MoMA Presents: A Fuller Life August 6—16, 2014 The Roy and Niuta Titus Theaters Calling on a wide range of her father’s collaborators and fellow travelers, from James Franco to William Friedkin, to read from his autobiography, the filmmaker Samantha Fuller evokes the inimitable voice and spirit of her father, the legendary writer-director Sam Fuller. Shot entirely within “The Shack,” as Fuller called the backyard writing refuge he filled with notes for future projects, the film follows Fuller on his path from New York tabloid journalist to Hollywood hyphenate—including his formative experiences as an infantryman in World War II. Generously illustrated with scenes from his films and newly discovered home movies, A Fuller Life is a celebration of a passionate individualist and a major American artist. MoMA's weeklong run of A Fuller Life is accompanied by a selection of Sam Fuller's work, presented in archival prints. Organized by Dave Kehr, Adjunct Curator, Department of Film. Press Contact: Meg Montgoris, (212) 708-9757, meg_montgoris@moma.org For downloadable high-resolution images, register at MoMA.org/press. ************************* Public Information: The Museum of Modern Art, 11 West 53 Street, New York, NY 10019, (212) 708-9400, MoMA.org. Hours: Saturday through Thursday, 10:30 a.m.–5:30 p.m. Friday, 10:30 a.m.–8:00 p.m. Museum Admission: $25 adults; $18 seniors, 65 years and over with I.D.; $14 full-time students with current I.D. Free, members and children 16 and under. (Includes admittance to Museum galleries and film programs). Free admission during Uniqlo Free Friday Nights: Fridays, 4:00 p.m.–8:00 p.m. MoMA.org: No service charge for tickets ordered on MoMA.org. Tickets purchased online may be printed out and presented at the Museum without waiting in line. (Includes admittance to Museum galleries and film programs). Film and After Hours Program Admission: $12 adults; $10 seniors, 65 years and over with I.D.; $8 full-time students with current I.D. The price of an After Hours Program Admission ticket may be applied toward the price of a Museum admission ticket or MoMA Membership within 30 days. MoMA/MoMA PS1 Blog, MoMA on Facebook, MoMA on Twitter, MoMA on YouTube, MoMA on Flickr Screening Schedule MoMA Presents: A Fuller Life August 6—16, 2014 Wednesday, August 6 7:00 A Fuller Life. 2013. USA. Directed by Samantha Fuller. With James Franco, Jennifer Beals, Bill Duke, James Toback, Kelly Ward, Perry Lang, Robert Carradine, Mark Hamill, Joe Dante, Tim Roth, Wim Wenders, Monte Hellman, Buck Henry, Constance Towers, William Friedkin. Director Samantha Fuller’s tribute to her father, the legendary filmmaker Sam Fuller, conjures his voice through passages from his autobiography, A Third Face, as read by a circle of his friends and coworkers. DCP. Thursday, August 7 4:30 A Fuller Life. 2013. USA. Directed by Samantha Fuller. With James Franco, Jennifer Beals, Bill Duke, James Toback, Kelly Ward, Perry Lang, Robert Carradine, Mark Hamill, Joe Dante, Tim Roth, Wim Wenders, Monte Hellman, Buck Henry, Constance Towers, William Friedkin. Director Samantha Fuller’s tribute to her father, the legendary filmmaker Sam Fuller, conjures his voice through passages from his autobiography, A Third Face, as read by a circle of his friends and coworkers. DCP. 80 mins. 7:30 I Shot Jesse James. 1949. USA. Directed by Samuel Fuller. With Preston Foster, Barbara Britton, Reed Hadley. Fuller’s first film as a director reveals a fully formed visual stylist and a master of multilayered narrative structure, all in the context of a low-budget Western—the true story of Bob Ford (John Ireland), the assassin of Jesse James—that quickly goes meta as Ford finds himself sentenced to play out his story again and again, on stage and in life. Restored by MoMA. 35mm. 81 min. Friday, August 8 4:30 Merrill’s Marauders. 1962. USA. Directed by Samuel Fuller. With Jeff Chandler, Ty Hardin, Will Hutchins. Shot in the Philippines in color and CinemaScope, Fuller’s account of the 5307th Composite Unit (Provisional)—known as “Merrill’s Marauders” after the unit’s commander, Brigadier General Frank D. Merill (Jeff Chandler)—covers the same territory as Raoul Walsh’s Operation Burma, as the 3,000-man division fights its way through the Southeast Asian theater of World War II. Though cut by Warner Bros. to blunt Fuller’s bleak, absurdist vision of warfare, the film still startles with its pessimism. 