PART THREE
1.
2.
3.
Another name for the popular or common
music language of a culture is __________.
4.
One of the most famous Pop artists known
for his serial paintings was __________.
a. chromatic
a. George Segal
b. staccato
b. Andy Warhol
c. vernacular
c. Jasper Johns
d. secular
d. Mark Rothko
[c]
[b]
The author who wrote stories of his youth
along the Mississippi River was
__________.
5.
The cut-and-paste technique that combines
objects of varying content and material to
form a work of art is called __________.
a. Walt Whitman
a. decoupage
b. Mark Twain
b. sculpture
c. Bret Harte
c. collage
d. Jack Kerouac
d. painting
[b]
[c]
The new art genre of the 1960s that
presented soup cans, Coke bottles, comic
strips and movie stars in glorified detail was
called __________.
a. Pop Art
b. Fauvism
c. Cubism
d. Minimalism
[a]
6.
Popular music developed characteristic
American traits __________ composers of
art music achieved them.
a. sooner than
b. only after
[a]
CHAPTER 7
1.
James Reese Europe composed some of the
most popular __________ early in the
twentieth century.
6.
a. fugue
a. concert band pieces
b. art song
b. rags
c. theme and variations
c. polkas
d. march
d. fox trots
[d]
2.
[d]
7.
The Ragtime King was __________.
b. white traditions only
b. Patrick Gilmore
c. both white and black traditions
c. Scott Joplin
[c]
8.
[c]
3.
b. dance
a. ragtime pianist
c. song
b. composer of marches
d. form
c. composer of Civil War songs
[a]
4.
Each melodic section in a march or rag is
called a __________.
a. trio
b. break
c. strain
d. finale
[c]
5.
The strain in a march or rag that is softer and
more melodic than the other strains is called
the __________.
a. countermelody
The cakewalk is a dramatic __________.
a. march
Eubie Blake was a famous __________.
d. song plugger
The roots of ragtime lie in __________.
a. black traditions only
a. Eubie Blake
d. John Philip Sousa
The form of a rag is similar to that of a(n)
__________.
[b]
9.
The cakewalk rhythm that became a cliché
of ragtime was __________.
a. short-short-long
b. long-long-short
c. short-long-short
d. long-short-long
[c]
10. In ragtime, __________.
a. the player’s left and right hands both mark
the beat
b. the left hand marks the beat and the right
hand plays the melody
b. break
c. the right hand marks the beat and the left
hand plays the melody
c. finale
d. both hands play melody lines
d. trio
[b]
[d]
11. In tonal music, tones that do not belong in
the scale on which the piece is based are
called __________.
a. vernacular
b. diatonic
c. chromatic
d. staccato
[c]
12. To rag a melody is to __________.
a. vary the tune
b. syncopate the rhythm
c. enrich the accompanying harmony
d. play it on the piano
[b]
13. Tin Pan Alley refers to the __________
industry.
a. concert management
b. musical instrument
16. The story of a Tin Pan Alley song was told
in the __________ of the song.
a. chorus
b. verses
[b]
17. To modulate is to change __________.
a. words
b. instrumentation
c. tempo
d. key
[d]
18. Ragtime was the first syncopated music in
the history of Western music.
a. true
b. false
[b]
19. Scott Joplin insisted that rags should be
played as written rather than improvised.
c. popular music
a. true
d. ragtime recording
b. false
[c]
[a]
14. Song pluggers were employed by music
stores to __________ popular songs.
a. orchestrate
b. compose
c. record
d. demonstrate
[d]
15. Which one of the following did not
significantly affect the popularity of a song
in the 1920s?
a. piano rolls
b. recordings
c. radio
d. theater performances
[c]
20. The perforated sheets on which pianists
recorded their performances to be
reproduced on a player piano were called
__________.
a. recordings
b. piano scores
c. piano rolls
[c]
21. One performs on a player piano by
__________.
a. pumping pedals
b. playing on the keyboard
[a]
22. “White Christmas,” “Easter Parade,” and
“God Bless America” were songs written by
__________.
23. Which composer is known for having
written sophisticated, chromatic tunes, many
of which are quite difficult to sing?
a. Cole Porter
a. Cole Porter
b. George Gershwin
b. Irving Berlin
c. Irving Berlin
[a]
[c]
CHAPTER 8
1.
A repeated or constant pitch is called a
__________.
6.
a. tone
a. zydeco
b. drone
b. honky-tonk
c. yodel
c. bluegrass
d. reprise
d. western swing
[b]
2.
