Transcript Ryan-final1.mp3 28/10/2011 Transcribed by uktranscription.com UK Transcription Ltd - 5 St George’s Place, Brighton, BN1 4GA - 01273 256578 www.uktranscription.com Duration: 0:30:03 START AUDIO Respondent: Let’s go. Interviewer: Let’s go, we’re all right. Okay so thinking back over the module, was it the journalism? Was it the journalism one? Respondent: Yep. Interviewer: Erm, that we were talking about. If you think back over that module, erm and how you’ve been working with it in the last year or two. Respondent: Uh huh. Respondent: Did you change anything? Either the materials or techniques or approach that you used in that module over that time? Respondent: Erm, yeah one of the things that I … one of the things the external examiner said actually, in something that I was discussing, was that 2 we decided that it would be nice to have a journal to sit alongside what they were originally doing practically. Respondent: Right. Respondent: So that they could evidence their journey from where they start and where they end. As well as applying the practical skills together. Erm, and the other thing that I implemented, which is something that I want to do, was peer assessment. So we implemented a new peer assessment process as well. Because I’m always conscious that in getting a degree is an individual attainment. But the reality is you must, you’ve got to engage in group work and stuff. Interviewer: [?? 0:01:08] Respondent: A requirement of very day life. So it was important for me that students had the confidence, that whatever they did in their group, they had a say in how that was formed individually. And that seemed to go down very well. Interviewer: So what sort of thing did you do with them there? 3 Respondent: So I’d … I did some work a couple of years ago on group working and media assessment practice. Which is actually a project borne out of Bournemouth University. And when we had, in those discussions, we were deciding on a scale. And we actually have a process whereby if there’s five students in the group, you basically peer assess four students. And then when you assess, peer assess, those four students the total must add up to zero, on a scale of -15 or +15. Interviewer: Right. Respondent: The idea being, if, let’s say person (a) did significantly more than person (c), you might give person (a) +10. Person (b) might get zero, and then maybe person (c) and person (d) get -5 each. Interviewer: Right. Respondent: So that means the total equals zero. The reason we do that, is because if for instance you give the project a mark of 60, they can’t inflate their own grade. Interviewer: Umm. 4 Respondent: So, and then what happens is you average out what each person gets from the peer scores from the other four people. Interviewer: Right, and then that’s a, that’s a waiting that you need to give. Respondent: So if they get plus … yeah, you know if they get +5, they get five extra marks above anybody else. Interviewer: Right. Respondent: If they get -5, you get five less marks. Interviewer: Right okay, right okay. And the students, you found the students err responded well to that? Respondent: Yeah it was interesting, ‘cause they were actually being peer assessed in another module as well. And as the basis of the fact they liked the one they did with me, they now, they’ve asked the tutor to implement the one that I use. So that’s what they’re doing. Interviewer: Right. 5 Respondent: So that peer assessment now is being used on that course, not just on my module. Interviewer: Okay. And that change was something that you just decided to bring … was that based on anything? Respondent: No it was based on … Interviewer: Just based on feedback or on …? Respondent: It was based, I did … when I first arrived here, a few years ago, I did some work on annalistic assessments. And peer assessment formed a big part of that. And then I went to what’s called the [G-Ramp 0:03:19] conference, which was group working and media practice assessment conference in Bournemouth. And that’s where we were discussing the types and styles. And then over the years, I worked with a couple of people at Bournemouth. And we developed this one that we all felt worked really well. Interviewer: Right, okay. So you were trying, trying it out on this course that you …? 6 Respondent: Well I’ve used it before actually, but not on such a big group. I’d always used it on masters level work. Interviewer: Right, okay, Respondent: Where, you know, individuality of attainment is incredibly important. Interviewer: Umm. Respondent: And I thought, “Well it should apply here” and it did. Interviewer: Excellent, okay. And the other change that you mentioned, that the external examiners? Respondent: Yeah the journal. Interviewer: Right. Respondent: I’m always conscious of, some people seem to put written work in modules for the sake of it. And so I wanted to find a way of … one of them things that I’m interested in, in the area that I work, which is broadcast media, is they just don’t … they don’t just understand the process. 