Ward Chamberlin ’39 and ‘THE WAR’ As a public TV executive,Ward Chamberlin ’39 helped nurture the career of documentary filmmaker Ken Burns.This fall, he became one of the subjects of Burns’ latest documentary,THE WAR. By Debbie Kane n the summer of 1939, two young Exeter graduates, Nicholas Katzenbach and Ward Chamberlin, set off for France. They spent the summer cycling through the French countryside, bankrolling their trip with moneys they had earned from running The Exonian. “We were just ahead of the Tour de France,” remembers Katzenbach.“They’d clear the roads and we’d sit and have a beer and watch the riders go by.” Even then, Katzenbach adds, he knew that his unassuming friend would become a leader later in life. A class officer, president of The Exonian and a multisport athlete, Chamberlin was, in addition to his accomplishments, “a real person,” says Katzenbach, “respected and genuinely liked by his classmates.” Katzenbach’s hunch about his friend’s leadership potential would be borne out over the course of Chamberlin’s nearly 40year career in public broadcasting. (Katzenbach would go on to a distinguished career in government service, which culminated with his appointment as U.S. attorney general in the Johnson administration.) But what neither friend could foresee was that just a few years later, they would each return to Europe under vastly different circumstances—two of the more than 3,600 Exeter alumni, faculty and staff members who would serve during World War II. Katzenbach joined the U.S. Army Air Force; Chamberlin, who was blind in one eye, was unable to serve in the military. Instead, in 1942, during his junior year at Princeton, he joined the American Field Service (AFS), a volunteer ambulance corps founded during the First World War. In January 1943, AFS assigned him to the British 8th Army and sent him first to North Africa and then to Italy.There, during the months-long battle for I Ineligible for military service during World War II because he was blind in one eye, Chamberlin volunteered for the American Field Service’s ambulance corps. He recounts his experiences along the Italian front— including the battle for Mount Cassino (opposite page, bottom), where Allied casualties climbed above 100,000—in the PBS documentary THE WAR, directed by his longtime friend and colleague, Ken Burns (opposite page, top). PHOTOGRAPHS COURTESY OF AMERICAN FIELD SERVICE 32 The Exeter Bulletin fall 2007 control of Mount Cassino, Allied casualties rose well above 100,000, and Chamberlin was promoted to lieutenant, overseeing a platoon of 30 ambulances. AFS drivers evacuated not only wounded British troops, but soldiers from many other nations as well, including Polish and French resistance forces and members of the New Zealand Corps. Chamberlin—who was later promoted to captain and recognized for distinguished service by the British army—served with AFS until the war’s end. His experiences forever changed his perspective on war and on the soldiers who fight them. “When you live and work under stressful conditions with people of different cultures, you soon learn that we all have the same basic hopes and feelings,” Chamberlin says. Following the war, Chamberlin completed his studies at Pr inceton, ear ned his law degree from Columbia and worked in Paris and London under the Marshall Plan. He also continued to pursue AFS’s mission of building a more just and peaceful world. In 1947, while still in law school, he fall 2007 The Exeter Bulletin 33 became one of the founders of the AFS Intercultural Program, a teenage studentexchange program whose goal was to foster greater understanding of other countries and cultures. In its first year, the AFS Intercultural Program brought 52 European teenagers to the United States to live with American families and attend American high schools—a radical departure, says Chamberlin, from prevailing college and post-college exchange programs. Sixty years later, more than 11,000 young people and teachers take part in AFS programs every year, in more than 50 countries. Reliving the War Chamberlin’s experiences forever changed his perspective on war, and later inspired him to co-found the AFS Intercultural Exchange Program. Opposite page: President of The Exonian during his student days, Chamberlin went on to a distinguished career in public broadcasting, serving as president and CEO of WETA from 1975 to 1990. 