Title Description Keywords Objectives Author Organisation Version Date Copyright Phonology and Phonetics Review A review unit for students of phonology and phonetics phonetics phonology review No Objectives metadata Dr Pamela Rogerson-Revell University of Leicester One January 2008 Subject Centre for Languages, Linguistics and Area Studies Home Phonology & Phonetics Review: a practice and review unit for students of phonology and phonetics These resources were developed by Pamela Rogerson-Revell with funding from the Higher Education Academy’s Subject Centre for Languages, Linguistics and Area Studies Aim and objectives Aim of the unit This unit will help you review some of the key concepts and elements of English phonology and phonetics. Objectives By providing a variety of multimedia resources and activities, this unit aims to help you a) review segmental and suprasegmental elements of English phonology b) practice phonemic transcription and c) analyse authentic speech data. Getting started fənetɪks Firstly, can you see the symbols in the word above? If so, you’ll be able to read the phonemic fonts used in these resources. If you can't then download Lucida Sans Unicode, free of charge from http://www.phon.ucl.ac.uk/home/wells/ipa-unicode.htm Install them to the fonts folder on your hard disk. The directory for Windows is usually C:\WINDOWS\FONTS. Flash File Path Width Height Autostart Autoloop Align Long description whitebird1.swf F:\RLO\Flash files\ 500 400 True True Left Caption Link to player False Can you see the animation above? If you can, you already have Flash Player and will be able to see the animations used in these resources. If not, when you open a page when you are online you should be prompted to download the player automatically (a message asking you for authorisation will appear - just click ‘OK’ and it will be installed) Alternatively, go to www.macromedia.com and download Flash Palyer from the website. You may need to wait a while for some of the multimedia files to load. Introduction The nature of phonology and phonetics If we hear a unknown language for the first time, we perceive a stream of unid entifiable sounds , ie an auditory impression which we often use to make prejudged reactions about the language - eg English-speakers often find French romantic, sophisticated etc and German hard, gutteral, masculine etc) Speech sounds are different from other sorts of vocal sounds (vocalisations) because they make regular, meaningful patterns. Speech is a series of meaningful sounds and silences . What do we understand by phonology? Popup Hyperlink text Popup content Click here to check Phonology is the study of the sound patterns or system within a particular language, or variety of language Width 300 Height 300 What do we mean by phonetics.? Popup Hyperlink text Popup content Click here to check Phonetics is the study and description of the production of speech sounds and silences across languages, - ie not related to a specific language. Width Height 300 300 Vocal tract Human speech is a combination of sounds and silences generated by the speech mechanism of the vocal tract into meaningful patterns. Popup Hyperlink text Popup content Click here to see a diagram of the vocal tract Width 400 Height 400 All speech begins as a silent breath of air, created by muscular activity in the chest. The air then comes up from the lungs, via the vocal tract and exiting as a sound wave. Basically, the speech mechanism as four components: muscular activity, air, some type of resistance or obstruction to the air which causes some sort of sound to be made, and amplification to make the sound loud enough to be heard. Changes to the air flow between the lungs and mouth and nose produce different sounds. Air starts off in the lungs, flows up through the trachea ( or windpipe), through the larynx, past the epiglottis and through the pharynx. From there, the air can go either through the mouth or nose. The Vocal tract is the channel of air flow between the larynx and the mouth and nose. Articulators There are quite a lot of terms, including technical terms, used to describe the articulators involved in producing sounds: everyday name technical term lips labia teeth tooth ridge labial dental alveolar ridge (hard) palate soft palate adjective alveolar palatal velum uvula velar uvular upper throat pharynx pharyngeal voicebox larynx laryngeal tongue tip apex apical tongue blade lamina laminal tongue body dorsum (back) dorsal tongue root radical Move your mouse over the image to see an explanation of the different articulators Flash File Path Width Height Autostart Autoloop Align Long description Caption Link to player Anatomy[1].swf F:\RLO\Flash files\ False False Left False This articulatory anatomy diagram is reproduced with permission from the website of the Phonetics Flash Animation Project; a collaboration between the Departments of Spanish and Portuguese, German, Speech Pathology and Audiology and Academic Technologies at the University of Iowa.