Republic of the Philippines Department of Education DepEd Complex, Meralco Avenue, Pasig City K to 12 Curriculum Guide MUSIC AND ARTS (Grade 1 to Grade 10) January 2013 CONCEPTUAL FRAMEWORK Both the Music and the Arts curricula focus on the learner as recipient of the knowledge, skills, and values necessary for artistic expression and cultural literacy. The design of the curricula is student-centered, based on spiral progression of processes, concepts and skills and grounded in performance-based learning. Thus, the learner is empowered, through active involvement and participation, to effectively correlate music and art to the development of his/her own cultural identity and the expansion of his/her vision of the world. As Music and Arts are performance-based disciplines, effective learning occurs through active experience, participation, and performance, creative expression, aesthetic valuation, critical response, and interpretation. The skills that are developed include reading/analyzing, listening/observing, performing, (singing, using musical instruments, movement, acting, and playing, using different art materials, techniques and processes, responding, composing, and creating. (See Figure 1 and Figure 2) The philosophical foundations upon which standards and competencies are based include: A Process of Education by Jerome Bruner, Performance-Based Learning by Cleve Miller, Aesthetic Education by Bennett Reimer, Multiple Intelligences by Howard Gardner, A Structure for Music Education by Ronald Thomas, Gongs and Bamboo by Jose Maceda, Compendium on the Humanities: Musical Arts produced by the National Research Council of the Philippines, Cultural Dictionary for Filipinos by Thelma Kintanar and Associates, Creative and Mental Growth by Viktor Lowenfeld and W. Lambert Brittain, Discipline-Based Art Education by Elliot Eisner, Encyclopedia of Philippine Arts and Tuklas Sining, both produced by the Cultural Center of the Philippines. K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 2 PHILOSOPHY AND RATIONALE FOR MUSIC EDUCATION Music is both an aural and a temporal art. All its elements, when interwoven in the highest artistic order, are likened into a ― tapestry moving in time. The global weavings of this ― tapestry in historical and cultural contexts are diverse—having spurred a continued metamorphosis to include a full range of purposes, functions, and identities, from the utilitarian to aesthetic. However, the basic nature of music does not change. In his book A Structure for Music Education, Ronald Thomas articulates that the nature of music is expressive, ongoing, and creative. Through a language and medium of its own, music conveys ideas and feelings in a way that addresses the human spirit, and has great value in its communicative process. Music, being responsive in interpreting contemporary times, is a continuing art. Aaron Copland describes this characteristic as a ―continuous state of becoming. Like the other arts, music is a creative avenue for man’s individual quest for self- expression and fulfillment. On these basic characteristics are founded the rationale of music study. A keen sensitivity to environmental and musical sounds needs to be developed. The student must learn to ―hear, ―speak, and ―think in the medium of music. Simultaneously, growth and development in the skills that enable the application of the learner’s knowledge should be encouraged, through active involvement in the various musical processes. Drawing from the development of music pedagogy through the years, the K-10 Music Curriculum embodies the best practices advocated by the SPIRAL, MULTI-CULTURAL, and INTEGRATIVE approaches in music education, as well as current philosophical thought about contemporary general education. We envision that Music in the K-10 Program will effectively nurture and refine the learner’s artistic expression and cultural literacy, and celebrate his/her national heritage, while it instills, within every individual Filipino learner, pride in his/her own cultural identity. K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 3 PHILOSOPHY AND RATIONALE FOR ARTS The Arts has been present since the beginning of civilization as it is an essential means for man to live and communicate with others. It has been used to enhance man’s life and surroundings, to express his thoughts, dreams, and spiritual beliefs, and to share his own and his community’s aspirations, celebrations, and events. Arts records, reflects, and rearranges man’s life and existence. The Arts is a visualization of a people’s history and uniqueness, a reflection of their creativity and accomplishments, and a visible expression of their distinct way of thinking, communicating, reasoning, and worshiping. It is expressed in a unique symbol system that is visual, kinetic and tactile. Howard Gardner, an educator and psychologist, affirms that the arts develop the child’s “SPATIAL, INTRAPERSONAL, LINGUISTIC AND KINESTHETIC INTELLIGENCES” for the Arts develop a distinct way of seeing, thinking, communicating, and creating in a person. Furthermore, Art develops and increases a person’s ability to apply creative and new solutions, for new problems in our world. Schools, therefore, need to develop the multiple intelligences of a student through the arts. The K-12 Arts Curriculum seeks to address these needs of our students for the 21st Century. The 21st Century is a different world: it is highly visual, with a proliferation of images seen not only in static media like magazines, books, paintings and posters. Now images are kinetic and accessible in various media like television, outdoor advertisements, movies, cell phones, and new technologies like iPads, iPods, DVD players, personal computers, and tablets. Artists create, upload and share via the Internet, images, sounds, texts, films, videos, pictures, artworks and designs. These are readily available and interactive, involving the viewer to react, comment and utilize these visuals through the Internet. Teaching Art to students is one way for them to process and interpret the barrage of images and sounds, in a critical and intelligent manner. The focus of the K-12 Art curriculum is PHILIPPINE ART, CULTURE and HERITAGE, appreciating the diversity of our local artists, our arts, crafts, and indigenous materials to strengthen the student’s identity of being Filipino, before he/she is introduced to the art of other countries. The modules guide educators and provide our students with art experiences, concepts, and processes that are presented in a SPIRAL PROGRESSION of difficulty and depth from Kindergarten to Grade 12. The approach is CHILD-CENTERED and HANDS-ON in creating art using locally available materials. It develops the student’s imagination and individual expression, and his/her CRITICAL THINKING SKILLS through inquiry into the aesthetic qualities of his work, the work of others and of artists from the Philippines and other parts of the world. It culminates in connecting art to other subject areas and provides exposure and apprenticeship to professionals in various art-related fields so the student can discover and consider the different career opportunities in the arts. K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 4 Figure 1. The Curriculum Framework of Music and Art Education K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 5 Grade 12 Mastery of Proficiency in the chosen form or genre Grade 11 Mastery of Proficiency in the chosen form or genre Grade 10 Application of Contemporary Music and Arts Grade 9 Application – Western Music and Arts Grade 8 Application – Asian Music and Arts Grade 7 Application – Philippine Folk Music and Arts Grade 6 Application for Appropriate Mastery and Acquisition of Skills Grade 5 Exploration – Elements / Processes Grade 4 Formal Introduction to Elements / Processes Grade 3 Preliminary Acquisition of Basic Knowledge and Skills Grade 2 Enhanced Understanding of Fundamental Processes Grade 1 Introduction to the Fundamental Processes Kindergarten Exposure to the Different Music & Art Processes (Experiential Learning) Figure 2. Content of Music and Art per Grade Level K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 6 Table 1. Basic Reference for Music and Art Content Music Elements Arts Elements and Principles Music Processes Art Processes Rhythm Color Listening Seeing/Observing Melody Line Reading Reading Form Shape/Form Imitating (re-creating) Imitating (re-creating) Timbre Texture Responding Responding Dynamics Rhythm Creating Creating (original works) Tempo Balance Performing (including movement) Performing (different art processes) Texture Repetition * Evaluating Evaluating Analyzing critically Analyzing critically Applying (transference) Applying (transference) Harmony * *No formal instruction in harmony Contrast Emphasis Proportion from K to 3 Harmony/Unity K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 7 LEARNING AREA STANDARD: The learner demonstrates an understanding of basic concepts and processes in music and art through appreciation, analysis and performance for his/her self-development, celebration of his/her Filipino cultural identity and diversity, and expansion of his/her world vision. KEY STAGE STANDARDS: K-3 The learner demonstrates understanding of fundamental processes through performing, creating, and responding, aimed towards the development of appreciation of music and art, and acquisition of basic knowledge and skills. K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 4-6 The learner demonstrates understanding of basic elements and concepts through performing, creating, and responding, aimed towards the development of appreciation of music and art, and acquisition of basic knowledge and skills. 7 – 10 The learner demonstrates understanding of salient features of music and art of the Philippines and the world, through appreciation, analysis, and performance, for selfdevelopment, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision. 8 GRADE LEVEL STANDARDS: Grade Level Grade Level Standards Grade 1 The learner demonstrates basic understanding of the fundamental processes in music and art, through performing, creating, listening and observing, and responding. Grade 2 The learner demonstrates basic and fundamental processes in music and art, through performing, creating, listening and observing, and responding. Grade 3 The learner has acquired the basic and fundamental processes through performing, creating, listening and observing, and responding, towards the development of appreciation of music and art, and the acquisition of basic knowledge and skills. Grade 4 Through the formal introduction of elements, the learner can identify the basic knowledge and skills in music and art, towards self-development, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision. Grade 5 Through exploration, the learner demonstrates a deeper understanding of basic knowledge and skills in music and art, towards selfdevelopment, the celebration of Filipino cultural identity and diversity, and expansion of one’s world vision. Grade 6 Through application, the learner demonstrates understanding of the basic concepts of and processes in music and art, towards selfdevelopment, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision. Grade 7 The learner demonstrates basic understanding of the fundamental processes in music and the arts through performing, creating, listening and observing, and responding towards appreciation of the cultural richness of the different provinces in the Philippines. Grade 8 The learner demonstrates understanding of salient features of Asian music and the arts, through appreciation, analysis, and performance for self-development, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision. Grade 9 The learner demonstrates understanding of salient features of Western music and the arts from different historical periods, through appreciation, analysis, and performance for self-development, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision. Grade 10 The learner demonstrates understanding of salient features of contemporary music and the arts, through appreciation, analysis, and performance, for self-development, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision. K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 9 MUSIC (Grade 1 to Grade 10) K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 10 MUSIC - GRADE 1 Content Content Standards The learner… I. DYNAMICS Sound Volume Distinction Between Loudness and Softness in Music demonstrates understanding of the basic concepts of dynamics Performance Standards The learner… II. TEMPO Sound Speed Distinction Between Fastness and Slowness in Music demonstrates understanding of the basic concepts of tempo III. TIMBRE Sound Quality Distinction Between demonstrates understanding of the K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS Learning Competencies The learner… uses dynamic levels to enhance poetry, chants, drama, and musical stories shows dynamic changes with movements uses the terms loud and soft to identify volume changes uses varied tempo to enhance poetry, chants, drama, and musical stories correlates tempo changes with movements uses terms ―fast‖ and ―slow‖ to identify tempo changes uses voice and other sources of sound to produce a variety of interprets through body movements the dynamics of a song o small movement – soft o big movement – loud associates dynamics with the movements of animals o elephant walk – loud o tiny steps of a dwarf – soft demonstrates the basic concept of tempo through movement responds to varied tempo with movement or dance o slow movement with slow music o fast movement with fast music mimics animal movements o horse – fast o carabao – slow identifies the source of sounds o wind, wave, swaying of the trees, 11 Singing and Talking basic concepts of timbre The learner… IV. RHYTHM Distinction Between Sound and Silence The learner… animal sounds, sounds produced by machines, transportation, through body movements The learner… demonstrates basic understanding of sound, silence and rhythm identifies the difference between sound and silence accurately associates icons with sound and silence within a rhythmic pattern develops musical awareness and creativity in expressing himself/herself while doing the fundamental processes in music maintains a steady beat when chanting, walking, tapping, clapping, and playing musical instruments performs claps, taps, chants, walks and plays musical instruments in response to sound with the correct rhythm o in groupings of 2s o in groupings of 3s o in groupings of 4s performs echo clapping Steady Beats (ostinato) Simple Rhythmic Patterns timbres responds to differences in sound quality with appropriate movement K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 12 V. VI. FORM Musical Lines Beginnings, Endings and Repeats in Music demonstrates understanding of the basic concepts of musical lines, beginnings and endings in music, and repeats in music demonstrates understanding of pitch and simple melodic patterns plays simple ostinato patterns on classroom instruments and other sound sources including body parts and movements shows recognition of pattern changes with body movement associates musical forms with geometric shapes to indicate understanding of o same patterns o different patterns creates simple ostinato patterns in groupings of 2s, 3s, and 4s through body movements plays simple ostinato patterns on classroom instruments or other sound sources o sticks, drums, triangles, nails, coconut shells, bamboo, empty boxes, etc. identifies musical lines through movements, geometric shapes or objects as o similar o dissimilar identifies pattern changes through body movement o beginnings o endings o repeats MELODY Pitch Simple Melodic Patterns K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS matches the correct pitch of tones with other sound sources identifies the pitch of the tone as high or low responds to high and low tones through body movements, singing, and playing other sources of sounds 13 VII. TEXTURE Distinction Between Thin and Thick in Music demonstrates understanding of the basic concepts of texture matches the melody of a song with the correct pitch vocally o greeting songs o counting songs o action songs sings simple melodic patterns distinguishes between single musical line and multiple musical lines which occur simultaneously shows awareness of texture by using visual images sings songs using the concepts of texture o Are You Sleeping, Brother John? o Row, Row, Row Your Boat participates in echo singing sings in pitch o rote singing greeting songs counting songs o echo singing sings simple melodic patterns o ( so –mi, mi –so, mi – re-do) identify sounds alone, sounds together demonstrates the concept of texture by singing two-part round o Are You Sleeping, Brother John? o Row, Row, Row Your Boat Scope and Sequence for Grade 1 TGs &LMs First Quarter: 1 – Dynamics Second Quarter: Third Quarter: Fourth Quarter 2 – Tempo 5 – Rhythm (part 1) 9 – Rhythm (part 4) 13 – Melody (part 2) 3 – Timbre 6 – Rhythm (part 2) 10 – Form 14 – Texture 4 – Review of Unit 1 7 – Rhythm (part 3) 11 – Melody (part 1) 15 – Review of All 8 – Review of Unit 2 12 – Review of Unit 3 16 - Evaluation K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 14 MUSIC - GRADE 2 Content Content Standards The learner… I. Performance Standards The learner… Learning Competencies The learner… RHYTHM Sound and Silence Steady Beats (ostinato) distinguishes between sound and silence demonstrates understanding of sound and silence demonstrates understanding of steady beats identifies the difference between sound and silence associates visual images with sound and silence within a rhythmic pattern claps, taps, chants, walks, and plays musical instruments in response to sound with the correct rhythm o In groups of 2s o In groups of 3s o In groups of 4s imitates and replicates a simple series of rhythmic sounds (i.e. echo clapping) creates simple ostinato patterns in groupings of 2s, 3s, and 4s through body movements writes stick notation on the board to represent the sound heard claps the written notation to show steady beats o divides the notation into measures by 2s, 3s, and 4s to show rhythmic maintains a steady beat when chanting, walking, tapping, clapping, and playing musical instruments Simple Rhythmic Patterns demonstrates understanding of rhythmic patterns develops musical awareness and creativity in expressing K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS plays simple ostinato patterns on classroom instruments or other sound sources e.g. o sticks, drums, triangles, nails, coconut shells, bamboo, empty boxes etc. creates and performs simple rhythmic accompaniments to a given song 15 himself/herself while doing the fundamental processes in music II. MELODY Pitch patterns plays simple ostinato patterns on classroom instruments or other sound sources e.g. o sticks, drums, triangles, nails, coconut shells, bamboo, empty boxes etc. demonstrates understanding of the basic concepts of pitch demonstrates high and low tones through singing or playing musical instruments distinguishes high and higher, low and lower tones matches the correct pitch of tones vocally distinguishes high and higher, low and lower pitches of tones correlates melodic patterns to visual imagery matches the melody of a song with correct pitch identifies the pitch of tones as o High o Low o Higher o Lower responds to pitch range of tones through body movements, singing, and playing sources of sounds demonstrates high and low tones through singing or playing musical instruments Simple Melodic Contour demonstrates understanding of simple melodic patterns recreates simple melodic patterns correlates melodic patterns to visual imagery K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS echoes simple melodic patterns illustrates appropriately the melodic contour with movement sings simple melodic patterns sings with correct pitch o rote songs o action songs sings with correct pitch using o rote songs o echo songs o simple children’s melodies illustrates the melodic contour with movement illustrates the melodic contour through o body staff o writing the melodic line ―on the air‖ o line notation associates melodic patterns to visual imagery 16 o children’s songs III. FORM Musical Lines distinguishes same or different musical lines Beginnings and Endings in Music echoes/recreates simple melodic patterns responds to pitch range of tones through body movements, singing, and playing sources of sounds demonstrates high and low tones through singing or playing musical instruments identifies musical lines as o similar o dissimilar through movements and geometric shapes or objects demonstrates the beginning and ending of a song through movements and sounds (instrumental and vocal) indicates repeated musical passages through movements echoes repetitions of musical lines recognizes rhythmic and melodic pattern changes correlates geometric shapes to indicate understanding of o similar lines o dissimilar lines creates melodic rhythmic or introduction and ending of songs Repeats in Music identifies the beginning and ending of a song repeats the designated musical lines in a song recognizes repetitions within a song K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 17 IV. TIMBRE Introduction to Voice Production Differentiation in Sound Quality demonstrates understanding of the basic concepts of timbre sings with pleasing vocal quality on pitch recognizes the difference between speaking and talking responds to differences in sound quality coming from a variety of sound sources Introduction to Musical Instruments uses voice and other sources of sound to produce a variety of timbres sings a song using appropriate breath control identifies the source of sounds e.g. responds to differences in sound quality with appropriate movement associates common musical instruments by their sound and image animates a given story using voice, body sounds and objects to produce a variety of timbres wind, waves, swaying of the trees, animal sounds, sounds produced by machines, transportation, etc. V. replicates different sources of sounds and associate them with body movements identifies the common musical instruments by their sounds and image recognizes the difference between speaking and talking responds to differences in sound quality coming from a variety of sound sources sings with pleasing vocal quality on pitch DYNAMICS Sound Volume Distinction Between Loudness and Softness in Music demonstrates understanding of the basic concepts of dynamics K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS applies dynamic levels to enhance rhymes, chants, drama, and musical stories shows dynamic changes with distinguishes between ―loud‖ and ―soft‖ in music distinguishes between ―louder‖ and ―softer‖ in music distinguishes ―loud,‖ ―medium.