Nothing (search for references to "nothing")
1. Identify the important events in the play that have the word "nothing" connected to
them.
2. What kinds of "nothing" are referred to? (How many different ways can you have
"nothing"?)
3. Which characters are most often connected with the idea and what is the result of
this?
4. What is the purpose of "nothing" in the play.
Nothing
Don’t forget the context for why it is significant that a King Lear should be stripped of
everything and left with nothing.
A king divinely chosen defines God's social order to maintain stability, harmony, justice
But what if a truant king? He defies God's order for the world - disharmony, division,
Shakespeare poses what is our judgement on a truant negligent king in his deliberate
dereliction of his god-given duty, his duty to the country, his people, breaks their trust in
him?
culture v nature order- overturned in Edmund proud of bastard nature
Lear becomes careless about himself, naked in the storm; unable to take shelter, unable to do
the natural instinctive thing,; unmindful of his own welfare
Consider the following outline for the theme of nothing as witnessed in Lear’s life. –
Lear's dialogue with Cordelia on "nothing" introduces yet another theme in the play's
imagery, echoing, among other scenes, some of his later conversations with the Fool (I.iv.130
"Can you make no use of nothing, nuncle?") and others. Indeed, King Lear is, in many ways,
about "nothing." Regan and Goneril seem to offer much in the beginning, but after whittling
down the number of Lear's knights, they leave him with nothing, and in the end their
"natural" affection comes to nothing as well. Lear is progressively brought to nothing,
stripped of everything -- kingdom, knights, dignity, sanity, clothes, his last loving daughter,
and finally life itself.
Quotes that could be used to back up the outline.
King Lear has decided to retire and divide his kingdom among his three daughters. They are
required to come forward and flatter him. His two eldest daughters, Regan and Goneril,
flatter and deceive the old king, and receive their rewards. The youngest, Cordelia, who loves
him most, cannot find the words to articulate this love. He asks her to speak up and praise
him more than her sisters have just done. When asked 'what do you have to say?' Cordelia
responds "Nothing." He repeats this answer as a question. She responds the same. Lear is
outraged and tells her that "nothing will come of nothing," and banishes her without
money, title, or any part of his kingdom.
“Nothing will come of nothing. Speak again.” (Lear, I, i, 92)
“If aught within that little seeming substance,/Or all of it, with our displeasure pieced,/And
nothing more, may fitly like your Grace,/She’s there and she is yours.” (Lear, I, , 200-203)
“Nothing. I have sworn. I am firm.” (Lear, I, i, 247)
“The quality of nothing hath not such need to hide itself. Let’s see. Come, if it be nothing, I
shall not need
spectacles.” (Gloucester, I, ii, 34-36)
“Find out this villain, Edmund; it shall lose thee nothing.” (Gloucester, I, ii, 124-125)
Kent: “This is nothing, Fool.” Fool: “Then ‘tis like the breath of a unfeed lawyer—you gave
me nothing for’t. Can you make no use of nothing, Nuncle?” Lear: “Why, no, boy. Nothing
can be made out of nothing.” (I, iv, 131-136)
“I had rather be any kind o’ thing than a Fool, and yet I would not be thee, Nuncle; thou hast
pared thy wit o’ both sides and left nothing i’ th’ middle.” (Fool, I, iv, 189-192)
“I am better than thou art now: I am a Fool, thou art nothing.” (Fool, I, iv, 199-200)
“So your face bids me, though you say nothing.” (Fool, I, iv, 201-202)
“Have you nothing said/Upon his party ‘gainst the Duke of Albany?” (Edmund, II, i, 27-28)
“art nothing but the composition of a knave” (Kent, II, ii, 20-21)
“Away, I have nothing to do with thee. (Oswald, II, ii, 35)
“Nothing almost sees miracles/But misery.” (Kent, II, ii, 168-69)
“Poor Turlygod, Poor Tom, That’s something yet: Edgar I nothing am.” (Edgar, II, iii, 20-21)
“tears his white hair,/Which the impetuous blasts, with eyeless rage,/Catch in their fury, and
make nothing of ” (Gentleman, III, i, 7-9)
“No, I will be the pattern of all patience,/ I will say nothing.” (Lear, III, ii, 37-38)
“Go to; say you nothing.” (Gloucester, III, iii, 8)
“Couldst thou save nothing?” (Lear, III, iv, 64)
“Death, traitor; nothing could have subdued nature/To such a lowness but his unkind
daughters.” (Lear, III, iv, 70-71)
Insight vs Lack of Insight (search for references to "see" and to
"sight")
