West Virginia Reading/Literature Instructional

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AMERICAN
LITERATURE
Grade 11
correlated to the
West Virginia
Reading /Literature
Instructional Materials
Adoption Criteria
Eleventh Grade
TABLE OF CONTENTS
Generic Evaluation
1
Learning for the 21st Century
9
General Evaluation
14
Specific Criteria for Content and Skills
46
INSTRUCTIONAL MATERIALS ADOPTION
PUBLISHER:
SUBJECT:
McDougal Littell
Reading/Literature
SPECIFIC
GRADE:
COURSE:
TITLE:
COPYRIGHT
DATE:
SE ISBN:
TE ISBN:
11th
Reading and English Language Arts American Literature
The Language of Literature
2006
0-618-60139-2
0-618-60147-3
GENERIC EVALUATION CRITERIA
GROUP VI – 2007 TO 2013
Reading/Literature K-12
R-E-S-P-O-N-S-E
Yes
No
N/A
CRITERIA
I. INTER-ETHNIC
The instructional material meets the
requirements of inter-ethnic: concepts,
content and illustrations, as set by West
Virginia Board of Education Policy
(Adopted December 1970).
II. EQUAL OPPORTUNITY
The instructional material meets the
requirements of equal opportunity:
concept, content, illustration, heritage,
roles contributions, experiences and
achievements of males and females in
American and other cultures, as set by
West Virginia Board of Education
Policy (Adopted May 1975).
1
NOTES
I. INTER-ETHNIC
The instructional material meets the requirement of inter-ethnic concept, content,
and illustration, as set forth by West Virginia Board of Education Policy (adopted
December 1970).
The Language of Literature meets the inter-ethnic criteria in the following ways:
•
The content of the textbook and instructional support materials clearly indicate,
where relevant, that the United States is a multi-ethnic nation.
This textbook does not explicitly discuss the multi-ethnic character of the United
States, but it is free from ethical, racial, and gender stereotyping in its examples,
applications, and illustrations.
•
The viewpoints, attitudes, values, and contributions of various cultural and
ethnic groups are depicted and explored throughout the text.
The textbook emphasizes the contributions of many persons who influenced the
development of the concepts explored in the course. Please see the following
examples:
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8
40
49
56
73
81
93
101
109
139
153
164
163
271
283
285
290
292
295
301
305
310
345
350
365
370
377
397
407
411
412
417
Eudora Welty
Morning Dove
Leslie Marmon Silko
N. Scott Momaday
Álvar Núnez Cabeza de Vaca
William Bradford
Olaudah Equiano
William Least Heat-Moon
Maya Angelou
Anne Bradstreet
Jonathan Edwards
Arthur Miller
Patrick Henry
Thomas Jefferson
Phillis Wheatley
Abigail Adams
Michel-Guillaume Jean de Crévecoeur
Ben Franklin
Red Jacket
Martin Luther King, Jr.
Malcolm X
Rodolfo Gonzales
Henry Wadsworth Longfellow
Washington Irving
Ralph Waldo Emerson
Henry David Thoreau
Mohandas K. Ghandi
Walt Whitman
Pablo Neruda
William Carlos Williams
E.E. Cummings
Aurora Levine Morales and Rosario Morales
2
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419
425
450
464
513
517
529
563
575
576
581
594
605
611
615
619
645
651
655
690
703
743
746
765
784
789
803
807
824
827
831
836
841
864
877
891
895
897
912
920
941
942
946
947
951
960
968
974
996
1019
1026
1033
1035
1047
Luis J. Rodriguez
Garrison Keillor
Edgar Allan Poe
Stephen King
Herman Melville
William Faulkner
Flannery O' Connor
Frederick Douglass
James Russell Lowell
Frances Ellen Watkins Harper
Ambrose Bierce
Stephen Crane
Abraham Lincoln
Anne Moody
Robert Hayden
Dudley Randall
Black Elk and John G. Neihardt
Chief Joseph
Mark Twain
Willa Cather
Américo Paredes
Sojourner Truth
Emily Dickinson
Charlotte Perkins Gilman
Kate Chopin
Hisaye Yamamoto
Rita Dove
Tillie Olsen
Carl Sanberg
Edgar Lee Masters
Edwin Arlington Robinson
Paul Lawrence Dunbar
F. Scott Fitzgerald
Anzia Yezierska
Gish Jen
Naomi Shihab Nye
Yvonne Sapia
Lorna Dee Cervantes
Ezra Pound
Langston Hughes
James Weldon Johnson
Countee Cullen
Claude McKay
Arna Bontemps
Zora Neale Hurston
James Baldwin
Gwendolyn Brooks
Toni Morrison
Robert Frost
Ernest Hemingway
T.S. Eliot
Franz Kafka
Katherine Anne Porter
Richard Wright
3
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•
1058
1059
1077
1083
1089
1090
1096
1097
1106
1112
1114
1119
1137
1145
1151
1158
1169
1181
1195
1197
1201
1210
1216
1224
1228
Sylvia Plath
Anne Sexton
Bernard Malamud
Primo Levi
Randall Jarrell
John Steinbeck
Joan Didion
Dwight Okita
Tim O'Brien
Yusef Komunyakaa
Wendy Wilder LArson and Tran Thi Nga
Denise Levertov
Martin Luther King, Jr.
Nikki Giovanni
Lanford Wilson
E.L. Doctorow
Anne Tyler
John Updike
Gary Soto
Pat Mora
Joyce Carol Oates
Garrett Hongo
Amy Tan
Judith Ortiz Cofer
Sandra Cisneros
The pictorial illustrations reflect the intercultural character of our diverse
society.
The textbook's illustrations show a broad range of persons in various roles
irrespective of race, ethnicity, or gender. Please see the following examples:
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2
22
111
262
303
306
311
314
370
375
577
582
613
632
691
705
744
793
810
842
864
867
Soliders
Native American
Woman from Ghana
Members of the VA House of Burgesses
Martin Luther King with Protestors
Malcolm X with daughters
Farm Workers
Chicano protestors
Chinese demonstrators
Suffragists
Slaves
Union Soldiers
Sit-in demonstrators
Native Americans and pioneers
Housewife
New Mexico farmer
Dancers
Japanese-American family
Girl skipping rope
Golfer
Seamstresses
Street ball players
4
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868
881
916
932
947
954
1020
1078
1081
1082
1099
1113
1115
1133
1139
1195
Tailors
People at diner
Harlem couple
Flapper
Man with baby
Musicians and dancers
Canoers
Butcher
Displaced mother and child
Hitler and Nazis
Interned Japanese-Americans
Vietnam soldiers
People running
People becoming U.S. citizens
Civil rights demonstrators
Illegal immigrants
II. EQUAL OPPORTUNITY
The instructional material meets the requirements of equal opportunity concept,
content, illustration, heritage, roles, contributions, experiences, and achievements of
males and females in American and other cultures, as set forth by West Virginia
Board of Education Policy (Adopted May 1975).
The Language of Literature meets the criteria for equal opportunity in the following
ways:
•
The content of the textbook and supporting instructional materials reflect equal
opportunities for males and females.
The text does not explicitly discuss equality between males and females, but it is free
from ethnic, racial, and gender stereotyping in its examples, applications, and
illustrations. The textbook includes selections from diverse individuals such as:
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40
49
56
73
81
93
101
109
139
153
164
163
271
283
285
290
292
295
301
Eudora Welty
Morning Dove
Leslie Marmon Silko
N. Scott Momaday
Álvar Núnez Cabeza de Vaca
William Bradford
Olaudah Equiano
William Least Heat-Moon
Maya Angelou
Anne Bradstreet
Jonathan Edwards
Arthur Miller
Patrick Henry
Thomas Jefferson
Phillis Wheatley
Abigail Adams
Michel-Guillaume Jean de Crévecoeur
Ben Franklin
Red Jacket
Martin Luther King, Jr.
5
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305
310
345
350
365
370
377
397
407
411
412
417
419
425
450
464
513
517
529
563
575
576
581
594
605
611
615
619
645
651
655
690
703
743
746
765
784
789
803
807
824
827
831
836
841
864
877
891
895
897
912
920
941
942
Malcolm X
Rodolfo Gonzales
Henry Wadsworth Longfellow
Washington Irving
Ralph Waldo Emerson
Henry David Thoreau
Mohandas K. Ghandi
Walt Whitman
Pablo Neruda
William Carlos Williams
E.E. Cummings
Aurora Levine Morales and Rosario Morales
Luis J. Rodriguez
Garrison Keillor
Edgar Allan Poe
Stephen King
Herman Melville
William Faulkner
Flannery O' Connor
Frederick Douglass
James Russell Lowell
Frances Ellen Watkins Harper
Ambrose Bierce
Stephen Crane
Abraham Lincoln
Anne Moody
Robert Hayden
Dudley Randall
Black Elk and John G. Neihardt
Chief Joseph
Mark Twain
Willa Cather
Américo Paredes
Sojourner Truth
Emily Dickinson
Charlotte Perkins Gilman
Kate Chopin
Hisaye Yamamoto
Rita Dove
Tillie Olsen
Carl Sanberg
Edgar Lee Masters
Edwin Arlington Robinson
Paul Lawrence Dunbar
F. Scott Fitzgerald
Anzia Yezierska
Gish Jen
Naomi Shihab Nye
Yvonne Sapia
Lorna Dee Cervantes
Ezra Pound
Langston Hughes
James Weldon Johnson
Countee Cullen
6
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•
946
947
951
960
968
974
996
1019
1026
1033
1035
1047
1058
1059
1077
1083
1089
1090
1096
1097
1106
1112
1114
1119
1137
1145
1151
1158
1169
1181
1195
1197
1201
1210
1216
1224
1228
Claude McKay
Arna Bontemps
Zora Neale Hurston
James Baldwin
Gwendolyn Brooks
Toni Morrison
Robert Frost
Ernest Hemingway
T.S. Eliot
Franz Kafka
Katherine Anne Porter
Richard Wright
Sylvia Plath
Anne Sexton
Bernard Malamud
Primo Levi
Randall Jarrell
John Steinbeck
Joan Didion
Dwight Okita
Tim O'Brien
Yusef Komunyakaa
Wendy Wilder LArson and Tran Thi Nga
Denise Levertov
Martin Luther King, Jr.
Nikki Giovanni
Lanford Wilson
E.L. Doctorow
Anne Tyler
John Updike
Gary Soto
Pat Mora
Joyce Carol Oates
Garrett Hongo
Amy Tan
Judith Ortiz Cofer
Sandra Cisneros
The viewpoints, attitudes, values and contributions of males and females are
accurately portrayed.
The textbook does not explicitly discuss the formation of American institutions, the
dynamic nature of American society, or the process of communication within and
among groups, as a social studies text might be expected to do. It is the policy of the
publisher when producing educational content for out textbooks to represent a broad
range of persons of all racial and ethnic backgrounds and to show persons in various
roles irrespective of gender. We believe our materials reflect respect and tolerance for
diversity and reinforce the basic values of our society.
7
•
The pictorial illustrations reflect the equality of males and females.
The textbook illustrations depict persons in various career occupations and recreation
activities, irrespective of gender. In addition to all of the author studies, other
examples are included throughout the text. For example:
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164
370
603
723
871
882
954
1020
1078
1139
Actors
Police officers
Photographer
Storyteller
Tailors
Cook
Musicians and dancers
Canoers
Butcher
Civil rights demonstrators
The content assists students in examining their own self-image.
The textbook does not explicitly concern itself with students' self-image, but it
employs concrete examples that will be familiar to students from their own
experiences. The text is written in a highly engaging style that directly addresses the
individual student and supports various learning styles. The text was designed with
real life themes to make connections to the students' live, for example Unit 3, The
Spirit of Individualism. Each selection begins with a Preparing to Read section that
has a feature Connect to Your Life to help identify with the characters, plots and
themes and relate what they read to their own lives. Please see the following
examples:
Pages:
24, 33, 39,72, 81, 93, 138, 144, 152, 262, 270, 282, 289, 295, 344, 349, 363, 369, 381,
396, 454, 466, 473, 500, 562, 574, 580, 593, 605, 638, 645, 658, 9, 679, 688, 750,
765, 783, 824, 830, 835, 840, 863, 932, 940, 945, 950, 1006, 1018, 1025, 1034, 1045,
1076, 1088, 1095, 1136, 1150, 1157, 1168, 1180, 1194
8
LEARNING FOR THE 21ST CENTURY
(Vendor/Publisher)
SPECIFIC LOCATION OF
CONTENT WITHIN
PRODUCT
(IMR Committee) Responses
N=
NonI=
A=
M=
existent
I
A
M N
In-depth Adequate Minimal
Less
80%
80%
60%
than
60%
In addition to alignment of Content Standards and Objectives (CSOs) materials must also
clearly connect to Learning for the 21st Century which includes opportunities for students to
develop
A. Learning Skills
Pupil’s Edition/Teacher’s Edition
Reading Handbook: 1254; 1259
 Thinking and Problem-Solving
Skills.
See Thinking Through the Literature
after each selection: 31, 37, 46, 53, 62,
78, 88, 98, 107, 116, 142, 148, 158, 190,
206, 228, 243, 267, 279, 287, 293, 298,
307, 316, 347, 360, 367, 378, 392, 404,
414, 421, 434, 462, 471, 496-497, 514,
525, 539, 571, 578, 591, 602, 607, 616,
620, 643, 652, 667, 676, 685-686, 697,
718, 760-761, 779, 786, 800, 804, 815,
828, 833, 838, 860, 873, 892, 898, 928,
937-938, 943, 948, 957, 964, 971, 976,
1005, 1013-1014, 1023, 1030, 1043,
1055, 1061, 1085, 1093, 1101, 1109,
1116, 1120, 1146, 1155, 1166, 1178,
1191, 1198, 1212, 1221, 1225, 1232
9
Pupil’s Edition/Teacher’s Edition
Women and Children First: 91-92; The
Examination of Sarah Good: 144-149;
History Clashes with Commercialism:
150-151; Celebrations of the Self: 340342; The Dark Side of Individualism:
446-448; A House Divided: 558-560;
Letters of a Woman Homesteader: 700701; Communication Workshop: 722726; Women's Voices, Women's Lives:
742-744; Complaints and Disorders:
782; The American Dream: 820-822;
The New Immigrants: 875-876; A New
Cultural Identity: 916-918; Love,
Langston: 831; Alienation of the
Individual: 992-993; Remembering the
Wars: 1072-1074; Point/Counterpoint:
1103-1104; Communication Workshop:
1124-1128; Integration and
Disintegration: 1132-1134
 Information and Communication
Skills.
Text Wrap in Teacher’s Edition
The Crucible: 234; When the Negro
Was in Vogue: 934; The Death of the
Hired Man: 1010
Pupil’s Edition/Teacher’s Edition
The World on the Turtle's Back: 31; Sky
Loom/Hunting Song: 37, 38; Coyote
Stories: 46, 47; The Man to Send Rain
Clouds: 53; The Way to Rainy
Mountain: 62; La Relacion: 78, 79; Of
Plymouth Plantation: 88; Life of
Olaudah Equiano: 98, 99 Blue
Highways: 107; Lands of My
Ancestors: 116; To My Dear and
Loving Husband: 142, 143; Sinners:
158; The Crucible: 190, 206, 228, 243,
244; Virginia Convention: 267;
Declaration of Independence: 279, 280;
Wheatley and Adams Letters: 287, 288;
What Is an American?: 293; I am
Joaquin: 316, 317; Unit Two Reflect
and Assess: 328; A Psalm of Life: 347,
348; The Devil and Tom Walker: 360,
361; Self-Reliance: 367; Civil
Disobedience: 378, 379; Walden: 392; I
Hear America Singing: 404;
Williams/Cummings: 414; Ending
Poem/Tia Chucha: 421, 422; Gary
Keillor: 434, 435; The Masque of Red
Death: 462, 463; The Raven: 471, 472;
The Fall of the House of Usher: 496; Dr.
Heidegger's Experiment: 514;
 Interpersonal and Self-Direction
Skills and use these 21 Century
Tools
10
Pupil’s Edition/Teacher’s Edition
A Rose For Emily: 525; The Life You
Save May Be Your Own: 539; Unit
Three Reflect and Assess: 552;
Frederick Douglass: 571, 572; Stanzas
on Freedom/Free Labor: 579; An
Occurrence at Owl Creek Bridge: 591;
A Mystery of Heroism: 602, 603; The
Gettysburg Address: 607; Coming of
Age: 616, 617; Ballad of Birmingham:
620; The Indian and the Hundred Cows:
643; High Horse's Courting: 652;
Twain's Autobiography: 667, 668; Life
on the Mississippi: 676; Jumping Frog:
685, 686; Gregario Cortez: 718, 719;
Poems By Emily Dickinson: 760; The
Yellow Wallpaper: 779, 780; The Story
of an Hour: 786; Seventeen Syllables:
800; Adolescence-III: 804, 805; I Stand
Here Ironing: 815; Chicago/Lucinda
Matlock: 828; Winter Dreams: 860,
861; In the American Society: 892;
Grateful/Refugee Ship: 898; Unit Five
Reflect and Assess: 910; Langston
Hughes: 928, 929; When the Negro
Was in Vogue: 937, 939; My City/Any
Human to Another: 943; If We Must
Die/A Black Man: 948, 949; My
Dungeon Shook: 964, 965; Life For My
Child is Simple/Primer: 971; Thoughts
on the African-American Novel: 976;
The Death of the Hired Man: 1013,
1015; The End of Something: 1023,
1024; J. Alfred Prufrock: 1030, 1031;
The Man Who Was Almost a Man:
1055; Comparing Literature: 1066;
Armistice: 1085; Gunner/Soldiers:
1093; Chimera/Deciding: 1116; At the
Justice Department: 1120; Birmingham
Jail: 1146, 1147; Wandering: 1155; The
Writer in the Family: 1166; Teenage
Wasteland: 1178; Separating: 1191,
1192; Soto/Mora: 1198; Hostage: 1212,
1213; Mother Tongue: 1221; The Latin
Deli: 1226; Straw into Gold: 1232
(continued)
 Interpersonal and Self-Direction
Skills and use these 21 Century
Tools
Text Wrap in Teacher’s Edition
Coyote Stories: 45; The Way to Rainy
Mountain: 59; King/Malcolm X: 303; I
am Joaquin: 312; The Devil and Tom
Walker: 357; I Hear America Singing:
403; The Masque of Red Death: 459; A
Rose For Emily: 526; The Life You
Save May Be Your Own: 529; Coming
of Age: 613; The Indian and the
Hundred Cows: 644;
11
Text Wrap in Teacher’s Edition
Twain's Autobiography: 661, 663;
Life on the Mississippi: 674; The
Yellow Wallpaper: 774; In the
American Society: 885; When the
Negro Was in Vogue: 934; My
City/Any Human to Another: 942; My
Dungeon Shook: 963; Armistice: 1082;
Paradise/Executive Order: 1100;
Chimera/Deciding: 1117; Wandering:
1154; Teenage Wasteland: 1179;
Separating: 1185
(continued)
 Interpersonal and Self-Direction
Skills and use these 21 Century
Tools
B. 21st Century Tools
Pupil’s Edition/Teacher’s Edition
La Relacion: 79; The Crucible: 244; A
Psalm of Life: 348; The Masque of Red
Death: 463; Jumping Frog: 687; 781;
When the Negro Was in Vogue: 939;
The Man Who Was Almost a Man:
1056; Communication Workshop:
1124-1128
 Problem-solving tools (such as
spreadsheets, decision support,
design tools)
Pupil’s Edition/Teacher’s Edition
La Relacion: 79; The Examination of
Sarah Good: 149; The Crucible: 244;
Virginia Convention: 268; Civil
Disobedience: 379; Walden: 393;
Ending Poem/Tia Chucha: 422; The
Masque of Red Death: 463; The Fall of
the House of Usher: 499; Frederick
Douglass: 572; A Mystery of Heroism:
603; The Gettysburg Address: 608;
Twain's Autobiography: 668; Life on
the Mississippi: 677; Jumping Frog:
687; Communication Workshop: 722726; Poems By Emily Dickinson: 762; I
Stand Here Ironing: 816; Langston
Hughes: 929; When the Negro Was in
Vogue: 939; Thoughts on the AfricanAmerican Novel: 977; Writing
Workshop: 980-988; The Death of the
Hired Man: 1015; Armistice: 1086;
Paradise/Executive Order: 1102;
Ambush: 1110; Communication
Workshop: 1124-1128; Hostage: 1213
 Communication, information
processing and research tools
(such as word processing, e-mail,
groupware, presentation, Web
development, Internet search
tools)
Text Wrap in Teacher’s Edition
The World on the Turtle's Back: 32;
Self-Reliance: 368; Gregario Cortez:
719; Winter Dreams: 861; When the
Negro Was in Vogue: 934;
Chimera/Deciding: 1117; At the Justice
Department: 1121; Soto/Mora: 1199
12
Pupil’s Edition/Teacher’s Edition
Unit One Reflect and Assess; 129; Unit
Two Reflect and Assess: 329; Unit
Three Reflect and Assess: 553; Unit
Four Reflect and Assess: 731; Unit Five
Reflect and Assess: 911; Unit Six
Reflect and Assess: 1067; Unit Seven
Reflect and Assess: 1237
 Personal development and
productivity tools (such a elearning, time
management/calendar,
collaboration tools)
13
INSTRUCTIONAL MATERIALS ADOPTION: GENERAL EVALUATION
CRITERIA
The general evaluation criteria apply to each grade level and are to be evaluated for each
grade level unless otherwise specified. These criteria consist of information critical to the
development of reading/literature at all grade levels. In reading the general evaluation
criteria and subsequent specific grade level criteria, e.g. means “examples of” and i.e.
means that “each of” those items must be addressed. Eighty percent of the combined
general and specific criteria must be met with I (In-depth) or A (Adequate) in order to be
recommended.
GROUP VI – 2007 TO 2013
Reading/Literature, K-12
(Vendor/Publisher)
SPECIFIC LOCATION OF
CONTENT WITHIN
PRODUCT
(IMR Committee) Responses
N=
NonI=
A=
M=
existent
I
A
M N
In-depth Adequate Minimal
Less
80%
80%
60%
than
60%
For student mastery of content standards and objectives the instructional materials will
A. MULTIMEDIA
Pupil’s Edition/Teacher’s Edition
The Language of Literature: 7; The
World on the Turtle's Back: 32; La
Relacion: 79; The Examination of Sarah
Good: 149; The Crucible: 244; Virginia
Convention: 268; Civil Disobedience:
379; Walden: 393; Ending Poem/Tia
Chucha: 422; Edgar Allan Poe: 453;
The Masque of Red Death: 463; The
Fall of the House of Usher: 499;
Frederick Douglass: 572; A Mystery of
Heroism: 603; The Gettysburg Address:
608; Mark Twain: 657; Twain's
Autobiography: 668; Life on the
Mississippi: 677; Jumping Frog: 687;
Emily Dickinson: 748, 762; 816;
Langston Hughes: 923; Langston
Hughes: 929; When the Negro Was in
Vogue: 939; Thoughts on the AfricanAmerican Novel: 977; Robert Frost:
999; Armistice: 1086;
Paradise/Executive Order: 1102;
Ambush: 1110; Communication
Workshop: 1124-1128; The Writer in
the Family: 1164; Hostage: 1213
1.
offer appropriate multimedia (e.g.,
software, audio, visual, internet
access) materials.
