Contents
The Romantic Period (1798–1832)
ROBERT BURNS (1759–1796)
Corn Rigs an’ Barley Rigs
To a Mouse
Green Grow the Rashes
Holy Willie’s Prayer
Willie Brewed a Peck o’ Maut
Tam o’ Shanter
Afton Water
Ae Fond Kiss
Ye Flowery Banks
Scots, Wha Hae
For A’ That and A’ That
A Red, Red Rose
Auld Lang Syne
WILLIAM BLAKE (1757–1827)
POETICAL SKETCHES
Song (“How sweet I roamed from field to field”)
To the Evening Star
Song (“Memory, hither come”)
To the Muses
SONGS OF INNOCENCE
Introduction
The Lamb
The Divine Image
The Chimney Sweeper
Nurse’s Song
Holy Thursday
On Another’s Sorrow
The Little Black Boy
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SONGS OF EXPERIENCE
Introduction
Earth’s Answer
The Clod and the Pebble
Holy Thursday
The Chimney Sweeper
Nurse’s Song
The Sick Rose
The Tiger
Ah Sun-Flower
The Garden of Love
London
The Human Abstract
Infant Sorrow
A Poison Tree
To Tirzah
A Divine Image
The Marriage of Heaven and Hell
The Argument
A Memorable Fancy
Proverbs of Hell
FROM BLAKE
’
S NOTEBOOK
Never Pain to Tell Thy Love
I Asked a Thief
Mock on, Mock on, Voltaire, Rousseau
Morning
And Did Those Feet
WILLIAM WORDSWORTH (1770–1850)
LYRICAL BALLADS
We Are Seven
Lines Written in Early Spring
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Expostulation and Reply
The Tables Turned
To My Sister
Lines Composed a Few Miles Above Tintern Abbey
Preface to the Second Edition
Strange Fits of Passion Have I Known
She Dwelt Among the Untrodden Ways
Three Years She Grew
A Slumber Did My Spirit Seal
I Traveled Among Unknown Men
Lucy Gray
Michael
My Heart Leaps Up
Written in March
Resolution and Independence
The Green Linnet
Yew Trees
I Wandered Lonely as a Cloud
Ode: Intimations of Immortality
Ode to Duty
The Solitary Reaper
Elegiac Stanzas
SONNETS
Composed upon Westminster Bridge, September 3, 1802
It Is a Beauteous Evening
Composed in the Valley near Dover, on the Day of Landing
London, 1802
The World Is Too Much with Us
Surprised by Joy
Afterthought
Mutability
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Steamboats, Viaducts, and Railways
A Poet!—He Hath Put His Heart to School
Extempore Effusion upon the Death of James Hogg
The Recluse
[“Prospectus”]
The Prelude, or Growth of a Poet’s Mind
Book I. Introduction—Childhood and Schooltime
Book II. Schooltime (continued)
Book III. Residence at Cambridge
Book IV. Summer Vacation
Book V. Books
Book VI. Cambridge and the Alps
Book VII. Residence in London
Book VIII. Retrospect—Love of Nature Leading to Love of Man
Book IX. Residence in France
Book X. Residence in France (continued)
Book XI. France (concluded)
Book XII. Imagination and Taste, How Impaired and Restored
Book XIII. Imagination and Taste, How Impaired and Restored (concluded)
Book XIV: Conclusion
SAMUEL TAYLOR COLERIDGE (1772–1834)
The Rime of the Ancient Mariner
Kubla Khan
Christabel
Frost at Midnight
Dejection: An Ode
Phantom
To William Wordsworth
Recollections of Love
On Donne’s Poetry
Work Without Hope
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Constancy to an Ideal Object
Phantom or Fact
Epitaph
Biographia Literaria
Chapter I
Chapter IV
Chapter XIII
Chapter XIV
Chapter XVII
Lectures on Shakespeare
[Fancy and Imagination in Shakespeare’s Poetry]
[Mechanic vs. Organic Form]
GEORGE GORDON, LORD BYRON (1788–1824)
Written After Swimming from Sestos to Abydos
When We Two Parted
She Walks in Beauty
Stanzas for Music
There Be None of Beauty’s Daughters
They Say That Hope Is Happiness
Darkness
Childe Harold’s Pilgrimage
Canto I
Canto III
Canto IV
So We’ll Go No More A-Roving
Don Juan
Canto I
Canto II
Canto III
Canto IV
When a Man Hath No Freedom to Fight for at Home
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Stanzas Written on the Road Between Florence and Pisa
JOHN KEATS (1795–1821)
On First Looking into Chapman’s Homer
Sleep and Poetry
On Seeing the Elgin Marbles for the First Time
Endymion
Book I: A Thing of Beauty
Book I: [The “Pleasure Thermometer”]
Book IV: O Sorrow
In Drear-Nighted December
On Sitting Down to Read King Lear Once Again
When I Have Fears
To Homer
The Eve of St. Agnes
Bright Star
Why Did I Laugh Tonight?
