Citywide Performance Series Report 2009 Citywide Performance Series Report 2009 Launched in 2009, this Citywide Performance Series brought the best of Jerusalem’s dance, theater and music to venues located in different neighborhoods throughout the city. Using a tried and proven model, the Jerusalem Foundation designed the artistic program in collaboration with community leaders. Taking place on Tuesday nights throughout the months of November and December, the Series enlarged the cultural web in Jerusalem and created a citywide buzz. This year 30 different shows were presented at 10 different community centers, reaching an audience of over 6000 people. Culture is an important commodity that should be accessible to all. It is the essence of a vibrant city, an outlet for creativity, a traverse of boundaries and a stimulant for economic and social vitality. Inspired by this belief, The Jerusalem Foundation has been a leader in bringing cultural initiatives to Jerusalem for over 40 years. The Foundation is aware of the need to respond to new economic and demographic challenges and so seeks to further energize the art scene to expand target audiences and rejuvenate the city’s image as a dynamic, cosmopolitan cultural center. The Citywide Performance Series is one of a collection of series initiated by the Foundation. Each one builds on existing cultural activities taking place in the city and provides them with the necessary exposure, accelerating the professional activities of artistic groups and offering new opportunities for established as well as up-andcoming artists; and Jerusalem’s residents, making culture more accessible to them. This takes cultural accessibility to a whole other level, bringing culture right to the door-step of Jerusalem's residents. Artistic Groups The groups involved in Citywide Performance Series make a significant contribution to the Jerusalem cultural scene and are of the highest quality. This series gave the selected groups an opportunity to significantly increase their exposure to new audiences and to establish connections with community centers. The feedback from performers was overwhelmingly positive. Some have even felt immediate benefits in the form of an increase in ticket sales in unrelated follow up performances in other venues, and some have been invited to perform in other communities, achieving exactly what the program set out to do: accelerating the cultural activity of our artists and widening the target audience of “cultural consumers”. Groups involved in this year’s events included: The Psik Theater Company - established in 1997 by graduates of the prestigious Nisan Nativ Acting Studio with a vision to form a theater troupe creating original Israeli works for audiences at home and abroad. The Incubator - this project aims to help graduates launch a career in Jerusalem, to help artists showcase their skills and abilities, to fortify creative production in Jerusalem and to attract a young crowd to theater. The Jerusalem Theatre Company – One of Israel's oldest alternative theatre companies. It has created a distinctive theatrical language that combines modern performance technique with the study of ancient texts, thereby bringing Judaism and Israeli culture closer together. Hazira Performance Art Company - an alternative performance art group working on the fringe with experimental concepts, producing new plays, dance productions, contemporary music performances, video art installations and art exhibitions. Mikro Theater - a unique repertory theater integrating classical theater, Jewish sources and biblical texts to create new and exciting productions. Tarantula Dance Troupe - a young up and coming dance company committed to innovative creativity and development in Jerusalem. Widening Cultural Consumers The series succeeded in its goal of widening cultural consumers as evidenced by the large and varied audiences which attended each event. To achieve this goal, ticket prices were kept low at 25 shekels per show, ensuring that the performances were not just close-by, but also economically accessible. Furthermore, an energetic, joint marketing campaign was undertaken by the communities and The Jerusalem Foundation. The Foundation provided citywide and national advertising, placing adverts in the city’s most significant cultural guide ‘Achbar Ha’ir’ and the national newspaper ‘Ha’Aretz’. This effort was more than matched by the hosting communities, who were inspired by the challenge and were given the incentive that all revenue collected from ticket sells went directly to the center. The community centers were best placed to reach new audiences and so they did through bright marketing campaigns, including fliers, adverts in local newspapers, posters and much more. 3 Below is one of the Foundation's advertisements which displayed the plethora of activities and venues involved in this exciting series: Are you happy yet? The Jerusalem Theatre Company Beit Kerem Neve Yaacov Bakka Gilo The Daily Show Hazira Performance Art Company Enemies. A Love Story Mikro Theater The Tanach Show The Incubator Har Homa 4 Next year The sheer numbers of attendees during its first year in action, exposed the hunger for culture in more accessible platforms that is prominent in Jerusalem. This project increases cultural accessibility for Jerusalem's residents and accelerates activity for performers. In addition to the improved cultural opportunities and economic vitality that this project brings to Jerusalem, it also allows a community to gather together to enjoy a positive experience and creates an atmosphere of excitement and pride within that community. The reaction of the public was extremely positive, as reflected in the enthusiastic thank you letters received by the Foundation from the cultural directors at the community centers, expressing their great appreciation and inquiring if and when we might run it again. Inspired by this, The Foundation seeks to continue and expand this exciting event which brings a positive cultural buzz to the entire city. Plans have already been made for a 2010 series which includes a wider range of groups at more venues, making the event even more accessible, increasing exposure and filling a need for culture throughout the city. 5