1. What different ways are there to "see" in the play?
2. Summarise how the idea of sight develops or changes in relation to Lear.
3. Summarise how the idea of sight develops or changes in relation to Gloucester.
Act 1
"Out of my sight!," to which Kent responds, "See better, Lear, and let me still remain"
When Lear asks his daughters who loves him most, he already thinks that Cordelia has the
most love for him. However, when Cordelia says, "I love your Majesty/According to my
bond, no more nor less" (I.i.), Lear cannot see what these words really mean.
When Lear disowns Cordelia, he says, "we/Have no such daughter, nor shall ever see/That
face of hers again"
Act 2
As soon as Edmund mentions that Edgar could be plotting against him, Gloucester calls him
an "Abhorred villain, unnatural, detested, brutish villain.
Act 3
Lear has gone mad as he lacks the insight to understand why his daughters so viciously
betray him.
Lear comes to appreciate the ‘Philosopher’ and his natural state. He wishes to be the
unaccommodating man” - He strips his clothing as if to demonstrate that he no longer needs
to be king.
“I know what you are,/And, like a sister, am most loath to call/Your faults as they are
named.” (Cordelia, I, i, 271-273)
“‘Tis the infirmity of his age; yet he hath ever but slenderly known himself.” (Regan, I, i,
295-296)
(Lear) “Dost thou know me, fellow?” (Kent) “No, sir, but you have that in your countenance
which I would fain call master.” (I, iv, 27-29)
“Does any here know me? This is not Lear.” (Lear, I, iv, 232)
(Lear) “Who is it that can tell me who I am?” (Fool) “Lear’s shadow.” (I, iv, 236-37)
“Why, what a monstrous fellow are thou, thus to rail on one that is neither known of thee nor
knows thee!”
(Oswald, II, ii, 25-27)
“I know, sir, I am no flatterer. He that beguiled you in a plain accent was a plain knave”
(Kent, II, ii, 112-113)
“Sir, I do know you,/And dare upon the warrant of my note/Commend a dear thing to you.”
(Kent, III, i, 17-19)
Appearance vs Reality
(Disguises and lies)
- Daughter’s lie about love for their father
- Cordelia truly loves her father
- Kent is banished yet, disguises himself and remains loyal to Lear
- Edmund lies and plots against his father purporting to be the good, loyal natural son.
- Edgar disguises himself as Tom the Beggar in order to survive
APPEARANCES AND REALITY
“Sir, I love you more than word can wield the matter;/Dearer than eyesight, space and
liberty;/Beyond what can be valued, rich or rare;/No less than life, with grace, health, beauty,
honor;/As much as child e’er loved, or father found;/A love that makes breath poor, and
speech unable:/Beyond all manner of so much I love you.” (Goneril, I, i, 57-63)
“I profess myself an enemy to all other joys/Which the most precious square of sense
professes,/And find I am alone felicitate/In you dear Highness’ love.” (Regan, I, i, 74-78)
“Thy youngest daughter does not love thee least,/Nor are those empty-hearted whose low
sounds/Reverb no hollowness.” (Kent, I, i, 154-156)
“See better, Lear, and let me still remain/The true blank of thine eye.” (Kent, I, i, 160-161)
“Sith thus thou wilt appear,/Freedom lives hence, and banishment is here.” (Kent, I, i, 182183)
“I do profess to be no less than I seem, to/serve him truly that will put me in trust, to
love/him that is honest, to converse with him that is/wise and says little, to fear judgment, to
fight/when I cannot choose, and to eat no fish.” (Kent, I, iv, 14-18)
“How far your eyes may pierce I cannot tell” (Albany, I, iv, 352)
“Draw, seem to defend yourself; now quit you well.” (Edmund, II, i, 32)
(Gloucester) “Now, good sir, what are you?” (Edgar) “A most poor man, made tame to
fortune’s blows;/Who, by the art of known and feeling sorrows,/Am pregnant to good pity.”