7 But they understand the technologies that underpin that. And their technical development journey, as it is. ‘Cause they’re journalist students, but I’m not teaching them journalism. Interviewer: Umm. Respondent: They’re pulling in those skills from somewhere else. I’m teaching them broadcast technologies. And it’s very difficult if they’re just doing a product, i.e. they’re filming a new scene and outputting it. Whether they really understand the technical processes, or whether they’ve just been lucky … Interviewer: Umm. Respondent: And got it right. Or unlucky, and they haven’t got it right. And so what I wanted to do was try and find a way that they could be able to tell me what their journey has been like. Interviewer: Right. 8 Respondent: So the way they record it, the way that they capture the content. The way they edit it, what process they used and then the way they output it as well. So I was trying to get them to think, you know, what video code actually using? What resolution? So all the technical things that they need to know, if they’re going to become video journalists. Interviewer: Umm. Respondent: And the journal was a good way of doing that, without having to get them to write some kind of 2,000 word report at the end. Interviewer: Right, okay. So it was a recording on, as they went along? Respondent: Yeah, their process, their technical processes. Interviewer: Umm okay. And did you have anything, any changes that weren’t … and they sound like plan changes. Did you have any changes that were kind of, almost either forced upon you? Or unanticipated that you had to, where you were responding to something that had happened? Respondent: I think erm there’s always, when you’re doing production based work, there’s always those needs to adapt your own approach. 9 The students are predominately journalist based. And it depends on which cohorts. Some have a very advanced technical experience, some don’t have any. And so you’re always adapting your approach, dependent on which cohorts students. So even though they were the same year, it was actually two cohorts. And one cohort was a lot more technically able than another cohort. Interviewer: Oh right. Respondent: For some strange reason, if you collect them like that. And so I tended to work a bit slower with those that needed more technical understanding. But also make them aware that were resources outside, that they would work with to help build their technical understanding. So I think just generally, on a day-to-day basis, you tend to adapt. Interviewer: Umm. Respondent: The way you approach things. Anyway … Interviewer: Okay. 10 Respondent: And then you always get the issues around group work that … Interviewer: Umm. Respondent: You try and get, I try and get the group to resolve those wherever possible. And what I tried to do, I realised that managing groups is difficult for students. So I tried to give them a tangible production role, so that they could explore the, the context that they were working. Interviewer: Umm. Respondent: So if they were the director, what would their role be? Interviewer: Uh huh. Respondent: Not necessarily a line manager, but a creative manager. And then the production role, the producer, might manage stuff. And so they did take those roles up quite nicely. Erm and … Interviewer: Right, and is that something you hadn’t done before? 11 Respondent: Yeah I’ve not … Interviewer: Or is that something you did? Respondent: I have indentified roles that they should undertake. As in the actual event of the broadcast, “This is your role”. Interviewer: Umm. Respondent: But what I try to do is take ownership of that role from the beginning of the journey. Interviewer: Right, right, okay. And that worked well do you think? Respondent: I think it gave them a much stronger sense of erm ownership of, “Oh this is my role, this is my job. And this is my responsibility”. Interviewer: Right. 12 Respondent: So it became … like for instance, a production manager’s usually responsible for liaising with everybody. To make sure they all meet up on time, and so on. Interviewer: Uh huh. Respondent: And that gave that person a real task. And it’s a task that the group needed, ‘cause normally they’d be like communicating over Facebook to try and meet up and … Interviewer: Umm. Respondent: So I think it did work really well. Interviewer: Right, good. Do you feel that generally the changes that you’ve made have been positive, beneficial changes? Respondent: Oh yeah, I don’t think there’s any that I’ve put in this year that I would take out, so … Interviewer: Right, okay so … Respondent: Generally, I think, yeah they’ve been very positive. 