Handout 2 The Forming of a National Literature 18th century: The Age of Politics Follows the Age of Theology (17th c.) A break with the mother country, resulting in the War of Independence (1775-1783) Practical-political tendency social, political, geographical, literary changes, the influence of Enlightenment multiplicity of religion: Calvinism (Puritans), Quakerism, Deism, Unitarianism. Benjamin Franklin (1706-1790) "father of all Yankees", a self-made man practical instructions to moral education: ◦ Poor Richard's Almanac, ◦ The Way to Wealth (a collection of proverbs and aphorisms), ◦ Autobiography (himself as example) Major texts of the 18th century: autobiographies, journals, essays, articles, political documents, sermons. Fiction appears towards the end of the century. Four classics: B. Franklin: The Autobiography; Thomas Jefferson: Notes on the State of Virginia; John Woolman: The Journal; J. Hector St. John de Crèvecoeur: Letters from an American Farmer Bestsellers: B. Franklin’s Poor Richard's Almanack (“The Way to Wealth”), Thomas Paine’s Common Sense; Political texts: B. Franklin: “Rules by which a Great Empire May be Reduced to a Smaller One” (1774); Thomas Paine: Common Sense (1776); Thomas Jefferson: “Summary View of the Rights of British America”; The Declaration of Independence (1776). Drama: Royall Tyler’s The Contrast (1787); Poets of transition: Philip Freneau, William Cullen Bryant, Joel Barlow; Fiction: Hugh Henry Brackenridge: Modern Chivalry (published in parts: 1792-1815) Charles Brockden Brown: Alcuin: A Dialogue (1798); Wieland; or the Transformation (1798); Ormond (1799); Edgar Huntly, or Memoirs of a Sleepwalker (1799) Beginnings of 19th century: The Age of Early Republicanism The forming of an independent national literature – the frontier as a forming factor National literature: Patriotic task American topic combined with English highbrow style Aim: documentation and symbolism What is English periphery becomes American mainstream Handout 2 Washington Irving (1783-1859): “The Father of American Literature” Used pseudonyms, Diedrich Knickerbocker, Geoffrey Crayon; First American writer acknowledged abroad, but felt out of place in America as an author. Spent 17 years in Europe The History of New York (1809) by Diedrich Knickerbocker ◦ turning fact into fiction; grotesque-humorous piece about the colony-founding Dutch ancestors The Scetch Book (1818) ◦ includes he famous stories “Rip van Winkle” and “The Legend of Sleepy Hollow” ◦ Peacefulness of Dutch communities contrasted with the noisy bustle of American towns. ◦ It is not possible to write in a country where there are no legends or superstitions. ◦ Used European sources for tales. ◦ elements of the Gothic) ◦ international standard, breaking with puritanism, humor, as opposed to: James Fenimore Cooper (1789-1851) Ambiguous, critical New topic: tried to use American sources (esp. history) although there was a “poverty” of materials. Turned to nature and pioneers as a subject New national hero: Natty Bumppo (Leatherstocking: a scout and hunter; the gentleman of the forest) + the noble savage Romantic, Rousseauist concept Major themes: conquest of the wilderness, the destruction of the native population, the formation of a new type of white population The Deerslayer 1841 - young hero, hunter, helps the white travellers The Last of the Mohicans 1826 - best structure; war of Indians and whites The Pathfinder 1840 - middle aged hero, love story The Pioneers 1823 - aging hero leaves civilisation and goes to wilderness The Prairie 1827 - 90-year-old trapper dies Conclusion The forming of a national hero in American literature takes place in 3 stages: 1. B. Franklin in Autobiography, 2.The Dutchman in Irving's writings, 3. The frontiersman in Cooper's novels. Cooper's self-contradictory philosophy continues in transcendentalism, trying to solve the problems of wilderness vs. civilization and individual vs. society. The American Renaissance – the classical literary period in American literature between 1845-1855, when many notable poets, writers appeared on the literary scene (Poe, Hawthorne, Melville, the Transcendentalists, etc.)