14
Text Wrap in Teacher’s Edition
The World on the Turtle's Back: 29; Sky
Loom/Hunting Song: 36; Coyote
Stories: 45; The Man to Send Rain
Clouds: 51; Of Plymouth Plantation: 84;
Life of Olaudah Equiano: 96; Unit Two
From Colony to Country: 130; Sinners:
155; The Crucible: 166, 191, 241;
Virginia Convention: 265; Declaration
of Independence: 273; Wheatley and
Adams Letters: 285; What Is an
American?: 291; Unit Three The Spirit
of Individualism: 336; A Psalm of Life:
345; Self-Reliance: 365; Civil
Disobedience: 375; Walden: 385; I Sit
and Look Out: 399;
Williams/Cummings: 413; Ending
Poem/Tia Chucha: 419; Gary Keillor:
427; The Masque of Red Death: 455;
The Fall of the House of Usher: 479,
482; A Rose For Emily: 518, 524; The
Life You Save May Be Your Own: 531,
535, 537; Frederick Douglass: 567; An
Occurrence at Owl Creek Bridge: 582,
587; A Mystery of Heroism: 594;
Coming of Age: 613; High Horse's
Courting: 650; Twain's Autobiography:
662; Gregario Cortez: 712; Unit Five
The Changing Face of America: 738;
The Yellow Wallpaper: 767, 771;
Seventeen Syllables: 789, 793, 797; I
Stand Here Ironing: 810, 813;
Chicago/Lucinda Matlock: 825; Winter
Dreams: 853, 859; America and I: 867;
In the American Society: 881, 888; Unit
Six The Modern Age: 912; Langston
Hughes: 927; How It Feels to Be
Colored Me: 954; My Dungeon Shook:
962; The End of Something: 1020; The
Jilting of Granny Weatherall: 1036,
1041; The Man Who Was Almost a
Man: 1051; Unit Seven War Abroad
and Conflict at Home: 1068; Armistice:
1081; Ambush: 1107; Birmingham Jail:
1140; Separating: 1186; Hostage: 1204;
Straw into Gold: 1229
(continued)
1. offer appropriate multimedia (e.g.,
software, audio, visual, internet
access) materials.
15
Pupil’s Edition/Teacher’s Edition
The Language of Literature: 7; The
World on the Turtle's Back: 32; La
Relacion: 79; The Examination of Sarah
Good: 149; The Crucible: 244; Virginia
Convention: 268; Civil Disobedience:
379; Walden: 393; Ending Poem/Tia
Chucha: 422; Edgar Allan Poe: 453;
The Masque of Red Death: 463; The
Fall of the House of Usher: 499;
Frederick Douglass: 572; A Mystery of
Heroism: 603; The Gettysburg Address:
608; Mark Twain: 657; Twain's
Autobiography: 668; Life on the
Mississippi: 677; Jumping Frog: 687;
Emily Dickinson: 748, 762; 816;
Langston Hughes: 923; Langston
Hughes: 929; When the Negro Was in
Vogue: 939; Thoughts on the AfricanAmerican Novel: 977; Robert Frost:
999; Armistice: 1086;
Paradise/Executive Order: 1102;
Ambush: 1110; The Writer in the
Family: 1164; Hostage: 1213
2.
provide a website which provides
links to relevant sites as well as
lesson plans, student activities and
parent resources.
Text Wrap in Teacher’s Edition
The World on the Turtle's Back: 24; Sky
Loom/Hunting Song: 33; Coyote
Stories: 39; The Man to Send Rain
Clouds: 48; The Way to Rainy
Mountain: 55; La Relacion: 72; Of
Plymouth Plantation: 81; Life of
Olaudah Equiano: 93; Blue Highways:
100; Lands of My Ancestors: 109;
Writing Workshop: 120; To My Dear
and Loving Husband: 138; The
Examination of Sarah Good: 144;
Sinners: 152; The Crucible: 163;
Writing Workshop: 248; Virginia
Convention: 262; Declaration of
Independence: 270; Wheatley and
Adams Letters: 282; What Is an
American?: 289; Lecture to a
Missionary: 295; King/Malcolm X:
300; I am Joaquin: 309; Writing
Workshop: 320; A Psalm of Life: 344;
The Devil and Tom Walker: 349; SelfReliance: 363; Civil Disobedience: 369;
Walden: 381; I Hear America Singing:
396; Williams/Cummings: 410; Ending
Poem/Tia Chucha: 416; Gary Keillor:
424; Writing Workshop: 438; The
Masque of Red Death: 454; The Raven:
466; The Fall of the House of Usher:
473; Dr. Heidegger's Experiment: 500;
A Rose For Emily: 516;
16
Text Wrap in Teacher’s Edition
The Life You Save May Be Your Own:
528; Writing Workshop: 544; Frederick
Douglass: 562; Stanzas on
Freedom/Free Labor: 574; An
Occurrence at Owl Creek Bridge: 580;
A Mystery of Heroism: 593; The
Gettysburg Address: 605; Coming of
Age: 609; Ballad of Birmingham: 618;
The Indian and the Hundred Cows: 638;
High Horse's Courting: 645; Twain's
Autobiography: 658; Life on the
Mississippi: 669; Jumping Frog: 679; A
Wagner Matinee: 688; Gregario Cortez:
702; Communication Workshop: 722;
Poems By Emily Dickinson: 750; The
Yellow Wallpaper: 765; The Story of an
Hour: 783; Seventeen Syllables: 788;
Adolescence-III: 802; I Stand Here
Ironing: 806; Chicago/Lucinda
Matlock: 824; Richard Cory: 830;
Richard Cory: 835; Winter Dreams:
840; America and I: 863; In the
American Society: 877;
Grateful/Refugee Ship: 894; Writing
Workshop: 902; Langston Hughes: 924;
When the Negro Was in Vogue: 932;
My City/Any Human to Another: 940;
If We Must Die/A Black Man: 945;
How It Feels to Be Colored Me: 950;
My Dungeon Shook: 959; Life For My
Child is Simple/Primer: 967; Thoughts
on the African-American Novel: 973;
Writing Workshop: 980; Selected
Poems: 1000; The Death of the Hired
Man: 1006; The End of Something:
1018; J. Alfred Prufrock: 1025; The
Jilting of Granny Weatherall: 1034; The
Man Who Was Almost a Man: 1045;
Mirror/Self in 1958: 1057; Armistice:
1076; Gunner/Soldiers: 1088;
Paradise/Executive Order: 1095;
Ambush: 1105; Chimera/Deciding:
1111; At the Justice Department: 1118;
Birmingham Jail: 1136; Wandering:
1150; The Writer in the Family: 1157;
Teenage Wasteland: 1168; Separating:
1180; Soto/Mora: 1194; Hostage: 1200;
Mother Tongue: 1215; The Latin Deli:
1223; Straw into Gold: 1227
(continued)
2. provide a website which provides
links to relevant sites as well as
lesson plans, student activities and
parent resources.
17
Text Wrap in Teacher’s Edition
The World on the Turtle's Back: 24; Sky
Loom/Hunting Song: 33; Coyote
Stories: 39; The Man to Send Rain
Clouds: 48; The Way to Rainy
Mountain: 55; La Relacion: 72; Of
Plymouth Plantation: 81; Life of
Olaudah Equiano: 93; Blue Highways:
100; Lands of My Ancestors: 109;
Writing Workshop: 120; To My Dear
and Loving Husband: 138; The
Examination of Sarah Good: 144;
Sinners: 152; The Crucible: 163;
Writing Workshop: 248; Virginia
Convention: 262; Declaration of
Independence: 270; Wheatley and
Adams Letters: 282; What Is an
American?: 289; Lecture to a
Missionary: 295; King/Malcolm X:
300; I am Joaquin: 309; Writing
Workshop: 320; A Psalm of Life: 344;
The Devil and Tom Walker: 349; SelfReliance: 363; Civil Disobedience: 369;
Walden: 381; I Hear America Singing:
396; Williams/Cummings: 410; Ending
Poem/Tia Chucha: 416; Gary Keillor:
424; Writing Workshop: 438; The
Masque of Red Death: 454; The Raven:
466; The Fall of the House of Usher:
473; Dr. Heidegger's Experiment: 500;
A Rose For Emily: 516; The Life You
Save May Be Your Own: 528; Writing
Workshop: 544; Frederick Douglass:
562; Stanzas on Freedom/Free Labor:
574; An Occurrence at Owl Creek
Bridge: 580; A Mystery of Heroism:
593; The Gettysburg Address: 605;
Coming of Age: 609; Ballad of
Birmingham: 618; The Indian and the
Hundred Cows: 638; High Horse's
Courting: 645; Twain's Autobiography:
658; Life on the Mississippi: 669;
Jumping Frog: 679; A Wagner Matinee:
688; Gregario Cortez: 702;
Communication Workshop: 722;
Poems By Emily Dickinson: 750; The
Yellow Wallpaper: 765; The Story of an
Hour: 783; Seventeen Syllables: 788;
Adolescence-III: 802; I Stand Here
Ironing: 806; Chicago/Lucinda
Matlock: 824; Richard Cory: 830;
Richard Cory: 835; Winter Dreams:
840; America and I: 863; In the
American Society: 877;
Grateful/Refugee Ship: 894; Writing
Workshop: 902; Langston Hughes: 924;
3.
integrate technology into the
curriculum.
18
Text Wrap in Teacher’s Edition
When the Negro Was in Vogue: 932;
My City/Any Human to Another: 940;
If We Must Die/A Black Man: 945;
How It Feels to Be Colored Me: 950;
My Dungeon Shook: 959; Life For My
Child is Simple/Primer: 967; Thoughts
on the African-American Novel: 973;
Writing Workshop: 980; Selected
Poems: 1000; The Death of the Hired
Man: 1006; The End of Something:
1018; J. Alfred Prufrock: 1025; The
Jilting of Granny Weatherall: 1034; The
Man Who Was Almost a Man: 1045;
Mirror/Self in 1958: 1057; Armistice:
1076; Gunner/Soldiers: 1088;
Paradise/Executive Order: 1095;
Ambush: 1105; Chimera/Deciding:
1111; At the Justice Department: 1118;
Birmingham Jail: 1136; Wandering:
1150; The Writer in the Family: 1157;
Teenage Wasteland: 1168; Separating:
1180; Soto/Mora: 1194; Hostage: 1200;
Mother Tongue: 1215; The Latin Deli:
1223; Straw into Gold: 1227
(continued)
3. integrate technology into the
curriculum.
B. SCIENTIFICALLY-BASED READING RESEARCH
STRATEGIES
Pupil’s Edition/Teacher’s Edition
Coyote Stories: 39; Blue Highways:
100; The Examination of Sarah Good:
148; Comparing Literature: 246; What
Is an American?: 294; The Gettysburg
Address: 605; Poems By Emily
Dickinson: 762; The Yellow Wallpaper:
765; Chicago/Lucinda Matlock: 824;
The New Immigrants: 830; Langston
Hughes: 924; Writing Workshop: 983;
Selected Poems: 1005; The Latin Deli:
1223
1.
provide explicit instructional
strategies to present varied teaching
models including but not limited to:
webbing, mapping, Venn diagrams
and inverted pyramids.
Text Wrap in Teacher’s Edition
The Crucible: 166, 215; The Devil and
Tom Walker: 352; Adolescence-III:
803; The End of Something: 1021; The
Man Who Was Almost a Man: 1056
19
Pupil’s Edition/Teacher’s Edition
Opportunities to address this standard
can be found on the following pages:
The World on the Turtle's Back: 24;
Comparing Literature: 64; The
Crucible: 228; What Is an American?:
289; Comparing Literature: 318; Dr.
Heidegger's Experiment: 500; Richard
Cory: 830; America and I: 863;
Thoughts on the African-American
Novel: 973; Armistice: 1076; The Latin
Deli: 1225; Reading Handbook: 12401268
2.
promote independent reading skills
and study techniques (e.g., DRTA,
SQ3R, ReQuest, Feature Analysis,
QAR).
Pupil’s Edition/Teacher’s Edition
Coyote Stories: 39; Blue Highways:
100; The Examination of Sarah Good:
148; Comparing Literature: 246; What
Is an American?: 294; The Gettysburg
Address: 605; Poems By Emily
Dickinson: 762; The Yellow Wallpaper:
765; Chicago/Lucinda Matlock: 824;
The New Immigrants: 830; Langston
Hughes: 924; Writing Workshop: 983;
Selected Poems: 1005; The Latin Deli:
1223
3.
present varied teaching models
Text Wrap in Teacher’s Edition
The Crucible: 166, 215; The Devil and
Tom Walker: 352; Adolescence-III:
803; The End of Something: 1021; The
Man Who Was Almost a Man: 1056
20
C. CRITICAL THINKING
Pupil’s Edition/Teacher’s Edition
A Worn Path: 8, 9, 11, 13, 14, 15; The
Crucible: 216; The Life You Save May
Be Your Own: 533, 538; An
Occurrence at Owl Creek Bridge: 583,
588; Winter Dreams: 847, 856
1.
emphasize questioning models to
promote higher order thinking skills
in all levels of comprehension
(literal, interpretive,
critical/evaluative).
See Thinking Through the Literature
after each selection: 31, 37, 46, 53, 62,
78, 88, 98,107, 116, 142, 148, 158, 190,
206, 228, 243, 267, 279, 287, 293, 298,
307, 316, 347, 360, 367, 378, 392, 404,
414, 421, 434, 462, 471, 496-497, 514,
525, 539, 571, 578, 591, 602, 607, 616,
620, 643, 652, 667, 676, 685-686, 697,
718, 760-761, 779, 786, 800, 804, 815,
828, 833, 838, 860, 873, 892, 898, 928,
937-938, 943, 948, 957, 964, 971, 976,
1005, 1013-1014, 1023, 1030, 1043,
1055, 1061, 1085, 1093, 1101, 1109,
1116, 1120, 1146, 1155, 1166, 1178,
1191, 1198, 1212, 1221, 1225, 1232
Text Wrap in Teacher’s Edition
The Dark Side of Individualism: 448;
Dr. Heidegger's Experiment: 510; The
Life You Save May Be Your Own:
532; An Occurrence at Owl Creek
Bridge: 582; A Mystery of Heroism:
596, 598; High Horse's Courting: 648;
The Yellow Wallpaper: 778; Winter
Dreams: 846; The Jilting of Granny
Weatherall: 1040; Teenage Wasteland:
1172, 1176; Separating: 1190
21
Pupil’s Edition/Teacher’s Edition
Opportunities to address this
standard can be found on the
following pages: A Worn Path: 8, 9,
11, 13, 14, 15; The Crucible: 216; The
Life You Save May Be Your Own: 533,
538; An Occurrence at Owl Creek
Bridge: 583, 588; Winter Dreams: 847,
856
2.
emphasize questioning models to
promote higher order thinking skills
based on Bloom’s Taxonomy.
See Thinking Through the Literature
after each selection: 31, 37, 46, 53, 62,
78, 88, 98,107, 116, 142, 148, 158, 190,
206, 228, 243, 267, 279, 287, 293, 298,
307, 316, 347, 360, 367, 378, 392, 404,
414, 421, 434, 462, 471, 496-497, 514,
525, 539, 571, 578, 591, 602, 607, 616,
620, 643, 652, 667, 676, 685-686, 697,
718, 760-761, 779, 786, 800, 804, 815,
828, 833, 838, 860, 873, 892, 898, 928,
937-938, 943, 948, 957, 964, 971, 976,
1005, 1013-1014, 1023, 1030, 1043,
1055, 1061, 1085, 1093, 1101, 1109,
1116, 1120, 1146, 1155, 1166, 1178,
1191, 1198, 1212, 1221, 1225, 1232
Text Wrap in Teacher’s Edition
Opportunities to address this
standard can be found on the
following pages:
The Dark Side of Individualism: 448;
Dr. Heidegger's Experiment: 510; The
Life You Save May Be Your Own:
532; An Occurrence at Owl Creek
Bridge: 582; A Mystery of Heroism:
596, 598; High Horse's Courting: 648;
The Yellow Wallpaper: 778; Winter
Dreams: 846; The Jilting of Granny
Weatherall: 1040; Teenage Wasteland:
1172, 1176; Separating: 1190
22
D. LIFE SKILLS
Pupil’s Edition/Teacher’s Edition
Unit One Reflect and Asses: 129;
History Clashes with Commercialism:
150-151; Unit Two Reflect and Assess:
329; Unit Three Reflect and Assess:
553; Unit Four Reflect and Assess: 731;
Richard Cory: 834; Unit Five Reflect
and Assess: 911; Unit Six Reflect and
Assess: 1067; Gunner/Soldiers: 1094
1.
address life skills (e.g., reading road
maps, using reference tools,
researching, reading a newspaper,
using want ads, completing an
application, applying the interview
process and goal setting).
2.
address habits of mind activities
(e.g., literacy skills, interpersonal
communications, problem solving
and self-directional skills).
Text Wrap in Teacher’s Edition
Walden: 387; A Rose For Emily: 519;
Life on the Mississippi: 672; Seventeen
Syllables: 795; The New Immigrants:
875; In the American Society: 885; The
Man Who Was Almost a Man: 1052;
Gunner/Soldiers: 1091; The Writer in
the Family: 1164; Separating: 1188;
Soto/Mora: 1197; Hostage: 1210
Pupil’s Edition/Teacher’s Edition
Communication Workshop: 722-726;
Communication Workshop: 1124-1128
Text Wrap in Teacher’s Edition
The Crucible: 234; A Rose For Emily:
519; When the Negro Was in Vogue:
934; The Death of the Hired Man: 1010;
Separating: 1188
E. CLASSROOM MANAGEMENT
Pupil’s Edition/Teacher’s Edition
The World on the Turtle's Back: 31; Sky
Loom/Hunting Song: 37, 38; Coyote
Stories: 46, 47; The Man to Send Rain
Clouds: 53; The Way to Rainy
Mountain: 62; La Relacion: 78, 79; Of
Plymouth Plantation: 88; Life of
Olaudah Equiano: 98, 99; Blue
Highways: 107; Lands of My
Ancestors: 116; To My Dear and
Loving Husband: 142, 143; Sinners:
158; The Crucible: 190, 206, 228, 243,
244; Virginia Convention: 267;
Declaration of Independence: 279, 280;
Wheatley and Adams Letters: 287, 288;
What Is an American?: 293; I am
Joaquin: 316, 317; Unit Two Reflect
and Assess: 328; A Psalm of Life: 347,
348; The Devil and Tom Walker: 360,
361; Self-Reliance: 367; Civil
Disobedience: 378, 379; Walden: 392;
1.
include opportunities for large
group, small group and independent
learning
23
Pupil’s Edition/Teacher’s Edition
I Hear America Singing: 404;
Williams/Cummings: 414; Ending
Poem/Tia Chucha: 421, 422; Gary
Keillor: 434, 435; The Masque of Red
Death: 462, 463; The Raven: 471, 472;
The Fall of the House of Usher: 496; Dr.
Heidegger's Experiment: 514; A Rose
For Emily: 525; The Life You Save
May Be Your Own: 539; Unit Three
Reflect and Assess: 552; Frederick
Douglass: 571, 572; Stanzas on
Freedom/Free Labor: 579; An
Occurrence at Owl Creek Bridge: 591;
A Mystery of Heroism: 602, 603; The
Gettysburg Address: 607; Coming of
Age: 616, 617; Ballad of Birmingham:
620; The Indian and the Hundred Cows:
643; High Horse's Courting: 652;
Twain's Autobiography: 667, 668; Life
on the Mississippi: 676; Jumping Frog:
685, 686; Gregario Cortez: 718, 719;
Poems By Emily Dickinson: 760; The
Yellow Wallpaper: 779, 780; The Story
of an Hour: 786; Seventeen Syllables:
800; Adolescence-III: 804, 805; I Stand
Here Ironing: 815; Chicago/Lucinda
Matlock: 828; Winter Dreams: 860,
861; In the American Society: 892;
Grateful/Refugee Ship: 898; Unit Five
Reflect and Assess: 910; Langston
Hughes: 928, 929; When the Negro
Was in Vogue: 937, 939; My City/Any
Human to Another: 943; If We Must
Die/A Black Man: 948, 949; My
Dungeon Shook: 964, 965; Life For My
Child is Simple/Primer: 971; Thoughts
on the African-American Novel: 976;
The Death of the Hired Man: 1013,
1015; The End of Something: 1023,
1024; J. Alfred Prufrock: 1030, 1031;
The Man Who Was Almost a Man:
1055; Comparing Literature: 1066;
Armistice: 1085; Gunner/Soldiers:
1093; Chimera/Deciding: 1116; At the
Justice Department: 1120; Birmingham
Jail: 1146, 1147; Wandering: 1155; The
Writer in the Family: 1166; Teenage
Wasteland: 1178; Separating: 1191,
1192; Soto/Mora: 1198; Hostage: 1212,
1213; Mother Tongue: 1221; The Latin
Deli: 1226; Straw into Gold: 1232
(continued)
1. include opportunities for large
group, small group and independent
learning
24
Text Wrap in Teacher’s Edition
Coyote Stories: 45; The Way to Rainy
Mountain: 59; King/Malcolm X: 303; I
am Joaquin: 312; The Devil and Tom
Walker: 357; I Hear America Singing:
403; The Masque of Red Death: 459; A
Rose For Emily: 526; The Life You
Save May Be Your Own: 529; Coming
of Age: 613; The Indian and the
Hundred Cows: 644; Twain's
Autobiography: 661, 663; Life on the
Mississippi: 674; The Yellow
Wallpaper: 774; In the American
Society: 885; When the Negro Was in
Vogue: 934; My City/Any Human to
Another: 942; My Dungeon Shook:
963; Armistice: 1082;
Paradise/Executive Order: 1100;
Chimera/Deciding: 1117; Wandering:
1154; Teenage Wasteland: 1179;
Separating: 1185
(continued)
1. include opportunities for large
group, small group and independent
learning
Text Wrap in Teacher’s Edition
The World on the Turtle's Back: 28;
Coyote Stories: 41; La Relacion: 74, 77;
Of Plymouth Plantation: 85; Blue
Highways: 102; Lands of My
Ancestors: 112, 117; To My Dear and
Loving Husband: 139; The
Examination of Sarah Good: 145;
Sinners: 154; The Crucible: 167, 194,
207; 220, 229, 235, 236; Virginia
Convention: 264; Declaration of
Independence: 272; Lecture to a
Missionary: 297; King/Malcolm X:
302, 305; I am Joaquin: 310, 312; The
Devil and Tom Walker: 351; Civil
Disobedience: 372; Walden: 383; I Hear
America Singing: 398, 402;
Williams/Cummings: 412; Gary
Keillor: 428, 429; The Masque of Red
Death: 458, 460; The Raven: 468, 469;
The Fall of the House of Usher: 478,
492; Dr. Heidegger's Experiment: 504,
508; A Rose For Emily: 520; The Life
You Save May Be Your Own: 530,
536; Frederick Douglass: 566, 568; An
Occurrence at Owl Creek Bridge: 583,
586; A Mystery of Heroism: 596;
Coming of Age: 610; The Indian and
the Hundred Cows: 640, 641; High
Horse's Courting: 646; Twain's
Autobiography: 660, 661; Life on the
Mississippi: 670, 674;
2.
provide classroom management
suggestions.