The early country musicians sang in a(n)
__________ manner.
[b]
7.
a. detached, impersonal
b. emotional, sentimental
b. guitar and autoharp
In the late 1920s, the term hillbilly was
applied to __________.
c. autoharp and mandolin
d. mandolin and dulcimer
a. only instrumental country music
[b]
b. only vocal country music
d. all country folk music
__________ was an early country singer
with a natural yodel that was later imitated
by many country singers.
[d]
a. Gene Autry
Jimmie Rodgers often accompanied himself
on the __________.
b. Eddy Arnold
c. only secular country music
4.
8.
c. Jimmie Rodgers
a. mandolin
d. Hank Williams
b. piano
c. guitar
5.
In the 1920s, The Carter Family
accompanied themselves on the
__________.
a. piano and guitar
[a]
3.
The style of country music in which the
lyrics often deal with the harsh facts of life
is __________.
[c]
d. dulcimer
Cajun music evolved in a remote area of
__________.
[c]
a. Louisiana
A simple folk instrument on which the
strings are plucked or strummed with one
hand while buttons are depressed to form
chords with the other is called a(n)
__________.
b. Texas
a. mandolin
b. dulcimer
9.
c. Tennessee
d. Virginia
[a]
10. The Cajun instrument called a concertina is
a small __________.
c. jew’s harp
a. guitar
d. autoharp
b. harmonica
[d]
c. accordion
d. autoharp
[c]
11. Which one of the following instruments is
not normally included in a zydeco band?
16. Bluegrass is primarily a(n) __________
music.
a. tambourine
a. instrumental
b. washboard
b. dance
c. accordion
c. vocal
d. guitar
d. religious
[d]
[a]
12. Western swing was a dance-band style
developed in __________.
17. Acoustic instruments are those that are
__________.
a. Arizona
a. natural, unamplified
b. California
b. electric or amplified
c. Texas
[a]
d. New Mexico
[c]
13. Rockabilly used the rhythms and
instrumentation of __________.
18. Bill Monroe is primarily associated with
__________ music.
a. honky-tonk
b. western swing
a. rock and roll
c. bluegrass
b. country music
d. rockabilly
c. commercial pop
[c]
d. the Nashville sound
[a]
14. Honky-tonk is best described as a
__________ style of country music.
19. Which one of the following singers did not
sing cowboy songs?
a. Tex Ritter
b. Gene Autry
a. dance
c. Chet Atkins
b. concert
d. Roy Rogers
c. mountain
[c]
d. vocal
[d]
15. Which one of the following country singers
was known as the “singing brakeman”?
20. Gene Autry’s best-known songs today come
from the __________ repertoire.
a. country-western
b. cowboy
a. Gene Autry
c. Nashville
b. Eddy Arnold
d. Christmas
c. Pete Seeger
[d]
d. Jimmie Rodgers
[d]
21. Which style of country music began as a
response to rock and roll?
24. Protest was not a traditional characteristic of
country music.
a. bluegrass
a. true
b. the Nashville sound
b. false
c. honky-tonk
[a]
d. western swing
[b]
22. The jazz influence was particularly strong in
which of the following country-western
styles?
a. Cajun
b. rockabilly
25. Women soloists were not significantly
involved in the early days of country music.
a. true
b. false
[a]
26. Social commentary was often included in
the lyrics of country songs.
c. western swing
a. true
d. zydeco
b. false
[c]
[a]
23. Which one of the following country
musicians was also an outstanding folk
poet?
a. Joan Baez
b. Chet Atkins
c. Woody Guthrie
d. Hank Williams
[c]
CHAPTER 9
1.
Which one of the following was not
characteristic of the early twentieth-century
dance band music?
6.
a. half-spoken, half-sung nonsense syllables
b. improvising an instrumental break
a. fast tempos
c. dancing to New Orleans style jazz
b. lush string timbres
d. playing a solo instrumental passage
c. syncopated rhythms
[a]
d. passages for solo instruments
[b]
2.
7.
The musician who was concerned with
making jazz respectable to the public was
__________.
b. men
[a]
8.
c. Paul Whiteman
d. W. C. Handy
b. three-line
The blues began as a black American
__________ folk music.
c. four-line
d. five-line
a. instrumental
[c]
b. vocal
[b]
4.
The classical blues verse includes
__________ lines of text.
a. two
b. three
c. four
d. five
[b]
5.