(See Resources section). Consonants A consonant is a speech sound which obstructs the flow of air through the vocal tract. Some consonants do this a lot and some do it very little: the ones that make maximum obstruction ( ie plosives, which make a complete stoppage of air stream) are the most consonantal. Nasal consonants are less obstructive than plosives as they stop the air completely in the oral cavity but allow it to escape through the nasal cavity. Fricatives obstruct the air flow considerably, causing friction, but do not involve total closure. Laterals obstruct the air flow only in the centre of the mouth, no the sides, so the obstruction is slight. Some other sounds, classed as approximants, obstruct the air flow so little that they could almost be classed as vowels if they were in a different context ( eg /w/ or /j/). There are 24 consonants in standard southern British English. They are plotted on the chart in Table 1 below. Consonant practice Activity Use the interactive ‘speech animator’ to review the articulation of English consonants. Flash File Path Width Height Autostart Autoloop Align Long description Caption Link to player speech_animator.swf F:\RLO\Flash files\ False False Left False The ‘Speech Animator’ is reproduced with permission from David Brett (website in Resources section). IPA consonants Activity Use the interactive chart below to familiarise yourself with the consonants from the International Phonetic Alphabet (IPA). consonants Chart reproduced with permission from Eric Armstrong’s Voice and Speech website (see Resources section). Vowels The English vowel system The RP variety of British English, with twenty vowel phonemes (standard American English has fifteen), has a relatively large vowel system, which is characteristic of Germanic languages (Swedish has even more vowels). There are seven short vowels, five long vowels and eight diphthongs. The vowels and their corresponding phonemic symbols are shown in the table below: The articulation of the vowels is represented in the vowel chart below. The shape of the chart is modelled on the shape of the phonetic space ie the shape of the oral cavity produced by various positions of the tongue. For English, the phonetic space is represented as a trapezoid but some languages would be represented by a triangle. Cardinal vowels As well as looking at the vowel system of a specific language, ie English vowel phonemes, there is also a way of describing vowels irrespective of language, ie phonetically. One system of such vowel reference positions is called the Cardinal Vowel system. The Cardinal Vowels can be used to plot the exact location of vowels in any specific language. Activity Use the interactive chart below to familiarise yourself with the IPA vowels. Vowels Chart reproduced with permission from Eric Armstrong’s Voice and Speech website (see Resources section). Vowel practice Activity Move your mouse over the image to see an explanation of the different diphthongs of English. Flash File Path Width Height Autostart Autoloop Align Long description Caption Link to player diphthongs1.swf F:\RLO\Flash files\ False False Left False This interactive chart is reproduced with permission from David Brett (website in Resources section). Phonemic symbols Activity Use the interactive ‘’phonemic typewriter’ to review the articulation of English phonemes. You can also use the typewriter as a quick way to copy and paste phonemic symbols. Flash File Path Width Height Autostart Autoloop Align Long description Caption Link to player phonemicClipboard.swf F:\RLO\Flash files\pamela\phonemicTypewriter\ False False Left False The ‘Speech Animator’ is reproduced with permission from David Brett (see Resources section). Test yourself Consonants Truefalse1 Title Text Answer Answer * Feedback Correct Feedback Incorrect In English there are four affricates, two voiced and two voiceless True False Yes. There are only two. No. There are only two. Truefalse1 Title Text Answer Answer * Feedback Correct Feedback Incorrect Plosives form the largest group of consonants in English True False Yes. There are more fricatives than plosives. No. There are more fricatives than plosives. Truefalse1 Title Text Answer * Answer Feedback Correct Feedback Incorrect In English, syllable-initial voiceless plosives are aspirated. True False Yes, that's right. Sorry, no. They are aspirated. Truefalse1 Title Text Answer Answer * Feedback Correct Feedback Incorrect There are two nasal consonants in English. True False Yes. There are