(IV, vi, 223-226)
Natural Order
(Nature)
1. Identify the important events in the play that have the word "nature/unnatural"
connected to them.
The Natural Order
Be reminded of the context for this topic as well as Nothing:
A king divinely chosen defines God's social order to maintain stability, harmony, justice
But what if a truant king? He defies God's order for the world - disharmony, division,
Shakespeare poses what is our judgement on a truant negligent king in his deliberate
dereliction of his god-given duty, his duty to the country, his people, breaks their trust in
him? culture v nature order- overturned in Edmund proud of bastard nature
Lear becomes careless about himself, naked in the storm; unable to take shelter, unable to do
the natural instinctive thing,; unmindful of his own welfare
Act 1, Scene 1
Nature 1: This is the introduction of Edmund, Gloucester's illegitimate son. The natural order
states that Edmund will not inherit his father's estate; the property and goods will go to the
legitimate son, Edgar. Edmund will see how his efforts to reverse the natural order do not pay
off in the end. Yet Gloucester is at fault for blindly rejecting Edmund, who is still his son.
Act 1, Scene 2
Nature 2: Edmund begins to speak out against his illegitimacy, and calls on nature to stand
by his efforts to get hold of what he believes is rightfully his.
Act 1, Scene 4
Nature 3: The Fool chastises the king for giving up his coronet, saying that the king reversed
the natural order in the first place when he decided to give his kingdom to his daughters. Lear
is unleashing a horrible calamity when he tries to reverse the natural order and retire at an
earlier age.
Nature 4: Once Lear decides to abandon Goneril, too, he calls upon nature to make her sterile
forever so she might never have children. He is asking nature to defend him with quite a
cruel request.
Act 1, Scene 5
Nature 5: The king begins to crack here because he has abandoned two of his daughters,
Goneril and Cordelia. The Fool, who is actually a wise man, tells the king that he grew old
before he gained wisdom; again, a reversal of the natural order. The king calls upon heaven
to support him. He is constantly trying to use nature to support his wrongful deeds.
Act 2, Scene 1
Nature 6: Edmund dupes Gloucester into thinking that Edgar, the legitimate son, is actually a
villain. Gloucester is so impressed with Edgar's loyalty to the family honor that he reverses
the natural order and declares Edmund the new heir to the kingdom.
Act 2, Scene 2
Nature 7: Kent calls upon Fortune to turn its wheel once more, this time in his favor. Many of
the characters in the play often call upon Fortune (aka. fate, luck), to work in their favor.
Here, Kent wants Fortune to free him from the stocks.
Act 3, Scene 1
Nature 8: Kent enters the scene and speaks of an oncoming apocalyptic storm, the kind no
human could battle. This is nature's way of reacting to the story, and the many attempts at
reversing the natural order.
Act 3, Scene 2
Nature 9: As Lear is beginning his downward spiral toward insanity, the wise Fool notes that
England will suffer because of it. He says Fortune will turn against England.
Act 3, Scene 3
Nature 10: Gloucester complains to Edmund that Cornwall and Regan have suddenly
assumed authority in his home, how it is a reversal of all that is natural. Edmund lies and
pretends to agree with his father, but it is clear he is lying since he, too, wants to reverse all
that is natural.