25
Text Wrap in Teacher’s Edition
Jumping Frog: 682, 684; A Wagner
Matinee: 692; Gregario Cortez: 703;
Poems By Emily Dickinson: 753; The
Yellow Wallpaper: 768, 774; Seventeen
Syllables: 791; I Stand Here Ironing:
812; Winter Dreams: 844, 848, 854;
America and I: 868; In the American
Society: 879; When the Negro Was in
Vogue: 934; How It Feels to Be
Colored Me: 952; My Dungeon Shook:
961; Life For My Child is
Simple/Primer: 970; The Death of the
Hired Man: 1008; J. Alfred Prufrock:
1027; The Jilting of Granny Weatherall:
1037; The Man Who Was Almost a
Man: 1046; Armistice: 1080, 1082;
Gunner/Soldiers: 1091;
Paradise/Executive Order: 1096, 1100;
Ambush: 1108; Chimera/Deciding:
1114; Birmingham Jail: 1137; The
Writer in the Family: 1159; Teenage
Wasteland: 1172, 1176; Separating:
1182; Separating: 1185; Hostage: 1201;
1206; Mother Tongue: 1217, 1218; The
Latin Deli: 1224; Straw into Gold: 1230
(continued)
2. provide classroom management
suggestions.
F. INSTRUCTIONAL MATERIALS
Text Wrap in Teacher’s Edition
The World on the Turtle's Back: 25, 27,
29; Sky Loom/Hunting Song: 35;
Coyote Stories: 41, 43, 45; The Man to
Send Rain Clouds: 49, 51; The Way to
Rainy Mountain: 57, 59, 61; La
Relacion: 73, 75, 77; Of Plymouth
Plantation: 83, 85, 87; Life of Olaudah
Equiano: 95, 97; Blue Highways: 101,
103, 105; Lands of My Ancestors: 111,
113, 115; To My Dear and Loving
Husband: 139, 141; The Examination of
Sarah Good: 145, 147; Sinners: 153,
155, 157; The Crucible: 165, 167, 169,
171, 172, 173, 175, 177, 179, 181, 183,
185, 187, 189, 191, 193, 195, 197, 201,
203, 205, 207, 209, 211, 213, 215, 217,
219, 221, 223, 225, 227, 229, 231, 233,
235, 237, 239, 241; Virginia
Convention: 263, 265; Declaration of
Independence: 271, 273, 275, 277;
Wheatley and Adams Letters: 283, 285;
Lecture to a Missionary: 297;
King/Malcolm X: 301, 305; I am
Joaquin: 311, 313, 315; A Psalm of
Life: 345;
1.
address varied learning styles and
multiple intelligences of students
including models for insightful
decision-making by the instructor.
26
Text Wrap in Teacher’s Edition
The Devil and Tom Walker: 351, 353,
355, 357, 359; Self-Reliance: 365; Civil
Disobedience: 371, 373, 375, 377;
Walden: 383, 385, 387, 389, 391; I Hear
America Singing: 397, 399, 401, 403;
Williams/Cummings: 411, 413; Ending
Poem/Tia Chucha: 417, 419; Gary
Keillor: 425, 427, 429, 431, 433; The
Masque of Red Death: 455, 457, 459,
461; The Raven: 467, 469; The Fall of
the House of Usher: 475, 477, 479, 481,
483, 485, 487, 489, 491, 493, 495; Dr.
Heidegger's Experiment: 501, 503, 505,
507, 509, 511, 513; A Rose For Emily:
517, 519, 521, 523; The Life You Save
May Be Your Own: 529, 531, 533, 535,
537; Frederick Douglass: 563, 565, 567,
569; Stanzas on Freedom/Free Labor:
575, 577; An Occurrence at Owl Creek
Bridge: 581, 583, 585, 587, 589; A
Mystery of Heroism: 595, 597, 599,
601; Coming of Age: 611, 613, 615;
Ballad of Birmingham: 619; The Indian
and the Hundred Cows: 639, 641; High
Horse's Courting: 647, 649, 651;
Twain's Autobiography: 659, 661, 663,
665; Life on the Mississippi: 671, 673,
675; Jumping Frog: 681, 683; A
Wagner Matinee: 691, 693, 695;
Gregario Cortez: 703, 705, 707, 709,
711, 713, 715, 717; Poems By Emily
Dickinson:, 751, 753, 757, 759; The
Yellow Wallpaper: 767, 769, 771, 773,
775, 777; The Story of an Hour: 785;
Seventeen Syllables: 789, 791, 793, 795,
797, 799; Adolescence-III: 803; I Stand
Here Ironing: 807, 809, 811, 813;
Chicago/Lucinda Matlock: 825, 827;
Richard Cory: 831; Richard Cory: 837;
Winter Dreams: 841, 843, 845, 847,
849, 851, 853, 855, 857, 859; America
and I: 865, 867, 869, 871; In the
American Society: 879, 881, 883, 885,
887, 889; Grateful/Refugee Ship: 895,
897; Langston Hughes: 925, 927; When
the Negro Was in Vogue: 933, 935; My
City/Any Human to Another: 941; If
We Must Die/A Black Man: 947; How
It Feels to Be Colored Me: 951, 953,
955; My Dungeon Shook: 961, 963;
Thoughts on the African-American
Novel: 975; Selected Poems: 1001,
1003; The Death of the Hired Man:
1007, 1009, 1011; The End of
Something: 1019, 1021;
(continued)
1. address varied learning styles and
multiple intelligences of students
including models for insightful
decision-making by the instructor.
27
Text Wrap in Teacher’s Edition
J. Alfred Prufrock: 1027, 1029; The
Jilting of Granny Weatherall: 1035,
1037, 1039, 1041; The Man Who Was
Almost a Man: 1047, 1049, 1051, 1053;
Mirror/Self in 1958: 1059; Armistice:
1077, 1079, 1081, 1083;
Gunner/Soldiers: 1089, 1091;
Paradise/Executive Order: 1097, 1099;
Ambush: 1107; Chimera/Deciding:
1113, 1115; At the Justice Department:
1119; Birmingham Jail: 1137, 1139,
1141, 1143, 1145; Wandering: 1151,
1153; The Writer in the Family: 1159,
1161, 1163, 1165; Teenage Wasteland:
1169, 1171, 1173, 1175, 1177;
Separating: 1181, 1183, 1185, 1187,
1189; Soto/Mora: 1195, 1197; Hostage:
1201, 1203, 1205, 1207, 1209, 1211;
Mother Tongue: 1217, 1219; Straw into
Gold: 1229, 1231
(continued)
1. address varied learning styles and
multiple intelligences of students
including models for insightful
decision-making by the instructor.
Pupil’s Edition/Teacher’s Edition
Reading & Writing for Assessment:
330; Learning the Language of
Literature: 395; Reading & Writing for
Assessment: 732
2.
provide extensive and varied
opportunities to practice skills.
See Choices & Challenges after each
selection: 32, 38, 47, 54, 63, 79-80, 8990, 99, 108, 117, 143, 149, 159-160,
244-245, 268-269, 280-281, 288, 294,
299, 308, 317, 348, 361-362, 368, 379380, 393, 405, 415, 422-423, 435, 463,
472, 498-499, 515, 526-527, 540-541,
572-573, 579, 592, 603-604, 608, 617,
621, 644, 653, 668, 677, 687, 698-699,
719, 762, 780-781, 787, 801, 805, 816817, 829, 834, 839, 861-862, 874, 893,
899, 929, 944, 949, 958, 965-967,972,
977, 1015, 1024, 1031-1032, 1044,
1056, 1062-1063, 1086-1087, 1094,
1102, 1110, 1117, 1121, 1147, 1156,
1167, 1179, 1192-1193, 1199, 1213,
1222, 1226, 1233
Text Wrap in Teacher’s Edition
The World on the Turtle's Back: 26, 28,
30; Sky Loom/Hunting Song: 34, 36;
Coyote Stories: 40, 42, 44; The Man to
Send Rain Clouds: 50, 52; The Way to
Rainy Mountain: 56, 58, 60; La
Relacion: 74, 76; Of Plymouth
Plantation: 82, 84, 86; Life of Olaudah
Equiano: 94, 96;
28
Text Wrap in Teacher’s Edition
Blue Highways: 102, 104, 106; Lands
of My Ancestors: 110, 112, 114; To My
Dear and Loving Husband: 140; The
Examination of Sarah Good: 146;
Sinners: 154, 156; The Crucible: 164,
166, 168, 170, 172, 174, 176, 178, 180,
182, 184, 186, 188, 192, 194, 196, 198,
200, 202, 204, 208, 210, 212, 214, 216,
218, 220, 222, 224, 226, 230, 232, 234,
236, 238, 240, 242; Virginia
Convention: 264, 266; Declaration of
Independence: 272, 274, 276, 278;
Wheatley and Adams Letters: 284, 286;
Lecture to a Missionary: 296;
King/Malcolm X: 302, 304, 306; I am
Joaquin: 310, 312, 314; A Psalm of
Life: 346; The Devil and Tom Walker:
350, 352, 354, 356, 358; Self-Reliance:
364, 366; Civil Disobedience: 370, 372,
374, 376; Walden: 382, 384, 386, 388,
390; I Hear America Singing: 398, 400,
402; Williams/Cummings: 412; Ending
Poem/Tia Chucha: 418, 420; Gary
Keillor: 426, 428, 430, 432; The
Masque of Red Death: 456, 458, 460;
The Raven: 468, 470; The Fall of the
House of Usher: 474, 476, 478, 480,
482, 484, 486, 488, 490, 492, 494; Dr.
Heidegger's Experiment: 502, 504, 506,
508, 510, 512; A Rose For Emily: 518,
520, 522, 524; The Life You Save May
Be Your Own: 530, 532, 534, 536, 538;
Frederick Douglass: 564, 566, 568, 570;
Stanzas on Freedom/Free Labor: 576;
An Occurrence at Owl Creek Bridge:
582, 584, 586, 588, 590; A Mystery of
Heroism: 594, 596, 598, 600; The
Gettysburg Address: 606; Coming of
Age: 610, 612, 614; The Indian and the
Hundred Cows: 640, 642; High Horse's
Courting: 646, 648, 650; Twain's
Autobiography: 660, 662, 664, 666;
Life on the Mississippi: 670, 672, 674;
Jumping Frog: 680, 682; A Wagner
Matinee: 690, 692, 694; Gregario
Cortez: 704, 706, 708, 710, 712, 714,
716; Poems By Emily Dickinson: 753,
754, 756, 758; The Yellow Wallpaper:
766, 768, 770, 772, 774, 776, 778; The
Story of an Hour: 784; Seventeen
Syllables: 790, 792, 794, 796, 798; I
Stand Here Ironing: 808, 810, 812;
Chicago/Lucinda Matlock: 826;
Richard Cory: 832, 836;
(continued)
2. provide extensive and varied
opportunities to practice skills.
29
Text Wrap in Teacher’s Edition
Winter Dreams: 842, 844, 846, 848,
850, 852, 854, 856, 858; America and I:
864, 866, 868, 870, 872; In the
American Society: 878, 880, 882, 884,
886, 888, 890; Grateful/Refugee Ship:
896; Langston Hughes: 926; When the
Negro Was in Vogue: 934, 936; My
City/Any Human to Another: 942; If
We Must Die/A Black Man: 946; How
It Feels to Be Colored Me: 952, 954;
My Dungeon Shook: 960, 962;
Thoughts on the African-American
Novel: 974; Selected Poems: 1002,
1004; The Death of the Hired Man:
1008, 1010; The End of Something:
1020, 1022; J. Alfred Prufrock: 1026,
1028; The Jilting of Granny Weatherall:
1036, 1038, 1040, 1042; The Man Who
Was Almost a Man: 1046, 1048, 1050,
1052, 1054; Mirror/Self in 1958: 1058,
1060; Armistice: 1078, 1080, 1084;
Gunner/Soldiers: 1090, 1092;
Paradise/Executive Order: 1096, 1098,
1100; Ambush: 1106, 1108;
Chimera/Deciding: 1112, 1114;
Birmingham Jail: 1138, 1140, 1142,
1144; Wandering: 1152, 1154; The
Writer in the Family: 1158, 1160, 1162,
1164; Teenage Wasteland: 1170, 1172,
1174, 1176; Separating: 1182, 1184,
1186, 1188, 1190; Soto/Mora: 1196;
Hostage: 1202, 1204, 1206, 1208;
Mother Tongue: 1216, 1218, 1220; The
Latin Deli: 1224; Straw into Gold: 1228,
1230
(continued)
2. provide extensive and varied
opportunities to practice skills.
Text Wrap in Teacher’s Edition
Opportunities to address this standard
can be found on the following pages:
The World on the Turtle's Back: 25, 27,
29; Sky Loom/Hunting Song: 35;
Coyote Stories: 41, 43, 45; The Man to
Send Rain Clouds: 49, 51; The Way to
Rainy Mountain: 57, 59, 61; La
Relacion: 73, 75, 77; Of Plymouth
Plantation: 83, 85, 87; Life of Olaudah
Equiano: 95, 97; Blue Highways: 101,
103, 105; Lands of My Ancestors: 111,
113, 115; To My Dear and Loving
Husband: 139, 141; The Examination of
Sarah Good: 145, 147; Sinners: 153,
155, 157;
3.
provide intervention, practice and
enrichment materials
30
Text Wrap in Teacher’s Edition
The Crucible: 165, 167, 169, 171, 172,
173, 175, 177, 179, 181, 183, 185, 187,
189, 191, 193, 195, 197, 201, 203, 205,
207, 209, 211, 213, 215, 217, 219, 221,
223, 225, 227, 229, 231, 233, 235, 237,
239, 241; Virginia Convention: 263,
265; Declaration of Independence: 271,
273, 275, 277; Wheatley and Adams
Letters: 283, 285; Lecture to a
Missionary: 297; King/Malcolm X:
301, 305; I am Joaquin: 311, 313, 315;
A Psalm of Life: 345; The Devil and
Tom Walker: 351, 353, 355, 357, 359;
Self-Reliance: 365; Civil Disobedience:
371, 373, 375, 377; Walden: 383, 385,
387, 389, 391; I Hear America Singing:
397, 399, 401, 403;
Williams/Cummings: 411, 413; Ending
Poem/Tia Chucha: 417, 419; Gary
Keillor: 425, 427, 429, 431, 433; The
Masque of Red Death: 455, 457, 459,
461; The Raven: 467, 469; The Fall of
the House of Usher: 475, 477, 479, 481,
483, 485, 487, 489, 491, 493, 495; Dr.
Heidegger's Experiment: 501, 503, 505,
507, 509, 511, 513; A Rose For Emily:
517, 519, 521, 523; The Life You Save
May Be Your Own: 529, 531, 533, 535,
537; Frederick Douglass: 563, 565, 567,
569; Stanzas on Freedom/Free Labor:
575, 577; An Occurrence at Owl Creek
Bridge: 581, 583, 585, 587, 589; A
Mystery of Heroism: 595, 597, 599,
601; Coming of Age: 611, 613, 615;
Ballad of Birmingham: 619; The Indian
and the Hundred Cows: 639, 641; High
Horse's Courting: 647, 649, 651;
Twain's Autobiography: 659, 661, 663,
665; Life on the Mississippi: 671, 673,
675; Jumping Frog: 681, 683; A
Wagner Matinee: 691, 693, 695;
Gregario Cortez: 703, 705, 707, 709,
711, 713, 715, 717; Poems By Emily
Dickinson:, 751, 753, 757, 759; The
Yellow Wallpaper: 767, 769, 771, 773,
775, 777; The Story of an Hour: 785;
Seventeen Syllables: 789, 791, 793, 795,
797, 799; Adolescence-III: 803; I Stand
Here Ironing: 807, 809, 811, 813;
Chicago/Lucinda Matlock: 825, 827;
Richard Cory: 831; Richard Cory: 837;
Winter Dreams: 841, 843, 845, 847,
849, 851, 853, 855, 857, 859; America
and I: 865, 867, 869, 871;
(continued)
3. provide intervention, practice and
enrichment materials
31
Text Wrap in Teacher’s Edition
In the American Society: 879, 881, 883,
885, 887, 889; Grateful/Refugee Ship:
895, 897; Langston Hughes: 925, 927;
When the Negro Was in Vogue: 933,
935; My City/Any Human to Another:
941; If We Must Die/A Black Man:
947; How It Feels to Be Colored Me:
951, 953, 955; My Dungeon Shook:
961, 963; Thoughts on the AfricanAmerican Novel: 975; Selected Poems:
1001, 1003; The Death of the Hired
Man: 1007, 1009, 1011; The End of
Something: 1019, 1021; J. Alfred
Prufrock: 1027, 1029; The Jilting of
Granny Weatherall: 1035, 1037, 1039,
1041; The Man Who Was Almost a
Man: 1047, 1049, 1051, 1053;
Mirror/Self in 1958: 1059; Armistice:
1077, 1079, 1081, 1083;
Gunner/Soldiers: 1089, 1091;
Paradise/Executive Order: 1097, 1099;
Ambush: 1107; Chimera/Deciding:
1113, 1115; At the Justice Department:
1119; Birmingham Jail: 1137, 1139,
1141, 1143, 1145; Wandering: 1151,
1153; The Writer in the Family: 1159,
1161, 1163, 1165; Teenage Wasteland:
1169, 1171, 1173, 1175, 1177;
Separating: 1181, 1183, 1185, 1187,
1189; Soto/Mora: 1195, 1197; Hostage:
1201, 1203, 1205, 1207, 1209, 1211;
Mother Tongue: 1217, 1219; Straw into
Gold: 1229, 1231
(continued)
3. provide intervention, practice and
enrichment materials
Pupil’s Edition/Teacher’s Edition
The Way to Rainy Mountain: 55-63;
Life of Olaudah Equiano: 93-99;
Writing Workshop: 121-122; Writing
Workshop: 545-546; Frederick
Douglass: 562-573; Writing Workshop:
903-904
4.
provide exemplars of narrative,
descriptive and expository writing
types.
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 124; Writing
Workshop: 252; Writing Workshop:
324; Writing Workshop: 442; Writing
Workshop: 548; Writing Workshop:
628; Writing Workshop: 906; Writing
Workshop: 988
5.
provide exemplars of
editing/revision for writing.
32
Pupil’s Edition/Teacher’s Edition
Edgar Allan Poe: 450-453; Mark
Twain: 654-657; Emily Dickinson: 746749; Langston Hughes: 920-923;
Robert Frost: 996-999; Grammar
Handbook: 1335-1341; Glossary of
Literary Terms: 1372-1395
6.
provide leveled texts to allow
students to read independently
(grades K-4) or include a Handbook
of English Language Arts, which
will include an extensive glossary of
literary and grammatical
terminology as well as background
on authors (grades 5-12).
Pupil’s Edition/Teacher’s Edition
Sky Loom/Hunting Song: 34; Coyote
Stories: 42; To My Dear and Loving
Husband: 139; Wheatley and Adams
Letters: 284; King/Malcolm X: 304; I
Hear America Singing: 398, 399;
Williams/Cummings: 411; Ending
Poem/Tia Chucha: 418; Stanzas on
Freedom/Free Labor: 575; Poems By
Emily Dickinson: 751, 752, 753, 754;
756, 757, 758; Chicago/Lucinda
Matlock: 826; Richard Cory: 831;
Mask/Sympathy: 836; Grateful/Refugee
Ship: 896; Langston Hughes: 925; My
City/Any Human to Another: 941; If
We Must Die/A Black Man: 946; Life
For My Child is Simple/Primer: 968;
Selected Poems: 1001, 1003;
Mirror/Self in 1958: 1058; Armistice:
1076-1087; Gunner/Soldiers: 1089;
Paradise/Executive Order: 1098;
Chimera/Deciding: 1113; Soto/Mora:
1196
7.
include teacher and student study
guides for literary works.
Pupil’s Edition/Teacher’s Edition
Reading & Writing for Assessment:
330; Learning the Language of
Literature: 395; Reading & Writing for
Assessment: 732
8.
continue skill or strategy instruction
across several instructional sessions
to expand the applicability and
utility of the skill or strategy.
See Preparing to Read before each
selection: 24, 33, 39, 48, 55, 72, 81, 93,
100, 109, 138, 144, 152, 163, 262, 270,
282, 289, 295, 300, 309, 344, 349, 363,
369, 381, 396, 410, 416, 424, 454, 466,
473, 500, 516, 528, 562, 574, 580, 593,
605, 509, 518, 638, 645, 658, 669, 679,
688, 702, 750, 765, 783, 788, 802, 806,
824, 830, 835, 840,863, 877, 894, 924,
932, 940, 945, 950, 959, 967, 973, 1000,
1006, 1018, 1025, 1034, 1045, 1057,
1076, 1088, 1095, 1105, 1111,1118,
1136, 1150, 1157, 1168, 1180, 1194,
1200, 1215, 1223, 1227
33
Text Wrap in Teacher’s Edition
The World on the Turtle's Back: 26, 28,
30; Sky Loom/Hunting Song: 34, 36;
Coyote Stories: 40, 42, 44; The Man to
Send Rain Clouds: 50, 52; The Way to
Rainy Mountain: 56, 58, 60; La
Relacion: 74, 76; Of Plymouth
Plantation: 82, 84, 86; Life of Olaudah
Equiano: 94, 96; Blue Highways: 102,
104, 106; Lands of My Ancestors: 110,
112, 114; To My Dear and Loving
Husband: 140; The Examination of
Sarah Good: 146; Sinners: 154, 156;
The Crucible: 164, 166, 168, 170, 172,
174, 176, 178, 180, 182, 184, 186, 188,
192, 194, 196, 198, 200, 202, 204, 208,
210, 212, 214, 216, 218, 220, 222, 224,
226, 230, 232, 234, 236, 238, 240, 242;
Virginia Convention: 264, 266;
Declaration of Independence: 272, 274,
276, 278; Wheatley and Adams Letters:
284, 286; Lecture to a Missionary: 296;
King/Malcolm X: 302, 304, 306; I am
Joaquin: 310, 312, 314; A Psalm of
Life: 346; The Devil and Tom Walker:
350, 352, 354, 356, 358; Self-Reliance:
364, 366; Civil Disobedience: 370, 372,
374, 376; Walden: 382, 384, 386, 388,
390; I Hear America Singing: 398, 400,
402; Williams/Cummings: 412; Ending
Poem/Tia Chucha: 418, 420; Gary
Keillor: 426, 428, 430, 432; The
Masque of Red Death: 456, 458, 460;
The Raven: 468, 470; The Fall of the
House of Usher: 474, 476, 478, 480,
482, 484, 486, 488, 490, 492, 494; Dr.
