of the green space • To act as a means of partly dressing the current façade of Building 209 OPPORTUNITIES CONSTRAINTS • To define the edge of the green space and interface of the existing buildings with a new intermediate space • To integrate the new pedestrian link with the proposed CUSP entry 26 27 JUNE 2013 • Further investigation is required at the proposed junction of the link at building 209 given the proposed refurbishment works being considered as part of the CUSP relocation C R EAT I V E Q UA RT E R CO NCEPT REPORT STAKEHOLDER ENGAGEMENT FINDINGS • Provide comfortable areas that provide protection from the rain 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 27 08 D i g i ta l C o m m o n R o o m Originally referred to as the WI-FI lounge the intent is to provide students a Digital Common Room. The proposal is to adapt the ground floor of Building 209 into an opened planned environment allowing for both the use of personal electronic devices such as laptops and ipads but also granting students access to some built in hard ware items such as PCs and printers. Early design proposals investigated an interior space allowing for a mixture of fixed and flexible furniture with a focus on providing students options for single study areas or small group activity oriented spaces. KEY DESIGN STRATEGIES • An open plan environment • A direct relationship both physically and visually to the immediate exterior spaces • A focus on technology and connectivity OPPORTUNITIES CONSTRAINTS • To provide students with a facility not unlike those found in the commercial sector of various disciplines - an open plan office / break out space (Google HQ) • Will be dependent on relocation of existing occupants to other suitable premises • Provides an opportunity to better activate the ground floor of building 208 and surrounding areas 28 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT STAKEHOLDER ENGAGEMENT FINDINGS • Access to printer facilities was a core concern • Desktop PC access with particular software packages • An open lounge type environment was generally supported • Some small meeting rooms to allow for closed group sessions 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 29 09 G r e e n T o w e r s The existing concrete stair towers associated to Building 209 were recognised as an opportunity to ‘dress’ the concrete structure. The proposal of a green tower was developed as a means of extending the current horizontal green plan of the turf area vertically. Early studies provided a number of different approaches ranging from a highly technical ‘green wall’ system to a less complicated ‘trellis’ system used to allow climbing plants to extend upwards. KEY DESIGN STRATEGIES • To extend the green horizontal plan vertically • To consider the potential for the towers to be lit in interesting ways OPPORTUNITIES CONSTRAINTS • Given that the concrete towers house within them stairwells the opportunity to promote planting against them is considered a minimal risk • The concrete towers range in height from 2 to 4 levels allowing for significant vertical garden real estate. • While considered as preferable the capital and operational cost for the implementation of a ‘green-wall’ system would be significant. • A simple trellis structure is more easily achievable but may pose problems with promoting the growth of plants to such an extent. • Ongoing maintenance 30 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 31 10 O u t d o o r S t u d y A r e a Linked diagonally across the green space by an informal pathway two less formal areas of study space are provided in the design. To the north at the junction of the covered way and the concourse a deck structure ameliorates the change in levels and allows for an open space to be furnished or utilised by small groups or individuals. The other space is collocated with the Outdoor Teaching space at the internal corner of Building 209 and provides a larger area of informal study spaces. KEY DESIGN STRATEGIES • Flexible, un-programmed space to be utilised as students choose • Combinations of open deck / paved areas and small low walls to allow students to inhabit the space in a variety of ways • Consider in more detailed planning and design the opportunity for ledges, platforms and other means to promote or allow for various means of use OPPORTUNITIES • The area located adjacent Building 208 allows larger gatherings and could easily be cordoned off for events CONSTRAINTS • Any work undertaken within these areas requiring foundations must be considered in light of the root systems associated to the pine trees. • Plant room noise impacts 32 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 33 s e c t io ns a b b a Section 34 through classroom (aa) 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT Section through canopy (bb) 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 35 T e c h ni c a l C onsi derations T r e e R o o t C o n s i d e r at i o n Tree Protection zone • 12 times the diameter of the tree. (see diagram below) Building Implications Deck to Corso Level • Diagrams on the right show the relationships between the varying built landscapes and possible tree root ball locations. Deck Above Corso Level Retaining Wall adjacent to Corso 36 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT Fire Services Access 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT 37 p r o c u r e m e n t-STAGE ONE Plan 38 27 JUNE 2013 C R EAT I V E Q UA RT E R CO NCEPT REPORT