ENGL 801 Genre: Redefining Realism: Johnson, “Rambler No. 4” and Woolf, “Modern Fiction” Announcements Course Descriptions for Spring 2006 now available in the main office; available from the web later today. Contribute to this week’s Bulletin Board conversation For Wednesday o Redefining Realism and Poetic Prose: Woolf, “Kew Gardens” [CP] o As you read, consider… To what extent does “Kew Gardens” put into practice Woolf’s theories of fiction from “Modern Fiction”? In what ways does “Kew Gardens” cross genres towards the poetic or lyrical? Questions or concerns? Today Reminders about M.L.A. Assignment for Friday Redefining Realism: Johnson, “Rambler No. 4”; Woolf, “Modern Fiction” [CP] Reminders about M.L.A.: Please consult… o Sections 5.7.1, 5.7.2, and 5.7.3 if you are citing an article from a journal o Section 5.9.1 if you accessed that article from a full-text database o Section 5.6.1 for assistance with format for City of Publication and Publisher’s name. Assignment for Friday Abstract of a scholarly article and paragraph response Redefining Realism Realism o A term used “designate a recurrent mode, in various eras and literary forms, of representing human life and experience in literature” (Abrams 174) o Often paired with Aristotle’s idea of mimesis (Greek for “imitation”), that art imitates life – though across the centuries there’s been much debate about the nature of that mimetic relationship between life and art o Often used to discuss the novel o Also designates a nineteenth-century literary movement in France (Balzac), England (George Eliot), and America (William Dean Howells) Samuel Johnson, “Rambler No. 4 [On Fiction]” (1750) Virginia Woolf, “Modern Fiction” (1925) In groups of three, consider… o What constitutes “realistic” fiction for Johnson and for Woolf? What qualities should it have? o Any similarities in their respective views, or only differences? What’s at stake in identifying a text as “realistic,” either as an author or a reader?