‖ 18 movements uses appropriate terminology to indicate understanding of volume variations sings a given song with appropriate dynamics and ―soft‖ in recorded music replicates ―loud,‖ ―medium,‖ and ―soft‖ vocally or with instruments interprets through body movements the dynamics of a song o small movement – soft o medium movement – medium o big movement – loud associates movements of animals to dynamics e.g. elephant walk – loud man walking – medium tiny steps of a dwarf – soft VI. uses the terms loud, louder, soft, softer – to identify volume variations distinguishes ―slow,‖ ―slower,‖―fast,‖ and ―faster‖ in recorded music replicates ―slow,‖ ―slower,‖―fast,‖ and ―faster‖ vocally or with instruments correlates tempo changes with movements responds to tempo variations with movement or dance o slow movement with slow music o fast movement with fast TEMPO Sound Speed Distinction Between Fastness and Slowness in Music demonstrates understanding of the basic concepts of tempo uses varied tempi to enhance rhymes, chants, drama, and musical stories demonstrates tempo variations through movements uses the terms ―fast,‖ ―faster,‖ ―slow,‖ and ―slower‖ to identify tempo variations K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 19 music mimics animal movements o horse – fast o man walking – moderate o carabao – slow responds to the correct tempo of a song as guided by the hand signal of the teacher e.g. The teacher’s slow hand movement means “slow” while fast hand movement means “fast.” VII. TEXTURE Musical Layering Distinction Between Thin and Thick in Music demonstrates understanding of the basic concepts of texture sings songs using the concept of texture by singing ―rounds‖ e.g. o o o ―Are You Sleeping, Brother John?‖ ―Row, Row, Row Your Boat‖ *(songs may vary according to mother tongue) K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS identifies musical density using recorded music e.g. music with layered orchestration versus music with single instrument accompaniments shows awareness of texture by correlating visual images to music distinguishes between single musical line and multiple musical lines which occur simultaneously distinguishes between thinness and thickness of musical sound through layering of sound 20 MUSIC - GRADE 3 Content Content Standards The learner… I. Performance Standards The learner… RHYTHM Sound and Silence Steady Beats (ostinato) demonstrates understanding of sound and silence demonstrates understanding of steady beats identifies the difference between sound and silence performs simple ostinato patterns on classroom instruments and other sound sources Learning Competencies The learner… associates icons with sound and silence within a rhythmic pattern maintains a steady beat when chanting, walking, tapping, clapping, and playing musical instruments plays simple ostinato patterns on classroom instruments and other sound sources claps, taps, chants, walks, and plays musical instruments in response to sound with the correct rhythm o In groups of 2s, 3s, and 4s o echo clapping o marching o dancing the waltz creates simple ostinato patterns in groupings of 2s, 3s, and 4s through body movements creates ostinato patterns in different meters using combination of different sound sources Simple Rhythmic Pattern demonstrates understanding of rhythmic patterns K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS creates and performs simple rhythmic accompaniments to a given song sings with correct rhythm 21 II. MELODY Pitch Melodic Lines Melodic Patterns and Contour III. sings the melody of a song with correct pitch demonstrates understanding of the concepts of melody o pitch o melodic lines o melodic patterns and contour through singing and playing musical instruments identifies the pitch of a tone as: o high – higher o moderately high – higher o moderately low – lower o low – lower matches the correct pitch of tones vocally or with an instrument correlates movement to pitch variations matches the melody of a song in correct pitch vocally recreates simple melodic patterns and contour sings entire simple songs in pitch o Favorite Children’s Songs ―Do – Re – Mi‖ ―What Can We Do Today‖ o Folksongs ―ManangBiday‖ ―ParuparongBukid‖ ―Atin Cu PungSingsing‖ recognizes pattern changes FORM Musical Lines demonstrates K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs a chosen song showing the 22 understanding of the basic concepts of musical form IV. basic concepts of musical lines, beginnings, endings and repeats through body movements identifies musical lines as o similar o same o different through movements and geometric shapes or objects identifies the beginning, middle, and ending of a song renders a song confidently, giving appropriate emphasis on the beginning and on the end recognizes repetitions within a song performs repetitions of musical lines independently sings with pleasing vocal quality: o using head tones o employing proper breathing o using the diaphragm Musical Beginning, Middle, and End Music Repeats TIMBRE Voice Production Techniques demonstrates understanding of the concepts of timbre applies vocal techniques to produce a pleasing vocal quality: o using head tones o employing proper breathing o using the diaphragm sings with pleasing vocal quality and in pitch Differentiation in Sound Quality K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 23 V. recognizes the difference between speaking and singing identifies and compares the voices of: o classmates as they sing or talk o selected popular singers in recordings compares the use of the voice in speaking and in singing responds to differences in sound quality with appropriate movement recognizes differences in sound quality coming from a variety of sound sources recognizes musical instruments through sound distinguishes between ―loud,‖ ―medium,‖ and ―soft‖ in music associates dynamics to the movements of animals e.g. o elephant walking – loud o mice scurrying – soft uses terms ―loud,‖ ―medium,‖ and ―soft‖ (louder, softer) to uses the voice and other sources of sound to produce a variety of timbres Introduction to Musical Instruments DYNAMICS Sound Volume in Music demonstrates understanding of the concepts of dynamics K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS sings songs with proper dynamics following basic conducting gestures 24 identify volume changes and variations Conducting and Dynamics VI. responds to conducting symbols indicating variances in dynamics uses varied dynamics to enhance poetry, chants, drama, songs and musical stories correlates movement to changes and variations in dynamics interprets the dynamics of a song through body movements o small movement – soft o big movement – loud responds to conducting gestures following the hand signal of the teacher for ―loud‖ and ―soft‖ e.g. o Teacher’s palm down means “soft” and palm up means “loud.” o Hands moving farther from each other mean sound becomes louder. distinguishes between fast, moderate, and slow in music responds with movement to tempo changes TEMPO Sound speed in music demonstrates understanding of the concepts of tempo K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS enhances poetry, chants, drama, and musical stories using a variety of tempi sings songs with designated tempi e.g. o Lullaby – slow o Joyful songs – fast 25 (i.e. doing locomotor and nonlocomotor movements) to a variety of tempi in recorded music mimics animal movements according to speed o horse – fast o carabao – slow o turtle – slow o rabbit - fast o dog – fast correlates movement to changes and variations in tempo uses terms fast, moderate, and slow (faster, slower etc.) to identify tempo changes and variations distinguishes between thinness and thickness of musical sound through layering of sound distinguishes between single musical lines and multiple musical lines which occur simultaneously Conducting and Tempo VII. responds to conducting symbols indicating variances in tempo sings songs with proper tempo following basic conducting gestures TEXTURE Musical Layering demonstrates understanding of the concepts of texture sings o ―two-part rounds‖ o ―partner songs‖ K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS demonstrates the concept of texture by singing ―two-part rounds‖ e.g. o ―Are You Sleeping, Brother John?‖ 26 o K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS ―Row, Row, Row Your Boat‖ demonstrates the concept of texture by singing ―partner songs e.g. o ―Leron, LeronSinta‖ o ―Pamulinawen‖ o ―Ten Little Indians‖ o ―He’s Got the Whole World in His Hands‖ 27 MUSIC - GRADE 4 Content Content Standards The learner... I. Performance Standards The learner... Learning Competencies The learner… RHYTHM Musical Symbols and Concepts: - Notes and Rests - Meters - Rhythmic Patterns - Simple Time Signatures recognizes the musical symbols demonstrates understanding of concepts pertaining to rhythm organizes notes and rests according to simple meters creates rhythmic patterns in simple time signatures identifies different notes and rests demonstrates the essence of the time 2 3 4 4, 4, 4 signatures creates a simple one- measure ostinato pattern identifies accented and unaccented pulses responds to metric pulses of music heard with appropriate conducting patterns places the accent (>) on the notes of recorded music uses the bar line to indicate groupings of beats in 2 3 4 4, 4, 4 demonstrates rhythmic patterns by clapping II. MELODY Musical Symbols and Concepts: - Intervals - Scales - Melodic Contours - Patterns of successive pitches of a C Major scale recognizes the musical symbols and demonstrates understanding of concepts pertaining to melody K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS identifies successive sounding of two pitches recognizes examples of melodic intervals, aurally and visually identifies the pitch name of each line and space of the G-clef staff F D identifies the pitch names of lines and spaces in the treble(G-clef) staff B G E 28 E C A III. F identifies the pitch names of the C Major scale identifies the pitch names of notes on the ledger lines and spaces below the G-clef staff (middle C and D) recognizes the use of G- Clef identifies the stepwise / skip wise movements of notes identifies the melodic movement as: - no movement - upward stepwise - downward stepwise - upward skip wise - downward skip wise performs melodic intervals in the correct pitch identifies the highest and lowest notes in a given piece and determines the range performs his/her own created melody identifies, performs, and analyzes identifies melodic contours performs and analyzes melodic movement and range creates simple melodies FORM Musical Phrases demonstrates K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS sings similar and contrasting 29 understanding of musical phrasing and phrases IV. V. musical phrases similar and contrasting musical phrases o melodic o rhythmic TIMBRE Sound density in vocal and instrumental sounds demonstrates understanding of variations of sound density in music (lightness and heaviness) as applied to vocal and instrumental music distinguishes vocal and instrumental sounds identifies as vocal or instrumental, a recording of the following: o solo o duet o trio o ensemble identifies different instruments aurally and visually classifies the different musical instruments o stringed o woodwind o brass wind o percussion participates actively in a group performance to demonstrate different vocal and instrumental sounds participates actively in group singing and ensemble playing uses appropriate musical terminology to indicate variations in dynamics recognizes the use of piano (p) and forte (f) in a musical score identifies and applies forte and piano to designate loudness and softness in a musical example o singing o playing instrument DYNAMICS Volume of Musical Sound recognizes the musical symbols and demonstrates understanding of concepts pertaining to volume in music K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 30 VI. VII. TEMPO Speed of Musical Sound recognizes the musical symbols and demonstrates understanding of concepts pertaining to speed in music recognizes the musical symbols and demonstrates understanding of concepts pertaining to texture in Music uses appropriate musical terminology to indicate variations in tempo creates and performs body movements appropriate to a given tempo identifies and applies largo (slow) and presto (fast) to designate speed in a musical example correlates body movements with the tempo of a musical example identifies the texture of a music example aurally performs two-part rounds and partner songs with others identifies aurally and visually an ostinato or descant in a musical example identifies and applies harmonic interval (2 pitches) in a musical example creates and performs examples of harmonic interval (2 pitches) with others TEXTURE Densities of Musical Sound VIII. HARMONY Simultaneous Sounding of Two Tones/Pitches recognizes the musical symbols and demonstrates understanding of harmonic intervals K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS recognize examples of horizontal 2-part vocal or instrumental texture, aurally and visually recognizes examples of harmonic intervals, aurally and visually 31 MUSIC - GRADE 5 Content Content Standards The learner… I. Performance Standards The learner… The learner… RHYTHM Musical Symbols and Concepts o Notes and Rests o Meters o Rhythmic Patterns o Simple Time Signatures recognizes the musical symbols and demonstrates understanding of concepts pertaining to rhythm organizes notes and rests in simple meters identifies the kinds of notes and rests used in a song, visually and aurally recognizes rhythmic patterns using quarter note, half note, dotted half note, dotted quarter note, and eighth note in simple time signatures identifies accurately the duration of notes and rests in 2 3 4 time signatures 4, 4, 4 creates different rhythmic patterns using notes and rests in different time signatures as: 2 3 4 4, 4, 4 responds to metric pulses of music heard with appropriate conducting patterns performs with a conductor o choral o instrumental identifies the accidentals that raise and lower pitch (sharps and flats) identifies the accidental that restores the initial pitch ( ♮) natural sign identifies the symbols for sharp ( # ), flat (♭),and natural (♮ ), aurally and visually identifies the pitch names of each II. Learning Competencies MELODY Musical Symbols and Concepts o Accidentals o F-clef o Intervals o Scales recognizes the musical symbols and demonstrates understanding of concepts pertaining to melody K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS - 32 Content Content Standards The learner… o Performance Standards The learner… Learning Competencies The learner… (Pentatonic, C major, G major ) Melodic Contours line and space on the F Clef, aurally and visually identifies the pitch names of lines and spaces in the bass staff or F Clef identifies melodic contours reads /sings notes in different scales o pentatonic scale o C Major scale o G Major scale identifies the notes of the intervals in the C Major scale: o primes o 2nds o 3rds o 4ths o 5ths o octaves identifies the melodic contour of a musical example identifies the melodic contour in the following scales: o C Major o G Major o Pentatonic K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS demonstrates and analyzes melodic movement and range identifies the melodic movement of a musical example determines the range of a musical example performs his/her own created melody creates simple melodies 33 Content Content Standards The learner… III. Performance Standards The learner… Learning Competencies The learner… FORM Melodic Rhythmic demonstrates understanding of musical phrasing and phrases identifies, demonstrates, and analyzes melodic and rhythmic phrases compares musical phrases determines if the melodic phrases and rhythmic phrases are: o same o similar o contrasting identifies the following vocal timbres: o soprano o alto o tenor o bass describes the characteristics of each type of voice identifies aurally and visually different instruments in: o rondalla o drum and lyre band o bamboo group/ensemble (angklung) o other local indigenous ensembles participates actively in musical ensemble o choral o instrumental . IV. TIMBRE Vocal and Instrumental Sounds demonstrates understanding of variations of sound density in music (lightness and heaviness) as applied to vocal and instrumental music K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS distinguishes vocal and instrumental sounds participates in a group performance to demonstrate different vocal and instrumental sounds 34 Content Content Standards The learner… V. VI. Performance Standards The learner… creates a variety of sounds emanating from the environment using available sound sources recognizes the musical symbols and demonstrates understanding of concepts pertaining to volume in music uses appropriate musical terminology to indicate variations recognizes the musical symbols and demonstrates understanding of concepts pertaining to speed in music Learning Competencies The learner… performs a variety of created nature sounds using available sound sources identifies and applies the following dynamics to musical selections: - piano (p) - mezzo piano (mp) - forte (f) - mezzo forte (mf) - crescendo and decrescendo identifies and applies the following tempi: - largo - presto DYNAMICS Variations of Volume in Musical Sound in dynamics, specifically: - piano (p) - mezzo piano (mp) - forte (f) - mezzo forte (mf) - crescendo and decrescendo TEMPO Variations of Speed in Musical Sound uses appropriate musical terminology to indicate variations in tempo: - largo - presto - allegro - moderato K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS - allegro - moderato - andante 35 Content Content Standards The learner… Performance Standards The learner… Learning Competencies The learner… - andante - vivace - vivace - ritardando - ritardando - accelerando - accelerando VII. TEXTURE Densities of Musical Sound recognizes the musical symbols and demonstrates understanding of concepts pertaining to texture in music recognizes examples of horizontal 3-part vocal or instrumental texture, aurally and visually identifies the texture of a musical piece aurally performs 3-part rounds and partner songs illustrates through a vocal or instrumental ensemble the following major triads: - C major VIII. HARMONY Introduction to Major Triad recognizes the musical symbols and demonstrates understanding of harmonic intervals identifies the intervals of major triads: - C major - F major - G major - F major - G major K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 36 MUSIC - GRADE 6 Content Content Standards The learner… I. Performance Standards The learner… Learning Competencies The