The basic harmonic pattern of the blues
includes only the __________ chords.
a. tonic and dominant
b. dominant and subdominant
c. tonic, dominant, and subdominant
d. tonic and subdominant
[c]
Urban blues often included at least some
stanzas in the traditional __________ form
of popular music.
a. two-line
[c]
3.
The outstanding singers of commercial or
classic blues were __________.
a. women
a. Louis Armstrong
b. Joe “King” Oliver
Scatting means __________.
9.
The self-styled “father of the blues” was
__________.
a. Scott Joplin
b. Louis Armstrong
c. W. C. Handy
d. George Gershwin
[c]
10. The piano music derived from the blues is
called __________.
a. bebop
b. New Orleans style jazz
c. Dixieland
d. boogie-woogie
[d]
11. Jelly Roll Morton was a great __________.
a. Dixieland bandleader
b. jazz pianist
c. composer of symphonic jazz
d. blues singer
[b]
12. A combo is a(n) __________.
a. chamber ensemble
b. early jazz style
c. small jazz style
d. percussion instrument
[c]
13. New Orleans jazz musicians improvised
upon a __________ tune.
a. classical
b. given
c. new
d. difficult
[b]
14. By the 1920s, most important jazz musicians
had moved to __________.
a. New York
b. New Orleans
c. St. Louis
d. Chicago
[d]
15. Louis Armstrong was a virtuoso performer
on the __________.
a. saxophone
b. trumpet
c. piano
d. double bass
[b]
16. Dixieland jazz is most closely related to
__________.
a. the blues
b. symphonic jazz
c. boogie-woogie
d. New Orleans style jazz
[d]
17. Paul Whiteman was most closely associated
with which of the following?
a. blues and boogie-woogie
b. New Orleans and Dixieland jazz
c. sweet jazz and symphonic jazz
d. sweet jazz and Dixieland
[c]
18. Rhapsody in Blue was composed by
__________.
a. Paul Whiteman
b. W. C. Handy
c. Ferde Grofé
d. George Gershwin
[d]
19. Which one of the following is not present in
Rhapsody in Blue?
a. improvisation
b. thematic transformation
c. symphonic development
d. piano cadenzas
[a]
20. Eight-to-the-bar refers to the ostinato that
accompanies __________.
a. sweet jazz
b. twelve-bar blues
c. boogie-woogie
d. Dixieland jazz
[c]
21. Jazz is derived entirely from African forms
and performance practices.
25. The term glissando refers to vocal or
instrumental __________.
a. true
a. improvisations
b. false
b. slides
[b]
c. melodies
22. Sweet jazz is a highly improvised style of
music.
a. true
[b]
26. Bessie Smith is perhaps the most famous of
all __________ blues singers.
b. false
a. country
[b]
b. classic
23. Jazz reached a peak of popularity in the
__________.
a. 1920s
[b]
27. Dixieland began an imitation by white
musicians of __________.
b. 1930s
a. Chicago style jazz
c. 1940s
b. New Orleans style jazz
d. 1950s
c. boogie-woogie
[b]
[b]
24. The pitch of blue notes is best described as
__________.
28. Stride piano differs from ragtime by
including __________.
a. always higher than usual
a. improvisation
b. always lower than usual
b. harmony
c. variable
c. virtuosity
[c]
[a]
CHAPTER 10
1.
People traveled to Harlem in New York to
hear jazz musicians improvise together, or
__________.
6.
a. trumpeter
a. swing
b. saxophonist
b. bebop
c. pianist
c. jam
d. singer
d. reed
[c]
2.
3.
The complex, dissonant, virtuosic style of
jazz introduced in the 1940s was called
__________.
a. even
a. blues
b. uneven
b. bebop
[b]
c. boogie-woogie
In the thirties, the music of the big bands
was called __________.
d. big band
7.
[b]
b. bebop
Which one of the following is not
characteristic of bebop?
c. Dixieland
a. improvisation
d. rubato
b. virtuosity
[a]
c. mostly written arrangements
Instruments called reeds belong to the
__________ family of instruments.
d. close interaction between soloist and
combo
a. string
[c]
b. brass
c. woodwind
d. percussion
[c]
5.
[c]
Swing eighths are eighth notes performed in
__________ rhythm.
a. swing
4.
Count Basie was an outstanding jazz
__________.
Count Bassie is most closely associated with
__________.
a. big band music
b. bebop
c. New Orleans style jazz
d. Dixieland
[a]
8.
9.