Heidegger's Experiment: 502, 504, 506,
508, 510, 512; A Rose For Emily: 518,
520, 522, 524; The Life You Save May
Be Your Own: 530, 532, 534, 536, 538;
Frederick Douglass: 564, 566, 568, 570;
Stanzas on Freedom/Free Labor: 576;
An Occurrence at Owl Creek Bridge:
582, 584, 586, 588, 590; A Mystery of
Heroism: 594, 596, 598, 600; The
Gettysburg Address: 606; Coming of
Age: 610, 612, 614; The Indian and the
Hundred Cows: 640, 642; High Horse's
Courting: 646, 648, 650; Twain's
Autobiography: 660, 662, 664, 666;
Life on the Mississippi: 670, 672, 674;
Jumping Frog: 680, 682; A Wagner
Matinee: 690, 692, 694; Gregario
Cortez: 704, 706, 708, 710, 712, 714,
716; Poems By Emily Dickinson: 753,
754, 756, 758;
(continued)
8. continue skill or strategy instruction
across several instructional sessions
to expand the applicability and
utility of the skill or strategy.
34
Text Wrap in Teacher’s Edition
The Yellow Wallpaper: 766, 768, 770,
772, 774, 776, 778; The Story of an
Hour: 784; Seventeen Syllables: 790,
792, 794, 796, 798; I Stand Here
Ironing: 808, 810, 812;
Chicago/Lucinda Matlock: 826;
Richard Cory: 832, 836; Winter
Dreams: 842, 844, 846, 848, 850, 852,
854, 856, 858; America and I: 864, 866,
868, 870, 872; In the American Society:
878, 880, 882, 884, 886, 888, 890;
Grateful/Refugee Ship: 896; Langston
Hughes: 926; When the Negro Was in
Vogue: 934, 936; My City/Any Human
to Another: 942; If We Must Die/A
Black Man: 946; How It Feels to Be
Colored Me: 952, 954; My Dungeon
Shook: 960, 962; Thoughts on the
African-American Novel: 974; Selected
Poems: 1002, 1004; The Death of the
Hired Man: 1008, 1010; The End of
Something: 1020, 1022; J. Alfred
Prufrock: 1026, 1028; The Jilting of
Granny Weatherall: 1036, 1038, 1040,
1042; The Man Who Was Almost a
Man: 1046, 1048, 1050, 1052, 1054;
Mirror/Self in 1958: 1058, 1060;
Armistice: 1078, 1080, 1084;
Gunner/Soldiers: 1090, 1092;
Paradise/Executive Order: 1096, 1098,
1100; Ambush: 1106, 1108;
Chimera/Deciding: 1112, 1114;
Birmingham Jail: 1138, 1140, 1142,
1144; Wandering: 1152, 1154; The
Writer in the Family: 1158, 1160, 1162,
1164; Teenage Wasteland: 1170, 1172,
1174, 1176; Separating: 1182, 1184,
1186, 1188, 1190; Soto/Mora: 1196;
Hostage: 1202, 1204, 1206, 1208;
Mother Tongue: 1216, 1218, 1220; The
Latin Deli: 1224; Straw into Gold: 1228,
1230
(continued)
8. continue skill or strategy instruction
across several instructional sessions
to expand the applicability and
utility of the skill or strategy.
35
Pupil’s Edition/Teacher’s Edition
Reading & Writing for Assessment:
330; Learning the Language of
Literature: 395; Reading & Writing for
Assessment: 732; Gunner/Soldiers:
1088
9.
connect previously taught skills and
strategies with new content and text.
See Preparing to Read before each
selection:
24, 33, 39, 48, 55, 72, 81, 93, 100, 109,
138, 144, 152, 163, 262, 270, 282, 289,
295, 300, 309, 344, 349, 363, 369, 381,
396, 410, 416, 424, 454, 466, 473, 500,
516, 528, 562, 574, 580, 593, 605, 509,
518, 638, 645, 658, 669, 679, 688, 702,
750, 765, 783, 788, 802, 806, 824, 830,
835, 840,863, 877, 894, 924, 932, 940,
945, 950, 959, 967, 973, 1000, 1006,
1018, 1025, 1034, 1045, 1057, 1076,
1088, 1095, 1105, 1111,1118, 1136,
1150, 1157, 1168, 1180, 1194, 1200,
1215, 1223, 1227
Text Wrap in Teacher’s Edition
The World on the Turtle's Back: 26, 28,
30; Sky Loom/Hunting Song: 34, 36;
Coyote Stories: 40, 42, 44; The Man to
Send Rain Clouds: 50, 52; The Way to
Rainy Mountain: 56, 58, 60; La
Relacion: 74, 76; Of Plymouth
Plantation: 82, 84, 86; Life of Olaudah
Equiano: 94, 96; Blue Highways: 102,
104, 106; Lands of My Ancestors: 110,
112, 114; To My Dear and Loving
Husband: 140; The Examination of
Sarah Good: 146; Sinners: 154, 156;
The Crucible: 164, 166, 168, 170, 172,
174, 176, 178, 180, 182, 184, 186, 188,
192, 194, 196, 198, 200, 202, 204, 208,
210, 212, 214, 216, 218, 220, 222, 224,
226, 230, 232, 234, 236, 238, 240, 242;
The Right to Be Free: 256; Virginia
Convention: 264, 266; Declaration of
Independence: 272, 274, 276, 278;
Wheatley and Adams Letters: 284, 286;
Lecture to a Missionary: 296;
King/Malcolm X: 302, 304, 306; I am
Joaquin: 310, 312, 314; Celebrations of
the Self: 340; A Psalm of Life: 346; The
Devil and Tom Walker: 350, 352, 354,
356, 358; Self-Reliance: 364, 366; Civil
Disobedience: 370, 372, 374, 376;
Walden: 382, 384, 386, 388, 390; I Hear
America Singing: 398, 400, 402;
Williams/Cummings: 412;
Ending Poem/Tia Chucha: 418, 420;
36
Text Wrap in Teacher’s Edition
Gary Keillor: 426, 428, 430, 432; The
Masque of Red Death: 456, 458, 460;
The Raven: 468, 470; The Fall of the
House of Usher: 474, 476, 478, 480,
482, 484, 486, 488, 490, 492, 494; Dr.
Heidegger's Experiment: 502, 504, 506,
508, 510, 512; A Rose For Emily: 518,
520, 522, 524; The Life You Save May
Be Your Own: 530, 532, 534, 536, 538;
Frederick Douglass: 564, 566, 568, 570;
Stanzas on Freedom/Free Labor: 576;
An Occurrence at Owl Creek Bridge:
582, 584, 586, 588, 590; A Mystery of
Heroism: 594, 596, 598, 600; The
Gettysburg Address: 606; Coming of
Age: 610, 612, 614; Tricksters and
Trailblazers: 632; The Indian and the
Hundred Cows: 640, 642; High Horse's
Courting: 646, 648, 650; Twain's
Autobiography: 660, 662, 664, 666;
Life on the Mississippi: 670, 672, 674;
Jumping Frog: 680, 682; A Wagner
Matinee: 690, 692, 694; Gregario
Cortez: 704, 706, 708, 710, 712, 714,
716; Poems By Emily Dickinson: 753,
754, 756, 758; The Yellow Wallpaper:
766, 768, 770, 772, 774, 776, 778; The
Story of an Hour: 784; Seventeen
Syllables: 790, 792, 794, 796, 798; I
Stand Here Ironing: 808, 810, 812; The
American Dream: 820;
Chicago/Lucinda Matlock: 826;
Richard Cory: 832, 836; Winter
Dreams: 842, 844, 846, 848, 850, 852,
854, 856, 858; America and I: 864, 866,
868, 870, 872; In the American Society:
878, 880, 882, 884, 886, 888, 890;
Grateful/Refugee Ship: 896; Alienation
of the Individual: 992; Langston
Hughes: 926; When the Negro Was in
Vogue: 934, 936; My City/Any Human
to Another: 942; If We Must Die/A
Black Man: 946; How It Feels to Be
Colored Me: 952, 954; My Dungeon
Shook: 960, 962; Thoughts on the
African-American Novel: 974; Selected
Poems: 1002, 1004; The Death of the
Hired Man: 1008, 1010; The End of
Something: 1020, 1022; J. Alfred
Prufrock: 1026, 1028; The Jilting of
Granny Weatherall: 1036, 1038, 1040,
1042; The Man Who Was Almost a
Man: 1046, 1048, 1050, 1052, 1054;
Mirror/Self in 1958: 1058, 1060;
Armistice: 1078, 1080, 1084;
(continued)
9. connect previously taught skills and
strategies with new content and text.
37
Text Wrap in Teacher’s Edition
Gunner/Soldiers: 1090, 1092;
Paradise/Executive Order: 1096, 1098,
1100; Ambush: 1106, 1108;
Chimera/Deciding: 1112, 1114;
Integration and Disintegration: 1132;
Birmingham Jail: 1138, 1140, 1142,
1144; Wandering: 1152, 1154; The
Writer in the Family: 1158, 1160, 1162,
1164; Teenage Wasteland: 1170, 1172,
1174, 1176; Separating: 1182, 1184,
1186, 1188, 1190; Soto/Mora: 1196;
Hostage: 1202, 1204, 1206, 1208;
Mother Tongue: 1216, 1218, 1220; The
Latin Deli: 1224; Straw into Gold: 1228,
1230
(continued)
9. connect previously taught skills and
strategies with new content and text.
Pupil’s Edition/Teacher’s Edition
Reading & Writing for Assessment:
330; Learning the Language of
Literature: 395; Reading & Writing for
Assessment: 732
10. cumulatively build a repertoire of
multiple strategies that are
introduced, applied and integrated
throughout the course of study.
See Preparing to Read before each
selection:
24, 33, 39, 48, 55, 72, 81, 93, 100, 109,
138, 144, 152, 163, 262, 270, 282, 289,
295, 300, 309, 344, 349, 363, 369, 381,
396, 410, 416, 424, 454, 466, 473, 500,
516, 528, 562, 574, 580, 593, 605, 509,
518, 638, 645, 658, 669, 679, 688, 702,
750, 765, 783, 788, 802, 806, 824, 830,
835, 840,863, 877, 894, 924, 932, 940,
945, 950, 959, 967, 973, 1000, 1006,
1018, 1025, 1034, 1045, 1057, 1076,
1088, 1095, 1105, 1111,1118, 1136,
1150, 1157, 1168, 1180, 1194, 1200,
1215, 1223, 1227
Text Wrap in Teacher’s Edition
The World on the Turtle's Back: 26, 28,
30; Sky Loom/Hunting Song: 34, 36;
Coyote Stories: 40, 42, 44; The Man to
Send Rain Clouds: 50, 52; The Way to
Rainy Mountain: 56, 58, 60; La
Relacion: 74, 76; Of Plymouth
Plantation: 82, 84, 86; Life of Olaudah
Equiano: 94, 96; Blue Highways: 102,
104, 106; Lands of My Ancestors: 110,
112, 114; To My Dear and Loving
Husband: 140; The Examination of
Sarah Good: 146; Sinners: 154, 156;
38
Text Wrap in Teacher’s Edition
The Crucible: 164, 166, 168, 170, 172,
174, 176, 178, 180, 182, 184, 186, 188,
192, 194, 196, 198, 200, 202, 204, 208,
210, 212, 214, 216, 218, 220, 222, 224,
226, 230, 232, 234, 236, 238, 240, 242;
Virginia Convention: 264, 266;
Declaration of Independence: 272, 274,
276, 278; Wheatley and Adams Letters:
284, 286; Lecture to a Missionary: 296;
King/Malcolm X: 302, 304, 306; I am
Joaquin: 310, 312, 314; A Psalm of
Life: 346; The Devil and Tom Walker:
350, 352, 354, 356, 358; Self-Reliance:
364, 366; Civil Disobedience: 370, 372,
374, 376; Walden: 382, 384, 386, 388,
390; I Hear America Singing: 398, 400,
402; Williams/Cummings: 412; Ending
Poem/Tia Chucha: 418, 420; Gary
Keillor: 426, 428, 430, 432; The
Masque of Red Death: 456, 458, 460;
The Raven: 468, 470; The Fall of the
House of Usher: 474, 476, 478, 480,
482, 484, 486, 488, 490, 492, 494; Dr.
Heidegger's Experiment: 502, 504, 506,
508, 510, 512; A Rose For Emily: 518,
520, 522, 524; The Life You Save May
Be Your Own: 530, 532, 534, 536, 538;
Frederick Douglass: 564, 566, 568, 570;
Stanzas on Freedom/Free Labor: 576;
An Occurrence at Owl Creek Bridge:
582, 584, 586, 588, 590; A Mystery of
Heroism: 594, 596, 598, 600; The
Gettysburg Address: 606; Coming of
Age: 610, 612, 614; The Indian and the
Hundred Cows: 640, 642; High Horse's
Courting: 646, 648, 650; Twain's
Autobiography: 660, 662, 664, 666;
Life on the Mississippi: 670, 672, 674;
Jumping Frog: 680, 682; A Wagner
Matinee: 690, 692, 694; Gregario
Cortez: 704, 706, 708, 710, 712, 714,
716; Poems By Emily Dickinson: 753,
754, 756, 758; The Yellow Wallpaper:
766, 768, 770, 772, 774, 776, 778; The
Story of an Hour: 784; Seventeen
Syllables: 790, 792, 794, 796, 798; I
Stand Here Ironing: 808, 810, 812;
Chicago/Lucinda Matlock: 826;
Richard Cory: 832, 836; Winter
Dreams: 842, 844, 846, 848, 850, 852,
854, 856, 858; America and I: 864, 866,
868, 870, 872; In the American Society:
878, 880, 882, 884, 886, 888, 890;
Grateful/Refugee Ship: 896; Langston
Hughes: 926;
(continued)
10. cumulatively build a repertoire of
multiple strategies that are
introduced, applied and integrated
throughout the course of study.
39
Text Wrap in Teacher’s Edition
When the Negro Was in Vogue: 934,
936; My City/Any Human to Another:
942; If We Must Die/A Black Man:
946; How It Feels to Be Colored Me:
952, 954; My Dungeon Shook: 960,
962; Thoughts on the African-American
Novel: 974; Selected Poems: 1002,
1004; The Death of the Hired Man:
1008, 1010; The End of Something:
1020, 1022; J. Alfred Prufrock: 1026,
1028; The Jilting of Granny Weatherall:
1036, 1038, 1040, 1042; The Man Who
Was Almost a Man: 1046, 1048, 1050,
1052, 1054; Mirror/Self in 1958: 1058,
1060; Armistice: 1078, 1080, 1084;
Gunner/Soldiers: 1090, 1092;
Paradise/Executive Order: 1096, 1098,
1100; Ambush: 1106, 1108;
Chimera/Deciding: 1112, 1114;
Birmingham Jail: 1138, 1140, 1142,
1144; Wandering: 1152, 1154; The
Writer in the Family: 1158, 1160, 1162,
1164; Teenage Wasteland: 1170, 1172,
1174, 1176; Separating: 1182, 1184,
1186, 1188, 1190; Soto/Mora: 1196;
Hostage: 1202, 1204, 1206, 1208;
Mother Tongue: 1216, 1218, 1220; The
Latin Deli: 1224; Straw into Gold: 1228,
1230
(continued)
10. cumulatively build a repertoire of
multiple strategies that are
introduced, applied and integrated
throughout the course of study.
40
H. ASSESSMENT
Pupil’s Edition/Teacher’s Edition
The World on the Turtle's Back: 32; The
Way to Rainy Mountain: 63;
Assessment Practice: 125; Assessment
Practice: 325; Reading & Writing for
Assessment: 330-335; The Devil and
Tom Walker: 361; Walden: 393;
Assessment Practice: 443; Dr.
Heidegger's Experiment: 515;
Assessment Practice: 549; Assessment
Practice: 629; Assessment Practice: 727;
Reading & Writing for Assessment:
732-737; Assessment Practice: 907;
Assessment Practice: 989; Assessment
Practice: 1129
1.
provide assessment formats
commensurate with WV assessment
programs (WESTEST, NAEP, State
Writing Assessment, informal
assessments, PLAN, EXPLORE,
ACT and SAT).
Text Wrap in Teacher’s Edition
Lands of My Ancestors: 115; The
Examination of Sarah Good: 147; The
Crucible: 168, 184, 196, 204, 224, 227,
238; Virginia Convention: 268;
Declaration of Independence: 274;
What Is an American?: 292;
King/Malcolm X: 303; The Devil and
Tom Walker: 358; Self-Reliance: 366;
Walden: 386; 423; The Fall of the
House of Usher: 484-485; Dr.
Heidegger's Experiment: 512; The Life
You Save May Be Your Own: 534; A
Mystery of Heroism: 604; Ballad of
Birmingham: 619; High Horse's
Courting: 653; Poems By Emily
Dickinson: 759; The Yellow Wallpaper:
778; Seventeen Syllables: 796; I Stand
Here Ironing: 817; Richard Cory: 832;
America and I: 869; Grateful/Refugee
Ship: 897; Selected Poems: 1004; J.
Alfred Prufrock: 1031; The Man Who
Was Almost a Man: 1054; Mirror/Self
in 1958: 1062; Birmingham Jail: 1145;
Separating: 1190; Hostage: 1211
41
Pupil’s Edition/Teacher’s Edition
The World on the Turtle's Back: 32; The
Way to Rainy Mountain: 63;
Assessment Practice: 125; Assessment
Practice: 325; Reading & Writing for
Assessment: 330-335; The Devil and
Tom Walker: 361; Walden: 393;
Assessment Practice: 443; Dr.
Heidegger's Experiment: 515;
Assessment Practice: 549; Assessment
Practice: 629; Assessment Practice: 727;
Reading & Writing for Assessment:
732-737; Assessment Practice: 907;
Assessment Practice: 989; Assessment
Practice: 1129
2.
provide preparation for standardized
tests.
3.
provide opportunities for assessment
based on performance-based
measures, open-ended questioning,
portfolio evaluation, rubrics and
multimedia simulations.
Text Wrap in Teacher’s Edition
Lands of My Ancestors: 115; The
Examination of Sarah Good: 147; The
Crucible: 168, 184, 196, 204, 224, 227,
238; Virginia Convention: 268;
Declaration of Independence: 274;
What Is an American?: 292;
King/Malcolm X: 303; The Devil and
Tom Walker: 358; Self-Reliance: 366;
Walden: 386; 423; The Fall of the
House of Usher: 484-485; Dr.
Heidegger's Experiment: 512; The Life
You Save May Be Your Own: 534; A
Mystery of Heroism: 604; Ballad of
Birmingham: 619; High Horse's
Courting: 653; Poems By Emily
Dickinson: 759; The Yellow Wallpaper:
778; Seventeen Syllables: 796; I Stand
Here Ironing: 817; Richard Cory: 832;
America and I: 869; Grateful/Refugee
Ship: 897; Selected Poems: 1004; J.
Alfred Prufrock: 1031; The Man Who
Was Almost a Man: 1054; Mirror/Self
in 1958: 1062; Birmingham Jail: 1145;
Separating: 1190; Hostage: 1211
Pupil’s Edition/Teacher’s Edition
The Language of Literature: 6-7; The
Way to Rainy Mountain: 63; Writing
Workshop: 120, 121; Writing
Workshop: 248, 249; Writing
Workshop: 320, 321; Writing
Workshop: 438, 439; Writing
Workshop: 544, 545; Writing
Workshop: 624, 625; Reading &
Writing for Assessment: 732; Writing
Workshop: 902, 903; Writing
Workshop: 980, 981
42
Text Wrap in Teacher’s Edition
Coyote Stories: 47; The Man to Send
Rain Clouds: 54; La Relacion: 79; Of
Plymouth Plantation: 87; Life of
Olaudah Equiano: 99; Blue Highways:
106; Lands of My Ancestors: 115; To
My Dear and Loving Husband: 141;
The Examination of Sarah Good: 147;
Sinners: 159; The Crucible: 168, 184,
188, 196, 204, 214, 224, 227, 238, 240;
Declaration of Independence: 274;
Wheatley and Adams Letters: 286;
What Is an American?: 292;
King/Malcolm X: 303; I am Joaquin:
311, 315; Self-Reliance: 266; Civil
Disobedience: 377; Walden: 386, 391;
Williams/Cummings: 415; Gary
Keillor: 433; The Masque of Red
Death: 461; The Raven: 470; The Fall
of the House of Usher: 494-495; Dr.
Heidegger's Experiment: 505, 510, 512,
513; A Rose For Emily: 522; The Life
You Save May Be Your Own: 534,
541; Frederick Douglass: 569; Stanzas
on Freedom/Free Labor: 577; An
Occurrence at Owl Creek Bridge: 589;
A Mystery of Heroism: 604; Coming of
Age: 614; The Indian and the Hundred
Cows: 642; High Horse's Courting: 653;
Twain's Autobiography: 665; Life on
the Mississippi: 675; A Wagner
Matinee: 693, 696; Gregario Cortez:
717; Poems By Emily Dickinson: 756;
The Yellow Wallpaper: 776, 778; The
Story of an Hour: 785; Seventeen
Syllables: 796, 799; I Stand Here
Ironing: 809; Richard Cory: 832; Winter
Dreams: 849, 852; America and I: 869;
In the American Society: 887, 890;
Grateful/Refugee Ship: 895, 897; When
the Negro Was in Vogue: 936; If We
Must Die/A Black Man: 947; How It
Feels to Be Colored Me: 955; My
Dungeon Shook: 962, 965; Thoughts on
the African-American Novel: 975;
Selected Poems: 1004; The Death of the
Hired Man: 1011; The End of
Something: 1021; J. Alfred Prufrock:
1031; The Jilting of Granny Weatherall:
1042; The Man Who Was Almost a
Man: 1046, 1054; 1084;
Gunner/Soldiers: 1092;
Paradise/Executive Order: 1099;
Chimera/Deciding: 1115; At the Justice
Department: 1119; Birmingham Jail:
1145; Wandering: 1152;
(continued)
3. provide opportunities for assessment
based on performance-based
measures, open-ended questioning,
portfolio evaluation, rubrics and
multimedia simulations.
