Chang 1 Appendices Fig. 1. Bart van der Leck, Leaving the Factory [Uitgaan van de fabriek] (1910). Chang 2 Fig. 2. Bart van der Leck, To the Airport [Naar het vilegveld] (1912). Fig. 3. Bart van der Leck, The Soccer Players [De voetballers] (1913). Chang 3 Fig. 4. Theo van Doesburg, Composition (The Cows). Chang 4 Fig. 5. Bart van der Leck, Composition 1917. Chang 5 Fig. 6. Piet Mondrian, Stammer Mill with Summer House and Haystack (1905-06). Chang 6 Fig. 7. Piet Mondrian, Broekzijder Mill in the Evening (1906). Chang 7 Fig. 8. Piet Mondrian, Truncated View of the Broekzijder Mill on the Gein (1902-03). Chang 8 Fig. 9. Piet Mondrian, Oostzijdse Mill with Extended Blue, Yellow and Purple Sky (1907-08). Chang 9 Fig. 10. Piet Mondrian, Row of Young Willows Reflected in the Water (1905). Chang 10 Fig. 11. Piet Mondrian, Geinrust with Two Cows at Water’s Edge (1906). Chang 11 Fig. 12. Piet Mondrian, Row of Eleven Poplars (1907). Chang 12 Fig. 13. Piet Mondrian, House on the Gein (1900). Chang 13 Fig. 14. Piet Mondrian, Woods near Oele (1908). Chang 14 Fig. 15. Piet Mondrian, Row of Eleven Poplars in Red, Yellow, Blue and Green (1908). Chang 15 Fig. 16. Piet Mondrian, Evolution (1911). Chang 16 Fig. 17. Piet Mondrian, Self-Portrait, Eyes. Chang 17 Fig. 18. Piet Mondrian, Upright Sunflower (1908-09). Chang 18 Fig. 19. Piet Mondrian, Dying Sunflower I (1908) Chang 19 Fig. 20. Piet Mondrian, Metamorphosis: Drying Chrysanthemum (1908). Chang 20 Fig. 21. Piet Mondrian, The Winkel Mill in Sunlight (1908). Chang 21 Fig. 22. Piet Mondrian, Red Mill (1911). Chang 22 Fig. 23. Piet Mondrian, Devotion (1908). Chang 23 Fig. 24. Piet Mondrian, Dorpskerk (Village Church): St. Jacob’s Church (1898). Chang 24 Fig. 25. Piet Mondrian, Red Tree (1908) Chang 25 Fig. 26. Piet Mondrian, Grey Tree (1912). Chang 26 Fig. 27. Piet Mondrian, Flowering Appletree (1912). Chang 27 Fig. 28. Piet Mondrian, Flowering Trees (1912). Chang 28 Fig. 29. Piet Mondrian, Still Life with Ginger Pot I (1911). Chang 29 Fig. 30. Piet Mondrian, Still Life with Ginger Pot II (1912). Chang 30 Fig. 31. Piet Mondrian, Duinlandschap / Dune Landscape (July-September 1911). Chang 31 Fig. 32. Piet Mondrian, Tableau No. 4 / Composition No. VIII / Composite 3 (1913). Chang 32 Fig. 33. Piet Mondrian, Tableau No. 2 / Composition No. VII (1913). Chang 33 Fig. 34. Piet Mondrian, The Sea / Ocean 1 (1914). Chang 34 Fig. 35. Piet Mondrian, Pier and Ocean 5 / Sea and Starry Sky (1915). Chang 35 Fig. 36. Piet Mondrian, Composition 10 in Black and White. Chang 36 Fig. 37. Piet Mondrian, Study of Trees 1: Study for Tableau No. 2 / Composition No. VII (1912). Chang 37 Fig. 38. Piet Mondrian, Study of Trees 2: Study for Tableau No. 2 / Composition No. VII (1913). Chang 38 Fig. 39. Piet Mondrian, Tableau No. 1 / Composition in Line and Color (1913). Chang 39 Fig. 40. Piet Mondrian, Tableau No. 1 / Composition No. 1 / Compositie 7 (1914). Chang 40 Fig. 41. Piet Mondrian, Composition No. IV / Compositie 6 (1914). Chang 41 Fig. 42. Piet Mondrian, Church Façade 1: Church at Domburg (1914). Chang 42 Fig. 43. Piet Mondrian, Church Façade 2 (1914). Chang 43 Fig. 44. Piet Mondrian, Tableau III: Composition in Oval (1914). Chang 44 Fig. 45. Piet Mondrian, Composition in Oval with Color Planes 1 (1914). Chang 45 Fig. 46. Piet Mondrian, Composition in Oval with Color Plane 2 / Composition in Oval: KUB (1914). Chang 46 Fig. 47. Piet Mondrian, Composition1916 (1916). Chang 47 Fig. 48. Vart van der Leck, The Storm (1916). Chang 48 Fig. 49. Bart van der Leck, Dock Work. Chang 49 Fig. 50. Piet Mondrian, Compositie in Kleur A / Composition in Color A (1917). Chang 50 Fig. 51. Piet Mondrian, Compositie in Kleur B / Composition in Color B (1917). Chang 51 Fig. 52. Piet Mondrian, Composition with Color Planes (1917). Chang 52 Fig. 53. Piet Mondrian, Composition with Color Planes and Grey Lines (1918). Chang 53 Fig. 54. Piet Mondrian, An untitled and unknown drawing (circa 1918). Chang 54 Fig. 55. Piet Mondrian, Composition with Grid 5: Lozenge Composition with Colors (1919). Chang 55 Fig. 56. Piet Mondrian, Tableau 1, with Red, Black, Blue and Yellow (1921). Chang 56 Fig. 57. Piet Mondrian, Composition with Red, Blue, Yellow, Black and Gray (1922). Chang 57 Fig. 58. Piet Mondrian, Composition with Blue, Yellow, Red, Black and Gray. Chang 58 Fig. 59. Pattern formed by the sequence of pacing in Beckett’s Quad I.