three. No. There are three. Vowels Truefalse1 Title Text Answer * Answer Feedback Correct Feedback Incorrect Vowels are usually lengthened before syllable final voiced consonants. True False Yes, that's right. No. They are usually lengthened before final voiced consonants. Truefalse1 Title Text Answer Answer * Feedback Correct Feedback Incorrect Unstressed syllables never have full vowels. True False That's right. You can have a full vowel in an unstressed syllable, such as window. Sorry, no. You can have a full vowel in an unstressed syllable, such as window. Truefalse1 Title Text Answer * Answer Feedback Correct Feedback Incorrect There are no lip-rounded front vowels in English. True False That's right. No, there aren't. Truefalse1 Title Text Answer * Answer Feedback Correct Feedback Incorrect /j/ and /w/ are semivowels. True False Yes, that's right No, they are semi vowels. phonemes Multichoice2 Title Text Answer Answer Answer Answer Feedback Feedback Feedback Feedback 1 Which of these is the phonemic script for car? /kɑ:r/ /kæ/ /kɑ:/ /ka/ /ka:r/ the /r/ is not pronounced in standard southern British English /kæ/does not exist in English that's right /ka/does not exist in English Multichoice2 Title Text Answer 2 Which if these is the phonemic script for witch? Answer /wɪʃ/ Answer /wɪtʃ/ Answer /wɪʒ/ That word does not exist in English That is ‘wish’ that's right ‘That does not exist in English Feedback Feedback Feedback Feedback /wɪs/ Multichoice2 Title Text Answer Answer Answer Answer Feedback Feedback Feedback Feedback 3 Which of these is the phonemic script for rude? /ru:d/ /ri:d/ /rud/ /rɑd/ that's right that is ‘read’ That word does not exist in English That word does not exist in English Multichoice2 Title Text Answer 4 Which of these is the phonemic script for women ? Answer /wɪmen/ Answer /wʌmən/ Answer /wʌmɪn/ That's right the second syllable is not stressed that's 'woman' the first syllable is wrong Feedback Feedback Feedback Feedback /wɪmən/ Multichoice2 Title Text Answer Answer Answer Answer Feedback Feedback Feedback Feedback Stress Word Stress Which of these is the phonemic script for judge? /jʌdʒ/ /jʌj/ /juj/ /dʒʌdʒ/ the first consonant is wrong only the vowel is right That word does not exist in English that's right Stress placement in English is mobile. ie the syllable or syllables that are stressed can vary depending on , for instance, the structure and function of a word. For English stress placement rules exist, but they are rather complex, this means that although first language speakers can usually predict accurately where to put the stress on an unknown word it can be very difficult for second language learners.. Stress placement depends on: 1. whether a word is morphologically simple or complex or a compound 2. the grammatical category of a word 3. the number of syllables in a word 4. the phonological stucture of the syllables Activity See what you know about word stress patterns Multichoice1 Title Text Answer Answer * Answer Answer Feedback Correct Feedback Incorrect Which of the following words is the odd one out - and why? biology photographic photography geography photographic is the odd one out because the stress is on the second last syllable unlike in words ending in 'phy' or 'gy' where the stress goes on the third last syllable No, sorry Multichoice1 Title Text Answer Answer Answer Answer * Feedback Correct Feedback Incorrect Which of the following words is the odd one out and why? station relation information relate relate is the odd one out because the stress is on the last syllable unlike all the other words ending in '..tion' where the stress goes on the second last syllable Multichoice1 Title Text Answer Answer * Answer Answer Feedback Correct Which of the following words is the odd one out and why? static economy economic pneumatic economy is the odd one out because the stress goes on the third last syllable unlike all the words words ending in 'ic' where the stress goes on the second last syllable Feedback Incorrect Word and sentence stress English rhythm is based not only on word stress but also on sentence stress or accent. A clear distinction between words which are emphasised and words which are not is essential to intelligibility, both for speech production and listening comprehension. Activity Use the activities below to practice word and sentence stress Flash File Path Width Height Autostart Autoloop Align Long description Caption Link to player stress[1].swf F:\RLO\Flash files\ False False Left False This activity is reproduced with permission from Cambridge University Press (see Resources section). Aspects of connected speech Various features contribute to characterise natural connected speech: o rhythm o weak forms ( reductions) o assimilation o elision ( contractions) o linking These features combine to produce "concatenation" or linking together of sounds in connected speech. Activity Use the interactive exercises below to practice and review aspects of connected speech here These activities are from David Brett’s website (David’s website is in the Resources section). Intonation Intonation generally refers to linguistically significant variations in pitch level across an utterance or part of an utterance. Intonation in English is an important vehicle for meaning. It helps the listener to get a clearer picture of what the speaker intends to mean. Intonation in English fulfills many, overlapping functions including attitudinal, grammatical, discursive and pragmatic. However, there is still much to be learned about how we acquire and use intonation systematically and how it can be taught to second language learners. Activity Divide the following utterances into tone units and decide where the tonic or nucleus might fall in each tone unit: Textentry1 Title Text Feedback The first student to finish can go early //The first student to finish// can go early// Textentry1 Title Text Feedback Sadly, Maurice has gone away //Sadly// Maurice has gone away// Textentry1 Title Text Feedback The person who was watching me left a ticket behind // The person who was watching me //left a ticket behind// Textentry1 Title Text Feedback Alan couldn't make it so Ken took his place //Alan couldn't make it //so Ken took his place// Pitch curves Activity Use the interactive ‘’pitch curves’ exercise to practice analysing pitch movement across phrases. Pitch curves The ‘’Pitch Curves’ activity is reproduced with permission from David Brett (see Resources section). More intonation practice Activity For more practice, try the exercises below by John Maidment . These are from the web tutorials by University College London’s Department of Phonetics and Linguistics (the link is in the ‘Resources’ section). Intonation exercises Speech transcription If we want to represent speech sounds in writing we can transcribe the sounds using either: a) phonemic symbols / / b) phonetic symbols [ ] a) phonemic symbols represent the phonemes of English - eg / / ( and all its allophonic variations) They are generalisations, not auditory realities. There are 44 phonemes in English b) phonetic symbols represent auditory realities and are not related to a specific language: they are international (IPA = International Phonetic Alphabet) . Phonetic transcription is much more precise than phonemic transcription. A broad phonetic transcription gives some more information than phonemic transcription and a narrow transcription gives much more information than phonemic transcription. Diacritics are symbols used to add more, precise information to phonetic symbols, eg the symbol [̚~ ] shows that the sound is nasalised. Phonemic transcription does not represent precise phonetic qualities and therefore it is possible to use several possible symbols to represent one phoneme. We will follow the IPA consonants and use length marks for vowels , ie as Roach and Longman dictionary ( ie recognises qualitative and quantitative differences ) Activity Use the interactive exercise below to practice transcribing phrases phonemically. Phonemic transcription This activity is reproduced with permission from David Brett (see Resources section). More transcription practice Activity If you want more practice transcibing speech phonemically or phonectically, go to the Speech Accent Archive website where you can find many speech samples from speakers of Englsih from a variety of language backgrounds. You can practise listening to the speakers and transcribing what they say and then compare one speech sample with another to extend your recognition and transcription skills. Elisions When native speakers of English talk naturally, quite a lot of sounds are not actually pronounced. This process is called elision or gradation Activity Listen to each of the recordings below and try to write down the phrases you hear (don’t do a phonemic transcription). Now listen again and mark any elisions you hear. Put a bracket around any elided sounds. When you have finished ,look at the transcription, compare it with your own and listen to the recording while reading. Audio 1 Winmedia File Path Width Height Autostart Align Long description Caption Link to player WS330008.WMA F:\RLO\audio files\ 300 80 False Left False Popup Hyperlink text Popup content Click here to see a transcript Transcript 1 D(o) y(o)u know if (h)e (i)s busy this afternoon Width Height 500 400 Audio 2 Winmedia File Path Width Height Autostart Align Long description Caption Link to player WS330010.WMA F:\RLO\audio files\ 300 80 False Left False Popup Hyperlink text Popup content Width