La Belle Dame sans Merci
On the Sonnet
To Sleep
On Fame
Ode to Psyche
Ode on a Grecian Urn
Ode to a Nightingale
Ode on Melancholy
Lamia
To Autumn
This Living Hand
LETTERS
To Benjamin Bailey (Nov. 22, 1817) [The Authenticity of the Imagination]
To George and Thomas Keats (Dec. 21, 27(?), 1817) [Negative Capability]
To John Hamilton Reynolds (Feb. 3, 1818) [Wordsworth’s Poetry]
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To John Taylor (Feb. 27, 1818) [Keats’s Axioms in Poetry]
To John Hamilton Reynolds (May 3, 1818) [Milton, Wordsworth, and the Chambers of Human Life]
To Richard Woodhouse (Oct. 27, 1818) [A Poet Has No Identity]
To George and Georgiana Keats (Feb. 14–May 3, 1819)
[“The Vale of Soul-Making”]
To Percy Bysshe Shelley (Aug. 16, 1820) [“Load Every Rift with Ore”]
PERCY BYSSHE SHELLEY (1792–1822)
Mutability
Hymn to Intellectual Beauty
Ozymandias
Sonnet (“Lift not the painted veil which those who live”)
Stanzas Written in Dejection, Near Naples
Song to the Men of England
England in 1819
The Indian Serenade
Ode to the West Wind
Prometheus Unbound
The Cloud
To a Skylark
Hymn of Pan
To Night
Music, When Soft Voices Die
A Lament
When Passion’s Trance Is Overpast
Hellas
Worlds on Worlds
The World’s Great Age
Adonais
Lines: When the Lamp Is Shattered
A Dirge
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To Jane: The Invitation
To Jane: The Keen Stars Were Twinkling
A Defense of Poetry
ROMANTIC LYRIC POETS
SIR WALTER SCOTT (1771–1832)
Coronach
Jock of Hazeldean
Proud Maisie
ROBERT SOUTHEY (1774–1843)
My Days Among the Dead Are Passed
WALTER SAVAGE LANDOR (1775–1864)
Mother, I Cannot Mind My Wheel
Rose Aylmer
The Three Roses
On Seeing a Hair of Lucretia Borgia
Past Ruined Ilion
Dirce
Twenty Years Hence
On His Seventy-fifth Birthday
Well I Remember How You Smiled
THOMAS MOORE (1779–1852)
Believe Me, If All Those Endearing Young Charms
The Harp That Once Through Tara’s Halls
The Time I’ve Lost in Wooing
LEIGH HUNT (1784–1859)
The Fish, the Man, and the Spirit
Rondeau
THOMAS LOVE PEACOCK (1785–1866)
The War Song of Dinas Vawr
JOHN CLARE (1793–1864)
Mouse’s Nest
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I Am
Clock-a-clay
Little Trotty Wagtail
Song (“I peeled bits of straw and I got switches too”)
Secret Love
GEORGE DARLEY (1795–1846)
The Phoenix
Over Hills and Uplands High
The Mermaidens’ Vesper Hymn
THOMAS LOVELL BEDDOES (1803–1849)
Song (“How many times do I love thee, dear?”)