learner… RHYTHM Musical Symbols and Concepts: Notes and Rests Meters Rhythmic Patterns Time Signatures Conducting II. illustrates the concept of rhythm by applying notes and rests, rhythmic patterns, and time signatures for appropriate mastery and acquisition of skills creates rhythmic patterns using half, quarter, eighth and sixteenth notes and rests, in 2 3 4 and 6 time signatures 4, 4, 4 8 identifies the notes / rests used in a particular song 2 3 4 differentiates between 4, 4, 4 and 6 time signatures 8 responds to beats in music heard with appropriate conducting 2 3 4 patterns of 4, 4, 4 6 and 8 demonstrates the conducting patterns of 2 3 4 and 6 4, 4, 4 8 time signatures creates rhythmic patterns in 2 3 4 and 6 time signatures 8 4, 4, 4 identifies through conducting the relationship of the first and last measure in an incomplete measure MELODY Intervals Major Scales Minor Scales illustrates the concept of melody by using intervals in major scales, for appropriate mastery and acquisition of skills recognizes the pattern of K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS reads notations of simple songs based on the C Major, G Major, and F Major scales demonstrates the ability to sing, read, and write musical notations in the key of C Major, G major, and F Major creates simple melodies in C Major, G Major, and F Major performs self-composed melodies in C Major, G major, and F Major keys 37 Content Content Standards The learner… Performance Standards The learner… successive pitches in the minor scale III. Learning Competencies The learner… scales creates simple melodies in the following minor scales o a minor o e minor o d minor applies learned concepts of melody and other elements to composition and performance recognizes the design or structure of simple musical forms: o strophic o unitary o binary (AB) o ternary (ABA) analyzes the melodic patterns found in different songs in C Major, G major, and F Major keys identifies the pitch names of notes in the following scales: o a minor o e minor o d minor sings and plays solo or with group, melodies/songs in C Major, G Major, and F Major identifies simple musical forms o strophic o unitary o binary (AB) o ternary (ABA) analyzes the musical forms of songs sung o strophic E.g. Leron Leron Sinta, Sitsiritsit Silent Night FORM Structure of Musical Forms Musical Symbols o Repeats of Musical Phrases o Return of Musical Phrases o Ending of Musical Phrases demonstrates understanding of the concept of form by applying them to repeated, similar, and contrasting melodic and rhythmic musical phrases recognizes and applies the musical symbols indicated by repeat marks and D.C., Dal Segno, Al Fine, and D.C. al Fine o unitary E.g. Happy Birthday K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 38 Content Content Standards The learner… Performance Standards The learner… Learning Competencies The learner… Joy to the World Bahay Kubo Ili-ili Tulog Anay o binary (AB) E.g. Paruparong Bukid Ang Bayan Ko Pamulinawen o ternary (ABA) E.g. Tinikling (ABC) E.g. Lupang Hinirang identifies and applies indicators of repeated, return, and ending of musical phrases illustrates the concept of form indicated by repeat marks and Da Capo, Dal Segno, Al Fine and D.C. al Fine demonstrates the ability to use the different repeat marks that are related to form: o Da Capo (D.C.) o Dal Segno (D.S.) o Al Fine (up to the end) o D.C. al Fine (repeat from the beginning until the word Fine) o ║: :║ o ┌───┐┌───┐ o 2 (ending 1, ending 2) IV. TIMBRE Introduction of Musical Instruments applies the concept of timbre through recognizing musical instruments aurally and K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS identifies visually and aurally the instrumental sections of the Western orchestra differentiates the characteristics of each instrument in each section of the orchestra 39 Content Content Standards The learner… visually V. Performance Standards The learner… distinguishes aurally the sound of each section of the Western orchestra identifies aurally the sound of a single instrument in any section of the orchestra identifies and demonstrates varied dynamic levels in music heard and performed: - piano (p) - pianissimo (pp) - mezzo piano (mp) - forte (f) - mezzo forte (mf) - fortissimo (ff) - crescendo Learning Competencies The learner… describes the characteristics of sound quality of the different instruments of the orchestra applies the proper dynamics markings in vocal and instrumental music - piano (p) - pianissimo (pp) - mezzo piano (mp) - forte (f) - mezzo forte (mf) - fortissimo (ff) - crescendo DYNAMICS Variations in dynamics applies a wide variety of dynamic levels to demonstrate understanding of the concept of dynamics - decrescendo VI. - decrescendo shows appreciation for beauty of songs properly sung with dynamics distinguishes between ritardando and accelerando as used in a song demonstrates the different kinds of tempi by following tempo marks TEMPO Variations of Tempi illustrates the concept of various tempi for appropriate mastery and acquisition of skills K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS identifies and demonstrates tempi in music heard and performed: - Allegro - Andante 40 Content Content Standards The learner… Performance Standards The learner… - VII. Learning Competencies The learner… Ritardando Accelerando Largo Presto Vivace using a familiar song Ex: “Pandangguhan” identifies the different tempi in a given song or music identifies, compares, and contrasts monophonic, homophonic, and polyphonic textures through musical pieces demonstrates different textures in music TEXTURE Variations in Texture - Monophony - Homophony - Polyphony illustrates the concept of texture as monophonic (one voice), homophonic (voice and accompaniment), and polyphonic (many voices) K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS identifies aurally the texture of musical pieces distinguishes monophonic, homophonic, and polyphonic textures applies primary chords (I, IV, V) as accompaniment to simple songs o Vocal - solo voice - solo voice with accompaniment - duet, partner songs, round songs o Instrumental - solo - ensemble 41 Content Content Standards The learner… VIII. The learner… Learning Competencies The learner… HARMONY Primary Chords Performance Standards illustrates the concept of harmony through the intervals that constitute the primary chords of major and minor scales in music identifies the primary chords of major scales of C, F, and G and the primary chords of its relative minor scales (am, dm, em) distinguishes the sound of a major chord from a minor chord Harmony in Group Performances demonstrates harmony in group performances identifies the primary chords (I, IV, V) identifies the notes of the primary chords applies primary chords as accompaniment to simple songs identifies the primary chords of the major and minor scales shows acquired skills through group performance performs with a group o choir o rondalla o lyre band o rhythm band *The sequence of elements depends on the materials used in the lesson. K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 42 MUSIC - GRADE 7 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.7 – UNIT 1 Review of Elements and Processes Music of Luzon (Highlands and Lowlands) − − − − − − Vocal Music Instrumental Music Cultural Context (History and Traditions) Composition Social Functions Performance Styles/Techniques demonstrates understanding of musical elements and processes of Philippine music, particularly the music of Luzon highlands and lowlands K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs examples of Philippine music, alone and with others, in appropriate tone, pitch, rhythm, expression and style listens to songs from Luzon (highlands and low lands) correlates Philippine music from Luzon (highlands and lowlands) to the lives of the people analyzes examples of Philippine music from Luzon and describes how the musical elements are used explains the distinguishing characteristics of representative Philippine music from Luzon in relation to history and culture of the area performs on available instruments from Luzon, alone and/or with others improvises simple rhythmic/harmonic accompaniments to selected Philippine music from Luzon develops musical awareness and creativity in expressing oneself while doing the fundamental processes in music explores ways of producing sounds on a variety of sources that would emulate instruments being studied evaluates music and music performances applying knowledge of musical elements and style 43 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.7 - UNIT 2 Music of Mindoro, Palawan, other Luzon Island Provinces, and the Visayas − − − − − − Vocal Music Instrumental Music Cultural Context (History and Traditions) Composition Social Functions Performance Styles / Techniques demonstrates understanding of musical elements and processes of Philippine music, particularly the music of Mindoro, Palawan, other Luzon Island Provinces, and the Visayas K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs examples of Philippine music, from Mindoro, Palawan, other Luzon Island Provinces, and the Visayas alone and with others, in appropriate tone, pitch, rhythm, expression and style listens to songs from Mindoro, Palawan, other Luzon Island Provinces, and the Visayas correlates Philippine music from Mindoro, Palawan, other Luzon Island Provinces, and the Visayas to the lives of the people analyzes examples of Philippine music from Mindoro, Palawan, other Luzon Island Provinces, and the Visayas and describes how the musical elements are used explains the distinguishing characteristics of representative Philippine music from Mindoro, Palawan, other Luzon Island Provinces, and the Visayas in relation to history and culture of the area performs on available instruments from Mindoro, Palawan, other Luzon Island Provinces, and the Visayas, alone and/or with others improvises simple rhythmic/harmonic accompaniments to selected Philippine music from Mindoro, Palawan, other Luzon Island Provinces, and the Visayas develops musical awareness and creativity in expressing oneself while doing the fundamental processes in music explores ways of producing sounds on a variety of sources that would emulate instruments being studied evaluates music and music performances applying knowledge of musical elements and style 44 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.7 - UNIT 3 Music of Mindanao − − − − − − Vocal Music Instrumental Music Cultural Context (History and Traditions) Composition Social Functions Performance Styles / Techniques demonstrates understanding of musical elements and processes of Philippines music, particularly the music of Mindanao K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs examples of Philippine music from Mindanao, alone and with others, in appropriate tone, pitch, rhythm, expression and style analyzes examples of Philippine music from Mindanao and describes how the musical elements are used explains the distinguishing characteristics of representative Philippine music from Mindanao in relation to history and culture of the area analyzes the relationship of functions of Philippine music from Mindanao to the lives of the people sings accurately representative Philippine songs from Mindanao, alone and/or with others performs on available instruments music from Mindanao improvises simple rhythmic / harmonic accompaniments to selected Philippine music from Mindanao explores ways of producing sounds on a variety of sources that would emulate the instruments being studied explores ways of producing sounds on a variety of sources that would emulate the instruments being studied 45 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.7 - UNIT 4 Representative Theatrical Compositions of the Philippines - Dance Drama Komedya Moro-moro Sarsuela demonstrates understanding of representative theater compositions of the Philippines performs representative theatrical compositions alone and with others in clear tone and correct pitch rhythm, expression, and style performs a sample of any of the theater forms in appropriate tone, pitch, rhythm, expression and style K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS describes how a specific idea or story is communicated through Philippine theater musical forms illustrates how the different elements of music are combined in creating Philippine theater musical forms creates / improvises appropriate sound, music, gesture, movements, and costume for a rendition of particular Philippine theater musical forms researches and analyzes the lives, works, and influences of early Filipino composers performs examples of Philippine theater music, alone and with others analyzes musical elements and processes of Philippine theater music correlates Philippine theater music to Philippine culture recognizes the contributions of the prime exponents of Philippine theater music gives value to Philippine culture as a vehicle towards national identity and unity creates/improvises appropriate sound, music, gesture, movements, and costume for a rendition of a chosen Philippine theater form 46 MUSIC - GRADE 8 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.8 - UNIT 1 MUSIC OF ASIA Review of Elements and Processes Music of Southeast Asia Indonesia, Malaysia, Singapore, Vietnam, Thailand, Cambodia, Myanmar, Laos − − − − − − Vocal Music Instrumental Music Cultural Context (History and Traditions) Composition Social Functions Performance Styles/Techniques demonstrates understanding of musical elements and processes by synthesizing and applying prior knowledge and skills. demonstrates understanding of salient features of Southeast Asian music by correlating musical elements and processes to our native forms K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs examples of Southeast Asian music, alone and with others, in appropriate tone, pitch, rhythm, expression and style sings songs from Southeast Asia alone and/with others listens to music from Southeast Asia correlates Southeast Asian music to the lives of the people analyzes examples of Southeast Asian music and describes how the musical elements are used explains the distinguishing characteristics of representative Southeast Asian music in relation to history and culture of the area performs on available instruments from Southeast Asia, alone and/or with others improvises simple rhythmic/harmonic accompaniments to selected Southeast Asian music develops musical awareness and creativity in expressing oneself while doing the fundamental processes in music explores ways of producing sounds on a variety of sources that would emulate instruments being studied evaluates music and music performances applying knowledge of musical elements and style 47 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.8 - UNIT 2 MUSIC OF ASIA Review of Elements and Processes Music of East Asia China, Japan and Korea − − − − − − Vocal Music Instrumental Music Cultural Context (History and Traditions) Composition Social Functions Performance Styles/Techniques demonstrates understanding of musical elements and processes by synthesizing and applying prior knowledge and skills demonstrates understanding of salient features of East Asian music by correlating musical elements and processes to our native forms K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs examples of East Asian music, alone and with others, in appropriate tone, pitch, rhythm, expression and style sings songs from East Asia alone and/with others listens to music from East Asia correlates East Asian music to the lives of the people analyzes examples of East Asian music and describes how the musical elements are used explains the distinguishing characteristics of representative East Asian music in relation to history and culture of the area performs on available instruments from East Asia alone and/or with others improvises simple rhythmic/harmonic accompaniments to selected East Asian music develops musical awareness and creativity in expressing oneself while doing the fundamental processes in music explores ways of producing sounds on a variety of sources that would emulate instruments being studied evaluates music and music performances applying knowledge of musical elements and style 48 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.8 - UNIT 3 MUSIC OF ASIA Review of Elements and Processes Music of Central Asia, South Asia and Near East countries India, Pakistan, Middle East, Israel − − − − − − Vocal Music Instrumental Music Cultural Context (History and Traditions) Composition Social Functions Performance Styles/Techniques demonstrates understanding of musical elements and processes by synthesizing and applying prior knowledge and skills demonstrates understanding of salient features of music from Central Asia, South Asia and Near East countries by correlating musical elements and processes to our native forms K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs examples of Central Asia, South Asia and Near East countries’ music, alone and with others, in appropriate tone, pitch, rhythm, expression and style sings songs from Central Asia, South Asia and Near East countries alone and/with others listens to music from Central Asia, South Asia and Near East countries correlates Central Asia, South Asia and Near East countries’ music to the lives of the people analyzes examples of Central, South Asia and Near East countries’ music and describes how the elements are used explains the distinguishing characteristics of representative Central, South Asia and Near East countries’ music in relation to the culture of the area performs on available instruments from Central Asia, South Asia and Near East countries alone and/or with others improvises simple rhythmic/harmonic accompaniments to selected Central Asia, South Asia and Near East countries’ music develops musical awareness and creativity in expressing oneself while doing the fundamental processes in music explores ways of producing sounds on a variety of sources that would emulate instruments being studied evaluates music and music performances applying knowledge of musical elements and style 49 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.8 - UNIT 4 Traditional Asian Theater Music − Kabuki − Wayang Kulit − Peking Opera demonstrates understanding of salient features Asian traditional music by correlating musical elements and processes to our native forms performs examples of Asian Traditional music and theater, alone and with others, in appropriate tone, pitch, rhythm, expression and style describes how an idea or story is communicated through Asian musical and theatrical forms illustrates how the different elements of music contribute to creating the dramatic action in Asian traditional musical and theatrical forms creates/improvises appropriate sound, music, gesture, movements, and costume for a rendition of a chosen Asian traditional musical and theatrical form sings songs appropriate for a rendition of a chosen Asian traditional musical and theatrical form performs on available Asian musical instruments or improvised musical instruments for a rendition of a chosen Asian traditional musical and theatrical form K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 50 MUSIC - GRADE 9 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.9 - UNIT 1 MUSIC OF THE RENAISSANCE PERIOD Composer - Palestrina MUSIC OF THE BAROQUE PERIOD Composers - Bach - Handel demonstrates understanding of salient features of music from different historical periods demonstrates the commonalities and differences of music from different cultures of the world; its functions; the roles of musicians in society; and the conditions under which music is typically performed K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs in a presentation of a creative interpretation (verbal/non-verbal) on the different historical periods using the representative music sings representative examples of songs of the Renaissance and Baroque period alone and/with others listens to examples of music from the Renaissance and Baroque period improvises simple rhythmic/harmonic accompaniments to selected songs with available musical instruments analyzes an example of music from the Renaissance and Baroque and describe how the musical elements are used explores ways of producing sounds on a variety of sound sources that would be similar to the sound of the instrument studied analyzes the relationship and functions of the music of the Renaissance and the Baroque to the lives of the people in those times correlates the distinguishing characteristics of representative music from the Renaissance and the Baroque in relation to history and culture evaluates music and music performances using knowledge of musical elements and style 51 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.9 - UNIT 2 MUSIC OF THE CLASSICAL PERIOD Composers - Mozart - Haydn - Beethoven demonstrates understanding of salient features of music from different historical periods demonstrates the commonalities and differences of music from different cultures of the world; its functions; the roles of musicians in society; and the conditions under which music is typically performed K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs in a presentation of a creative interpretation (verbal/non-verbal) on the different historical periods using the representative music sings accurately alone and/or with others representative examples of songs of the Classical period listens to examples of music from the Classical period improvises simple rhythmic/harmonic accompaniments to selected songs with available music instruments analyzes an example of music from the Classical Period and describe how the musical elements are used explores ways of producing sounds on a variety of sound sources that would be similar to the sound of the instrument studied analyzes the relationship and functions of the Classical music to the lives of the people in those times correlates the distinguishing characteristics of representative Classical music in relation to history and culture evaluates music and music performances using knowledge of musical elements and style 52 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.9 - UNIT 3 MUSIC OF THE ROMANTIC PERIOD Composers - Tchaikovsky - Chopin - Verdi - Puccini - Wagner - Liszt demonstrates understanding of salient features of music from different historical periods demonstrates the commonalities and differences of music from different cultures of the world; its functions; the roles of musicians in society; and the conditions under which music is typically performed K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs in a presentation of a creative interpretation (verbal/non-verbal) on the different historical periods using the representative music sings accurately alone and/or with others representative examples of songs of the Romantic period listens to examples of music from the Romantic period improvises simple rhythmic/harmonic accompaniments to selected songs with available musical instruments analyzes an example of music from the Romantic Period and describe how the musical elements are used explores ways of producing sounds on a variety of sound sources that would be similar to the sound of the instrument studied analyzes the relationship and functions of the Romantic music to the lives of the people in those times correlates the distinguishing characteristics of representative Romantic music in relation to history and culture evaluates music and music performances using knowledge of musical elements and style 53 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.9 - UNIT 4 WESTERN OPERA MUSIC - Renaissance Baroque Classical Romantic demonstrates an understanding of musical elements and processes by synthesizing and applying prior knowledge and skills performs examples of Western Opera Music alone and/or with others, in appropriate tone, pitch, rhythm, expression and style describes how an idea or story is communicated in Western society through a musical presentation illustrates how the different elements are combined in Western opera music creates / improvises appropriate sound, music, gesture, movements, and costume for a chosen opera makes a presentation highlighting the differences and similarities between Renaissance, Baroque, Classical and Romantic opera K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 54 MUSIC - GRADE 10 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.10 - UNIT 1 MUSIC OF THE POSTROMANTICISM PERIOD Sound sources Musical Systems Composers - Debussy - Stravinsky - Schoenberg POPULAR MUSIC OF THE 20’S TO THE 50’S Genres - Ragtime - Big Band Sound - Jazz - Rock & Roll demonstrates understanding of salient features of contemporary music demonstrates the commonalities and differences of music from different cultures of the world; its functions; the roles of musicians in society; and the conditions under which music is typically performed K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs a presentation of the divergence of PostRomantic music and the popular mainstream music of the 20’s to the 50’s sings accurately alone and/or with others representative examples of songs of the Post-Romantic Period & Popular Music of the 20’s to the 50’s listens to examples of music from the Post-Romanticism period improvises simple rhythmic/harmonic accompaniments to selected songs using available musical instruments analyzes examples of music from the Post-Romantic Period and Popular Music of the 20’s to the 50’sand describe how the musical elements are used analyzes the relationship and functions of the music of the Post-Romantic Period and the Popular music of the 20’s to the 50’s to the lives of the people in those times correlates the distinguishing characteristics of representative music from the Post-Romantic Period and Popular music of the 20’s to the 50’s in relation to history and culture evaluates music and music performances using knowledge of musical elements and style 55 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.10 - UNIT 2 POPULAR MUSIC OF THE 60’S TO THE PRESENT Genres - Rock and Roll Folk music Progressive Rock Heavy Metal Psychedelic Rock Pop Blues Country Rhythm and Blues Soul Bossa Nova Salsa Punk Disco Glam Rock Reggae Cumbia Hard Rock Alternative Rock Hip-hop & Rap Electronic music Indie Rock Grunge Contemporary R&B Nu Metal & Rapcore demonstrates understanding of salient features of music from different historical periods demonstrates the commonalities and differences of music from different cultures of the world; its functions; the roles of musicians in society; and the conditions under which music is typically performed K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs artistic and cultural presentations on the different music genres of the Popular music from the 60’s to the present sings accurately alone and/or with others representative examples of songs of the Popular music from 60’s to the present listens to examples of Popular music from the 60’s to the present improvises simple rhythmic/harmonic accompaniments to selected songs using available musical instruments analyzes examples of music from the 60’s to the present and describes how the musical elements are used explores ways of producing sounds on a variety of sound sources that would be similar to the sound of the instrument studied analyzes the relationship of functions of the Popular music of the 60’s to the present to the lives of the people in each decade correlates the distinguishing characteristics of the different genres of music in relation to history and culture evaluates music and music performances using knowledge of musical elements and style 56 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.10 - UNIT 3 CONTEMPORARY PHILIPPINE MUSIC Composers - Lucio San Pedro - Felipe Padilla de Leon - Rodolfo Cornejo - Lucresia Kasilag - Jose Maceda - Manuel Maramba - Ramon Santos - Ryan Cayabyab - Chino Toledo - Ernani Cuenco - Antonio Molina - Levi Celerio Performers - Lea Salonga - OPM Artists - Oscar Yatco - Cecile Licad - Gilopez Kabayao - Jovita Fuentes - UP Madrigals - Andrea Veneracion - Loboc Singers - Honorata ―Atang‖ De La Rama demonstrates understanding of salient features of contemporary music demonstrates the commonalities and differences of music from different cultures of the world; its functions; the roles of musicians in society; and the conditions under which music is typically performed K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs artistic and cultural presentations of Philippine Contemporary Music sings accurately alone and/or with others representative examples of songs by Contemporary Philippine music composers listens to examples of Contemporary Philippine music improvises simple rhythmic/harmonic accompaniments to selected songs using available musical instruments analyzes an example of Contemporary Philippine music and describe how the musical elements are used explores ways of producing sounds on a variety of sound sources that would be similar to the sound of the instrument studied analyzes the relationship of functions of the Contemporary Philippine music to the lives of the Filipinos correlates the distinguishing characteristics of representative Contemporary Philippine music in relation to history and culture evaluates music and music performances using knowledge of musical elements and style 57 Content Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... Music Gr.10 - UNIT 4 CONTEMPORARY MUSICALS MUSIC AND MEDIA demonstrates understanding of salient features of Contemporary music by comparing musical elements demonstrates an understanding of musical elements and processes by synthesizing and applying prior knowledge and skills demonstrates understanding of the interrelationship between music, technology, and media K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS performs samples of Contemporary music used in Musicals and/or media, alone and/or with others in appropriate tone, pitch, rhythm, expression and style presents a musical work created through the use of media & technology describes how an idea or story is communicated through a musical presentation sings accurately alone and/or with others representative examples of songs of the Classical period performs Contemporary music on available musical instruments and/or media illustrates how the different elements are combined in music and media presentation creates / improvises appropriate sound, music, gesture, movements, and costume for a chosen presentation makes a presentation highlighting the differences and similarities between contemporary musicals in the Philippines and the world 58 ARTS (Grade 1 to Grade 10) K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 59 CONTENT OF ART THEMES OR TOPICS FOR THE DIFFERENT GRADE LEVELS: (relating to, and enriching the topics in the other subjects of the student) Kindergarten and Grade 1: Grade 2: Grade 3: Grade 4: Grade 5: Grade 6: Grade 7: Grade 8: Grade 9: Grade 10: Grade 11: Grade 12: Myself, my Family and School My Neighborhood, My Community My Province, My Region Cultural Communities in the Philippines History of the Philippines The Philippines in the Present Times The Three Island Groups in the Philippines: Luzon, Visayas and Mindanao Our Asian Neighbors The Western Countries The Middle East, Africa, and the Americas Contemporary Times and the New Media Art Related Careers DOMAINS OR DISCIPLINE AREAS IN TEACHING ART: There are four main domains or disciplines in teaching art to insure that Art is CHILD-CENTERED, that it develops the student’s HIGHER ORDER THINKING SKILLS, and that it strengthens his IDENTITY as a FILIPINO. All these disciplines are taught from K to 12. In a SPIRAL PROGRESSION APPROACH, beginning with very simple concepts, activities and values which gradually become more complicated and multi-faceted through each grade level. A. Creative Expression or Art Production: B. Artistic Perception or Art Appreciation: ………………………………… ………………………………… C. Historical, Cultural Context or Art History: …………………………… D. Artistic and Critical Analysis or Art Criticism: …………………………… K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS through Drawing, Painting, Printmaking, Sculpture, Crafts, and New Media of the Elements of Art (line, color, shape and texture) of the Principles of Art (repetition, contrast, rhythm, balance, emphasis, harmony, proportion and unity) of the Philippines; Southeast Asia and Asia; Europe; the Americas, Middle East, and Africa of one’s work and peers, Philippine artists, and art masterpieces from the world 60 Content Grade 1 - FIRST QUARTER I. Process: DRAWING − portraits − family portraits − persons − school, furniture II. Elements: Content Standards The learner… demonstrates understanding of lines, shapes and texture, and principles of balance, proportion and variety through drawing shapes lines texture III. Principles: balance proportion variety K TO 12 ART Performance Standards GRADE 1 The learner… creates a portrait of himself and his family which shows the elements and principles of art Learning Competencies The learner… tells that ART is all around and is created by different people identifies different lines, shapes, texture used by artists in drawing distinguishes and identifies the different kinds of drawings: − portraits − family portraits − school ground − on-the-spot drawings of home/school surroundings uses different drawing tools materials - pencil, crayons, piece of charcoal, a stick on different papers, sinamay, leaves, tree bark, and other local materials to create his drawing observes and sees the details in a person’s face/body, in a view, to be able to show its shape and texture creates a drawing to express ones ideas about oneself, one’s family , home and school draws different animals (pets) showing different shapes and textures draws different kinds of plants showing a variety of shapes, lines and color K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 61 Content Content Standards K TO 12 ART Performance Standards Learning Competencies creates a view-finder to help him/her select a particular view to draw Grade 1 - SECOND QUARTER I. Process: PAINTING − Creating colors from natural material and from man-made materials II. Elements: The Learner demonstrates understanding of colors and shapes, and the principles of harmony, rhythm and balance through painting Colors − natural colors − primary colors − secondary colors Shapes − geometric shapes − organic shapes III. Principles: harmony rhythm balance creates a harmonious design natural and man-made objects to express ideas using colors and shapes, and harmony identifies colors seen in the surroundings - in both natural and man-made objects expresses that colors have names, and have groups and can be produced by mixing two or more colors paints a design based on the Philippine jeepney or fiesta décor and shapes using primary colors arranged in balanced pattern experiments on painting using different painting tools and paints and produce different colors draws a design out of repeated abstract and geometric shapes like in a parol and paints it in primary and secondary colors uses his creativity to create paints from nature and found materials, and brushes from twigs, cloth and other materials creates a design inspired by Philippine flowers or objects found in school paints a home/school landscape or design choosing specific colors to create a certain feeling or mood K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 62 Content Grade 1 - THIRD QUARTER I. Process: PRINTMAKING − This process allows the − artist to copy the image − he creates several times Kinds of prints: − Nature print − Object prints − Stencil prints Content Standards demonstrates understanding of texture and shapes and prints that can be repeated, alternated and emphasized through printmaking K TO 12 ART Performance Standards creates a print using objects from nature and found objects at home and in school that show repetition, alternation and emphasis Learning Competencies appreciates and talks about the landscape he painted and the landscapes of others identifies a print from nature and one made from a man-made object distinguishes between a print and a drawing or painting identifies different kinds of textures and shapes in nature, in the surroundings and in art (home and school) II. Elements: Texture Shape III. Principles: Prints can be − repeated − alternated − emphasized creates a print by rubbing pencil or crayon on paper placed on top of a textured objects from nature and found objects creates a print by using his finger or palm or any part of his body and applying dyes or paint and pressing it to create an impression replicates repeated patterns in nature, in the environment and in works of art at home and in school identifies artistically designed prints in the works displayed and in his own work repeats a design by the use of stencil (recycled paper, plastic, cardboard, leaves, and other materials) and prints on paper, cloth, sinamay, bark, or a wall K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 63 Content Grade 1 - FOURTH QUARTER I. Process: 3-Dimension works and SCULPTURE II. Elements: shape (3-dimension it has height, depth and width) Content Standards demonstrates understanding of texture and 3-D shapes, and principle of proportion and emphasis through 3-D works and sculpture texture - feel of the surface K TO 12 ART Performance Standards creates a useful 3-Dimensional object/sculpture using found objects and recycled materials Learning Competencies distinguishes between a 2-dimensional and 3dimensional artwork and states the difference creates human figures out of clay, flour-salt mixture, or paper-mache using different techniques creates mobiles out of recycled cardboard and paper, baskets, leaves, string and decorates it with found objects III. Principles: Proportion - parts are of the proper size and weight so that the sculpture is balanced. constructs a mask out of cardboard, glue, found materials, bilao, paper plate, string, seeds and other found materials like the Ati-atihan masks of Aklan Emphasis is created by using unusual decorative materials that are big, or colorful, or unusual. identifies different materials can be used in creating a 3-dimensional object: − clay or wood (human or animal figure) − bamboo (furniture, bahay kubo) softwood (trumpo) paper, cardboard, (masks) − found material - parol, sarangola uses his/her creativity in recycling discarded materials and uses it to create a mask and a useful object creates a useful 3D object: − a pencil holder, bowl, container, using recycled materials like plastic bottles appreciates the creativity of local and indigenous craftsmen and women who create artistic and useful things out of recycled K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 64 Content Content Standards K TO 12 ART Performance Standards Learning Competencies materials like the parol, maskara, local toys, masks can select 3D objects that are well proportioned, balanced and show emphasis in design K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 65 Content Grade 2 - FIRST QUARTER I. Process: DRAWING − portrait of two or more people in one work − body in motion − still life of fruits/plants (drawing from life) imaginary landscape Content Standards The learner... demonstrates understanding on lines, shapes and colors as elements of art, and variety, proportion and contrast as principles of art through drawing K TO 12 ART Performance Standards GRADE 2 The learner... creates a composition/design by translating one’s imagination or ideas that others can see and appreciate Learning Competencies The learner... draws a portrait of two or more persons - his friends, his family, showing the differences in the shape of their facial features (shape of eyes, nose, lips, head, and texture of the hair shows motion or action in the drawing of human bodies II. Elements: different lines natural shapes colors - contrasting III. Principles: variety of lines, shapes proportion of body parts, fruits contrast of shapes points out the contrast between shapes and colors of different fruits or plants and flowers in one’s work and in the work of others composes the different fruits or plants to show overlapping of shapes and the contrast of colors and shapes in his colored drawing, draws from an actual still life arrangement creates an imaginary landscape or world from a dream or a story appreciates the different styles of Filipino artists when they create portraits plants portraits of persons to capture their likeness and character Grade 2 - SECOND QUARTER K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 66 Content I. Process: PAINTING − fishes and sea creatures or wild forest animals − designs: lines, shapes, tricycles, jeepneys II. Elements: colors − primary − secondary Content Standards The learner... demonstrates understanding of using two or more kinds of lines, colors and shapes, and repeating or contrasting so that there is rhythm shapes − organic − geometric textures − spotted − furry − shiny, slimy III. Principles: repetition contrast rhythm K TO 12 ART Performance Standards The learner... creates harmoniously with a group a composition or design for a tricycle or jeepney that shows unity while using a variety of lines, shapes and colors Learning Competencies The learner... points out the unique shapes, colors, texture and design of the skin covering of different fishes and sea creatures or of wild forest animals from pictures or memory, and draws with pencil or crayon these sea or forest animals in their habitat showing their unique shapes and features describes the lines, shapes and textures seen in animals in the community using visual art words paints the drawing of animals to show the variety of colors and textures found in the skin covering of these animals points out the contrasts in the colors, shapes, textures between two or more animals creates a design by using two or more kinds of lines, colors and shapes and repeating or contrasting them, so that there is rhythm with a group, draws the outline of a tricycle or jeepney on a big paper, and paints the design of lines and shapes that show repetition, contrast and rhythm, with a group harmoniously uses with control the use of painting tools and materials to paint the different line, shapes and colors in his work or in a work done with others K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 67 Content Content Standards K TO 12 ART Performance Standards Learning Competencies Grade 2 - THIRD QUARTER I. Process: PRINTMAKING − banana trunk prints − fern prints − eraser prints − found object prints − cut out designs − card making The learner... demonstrates understanding of shapes, textures, colors and repetition of motif, contrast of motif and color II. Elements: shapes textures colors III. Principles: repetition of motif contrast of motif & color The learner... creates a print from natural and man-made objects that can be repeated or alternated in shape or color The learner... experiments with natural objects (leaves, twig, sliced vegetables, banana stalks, bark of trees, etc.) by dabbing dyes or paints on the surface and presses this on paper or cloth, sinamay and any other material to create a print creates a print by repeating, alternating or contrasting the color or size or texture of the prints collects man-made objects with a flat surface and dab dyes or paint before pressing it on paper or any cloth to create a print shows facility in making a clear print from natural and manmade objects creates a consistent pattern by making two or three prints that are repeated or alternated in shape or color creates prints for a card and makes several copies or editions of the print so the cards can be exchanged with other people carves a shape or letter on an eraser or kamote which can be painted and printed several times Grade 2 - FOURTH QUARTER I. Process: SCULPTURE and 3-D CRAFTS − box figure sculpture The learner... K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The learner... The learner... 