13 Interviewer: Okay. Respondent: I think the only thing that I will be doing, is being maybe in the journal. I think … it’s very difficult, ‘cause some students are really good at journal entry writing. And … but some people just put what I did. Interviewer: Umm. Respondent: You know, “This is what I did today”. And they don’t really meet the needs, or the requirements, of what you’re trying to ask them to do. Interviewer: Umm. Respondent: They almost use it like a, some kind of diary. And so I think I need to do some work with students about erm entry writing. And I think I’m going to start using erm some reflective models. So they can start looking at maybe doing erm an entry under different headings each week. Interviewer: Umm, right. So they’ve got some structure for the work. 14 Respondent: So they’ve got some structure, rather than just a bit of pros. So I think I’m going to implement that next year. Interviewer: Okay, okay. Would you say that this is a typical amount of change that you would make? The sort of change you’ve made over the last couple of years … Respondent: Yeah. Interviewer: Is that typical of what you do on a normal basis, on most modules? Respondent: I’ve, I very rarely use probably more than 30% of the content that I used the year before. Interviewer: Right, okay. So how does that play out normally then? Respondent: I think … what I try to, I like … Interviewer: What are you changing? Respondent: At the beginning of each year, I like to come … I think from my own state of mind, if I just churned out the same stuff every year, it would drive me insane. 15 Interviewer: (Laughter) You’d go mad. (Laughter) Respondent: So I always try and make the point of changing, adapting some approach. Trying new ideas for how I can get students to understand some of the technical concepts. Erm and also the assessment change, and the direction of the assessment or the approach. But if things are working, I tend not to tweak them. Interviewer: Umm. Respondent: But I think the way that I deliver content changes. Interviewer: Right, okay. And so the amount that you’ve done this year, is about what you’d normally do? Respondent: About what I would normally do, yeah. Interviewer: Yeah. You wouldn’t expect … Erm do you think, how much do you have to respond to institutional, or external? I mean you mentioned the external examiner. 16 Respondent: Yes. Interviewer: Which is an influence I suppose. Respondent: Yeah. Interviewer: But is there a lot of change required, because of institutional change? (Laughter) That’s the question at the moment is. (Laughter) Respondent: Umm yeah, there’s always institutional change. Interviewer: Yeah. Respondent: Erm yeah there is, because obviously the actual students are split side delivery. So there’s been issues around resourcing at one campus, and not the other campus. Interviewer: Right. Respondent: Starting them off on something up here, that they can’t complete down there. So there’s always those challenges. You know, not 17 enough equipment, not enough video cameras available, ‘cause loads broke all of a sudden and … So you’re always trying to adapt, and give the best possible experience to the student. You know, and give them a bit of flexibility and discuss other things they could be doing. “Oh I couldn’t get my camera”. So you say, “Well why don’t you do this at this point in time … Interviewer: Umm. Respondent: instead of wasting energy trying to find a camera?” Interviewer: Umm. Respondent: So I think you’re always constantly doing that. And I think the nature of broadcast, is the technology is moving so fast. And the way that we broadcast content these days, is so diverse. Interviewer: Umm. Respondent: That it’s always, always changing. 18 Interviewer: Okay, that’s great, thank you. Erm okay, so moving onto the long view, unless there’s any … is there anything you want to say about the module or anything? Respondent: No I think that’s it. Interviewer: Okay. So the long view, erm think about your teaching career to date. Respondent: Uh huh. Interviewer: I mean it’s obviously not over yet. But where your … if you think about your life as a teacher. Respondent: Uh huh. Interviewer: As if it is was a book. Respondent: Uh huh. Interviewer: So you’ll have erm different stages, or different parts of that life, as different chapters. Can you divide up your teaching life into chapters? And just say what would be those chapters? What 19 would you call them, what would be in them etc.? And