HL4017: Advanced Studies in Restoration and Eighteenth-Century Literature THIS DRAFT IS SUBJECT TO MINOR REVISIONS: PLEASE REFER TO THE SYLLABUS ON EDVENTURE ONCE THE SEMESTER BEGINS. STUDENTS ARE RESPONSIBLE FOR KEEPING TRACK OF DEADLINES IN ORDER TO SUBMIT ASSIGNMENTS ON TIME. Fall 2013 Instructor: Sam Cahill Time and Location: TBA Office: HSS-03-73 Office hours: TBA Contact number: 6592 1534 Email: sacahill@ntu.edu.sg Curriculum Requirements This course fulfills Elective Category F (Specific Interest Subjects) Co-requisites: HL101 Format: Seminar (39 hours/semester) Learning Objective To explore canonical texts of English literature written between the Restoration (1660) and the English reaction to the French Revolution (1790s). To articulate arguments about literary form, the content of literary texts, and the relationship between form and content using critical theory and vocabulary To chart developments and continuities in literary forms, discourses, and traditions Content We will study canonical examples of English poetry, drama, and prose written during the period 1660-1800 to understand their form, content, and historical significance. In order to contextualize these works historically, we will study major developments in England during this period, including evolutions in national identity; challenges to social hierarchies of class, race, and gender; and innovations in literary forms and genres. We will contextualize literary texts, choices, and practices by analyzing them in terms of contemporary philosophical and political theories. By the end of the course, students will be able to articulate how various authorities and identities are negotiated (or constructed) within the forum of fictional literature. Student Assessment Participation: 10% (this includes writing exercises and group activities) Midterm assignment (1000 words): 10%. Choose one primary text (a text on the syllabus that was published between 1660 and 1800). Select three works of scholarship (at least one of which must have been published in the last ten years) that focus on your primary text. Summarize the argument of each scholarly work (at least a paragraph for each source) and then briefly evaluate the “scholarly conversation” (You might address questions like: What are the main literary theories that have been used to evaluate your primary text? Have there been any particularly famous or notorious interpretations of the text offered? Who are or have been the main scholars of your primary text? What gaps are there in the conversation?). The assignment must include a Works Cited page and be formatted according to MLA conventions. Final Essay (2000-2500 words): 30%. Essays must concentrate on one primary text and utilize three texts of modern scholarship. You *may* but are *not required* to write your final essay on the same primary text as your midterm assignment. Essays will be evaluated according to the following criteria: proper use of standard English (spelling, punctuation, grammar, style); use of primary and secondary texts (quotes, specific concrete details, analysis); organization and clarity (identifiable thesis, logical argument and transitions, sufficient evidence to support thesis, succinct and accurate conclusion); proper page layout and documentation (margins, spacing, MLA citation format). Final Exam: 50% (Essay Questions) * Hard copies of all papers must be turned in to me directly by 5:30pm on the due date. Late essays will be docked by 1/3 of a mark (AA-; B+B) for every day late except in cases of documented family or medical emergency. Textbooks/References --Moll Flanders (1722), Daniel Defoe --Tom Jones (1749), Henry Fielding --Vathek (1786), William Beckford --Handouts on edveNTUre Course Outline Week 1 Introduction, historical overview Week 2 Religion, Politics, and Authority Reading: Dryden, “Absalom and Achitophel”; Locke, selection from “A Letter Concerning Toleration” (edveNTUre) Week 3 Libertines, Fops, and Cits Reading: Etherege, The Man of Mode (edveNTUre) Week 4 The Augustans Reading: Swift, “A Description of a City Shower” and “Verses on the Death of Dr. Swift”; Pope, “Epistle to Burlington” and “Essay on Man” (edveNTUre) Week 5 Ancients vs. Moderns, Country vs. City Reading: Mandeville, selection from The Fable of the Bees (edveNTUre); Defoe, Moll Flanders, first half Week 7 Women, Commerce, and Luxury Reading: Finish Moll Flanders *Midterm Papers Due (in my office by 5:30pm): TBA* Midterm recess: 30 September - 5 October (Week 8) Week 9 Love and Epistolary Fiction Reading: Pope, “Eloisa to Abelard” (edveNTUre); Behn, selection from Love-letters between a noble-man and his sister (EEBO, 1693 edition, Image # 13-21/646) Week 10 “Realism” and the “Rise” of the Novel Reading: Fielding, Tom Jones, Books I-VI Week 11 “Realism” and the “Rise” of the Novel, continued Reading: Fielding, Tom Jones, Books VII-XII Week 12 “Realism” and The “Rise” of the Novel, continued Reading: Fielding, Tom Jones, Books XIII-XVIII Week 13 Revolution, the Fantastic, and the Oriental Tale Reading: Selections from Arabian Nights (edveNTUre); Beckford, Vathek; selection from Paine in Norton (edveNTUre) Week 14 Final Thoughts and Semester Review *Final Papers Due (in my office by 5:30pm): TBA*