The Tragedies In his tragedies Shakespeare adopts the classical Greek definition of tragedy put forward by Aristotle in his Poetics – they all show a great man brought to a tragic end through the ineluctable workings of a fatal flaw. The flaw, in some circumstances, could be considered a strength, but as the plays develop it always turns out to be an Achilles’ heel. For example, Macbeth’s ambition is a great driving force in his career, but, taken to excess, it leads to his downfall. With Lear, the tragic flaw is pride; in Othello, it is jealousy (though it was Othello’s enormous possessiveness towards Desdemona that led to his gaining such a brilliant wife in the first place); while with Hamlet it is indecision. Seeing both sides of every argument and questioning the validity of your own motives can be a strength but Hamlet takes it too far. 1 y Macbeth Quote: ‘Double, double, toil and trouble; fire burn and cauldron bubble.’ Dramatis Personae 1 MACBETH 2 BANQUO 1. generals of the King’s army 3 MACDUFF 4 LADY MACBETH 5 THREE WITCHES 6 DUNCAN, King of Scotland 7 FLEANCE, son to Banquo Macbeth takes ambition as its central pillar, as King Lear takes pride. The play recounts the rise of the Scottish nobleman Macbeth in the 11th century AD from leading chieftain in Scotland, through various bloody deeds, towards kingship. Egged on by both his wife and by mystical powers, he commits murder after murder, but is finally overcome by the forces of righteousness. Three witches prophesy that Macbeth will be king and Banquo will be father to a line of kings. Lady Macbeth urges her husband to murder the King. Macbeth is crowned and, to stop the witches’ prophecy being fulfilled, he hires murderers to kill Banquo and his son Fleance, but Fleance escapes. Macbeth sees the ghost of Banquo and he seeks out the witches who tell him to beware of Macduff, and repeat that descendants of Banquo will become kings. Macbeth has Macduff’s wife and children murdered; Macduff and his men besiege Macbeth’s castle. Lady Macbeth commits suicide, Macduff kills Macbeth, and Malcolm, the eldest son of Duncan, becomes King. 2 y Othello, the Moor of Venice Quote: ‘Oh beware, my Lord, of jealousy It is the green-eyed monster which doth mock the meat it feeds on.’ Dramatis Personae 1 OTHELLO, a noble Moor in the service of the Venetian state 2 CASSIO, his lieutenant 3 IAGO, his servant 4 RODERIGO, a Venetian gentleman 5 DESDEMONA, daughter to Brabantio and wife to Othello 6 BIANCA, mistress to Cassio Othello is considered by many to be Shakespeare’s most personal play. It shows the marriage between the black Arab or Moor, Othello, and the white Italian Renaissance virgin Desdemona. Iago and Roderigo, in love with Desdemona, plot against Othello and his lieutenant, Cassio, by making Othello suspect Desdemona and Cassio of adultery. At the close, Othello kills Desdemona, but then realises he has been misled by his evil servant Iago. Filled with guilt and remorse, he kills himself. The speed with which Othello becomes insanely jealous and the pressure and the violence of his emotions, have led many critics to believe that these were emotions that Shakespeare had personally experienced. 3 y King Lear Quote: ‘How sharper than a serpent’s tooth it is to have a thankless child.’ Dramatis Personae 1 LEAR, King of Britain 2 FOOL 3 GONERIL 2. daughters to Lear 4 REGAN 5 CORDELIA King Lear, like Cymbeline, takes ancient Britain as its stage. The king, Lear, retires and divides his kingdom between two of his daughters, Regan and Goneril, who have won favour with him through flattery. As in Timon of Athens, the theme of ingratitude emerges, as the daughters compete for dominance, reject Lear, and cast him out. Lear’s other daughter, Cordelia, is married to the King of France without a dowry. Having refused to flatter her father, she has been cut out of Lear’s division of the kingdom. Hearing of his plight, Cordelia brings an army from France to rescue him, but she is murdered. Lear, with the daughter to whom he had been unkind and who had tried to rescue him dead, and with those to whom he had given everything now rejecting him, goes mad and perishes. 4 y HamletPrince of Denmark Quote: ‘To be or not to be. That is the question.’ Dramatis Personae 1 CLAUDIUS, King of Denmark 2 HAMLET, son to the late, and nephew to the present, King 3 POLONIUS, Lord Chamberlain 4 HORATIO, friend to Hamlet 5 LAERTES, son to Polonius 6 TWO CLOWNS, gravediggers 7 GHOST of Hamlet’s father 8 GERTRUDE, Queen of Denmark, and mother to Hamlet 9 OPHELIA, daughter to Polonius 10 ROSENCRANTZ 3. Courtiers 11 GUILDENSTERN 12 FORTINBRAS, Prince of Norway Hamlet is a revenge tragedy in which a wronged son seeks revenge against those who have committed crimes, in this case the murder of his father and the ‘theft’ of the crown of Denmark. What adds eternal lustre to this particular theme is that Hamlet is too intelligent to simply carry out the acts of revenge, and constantly questions his own motives. Ultimately he goes too far in questioning, and obscures rather than clarifies the situations he’s trying to resolve. Hamlet is told by the ghost of his father that he was murdered by his brother Claudius, now King. Hamlet feigns madness while plotting revenge. He organises a play depicting his father’s death to confirm Claudius’ guilt. While warning his mother, Hamlet kills Polonius, who is eavesdropping. Claudius sends Hamlet to England to be killed but he escapes and returns to Denmark. Ophelia, Polonius’ daughter, once loved by Hamlet, has drowned herself. The King proposes a duel between Hamlet and the son of Polonius, Laertes. Hamlet is wounded by a poisoned sword which he then takes to kill Laertes and the King. The Queen drinks poisoned wine prepared for Hamlet, and Hamlet dies from his own wound.