34 The Exeter Bulletin fall 2007 Chamberlin’s war experiences are among the many moving stories told in filmmaker Ken Burns’ latest documentary, THE WAR, which recently aired on PBS to great acclaim. Chamberlin is one of close to 40 veterans and ordinary citizens interviewed for the film, a seven-part series telling the story of the war from an American point-of-view and documenting how profoundly it changed our country. In the third episode, which covers the Italian campaign, Chamberlin recounts some of his experiences serving with the soldiers from the many countries that made up the American-led 5th Army. One of the reasons Chamberlin appears in THE WAR is his longtime friendship with Burns, which dates back to the early 1980s when Chamberlin was president of WETA, the Washington, D.C., public television station. Burns, who had learned of Chamberlin’s interest in American history, approached him about funding one of his early documentaries. “He asked me,” Chamberlin recalls, “if I would look at a rough cut of a documentary on Huey Long, the controversial Louisiana senator. Luckily, I did so and immediately recognized that this was a really talented man.That afternoon, I had a check written to him covering the cost of completion of that film, and we have been great friends ever since.” In the late 1980s, when they were working on the documentary The Civil War, Burns called Chamberlin and asked for a meeting. Burns, who had originally intended to make a five-hour film, explained that he had too much good material and would need between 10 and 13 hours to do justice to the project.“My first response,” recalls Chamberlin,“was that this was impossible, that no one would watch TV for that length of time.” Burns, who was editing the film in New York, asked Chamberlin to come take a look at what he had so far. So Chamberlin made the trip from Washington, and “saw that he had wonderful material. I told him, ‘Go as long as you have to.’ ”When The Civil War aired in 1990, it became the most-watched documentary of its time. Chamberlin’s career in public broadcasting began in the late 1960s, when Congress first created the Corporation for Public Broadcasting (CPB), appropriating a modest amount of federal funds for the purpose.When President Johnson appointed Frank Pace—former CEO of the General Dynamics Corporation, and secretary of the army during the Korean War—CPB’s first president, Pace asked Chamberlin, his executive assistant at General Dynamics, to serve as CPB’s first vice president and general manager. Under their leadership, two pillars of modern media, PBS and NPR, were created. Chamberlin went on to leadership positions at both PBS and WETA, where he served as president and CEO from 1975 to 1990.After a brief retirement, he returned to oversee two public broadcasting institutions, “American Playhouse” and “American Documentary/P.O.V.” In the late 1990s, he helped in the reorganization of Thirteen/WNET.Today, at age 86, he continues to assist in the development and funding of television projects in which he has a special interest, including an upcoming film, Exiles in Hollywood, which documents the migration of leading German filmmakers to Hollywood when Hitler came to power. Among Chamberlin’s admirers is Rick Schubart, the BatesRussell Distinguished Faculty Professor and a past chair of Exeter’s history department. He was first introduced to Chamberlin by Wick Sloane ’71, whose late father, James R. Sloane, was a classmate of Chamberlin’s and an Academy trustee. Schubart speaks with a historian’s respect for Chamberlin’s efforts to defend PBS from attempts by congressional critics (and more recently, the Bush administration) to limit the network’s programming. “Ward has continued to protect the independent political integrity of PBS,” Schubart says. “He stood up strongly to political pressure and is a hero to those who believe in unvarnished truth in journalism.” Schubart plans to incorporate excerpts from THE WAR in his History 408 course, “Issues of War and Peace in Modern Times.” He calls Chamberlin’s account of his experiences at Mount Cassino “one of the most compelling documentary pieces I have seen of what it is like to confront the casualties of war in person.” Over the course of his career, Chamberlin has been honored with numerous awards, including, in 1990, the Ralph Lowell Award, public television’s highest honor. In 1976, Exeter awarded him its John Phillips Award for meritorious public service. Chamberlin considers that the second prize that Exeter gave him, the first being the education he received here 60 years ago. “I had lived a sheltered, well-to-do life,” he says. “Exeter broadened my perspective.” “Everything Ward has done echoes what Exeter stands for,” notes Schubart. “He embodies a commitment to goodness and knowledge, as well as the spirit of non sibi.” Chamberlin is more modest, and quick to credit his good fortune.“You learn as you go along,” he says, and then shares one of those life lessons.“I learned not to make judgments about a person or product too early.” Good advice from the man who discovered Ken Burns. To learn more about Ward Chamberlin ’39 and the Ken Burns’ documentary THE WAR, go to http://www.pbs.org/thewar/ fall 2007 The Exeter Bulletin 35