Song (“Old Adam, the carrion crow”)
The Phantom Wooer
Threnody
WILLIAM HAZLITT (1778–1830)
ROMANTIC ESSAYISTS
My First Acquaintance with Poets
On Shakespeare and Milton
The Fight
THOMAS DE QUINCEY (1785–1859)
On the Knocking at the Gate in Macbeth
On Murder Considered as One of the Fine Arts. Second Paper
The English Mail Coach
II. The Vision of Sudden Death
III. Dream-Fugue Founded on the Preceding Theme of Sudden Death
CHARLES LAMB (1775–1834)
Christ’s Hospital Five-and-Thirty Years Ago
New Year’s Eve
On the Artificial Comedy of the Last Century
Old China
TOPICS IN ROMANTIC LITERATURE
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THE SATANIC AND BYRONIC HERO
John Milton: [Satan]
ROMANTIC COMMENTS ON MILTON
’
S SATAN
William Blake
Percy Bysshe Shelley
Samuel Taylor Coleridge
THE EVOLUTION OF THE BYRONIC HERO
Ann Radcliffe: [The Italian Villain]
Lord Byron: Lara
THE ART OF ROMANTIC POETRY
COMMENTS ON THE POETIC PROCESS
William Blake
William Wordsworth
Samuel Taylor Coleridge
Lord Byron
Edward J. Trelawny: [Shelley on Composing]
Thomas Medwin: [Shelley’s Self-Hypercriticism]
Richard Woodhouse: [Keats on Composing]
POEMS IN PROCESS
:
MANUSCRIPTS AND EARLY VERSIONS
William Blake: The Tiger
William Wordsworth: She Dwelt Among the Untrodden Ways
Samuel Taylor Coleridge: Dejection: An Ode
Lord Byron: Don Juan
Percy Bysshe Shelley: A Lament
John Keats: The Eve of St. Agnes
The Victorian Age (1832–1901)
THOMAS CARLYLE (1795–1881)
[Carlyle’s Portraits of His Contemporaries]
[American Visitors: Daniel Webster at 57]
[American Visitors: Ralph Waldo Emerson at 30]
[American Visitors: Emerson at 44]
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[American Visitors: Bronson Alcott at 42]
[Royalty: King William IV at 69]
[Royalty: Queen Victoria at 18]
[English Men of Letters: Charles Lamb at 56]
[English Men of Letters: Samuel Taylor Coleridge at 53]
[English Men of Letters: William Wordsworth in His Seventies]
[English Men of Letters: Alfred Tennyson at 34]
[English Men of Letters: William Makepeace Thackeray at 42]
Characteristics
Sartor Resartus
Chapter VII. The Everlasting No
Chapter IX. The Everlasting Yea
The French Revolution
September in Paris
Place de la Révolution
Cause and Effect
Past and Present
Democracy
Captains of Industry
ALFRED, LORD TENNYSON (1809–1892)
The Kraken
Mariana
Sonnet (“She took the dappled partridge flecked with blood”)
The Lady of Shalott
The Lotos-Eaters
You Ask Me, Why, Though Ill at Ease
Morte d’Arthur
The Epic
Morte d’Arthur
Ulysses
Tithonus
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Break, Break, Break
Locksley Hall
Move Eastward, Happy Earth
Lines (“Here often, when a child I lay reclined”)
The Eagle
THE PRINCESS
Sweet and Low
The Splendor Falls
Tears, Idle Tears
Ask Me No More
Now Sleeps the Crimson Petal
Come Down, O Maid
In Memoriam A. H. H.
The Charge of the Light Brigade
Maud
VIII (“She came to the village church”)
XVI (“Catch not my breath, O clamorous heart”)
XVIII (“I have led her home, my love, my only friend”)
In the Valley of Cauteretz
Idylls of the King
Dedication
In Love, If Love Be Love
Northern Farmer: New Style
Flower in the Crannied Wall
The Revenge
Rizpah
To Virgil
“Frater Ave atque Vale”
To E. FitzGerald
By an Evolutionist
June Bracken and Heather
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The Dawn
The Silent Voices
Crossing the Bar
ROBERT BROWNING (1812–1889)
Porphyria’s Lover
Soliloquy of the Spanish Cloister
My Last Duchess
The Lost Leader
How They Brought the Good News from Ghent to Aix
Home-Thoughts, from Abroad
Home-Thoughts, from the Sea
The Bishop Orders His Tomb at Saint Praxed’s Church
Meeting at Night
Parting at Morning
A Toccata of Galuppi’s
Memorabilia
Women and Roses
“Childe Roland to the Dark Tower Came”
Love Among the Ruins
Up at a Villa—Down in the City
Respectability
Fra Lippo Lippi
In a Year
The Last Ride Together
Andrea del Sarto
Two in the Campagna
A Grammarian’s Funeral
Confessions
Youth and Art
Caliban upon Setebos
Prospice
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Abt Vogler
Rabbi Ben Ezra
Apparent Failure
O Lyric Love
The Householder
To Edward FitzGerald
Epilogue to A solando
MATTHEW ARNOLD (1822–1888)
To a Friend
Shakespeare
The Forsaken Merman
Memorial Verses
Longing
Isolation. To Marguerite
To Marguerite—Continued
The Buried Life
Lines Written in Kensington Gardens
Philomela
Requiescat
The Scholar Gypsy
Thyrsis
Dover Beach
Palladium
The Better Part
Growing Old
The Last Word
The Function of Criticism at the Present Time
Maurice de Guérin
[A Definition of Poetry]
On the Study of Celtic Literature
[The Function of a Professor]
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Culture and Anarchy
Chapter I. Sweetness and Light
Chapter II. Doing As One Likes
Wordsworth
The Study of Poetry
Literature and Science
LYRIC AND NARRATIVE POETRY
ELIZABETH BARRETT BROWNING (1806–1861)
Sonnets from the Portuguese
22 (“When our two souls stand up erect and strong”)
43 (“How do I love thee? Let me count the ways.”)