43
Text Wrap in Teacher’s Edition
The Writer in the Family: 1165;
Teenage Wasteland: 1169, 1171, 1177;
Separating: 1187, 1190; Hostage: 1207;
Hostage: 1211; Mother Tongue: 1220
(continued)
3. provide opportunities for assessment
based on performance-based
measures, open-ended questioning,
portfolio evaluation, rubrics and
multimedia simulations.
Pupil’s Edition/Teacher’s Edition
The Language of Literature: 6-7; The
Way to Rainy Mountain: 63; Writing
Workshop: 120, 121; Writing
Workshop: 248, 249; Writing
Workshop: 320, 321; Writing
Workshop: 438, 439; Writing
Workshop: 544, 545; Writing
Workshop: 624, 625; Reading &
Writing for Assessment: 732; Writing
Workshop: 902, 903; Writing
Workshop: 980, 981
4.
provide benchmark and ongoing
progress monitoring.
Text Wrap in Teacher’s Edition
Coyote Stories: 47; The Man to Send
Rain Clouds: 54; La Relacion: 79; Of
Plymouth Plantation: 87; Life of
Olaudah Equiano: 99; Blue Highways:
106; Lands of My Ancestors: 115; To
My Dear and Loving Husband: 141;
The Examination of Sarah Good: 147;
Sinners: 159; The Crucible: 168, 184,
188, 196, 204, 214, 224, 227, 238, 240;
Declaration of Independence: 274;
Wheatley and Adams Letters: 286;
What Is an American?: 292;
King/Malcolm X: 303; I am Joaquin:
311, 315; Self-Reliance: 266; Civil
Disobedience: 377; Walden: 386, 391;
Williams/Cummings: 415; Gary
Keillor: 433; The Masque of Red
Death: 461; The Raven: 470; The Fall
of the House of Usher: 494-495; Dr.
Heidegger's Experiment: 505, 510, 512,
513; A Rose For Emily: 522; The Life
You Save May Be Your Own: 534,
541; Frederick Douglass: 569; Stanzas
on Freedom/Free Labor: 577; An
Occurrence at Owl Creek Bridge: 589;
A Mystery of Heroism: 604; Coming of
Age: 614; The Indian and the Hundred
Cows: 642; High Horse's Courting: 653;
Twain's Autobiography: 665; Life on
the Mississippi: 675; A Wagner
Matinee: 693, 696; Gregario Cortez:
717; Poems By Emily Dickinson: 756;
The Yellow Wallpaper: 776, 778;
44
Text Wrap in Teacher’s Edition
The Story of an Hour: 785; Seventeen
Syllables: 796, 799; I Stand Here
Ironing: 809; Richard Cory: 832; Winter
Dreams: 849, 852; America and I: 869;
In the American Society: 887, 890;
Grateful/Refugee Ship: 895, 897; When
the Negro Was in Vogue: 936; If We
Must Die/A Black Man: 947; How It
Feels to Be Colored Me: 955; My
Dungeon Shook: 962, 965; Thoughts on
the African-American Novel: 975;
Selected Poems: 1004; The Death of the
Hired Man: 1011; The End of
Something: 1021; J. Alfred Prufrock:
1031; The Jilting of Granny Weatherall:
1042; The Man Who Was Almost a
Man: 1046, 1054; 1084;
Gunner/Soldiers: 1092;
Paradise/Executive Order: 1099;
Chimera/Deciding: 1115; At the Justice
Department: 1119; Birmingham Jail:
1145; Wandering: 1152; The Writer in
the Family: 1165; Teenage Wasteland:
1169, 1171, 1177; Separating: 1187,
1190; Hostage: 1207; Hostage: 1211;
Mother Tongue: 1220
(continued)
4. provide benchmark and ongoing
progress monitoring.
45
READING/LITERATURE
SPECIFIC CRITERIA FOR CONTENT AND SKILLS
ELEVENTH GRADE
Reading and English Language Arts eleventh grade students will refine and enhance
foundational literary and communication skills through academic rigor and depth. Career
formalization, including college entrance exam preparation and workplace readiness
skills, will become a primary focus. Challenging research and writing skills will be
emphasized across the curriculum. Instruction across the curriculum will integrate
technology appropriately in the students’ learning environment. To meet the needs of the
21st Century student, will enhance instructional delivery through a wide range of media.
(Vendor/Publisher)
SPECIFIC LOCATION OF
CONTENT WITHIN
PRODUCT
(IMR Committee) Responses
N=
NonI=
A=
M=
existent
In-depth Adequate Minimal
I
A
M N
Less
80%
80%
60%
than
60%
For mastery of Content Standards and Objectives, the instructional materials will provide
opportunities for students to
A. VOCABULARY: use a variety of reading skills that
includes appropriate reading strategies and more independent
reading
Pupil’s Edition/Teacher’s Edition
The World on the Turtle's Back: 24-32;
Sky Loom/Hunting Song: 33-38;
Coyote Stories: 39-47; The Man to
Send Rain Clouds: 48-54; The Way to
Rainy Mountain: 55-63; La Relacion:
72-80; Of Plymouth Plantation: 81-90;
Life of Olaudah Equiano: 93-99; Blue
Highways: 100-108; Lands of My
Ancestors: 109-117; To My Dear and
Loving Husband: 138-143; The
Examination of Sarah Good: 144-149;
Sinners: 152-160; The Crucible: 163245; Virginia Convention: 262-269;
Declaration of Independence: 270-281;
Wheatley and Adams Letters: 282-287;
What Is an American?: 289-294;
Lecture to a Missionary: 295-299;
King/Malcolm X: 300-308; I am
Joaquin: 309-317; A Psalm of Life:
344-348; The Devil and Tom Walker:
349-361; Self-Reliance: 363-368; Civil
Disobedience: 369-380; Walden: 381393; I Hear America Singing: 396-405;
1.
expand vocabulary through reading
literary works and applying word
etymologies to determine meaning.
46
Pupil’s Edition/Teacher’s Edition
Ending Poem/Tia Chucha: 416-423;
Gary Keillor: 424-435; The Masque of
Red Death: 454-463; The Raven: 466472; The Fall of the House of Usher:
473-499; Dr. Heidegger's Experiment:
500-515; A Rose For Emily: 516-527;
The Life You Save May Be Your Own:
528-541; Frederick Douglass: 562-573;
Stanzas on Freedom/Free Labor: 574579; An Occurrence at Owl Creek
Bridge: 580-592; A Mystery of
Heroism: 593-604; The Gettysburg
Address: 605-608; Coming of Age:
609-617; Ballad of Birmingham: 618621; The Indian and the Hundred Cows:
638-644; High Horse's Courting: 645653; Twain's Autobiography: 658-668;
Life on the Mississippi: 669-677;
Jumping Frog: 679-687; A Wagner
Matinee: 688-699; Gregario Cortez:
702-719; Poems By Emily Dickinson:
750-762; The Yellow Wallpaper: 765782; The Story of an Hour: 783-787;
Seventeen Syllables: 788-801;
Adolescence-III: 802-805; I Stand Here
Ironing: 806-817; Chicago/Lucinda
Matlock: 824-829; Richard Cory: 830834; Mask/Sympathy: 835-839; Winter
Dreams: 840-861; America and I: 863874; In the American Society: 877-893;
Grateful/Refugee Ship: 894-899;
Langston Hughes: 924-929; When the
Negro Was in Vogue: 932-939; My
City/Any Human to Another: 940-944;
If We Must Die/A Black Man: 945-949;
How It Feels to Be Colored Me: 950958; My Dungeon Shook: 959-965;
Life For My Child is Simple/Primer:
967-972; Thoughts on the AfricanAmerican Novel: 973-977; Selected
Poems: 1000-1005; Selected Poems:
The Death of the Hired Man: 10061015; The End of Something: 10181024; J. Alfred Prufrock: 1025, 1032;
The Jilting of Granny Weatherall: 10341044; The Man Who Was Almost a
Man: 1045-1056; Mirror/Self in 1958:
1057-1063; Armistice: 1076-1087;
Gunner/Soldiers: 1088-1094;
Paradise/Executive Order: 1095-1102;
Ambush: 1105-1110;
Chimera/Deciding: 1111-1117; At the
Justice Department: 1118-1121;
Birmingham Jail: 1136-1147;
Wandering: 1150-1156;
(continued)
1. expand vocabulary through reading
literary works and applying word
etymologies to determine meaning.
47
Pupil’s Edition/Teacher’s Edition
The Writer in the Family: 1157-1167;
Teenage Wasteland: 1168-1179;
Separating: 1180-1193; Soto/Mora:
1194-1199; Hostage: 1200-1213;
Mother Tongue: 1215-1222; The Latin
Deli: 1223-1226; Straw into Gold:
1227-1233
(continued)
1. expand vocabulary through reading
literary works and applying word
etymologies to determine meaning.
Pupil’s Edition/Teacher’s Edition
To My Dear and Loving Husband: 138,
142; Wheatley and Adams Letters: 282,
287; What Is an American?: 293;
Reading & Writing for Assessment:
330; A Psalm of Life: 344, 347; The
Devil and Tom Walker: 349, 360;
Learning the Language of Literature:
394-395; I Hear America Singing: 396,
404; Gary Keillor: 424, 434; The
Raven: 466, 471; The Fall of the House
of Usher: 473, 496, 497; Stanzas on
Freedom/Free Labor: 574, 578; A
Mystery of Heroism: 602; Jumping
Frog: 686; Poems By Emily Dickinson:
750, 760, 761; Chicago/Lucinda
Matlock: 828; Richard Cory: 833, 835,
838; Langston Hughes: 924, 928; When
the Negro Was in Vogue: 938; My
City/Any Human to Another: 943; If
We Must Die/A Black Man: 945, 948;
Selected Poems: 1000, 1005; The Death
of the Hired Man: 1006. 1013, 1014;
The End of Something: 1018; J. Alfred
Prufrock: 1025, 1030; Gunner/Soldiers:
1093; Paradise/Executive Order: 1095;
At the Justice Department: 1118;
Learning the Language of Literature:
1148; The Latin Deli: 1223, 1225
2.
understand and apply knowledge of
literary devices.
Text Wrap in Teacher’s Edition
Life of Olaudah Equiano: 96; Blue
Highways: 104; Lands of My
Ancestors: 112; To My Dear and
Loving Husband: 140; Wheatley and
Adams Letters: 284, 286; A Psalm of
Life: 346; The Devil and Tom Walker:
350, 352, 354, 358; Walden: 384, 388; I
Hear America Singing: 398, 400; Ode
to Walt Whitman: 406; Ending
Poem/Tia Chucha: 418; Gary Keillor:
426, 429, 430, 432; The Raven: 468,
470; The Fall of the House of Usher:
493; Dr. Heidegger's Experiment: 508,
510; The Life You Save May Be Your
Own: 534;
48
Text Wrap in Teacher’s Edition
Stanzas on Freedom/Free Labor: 576;
Twain's Autobiography: 661; Life on
the Mississippi: 671, 675; A Wagner
Matinee: 689, 695; Gregario Cortez:
711; Poems By Emily Dickinson: 752,
754, 756, 758; Richard Cory: 836;
Winter Dreams: 854; America and I:
866, 868; In the American Society: 881,
883, 890; Langston Hughes: 926; My
City/Any Human to Another: 942; If
We Must Die/A Black Man: 946; How
It Feels to Be Colored Me: 951;
Selected Poems: 1002; The Death of the
Hired Man: 1008; J. Alfred Prufrock:
1026, 1027; The Jilting of Granny
Weatherall: 1041; The Man Who Was
Almost a Man: 1052, 1054;
Gunner/Soldiers: 1092; Separating:
1188; Hostage: 1204; Hostage: 1210;
The Latin Deli: 1224
(continued)
2. understand and apply knowledge of
literary devices.
Pupil’s Edition/Teacher’s Edition
The World on the Turtle’s Back:
31; Song of the Sky Loom/Hunting
Song/Dinni-e Sin: 34, 37; Coyote
Stories: 42, 46; The Man to Send
Rain Clouds: 53; The Way to
Rainy Mountain: 62; La Relación:
78; Of Plymouth Plantation: 88;
The Interesting Narrative of the
Life of Olaudah Equiano: 98; Blue
Highways: 107; My Sojourn in the
Lands of My Ancestors: 116; To
My Dear and Loving Husband/
Upon the Burning of Our House,
July 10th, 1666: 139, 142; The
Examination of Sarah Good: 148;
Sinners in the Hands of an Angry
God: 158; The Crucible: 190, 206,
228, 243; Speech in the Virginia
Convention: 267; Declaration of
Independence: 279; Letter to the
Rev. Samson Occom/ Letter to
John Adams: 284, 287; What Is an
American?: 293; Lecture to a
Missionary: 298; Stride Toward
Freedom/Necessary to Protect
Ourselves: 304, 307; I Am
Joaquin/Yo Soy Joaquin: 316; A
Psalm of Life: 347; The Devil and
Tom Walker: 360; Self-Reliance:
367; Civil Disobedience: 378;
3.
analyze text, using proper
terminology, according to content,
structure and tone.
49
Pupil’s Edition/Teacher’s Edition
Walden: 392; I Hear America
Singing/I Sit and Look Out, from
Song of Myself: 398, 399, 404;
Danse Russe/anyone lived in a
pretty how town: 411, 414; Ending
Poem/Tía Chucha: 418, 421; Gary
Keillor: 434; The Masque of the
Red Death: 462; The Raven: 471;
The Fall of the House of Usher:
496; Dr. Heidegger’s Experiment:
514; A Rose for Emily: 525; The
Life You Save May Be Your Own:
539; Narrative of the Life of
Frederick Douglass, an American
Slave: 571; Stanzas on Freedom,
Free Labor: 575, 578; An
Occurrence at Owl Creek Bridge:
591; A Mystery of Heroism: 602;
The Gettysburg Address: 607;
Coming of Age in Mississippi:
616; Ballad of Birmingham: 620;
The Indian and the Hundred Cows:
643; High Horse’s Courting: 652;
The Autobiography of Mark
Twain: 667; Life on the
Mississippi: 676; The Notorious
Jumping Frog of Calaveras
County: 685; A Wagner Matinee:
697; The Legend of Gregorio
Cortez: 718; Selected poems by
Emily Dickinson: 751, 752, 753,
754, 756, 757, 758, 760; The
Yellow Wallpaper: 779; The Story
of an Hour: 786; Seventeen
Syllables: 800; Adolescence-III:
804; I Stand Here Ironing: 815;
Chicago/Lucinda Matlock: 826,
828; Richard Cory, Miniver
Cheevy: 831, 833; We Wear the
Mask, Sympathy: 836, 838; Winter
Dreams: 860; America and I: 873;
In the American Society: 892;
Defining the Grateful
Gesture/Refugee Ship: 896, 898;
Selected Poems by Langston
Hughes: 925, 926, 928; When the
Negro Was in Vogue: 937; My
City, Any Human to Another: 941;
943; If We Must Die/ A Black Man
Talks of Reaping: 946, 948; How It
Feels to Be Colored Me: 957; My
Dungeon Shook: 964;
(continued)
3. analyze text, using proper
terminology, according to content,
structure and tone.
50
Pupil’s Edition/Teacher’s Edition
Life for My Child Is Simple/Primer
for Blacks: 968, 971; Thoughts on
the African-American Novel: 976;
Selected Poems by Robert Frost:
1001, 1003, 1005; The Death of the
Hired Man: 1013; The End of
Something: 1023; The Love Song
of J. Alfred Prufrock: 1030; The
Jilting of Granny Weatherall: 1043;
The Man Who Was Almost a Man:
1055; Mirror/Self in 1958: 1058,
1061; Armistice: 1085; The Death
of the Ball Turret Gunner/Why
Soldiers Won’t Talk: 1089, 1093;
Letter from Paradise/In Response
to Executive Order 9066: 1098,
1101; Ambush: 1109;
Camouflaging the Chimera/
Deciding: 1113, 1116; At the
Justice Department: 1120; Letter
from Birmingham Jail: 1146;
Wandering: 1155; The Writer in
the Family: 1166; Teenage
Wasteland: 1178; Separating:
1191; Mexicans Begin
Jogging/Legal Alien: 1196, 1198;
Hostage: 1212; Mother Tongue:
1221; The Latin Deli: 1225; Straw
into Gold: The Metamorphosis of
the Everyday: 1232
(continued)
3. analyze text, using proper
terminology, according to content,
structure and tone.
Text Wrap in Teacher’s Edition
The World on the Turtle’s Back:
26, 28, 30; Song of the Sky
Loom/Hunting Song: 34, 36;
Coyote Stories: 40, 42, 44; Man to
Send Rain Clouds: 50, 52; The
Way to Rainy Mountain: 56, 58,
60; La Relacion: 74, 76; from Of
Plymouth Plantation: 82, 84, 86;
from The Interesting Narrative of
the Life of Olaudah Equianno: 94,
96; Blue Highways: 102, 104, 106;
My Sojourn in the Lands of My
Ancestors: 110, 112, 114; To My
Dear and Loving Husband/Upon
the Burning of Our House July
10th, 1666: 140; The Examination
of Sarah Good: 146; Sinners in the
Hands of an Angry God: 154, 156;
51
Text Wrap in Teacher’s Edition
The Crucible: 164, 166, 168, 170,
172, 174, 176, 178, 180, 182, 184,
186, 188, 192, 194, 196, 198, 200,
202, 204, 208, 210, 212, 214, 216,
218, 220, 222, 224, 226, 230, 232,
234, 236, 238, 240, 242; Speech in
the Virginia Convention: 264, 266,
270; Declaration of Independence:
272, 274, 276; Link Across
Cultures: The Declaration of the
Rights of Woman: 278; Letter to
the Rev. Samson Occom/Letter to
John Adams: 284, 286; What Is an
American?: 290, 292; Lecture to a
Missionary: 296; from Stride
Toward Freedom/Necessary to
Protect Ourselves: 302, 304, 306; I
am Joaquin/Yo Soy Joaquin: 310,
312, 314; A Psalm of Life: 346;
The Devil and Tom Walker: 350,
352, 354, 356, 358; Self-Reliance:
364, 366; Civil Disobedience: 370,
372, 374, 376; from Walden: 382,
384, 386, 388, 390; I Hear America
Singing/I Sit and Look Out/from
Song of Myself: 398, 400, 402,
406, 408; Danse Russe/anyone
lived in a pretty how town: 412;
Ending Poem/Tia Chucha: 418,
420; Gary Keillor: 426, 428, 430,
432; The Masque of the Red
Death: 456, 458, 460; The Raven:
468, 470; The Fall of the House of
Usher: 474, 476, 478, 480, 482,
484, 486, 488, 490, 492, 494; Dr.
Heidegger’s Experiment: 502, 504,
506, 508, 510, 512; A Rose for
Emily: 518, 520, 522, 524; The
Life You Save May Be Your Own:
530, 532, 534, 536, 538; from
Narrative of the Life of Frederick
Douglass, an American Slave: 564,
566, 568, 570; Stanzas on
Freedom/Free Labor: 576; An
Occurrence at Owl Creek Bridge:
582, 584, 586, 588, 590; A
Mystery of Heroism: 594, 596,
598, 600; The Gettysburg Address:
606; Coming of Age in
Mississippi: 610, 612, 614, 618;
The Indian and the Hundred Cows:
640, 642;
(continued)
3. analyze text, using proper
terminology, according to content,
structure and tone.
52
Text Wrap in Teacher’s Edition
High Horse’s Courting from Black
Elk Speaks: 646, 648, 650; The
Autobiography of Mark Twain:
660, 662, 664, 666; Life on the
Mississippi: 670, 672, 674, 678;
The Notorious Jumping Frog of
Calaveras County: 680, 682; A
Wagner Matinee: 690, 692, 694,
696; The Legend of Gregorio
Cortez: 704, 706, 708, 710, 712,
714, 716; Selected Poems by Emily
Dickenson: 752, 754, 756, 758;
The Yellow Wallpaper: 766, 768,
770, 772, 774, 776, 778; The Story
of an Hour: 784; Seventeen
Syllables: 790, 792, 794, 796, 798,
802; I Stand Here Ironing: 808,
810, 812, 814; Chicago/Lucinda
Matlock: 826; Richard
Cory/Miniver Cheevy: 832; We
Wear the Mask/Sympathy: 836;
Winter Dreams: 842, 844, 846,
848, 850, 852, 854, 856, 858;
America and I: 864, 866, 868, 870,
872; In the American Society: 878,
880, 882, 884, 886, 888, 890, 896;
Selected Poems of Langston
Hughes: 924, 926, 930, 932, 934,
936; My City/Any Human to
Another: 940, 942; If We Must
Die/A Black Man Talks of
Reaping: 946; How It Feels to Be
Colored Me: 952, 954; My
Dungeon Shook: 960, 962; Life for
My Child Is Simple/Primer for
Blacks: 968, 970; Thoughts on the
African-American Novel: 974;
Selected Poems by Robert Frost:
1002, 1004, 1008, 1010; The End
of Something: 1020, 1022; The
Love Song of J. Alfred Prufrock:
1026, 1028; The Julting of Granny
Weatherall: 1036, 1038, 1040,
1042; The Man Who Was Almost a
Man: 1046, 1048, 1050, 1052,
1054; Mirror/Self in 1958: 1058,
1060; Armistice: 1078, 1080, 1082,
1084, 1088; The Death of the Ball
Turret Gunner/Why Soldiers Won’t
Talk: 1090, 1092; Letter from
Paradise/In Response to Executive
Order 9066: 1096, 1098, 1100;
Ambush: 1106, 1108;
(continued)
3. analyze text, using proper
terminology, according to content,
structure and tone.
53
Text Wrap in Teacher’s Edition
Camouflaging the
Chimera/Deciding: 1112, 1114,
1118; from Letter from
Birmingham Jail: 1138, 1140,
1142, 1144; Wandering: 1152,
1154; A Writer in the Family:
1158, 1160, 1162, 1164; Teenage
Wasteland: 1170, 1172, 1174,
1176; Separating: 1182, 1184,
1186; 1188, 1190; Mexicans Begin
Jogging/Legal Alien: 1196;
Hostage: 1202, 1204, 1206, 1208;
Mother Tongue: 1216, 1218, 1220;
The Latin Deli: An Ars Poetica:
1224; Straw into Gold: The
Metamorphosis of the Everyday:
1228, 1230
(continued)
3. analyze text, using proper
terminology, according to content,
structure and tone.
Pupil’s Edition/Teacher’s Edition
Danse Macabre: 464-465; When
the Negro Was in Vogue: 932-937;
Zora Neale Hurston: A Cautionary
Tale and a Partisan View: 955;
Thoughts on the African-American
Novel: 973, 976
4.
understand the terminology used in
literary criticism.
5.
use persuasive language.