35mm. 98 min. 8:00 A Fuller Life. 2013. USA. Directed by Samantha Fuller. With James Franco, Jennifer Beals, Bill Duke, James Toback, Kelly Ward, Perry Lang, Robert Carradine, Mark Hamill, Joe Dante, Tim Roth, Wim Wenders, Monte Hellman, Buck Henry, Constance Towers, William Friedkin. Director Samantha Fuller’s tribute to her father, the legendary filmmaker Sam Fuller, conjures his voice through passages from his autobiography, A Third Face, as read by a circle of his friends and coworkers. DCP. 80 mins. Saturday, August 9 2:00 A Fuller Life. 2013. USA. Directed by Samantha Fuller. With James Franco, Jennifer Beals, Bill Duke, James Toback, Kelly Ward, Perry Lang, Robert Carradine, Mark Hamill, Joe Dante, Tim Roth, Wim Wenders, Monte Hellman, Buck Henry, Constance Towers, William Friedkin. Director Samantha Fuller’s tribute to her father, the legendary filmmaker Sam Fuller, conjures his voice through passages from his autobiography, A Third Face, as read by a circle of his friends and coworkers. DCP. 80 mins. 5:00 Run of the Arrow. 1957. USA. Directed by Samuel Fuller. With Rod Steiger, Sara Montiel, Brian Keith. Fuller’s most politically charged Western stars Rod Steiger as an embittered Confederate veteran who, rather than join the Union, resolves to remake himself as a Sioux warrior. Fuller’s fascination with us/them divisions reaches new heights, as complicated by the Irish origins of Steiger’s character and his romance with a Sioux (the Spanish star Sara Montiel). 35mm. 86 min. 8:00 The Baron of Arizona. 1950. USA. Directed by Samuel Fuller. With Vincent Price, Ellen Drew, Vladimir Sokoloff. Fuller’s second film— a sterling example of what the filmmaker liked to call “a good yarn”—tells the improbable tale of a land office clerk (Price) who spends years of his life laying the groundwork for a fraudulent claim to the entire territory of Arizona. Restored by MoMA. 35mm. 97 min. Sunday, August 10 2:30 The Big Red One: The Reconstruction. 2004. USA. Directed by Samuel Fuller. With Lee Marvin, Mark Hamill, Robert Carradine. Fuller’s 1980 magnum opus, a fictionalized account of his World War II experiences with the First Infantry Division from North Africa to Falkenau, was brutally cut by its original distributor. This reconstruction, supervised by the critic Richard Schickel in 2004, restores Fuller’s structure, adds some 40 minutes of new footage, and removes a gratuitous voice-over narration. 35mm. 158 min. 5:30 A Fuller Life. 2013. USA. Directed by Samantha Fuller. With James Franco, Jennifer Beals, Bill Duke, James Toback, Kelly Ward, Perry Lang, Robert Carradine, Mark Hamill, Joe Dante, Tim Roth, Wim Wenders, Monte Hellman, Buck Henry, Constance Towers, William Friedkin. Director Samantha Fuller’s tribute to her father, the legendary filmmaker Sam Fuller, conjures his voice through passages from his autobiography, A Third Face, as read by a circle of his friends and coworkers. DCP. 80 mins. Monday, August 11 4:30 A Fuller Life. 2013. USA. Directed by Samantha Fuller. With James Franco, Jennifer Beals, Bill Duke, James Toback, Kelly Ward, Perry Lang, Robert Carradine, Mark Hamill, Joe Dante, Tim Roth, Wim Wenders, Monte Hellman, Buck Henry, Constance Towers, William Friedkin. Director Samantha Fuller’s tribute to her father, the legendary filmmaker Sam Fuller, conjures his voice through passages from his autobiography, A Third Face, as read by a circle of his friends and coworkers. DCP. 80 mins. 8:00 Merrill’s Marauders. 1962. USA. Directed by Samuel Fuller. With Jeff Chandler, Ty Hardin, Will Hutchins. Shot in the Philippines in color and CinemaScope, Fuller’s account of the 5307th Composite Unit (Provisional)—known as “Merrill’s Marauders” after the unit’s commander, Brigadier General Frank D. Merill (Jeff Chandler)—covers the same territory as Raoul Walsh’s Operation Burma, as the 3,000-man division fights its way through the Southeast Asian theater of World War II. Though cut by Warner Bros. to blunt Fuller’s bleak, absurdist vision of warfare, the film still startles with its pessimism. Tuesday, August 12 4:30 The Steel Helmet. 1951. USA. Directed by Samuel Fuller. With Gene Evans, Steve Brodie, Richard Loo. Fuller poured his experience as an infantryman during World War II into the first of his films to deal with the madness of combat and the politics of race. In Korea, a company of stragglers, survivors, and misfits attempts to establish an observation post in a Buddhist temple. Tensions within the mixed group come to pose as much of a threat as the mostly unseen enemy. Restored by MoMA. 35mm. 85 min. 8:00 A Fuller Life. 2013. USA. Directed by Samantha Fuller. With James Franco, Jennifer Beals, Bill Duke, James Toback, Kelly Ward, Perry Lang, Robert Carradine, Mark Hamill, Joe Dante, Tim Roth, Wim Wenders, Monte Hellman, Buck Henry, Constance Towers, William Friedkin. Director Samantha Fuller’s tribute to her father, the legendary filmmaker Sam Fuller, conjures his voice through passages from his autobiography, A Third Face, as read by a circle of his friends and coworkers. DCP. 80 mins. Wednesday, August 13 4:30 The Big Red One: The Reconstruction. 