EMILY BRONTË (1818–1848)
Remembrance
The Prisoner
No Coward Soul Is Mine
COVENTRY PATMORE (1823–1896)
The Angel in the House
The Spirit’s Epochs
The Kiss
The Unknown Eros
Magna Est Veritas
A Farewell
DANTE GABRIEL ROSSETTI (1828–1882)
The Blessed Damozel
My Sister’s Sleep
The Woodspurge
The House of Life
The Sonnet
4. Lovesight
19. Silent Noon
49. Willowwood—I
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63. Inclusiveness
71. The Choice—I
72. The Choice—II
73. The Choice—III
97. A Superscription
101. The One Hope
She Bound Her Green Sleeve
The Orchard-Pit
CHRISTINA ROSSETTI (1830–1894)
Song (“When I am dead, my dearest”)
After Death
A Birthday
Uphill
A Life’s Parallels
Sleeping at Last
GEORGE MEREDITH (1828–1909)
Modern Love
1 (“By this he knew she wept with waking eyes”)
2 (“It ended, and the morrow brought the task”)
3 (“This was the woman; what now of the man?”)
15 (“I think she sleeps: it must be sleep, when low”)
16 (“In our old shipwrecked days there was an hour”)
17 (“At dinner, she is hostess, I am host.”)
50 (“Thus piteously Love closed what he begat”)
Dirge in Woods
Lucifer in Starlight
WILLIAM MORRIS (1834–1896)
Christ Keep the Hollow Land
The Haystack in the Floods
I Know a Little Garden-Close
The Earthly Paradise
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An Apology
A Death Song
For the Bed at Kelmscott
EDWARD FITZGERALD (1809–1883)
The Rubáiyát of Omar Khayyám
ARTHUR HUGH CLOUGH (1819–1861)
Epi-strauss-ium
The Latest Decalogue
Say Not the Struggle Nought Availeth
Dipsychus
I Dreamt a Dream
“There Is No God,” the Wicked Saith
ALGERNON CHARLES SWINBURNE (1837–1909)
Atalanta in Calydon
When the Hounds of Spring
Before the Beginning of Years
The Triumph of Time
I Will Go Back to the Great Sweet Mother
Hymn to Proserpine
In Memory of Walter Savage Landor
The Garden of Proserpine
An Interlude
WILLIAM ERNEST HENLEY (1849–1903)
In Hospital
Waiting
Invictus
Madam Life’s a Piece in Bloom
FRANCIS THOMPSON (1859–1907)
The Hound of Heaven
The Kingdom of God
NONSENSE VERSE
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EDWARD LEAR (1812–1888)
How Pleasant to Know Mr. Lear
Limerick (“There was a young man in Iowa”)
The Jumblies
Cold Are the Crabs
LEWIS CARROLL (1832–1898)
Jabberwocky
[Humpty Dumpty’s Explication of Jabberwocky ]
The White Knight’s Song
The Walrus and the Carpenter
The Hunting of the Snark
The Baker’s Tale
Anagrammatic Sonnet
CRITICAL AND CONTROVERSIAL PROSE
JOHN HENRY CARDINAL NEWMAN (1801–1890)
The Idea of a University
Discourse V. Knowledge Its Own End
Discourse VII. Knowledge Viewed in Relation to Professional Skill
Apologia Pro Vita Sua
[Doubt and Faith]
Liberalism
JOHN STUART MILL (1806–1873)
Coleridge
On Liberty
Chapter III. Of Individuality As One of the Elements of Well-Being
Autobiography
Chapter V. A Crisis in My Mental History. One Stage Onward
JOHN RUSKIN (1819–1900)
Modern Painters
[“The Slave Ship”]
Of the Pathetic Fallacy
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The Stones of Venice
[The Savageness of Gothic Architecture]
THOMAS HENRY HUXLEY (1825–1895)
A Liberal Education
[A Game of Chess]
An Address on University Education
[The Function of a Professor]
Science and Culture
Agnosticism and Christianity
WALTER PATER (1839–1894)
The Renaissance
Preface
[“La Gioconda”]
Conclusion
Appreciations
Style
TOPICS IN VICTORIAN LITERATURE
EVOLUTION
Charles Darwin: The Descent of Man
[Natural Selection and Sexual Selection]
John Tyndall: The Belfast Address
[Darwin’s Method of Argument]
Leonard Huxley: The Life and Letters of Thomas Henry Huxley
[The Huxley-Wilberforce Debate at Oxford]
Sir Edmund Gosse: Father and Son
[The Dilemma of the Fundamentalist and Scientist]
INDUSTRIALISM: PROGRESS OR DECLINE?