Text Wrap in Teacher’s Edition
Thoughts on the African-American
Novel: 974
Pupil’s Edition/Teacher’s Edition
The Examination of Sarah Good:
144, 148; Related Reading: 150151; Sinners in the Hands of an
Angry God: 152; Speech in the
Virginia Convention: 262, 267;
Stride Toward Freedom/Necessary
to Protect Ourselves: 300, 307;
Civil Disobedience: 369, 378
Text Wrap in Teacher’s Edition
The Examination of Sarah Good:
146; Speech in the Virginia
Convention: 264, 265, 266; Stride
Toward Freedom/Necessary to
Protect Ourselves: 302, 304, 306;
Civil Disobedience: 370
54
Pupil’s Edition/Teacher’s Edition
Building Vocabulary: 126; Building
Vocabulary: 254; Building Vocabulary:
326; Building Vocabulary: 444;
Building Vocabulary: 550; Building
Vocabulary: 630; Building Vocabulary:
728; Building Vocabulary: 908;
Building Vocabulary: 990; Building
Vocabulary: 1130
6.
use vivid and precise vocabulary.
Text Wrap in Teacher’s Edition
The World on the Turtle's Back: 25;
Sky Loom/Hunting Song: 35; Coyote
Stories: 40, 42; The Man to Send Rain
Clouds: 49; The Way to Rainy
Mountain: 56, 58; La Relacion: 73, 76;
Of Plymouth Plantation: 82, 90; Life of
Olaudah Equiano: 94; Blue Highways:
101, 105; Lands of My Ancestors: 110111; To My Dear and Loving Husband:
140; The Examination of Sarah Good:
146; Sinners: 153, 156; The Crucible:
164, 172, 174, 192, 195, 208-209, 210,
230-231, 232; Virginia Convention:
263; Declaration of Independence: 271,
275; Wheatley and Adams Letters: 283;
What Is an American?: 290; Lecture to
a Missionary: 296; King/Malcolm X:
301, 306; I am Joaquin: 314; A Psalm of
Life: 346; The Devil and Tom Walker:
350, 354, 357; Self-Reliance: 364; Civil
Disobedience: 370, 373; Walden: 382,
384; I Hear America Singing: 397;
Ending Poem/Tia Chucha: 417; Gary
Keillor: 426; The Masque of Red
Death: 456; The Masque of Red Death:
459; The Raven: 467; The Fall of the
House of Usher: 474-475, 480, 488; Dr.
Heidegger's Experiment: 501, 507; A
Rose For Emily: 517, 523; The Life
You Save May Be Your Own: 529,
538; Frederick Douglass: 563, 564;
Stanzas on Freedom/Free Labor: 576;
An Occurrence at Owl Creek Bridge:
581, 584-585; A Mystery of Heroism:
595, 600-601; The Gettysburg Address:
606; Coming of Age: 612; The Indian
and the Hundred Cows: 639; High
Horse's Courting: 647; Twain's
Autobiography: 659, 664; Life on the
Mississippi: 673; Jumping Frog: 680,
683; A Wagner Matinee: 690-691;
Gregario Cortez: 707, 710-711; Poems
By Emily Dickinson: 755; The Yellow
Wallpaper: 766, 772-773; The Story of
an Hour: 784;
55
Text Wrap in Teacher’s Edition
Seventeen Syllables: 790, 798;
Adolescence-III: 803; I Stand Here
Ironing: 807, 811; Chicago/Lucinda
Matlock: 827; Richard Cory: 831;
Richard Cory: 837; Winter Dreams:
842-843, 857; America and I: 864, 870871; In the American Society: 878, 882;
Grateful/Refugee Ship: 896; Langston
Hughes: 925; When the Negro Was in
Vogue: 933; If We Must Die/A Black
Man: 946; How It Feels to Be Colored
Me: 951, 953; My Dungeon Shook:
960, 963; Life For My Child is
Simple/Primer: 969; Thoughts on the
African-American Novel: 974; Selected
Poems: 1003; The Death of the Hired
Man: 1007, 1009; The End of
Something: 1022; J. Alfred Prufrock:
1026, 1028; The Jilting of Granny
Weatherall: 1035, 1039; The Man Who
Was Almost a Man: 1049; Mirror/Self
in 1958: 1059; Armistice: 1077, 1083;
Gunner/Soldiers: 1090;
Paradise/Executive Order: 1097;
Ambush: 1106; Chimera/Deciding:
1112; Birmingham Jail: 1138-1139,
1144; Wandering: 1151; The Writer in
the Family: 1158; Teenage Wasteland:
1170; Separating: 1181; Soto/Mora:
1195; Hostage: 1202-1203, 1208;
Mother Tongue: 1216; Straw into Gold:
1228
6.
use vivid and precise vocabulary.
56
B. FLUENCY: increase personal reading fluency, both silent
and oral, through a variety of genres to enhance reading
development
Pupil’s Edition/Teacher’s Edition
Reading & Writing for Assessment:
330; Learning the Language of
Literature: 395; Reading & Writing for
Assessment: 732
1.
use appropriate reading strategies
for various purposes.
See Preparing to Read before each
selection:
24, 33, 39, 48, 55, 72, 81, 93, 100, 109,
138, 144, 152, 163, 262, 270, 282, 289,
295, 300, 309, 344, 349, 363, 369, 381,
396, 410, 416, 424, 454, 466, 473, 500,
516, 528, 562, 574, 580, 593, 605, 509,
518, 638, 645, 658, 669, 679, 688, 702,
750, 765, 783, 788, 802, 806, 824, 830,
835, 840,863, 877, 894, 924, 932, 940,
945, 950, 959, 967, 973, 1000, 1006,
1018, 1025, 1034, 1045, 1057, 1076,
1088, 1095, 1105, 1111,1118, 1136,
1150, 1157, 1168, 1180, 1194, 1200,
1215, 1223, 1227
Text Wrap in Teacher’s Edition
The World on the Turtle's Back: 26, 28,
30; Sky Loom/Hunting Song: 34, 36;
Coyote Stories: 40, 42, 44; The Man to
Send Rain Clouds: 50, 52; The Way to
Rainy Mountain: 56, 58, 60; La
Relacion: 74, 76; Of Plymouth
Plantation: 82, 84, 86; Life of Olaudah
Equiano: 94, 96; Blue Highways: 102,
104, 106; Lands of My Ancestors: 110,
112, 114; To My Dear and Loving
Husband: 140; The Examination of
Sarah Good: 146; Sinners: 154, 156;
The Crucible: 164, 166, 168, 170, 172,
174, 176, 178, 180, 182, 184, 186, 188,
192, 194, 196, 198, 200, 202, 204, 208,
210, 212, 214, 216, 218, 220, 222, 224,
226, 230, 232, 234, 236, 238, 240, 242;
Virginia Convention: 264, 266;
Declaration of Independence: 272, 274,
276, 278; Wheatley and Adams Letters:
284, 286; Lecture to a Missionary: 296;
King/Malcolm X: 302, 304, 306; I am
Joaquin: 310, 312, 314; A Psalm of
Life: 346; The Devil and Tom Walker:
350, 352, 354, 356, 358; Self-Reliance:
364, 366; Civil Disobedience: 370, 372,
374, 376; Walden: 382, 384, 386, 388,
390; I Hear America Singing: 398, 400,
402; Williams/Cummings: 412;
57
Text Wrap in Teacher’s Edition
Ending Poem/Tia Chucha: 418, 420;
Gary Keillor: 426, 428, 430, 432; The
Masque of Red Death: 456, 458, 460;
The Raven: 468, 470; The Fall of the
House of Usher: 474, 476, 478, 480,
482, 484, 486, 488, 490, 492, 494; Dr.
Heidegger's Experiment: 502, 504, 506,
508, 510, 512; A Rose For Emily: 518,
520, 522, 524; The Life You Save May
Be Your Own: 530, 532, 534, 536, 538;
Frederick Douglass: 564, 566, 568, 570;
Stanzas on Freedom/Free Labor: 576;
An Occurrence at Owl Creek Bridge:
582, 584, 586, 588, 590; A Mystery of
Heroism: 594, 596, 598, 600; The
Gettysburg Address: 606; Coming of
Age: 610, 612, 614; The Indian and the
Hundred Cows: 640, 642; High Horse's
Courting: 646, 648, 650; Twain's
Autobiography: 660, 662, 664, 666;
Life on the Mississippi: 670, 672, 674;
Jumping Frog: 680, 682; A Wagner
Matinee: 690, 692, 694; Gregario
Cortez: 704, 706, 708, 710, 712, 714,
716; Poems By Emily Dickinson: 753,
754, 756, 758; The Yellow Wallpaper:
766, 768, 770, 772, 774, 776, 778; The
Story of an Hour: 784; Seventeen
Syllables: 790, 792, 794, 796, 798; I
Stand Here Ironing: 808, 810, 812;
Chicago/Lucinda Matlock: 826;
Richard Cory: 832, 836; Winter
Dreams: 842, 844, 846, 848, 850, 852,
854, 856, 858; America and I: 864, 866,
868, 870, 872; In the American Society:
878, 880, 882, 884, 886, 888, 890;
Grateful/Refugee Ship: 896; Langston
Hughes: 926; When the Negro Was in
Vogue: 934, 936; My City/Any Human
to Another: 942; If We Must Die/A
Black Man: 946; How It Feels to Be
Colored Me: 952, 954; My Dungeon
Shook: 960, 962; Thoughts on the
African-American Novel: 974; Selected
Poems: 1002, 1004; The Death of the
Hired Man: 1008, 1010; The End of
Something: 1020, 1022; J. Alfred
Prufrock: 1026, 1028; The Jilting of
Granny Weatherall: 1036, 1038, 1040,
1042; The Man Who Was Almost a
Man: 1046, 1048, 1050, 1052, 1054;
Mirror/Self in 1958: 1058, 1060;
Armistice: 1078, 1080, 1084;
Gunner/Soldiers: 1090, 1092;
(continued)
1. use appropriate reading strategies
for various purposes.
58
Text Wrap in Teacher’s Edition
Paradise/Executive Order: 1096, 1098,
1100; Ambush: 1106, 1108;
Chimera/Deciding: 1112, 1114;
Birmingham Jail: 1138, 1140, 1142,
1144; Wandering: 1152, 1154; The
Writer in the Family: 1158, 1160, 1162,
1164; Teenage Wasteland: 1170, 1172,
1174, 1176; Separating: 1182, 1184,
1186, 1188, 1190; Soto/Mora: 1196;
Hostage: 1202, 1204, 1206, 1208;
Mother Tongue: 1216, 1218, 1220; The
Latin Deli: 1224; Straw into Gold: 1228,
1230
(continued)
1. use appropriate reading strategies
for various purposes.
Pupil’s Edition/Teacher’s Edition
A Worn Path: 8-15; The World on the
Turtle's Back: 24-32; Sky
Loom/Hunting Song: 33-38; Coyote
Stories: 39-47; The Man to Send Rain
Clouds: 48-54; The Way to Rainy
Mountain: 55-63; La Relacion: 72-80;
Of Plymouth Plantation: 81-90; Life of
Olaudah Equiano: 93-99; Blue
Highways: 100-108; Lands of My
Ancestors: 109-117; Between Heaven
and Hell: 134-136; To My Dear and
Loving Husband: 138-143; The
Examination of Sarah Good: 144-149;
Sinners: 152-160; The Crucible: 163245; Virginia Convention: 262-269;
Declaration of Independence: 270-281;
Wheatley and Adams Letters: 282-287;
What Is an American?: 289-294;
Lecture to a Missionary: 295-299;
King/Malcolm X: 300-308; I am
Joaquin: 309-317; A Psalm of Life:
344-348; The Devil and Tom Walker:
349-361; Self-Reliance: 363-368; Civil
Disobedience: 369-380; Walden: 381393; I Hear America Singing: 396-405;
Ode to Walt Whitman: 406-409;
Williams/Cummings: 410-415; Ending
Poem/Tia Chucha: 416-423; Gary
Keillor: 424-435; The Masque of Red
Death: 454-463; The Raven: 466-472;
The Fall of the House of Usher: 473499; Dr. Heidegger's Experiment: 500515; A Rose For Emily: 516-527; The
Life You Save May Be Your Own:
528-541; Frederick Douglass: 562-573;
Stanzas on Freedom/Free Labor: 574579; An Occurrence at Owl Creek
Bridge: 580-592; A Mystery of
Heroism: 593-604;
2.
participate in independent and
directed reading with emphasis on
classic literature.
59
Pupil’s Edition/Teacher’s Edition
The Gettysburg Address: 605-608;
Coming of Age: 609-617; Ballad of
Birmingham: 618-621; The Indian and
the Hundred Cows: 638-644; High
Horse's Courting: 645-653; Twain's
Autobiography: 658-668; Life on the
Mississippi: 669-677; Jumping Frog:
679-687; A Wagner Matinee: 688-699;
Gregario Cortez: 702-719; Poems By
Emily Dickinson: 750-762; The Yellow
Wallpaper: 765-782; The Story of an
Hour: 783-787; Seventeen Syllables:
788-801; Adolescence-III: 802-805; I
Stand Here Ironing: 806-817;
Chicago/Lucinda Matlock: 824-829;
Richard Cory: 830-834;
Mask/Sympathy: 835-839; Winter
Dreams: 840-861; America and I: 863874; In the American Society: 877-893;
Grateful/Refugee Ship: 894-899;
Langston Hughes: 924-929; When the
Negro Was in Vogue: 932-939; My
City/Any Human to Another: 940-944;
If We Must Die/A Black Man: 945-949;
How It Feels to Be Colored Me: 950958; My Dungeon Shook: 959-965;
Life For My Child is Simple/Primer:
967-972; Thoughts on the AfricanAmerican Novel: 973-977; Selected
Poems: 1000-1005; Selected Poems:
The Death of the Hired Man: 10061015; The End of Something: 10181024; J. Alfred Prufrock: 1025, 1032;
The Jilting of Granny Weatherall: 10341044; The Man Who Was Almost a
Man: 1045-1056; Mirror/Self in 1958:
1057-1063; Armistice: 1076-1087;
Gunner/Soldiers: 1088-1094;
Paradise/Executive Order: 1095-1102;
Ambush: 1105-1110;
Chimera/Deciding: 1111-1117; At the
Justice Department: 1118-1121;
Birmingham Jail: 1136-1147;
Wandering: 1150-1156; The Writer in
the Family: 1157-1167; Teenage
Wasteland: 11680-1179; Separating:
1180-1193; Soto/Mora: 1194-1199;
Hostage: 1200-1213; Mother Tongue:
1215-1222; The Latin Deli: 1223-1226;
Straw into Gold: 1227-1233
(continued)
2. participate in independent and
directed reading with emphasis on
classic literature.
60
Pupil’s Edition/Teacher’s Edition
Virginia Convention: 268; I am Joaquin:
317
3.
practice to increase reading rate,
accuracy, prosody and
comprehension.
Text Wrap in Teacher’s Edition
The Way to Rainy Mountain: 59; La
Relacion: 77; The Crucible: 211, 220,
236; I am Joaquin: 312; I Hear America
Singing: 402; Williams/Cummings:
412; The Raven: 467, 468; The Fall of
the House of Usher: 476, 492; The Life
You Save May Be Your Own: 536;
Stanzas on Freedom/Free Labor: 575;
The Yellow Wallpaper: 770; Winter
Dreams: 854; My City/Any Human to
Another: 942; Wandering: 1154
C. COMPREHENSION: understand and relate to a variety of
genres on literal, interpretive and critical levels using effective
reading strategies
Pupil’s Edition/Teacher’s Edition
Historical Background: 20-23; The
World on the Turtle’s Back: 24, 31;
Coyote Stories: 39, 46; Historical
Background: 66-68; The
Interesting Narrative of the Life of
Olaudah Equiano: 93, 98; My
Sojourn in the Lands of My
Ancestors: 109, 116; Historical
Background: 134-136; Sinners in
the Hands of an Angry God: 152,
158; Historical Background: 256258, 340-342; Author Study, E.
Allan Poe: 450-453; The Author’s
Style: 497; Historical Background:
558-560; Narrative of the Life of
Frederick Douglass, an American
Slave: 562, 571; The Gettysburg
Address: 605, 607; Coming of Age
in Mississippi: 609-614; Historical
Background: 632-634; Author
Study, M. Twain: 654-657; The
Autobiography of Mark Twain:
658-668; Historical Background:
742-744; Author Study, E.
Dickinson: 746-749; Learning the
Language of Literature: 763-764;
Reading for Information: 782;
Historical Background: 916-918;
Author Study, L. Hughes: 920-923;
How It Feels to Be Colored Me:
950, 957; Author Study, R. Frost:
996-999;
1.
research, analyze and evaluate
historical, cultural and biographical
influences of literary works.
61
Pupil’s Edition/Teacher’s Edition
Historical Background: 1072-1074;
Reading for Information: 11031104; Historical Background:
1132-1134; Letter from
Birmingham Jail: 1136-1144
(continued)
1. research, analyze and evaluate
historical, cultural and biographical
influences of literary works.
Text Wrap in Teacher’s Edition
The World on the Turtle’s Back:
26, 28, 30; Coyote Stories: 40, 42,
44; The Interesting Narrative of the
Life of Olaudah Equiano: 94, 96;
My Sojourn in the Lands of My
Ancestors: 110, 114; Sinners in the
Hands of an Angry God: 157;
Narrative of the Life of Frederick
Douglass, an American Slave: 564,
566, 568, 570; The Autobiography
of Mark Twain: 661, 662
Pupil’s Edition/Teacher’s Edition
Learning the Language of
Literature: 70-71, 161-162, 260261, 394-395; Author Study, E.
Allan Poe: 450-453; The Masque
of the Red Death: 454-461, 462,
463; The Raven: 466-470, 471,
472; The Fall of the House of
Usher: 473-494, 496; The Author’s
Style: 497; Choices & Challenges:
498-499; Narrative of the Life of
Frederick Douglass, an American
Slave: 562, 571; The Gettysburg
Address: 605, 607; Learning the
Language of Literature: 636-637;
Author Study, M. Twain: 654-657;
The Autobiography of Mark
Twain: 658-666, 667, 668; Life on
the Mississippi: 669-675, 676, 677;
Epigrams: 678; The Notorious
Jumping Frog of Calaveras
County: 679-684, 685; The
Author’s Style: 686; Choices &
Challenges: 687; Author Study, E.
Dickinson: 746-749; Selected
Poems by Emily Dickinson: 750759, 760; The Author’s Style: 761;
Choices & Challenges: 762;
Learning the Language of
Literature: 763-764; Author Study,
L. Hughes: 920-923; Selected
Poems by Langston Hughes: 924927, 928, 929;
2.
analyze literary styles by genre.
62
Pupil’s Edition/Teacher’s Edition
When the Negro Was in Vogue:
932-936, 937; The Author’s Style:
938; Choices & Challenges: 939;
Life for My Child Is Simple/Primer
for Blacks: 967, 971; Author
Study, R. Frost: 996-999; Selected
Poems by Robert Frost: 1000-1004,
1005; The Death of the Hired Man:
1006-1011, 1013; The Author’s
Style: 1014; Choices &
Challenges: 1015; Learning the
Language of Literature: 10161017; At the Justice Department,
November 15, 1969: 1118, 1120;
Learning the Language of
Literature: 1148-1149
(continued)
2. analyze literary styles by genre.
Text Wrap in Teacher’s Edition
Narrative of the Life of Frederick
Douglass, an American Slave: 564,
566, 568, 570; The Gettysburg
Address: 606; The Autobiography
of Mark Twain: 664
Pupil’s Edition/Teacher’s Edition
Extend Your Reading: 65, 119,
247, 319, 437, 543, 623, 721, 819;
Thoughts on the African-American
Novel, Choices & Challenges: 977;
Extend Your Reading: 979, 1065,
1123, 1235
3.
increase the amount of independent
reading.
Pupil’s Edition/Teacher’s Edition
Become an Active Reader: 6-7; A
Worn Path: 8-15; The World on the
Turtle’s Back: 24, 31; Song of the
Sky Loom/Hunting Song/Dinni-e
Sin: 33, 37; Coyote Stories: 39, 42,
46; The Man to Send Rain Clouds:
48, 53; The Way to Rainy
Mountain: 55, 62; Learning the
Language of Literature: 70-71; La
Relación: 72, 78; Of Plymouth
Plantation: 81, 88; Reading for
Information: 91; The Interesting
Narrative of the Life of Olaudah
Equiano: 93, 98; Blue Highways:
100, 107; My Sojourn in the Lands
of My Ancestors: 109, 116; To My
Dear and Loving Husband/Upon
the Burning of Our House, July
10th, 1666: 138, 139, 142;
4.
select and use appropriate reading
strategies.
63
Pupil’s Edition/Teacher’s Edition
The Examination of Sarah Good:
144, 148; Reading for Information:
150-151; Sinners in the Hands of
an Angry God: 152, 158; Learning
the Language of Literature: 161162; The Crucible: 163, 190, 206,
228; Learning the Language of
Literature: 260-261; Speech in the
Virginia Convention: 262, 267;
Declaration of Independence: 270,
279; Letter to the Rev. Samson
Occom/Letter to John Adams: 282,
284, 287; What Is an American?:
289, 293; Lecture to a Missionary:
295, 298; Stride Toward
Freedom/Necessary to Protect
Ourselves: 300, 304, 307; I Am
Joaquín/Yo Soy Joaquín: 309, 316;
Reading & Writing for
Assessment: 330-335; A Psalm of
Life: 344, 347; The Devil and Tom
Walker: 349, 360; Self-Reliance:
363, 367; Civil Disobedience: 369,
378; Walden: 381, 392; Learning
the Language of Literature: 394395; I Hear America Singing/I Sit
and Look Out/Song of Myself:
396, 399, 404; Danse Russe: 410,
414; Ending Poem/Tía Chucha:
416, 421; Gary Keillor: 424, 434;
The Masque of the Red Death: 454,
462; The Raven: 466, 471; The Fall
of the House of Usher: 473, 496;
Dr. Heidegger’s Experiment: 500,
514; A Rose for Emily: 516, 525;
The Life You Save May Be Your
Own: 528, 533, 536, 539; Narrative
of the Life of Frederick Douglass,
an American Slave: 562, 571;
Stanzas on Freedom/Free Labor:
574, 575, 578; An Occurrence at
Owl Creek Bridge: 580, 583, 584,
585, 588, 589, 591; A Mystery of
Heroism: 593, 602; The Gettysburg
Address: 605, 607; Coming of Age
in Mississippi: 609, 616; Ballad of
Birmingham: 618, 620; Learning
the Language of Literature: 636637; The Indian and the Hundred
Cows/El indito de las cien vacas:
638, 643; High Horse’s Courting
from Black Elk Speaks: 645, 652;
(continued)
4. select and use appropriate reading
strategies.