Charlie Parker was an amazing __________
virtuoso.
a. trumpet
b. saxophone
c. piano
d. double bass
[b]
10. A steadily moving accompanying pattern in
the plucked string bass, having melodic as
well as rhythmic significance, is called
__________.
a. a walking bass
b. eight-to-the-bar
c. an ostinato
d. a cadenza
[a]
11. Which one of the following is considered
the first modern jazz?
a. blues
b. bebop
15. The __________ in Dave Brubeck’s music
is (are) closely related to that of the Baroque
period.
a. harmony
b. polyphony
c. rhythms
d. meters
[b]
16. Which one of the following is not
characteristic of cool jazz?
a. larger band than bebop combo
b. extremely hot rhythms
c. boogie-woogie
c. symphonic instruments included in the
bands
d. big band
d. occasional Impressionistic harmonies
[b]
[b]
12. The jazz composer known for the unusual
meters in his music is __________.
a. Darius Milhaud
b. John Lewis
c. Dave Brubeck
d. Stan Kenton
[c]
13. Which one of the following does not apply
to Duke Ellington?
a. jazz composer
b. jazz arranger
c. jazz singer
d. jazz pianist
[c]
14. The term progressive jazz was introduced by
__________.
a. Woody Herman
b. Duke Ellington
c. Dave Brubeck
d. Stan Kenton
[d]
17. Which one of the following styles does not
involve the blending of some characteristics
of jazz and symphonic music?
a. cool jazz
b. Dixieland jazz
c. progressive jazz
d. symphonic jazz
[b]
18. Miles Davis was associated with many
styles of jazz, including cool.
a. true
b. false
[a]
CHAPTER 11
1.
The relationship between jazz composition
and improvisation were more thoroughly
explored by __________ than by any other
musician.
5.
a. Anthony Davis
a. Darius Milhaud
b. Gunther Schuller
b. John Coltrane
c. George Gershwin
c. Charles Mingus
d. John Lewis
d. Ornette Coleman
[c]
2.
[c]
6.
What style of jazz has no familiar chord
changes, no references to popular songs or
blues, and no steady beat?
b. Gunther Schuller
c. George Gershwin
b. bebop
d. John Lewis
c. cool jazz
[d]
d. third stream
3.
7.
Third stream involves the interaction of
__________.
b. Gunther Schuller
c. John Coltrane
b. jazz and country music
d. John Lewis
c. jazz and religious music
[b]
d. jazz and classical music
4.
On his 1960 album Free Jazz, __________
introduced the style of free jazz.
a. Miles Davis
b. Ornette Coleman
c. John Coltrane
d. John Lewis
[b]
The term third stream was introduced by
__________.
a. Anthony Davis
a. jazz and rock
[d]
The founder of the Modern Jazz Quartet is
__________.
a. Anthony Davis
a. free jazz
[a]
Which one of the following composers has
not produced some compositions of third
stream music?
8.
A concerto grosso is a multi-movement form
for __________.
a. orchestra and small group of soloists
b. orchestra and one soloist
c. orchestra only
d. small group of soloists only
[a]
9.
__________ combines rock rhythms and
electronic instruments with collective
improvisation, extreme ranges in volume,
and rapid shifts in meter, tempo, and mood.
a. bebop
b. third stream
c. fusion
d. cool jazz
[c]
10. A crossover musician is one who
__________.
a. has abandoned classical music for jazz
b. has abandoned jazz for classical music
c. has abandoned both jazz and classical
music
d. appeals to more than one kind of audience
[d]
CHAPTER 12
1.
The first Latin rhythm to affect American
pop was the __________.
a. rumba
b. chachacha
c. tango
2.
guiro __________ [a]
9.
maracas __________ [b]
10. Xavier Cugat entertained __________
ballroom crowds.
The habanera is an early __________ dance.
b. downtown
a. Cuban
[b]
11. The beguine is a __________.
c. Argentinian
a. musical instrument
[a]
b. dance
The tango came from __________.
c. song form
a. Argentina
[b]
12. Cu-bop merges bebop with __________.
c. Brazil
a. Mexican dances
[a]
b. salsa
Santeria is a religion rooted in __________
practices.
c. Latin rhythms
a. Cuban
b. African
5.
8.
a. uptown
b. Cuba
4.
claves __________ [c]
[c]
b. Brazilian
3.
7.