Charles Dickens: Hard Times
[Coketown]
Charles Kingsley: Alton Locke
[A London Slum]
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Karl Marx and Friedrich Engels: The Communist Manifesto
[Bourgeois and Proletarians]
Thomas Babington Macaulay: A Review of Southey’s
Colloquies
[Evidence of Progress]
Herbert Spencer: Social Statics
[Progress Through Individual Enterprise]
Since 1890
THE NINETIES
OSCAR WILDE (1856–1900)
Impression du Matin
Hélas
E Tenebris
The Harlot’s House
The Critic as Artist
Preface to The Picture of Dorian Gray
ERNEST DOWSON (1867–1900)
[Cynara]
To One in Bedlam
LIONEL JOHNSON (1867–1902)
The Precept of Silence
Mystic and Cavalier
The Dark Angel
TRADITION AND EXPERIMENT IN POETRY
, 1870–1920
GERARD MANLEY HOPKINS (1844–1889)
God’s Grandeur
The Starlight Night
Spring
Pied Beauty
The Lantern Out of Doors
The Windhover
Binsey Poplars
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Duns Scotus’s Oxford
Felix Randal
Spring and Fall
[Carrion Comfort]
No Worst, There Is None
[Thou Art Indeed Just, Lord]
THOMAS HARDY (1840–1928)
Hap
Neutral Tones
I Look into My Glass
A Broken Appointment
Drummer Hodge
Lausanne
The Darkling Thrush
She Hears the Storm
Channel Firing
The Convergence of the Twain
Ah, Are You Digging on My Grave?
The Walk
During Wind and Rain
In Time of “The Breaking of Nations”
Snow in the Suburbs
A. E. HOUSMAN (1859–1936)
Loveliest of Trees
When I Was One-and-Twenty
Bredon Hill
The Lent Lily
On Wenlock Edge
Terence, This Is Stupid Stuff
The Chestnut Casts His Flambeaux
Could Man Be Drunk Forever
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1254
1256
1257
1257
1258
1258
1259
1260
1260
1261
1249
1250
1250
1251
1251
1252
1253
1253
1243
1243
1244
1245
1245
1246
1246
1249
1262
1262
1263
1265
1265

Epitaph on an Army of Mercenaries
RUDYARD KIPLING (1865–1936)
Danny Deever
Recessional
Edgehill Fight
D. H. LAWRENCE (1885–1930)
Bavarian Gentians
Snake
THE GEORGIANS
EDWARD THOMAS (1878–1917)
Tears
The Owl
Ambition
RUPERT BROOKE (1887–1915)
Heaven
The Soldier
WILFRED OWEN (1893–1918)
Anthem for Doomed Youth
Strange Meeting
ISAAC ROSENBERG (1890–1918)
Louse Hunting
WALTER DE LA MARE (1873–1956)
The Listeners
An Epitaph
All That’s Past
GEORGE BERNARD SHAW (1856–1950)
Preface to Plays Pleasant
Arms and the Man
WILLIAM BUTLER YEATS (1865–1939)
The Stolen Child
The Rose of the World
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1278
1278
1279
1280
1280
1281
1281
1282
1283
1284
1274
1274
1274
1275
1275
1276
1277
1277
1266
1266
1267
1268
1269
1270
1271
1271
1287
1289
1338
1342
1344

The Lake Isle of Innisfree
When You Are Old
The Man Who Dreamed of Faeryland
The Folly of Being Comforted
Adam’s Curse
The Old Men Admiring Themselves in the Water
No Second Troy
The Fascination of What’s Difficult
September 1913
To a Shade
The Cold Heaven
The Wild Swans at Coole
Easter 1916
On a Political Prisoner
The Second Coming