68 Content − kites and boats − paper mache animals − clay figures Elements: − animal shapes − geometric shapes − texture Content Standards demonstrates understanding of shapes, texture, and proportion and balance through sculpture and 3dimensional crafts II. Principles: proportion balance K TO 12 ART Performance Standards creates a 3-dimensional free standing balance figure using different materials (found materials, recycled, local or manufactured) Learning Competencies creates a free-standing balanced figure made of boxes and found material creates an imaginary robot or creature using different sizes of boxes, coils, wires, bottle caps and other found material identify the artistry of different local craftsmen in creating: − taka, paper mache horses and other animals in Paete, Laguna − sarangola, or kites made by artists − banca, native boats from Cavite, and coastal towns constructs a native kite from thin bamboo sticks, papel de japon glue and string and tests its design (proportion and balance) learns the steps in making a paper mache animal figure using an armature molds an animal shape using paper mache on wire or bamboo armature or framework, showing the animal in action show the beginning skill in the method of creating 3-dimensional free standing figures out of different materials − clay, wood, found materials, recycled objects, wire, metal, bamboo K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 69 Content Content Standards K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS K TO 12 ART Performance Standards Learning Competencies creates a clay human figure that is balanced and can stand on its own 70 Content Grade 3 - FIRST QUARTER I. Process: DRAWING − people in the province/region on-thespot sketching of plants, trees or building geometric line designs Content Standards The learner… demonstrates understanding of lines, texture, shapes and balance of size, contrast of texture through drawing K TO 12 ART Performance Standards GRADE 3 The learner… creates an artwork of people in the province/region on-the-spot sketching of plants, trees or buildings and geometric line designs II. Elements: Lines − lines can show movement texture is created by using different lines shape of natural objects are free in form or organic III. Principles: Balance − balance of size Contrast − contrast of texture shows a work of art based on close observation of natural objects in his/ her surrounding noting its size, shape and texture Learning Competencies The learner… distinguishes the size of persons in the drawing, to indicate its distance from the viewer shows the illusion of space in drawing by drawing the objects and persons in different sizes creates a pencil or pen drawing of a scene in daily life, where people in the province/region show their occupation by the action they are doing tells that in a landscape, the nearest object drawn is the foreground; the objects behind the foreground are the middle ground, while objects farthest away are the background, and by doing this there is balance sketches and colors a view of the province/region with houses and buildings indicating the foreground, middleground and the background by the size of the objects sketches on-the-spot outside or near the school to draw a plant, flowers or a tree showing the different textures and shape of each part, using only a pencil or black crayon or ballpen K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 71 Content Content Standards K TO 12 ART Performance Standards Learning Competencies creates a geometric design by contrasting two kinds of lines in terms of type or size appreciates that artists create visual textures by using a variety of lines and colors Grade 3 - SECOND QUARTER I. Process: PAINTING − fruits and plants (still life) scene at a time of day wild animal (close-up) II. Elements: Color − mix colors to create tints, shades and neutral colors The learner... demonstrates understanding of lines, texture, shapes and balance of size, contrast of texture through drawing Shape − animals have shapes − adapted to their needs Texture − is created by variety of lines III. Principles: Harmony − colors, shapes and lines K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The learner... creates an artwork of people in the province/region on-the-spot sketching of plants, trees and buildings and geometric line designs applies knowledge of planes in a landscape (foreground, middle ground and background) in painting a landscape The learner... perceives how harmony is created in an artwork because of complementary colors and shapes paints a still life by observing the different shapes, color and texture of fruits, drawing them overlapping and choosing the right colors for each fruit creates new tints and shades of colors by mixing two or more colors paints a landscape at a particular time of the day and selects colors that complement each other to create a mood appreciates that nature is so rich for no two animals have the same shape, skin covering and color 72 Content that complement each other create harmony and a mood of the painting Content Standards K TO 12 ART Performance Standards Learning Competencies observes the characteristics of a wild animal by making several pencil sketches, and painting it later, adding the texture of its skin covering sees that there is harmony in nature as seen in the color of landscapes at different times of the day Ex: − landscapes of Felix Hidalgo, Fernando Amorsolo, Jonahmar Salvosa − Still life’s of Araceli Dans, Jorge Pineda, Agustin Goy appreciates the Filipino artists painted landscapes in their own particular style and can identify what makes each artist unique in his use of colors to create harmony Grade 3 - THIRD QUARTER I. Process: PRINTMAKING (stencils) − T-shirt /cloth print − poster prints − duffel bag print II. Elements: Shape − letter stencils − logo designs − abstract shapes Color The learner... demonstrates understanding of shapes, colors and principle repetition and emphasis through printmaking (stencils) K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The learner... exhibits basic skills in making a design for a print and producing several clean copies of the print manipulates a stencil with The learner... tells that a print can be made from objects from nature that prints made by artists can be realistic or abstract writes a slogan or logo of a few words about the environment correlated messages to be printed on T-shirts, posters or banners or bags 73 Content − Complementary colors Content Standards III. Principles: Repetition − of letters and logos and shapes K TO 12 ART Performance Standards adequate skill to produce a clean print for a message, slogan or logo for a T-shirt, poster or bag produces at least 3 good copies of print using complementary colors and contrasting shapes Emphasis − of shapes by contrast Learning Competencies designs an attractive logo or message about the environment with letters and abstract shapes to be used for a print creates and cuts a stencil from paper or plastic sheets to be used for multiple prints on cloth or hard paper realizes that a print design can be duplicated many times by hand or by machine and can be shared with others observes that a good print design uses repetition of shapes or lines and emphasis through contrast of shapes and lines creates a print for a shirt, bag or a poster using letter stencils or abstract designs using his/her selected message and prints several copies Grade 3 - FOURTH QUARTER I. Process: SCULPTURE and CRAFTS − puppets on a stick − imaginary masks II. Elements: SHAPES − human and animals The learner... demonstrates understanding of shapes, colors, textures, and emphasis by variation of shapes and texture and contrast of colors through K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The learner... creates a single puppet based on character in legend, myth or story using recycled hard material The learner... identifies different styles of puppets made In the Philippines (from Teatro Mulat and Anino Theater) constructs a simple puppet based on a 74 Content COLORS − primary − secondary − tertiary TEXTURES − visual and actual Content Standards sculpture and crafts III. Principles: Emphasis − by Variation of shapes and texture CONTRAST − of colors K TO 12 ART Performance Standards creates a mask or headdress that is imaginary in design using found and recycled materials demonstrates basic skill in constructing a puppet made from a hard material and stick, which can be manipulated Learning Competencies character in a legend, myth or story using recycled cardboard, bark of a tree or any hard material and bamboo stick or twig decorates a puppet using designs that would give it a specific and unique character applies designs of varied shapes and colors on puppets to show the unique character of the puppet manipulates a puppet to act out a character in a story together with other puppets appreciates variations of puppets in terms of material, structure, shapes, colors and intricacy of textural details acts as puppeteer together with others, in a performance of the story, using the puppet he/she created designs a mask that uses recycled materials and natural objects creates a mask or headdress that is imaginary in design using found and recycled material, inspired by local festivals K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 75 Content Grade 4 - FIRST QUARTER I. Process: DRAWING − drawing of figures from cultural communities − crayon etching of ethnic designs − crayon resist of scenes from cultural communities Content Standards The learner... demonstrates understanding of lines, colors, shapes, repetition of motifs, and rhythm and appreciates the rich culture in the community through drawing II. Elements: LINES − organic and geometric COLORS − primary SHAPES − stylized based on nature K TO12 ART Performance Standards GRADE 4 The learner... Learning Competencies The learner... practices variety of culture in the community by way of attire, body accessories, religious practices and lifestyle distinguishes distinctive characteristics of several cultural communities in terms of attire, body accessories, religious practices and lifestyle creates unique design of houses, and other household objects used by the cultural groups appreciates the rich variety of cultural communities in the Philippines and their uniqueness − LUZON- Ivatan, Ifugao, Kalinga, Bontok, Gaddang, Agta − VISAYAS - Ati − MINDANAO- Badjao, Mangyan,Samal, Yakan, ubanon,Manobo, Higaonon, Talaandig, Matigsalog, Bilaan, T’boli, Tiruray, Mansaka, Tausug writes a comparative description of houses and utensils used by select cultural groups from different provinces III. Principles: REPETITION − of motifs RHYTHM creates a drawing after close study and observation of one of the cultural communities’ way of dressing and accessories identifies specific clothing, objects and designs of the cultural communities and applies it to a drawing of the attire and accessories of one of these cultural groups translates research of the artistic designs of the cultural communities into a contemporary design K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 76 Content Content Standards K TO12 ART Performance Standards Learning Competencies adapts an indigenous cultural motif into a contemporary design in a crayon etching produces a crayon resist on any of the topics: the unique design of the houses, household objects, practices or rituals of one of the cultural groups Grade 4 - SECOND QUARTER I. Process: PAINTING − imp. landscape in a province − (indigenous houses) − mural painting II. Elements: SHAPES − showing foreground, middle ground and background COLOR − to show mood and atmosphere The learner... demonstrates understanding of shapes, colors and the proportion of houses, building, fields, mountains, sky in a landscape through painting K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The learner... creates a sketch and paints a landscape and mural using shapes and colors appropriate to the cultural community way of life realizes that the choice of colors to use in a landscape gives the mood or feeling of the painting The learner... views pictures of localities where different cultural communities live and understands that each group has distinct houses and practices distinguishes the attire, accessories, life ways of selected cultural communities from different parts of the country compares the geographical location, practices, festivals, and cultural practices of the different cultural groups 77 Content Content Standards K TO12 ART Performance Standards Learning Competencies creates a preliminary sketch of the landscape of one of the cultural communities based on research and observation III. Principles: PROPORTION of houses, buildings, fields, mountains, sky in a landscape paints the sketched landscape using colors appropriate to the reality of the cultural community’s life ways combines his/her individual landscapes with the landscapes of others within the class to create a mural which they will put up for their class and their school to appreciate creates mural or story about cultural communities honors the cultural communities and their culture Grade 4 - THIRD QUARTER I. Process: PRINTMAKING − relief prints- glue print cardboard print found objects print II. Element: The learner... demonstrates understanding of texture, lines, colors, and contrast and other printmaking K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The learner... creates relief prints and print found objects using ethnic designs The learner... discovers the principle of relief prints and appreciates that relief prints are more interesting and harmonious 78 Content TEXTURE − from a variety of materials LINES − Organic, geometric COLORS − earth or natural colors Content Standards techniques through printmaking K TO12 ART Performance Standards presents research on relief prints created by craftsmen of other countries produces multiple copies of relief print using industrial paint or natural dyes to create decorative borders on an a wall in class or the school or for a play or for a decorative panel III. Principles: CONTRAST − smooth vs. rough − curves vs. straight lines − small shapes vs. Big Learning Competencies creates a relief master using additive and subtractive processes prints reliefs with adequate skill to produce clean prints with a particular design motif (repeated or alternating) on a wall or a big space creates the relief mold using found material: hard foam; cardboard shapes glued on wood; string and buttons, old screws, metal parts glued on wood or cardboard sketches or studies the ethnic motifs and creates a design by repeating, alternating or radiating the motif Grade 4 - FOURTH QUARTER I. Process: SCULPTURE and 3-D crafts − Textile craft: tie-dye (one color; 2 colors) Mat weaving (buri) The learner... demonstrates understanding on color (dyes) and repetition of motifs, colors through sculpture and 3-D crafts II. Elements: K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The learner... applies individually the intricate procedures in tie-dyeing in clothes or T-shirts and compares it with one another The learner... researches on textile traditions like tie-dye -done in China, India, Japan, Indonesia in the olden times and presently, in other countries and also in the Philippines - like the T’bolis who create their Tinalak mats by tie-dyeing abaca strands practices traditional skills in 79 Content COLOR − dyes can be combined to create new colors Content Standards III. Principles: REPETITION − of motifs, colors K TO12 ART Performance Standards mat weaving from indigenous material like abaca tapestries replicates traditional skills like tie-dye and mat weaving that is still being practiced by local craftsmen from indigenous communities researches on tie-dyed crafts of the T’boli and presents designs made by them ; presents research on tie-dyed products of other countries to compare their designs and colors Learning Competencies appreciates the intricate steps involved in tiedyeing for cloth and weaving as seen in the abaca tapestries (T’nalak) done by the T’bolis and the intricately designed mats done in other provinces observes the intricate designs of mats woven in: − Basey, Samar buri mats − Iloilo bamban mats − Badjao & Samal mats − Laminusa mats of Tawi-tawi − Romblon buri mats and notes the unique characteristic of each emphasizes textile crafts like tie-dye demands practice and faithful repetition of the steps to produce good designs creates original tie-dye designs by following traditional steps in dyeing textiles using one color and two colors as applied to T-shirts or any cotton cloth presents pictures or actual samples of different kinds of mat weaving traditions in the Philippines creates a small mat using colored buri strips or any material that can be woven, showing different designs: square, checkered, zigzag, and stripes K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 80 Content Grade 5 - FIRST QUARTER I. Process: DRAWING − drawing from archeological artifact drawing Philippine houses and buildings, churches from different historical periods (onthe-spot) II. Elements: LINES − crosshatching to simulate 3-dimensional effect SHAPES − geometric 3 dimension Content Standards The learner... demonstrates understanding of lines, shapes and principles of rhythm and balance through drawing from archeological artifacts − drawing of Philippine houses, buildings and churches from other historical periods using cross hatching lines to simulate 3-dimensional effect, geometric 3dimension shapes with principles on rhythm and balance III. Principles: RHYTHM − repeated motifs BALANCE − symmetrical and asymmetrical K TO 12 ART Performance Standards GRADE 5 The learner... creates different artifact and architectural buildings found in the locality and on different parts of the Philippine using cross-hatching lines and geometric dimensions with rhythm and balance put up an exhibit on Philippine Articrafts and Philippine houses from different historical periods, the miniature or replica Learning Competencies The learner... identifies events, practices, and culture influenced by foreigners who have come to our country by way of trade realizes that our being an archipelago and being strategically located has made us part of a vibrant trading tradition (Chinese merchants, Galleon Trade, Silk traders) sees from archeological artifacts that the form of our houses, our clothes, language, lifestyle utensils, food, pottery, furniture, etcetera are influenced by foreigners who have come to our shores.