Act 3, Scene 4
Nature 11: Edgar, the original heir to the kingdom of Gloucester and son of the earl, comes
out dressed like a mad beggar. His role as such is a complete reversal of the role he was
given by birth.
NATURE
“with strained pride/To come betwixt our sentence and our power,/Which nor our nature nor
our place can
bear,/Our potency made good, take thy reward.” (Lear, I, i, 171-174)
“therefore beseech you/T’avert your liking a more worthier way/Than on a wretch whom
nature is ashamed” (Lear, I, i, 211-213)
“Sure her offense/Must be of such unnatural degree /That monsters it” (France, I, i, 220-222)
“Is it but this? A tardiness in nature/Which often leaves the history unspoke/That it intends to
do.” (France, I, i, 237-239)
“Thou, Nature, art my goddess; to thy law/My services are bound. ... Who, in the lusty stealth
of nature,
take/More composition and fierce quality/Than doth, within a dull, stale, tired bed,/Go to
th’creating a whole tribe of fops/Got ‘tween asleep and wake?” (Edmund, I, ii, 1-2 ... 11-15)
“His very opinion in the/letter. Abhorred villain, unnatural, detested, brutish villain”
(Gloucester, I, ii, 80-82)
“Though the wisdom of Nature can reason it thus and thus, yet Nature finds itself scourged
by the sequent
effects. Love cools, friendship falls off, brothers divide.” (Gloucester, I, ii, 113-116)
“A credulous father, and a brother noble,/Whose nature is so far from doing harms/That he
suspects none; on whose foolish honesty/My practices ride easy.” (Edmund, I, ii, 192-195)
“Degenerate bastard, I’ll not trouble thee:/Yet have I left a daughter.” (Lear, I, iv, 260-261)
“Which, like an engine, wrenched my frame of nature/From the fixed place; drew from my
heart all love,/And added to the gall.” (Lear, I, iv, 275-227)
“Hear, Nature, ...Suspend thy purpose...Create her child of spleen, that it may live/And be a
thwart disnatured torment to her.” (Lear, I, iv, 282-290)
“Seeing how loathly opposite I stood/To his unnatural purpose” (Edmund, II, i, 51-52)
“and of my land,/Loyal and natural boy, I’ll work the means/To make thee capable.”
(Gloucester, II, i, 85-87)
“You cowardly rascal, nature disclaims in thee. A/tailor made thee.” (Kent, II, ii, 55-56)
“We are not ourselves/When nature, being oppressed, commands the mind/To suffer with the
body.” (Lear, II, iv, 105-107)
“O, sir, you are old,/nature in you stands on the very verge/Of his confine.” (Regan, II, iv,
145-147)
“Allow not nature more than nature needs,/Man’s life is cheap as beast’s.” (Lear, II, iv, 265266)
“making just report/Of how unnatural and bemadding sorrow/the King hath cause to plain.”
(Kent, III, i, 37- 39)
“Death, traitor; nothing could have subdued nature/To such a lowness but his unkind
daughters.” (Lear, III, iv, 70-71)
“How, my lord, I may be censured, that nature thus gives way to loyalty, something fears me
to think of.”
(Edmund, III, v, 3-5)
“Opresshd nature sleeps.” (Kent, III, vi, 96)
“Edmund, enkindle all the sparks of nature/To quit this horrid act.” (Gloucester, III, vii, 8788)
“I fear your disposition:/That nature which contemns its origin/Cannot be bordered certain in
itself;/She that herself will sliver and disbranch/From her material sap, perforce must
wither/And come to deadly use.” (Albany, IV, ii., 1-36)
“Nature’s above art in that respect.” (Lear, IV, vi, 86)
“O ruined piece of nature!” (Gloucester, IV, vi, 136)
“I am even/The natural fool of fortune.” (Lear, IV, vi, 192-93)
“Thou has one daughter/Who redeems nature from the general curse/Which twain have
brought her to.”
(Gentleman, IV, vi, 208-210)