64
Pupil’s Edition/Teacher’s Edition
The Autobiography of Mark
Twain: 658, 667; Life on the
Mississippi: 669, 676; The
Notorious Jumping Frog of
Calaveras County: 679, 685; A
Wagner Matinee: 688, 697;
Reading for Information: 700-701;
The Legend of Gregorio Cortez:
702, 718; Reading & Writing for
Assessment: 732-737; Emily
Dickinson: 750, 760; Learning the
Language of Literature: 763-764;
The Yellow Wallpaper: 765, 768,
769, 770, 773, 774, 775, 776, 778,
779; Reading for Information: 782;
The Story of an Hour: 783, 786;
Seventeen Syllables: 788, 800;
Adolescence—III: 802, 804; I
Stand Here Ironing: 806, 815;
Chicago/Lucinda Matlock: 824,
826, 828; Richard Cory/Miniver
Cheevy: 830, 831, 833; We Wear
the Mask Sympathy: 835, 836, 838;
Winter Dreams: 840, 843, 844,
847, 849, 851, 852, 855, 856, 857,
858, 860; America and I: 863, 873;
Reading for Information: 875-876;
In the American Society: 877, 892;
Defining the Grateful
Gesture/Refugee Ship: 894, 896,
898; Selected Poems by Langston
Hughes: 924, 928; When the Negro
Was in Vogue: 932, 937; My
City/Any Human to Another: 940,
941; 943; If We Must Die/A Black
Man Talks of Reaping: 945, 946,
948; How It Feels to Be Colored
Me: 950, 957; My Dungeon Shook:
959, 964; Life for My Child Is
Simple/Primer for Blacks: 967,
971; Thoughts on the AfricanAmerican Novel: 973, 976;
Selected Poems by Robert Frost:
1000, 1005; The Death of the Hired
Man: 1006, 1013; Learning the
Language of Literature: 10161017; The End of Something:
1018, 1023; The Love Song of J.
Alfred Prufrock: 1025, 1030; The
Jilting of Granny Weatherall: 1034,
1043; The Man Who Was Almost a
Man: 1045, 1055; Mirror/Self in
1958: 1057, 1058, 1061;
(continued)
4. select and use appropriate reading
strategies.
65
Pupil’s Edition/Teacher’s Edition
Armistice: 1076, 1085; The Death
of the Ball Turret Gunner/Why
Soldiers Won’t Talk: 1088, 1093;
Letter from Paradise/In Response
to Executive Order 9066: 1095,
1098, 1101; Reading for
Information: 1103-1104; Ambush:
1105, 1109; Camouflaging the
Chimera/Deciding: 1111, 1116; At
the Justice Department, November
15, 1969: 1118, 1120; Letter from
Birmingham Jail: 1136, 1146;
Learning the Language of
Literature: 1148-1149; Wandering:
1150, 1155; The Writer in the
Family: 1157, 1166; Teenage
Wasteland: 1168, 1178;
Separating: 1180, 1191; Mexicans
Begin Jogging: 1194, 1198;
Hostage: 1200, 1212; Mother
Tongue: 1215, 1221; The Latin
Deli: An Ars Poetica: 1223, 1225;
Straw into Gold: The
Metamorphosis of the Everyday:
1227, 1232; Reading Handbook:
1240-1243, 1250-1253, 1255-1267;
Academic Reading Handbook:
1342-1371
(continued)
4. select and use appropriate reading
strategies.
Text Wrap in Teacher’s Edition
The World on the Turtle’s Back:
26, 28, 30; Song of the Sky Loom: 34;
Hunting Song/Dinni-e Sin: 36; Coyote
Stories: 40, 42, 44; The Man to Send
Rain Clouds: 50, 52; The Way to
Rainy Mountain: 56, 58, 60; La
Relacion: 74, 76; Of Plymouth
Plantation: 82, 84, 86; The Interesting
Narrative of the Life of Olaudah
Equiano: 94, 96; Blue Highways: 102,
104, 106; My Sojourn in the Lands of
My Ancestors: 110, 112, 114; Upon
the Burning of Our House, July 10th,
1666: 140; The Examination of Sarah
Good: 146; Sinners in the Hands of an
Angry God: 154, 156; The Crucible:
164, 166, 168, 170, 172, 174, 176, 178,
180, 182, 184, 186, 188, 192, 194, 196,
198, 200, 202, 204, 208, 210, 212, 214,
216, 218, 220, 222, 224, 226, 230, 232,
234, 236, 238, 240, 242; Speech in the
Virginia Convention: 264, 266;
66
Text Wrap in Teacher’s Edition
Declaration of Independence: 270, 272,
274, 276; The Declaration of the
Rights of Woman: 278; Letter to the
Rev. Samson Occom: 284; Letter to
John Adams: 286; What Is an
American?: 290, 292; Lecture to a
Missionary: 296; Stride Toward
Freedom: 302, 304; Necessary to
Protect Ourselves: 306; I Am Joaquin:
310, 312, 314; A Psalm of Life: 346;
The Devil and Tom Walker: 350, 352,
354, 356, 358; Self-Reliance: 364, 366;
Civil Disobedience: 370, 372, 374,
376; Walden: 382, 384, 386, 388, 390;
I Hear America Singing: 398; Song of
Myself: 400, 402; Ode to Walt
Whitman: 406, 408; anyone lived in a
pretty how town: 412; Ending Poem:
418; Tia Chucha: 420; Gary Keillor:
426, 428, 430, 432; The Masque of the
Red Death: 456, 458, 460; The Raven:
468, 470; The Fall of the House of
Usher: 474, 476, 478, 480, 482, 484,
486, 488, 490, 492, 494; Dr.
Heidegger’s Experiment: 502, 504,
506, 508, 510, 512; A Rose for Emily:
518, 520, 522, 524; The Life You Save
May Be Your Own: 530, 532, 534,
536, 538; Narrative of the Life of
Frederick Douglass, an American
Slave: 564, 566, 568, 570; Free Labor:
576; An Occurrence at Owl Creek
Bridge: 582, 584, 586, 588, 590; A
Mystery of Heroism: 594, 596, 598,
600; The Gettysburg Address: 606;
Coming of Age in Mississippi: 610,
612, 614; Ballad of Birmingham: 618;
The Indian and the Hundred Cows:
640; El indito de las cien vacas: 642;
High Horse’s Courting: 646, 648, 650;
The Autobiography of Mark Twain:
660, 662, 664, 666; Life on the
Mississippi: 670, 672, 674; Epigrams:
678; The Notorious Jumping Frog of
Calaveras County: 680, 682; A
Wagner Matinee: 690, 692, 694, 696;
The Legend of Gregorio Cortez: 704,
706, 708, 710, 712, 714, 716; Selected
poems by Emily Dickinson: 752, 754,
756, 758; The Yellow Wallpaper: 766,
768, 770, 772, 774, 776, 778; The
Story of an Hour: 784; Seventeen
Syllables: 790, 792, 794, 796, 798;
(continued)
4. select and use appropriate reading
strategies.
67
Text Wrap in Teacher’s Edition
Adolescence-III: 802; I Stand Here
Ironing: 808, 810, 812, 814;
Chicago/Lucinda Matlock: 826;
Richard Cory/Miniver Cheevy: 832;
We Wear the Mask/Sympathy: 836;
Winter Dreams: 842, 844, 846, 848,
850, 852, 854, 856, 858; America and
I: 864, 866, 868, 870, 872; In the
American Society: 878, 880, 882, 884,
886, 888, 890; Defining the Grateful
Gesture/Refugee Ship: 896; Langston
Hughes: 924, 926, Selected Poems:
930, 932; When the Negro Was in
Vogue: 934, 936, 940; My City/Any
Human to Another: 942; If We Must
Die/The Black Man Talks of Reaping:
946, 952; How It Feels to Be Colored
Me: 954; My Dungeon Shook: 960,
962; Life for My Child Is
Simple/Primer for Blacks: 968, 970;
Thoughts on the African-American
Novel: 974; Selected Poems: 1002,
1004; The Death of the Hired Man:
1008, 1010; The End of Something:
1020, 1022; The Love Song of J.
Alfred Prufrock: 1026, 1028; The
Jilting of Granny Weatherall; 1036,
1038, 1040, 1042; The Man Who Was
Almost A Man: 1046, 1048, 1050,
1052, 1054; Mirror/Self in 1958: 1058,
1060; Armistice: 1078, 1080,
1082,1084, 1088; The Death of the
Ball Turret Gunner/Why Soldiers
Don’t Talk: 1090, 1092; Letter from
Paradise/In Response to Executive
Order 9066: 1096, 1098, 1100;
Ambush: 1106, 1108; Camouflaging
the Chimera/Deciding: 1112, 1114,
1118; Letter from Birmingham Jail:
1138, 1140, 1142, 1144; Wandering:
1152, 1154; The Writer in the Family:
1158, 1160, 1162, 1164; Teenage
Wasteland: 1170, 1172, 1174, 1176;
Separating: 1182, 1184, 1186, 1188,
1190; Mexicans Begin Jogging/Legal
Alien: 1196; Hostage: 1202, 1204,
1206, 1208; Mother Tongue: 1216,
1218, 1220; The Latin Deli: An Ars
Poetica: 1224; Straw into Gold: The
Metamorphosis of the Everyday: 1228,
1230
(continued)
4. select and use appropriate reading
strategies.
68
Pupil’s Edition/Teacher’s Edition
Author Study, E. Allan Poe: 450453; The Masque of the Red
Death: 454-461, 462, 463; The
Raven: 466-470, 471, 472; The Fall
of the House of Usher: 473-494,
496; The Author’s Style: 497;
Choices & Challenges: 498-499;
Author Study, M. Twain: 654-657;
The Autobiography of Mark
Twain: 658-666, 667, 668; Life on
the Mississippi: 669-675, 676, 677;
Epigrams: 678; The Notorious
Jumping Frog of Calaveras
County: 679-684, 685; The
Author’s Style: 686; Choices &
Challenges: 687; Author Study, E.
Dickinson: 746-749; Selected
Poems by Emily Dickinson: 750759, 760; The Author’s Style: 761;
Choices & Challenges: 762;
Author Study, L. Hughes: 920-923;
Selected Poems by Langston
Hughes: 924-927, 928, 929; When
the Negro Was in Vogue: 932-936,
937; The Author’s Style: 938;
Choices & Challenges: 939;
Author Study, R. Frost: 996-999;
Selected Poems by Robert Frost:
1000-1004, 1005; The Death of the
Hired Man: 1006-1011, 1013; The
Author’s Style: 1014; Choices &
Challenges: 1015
5.
analyze characteristics of author’s
style.
6.
draw conclusions, make inferences
and generalizations, and interpret
character traits.
Text Wrap in Teacher’s Edition
The Autobiography of Mark
Twain: 664
Pupil’s Edition/Teacher’s Edition
The Man to Send Rain Clouds: 48;
The Way to Rainy Mountain: 55,
62, 63; La Relacion: 78; Sinners in
the Hands of an Angry God: 158;
Learning the Language of
Literature: 161; The Crucible: 190,
206, 228, 243; Writing Workshop:
251; Letter to the Rev./Letter to
John Adams: 287; What Is an
American?: 293; Lecture to a
Missionary: 295, 298; Reflect and
Assess: 329; A Psalm of Life: 347;
The Devil and Tom Walker: 360;
Self-Reliance: 367;
69
Pupil’s Edition/Teacher’s Edition
Civil Disobedience: 378; Danse
Russe/anyone lived in a pretty how
town: 410, 414; Gary Keillor: 434;
The Masque of the Red Death:
462; The Raven: 471; The Fall of
the House of Usher: 496; Dr.
Heidegger’s Experiment: 514; A
Rose for Emily: 516, 525; The Life
You Save: 528, 539; Writing
Workshop: 544; A Mystery of
Heroism: 602; Learning the
Language of Literature: 637; The
Autobiography of Mark Twain:
667; Life on the Mississippi: 676;
The Notorious Jumping Frog: 685;
A Wagner Matinee: 688, 697;
Selected poems by E. Dickinson:
760; The Yellow Wallpaper: 765,
779; The Story of an Hour: 786;
Seventeen Syllables: 788, 800;
Adolescence—III: 804; I Stand
Here Ironing: 815;
Chicago/Lucinda Matlock: 828;
Richard Cory/Miniver Cheevy:
830, 833; We Wear the
Mask/Sympathy: 838; Winter
Dreams: 840, 860; In the American
Society: 877, 892; Defining the
Grateful Gesture/Refugee Ship:
894, 898; When the Negro Was in
Vogue: 932, 937; How It Feels to
Be Colored Me: 957; Life for My
Child/Primer for Blacks: 971; The
Death of the Hired Man: 1013; The
End of Something: 1018, 1023;
The Man Who Was Almost a Man:
1055; Mirror/Self in 1958: 1061;
Armistice: 1076, 1085; Letter from
Paradise/In Response to Executive
Order: 1101; Ambush: 1105;
Camouflaging the
Chimera/Deciding: 1116; At the
Justice Department: 1118, 1120;
Birmingham Jail: 1146;
Wandering: 1155; The Writer in
the Family: 1157, 1166; Teenage
Wasteland: 1168, 1178;
Separating: 1191; Hostage: 1200,
1212; Mother Tongue: 1215; The
Latin Deli: 1225; Straw into Gold:
1232; Glossary of Literary Terms:
1374, 1375
(continued)
6. draw conclusions, make inferences
and generalizations, and interpret
character traits.
70
Text Wrap in Teacher’s Edition
Coyote Stories: 41, 42, 44; The
Man to Send Rain Clouds: 50; Of
Plymouth Plantation: 86; Unit Two
Opener: From Colony to Country:
131; The Crucible: 168, 170, 172,
184, 174, 176, 178, 180, 186, 188,
194, 196, 197, 200, 202, 204, 208,
210, 212, 214, 215, 218, 220, 222,
224, 226, 236, 238; Letter to the
Rev. Samson Occom/Letter to John
Adams: 286; The Devil and Tom
Walker: 354, 357; I Hear America
Singing/I Sit and Look Out/from
Song of Myself: 402; Danse
Russe/anyone lived in a pretty how
town: 412; Gary Keillor: 428, 430;
The Fall of the House of Usher:
478, 480, 484, 492; A Rose for
Emily: 518, 520, 524; The Life
You Save May Be Your Own: 530,
534, 536, 538; Unit Four Historical
Background: 560; The Narrative of
the Life of Frederick Douglass, an
American Slave: 566, 568; An
Occurrence at Owl Creek Bridge:
590; A Mystery of Heroism: 598;
The Indian and the Hundred Cows:
640, 641; High Horses Courting:
648; Life on the Mississippi: 672,
674; A Wagner Matinee: 690, 692,
694, 696; The Legend of Gregorio
Cortez: 708, 710, 712, 714; Unit
Five Opener: The Changing Face
of America: 739; The Yellow
Wallpaper: 766, 768, 770, 772,
774, 776; Seventeen Syllables:
793, 795, 796, 798; I Stand Here
Ironing: 808, 810, 812; Richard
Cory/Miniver Cheevy: 832; Winter
Dreams: 842, 844, 846, 848, 850,
854, 856, 858; In the American
Society: 878, 880, 882, 884, 886,
888, 890; Unit Six Historical
Background: A New Cultural
Identity: 916; My Dongeon Shook:
965; The Death of the Hired Man:
1010; The End of Something:
1020, 1022; The Jilting of Granny
Weatherall: 1038; Armistice: 1078,
1080, 1082; Link Across Cultures:
Survival In Auschwitz: 1084; The
Writer in the Family: 1158, 1160,
1162;
(continued)
6. draw conclusions, make inferences
and generalizations, and interpret
character traits.
71
Text Wrap in Teacher’s Edition
Teenage Wasteland: 1170, 1172,
1174, 1176; Hostage: 1202, 1204,
1206, 1208, 1210; Straw into Gold:
The Metamorphosis of the
Everyday: 1230
(continued)
6. draw conclusions, make inferences
and generalizations, and interpret
character traits.
Pupil’s Edition/Teacher’s Edition
The World on the Turtle’s Back:
31; Song of the Sky Loom/Hunting
Song/Dinni-e Sin: 34, 37; Coyote
Stories: 42, 46; The Man to Send
Rain Clouds: 53; The Way to
Rainy Mountain: 62; La Relación:
78; Of Plymouth Plantation: 88;
The Interesting Narrative of the
Life of Olaudah Equiano: 98; Blue
Highways: 107; My Sojourn in the
Lands of My Ancestors: 116; To
My Dear and Loving Husband/
Upon the Burning of Our House,
July 10th, 1666: 139, 142; The
Examination of Sarah Good: 148;
Sinners in the Hands of an Angry
God: 158; The Crucible: 190, 206,
228, 243; Speech in the Virginia
Convention: 267; Declaration of
Independence: 279; Letter to the
Rev. Samson Occom/ Letter to
John Adams: 284, 287; What Is an
American?: 293; Lecture to a
Missionary: 298; Stride Toward
Freedom/Necessary to Protect
Ourselves: 304, 307; I Am
Joaquin/Yo Soy Joaquin: 316; A
Psalm of Life: 347; The Devil and
Tom Walker: 360; Self-Reliance:
367; Civil Disobedience: 378;
Walden: 392; I Hear America
Singing/I Sit and Look Out, from
Song of Myself: 398, 399, 404;
Danse Russe/anyone lived in a
pretty how town: 411, 414; Ending
Poem/Tía Chucha: 418, 421; Gary
Keillor: 434; The Masque of the
Red Death: 462; The Raven: 471;
The Fall of the House of Usher:
496; Dr. Heidegger’s Experiment:
514; A Rose for Emily: 525; The
Life You Save May Be Your Own:
539; Narrative of the Life of
Frederick Douglass, an American
Slave: 571;
7.
analyze a variety of texts according
to content, structure and tone.
72
Pupil’s Edition/Teacher’s Edition
Stanzas on Freedom, Free Labor:
575, 578; An Occurrence at Owl
Creek Bridge: 591; A Mystery of
Heroism: 602; The Gettysburg
Address: 607; Coming of Age in
Mississippi: 616; Ballad of
Birmingham: 620; The Indian and
the Hundred Cows: 643; High
Horse’s Courting: 652; The
Autobiography of Mark Twain:
667; Life on the Mississippi: 676;
The Notorious Jumping Frog of
Calaveras County: 685; A Wagner
Matinee: 697; The Legend of
Gregorio Cortez: 718; Selected
poems by Emily Dickinson: 751,
752, 753, 754, 756, 757, 758, 760;
The Yellow Wallpaper: 779; The
Story of an Hour: 786; Seventeen
Syllables: 800; Adolescence-III:
804; I Stand Here Ironing: 815;
Chicago/Lucinda Matlock: 826,
828; Richard Cory, Miniver
Cheevy: 831, 833; We Wear the
Mask, Sympathy: 836, 838; Winter
Dreams: 860; America and I: 873;
In the American Society: 892;
Defining the Grateful
Gesture/Refugee Ship: 896, 898;
Selected Poems by Langston
Hughes: 925, 926, 928; When the
Negro Was in Vogue: 937; My
City, Any Human to Another: 941;
943; If We Must Die/ A Black Man
Talks of Reaping: 946, 948; How It
Feels to Be Colored Me: 957; My
Dungeon Shook: 964; Life for My
Child Is Simple/Primer for Blacks:
968, 971; Thoughts on the AfricanAmerican Novel: 976; Selected
Poems by Robert Frost: 1001,
1003, 1005; The Death of the Hired
Man: 1013; The End of Something:
1023; The Love Song of J. Alfred
Prufrock: 1030; The Jilting of
Granny Weatherall: 1043; The
Man Who Was Almost a Man:
1055; Mirror/Self in 1958: 1058,
1061; Armistice: 1085; The Death
of the Ball Turret Gunner/Why
Soldiers Won’t Talk: 1089, 1093;
(continued)
7. analyze a variety of texts according
to content, structure and tone.
73
Pupil’s Edition/Teacher’s Edition
Letter from Paradise/In Response
to Executive Order 9066: 1098,
1101; Ambush: 1109;
Camouflaging the Chimera/
Deciding: 1113, 1116; At the
Justice Department: 1120; Letter
from Birmingham Jail: 1146;
Wandering: 1155; The Writer in
the Family: 1166; Teenage
Wasteland: 1178; Separating:
1191; Mexicans Begin
Jogging/Legal Alien: 1196, 1198;
Hostage: 1212; Mother Tongue:
1221; The Latin Deli: 1225; Straw
into Gold: The Metamorphosis of
the Everyday: 1232
(continued)
7. analyze a variety of texts according
to content, structure and tone.
Text Wrap in Teacher’s Edition
The World on the Turtle’s Back:
26, 28, 30; Song of the Sky
Loom/Hunting Song: 34, 36; Coyote
Stories: 40, 42, 44; Man to Send Rain
Clouds: 50, 52; The Way to Rainy
Mountain: 56, 58, 60; La Relacion: 74,
76; from Of Plymouth Plantation: 82,
84, 86; from The Interesting Narrative
of the Life of Olaudah Equianno: 94,
96; Blue Highways: 102, 104, 106; My
Sojourn in the Lands of My Ancestors:
110, 112, 114; To My Dear and
Loving Husband/Upon the Burning of
Our House July 10th, 1666: 140; The
Examination of Sarah Good: 146;
Sinners in the Hands of an Angry God:
154, 156; The Crucible: 164, 166, 168,
170, 172, 174, 176, 178, 180, 182, 184,
186, 188, 192, 194, 196, 198, 200, 202,
204, 208, 210, 212, 214, 216, 218, 220,
222, 224, 226, 230, 232, 234, 236, 238,
240, 242; Speech in the Virginia
Convention: 264, 266, 270;
Declaration of Independence: 272, 274,
276; Link Across Cultures: The
Declaration of the Rights of Woman:
278; Letter to the Rev. Samson
Occom/Letter to John Adams: 284,
286; What Is an American?: 290, 292;
Lecture to a Missionary: 296; from
Stride Toward Freedom/Necessary to
Protect Ourselves: 302, 304, 306; I am
Joaquin/Yo Soy Joaquin: 310, 312,
314; A Psalm of Life: 346;
74
Text Wrap in Teacher’s Edition
The Devil and Tom Walker: 350, 352,
354, 356, 358; Self-Reliance: 364, 366;
Civil Disobedience: 370, 372, 374,
376; from Walden: 382, 384, 386, 388,
390; I Hear America Singing/I Sit and
Look Out/from Song of Myself: 398,
400, 402, 406, 408; Danse
Russe/anyone lived in a pretty how
town: 412; Ending Poem/Tia Chucha:
418, 420; Gary Keillor: 426, 428, 430,
432; The Masque of the Red Death:
456, 458, 460; The Raven: 468, 470;
The Fall of the House of Usher: 474,
476, 478, 480, 482, 484, 486, 488, 490,
492, 494; Dr. Heidegger’s Experiment:
502, 504, 506, 508, 510, 512; A Rose
for Emily: 518, 520, 522, 524; The
Life You Save May Be Your Own:
530, 532, 534, 536, 538; from
Narrative of the Life of Frederick
Douglass, an American Slave: 564,
566, 568, 570; Stanzas on
Freedom/Free Labor: 576; An
Occurrence at Owl Creek Bridge: 582,
584, 586, 588, 590; A Mystery of
Heroism: 594, 596, 598, 600; The
Gettysburg Address: 606; Coming of
Age in Mississippi: 610, 612, 614, 618;
The Indian and the Hundred Cows:
640, 642; High Horse’s Courting from
Black Elk Speaks: 646, 648, 650; The
Autobiography of Mark Twain: 660,
662, 664, 666; Life on the Mississippi:
670, 672, 674, 678; The Notorious
Jumping Frog of Calaveras County:
680, 682; A Wagner Matinee: 690,
692, 694, 696; The Legend of Gregorio
Cortez: 704, 706, 708, 710, 712, 714,
716; Selected Poems by Emily
Dickenson: 752, 754, 756, 758; The
Yellow Wallpaper: 766, 768, 770, 772,
774, 776, 778; The Story of an Hour:
784; Seventeen Syllables: 790, 792,
794, 796, 798, 802; I Stand Here
Ironing: 808, 810, 812, 814;
Chicago/Lucinda Matlock: 826;
Richard Cory/Miniver Cheevy: 832;
We Wear the Mask/Sympathy: 836;
Winter Dreams: 842, 844, 846, 848,
850, 852, 854, 856, 858; America and
I: 864, 866, 868, 870, 872; In the
American Society: 878, 880, 882, 884,
886, 888, 890, 896;
(continued)
7. analyze a variety of texts according
to content, structure and tone.