(manunggul jar, balanghai, bahay na bato, kundiman, Gabaldon schools, vaudeville, Spanish - inspired churches gives the illusion of depth and 3-dimensionality by the use of cross-hatching and shading in drawings (old pottery, boats, jars, musical instruments) shows details of architectural features of a bahay kubo, a torogan, a bahay na bato, simbahan, carcel, etc) and is able to name the significant parts talks and describes the different artifacts and architectural buildings found in their locality and in different parts of the Philippines K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 81 Content Content Standards K TO12 ART Performance Standards Learning Competencies creates 3-dimensional drawings from important archeological artifacts seen in books and the museums (National Museum and its branches in the Phil) and in old buildings or churches in the community draws old houses, churches or buildings on the spot, and creates a mural with the drawings of the others of their community creates a mini-exhibit with labels on Philippine artifacts and houses after completing drawings with the whole class Grade 5 - SECOND QUARTER I. Process: PAINTING − landscapes of important places in the community (natural or man-made) II. Elements: LINE − (one-point perspective In landscape drawing) COLOR − Complementary III. Principles: HARMONY − created through the right proportion of parts The learner... demonstrates understanding oflines, colors and harmony through painting and explains/illustrates landscapes of important historical plans in the community, (natural or man-made) using onepoint perspective in landscape drawing in complimentary colors create through the right proportion of part K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The learner... creates sketches of the significant natural or manmade place in the community using complimentary colors draws/paints best-liked important historical places The learner... identifies important natural and historical places in their community that tourists usually go to or that has been designated World Heritage Site, or sites that local people value(ex: rice terraces in Banawe, Batad; Paoay Church and Miag-ao Church landscape of Batanes, Callao Caves in Cagayan; old houses of Taal, Batangas; the torogan in Marawi) names and points out the architectural features or natural features of the place after observation from pictures or an actual visit to the place realizes that artists in all periods, have painted landscapes of beautiful or significant places in their province or country and they have their own styles in painting(ex: Fabian dela Rosa; 82 Content Content Standards K TO12 ART Performance Standards Learning Competencies Fernando Amorsolo, Carlos Francisco, Vicente Manansala,Jose Blanco, Victor Edades,Juan Arellano, Prudencio Lamarroza, Manny Baldemor) uses visual perception by noting and naming the significant details in the place or landscape to be able to sketch it faithfully by appreciates the skill and artistry of Philippine painters and artists in painting different landscapes of the Philippines and is able to describe what makes each artist unique draws on the spot sketches of the significant natural or man-made places in their community − selects one of the sketches and creates a preliminary drawing for a painting of that particular landscape, using complementary colors − utilizes one-point perspective to paint the landscape, designating objects in the foreground, middle ground and background area to give depth to the landscape − selects complementary color in painting to create a harmonious landscape Grade 5 - THIRD QUARTER I. Process: PRINTMAKING − linoleum or rubber print or wood print of a The learner... explores new printmaking techniques, reading K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The learner... creates variety of prints using thick, thin, jagged lines, ribbed, The learner... explores a new printmaking technique, using a sheet of thin rubber (used for soles of shoes) or 83 Content Philippine mythological creature Content Standards stories, traditional Philippine myths using line, texture and contrast II. Elements: LINE − Thick, thin, jagged lines TEXTURE − ribbed, fluted, woven, carved III. Principles: CONTRAST − of carved textured areas, solid areas of thick textured lines and fine lines K TO12 ART Performance Standards fluted, woven, carved texture and contrast of solid areas of thick textured and fine lines Learning Competencies linoleum or any soft wood that can be carved or gouged to create dif. lines and textures designs a mythological creature from reading stories about them(Mariang Makiling, Bernardo Carpio, dwende, capre, sirena, Darna, diwata, Dalagang Magayon, etc) appreciates the richness of the traditional Philippine myths and legends from the local community and from different parts of the country shows beginning skill in creating a lino, rubber or wood print by safe use of carving tools and carving a variety of indentations to create textures and lines produces several good editions of the same print that are well-inked and evenly printed creates variations from the same print by using different colors of ink in printing the master plate follows the step by step process of creating a print : − sketching the drawing indicating areas to be carved out and areas that will remain − carving the image on the rubber or wood using sharp cutting tools − doing a preliminary rubbing − finally inking the plate with printing ink − placing paper over it , rubbing the back of the paper to get the − impression of the print − repeating the process to get several editions of the print − works with the class, to produce a compilation K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 84 Content Grade 5 - FOURTH QUARTER I. Process: SCULPTURE AND 3-D CRAFTS − Constructing a PAROL II. Elements: COLOR − primary colors − secondary colors SHAPE − Geometric shape − Organic shapes Content Standards The learner... demonstrates understanding of colors, shapes, repetition and balance through sculpture and 3-dimensional crafts III. Principles: REPETITION − colors, Shapes BALANCE − of the Structure and shape K TO12 ART Performance Standards The learner... demonstrates fundamental construction skills in making a 3-D dimensional parol that is balance, and artistic with repeated decoration and colors construct a 3-D craft using primary and secondary colors, geometric and organic shapes, repetition of colors and shapes and balance of the structure and shape Learning Competencies of their prints to create a book or calendar which they can give as gifts, sell or display in the walls of their school The learner... appreciates the many variations in the geometric design and materials of the Philippine parol, particularly the ones coming from Pampanga knows that unknown craftsmen are behind the artistry and design of the award-winning parols, which show creativity and imagination in their use of natural and geometric shapes and colors and local materials understands the historical connection to Mexico and the religious significance of the parol to Philippine traditions in the celebration of the Christmas season shows knowledge of design by his/her repetition of colors and shapes in the making of the parol traces Philippine historical roots to Mexico and Spain as seen in our Christmas decorations like the parol with the belen constructs framework of the star-shaped parol out of thin pliable bamboo sticks with ends tied with string uses different colors of the transparent papel de japon to cover the bamboo framework with glue and overlap it with different shapes and colors K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 85 Content Content Standards K TO12 ART Performance Standards Learning Competencies to create new designs adds decorative tassels and fringes to make the parol move in the wind, making it a colorful mobile with lights K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 86 Content Grade 6 - FIRST QUARTER I. Process: DRAWING, − NEW TECHNOLOGIES animation, digital art, computer art and drawing big murals, designs for VCDs, posters , websites Content Standards The learner... demonstrates understanding in exploring new technologies using line, shape, texture elements and principles of contrast and emphasis through drawing K TO 12 ART Performance Standards GRADE 6 The learner... creates website and original character that can be put in a cartoon or animation using various shapes, lines and textures Learning Competencies The learner... explores that with the presence of new technologies, new instruments can be used for drawing − ex: sketching w/computer, coloring with computer doing floor plans lay outing a magazine page doing product design painting a huge mural II. Elements: LINE, SHAPE TEXTURE − producing these using technology III. Principles: CONTRAST EMPHASIS realizes that art processes, elements and principles still apply even with the use of technologies discovers that the visual arts can now be shared, seen and produced digitally and that people can appreciate, critique, comment on one’s artworks uses regular drawing skills applied to a new medium (technology) and updates knowledge on the new digital tools for art that is available uses the internet and creates a website to disseminate and promote one’s own drawings and artworks and share these to a bigger audience than the school population creates an original cartoon character on the computer following the steps of animation designs a website, a logo and an attractive home page to promote one’s province and itsproducts researches on artists, drawings and artworks K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 87 Content Content Standards K TO 12 ART Performance Standards Learning Competencies that can be accessed through the internet from all periods (the past, through museum websites, the present through blogs, Flickr, Tumblr, etc) and share these with the class creates a drawing (portrait, landscape, event) and uploads it on the internet and reports on how many people accessed it or reacted to it creates a website about the province , composing a home page that gives information about your province that will interest others Grade 6 - SECONDQUARTER I. Process: PAINTING − mural on environment product design ex: attractive trash cans II. Elements: COLOR − primary, secondary and neon colors CONTRAST − of lines, shapes The learner... demonstrates understanding of painting a mural on environment product design using primary, secondary, neon colors and contrast of lines and shapes The learner... chooses and points unusually shaped container to be a trash can with environment product design using primary, secondary neon colors and contrast of lines and shapes The learner... recognizes that a mural is an effective way to give a message about specific ways to save the local environment using words and visuals to support the message, and by using bright and contrasting colors and shapes researches on design of murals about the environment as seen in the internet, or in magazines, T-shirts, on TV, etcetera and analyze its visual composition appreciates that well-designed and attractive products attract people to use it, thus, a well designed trash can would be used by people works with a group cooperatively to complete a wall-size piece of painting or mural that will attract the viewer K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 88 Content Content Standards K TO 12 ART Performance Standards Learning Competencies writes a public message that will attract and be remembered by the people, for them to think and act for the environment; discovers that utilitarian products like a trash can, needs to be well-designed for people to be attracted to use it ―Form follows function‖ plans the composition and design of a mural with a message about the environment, together with a group selects site of mural and with the group, enlarge the design by sketching and later painting it chooses an unusually shaped container to be a trash can and paints it with attractive colors so the public will immediately throw their trash there Grade 6 - THIRD QUARTER I. Process: PRINTMAKING − Silk-screen printing on cloth and paper for a commercial quantity II. Elements: SHAPES − Letters and geometric shapes COLORS − primary blended with secondary and tertiary colors The learner... demonstrates understanding of printmaking design using silkscreen printing with letters and geometric shapes, primary blended with secondary and tertiary colors, contrast of shapes and colors, harmony of letters, shapes and color K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The learner... creates an original design for a T-shirt that promotes the culture of one’s province or region The learner... understands that digital technology has speeded up the printing of original designs and made it accessible to many, as seen in T-shirts and poster designs realizes the originality and creativity of the artist needed for the design of products, although duplicating machines can copy it easily (discusses concept of copyright and intellectual property of artists, musicians) knows that design principles still apply for any new design (contrast of colors, shapes and lines produces harmony) done by hand or by 89 Content Content Standards K TO 12 ART Performance Standards Learning Competencies use of machine replicates a product designer (an entrepreneur or business man/woman) in real life as a profession III. Principles: CONTRAST − of shapes and colors HARMONY − of letters, shapes, colors creates an original design based on specifications produces own prints and duplicates them or selects a printer to produce many T-shirts promotes and advertises sale of the T-shirts, by leaflets, advertising posters or using the internet business sites submits a report of the results of the business project sources silk screen printers and compares their prices and quality of printing and choose one to silkscreen their selected design (survey) or creates his/her own silk screen prints (production) organizes an event with the class where the Tshirt products can be sold (promotion, marketing, sales) Grade 6 – FOURTH QUARTER I. Process: SCULPTURE and NEW MEDIA − photography and video of places and local events The learner... demonstrates understanding of sculpture and new media such a internet, video cam, cell phone, visual media and K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The learner... produces and exhibits artistry in recording a visual event and visual report that proves that more and more the moving image is the potent means of The learner... classifies Learning Competencies that in the present world, events happen so quickly that it has to be recorded immediately through a camera, video cam or cell phone with camera /video functions, and by any person 90 Content II. Elements: COLOR − subdued and vibrant − quiet vs. busy III. Principles: CONTRAST − of art elements makes the viewer alert and watchful Content Standards others needed to live productively demonstrates skills in sculpture and photography and other new media using color and contrast K TO 12 ART Performance Standards communication Learning Competencies identifies visual media such as television, film and internet that transmits events, thoughts, oppressions, violence, tragedies, immediately, making it accessible to everyone, thus upholding the democratic right of people to know.(discuss the Arab Spring uprisings, the EDSA II, the tsunami of Japan, the earthquake and floods in the Phil. and other events that are immediately witnessed by people around the world via the internet) expresses knowledge of new technology needed to live and work productively in the present world records an event: a disaster, a celebration, a school function, a performance, a speech of an important person, through several means: camera, recorder, video, cell phone, etcetera creates artistry in recording a visual event - the images captured are focused, well-composed, and gives the message intended in an effective and memorable manner enhances the visual event recorded by creative editing and by the use of color, by cropping, by adding sounds, music or a narrative gives comments to an event while presenting before the class, to add a personal dimension to the AV presentation sends one’s recording of an event to another person, uploads it on the web, shares it with the K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 91 Content Content Standards K TO 12 ART Performance Standards Learning Competencies general public creates a campaign (asking for help for flood victims; raise funds for an environment project; invites people to a historical or cultural site in one’s province) and uploads it on the net monitors the results of an event through internet K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 92 ARTS - GRADE 7 Content Art Gr.7 - UNIT 1 Arts of Luzon (Highlands and Lowlands) Elements of Art Line Shape and Form Value Color Texture Space Principles of Art Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... demonstrates understanding of art elements and processes by synthesizing and applying prior knowledge and skills demonstrates understanding of the salient features of the arts of Luzon (highlands and lowlands) by correlating the art elements and processes among culturally diverse communities in the country Rhythm Balance Emphasis Harmony Variety Movement Proportion Unity Process Drawing and Painting Sculpture and Assemblage K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS creates an artwork showing the characteristic elements of the arts of Luzon (Highlands and Lowlands analyzes art elements (color, line, shape, etc.) and principles (texture, proportion, emphasis, harmony etc.) in the production of art and crafts identifies characteristics of arts and crafts in specific areas in Luzon known for their products (e.g. papier mache from Paete, Ifugao wood sculptures, Cordillera jewelry and pottery, Ilocos weaving & pottery, etc) reflects on and derives the mood, idea, or message emanating from selected artwork determines the effectiveness of artwork by evaluating its utilization and combination of art elements and principles evaluates the effectiveness of mood, idea, or message as depicted by the visual image in the artwork traces the external (foreign) and internal (indigenous) influences that are reflected in an artwork or in the making of a craft or artifact 93 Content UNIT 1 Content Standards Performance Standards Learning Competencies The Learner... creates crafts that can be locally assembled with local materials, guided by local traditional techniques reflects on and derives the mood, idea, or message emanating from selected artwork uses artwork to derive the traditions/history of a community (e.g. landscapes, images of people at work and play, portrait studies, etc) correlates the development of crafts in specific areas of the country, according to functionality, traditional specialized expertise, and availability of resources (e.g. pottery, weaving, jewelry, baskets) correlates Philippine art to Philippine culture, traditions, and history (Islamic influences, Spanish heritage, American legacies in education, business, modernization, and entertainment indigenous practices, fiestas, religious and social practices K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 94 Content Art Gr.7 – UNIT 2 Arts of Mindoro, Palawan, other Luzon Island Provinces, and the Visayas Elements of Art Line Shape and Form Value Color Texture Principles of Art Rhythm Balance Emphasis Harmony Variety Movement Proportion Unity Content Standards Performance Standards The Learner… demonstrates an understanding of art elements and processes by synthesizing and applying prior knowledge and skills demonstrates understanding of salient features of arts and crafts of Mindoro, Palawan, other Luzon island provinces and the Visayas by correlating art elements and processes among culturally diverse communities in the country Process Drawing and Painting Sculpture and Assemblage K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The Learner... creates an artwork showing the characteristic elements of the arts of Mindoro, Palawan, other Luzon Island Provinces and the Visayas Learning Competencies The Learner... analyzes art elements (color, line, shape, etc.) and principles (texture, proportion, emphasis, harmony etc.) in the production of art and crafts identifies characteristics of arts and crafts in specific areas in Mindoro, Palawan, other Island Provinces and the Visayas reflects on and derives the mood, idea, or message emanating from selected artwork determines the effectiveness