[c]
13. The chachacha is a slower, simpler form of
the __________.
c. Caribbean
a. mambo
[b]
b. tango
The bomba is a __________ dance.
c. rumba
a. couple
[a]
b. line
c. solo
[a]
14. Salsa remains closer to __________ music
than to any other style.
a. Brazilian
b. Mexican
Choose the correct description from the
following options for the musical
instruments named in Nos. 6-9:
a. a notched gourd
b. pairs of gourds filled with a rattling
element
c. cylindrical sticks
d. pairs of drums
6.
bongos __________ [d]
c. Cuban
[c]
15. Bob Marley was a famous performer of
__________.
a. salsa
b. cu-bop
c. reggae
[c]
16. Reggae is roughly related to __________.
a. country-western
b. rhythm and blues
c. jazz
[b]
17. The technique called toasting or dubbing
was developed by __________ disc jockeys.
a. Cuban
b. Jamaican
c. Brazilian
[b]
18. Rapid patter-talking of Jamaican disc
jockeys influenced the development of
__________.
21. The song “Girl from Ipanema” features the
__________ rhythm.
a. tango
b. chachacha
c. bossa nova
[c]
22. The conjunto is the accompanying ensemble
for __________ music.
a. mariachi
b. southwestern
c. norteno
[c]
23. Mariachi represent an important
__________ folk music.
a. cu-bop
a. Mexican
b. salsa
b. Cuban
c. reggae
c. Brazilian
[c]
[a]
19. A Latin popular music having strong
religious connotations is __________.
24. An accordion dominates the sound of
__________ music.
a. salsa
a. mariachi
b. reggae
b. conjunto
c. cu-bop
[b]
[b]
20. The samba is sometimes called the national
dance of __________.
a. Brazil
b. Mexico
c. Jamaica
[a]
25. Mariachi music is typically __________.
a. joyous
b. melancholy
[a]
CHAPTER 13
1.
The generation gap first became apparent
__________.
6.
a. after World War I
b. after World War II
a. Dick Clark
c. during the Great Depression
b. Joe Turner
d. during the 1960s
c. Bill Haley
[b]
2.
Rhythm and blues was the term substituted
by the popular music industry for
__________.
d. Alan Freed
[d]
7.
a. race records
c. rockabilly
b. young black rhythm and blues singers
d. gospel music
c. vocal groups such as the Ink Spots and the
Mills Brothers
[a]
4.
d. Elvis Presley and Bill Haley singing
rockabilly songs
In the 1950s, rhythm and blues ensembles
were more likely to include all- __________
vocal groups.
a. male
[a]
b. female
8.
Bill Haley and Elvis Presley began their
careers as __________.
[a]
a. gospel singers
The music of the Mills Brothers and the Ink
Spots was closest in style to __________.
b. country-western singers
c. rhythm and blues singers
a. rhythm and blues
d. disc jockeys
b. country-western music
c. Tin Pan Alley music
d. jazz
[c]
5.
The popular “American Bandstand”
television program featured __________.
a. white teen idols singing rhythm and blues
songs
b. the blues
3.
The disc jockey who introduced rhythm and
blues hits to mainstream audiences and
coined the term “rock and roll” was
__________.
Rhythm and blues shared many
characteristics with __________.
[b]
9.
Young English fans of rock and roll
deplored the __________ that threatened to
render it obsolete.
a. hot rhythms
b. loud performances
a. jazz
c. flamboyant performance styles
b. country-western music
d. overcommercialization
c. gospel music
[d]
d. classical
[b]
10. The outstanding poet among the Beatles was
__________.
a. Paul McCartney
b. Lou Harrison
c. John Lennon
d. Ringo Starr
[c]
11. The Beatles’ instrumental music was of
__________ significance in their later days
as a performing group.
15. The popular English rock pianist and singer
Reginald Kenneth Dwight is better known as
__________.
a. Elton John
b. Mick Jagger
c. Berry Gordy
d. Keith Emerson
[a]
16. Which one of the following does not apply
to Berry Gordy, Jr.?
a. more
a. black
b. less
b. songwriter
[a]
c. rock pianist
12. The Beatles performed as a group for about
__________ years.
a. five
b. ten
d. founded Motown
[c]
17. Motown was conceived in order to make
__________ commercially successful.
c. fifteen
a. black music
d. twenty
b. rock and roll
[b]
c. English rock
13. The rock opera Tommy was written and
performed by the group known as
__________.
a. The Beatles
b. The Who
c. Rolling Stones
d. The Sex Pistols
[b]
14. In 1962, the Beatles shared a London
performance with the American
__________.
a. Elvis Presley
b. Joe Turner
c. Little Richard
d. Ed Sullivan
[c]
d. surf music
[a]
18. A saxophone was usually included in the
small ensembles of early soul music.