75
Text Wrap in Teacher’s Edition
Selected Poems of Langston Hughes:
924, 926, 930, 932, 934, 936; My
City/Any Human to Another: 940,
942; If We Must Die/A Black Man
Talks of Reaping: 946; How It Feels to
Be Colored Me: 952, 954; My
Dungeon Shook: 960, 962; Life for My
Child Is Simple/Primer for Blacks:
968, 970; Thoughts on the AfricanAmerican Novel: 974; Selected Poems
by Robert Frost: 1002, 1004, 1008,
1010; The End of Something: 1020,
1022; The Love Song of J. Alfred
Prufrock: 1026, 1028; The Julting of
Granny Weatherall: 1036, 1038, 1040,
1042; The Man Who Was Almost a
Man: 1046, 1048, 1050, 1052, 1054;
Mirror/Self in 1958: 1058, 1060;
Armistice: 1078, 1080, 1082, 1084,
1088; The Death of the Ball Turret
Gunner/Why Soldiers Won’t Talk:
1090, 1092; Letter from Paradise/In
Response to Executive Order 9066:
1096, 1098, 1100; Ambush: 1106,
1108; Camouflaging the
Chimera/Deciding: 1112, 1114, 1118;
from Letter from Birmingham Jail:
1138, 1140, 1142, 1144; Wandering:
1152, 1154; A Writer in the Family:
1158, 1160, 1162, 1164; Teenage
Wasteland: 1170, 1172, 1174, 1176;
Separating: 1182, 1184, 1186; 1188,
1190; Mexicans Begin Jogging/Legal
Alien: 1196; Hostage: 1202, 1204,
1206, 1208; Mother Tongue: 1216,
1218, 1220; The Latin Deli: An Ars
Poetica: 1224; Straw into Gold: The
Metamorphosis of the Everyday: 1228,
1230
(continued)
7. analyze a variety of texts according
to content, structure and tone.
76
Pupil’s Edition/Teacher’s Edition
The Examination of Sarah
Good: 144, 148; Related
Reading: 150-151; Sinners in
the Hands of an Angry God:
152; Speech in the Virginia
Convention: 262, 267; Stride
Toward Freedom/Necessary to
Protect Ourselves: 300, 307;
Civil Disobedience: 369, 378
8.
evaluate persuasive language and
techniques.
9.
perform a task from written
directions.
Text Wrap in Teacher’s Edition
The Examination of Sarah
Good: 146; Speech in the
Virginia Convention: 264, 265,
266; Stride Toward
Freedom/Necessary to Protect
Ourselves: 302, 304, 306; Civil
Disobedience: 370
Pupil’s Edition/Teacher’s Edition
Comparing Literature: 64; Comparing
Literature: 118; Unit One Reflect and
Asses: 129; Comparing Literature: 246;
Writing Workshop: 248-252;
Comparing Literature: 318; Reading &
Writing for Assessment: 334;
Comparing Literature: 436; Comparing
Literature: 542; Unit Three Reflect and
Assess: 553; Comparing Literature:
622; Writing Workshop: 624-628;
Comparing Literature: 720; Unit Four
Reflect and Assess: 731; Reading &
Writing for Assessment: 736;
Comparing Literature: 818; Comparing
Literature: 900; Unit Five Reflect and
Assess: 911; Comparing Literature:
978; Comparing Literature: 1064; Unit
Six Reflect and Assess: 1067;
Comparing Literature: 1122;
Comparing Literature: 1234; Unit
Seven Reflect and Assess: 1237
See Thinking Through the Literature
after each selection: 31, 37, 46, 53, 62,
78, 88, 98,107, 116, 142, 148, 158, 190,
206, 228, 243, 267, 279, 287, 293, 298,
307, 316, 347, 360, 367, 378, 392, 404,
414, 421, 434, 462, 471, 496-497, 514,
525, 539, 571, 578, 591, 602, 607, 616,
620, 643, 652, 667, 676, 685-686, 697,
718, 760-761, 779, 786, 800, 804, 815,
828, 833, 838, 860, 873, 892, 898, 928,
937-938, 943, 948, 957, 964, 971, 976,
1005, 1013-1014, 1023, 1030, 1043,
1055, 1061, 1085, 1093, 1101, 1109,
77
Pupil’s Edition/Teacher’s Edition
See Thinking Through the Literature
after each selection:
1116, 1120, 1146, 1155, 1166, 1178,
1191, 1198, 1212, 1221, 1225, 1232
(continued)
9. perform a task from written
directions.
See Choices & Challenges after each
selection: 32, 38, 47, 54, 63, 79-80, 8990, 99, 108, 117, 143, 149, 159-160,
244-245, 268-269, 280-281, 288, 294,
299, 308, 317, 348, 361-362, 368, 379380, 393, 405, 415, 422-423, 435, 463,
472, 498-499, 515, 526-527, 540-541,
572-573, 579, 592, 603-604, 608, 617,
621, 644, 653, 668, 677, 687, 698-699,
719, 762, 780-781, 787, 801, 805, 816817, 829, 834, 839, 861-862, 874, 893,
899, 929, 944, 949, 958, 965-967,972,
977, 1015, 1024, 1031-1032, 1044,
1056, 1062-1063, 1086-1087, 1094,
1102, 1110, 1117, 1121, 1147, 1156,
1167, 1179, 1192-1193, 1199, 1213,
1222, 1226, 1233
D. WRITTEN APPLICATION: employ a wide range of
writing strategies to communicate effectively for different
purposes including developing the writing process, gathering
and using information for research purposes, and applying
mechanical and grammatical properties
Pupil’s Edition/Teacher’s Edition
Writing Workshops: 120-124, 248252, 320-324, 438-442, 544-548,
624-629, 722-726, 902-906, 980988, 1124-1128
1.
employ writing strategies to address
specific purposes and audiences.
78
Pupil’s Edition/Teacher’s Edition
Coyote Stories, Choices and
Challenges: 47; Writing Workshop:
123; The Crucible, Choices and
Challenges: 244; Writing Workshop:
251; What Is an American?, Choices
and Challenges: 294; Stride Toward
Freedom/ Necessary to Protect
Ourselves, Choices and Challenges:
308; Writing Workshop: 323; Ending
Poem/ Tía Chucha, Choices and
Challenges: 422; Writing Workshop:
441, 547; Narrative of the Life of
Frederick Douglass, an American
Slave, Choices and Challenges: 572; A
Mystery of Heroism, Choices and
Challenges: 603; Writing Workshop:
627, 725; Selected poems by Emily
Dickinson, Choices and Challenges:
762; Seventeen Syllables, Choices and
Challenges: 801; Adolescence-III,
Choices and Challenges: 805; I Stand
Here Ironing, Choices and Challenges:
816; Writing Workshop: 905; Selected
Poems by Langston Hughes, Choices
and Challenges: 929; When the Negro
Was in Vogue, Choices and
Challenges: 939; Writing Workshop:
983-984, 1126; Hostage, Choices
and Challenges: 1213; Writing
Handbook: 1268
2.
generate topics and plan approaches
to writing using prewriting
strategies.
Pupil’s Edition/Teacher’s Edition
The World on the Turtle’s Back,
Choices and Challenges: 32; Song of
the Sky Loom/Hunting Song/Dinni-e
Sin, Choices and Challenges: 38; La
Relación, Choices and Challenges 79;
Blue Highways, Choices and
Challenges: 108; My Sojourn in the
Lands of My Ancestors, Choices and
Challenges: 117; Writing Workshop:
123; Sinners in the Hands of an Angry
God, Choices and Challenges: 159;
Writing Workshop: 252; Speech in the
Virginia Convention, Choices and
Challenges: 268; Lecture to a
Missionary, Choices and Challenges:
299; Writing Workshop: 323; SelfReliance, Choices and Challenges:
368; Writing Workshop: 441-442,
547-548;
3.
employ drafting strategies for
interdisciplinary writing tasks.
79
Pupil’s Edition/Teacher’s Edition
An Occurrence at Owl Creek Bridge,
Choices and Challenges: 592; A
Mystery of Heroism, Choices and
Challenges: 603; Writing Workshop:
627; The Indian and the Hundred
Cows, Choices and Challenges: 644;
Writing Workshop: 725;
Chicago/Lucinda Matlock, Choices
and Challenges: 829; Writing
Workshop: 905; When the Negro Was
in Vogue, Choices and Challenges:
939; How It Feels to Be Colored Me,
Choices and Challenges: 958; Writing
Workshop: 986-987; The Love Song
of J. Alfred Prufrock, Choices and
Challenges: 1031; Writing Workshop:
1127; Teenage Wasteland, Choices
and Challenges: 1179; Mexicans Begin
Jogging/Legal Alien, Choices and
Challenges: 1198; Writing
Handbook: 1269
(continued)
3. employ drafting strategies for
interdisciplinary writing tasks.
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 624, 980, 981,
983, 987; Writing Handbook: 1287
4.
develop a clearly worded and
correctly placed thesis statement.
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 120-124, 248252, 320-324, 438-442, 544-548,
624-629, 722-726, 902-906, 980988, 1124-1128
5.
develop a focused and coherent
composition.
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 120-124; Reflect
and Assess: 128-129; Writing
Workshop: 248-252, 320-324; Reflect
and Assess: 328-329; Civil
Disobedience, Choices and
Challenges: 379; Ending Poem/Tía
Chucha, Choices and Challenges: 422;
Writing Workshop: 438-442, 544-548;
Reflect and Assess: 552-553;
Narrative of the Life of Frederick
Douglass, Choices and Challenges:
572; Writing Workshop: 624-629; A
Wagner Matinee, Choices and
Challenges: 698; Writing Workshop:
726; Reflect and Assess: 730-731;
Selected Poems by Emily Dickinson,
Choices and Challenges: 762; Writing
Workshop: 902-906;
6.
identify and use subtle forms of
transition in a composition.
80
Pupil’s Edition/Teacher’s Edition
Reflect and Assess: 910-911;
Writing Workshop: 980-988; Reflect
and Assess: 1066-1067; Writing
Workshop: 1127; Hostage, Choices
and Challenges: 1213; Reflect and
Assess: 1236-1237; Writing
Handbook: 1270, 1274
(continued)
6. identify and use subtle forms of
transition in a composition.
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 120-124; Reflect
and Assess: 128-129; Writing
Workshop: 252; Learning the
Language of Literature: 261;
Speech in the Virginia Convention:
262, 267; Writing Workshop: 324;
Reflect and Assess: 328-329;
Writing Workshop: 438-442, 544-548;
Reflect and Assess: 552-553;
Writing Workshop: 628, 726; Reflect
and Assess: 730-731; Writing
Workshop: 906; Assessment Practice:
907; Reflect and Assess: 910-911;
Writing Workshop: 988; Sentence
Crafting: 990; Reflect and Assess:
1066-1067; Writing Workshop:
1127; Reflect and Assess: 12361237; Writing Handbook: 1270
7.
identify rhetorical devices.
Pupil’s Edition/Teacher’s Edition
The World on the Turtle’s Back,
Choices & Challenges: 32; Song of
the Sky Loom/Hunting
Song/Dinni-e Sin, Choices &
Challenges: 38; Comparing
Literature: 64; La Relacion,
Choices & Challenges: 79; Blue
Highways, Choices & Challenges:
108; Comparing Literature: 118;
The Examination of Sarah Good,
Choices & Challenges: 149;
Sinners in the Hands, Choices &
Challenges: 159; Comparing
Literature: 246; Letter to the
Rev./Letter to J. Adams, Choices &
Challenges: 288; What Is an
American? Choices & Challenges:
294; I Am Joaquin/Yo Soy,
Choices & Challenges: 317;
Reflect and Assess: 328; Civil
Disobedience, Choices &
Challenges: 379;
8.
produce functional writing for job
application letters, scholarship
letters, essays and personal letters.
81
Pupil’s Edition/Teacher’s Edition
Danse Russe/anyone lived, Choices
& Challenges: 415; Ending
Poem/Tia Chucha, Choices &
Challenges: 422; The Life You
Save, Choices & Challenges: 540;
Comparing Literature: 542;
Coming of Age, Choices &
Challenges: 617; The
Autobiography of M. Twain,
Choices & Challenges: 668; The
Yellow Wallpaper, Choices &
Challenges: 780; The Story of an
Hour, Choices & Challenges: 787;
In the American Society, Choices
& Challenges: 893; Defining the
Grateful Gesture/Refugee Ship,
Choices & Challenges: 899; If We
Must Die/A Black Man, Choices &
Challenges: 949; My Dungeon
Shook, Choices & Challenges: 965;
Thoughts on the Novel, Choices &
Challenges: 977; Mirror/Self in
1958, Choices & Challenges: 1062;
Comparing Literature: 1064;
Armistice, Choices & Challenges:
1086; Ambush, Choices &
Challenges: 1110; Comparing
Literature: 1122; Letter from B.
Jail, Choices & Challenges: 1147;
Hostage, Choices & Challenges:
1213; Mother Tongue, Choices &
Challenges: 1222; The Latin Deli,
Choices & Challenges: 1226;
Comparing Literature: 1234;
Writing Handbook: 1293-1294
(continued)
8. produce functional writing for job
application letters, scholarship
letters, essays and personal letters.
Pupil’s Edition/Teacher’s Edition
The World on the Turtle’s Back,
Choices and Challenges: 32; La
Relación, Choices and Challenges 79;
Writing Workshop: 120-124, 248-252;
Lecture to a Missionary, Choices and
Challenges: 299; Writing Workshop:
320-324; Narrative of the Life of
Frederick Douglass, an American Slave,
Choices and Challenges: 572; Writing
Workshop: 624-629; The Yellow
Wallpaper, Choices and Challenges:
780; Writing Workshop: 902-906, 980988; Writing Handbook: 1268-1269,
1276, 1277-1278, 1281-1284, 12851286, 1287-1292, 1293-1294
9.
develop a personal style and voice in
writing.
82
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 980-988,
Writing Handbook: 1287-1292;
Also see Inquiry & Research
sections located on the Choices and
Challenges pages for research
opportunities. See the following
example pages: 89, 149, 244, 379,
422, 472, 572, 677, 816, 1031
10. use information necessary to aid
research and compile an essay or
project following an accepted
format, using printed and electronic
sources.
Pupil’s Edition/Teacher’s Edition
The World on the Turtle’s Back,
Choices & Challenges: 32; Song of
the Sky Loom/Hunting
Song/Dinni-e Sin, Choices &
Challenges: 38; Comparing
Literature: 64; La Relacion,
Choices & Challenges: 79; Blue
Highways, Choices & Challenges:
108; Comparing Literature: 118;
The Examination of Sarah Good,
Choices & Challenges: 149;
Sinners in the Hands, Choices &
Challenges: 159; Comparing
Literature: 246; Letter to the
Rev./Letter to J. Adams, Choices &
Challenges: 288; What Is an
American? Choices & Challenges:
294; I Am Joaquin/Yo Soy,
Choices & Challenges: 317;
Reflect and Assess: 328; Civil
Disobedience, Choices &
Challenges: 379; Danse
Russe/anyone lived, Choices &
Challenges: 415; Ending Poem/Tia
Chucha, Choices & Challenges:
422; The Life You Save, Choices
& Challenges: 540; Comparing
Literature: 542; Coming of Age,
Choices & Challenges: 617; The
Autobiography of M. Twain,
Choices & Challenges: 668; The
Yellow Wallpaper, Choices &
Challenges: 780; The Story of an
Hour, Choices & Challenges: 787;
In the American Society, Choices
& Challenges: 893; Defining the
Grateful Gesture/Refugee Ship,
Choices & Challenges: 899;
Writing Workshop: 987-988, If We
Must Die/A Black Man, Choices &
Challenges: 949; My Dungeon
Shook, Choices & Challenges: 965;
11. use revision and editing strategies to
correct errors in organization,
content, usage, mechanics and
spelling in functional and research
writing.
83
Pupil’s Edition/Teacher’s Edition
Thoughts on the Novel, Choices &
Challenges: 977; Mirror/Self in
1958, Choices & Challenges: 1062;
Comparing Literature: 1064;
Armistice, Choices & Challenges:
1086; Ambush, Choices &
Challenges: 1110; Comparing
Literature: 1122; Letter from B.
Jail, Choices & Challenges: 1147;
Hostage, Choices & Challenges:
1213; Mother Tongue, Choices &
Challenges: 1222; The Latin Deli,
Choices & Challenges: 1226;
Comparing Literature: 1234;
Writing Handbook: 1293-1294
(continued)
11. use revision and editing strategies to
correct errors in organization,
content, usage, mechanics and
spelling in functional and research
writing.
Pupil’s Edition/Teacher’s Edition
A Rose for Emily, Choices &
Challenges: 526; Writing
Workshop: 985; Writing
Handbook: 1288-1289: Also see
the Reader’s Notebook sections
located on the Preparing to Read
pages. See the following example
pages: 72, 163, 262, 363, 424, 500,
605, 788, 894, 1076
12. use note-taking skills with specific
attention to purpose, main ideas/key
facts and overall themes in order to
synthesize information into a welldeveloped essay.
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 980, 981-982, 984,
987, 988
13. explain the concept of intellectual
property and plagiarism in all media.
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 987;
Communication Handbook: 1297
14. differentiate between plagiarism and
paraphrasing.,
Pupil’s Edition/Teacher’s Edition
High Horse’s Courting, Choices &
Challenges: 653; In the American
Society, Choices & Challenges:
893; Writing Workshop: 986;
Armistice, Choices & Challenges:
1086; Wandering, Choices &
Challenges: 1156; Writing
Handbook: 1288, 1289
15. produce a suitable outline for use in
a researched essay or project.
84
Pupil’s Edition/Teacher’s Edition
Comparing Literature: 64; Comparing
Literature: 118; Unit One Reflect and
Asses: 129; Comparing Literature: 246;
Writing Workshop: 248-252;
Comparing Literature: 318; Reading &
Writing for Assessment: 334;
Comparing Literature: 436; Comparing
Literature: 542; Unit Three Reflect and
Assess: 553; Comparing Literature:
622; Writing Workshop: 624-628;
Comparing Literature: 720; Unit Four
Reflect and Assess: 731; Reading &
Writing for Assessment: 736;
Comparing Literature: 818; Comparing
Literature: 900; Unit Five Reflect and
Assess: 911; Comparing Literature:
978; Comparing Literature: 1064; Unit
Six Reflect and Assess: 1067;
Comparing Literature: 1122;
Comparing Literature: 1234; Unit
Seven Reflect and Assess: 1237
16. integrate writing skills and
assignments using literary text.
See Choices & Challenges after each
selection: 32, 38, 47, 54, 63, 79-80, 8990, 99, 108, 117, 143, 149, 159-160,
244-245, 268-269, 280-281, 288, 294,
299, 308, 317, 348, 361-362, 368, 379380, 393, 405, 415, 422-423, 435, 463,
472, 498-499, 515, 526-527, 540-541,
572-573, 579, 592, 603-604, 608, 617,
621, 644, 653, 668, 677, 687, 698-699,
719, 762, 780-781, 787, 801, 805, 816817, 829, 834, 839, 861-862, 874, 893,
899, 929, 944, 949, 958, 965-967,972,
977, 1015, 1024, 1031-1032, 1044,
1056, 1062-1063, 1086-1087, 1094,
1102, 1110, 1117, 1121, 1147, 1156,
1167, 1179, 1192-1193, 1199, 1213,
1222, 1226, 1233
Pupil’s Edition/Teacher’s Edition
Building Vocabulary: 126; Building
Vocabulary: 630; Glossary of Literary
Terms: 1372-1395; Glossary of Words
to Know in English and Spanish: 13961414
17. provide supplemental language
materials to support writing.
Text Wrap in Teacher’s Edition
The Way to Rainy Mountain: 56;
Declaration of Independence: 275; ;
Winter Dreams: 861; Ambush: 1110
85
Pupil’s Edition/Teacher’s Edition
Comparing Literature: 118; The
Crucible: 163, 190, 206; Civil
Disobedience: 378; I Hear America
Singing: 404; Williams/Cummings:
414; The Raven: 471; The Fall of the
House of Usher: 496; A Rose For
Emily: 525; The Gettysburg Address:
607; Letters of a Woman Homesteader:
700-701; Poems By Emily Dickinson:
760; How It Feels to Be Colored Me:
957; Mirror/Self in 1958: 1061; The
Writer in the Family: 1166; Teenage
Wasteland: 1178; Hostage: 1212;
Mother Tongue: 1215; The Latin Deli:
1225
18. Use supplemental materials on
literary criticism for the advanced
student: literary criticism, graphic
organizers, essential questions and
researched based strategies.
Text Wrap in Teacher’s Edition
The Way to Rainy Mountain: 56; Life
of Olaudah Equiano: 96; Writing
Workshop: 122; The Crucible: 174,
176, 178, 188, 194, 196, 204, 210, 222,
226, 236, 238, 241; Writing Workshop:
249; Writing Workshop: 322;
Celebrations of the Self: 340; Writing
Workshop: 440; A Rose For Emily:
522; Writing Workshop: 625; The
Indian and the Hundred Cows: 641; I
Stand Here Ironing: 809
86
WV 245
2006
CC2
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