of artwork by evaluating its utilization and combination of art elements and principles evaluates the effectiveness of mood, idea, or message as depicted by the visual image in the artwork traces the external (foreign) and internal (indigenous) influences that are reflected in an artwork or in the making of a craft or artifact 95 Content UNIT 2 Content Standards Performance Standards Learning Competencies The Learner... creates crafts that can be locally assembled with local materials, guided by local traditional techniques reflects on and derives the mood, idea, or message emanating from selected artwork uses artwork to derive the traditions/history of a community (e.g. landscapes, images of people at work and play, portrait studies, etc) correlates the development of crafts in specific areas of the country, according to functionality, traditional specialized expertise, and availability of resources (e.g. pottery, weaving, jewelry, baskets) correlates Philippine art to Philippine culture, traditions, and history (Islamic influences, Spanish heritage, American legacies in education, business, modernization, and entertainment indigenous practices, fiestas, religious and social practices K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 96 Content Art Gr.7 – UNIT 3 Content Standards Performance Standards The Learner… The Learner... Learning Competencies The Learner... Arts of Mindanao Elements of Art Line Shape and Form Value Color Texture Principles of Art Rhythm Balance Emphasis Harmony Variety Movement Proportion Unity demonstrates understanding of art elements and processes by synthesizing and applying prior knowledge and skills demonstrates understanding of the salient features of the arts of Mindanao by correlating the art elements and processes among culturally diverse communities in the country Process Drawing and Painting Sculpture and Assemblage K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS creates an artwork showing the characteristic elements of the arts of Mindanao analyzes art elements (color, line, shape, etc.) and principles (texture, proportion, emphasis, harmony etc.) in the production of art and crafts identifies characteristics of arts and crafts in specific areas in Mindanao reflects on and derives the mood, idea, or message emanating from selected artwork determines the effectiveness of artwork by evaluating its utilization and combination of art elements and principles evaluates the effectiveness of mood, idea, or message as depicted by the visual image in the artwork traces the external (foreign) and internal (indigenous) influences that are reflected in an artwork or in the making of a craft or artifact 97 Content UNIT 3 Content Standards Performance Standards Learning Competencies The Learner... creates crafts that can be locally assembled with local materials, guided by local traditional techniques reflects on and derives the mood, idea, or message emanating from selected artwork uses artworks to derive the traditions/history of a community (e.g. landscapes, images of people at work and play, portrait studies, etc) correlates the development of crafts in specific areas of the country, according to functionality, traditional specialized expertise, and availability of resources (e.g. pottery, weaving, jewelry, baskets) correlates Philippine art to Philippine culture, traditions, and history (Islamic influences, Spanish heritage, American legacies in education, business, modernization, and entertainment indigenous practices, fiestas, religious and social practices K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 98 Content Art Gr.7 – UNIT 4 Festivals and Theatrical Forms Baguio- Panagbenga Lucban – Pahiyas Bacolod – Maskara Aklan – Ati-atihan Davao- Kaamulan MarinduqueMoriones SantaCruzan Pasyon Content Standards The Learner… demonstrates understanding of how elements of sound, music, gesture, movements and costume affect the creation and communication of meaning in Philippine Festivals and Theatrical Forms as influenced by history and culture Representative Theatrical Compositions of the Philippines Performance Standards Shadow Puppet Play Dance Drama Komedya Moro-moro Sarswela K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS The Learner... creates appropriate festival attire with accessories based on authentic festival costumes creates/improvises appropriate sound, music, gesture, movements and costume for a chosen theatrical composition takes part in a chosen festival or in a performance in a theatrical play Learning Competencies The Learner... identifies the festivals and theatrical forms celebrated all over the country throughout the year reports on the history of the festival and theatrical composition and its evolution and describes how the townspeople participate and contribute to its festivity and gaiety defines what makes each of the Philippine festivals unique by a visual presentation and report of selected festivals representing Luzon, Visayas and Mindanao designs with a group the visual components of a school drama analyzes the uniqueness of the group that was given recognition for its performance and explain what component contributed to their being selected 99 ARTS - GRADE 8 Content Art Gr.8 – UNIT 1 ARTS OF ASIA Review of Elements and Processes Art of Southeast Asia Indonesia, Malaysia, Singapore, Vietnam, Thailand, Cambodia, Myanmar, Laos Process: Drawing of Asian peoples Attire Accessories Artifacts Iconic gods Cultural symbols Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... demonstrates understanding of art elements and processes by synthesizing and applying prior knowledge and skills demonstrates understanding of the salient features of the arts of Southeast Asia by correlating the art elements and processes among culturally diverse Southeast Asian countries Elements: LINES & COLORS Attires Artifacts K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS creates an artwork showing the characteristic elements of the arts of Southeast Asia puts up a mini-Southeast Asian art exhibit using their own artworks analyzes art elements (color, line, shape, etc.) and principles (texture, proportion, emphasis, harmony etc.) in the production of art and crafts identifies characteristics of arts and crafts found in Southeast Asia reflects on and derives the mood, idea, or message emanating from selected artwork determines the effectiveness of artwork by evaluating its utilization and combination of art elements and principles evaluates the effectiveness of mood, idea, or message as depicted by the visual image in the artwork traces the external (foreign) and internal (indigenous) influences that are reflected in an artwork or in the making of a craft or artifact 100 Content Art Gr.8 – UNIT 1 Content Standards Performance Standards Learning Competencies The Learner... reflects on and derives the mood, idea, or message emanating from selected artwork uses artwork to derive the traditions/history of a specific culture (e.g. landscapes, images of people at work and play, portrait studies, etc) correlates the development of crafts in specific areas of a country, according to functionality, traditional specialized expertise, and availability of resources K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 101 Content Art Gr.8 – UNIT 2 Content Standards Performance Standards Learning Competencies ARTS OF ASIA The Learner… The Learner... The Learner... Art of East Asia China. Japan and Korea demonstrates understanding of art elements and processes by synthesizing and applying prior knowledge and skills demonstrates understanding of the salient features of the arts of East Asia by correlating the art elements and processes among culturally diverse East Asian countries creates an artwork showing the characteristic elements of the arts of East Asia puts up a mini-East Asian art exhibit using their own artworks analyzes art elements (color, line, shape, etc.) and principles (texture, proportion, emphasis, harmony etc.) in the production of art and crafts identifies characteristics of arts and crafts found in East Asia reflects on and derives the mood, idea, or message emanating from selected artwork determines the effectiveness of artwork by evaluating its utilization and combination of art elements and principles evaluates the effectiveness of mood, idea, or message as depicted by the visual image in the artwork traces the external (foreign) and internal (indigenous) influences that are reflected in an artwork or in the making of a craft or artifact K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 102 Content Art Gr.8 – UNIT 2 Content Standards Performance Standards Learning Competencies The Learner... reflects on and derives the mood, idea, or message emanating from selected artwork uses artwork to derive the traditions/history of a specific culture (e.g. landscapes, images of people at work and play, portrait studies, etc) correlates the development of crafts in specific areas of a country, according to functionality, traditional specialized expertise, and availability of resources K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 103 Content Art Gr.8 – UNIT 3 Content Standards Performance Standards Learning Competencies ARTS OF ASIA The Learner… The Learner... The Learner... Art of Central Asia, South Asia and Near East countries India, Pakistan, Middle East, Israel demonstrates understanding of art elements and processes by synthesizing and applying prior knowledge and skills demonstrates understanding of the salient features of the arts of Central, South by correlating the art elements and processes among culturally diverse Central, South and Near East Asian countries creates an artwork showing the characteristic elements of the arts of Central, South and Near East Asian countries analyzes art elements (color, line, shape, etc.) and principles (texture, proportion, emphasis, harmony etc.) in the production of art and crafts puts up a mini-Central, South and Near Eastern Asian art exhibit using their own artworks identifies characteristics of arts and crafts found in Central, South and Near East Asian Asia reflects on and derives the mood, idea, or message emanating from selected artwork determines the effectiveness of artwork by evaluating its utilization and combination of art elements and principles evaluates the effectiveness of mood, idea, or message as depicted by the visual image in the artwork traces the external (foreign) and internal (indigenous) influences that are reflected in an artwork or in the making of a craft or artifact K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 104 Content Art Gr.8 – UNIT 3 Content Standards Performance Standards Learning Competencies The Learner... reflects on and derives the mood, idea, or message emanating from selected artwork uses artwork to derive the traditions/history of a specific culture (e.g. landscapes, images of people at work and play, portrait studies, etc) correlates the development of crafts in specific areas of a country, according to functionality, traditional specialized expertise, and availability of resources K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 105 Content Art Gr.8 – UNIT 4 Festivals and Theatrical Forms of Asia Lantern FestivalThailand Kodo Taiko Drum Festival- Japan Representative Theatrical Compositions of Asia Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... demonstrates understanding of how elements of sound, music, gesture, movements and costume affect the creation and communication of meaning in Asian Festivals and Theatrical Forms as influenced by history and culture, Kabuki Wayang Kulit Peking Opera creates appropriate festival attire with accessories based on authentic festival costumes identifies the festivals and theatrical forms celebrated all over the country throughout the year creates / improvises appropriate sound, music, gesture, movements and costume for a chosen theatrical composition reports on the history of the festival and theatrical composition and its evolution and describes how the townspeople participate and contribute to its festivity and gaiety takes part in a chosen Asian festival defines what makes each of the Asian festivals unique by a visual presentation and report on selected festivals representing the different Asian countries designs with a group the visual components of a school drama analyzes the uniqueness of the group that was given recognition for its performance and explain what component contributed to their being selected K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 106 ARTS - GRADE 9 Content Art Gr.9 – UNIT 1 Content Standards Performance Standards Learning Competencies ARTS OF THE RENAISSANCE AND THE BAROQUE PERIOD The Learner… The Learner... The Learner... Renaissance Artists Michelangelo Leonardo Da Vinci Raphael Bramante Brunelleschi demonstrates understanding of media techniques and processes and the elements and principles of arts used in the art works of the Renaissance and Baroque Period as influenced by history and culture performs / participates competently in a presentation of a creative impression (verbal/non verbal) on the Renaissance and Baroque Art analyzes art elements (color, line, shape, etc.) and principles (texture, proportion, emphasis, harmony etc.) in the production of arts reflects on and derives the mood, idea, or message emanating from selected artwork determines the effectiveness of artwork by evaluating its utilization and combination of art elements and principles uses artwork to derive the traditions/history of a specific culture (e.g. landscapes, images of people at work and play, portrait studies, etc) compare the characteristics of artworks during the Renaissance and Baroque period K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 107 Content Art Gr.9 – UNIT 1 Content Standards Baroque Artists Caravaggio Rubens Velazquez Rembrandt Bernini Performance Standards Learning Competencies describes the influence of selected artists during the Renaissance and Baroque period on the evolution of various forms of art applies different media techniques and processes to communicate ideas, experiences and stories showing the characteristics of Renaissance and Baroque artworks evaluates work of art in terms of artistic concepts, ideas using criteria appropriate for the style or form K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 108 Art Gr.9 – UNIT 2 ARTS OF THE NEO-CLASSICAL PERIOD Neo-Classical Artists David Ingres Francisco Goya The Learner… demonstrates understanding of media techniques and processes and the elements and principles of arts used in the art works during the Neo-classical Period as influenced by history and culture The Learner... creates an artwork showing the characteristic elements of the arts during the Neo-Classical period The Learner... analyzes art elements (color, line, shape, etc.) and principles (texture, proportion, emphasis, harmony etc.) in the production of art reflects on and derives the mood, idea, or message emanating from selected artwork determines the effectiveness of artwork by evaluating its utilization and combination of art elements and principles uses artwork to derive the traditions/history of a specific culture (e.g. landscapes, images of people at work and play, portrait studies, etc) compares the characteristics of artworks during the Neo-Classical period to the artworks of the previous period K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 109 Content Art Gr.9 – UNIT 2 Content Standards Performance Standards Learning Competencies The Learner... describes the influence of selected artists during the Neo-Classical period on the evolution of various forms of art applies different media techniques and processes to communicate ideas, experiences and stories showing the characteristics of Neo-Classical arts evaluates work of art in terms of artistic concepts, ideas using criteria appropriate for the style or form K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 110 Content Art Gr.9 – UNIT 3 Content Standards Performance Standards Learning Competencies ARTS OF THE ROMANTIC PERIOD The Learner… The Learner... The Learner... Artists of the Romantic Period Delacroix Goya Gericault demonstrates understanding of media techniques and processes and the elements and principles of arts used in Romantic Period as influenced by history and culture creates an artwork showing the characteristic elements of the arts during the Romantic period analyzes art elements (color, line, shape, etc.) and principles (texture, proportion, emphasis, harmony etc.) in the production of art reflects on and derives the mood, idea, or message emanating from selected artwork determines the effectiveness of artwork by evaluating its utilization and combination of art elements and principles uses artwork to derive the traditions/history of a specific culture (e.g. landscapes, images of people at work and play, portrait studies, etc) compares the characteristics of artworks during the Romantic period to the artworks of the previous period K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 111 Content Art Gr.9 – UNIT 3 Content Standards Performance Standards Learning Competencies The Learner... describes the influence of selected artists during the Romantic period on the evolution of various forms of art applies different media techniques and processes to communicate ideas, experiences and stories showing the characteristics of arts during the Romantic period evaluates work of art in terms of artistic concepts, ideas using criteria appropriate for the style or form K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 112 Content Art Gr.9 – UNIT 4 Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... WESTERN MUSICAL PLAY Basic Elements of Musical Play/Theater Music Character Theme Plot Dialogue demonstrates understanding of how elements of sound, music, gesture, movements and costume affect the creation and communication of meaning in a musical play as influenced by history and culture Elements of Artistic Expression Line Color Shape Rhythm Space Sound Texture Movement participates in a performance of an excerpt from a selected Western musical play explains how an idea or theme is communicated in a selected musical play through the integration of musical sounds, songs, dialogue and dance analyzes examples of musical plays/theatre illustrates how the different elements used in a musical play contribute in communicating meaning creates a reaction paper on the musical play/theatre viewed designs with a group the visual components of a school musical play assume the role of a character in a chosen musical play and describe how you feel analyzes the uniqueness of the group that was given recognition for its performance and explain what component contributed to their being selected K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 113 ARTS - GRADE 10 Content Art Gr.10 – UNIT 1 Impressionistic & Expressionistic Art Impressionism Manet Monet Cezanne Van Gogh Renoir Delacroix Expressionism Matisse Kandinsky Munch Hartley Picasso Pollock Warhol Klee Lichenstein Dali Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... demonstrates understanding of media techniques and processes and the elements and principles of arts used in the art works of the Impressionists and Expressionists as influenced by history and culture creates an artwork showing the characteristic of Impressionism analyzes art elements (color, line, shape, etc.) and principles (texture, proportion, emphasis, harmony etc.) in the production of arts creates an artwork showing the characteristics of Expressionism reflects on and derives the mood, idea, or message emanating from selected artwork determines the effectiveness of artwork by evaluating its utilization and combination of art elements and principles uses artwork to derive the traditions/history of a specific culture (e.g. landscapes, images of people at work and play, portrait studies, etc) compare the characteristics of artworks during the Impressionism and Expressionism describes the influence of selected artists during the Impressionism and Expressionism on the evolution of various forms of art K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 114 Content Art Gr.10 – UNIT 1 Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... applies different media techniques and processes to communicate ideas, experiences and stories showing the characteristics of Impressionism & Expressionism evaluates work of art in terms of artistic concepts, ideas using criteria appropriate for the style or form K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 115 Content Art Gr.10 – UNIT 2 21st Century ART Technology Based Art: Digital Photography - Cyndy Sherman Video & Film - Steven Spielberg - James Cameron Computer Generated Art - Pipilotti Rist Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... demonstrates