The University of Jordan Faculty of Foreign Languages/ Department of the English Language and Literature Course Title: Short Story Course Code: 2201251 Intended Learning Outcomes: Upon the completion of this course, the students are expected to be able to: A. Knowledge and Understanding identify the major characteristics of the genre of short fiction, describe the main elements of a short story (plot, storyline, theme, characters, setting, narrative, atmosphere, etc), and recognize the different traditions, schools, and approaches to writing short fiction. B. C. D. Intellectual /Cognitive/ Analytical Skills develop the necessary analytical and critical thinking skills to examine the literary text, compare and contrast the works of different writers, explain how a certain narrative technique fits a certain theme or topic critique ideas and theories, and produce coherent, meaningful, and logically constructed essays. Subject Specific Skills be able to analyze the role of a literary text in representing and exploring social and cultural changes and discuss the characteristics of each of the following movements and trends: Realism, Naturalism, Modernism and Post-modernism. Transferable Skills develop the skill to argue, both orally and in writing, effectively. adopt life-long reading habits, apply critical thinking skills in real-life situations, and employ knowledge about the different cultures that the texts talk about in interaction with others in an increasingly multi-cultural world. Textbook: Material compiled from different anthologies Web Companions: Norton Literature Online: http://www.wwnorton.com/college/english/literature/OpenSite.htm 1 References from the E-library: Fallon, Erin C., R. A. Feddersen, and James Kurtzleben. Reader's Companion to the Short Story in English. Greenwood Publishing Group, Incorporated: 2000. Koch, Stephen. Modern Library Writer's Workshop: A Guide to the Craft of Fiction. Random House Adult Trade Publishing Group: 2003. Limon, John. Writing after War: American War Fiction from Realism to Postmodernism. Oxford University Press, Incorporated: 1994. Roche, Mark W. Why Literature Matters in the 21st Century. Yale University Press: 2004. Rossen, Janice. Women Writing Modern Fiction: A Passion for Ideas. Palgrave Macmillan: 2004. Course Plan: Week 1: Elements of Fiction Week 2: Edgar Allen Poe's "The Fall of the House of Usher" Week 3: Guy De Maupassant's "The Jewelry" Anton Chekhov's "The Bet" Week 4: Thomas Hardy's "The Winters and the Palmleys" Week 5: Ernest Hemingway's "In Another Country" Ernest Hemingway's "Cat in the Rain" Week 6: D. H. Lawrence's "The Horse Dealer's Daughter" Week 7: The Midterm Exam Week 7: Gabriel Garcia Marquez "A Very Old Man with Enormous Wings" Week 8: William Faulkner's "A Rose for Emily" John Collier's "The Chaser" Week 9: Katherine Mansfield's "The Garden Party" 2 Week 10: Toni Cade Bambara's "Gorilla, My Love" Week 11: Emily Nasrallah's "A House Not Her Own" Jamiaca Kincaid's "Girl" Week 12: Alifa Riffat's "Another Evening at the Club" Tobias Wolff's "Say Yes" Week 13: Bharati Mukherjee's "The Management of Grief" Week 14: Anjana Appachana's "To Rise Above" Ann Beattie's "Janus" Week 15: Houshang Moradi-Kermani's "The Vice Principal" [Students read this story on their own] Evaluation: Midterm exam: Course Work: Final: 30% 20% 50% 3