2004. USA. Directed by Samuel Fuller. With Lee Marvin, Mark Hamill, Robert Carradine. Fuller’s 1980 magnum opus, a fictionalized account of his World War II experiences with the First Infantry Division from North Africa to Falkenau, was brutally cut by its original distributor. This reconstruction, supervised by the critic Richard Schickel in 2004, restores Fuller’s structure, adds some 40 minutes of new footage, and removes a gratuitous voice-over narration. 35mm. 158 min. 8:00 Run of the Arrow. 1957. USA. Directed by Samuel Fuller. With Rod Steiger, Sara Montiel, Brian Keith. Fuller’s most politically charged Western stars Rod Steiger as an embittered Confederate veteran who, rather than join the Union, resolves to remake himself as a Sioux warrior. Fuller’s fascination with us/them divisions reaches new heights, as complicated by the Irish origins of Steiger’s character and his romance with a Sioux (the Spanish star Sara Montiel). 35mm. 86 min. Thursday, August 14 5:00 House of Bamboo. 1955. USA. Directed by Samuel Fuller. With Robert Ryan, Robert Stack, Shirley Yamaguchi. The arrival of color and CinemaScope added two new weapons to Fuller’s expressive arsenal, which he here trains on another vivid fable of race, identity, and violence, shot on location in Tokyo. Robert Ryan is the tightly wound criminal mastermind; Robert Stack is the outsider who infiltrates his militarystyle operation. 35mm. 102 min. 8:00 Hats Off. 1936. USA. Directed by Boris Petroff. Screenplay by Samuel Fuller, Edmund Joseph. With Mae Clarke, John Payne, Richard “Skeets” Gallagher. Fuller received his first film credit, for story and screenplay, on this rarely seen comedy, an exceptionally ambitious effort from the Poverty Row studio Grand National. Clarke (then on her way down as a star) and Payne (then on his way up) are press agents who will stop at nothing to promote their respective clients: expositions staged by rival “twin cities” in Texas. 35mm. 70 min. Friday, August 15 4:30 Hats Off. 1936. USA. Directed by Boris Petroff. Screenplay by Samuel Fuller, Edmund Joseph. With Mae Clarke, John Payne, Richard “Skeets” Gallagher. Fuller received his first film credit, for story and screenplay, on this rarely seen comedy, an exceptionally ambitious effort from the Poverty Row studio Grand National. Clarke (then on her way down as a star) and Payne (then on his way up) are press agents who will stop at nothing to promote their respective clients: expositions staged by rival “twin cities” in Texas. 35mm. 70 min. 8:00 House of Bamboo. 1955. USA. Directed by Samuel Fuller. With Robert Ryan, Robert Stack, Shirley Yamaguchi. The arrival of color and CinemaScope added two new weapons to Fuller’s expressive arsenal, which he here trains on another vivid fable of race, identity, and violence, shot on location in Tokyo. Robert Ryan is the tightly wound criminal mastermind; Robert Stack is the outsider who infiltrates his militarystyle operation. 35mm. 102 min. Saturday, August 16 2:00 I Shot Jesse James. 1949. USA. Directed by Samuel Fuller. With Preston Foster, Barbara Britton, Reed Hadley. Fuller’s first film as a director reveals a fully formed visual stylist and a master of multilayered narrative structure, all in the context of a low-budget Western—the true story of Bob Ford (John Ireland), the assassin of Jesse James—that quickly goes meta as Ford finds himself sentenced to play out his story again and again, on stage and in life. Restored by MoMA. 35mm. 81 min. 5:00 The Baron of Arizona. 1950. USA. Directed by Samuel Fuller. With Vincent Price, Ellen Drew, Vladimir Sokoloff. Fuller’s second film— a sterling example of what the filmmaker liked to call “a good yarn”—tells the improbable tale of a land office clerk (Price) who spends years of his life laying the groundwork for a fraudulent claim to the entire territory of Arizona. Restored by MoMA. 35mm. 97 min. 8:00 The Steel Helmet. 1951. USA. Directed by Samuel Fuller. With Gene Evans, Steve Brodie, Richard Loo. Fuller poured his experience as an infantryman during World War II into the first of his films to deal with the madness of combat and the politics of race. In Korea, a company of stragglers, survivors, and misfits attempts to establish an observation post in a Buddhist temple. Tensions within the mixed group come to pose as much of a threat as the mostly unseen enemy. Restored by MoMA. 35mm. 85 min.