A Prayer for My Daughter
Sailing to Byzantium
Leda and the Swan
Among School Children
A Dialogue of Self and Soul
For Anne Gregory
Byzantium
Crazy Jane Talks with the Bishop
After Long Silence
Lapis Lazuli
Long-legged Fly
The Circus Animals’ Desertion
Under Ben Bulben
Reveries over Childhood and Youth
[The Yeats Family]
[An Irish Literature]
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1358
1359
1360
1362
1363
1364
1366
1366
1367
1368
1349
1350
1351
1351
1352
1354
1355
1356
1344
1345
1345
1346
1347
1348
1348
1348
1369
1370
1373
1373
1376

The Trembling of the Veil
[London and Pre-Raphaelitism]
[Oscar Wilde]
[The Handiwork of Art]
[The Origin of The Lake Isle of Innisfree ]
[The Rhymers’ Club]
JAMES JOYCE (1882–1941)
Araby
A Portrait of the Artist as a Young Man
[The Interview with the Director]
[The Walk on the Shore]
Ulysses
[Proteus]
[Lestrygonians]
Finnegans Wake
Anna Livia Plurabelle
T. S. ELIOT (1888–)
The Love Song of J. Alfred Prufrock
Landscapes
Rannoch, by Glencoe
Cape Ann
Sweeney Among the Nightingales
Whispers of Immortality
The Waste Land
Journey of the Magi
Marina
Four Quartets
Little Gidding
Tradition and the Individual Talent
The Metaphysical Poets
The Three Voices of Poetry
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1463
1467
1470
1470
1471
1471
1473
1474
1491
1492
1396
1396
1403
1409
1409
1426
1458
1458
1377
1377
1379
1380
1382
1383
1384
1390
1494
1494
1501
1508
1516

DIRECTIONS IN MODERN FICTION
JOSEPH CONRAD (1857–1924)
The Secret Sharer
KATHERINE MANSFIELD (1888–1923)
The Daughters of the Late Colonel
D. H. LAWRENCE (1885–1930)
The Rocking-Horse Winner
VIRGINIA WOOLF (1882–1941)
The Mark on the Wall
E. M. FORSTER (1879–)
The Road from Colonus
POETRY SINCE 1930
W. H. AUDEN (1907–)
This Lunar Beauty
Petition
Look, Stranger
In Father’s Footsteps
Spain 1937
Musée des Beaux Arts
As He Is
Lay Your Sleeping Head, My Love
Voltaire at Ferney
In Memory of W. B. Yeats
Their Lonely Betters
LOUIS M
AC
NEICE (1907–)
Sunday Morning
The Sunlight on the Garden
Bagpipe Music
DYLAN THOMAS (1914–1953)
The Force That Through the Green Fuse Drives the Flower
After the Funeral
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1619
1619
1622
1622
1624
1625
1626
1628
1628
1629
1598
1604
1606
1616
1616
1617
1618
1618
1529
1529
1531
1564
1565
1582
1584
1597
1629
1630
1631
1632
1633

In My Craft or Sullen Art
A Refusal to Mourn the Death, by Fire, of a Child in London
Poem in October
TOPIC IN LITERATURE SINCE
1890
THE CRITICAL REVOLT AGAINST ROMANTICISM AND IMPRESSIONISM
T. E. Hulme: Romanticism and Classicism
I. A. Richards: Practical Criticism
Part I. Introductory
F. R. Leavis: Revaluation
Chapter 6. Shelley
William Empson: Seven Types of Ambiguity
[Wordsworth]
SELECTED BIBLIOGRAPHIES
A NOTE ON LITERARY FORMS AND USAGE
INDEX
1652
1652
1658
1658
1661
1675
1685
1634
1635
1635
1638
1638
1642
1645
1645
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