understanding of media techniques and processes and the elements and principles of arts used in the art works of the 21st Century Art as influenced by history and culture Cell phone Art creates an artwork showing the characteristic of 21st Century Art analyzes art elements (color, line, shape, etc.) and principles (texture, proportion, emphasis, harmony etc.) in the production of arts reflects on and derives the mood, idea, or message emanating from selected artwork determines the effectiveness of artwork by evaluating its utilization and combination of art elements and principles uses artwork to derive the traditions/history of a specific culture (e.g. landscapes, images of people at work and play, portrait studies, etc) compare the characteristics of artworks during the 21st Century describes the influence of selected artists during 21st Century on the evolution of various forms of art applies different media techniques and processes to communicate ideas, experiences and stories showing the characteristics of 21st Century Art K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 116 Content Art Gr.10 – UNIT 2 Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... applies different media techniques and processes to communicate ideas, experiences and stories showing the characteristics of 21st Century evaluates work of art in terms of artistic concepts, ideas using criteria appropriate for the style or form K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 117 Content Art Gr.10 – UNIT 3 CONTEMPORARY PHILIPPINE ART Technology Based Art: Photography - George Tappan - John Chua Film - Brillante Mendoza - Mario Delos Reyes - Laurice Guillen Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... demonstrates understanding of media techniques and processes and the elements and principles of arts used in Contemporary Philippine Art as influenced by history and culture Animation - Animation Council of the Philippines - Philippine Animation Studio, Inc. creates an artwork showing the characteristics of Contemporary Philippine Art analyzes art elements (color, line, shape, etc.) and principles (texture, proportion, emphasis, harmony etc.) in the production of arts reflects on and derives the mood, idea, or message emanating from selected artwork determines the effectiveness of artwork by evaluating its utilization and combination of art elements and principles uses artwork to derive the traditions/history of a specific culture (e.g. landscapes, images of people at work and play, portrait studies, etc) compare the characteristics of Contemporary Philippine artworks describes the influence of selected Contemporary Philippine artists on the evolution of various forms of art applies different media techniques and processes to communicate ideas, experiences and stories showing the characteristics of Contemporary Philippine Art K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 118 Content Art Gr.10 – UNIT 3 Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... applies different media techniques and processes to communicate ideas, experiences and stories showing the characteristics of Contemporary Philippine Art evaluates work of art in terms of artistic concepts, ideas using criteria appropriate for the style or form K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 119 Content Art Gr.10 – UNIT 4 PHILIPPINE THEATER IN THE 21ST CENTURY Philippine Theater Groups PETA Repertory Philippines Trumpets Tanghalang Pilipino New Voice Company Music Down South Content Standards Performance Standards Learning Competencies The Learner… The Learner... The Learner... demonstrates understanding of how elements of sound, music, gesture, movements and costume affect the creation and communication of meaning in a musical play as influenced by history and culture participates in a performance of an excerpt from a selected musical play from any of the Philippine theater groups explains how an idea or theme is communicated in a selected musical play through the integration of musical sounds, songs, dialogue and dance analyzes examples of musical plays/theatre illustrates how the different elements used in a musical play contribute in communicating meaning creates a reaction paper on the musical play/theatre viewed designs with a group the visual components of a school musical play assume the role of a character in a chosen musical play and describe how you feel analyzes the uniqueness of the group that was given recognition for its performance and explain what component contributed to their being selected K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 120 GLOSSARY OF TERMS A Abaka - isang uri ng saging na katutubo sa Pilipinas na ginagawang matibay na lubid at sako Abstract – likhang sining na hindi tulad ng tunay na bagay Analogo – kumbinasyon ng mga kulay na magkakalapit s ―color wheel Antigo – mga bagay na may Anyo – hugis o porma Arkitekto –ang gumagawà ng anyo o plano ng bahay o anumang gusalì Artipisyal na tekstura- tekstura ng artipisyal na bagay tulad ng prutas na plastic Asimetrikal-impormal na balance Ati-atihan – kasayahan para kay Sto. Nino na ginaganap sa ikatlong linggo ng Enero B Balangkas- guhit na nagpapakita ng hugis ng isang bagay Balanse –magkatulad na timbang Bantog – kilalang kilala Batik – paglalagay ng disenyo sa tela o damit sa pamamagitan ng pagtatakip sa ibang bahagi na di dapat lagyan ng kulay Biswal – nakikita Biswal na Pagdama – pag- unawa sa mga bagay na namamasid o nakikita Biswal na Tekstura – teksturang nakikilala sa pamamagitan ng pagtingin o pagmamasid Bornay – tapayan na may ibat ibang hugis at disenyo na yari sa luwad o putik Brotsa –gamit sa pagpipinta na yari sa ibat’ ibang hibla K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 121 Bulol – imahen na inulit sa kahoy C Canao – isang socioreligious seremonya ng Igorots na ginaganap bilang pagpapasalamat para sa isang mapagbigay na ani D Dalawang Dimensyon – kaanyuan ng nakaalsang bagay Dalubhasa – may kasanayan sa paggawa; bihasa o eksperto sa isang gawain Dibuho – disenyo o pagkakaayos ng mga bagay Dinagyang – pagdiriwang na ginaganap tuwing ikaapat na Linggo ng Enero sa Iloilo upang alalahanin ang pagiging kristiyano ng mga katutubo at pagpaparangal kay Sto. Nino. Disenyong Etniko – uri ng dibuho na katutubo sa isang grupo ng tao Disenyong Manobo –kilala sa kanilang tato na gumagamit ng karayom, bamboo at iba pang gamit at pinapahiran ng ―kulipapa wood charcoal‖ at ang disenyong sarimanok. E Elemento ng Sining – katangiang matatagpuan sa isang gawaing pansinining tulad ng linya, hugis, kulay at tekstura Espasyo –paligid ng ibat’ ibang bagay sa likhang sining Etching –pagkayod sa pamamagitan ng matulis na bagay Etniko – katutubo sa isang lugar G Gilingan -isang mabigat na batong ginagamit sa paggiling ng mga butil o butong bunga ng mga halaman o pananim, katulad ng galapong H Habi – binubuo ng mga patayong hibla na kung tawagin ay ―warp‖ at mga hiblang isinaksak na kung tawagin ay ―weft‖ Halad –isang relihiyosong pagdiriwang na ginaganap tuwing ika-15 ng Oktubre sa Talisay, Cebu City upang parangalan si Sta. Teresa de Avila K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 122 Hugis – anyo o porma ng isang bagay Ibalong –kasayahan na ipinagdiriwang sa Legazpi, Albay tuwing ikalawang linggo ng Oktubre Igorot – ang mga katutubong tao mula sa Mountain Provinces at Cordilleras. Ikat –uri ng paghahabi kung saan ang mga panahi ay kinukulayan muna bago habihin Inabel –hinabing ―cotton yarn‖ o istambre na tinatawag na ―sagut‖ Intensity – katingkaran ng isang kulay Iskultura – sining ng pag-uukit o paglililok; sining na may tatlong dimensyon K Kadayawan – pagdiriwang sa Davao bilang pasasalamat sa masaganang ani Kapusyawan –nagsasaad ng kaliwanagan ng kulay Katutubong Sining – uri ng likhang sining na likas sa isang lugar o grupo ng mga tao Kiping –makulay na hugis dahong palamuti na yari sa pinagiling at pinatuyong bigas na kalimitang ginagamit sa Pahiyas festival Komposisyon – disenyo Konserbatibo –matiyagang sinisikap na makuha ang kaanyuan ng isang hugis Kultura –tumutukoy sa aktibidad ng sangkatauhan Kumbinasyon ng mga kulay – pagsasama- sama ng mga kulay na kahali- halina sa paningin o may tanging layunin L Laminosa –banig na gawa sa Jolo Likas –nagmumula sa kalikasan Linya – element ng sining na nagmula sa tuldok K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 123 M Magaspang – maligasgas ang salat Makaluma –gamit at mga likhang sining na sinasabing sinauna at pinahalagahan sa mahabang panahon Malamlam – hindi matingkad Malawak sa Paningin – mukhang malawak sa paningin Malong – yari sa habing tradisyonal na "tube skirt" na isinusuot ng mga Muslim Mapusyaw ang kulay – hindi maliwanag na kulay; malamlam Marionette – mataas na uri ng puppet Monokromatiko –kumbinasyon ng isang kulay na may kapusyawan at kadiliman Monumento – yari sa batong hugis ng tao o bagay bilang pagbibigay halaga Montage – paglikha ng larawan sa pamamagitan ng pagtatagpi tagpi ng mga bagay ng mga bagay mula sa magasin at iba pa Moriones –pagdiriwang na ginaganap tuwing Semana Santa sa Marinduque Mosaic – larawan o disenyo na binubuo ng pinagdikit dikit na maliliit na piraso ng papel, balat ng itlog, bato, butones at iba pang mga bagay Muebles –sinauna o lumang gamit sa tahanan tulad ng aparador, upuan at iba pa Mural – malaking larawan na ipininta sa pader o sa malaking papel na idinikit sa dingding Museo –lugar o isang sulok na pinaglalagakan ng mga lumang kagamitan na may kinalaman sa mga nakaraang kasaysayan N Nangingibabaw- nangunguna , napapansin agad Nililok – iniukit P Pagbibigay –diin –pagbibigay halaga K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 124 Paghahabi – paglalala Paglilimbag – pag-iiwan ng bakas Paglilipat ng Disenyo – pagsasalin ng dibuho Paglilok – pag- ukit Pahiyas –isang makulay na pagdiriwang ng pasasalamat para sa masaganang ani para kay San Isidro Labrador, ang patron ng mga magsasaka Palamuti – dekorasyon Pamana ng Lahi –mga sining na kinikilalang yaman ng bansa Pamayanan – pook na maraming mag-anak ang namumuhay Pangalawang Kulay – kulay na hinango sa batayang kulay Pangatlong Kulay – nabubuong kulay sa pagitan ng pangunahing kulay at pangalawang kulay Pangkat Etniko – katutubo sa isang lugar Pangunahing Kulay – batayang kulay; kulay na walang halo: pula, asul, dilaw Patadyong – maluwag na palda na kalimitang isinusuot ng mga babae sa Visayas na may makulay na disenyong ―checkered‖ Patapong Bagay – bagay na di na kailangan o patapon na Pinagbenga –pagdiriwang bilang pagpapahalaga sa mga bulaklak ng Baguio Pinyasan –kasayahan na ginaganap sa Daet, Camarines Norte bilang pagpapahalaga sa napakatamis nilang pinya Proporsyon –ang guhit o bagay na magkatimbang ang laki o hugis Pulp – balat ng kahoy o mga halaman na isinasangkap sa mga gawaing sining Puppet – isang uri ng manika R Ramadan –ay isang kaganapang pang-relihiyon ng mga Muslim na nagaganap tuwing ika-siyam na buwan sa kalendaryong Islam K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 125 Ritmo – makikita sa pamamagitan ng pag-uulit at pag-uugnay ng mga elemento ng sining S Saliksik – mga kaalamang pinaghahanap Salit-salit – salisihan Sangkap – ang mga kasangkapan ng isang gagawing bagay Sarimanok –maalamat na ibon ng mga Maranao na nagmula sa Mindanao Selebrasyon – mga kaganapang may paksa na pinaghandaan o binibigyang pansin Semitrikal – pormal; may pagtitimbang timbang Sentro ng Kawilihan – pinakamahalagang bahagi ng larawn o disenyo Sinauna – antigo Sinaunang Bagay – mga bagay na may kalumaan na Sining Biswal – sining na nakikita T T’boli –mga katutubong tao na matatagpuan sa South Cotabato ng southern Mindanao Taka –(papier mache)- mga ginupit 0 pira pirasong papel na pinagdikit dikit hanggang sa makabuo ng hugis Tanghalan – lugar na pinagdadausan Tatlong Dimensyong Lawak – lawak na nagpapakita ng taas, lapad at kapal; porma o hugis ng bagay na may harapan, tagiliran at likuran Tatsulok – bagay o guhit na nagpapakita ng tatlong sulok Tekstura –elemento ng sining na tumutukoy sa katangiang panlabas na anyo ng isang bagay na nahihipo, nadarama at nakikita Teksturang Artipisyal – mga bagay na ginawa ng tao na itinulad sa mga tunay at likas na bagay Teksturang Biswal– mga larawan ng bagay na nakikita o namamasid K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 126 Teksturang Tunay – katangiang nakikita sa tunay na bagay Tinalak – T'nalak ay isang uri ng telang gawa sa abaka na ekslusiboong nililikha ng mga etnikong T'boli sa Timog Kotabato, Mindanao, sa Pilipinas. Tuas –Tuas – kawayan na may iba’t ibang haba na nilalagyan sa loob ng buhangin upang makalikha ng tunog K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 127 CURRICULUM DEVELOPERS/WRITERS/REACTORS in the DEVELOPMENT of K to 12 CURRICULUM MUSIC and ARTS A. Workshop on the Refinement of K to 12 Music and Arts Date: July 9-13, 2012 1. 2. 3. 4. NAME Blesseda Cahapay Virginia Fernandez Lillian N. Luna Christine N. Graza-Magboo DESIGNATION SCHOOL/OFFICE BEE-CDD BEE-SDD BSE-CDD BSE-SDD B. Workshop on the Finalization of Learning Competencies Venue: DAP, Tagaytay City Date: August 8-12, 2011 NAME VIRGINIA FERNANDEZ JUAN GEPULLANO FLORA RAMOS FE PABILONIA CHERRY JOY SAMOY TERESITA R. GARCIA DESIGNATION Senior EPS Division Art Coordinator Principal Principal Teacher Adm. Asst. IV OFFICE/SCHOOL BEE- DEP ED CO Division of Iloilo Division of Lucena City Division of Quezon Olongapo National HS OD-BEE-DEP ED CO C. Workshop on the Preparation of Learning Competencies for the different learning areas for K to 12 Venue: DAP,Tagaytay City Date: July 18-22, 2011 NAME VIRGINIA FERNANDEZ JUAN GEPULLANO AMIHAN FINES ANSEL GUILLEN SAMSON CHERRY JOY SAMOY DESIGNATION Senior EPS Division Art Coordinator Principal Teacher Teacher K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS OFFICE/SCHOOL BEE- DEP ED CO Division of Iloilo Division of Manila Olongapo National HS Olongapo National HS 128 TERESITA R. GARCIA Adm. Asst. IV OD-BEE-DEP ED CO D. Workshop on the Preparation of Learning Competencies for the different learning areas for K to 12 Venue: DAP, Tagaytay City Date: July 11-15, 2011 NAME VIRGINIA FERNANDEZ JUAN GEPULLANO AMIHAN FINES ISABELO MAGBITANG TERESITA R. GARCIA DESIGNATION Senior EPS Division Art Coordinator Principal Retired Art Coordinator Adm. Asst. IV OFFICE/SCHOOL BEE- DEP ED CO Division of Iloilo Division of Manila Division of Manila OD-BEE-DEP ED CO DESIGNATION Headmaster,St. Mary's School of Sagada and All Saints ES of Bontoc, Music Teacher and Teacher Trainor, Professional Director of Musical Theater and Opera ( University of the Philippines, University of Santo Tomas, Tanghalang Pilipino, Manila Theater Guild, Washington State University, University of Minnesota and Teatro Latino de Minnesota) , Department Chairman for Fine and Performing Arts Intenational School Manila OFFICE/SCHOOL St. Mary's School, All Saints Consultant NAME 1. Dr. Dennis Faustino E. Writeshop on the Finalization of the Curriculum Standards Venue: RELC, CALABARZON Date: May 19-21,2011 F. Workshop on the Review and Refinement of the K to 12 Curriculum Framework and Standards Venue: DAP,Tagaytay City Date: May 10-13,2011 NAME 2. Dr. Dennis Faustino DESIGNATION Headmaster,St. Mary's School of Sagada and All Saints ES of Bontoc, Music Teacher and Teacher Trainor, Professional Director of Musical Theater and Opera ( K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS OFFICE/SCHOOL St. Mary's School, All Saints 129 University of the Philippines, University of Santo Tomas, Tanghalang Pilipino, Manila Theater Guild, Washington State University, University of Minnesota and Teatro Latino de Minnesota) , Department Chairman for Fine and Performing Arts Intenational School Manila Former Dean College of Music University of the Philippines, Former Chair Humanities Division of the National Research Council of the Philippines, Vice Head Committee on Music National Commission on Culture and the Arts, President Piano Teachers Guild of the Philippines, Currently Board Member of the Philippine Center for Gifted Education, Currently Vice-President for Planning Philippine Society for Music Education Dean, College of Music Supervising Professor in MAPE Retired, former Department Head, MAPE (DepEd Manila), Music Specialist Detailed at DepEd Central Office ( Center for Cultural Education) EPS II 3. Prof. Mauricia Borromeo 4. Sr. Mary Placid Abejo 5. Ms. Carmela Buhain 6. Ms. Virginia Tolentino 7. 8. 9. 10. Ms. Lillian Luna Ms. Pilar Montes Mr. Jayson Antazo Ms. Rosalita Bartolome Teacher I Master Teacher I UP College of Music Extension St. Scholastica College Philippine Normal University DepEd - Manila Div DepEd – BSE DepEd, Region IV MIMAROPA Regional Pilot School for the Arts M. Marcos Memorial High School G. Consultative Workshops for the Validation of the K to 12 Curriculum Framework and Standards 1. Regions IV-A, IV-B,V and NCR Venue: Bulwagan ng Karunungan Date: April 2011 2. Regions I,II,III and CAR Venue: Teachers’ Camp, Baguio City Date: April 29, 2011 K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 130 1. 2. 3. 4. 5. NAME Angelica O. Dañguilan, Ph.D Rose H. Radin Georgina M. Lumalao Ruby P. Tanciongco, Ph. D. Jonathan A. Froda, Ph. D. 6. 7. 8. 9. Cherrie Lou Q. Javier Virginia T. Lupian Marietta B. Aguiguin Miriam L. Najera DESIGNATION Master Teacher II Bontoc Central School Teacher III OFFICE/SCHOOL SHS, Solano Nueva Vizcaya San Juan Central School Bontoc Central School Dep. Ed. RO III Dep. Ed. Kayapa East District Quirino Central High School Deap. Ed. CAR - RO SLU- Laboratory Elem. Sch. Dep. Ed. RO I 3. Regions VI,VII and VIII Venue: Ecotech, Lahug Cebu City Date: 1. 2. 3. 4. 5. 6. 7. May 4, 2011 NAME Oyando G. Cezar Nancy M. Dion Alan U. Bana Cecilia Moniel B. Arcenas Bebiano A. Tuayon Miriam P. Braganza Liezl B. Ambaic DESIGNATION PESS Coordinator ES-I MAPEH Teacher II/Division Music Coordinator Master Teacher I Teacher III EPS II MAPEH Coordinator OFFICE/SCHOOL Division of Bago City, R-IV Samar Division, R-VIII Negros Oriental, R - VII Division of Capiz, R-VI Negros Oriental, R – VII R - VII USJ-R Cebu 4. Regions IX,X and ARMM Venue: RELC, Cagayan de Oro City Date: May, 2011 5. Regions XI,XII, ARMM (Shariff Kabunsuan,Maguindanao) Venue: RELC, Davao City and CARAGA Date: May 6, 2011 K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS 131 1. 2. 3. 4. 5. 6. 7. NAME Herman Aldous R. Bodikey Jr. Felix Antecristo Esther E. Udtohan Merliza M. Murray Consuelo B. Tindoc Dr. Purificacion S. Yambao Joy M. Rainos DESIGNATION OFFICE/SCHOOL Davao del Sur Davao del Sur Panabo City Maguindanao I Maguindanao II Division EPS DepEd – Tagum National Trade School, Tagum City Division DepEd – Norala Central Elem. School, South Cotabato Division 8. Joenary D. Silao H. Workshop on the K to 12 Curriculum Mapping Venue: DAP, Tagaytay City Date: March 16-18, 2011 NAME 1. 2. 3. 4. 5. 6. 7. 8. DESIGNATION Lilian Luna Myrna Parakikay Marivic Tolitol Jose Tuguinayo, Jr Nancy Pascual Virgina Fernandez Ma. Paz Levita Galapir Ronald Castillo OFFICE/SCHOOL SDD – BSE Division of Makati City CDD – BSE CDD – BSE Division of Makati City CDO – BEE SDD – BEE Division of Apayao SECRETARIAT NAME 1. 2. 3. 4. Rachelle C. Fermin Prescy Ong Rozelyn M. Buyucan Magdalena Mendoza K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS DESIGNATION DepEd DepEd DepEd DAP 132 5. Tristan Suratos 6. Kimberly Pobre 7. Cristina Villasenor 8. Lani Garnace 9. Kidjie Saguin 10. Maria Boncan 11. Daylinda Guevarra 12. Fenerosa Maur 13. Divina Tomelden 14. Nilva Jimenez DAP DAP DAP DAP DAP Accountant, DepEd Accountant, DepEd Accountant, DepEd Accountant, DepEd Disbursing Officer, DepEd FACILITATORS/ SUPPORT TEAM NAME 1. 2. 3. 4. 5. 6. DESIGNATION CDD – BEE CDD – BSE CDD – BSE SPED – BEE CDD – BEE SDD – BEE Irene C. De Robles Jose Tuguinayo, Jr. Marivic Abcede Mirla Olores Simeona Ebol Fe Villalino ADVISORY TEAM NAME 1. 2. 3. 4. 5. 6. 7. 8. Usec. Yolanda S. Quijano Dr. Lolita Andrada Dr. Angelita Esdicul Dr. Ricardo de Lumen D. Paraluman R. Giron Dr. Avelina T. Liagas Dr. Dina Ocampo Dr. Ester Ogena K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS DESIGNATION Undersecretary, DepEd OSEC Director, BSE – DepEd, Pasig Director, BEE – DepEd, Pasig OIC, Director III – Tech Voc, DepEd Chair, K – 10 TWG Consultant, TEC, DepEd Dean, COE, UP Diliman President, PNU 133 9. Dr. Brenda B. Corpuz 10. Dr. Dennis Faustino 11. Dr. Merle Tan 12. Dr. Cristina Padolino 13. Mr. Napoleon Imperial 14. Diane Decker 15. Dr. Nelia Benito 16. Dr. Socorro Pilor 17. Dr. Beatriz Torno 18. Dr. Carolina Guerrero 19. Dr. Irene Isaac K to 12 Curriculum Guide version as of January 2013 MUSIC AND ARTS Technical Adviser to the Office of USEC, Pograms and Standards Headmaster, SMS Sagada, Mt. Prov. Director, UP – NISMED President, CEU CHED Consultant, MTB – MLE Director, NETRC Director, IMCS Executive Director, TEC Director, BALS Director, TESDA 134