you can have any number you want or whatever. This is where you might want to write something down. Respondent: Okay. Interviewer: And if you write something down, can I take it away? So can you do it in a page that you don’t mind sharing? Respondent: Yeah, I could probably, I could probably … I can probably verbalise it. Interviewer: Okay. Respondent: But erm you’d probably start with some kind of preface wouldn’t you, which would actually talk about what your educational experience was like. Interviewer: Okay. Respondent: And so I would nearly always say … I went to Leeds University. So it was fairly traditional in that sense that, you know, here’s the information. For those modules that had … ‘cause I did a theatre studies, and history type thing. 20 Interviewer: Oh did you? Right. Respondent: And it was like, the history part was obviously very theorised. You know, “Go and study this playwright, and write about their motivations”. And, you know … Interviewer: Umm. Respondent: “What characterises their plays”. And there was, that was very much write that down and regurgitate that. Interviewer: Umm. Respondent: And then there was the practical side, that probably has influenced me more as in education. In terms of engaging people and … Interviewer: Umm. Respondent: ‘Cause lecturing’s about performance isn’t it. Interviewer: Yeah, right, yeah. 21 Respondent: You’re putting that performance on. So the preface would always be about, you know, “What was my educational experience like?” Especially at undergraduate level. And so I would definitely put that at the beginning. And then chapter one would probably … ‘cause I didn’t go straight into teaching. I was a practitioner, really, as in media and broadcast for three or four years before I got into teaching. Interviewer: Oh right. Respondent: And so chapter one would be that. And that would be the basis upon which … I made the link then between teaching, and the need for being able to teach with a sense of practical output. Interviewer: Uh huh. Respondent: You know, not just … when I went to university, I didn’t go to university to become an academic. Interviewer: Uh huh. 22 Respondent: And it really hit me that when I was studying at university, I was being taught as if I was being taught to become an academic. Interviewer: Right. Respondent: You know? Interviewer: Oh okay, yeah. Respondent: You know if I’m studying about playwrights, and researching, there’s very few jobs that you’re ever actually going to be able to implement that knowledge. Interviewer: Umm. Respondent: Or skill set. Except, obviously, to become an academic and do the same type of thing. So then I went into, in industry. And I realised there was a real need for bringing together that underlying theoretical knowledge, and applying it in a practical sense. And how those two can really help each other. Interviewer: Uh huh. 23 Respondent: And it was really interesting, because I started doing part time teaching at … well I say teaching, but it wasn’t really. Part time, they called it teaching, at a FE college. But it was desktop publishing, and media. And I realised that I wasn’t really teaching, I was just training people how to use this software. Interviewer: Umm. Respondent: Or this camera. And I thought they’ve really missed a trick. And that all you’re doing is giving practical skills. Interviewer: Umm. Respondent: Without any of the underlying knowledge. So the chapter one would be about my practical development. Interviewer: Uh huh. Respondent: As a practitioner. Interviewer: Uh huh. 24 Respondent: And then chapter three would be the part time teaching. And then the idea that I started to bring in my practical skills. And as well with the students, give them some background context. Some history, some context, some theory about why we use this in a particular way. Interviewer: Uh huh. Respondent: You know why is video, for instance, 25 frames per second. And what problems does that cause, but how can you use it to your advantage to help you get the best motion. Interviewer: Uh huh. Respondent: So it gave them a real sense of, “Okay I’m filming this content, at this frame rate, for this reason”. Rather than just turn the camera on, press the button and you’ve got … Interviewer: Umm. Respondent: And I started to see that students were able to benefit from that. So that was the part time. 25 And then eventually it just happened that the teaching took over, and I was, then became a freelance practitioner. And so eventually the freelance moved. Interviewer: Yes. Respondent: I didn’t move, ‘cause you’re still carrying on doing it. But it was almost as if, or was it ... freelance is very repetitive. You know, you’d go and work, you know, in a room with