a. true
b. false
[a]
19. Joe Turner and Willie Mae Thornton were
outstanding __________ singers.
a. rock and roll
b. country-western
c. honky-tonk
d. rhythm and blues
[d]
20. The first international rock and roll hit was
__________.
25. Which one of the following was not an
important soul singer?
a. “Shake, Rattle and Roll”
a. Jimi Hendrix
b. “Blackboard Jungle”
b. Ray Charles
c. “Hound Dog”
c. James Brown
d. “Rock around the Clock”
d. Aretha Franklin
[d]
[a]
21. The slight wavering between tones used by
singers and instrumentalists to add warmth
and intensity to their tone is called
__________.
a. drone
b. ostinato
c. vibrato
d. obbligato
[c]
22. The Beach Boys became famous singing of
the challenges of __________.
a. civil rights
b. social unrest
c. the surf
d. the New Frontier
[c]
23. Which one of the following does not apply
to Chuck Berry?
a. a talented songwriter
b. had a gift for melodic improvisation
c. a great guitarist
d. had strong influence on Elvis Presley
[d]
24. Most early rock and roll songs were close in
form and harmony to the twelve-bar blues.
a. true
b. false
[a]
26. One of the first blacks to become technically
expert with studio recording technology was
__________.
a. Jimi Hendrix
b. Ray Charles
c. James Brown
d. Aretha Franklin
[b]
27. Which one of the following was not popular
in the early 1960s?
a. Elvis Presley
b. Motown recordings
c. acid rock
d. urban folk music
[c]
28. Which one of the following is not known for
his poetry as well as his music?
a. John Lennon
b. Bob Dylan
c. Woody Guthrie
d. Ray Charles
[d]
29. The city of __________ was to rock and roll
as Nashville was to country music.
a. Chicago
b. Detroit
c. New York
d. San Francisco
[b]
30. A doo-wop background vocal group was
part of the __________ sound.
a. surf music
b. soul
c. Motown
d. acid rock
[c]
31. The English rock star who attracted as much
attention with his outlandish clothes and
spectacles as with his songs was
__________.
a. Keith Emerson
b. Mick Jagger
c. Berry Gordy, Jr.
d. Elton John
[d]
32. The Beatles’ early songs were violent and
rebellious in style.
a. true
b. false
[b]
33. Acid rock began in __________.
a. New York
b. Detroit
c. Chicago
d. San Francisco
[d]
34. Dramatic light shows, smoke and fog
machines, and extreme amplification are
most typical of __________.
a. acid rock
b. folk rock
c. punk
d. art rock
[a]
35. Psychedelic rock is another name for
__________.
a. acid rock
b. folk rock
c. punk
d. art rock
[a]
CHAPTER 14
1.
Genesis, King Crimson, Pink Floyd, and
Yes are among the English groups that have
explored __________.
6.
a. New York
b. San Francisco
a. jazz rock
c. Detroit
b. folk rock
d. England
c. acid rock
[d]
d. art rock
[d]
2.
7.
The Rolling Stones are led by __________.
b. country
b. Bo Diddley
c. rock
c. Mick Jagger
d. crossover
d. Elton John
3.
[c]
8.
The music of the Rolling Stones was the
closest in style to that of __________.
a. the Beatles
b. funk
c. Elvis Presley
c. reggae
d. rhythm and blues
d. heavy metal
[d]
__________ groups emulated the fashions
but not the violence or anger of punk.
a. Folk rock
b. Acid rock
c. New Wave
d. Art rock
[c]
5.
Probably the most successful rock star of the
late 1970s was __________, also known as
“The Boss.”
The rock style having interracial
connotations that formed a kind of bridge
between black and white musicians was
__________.
a. punk
b. The Beach Boys
4.
The players in the group Chicago are
basically __________ musicians.
a. jazz
a. Ringo Starr
[c]
Punk began in __________.
[b]
9.
Earth, Wind and Fire, Kool and the Gang,
and the Commodores are associated with
__________.
a. reggae
b. disco
c. new wave
d. funk
[d]
10. Disco was a commercial __________ music.
a. Elton John
a. dance
b. Bruce Springsteen
b. concert
c. Mick Jagger
c. band
d. Paul McCartney
d. folk
[b]
[a]
11. Grunge is also referred to as the
__________ sound.
a. San Francisco
b. Chicago
c. Seattle
[c]
12. Rapid spoken words accompanied by funkstyle rhythms is characteristic of
__________.
a. grunge
b. rap
c. reggae
d. funk
[b]