some BBC director for three days. Cutting their piece of work, just pressing the buttons and hopefully given them some editorial viewpoints. Interviewer: Umm. Respondent: But most directors just didn’t want to know what you wanted to do. Interviewer: (Laughter) Respondent: Your ideas were, they just wanted you to cut their piece together. And so it became very … I just, a bit disheartening. You know, being hired out as an editor. Interviewer: Umm. 26 Respondent: And so I decided that I’d try and do more education, which is what eventually happened. So then I got a job at a FE college, and I started at FE. And I think that was really good grounding. Interviewer: Umm. Respondent: Yes, I think it’s a really good experience. So that would be chapter four, my further education, teaching experience. So I think that really … I think because you work with such a diverse range of people. Like you were doing the evening classes with anyone from the age of, you know, 18 up to 80. So that, being able to meet that diverse range of people was pretty useful, because it makes you adapt. Interviewer: Uh huh. Respondent: You know, it makes you adapt on the fly. It makes you have to think about how you present material, so it’s perceivable by lots of different people. And then also on the day-to-day delivery of modules on a national diploma, or a higher national diploma. And the unitisation of education, which was quite interesting. 27 Interviewer: Umm. Respondent: You know, “You do this unit which is about video editing. And then you do this unit, which is about something else, and never the twains shall meet”. Interviewer: Umm. Respondent: But in reality, they should all be working together. And also, you know, you’re dealing with unruly characters. Interviewer: Uh huh. Respondent: Like 16 year olds, and 18 year olds, they didn’t really want to be there, but they didn’t have anything else to do. Interviewer: Umm. Respondent: So it was a really grounding. And also I probably there picked up … I probably picked up some abilities to be able to communicate to that broad spectrum of 28 people. Because it’s, it can be quite challenging having people that are really committed to a course. Interviewer: Umm. Respondent: And those that don’t want to be there. And how you try and make an experience for all those. And then also I probably picked up my abilities to administer myself as an academic person. Being accountable for the quality of my teaching. Interviewer: Umm. Respondent: ‘Cause at FE, you know, somebody comes in, sits, watch you teach and then gives you a grade. They grade you. Interviewer: Umm. Respondent: And that goes back to the Institution, you get a mark out of five or whatever. Interviewer: Umm. 29 Respondent: So you get externally watched. So I think that’s quite a useful exercise. And then also the pressure that there is at FE, for having a course. And, you know, if you pass less than 90% of the students, the impact that has on funding. So the higher levels of administration, of course, leadership which I started to do. Which the [?? 0:29:30] is certainly coming towards now. Interviewer: Umm (Laughter) Respondent: So that, my FE experience would be that chapter. And then chapter five, it’ll probably be the start of what I would term my academic journey. Interviewer: Okay. Respondent: Where I became a more rounded academic, so that I didn’t, wasn’t just doing teaching. I started to do some research, and started to, you know, publish some materials. And started to look beyond the scope of my subject, and started to become interested in how we teach. Interviewer: Uh huh. 30 Respondent: More and more. And real … probably realised that there’s an area of research there, you know. And then also how technology can support that process. So that file, that chapter there is about me becoming, you know, “an academic”, inverted commas. It was much more rounded, not just a teacher, you know, but an academic person. Interviewer: Yeah. Respondent: And that really helped me. I don’t know really. And then, you know, you’re probably aware. Then I became more interested in how I could use my skills, and my knowledge, to support staff in the Institution. Interviewer: Uh huh. Respondent: ‘Cause that might be chapter six. Interviewer: So is that chapter six then? Respondent: You know, that dissemination of my experiences. And I think I soon learnt early on, that my abilities to adapt, and pick up technology quickly, and make sense of it for other people was quite valuable. 31 Interviewer: Uh huh. Respondent: You know, there was a lot of people that were focused on their subject. And they weren’t really bothered about the technology around them. They’d always been taught their subject the same way, and they didn’t want to change that. Even if it was for the better for them. You know I think … I saw a real opportunity there to say, “No, look what we can do for you” and open some people’s eyes. So that would be probably that chapter. Interviewer: Okay. Respondent: I don’t know. I was probably, probably … Interviewer: You may, that maybe where you are now. Respondent: Yeah. Interviewer: Where you may want to start. So if you take those chapters … I mean what I’ve just noted down here … 32 Respondent: Yeah. Interviewer: And you might want to give some titles to these. The first one was your educational experience. So I don’t know what you’d want to call that. Respondent: That was my pref … that’s my preface definitely there. Interviewer: That’s your preface, so would you have that as a preface? Respondent: I think so. Interviewer: Okay. Respondent: ‘Cause it puts into context why I made that journey in a way. Interviewer: Right, and what would you call that? Apart from the preface (Laughter), you could just call it “The Preface” if you want. (Laughter) Respondent: No it would be good to have some kind of title to it. It’s definitely got to be something about my experiences about being taught, to being an academic. 33 Interviewer: Okay. Respondent: And I always remember one of the sessions that we had. We did a play, obviously you know we did lots of plays. And it was always about … you know, we did the play and then we always had this, you know, this session afterwards. Where we talked about the theoretical underpinnings of that play. Interviewer: Umm. Respondent: And I always remember thinking, “In fact you never assessed me on my performance abilities. Interviewer: Umm. Respondent: You were always assessing me on my ability to then discursively apply that. Or theorise on that approach”. Interviewer: Umm. Respondent: And I just felt a real, you know, I felt quite disheartened that I’d never, was never actually said, “Oh that was a good piece of 34 acting”. Or, “That was a good piece of directing” or “That was a good piece of this”. Interviewer: Umm. Respondent: And what I ended up doing, actually, was I ended up deciding, “Oh sod this. What I’m going to do, I’m going to sit, find a way of bringing technology into theatres”. So I focused on the implications of technology in theatre. Which was good, because none of the academics knew anything about it. Interviewer: (Laughter) Respondent: So you could say anything you liked, and you could do okay. Interviewer: (Laughter) Respondent: So that preface really is about … Interviewer: So what, so what would you call it? 35 Respondent: Ah, I don’t know. It’s about how university degrees used to be about creating more academics, wasn’t it. It was about you went to university to probably become an academic. There weren’t a huge amount of courses based around a vocation. They were about studying the subject. And you might become a historian, or you might become an academic. And you’d have to regurgitate that knowledge. So it’s erm, “University for Academics”? I don’t know, maybe? Interviewer: Okay. And then you had, I don’t know whether this is, this would be chapter one then? Respondent: Yeah. Interviewer: Being your time as a practitioner. Respondent: Yeah Interviewer: And you’d call that? Respondent: I would probably call that, “The Real World”. Interviewer: Okay, “The Real World”. 36 Respondent: ‘Cause that’s what it is. You know, I think people that have entirely been in academia, sometimes just don’t have any … and it’s not everybody of course. But if they say things, and you think, “You’ve never been in the real world have you”. Interviewer: Yeah. Respondent: “You’ve no idea of what is actually going to be like”. Interviewer: Yeah, Respondent: So I’d … Interviewer: Be career, it would just be career, yeah. Respondent: Yeah that is, that’s the real world. Interviewer: Okay. Chapter two, I’m not sure which was chapter two. Respondent: Yeah. 37 Respondent: ‘Cause I jumped into chapter three as part time context. Respondent: Umm. Interviewer: Part time teaching. Was part time teaching chapter two? Respondent: Chapter one was practitioner. Yeah, chapter two that would be, yeah. Interviewer: Two was part time, so that was just … I’ll mark it in there. Respondent: So chapter two would be, it’ll be like crossing the boundary a bit wouldn’t it. Interviewer: Okay, so what do you want to call it, “Crossing the Boundaries”? That’s fine. Respondent: Yeah. And that was where you started to … you know what? Maybe erm … Interviewer: Started bringing the context, yeah I’ve written context and practice down here. 38 Respondent: Yeah. Interviewer: Part time. Respondent: And also the fact that it was more training there, rather than teaching. But that’s all right. Interviewer: Okay. And then chapter, what I think is chapter 3, is FE? Respondent: Yeah, that’s right. That’s where I became a teacher, what I would determine to be a teacher. Interviewer: Okay, so what would we call that? Respondent: I would, I would “From Training to Teaching” I think would be … Interviewer: Okay, “From Training to …”. I like these titles, they’re good. Okay. I shouldn’t say that, it’s supposed to be … (Laughter) Respondent: (Laughter) 39 Interviewer: Okay chapter four then, you had mentioned as your academic journey. You becoming an academic. Respondent: Yeah. Interviewer: What’s, what’s your title for that? Respondent: Erm it’s about becoming a much more rounded teacher isn’t it. It’s not just about teaching. Erm just call it, “Am I a Scholar?” Interviewer: Okay. Respondent: You know something like … Interviewer: “Am I a Scholar?” Respondent: Or, “What is a Scholar?” or something. I don’t know, something like that? Interviewer: Okay. Or, “What is ….?” Okay, and then chapter five then is that outward thing of dissemination of things and helping other people. 40 Respondent: Yeah, so … Interviewer: So what would you call that? Respondent: Erm, ahh … Interviewer: (Laughter) Respondent: Let me think, oh it’s difficult. Interviewer: Ah it’s hard to be put on the spot with these things. Respondent: Yeah it is isn’t it. Interviewer: Yeah. Respondent: What about something like erm, err, “Sharing my …”, “Sharing my Journey” or, “Sharing my Practice”? Something like that. Interviewer: Right I see, okay, lovely. So if you’re looking at those erm chapters in that book. 41 Respondent: Yeah. Interviewer: As it is so far, which is an interesting book to read. Erm what themes would you see coming through that? Respondent: One of the things that I definitely know would come through everything that I’ve done, is about individualising learning experience for students. Interviewer: Right. Respondent: Because again, this harps back to my experience as a student, is I never felt as if the academic really knew me. Interviewer: Umm. Respondent: Or really was judging me. You know, he handed in a piece of work, and you get the mark back. And the feedback you think, “Oh you could have written that for this person” right? Interviewer: Umm. 42 Respondent: “You could have written that for this person”. And then you sit there in a seminar, and it could be … you know, “You’re not talking to me, you’re just talking. Hoping that some people here are listening … Interviewer: Umm. Respondent: and then they’re going to regurgitate …” You know I just always felt that there wasn’t, it wasn’t an individualised … individual to me, ‘cause obviously it was me receiving it. But I never felt as if there was any attempt to individualise it. Interviewer: Umm. Respondent: And you know we did, you know, like we did plays. And there was no opportunity there to say, “Well I think we did really well in this way, but you know these people here they didn’t do anything for four weeks”. And so we all had to work really hard to … but they all got the same mark in the end. Interviewer: Umm. 43 Respondent: And I just felt, you know, somehow its not right is it. Interviewer: Umm. Respondent: So it was a definitely about individualising the learning experience. And that comes from me using resources. So identifying which students, and saying, “Oh these types of resources might be better for you. These might be better for you. These would be good for you”. And also feedback, audio feedback. Students really enjoy the fact that I'm talking to them. Interviewer: Umm. Respondent: So I would watch through their piece of work, and give them audio feedback. And they know it’s their work that I’m looking at. Interviewer: Umm. Respondent: ‘Cause I talk about specific instances in it. And the student comments, they are “Thank …” You know, “It was really valuable that I knew it was you. That intonation, when you got excited I knew I did really well”. And “I knew where I’d gone wrong”. So it’s definitely about individualising that student experience. 44 Interviewer: Okay. Any other themes? Respondent: Erm I’ve always … and also probably the other thing is, bringing together the practicality of what I’m teaching. With the underlying theory, but not just for the sake of it. So they understand the theory for a reason, that is going to benefit them. You know, so they understand what they’re doing. But they also understand where it came from, the context from which it derived. Which can help, can only benefit them technically. Interviewer: Brilliant, okay great. Erm I think we probably, I think that’s … oh no it’s still going. Hang on, oh no I pressed the wrong button. END AUDIO www.uktranscription.com 45