Height Click here to see a transcript Transcript 2 If I (ha)d known about the party I (woul)d (h)ave come 500 400 Audio 3 Winmedia File Path Width Height Autostart Align Long description Caption Link to player WS330013.WMA F:\RLO\audio files\ 300 80 False Left False Audio 4 Winmedia File Path Width Height Autostart Align Long description Caption Link to player WS330011.WMA F:\RLO\audio files\ 300 80 False Left False Popup Hyperlink text Popup content Click here to see a transcript Transcript 4 D(o) y(o)u know what time (h)e (wi)ll be back Width Height 500 400 Popup Hyperlink text Popup content Click here to see a transcript Transcript 3 D(id) y(ou )ask (h)er who (h)e was with Width Height 500 400 Click here to find more practice exercises on aspects of connected speech from David Brett (David’s website is in the Resources section). Speech analysis Now you can practise analysing suprasegmental features of natural speech, rather than segmental or phonemic transcription. Focus on how the speakers chunk speech into tone units through the use of pauses, stress placement and tonicity. Try to note also whether they use a falling (\) or rising (/) tone at the end of tone units. Use the symbols in the key below to mark up your transcription. Activity Now listen to each of the recordings below and try to do your own suprasegmental analysis. Listen as many times as you like and: a. Write down what you hear – word for word (don’t write phonemically) b. When you’ve written all the words down, listen again several times and mark pauses c. Now listen again and mark all the stressed words d. Listen again and mark tonic words e. Finally, listen again and decide if the final word before each pause has a falling or rising tone f. When you’ve done as much as you can, look at the transcription, compare it with your own and listen to the recording while reading. Audio 1 Quicktime File Path Width England 1 talk.mp3 F:\RLO\audio files\ 300 Height Autostart Align Long description Caption Link to player 80 False Left False Popup Hyperlink text Popup content Click here to see a transcript Transcript 1 I was ‘born in ‘nineteen ‘forty two/ - in - - Salisbury/ - England\ - which is -south ‘west/ – and I was ‘there because my ‘father was in the ‘army during the war/- and ‘Salisbury Plain /- was the ‘place where ‘all the ‘military training/ -‘went on/ – and ‘still does\ - I was – ‘educated ‘in – Sussex/ - which is ‘southern England /– I lived in ‘Sussex/ for ‘most of my ‘formative years/ but I was ‘educated under the British ‘system/ – of boarding ‘schools\ Width Height 500 400 Audio 2 Quicktime File Path Width Height Autostart Align Long description Caption Link to player england 5 talk.mp3 F:\RLO\audio files\ 300 80 False Left False Popup Hyperlink text Popup content Click here to see a transcript Transcript 2 er – my ‘name is ‘Jo Clayton – I’m British/ - at the ‘moment I ‘live in Tulsa/ - in ‘Oklahoma/ - but I ‘come from – - Lancashire ‘actually/ - I was ‘born in Lancashire\ - and ‘then ‘moved to London/ - which is in the ‘south of England/ - about/ – ‘when I was about/ – twenty\ Width Height 500 400 Audio 3 Quicktime File Path Width Height Autostart Align Long description Caption Link to player England 7 talk.mp3 F:\RLO\audio files\ 300 80 False Left False Popup Hyperlink text Popup content Click here to see a transcript Transcript 3 when I was sixteen/ - and I ‘d ‘taken my ‘school exams/ - with a ‘whole bunch of ‘us/ -‘that’s an American ‘expression/ - isn’t it\ - erm / -- they ‘didn’t ‘know ‘what to do with us – for the ‘last ‘two weeks /– at the school/ – ‘so they ‘sent us ‘all off /- on an archeological excavation\ – for two weeks\ Width Height 500 400 Audio 4 Quicktime File Path Width Height Autostart Align Long description Caption Link to player England 10 talk.mp3 F:\RLO\audio files\ 300 80 False Left False Popup Hyperlink text Click here to see a transcript Popup content Transcript 4 OK/ – I’m a ‘student from Manchester/ - I was born/ – and raised/ – in Manchester/ – erm my ‘dad’s Irish /– my ‘mum’s English/ – erm/ – I ‘studied in Greece/ – for some time /– and I’ve ‘travelled ‘quite a lot /– erm/ – I’m ‘now ‘doing my masters/ – in Dublin/ Width Height 500 400 Recording and text file used by permission of the International Dialects of English Archive (see Resources section). You can find lots more similar recordings on the IDEA website. Glossary Allophone: Phonetic variations in sounds which do not change meaning. For instance, the various ways that /r/ can be produced in English are allophones, they are still all recognised as the same phoneme. Alveolar Ridge: The small boney ridge behind the upper front teeth. Alveolar: A sound produced near or on the alveolar ridge. Assimilation: A process where one sound is iinfluenced by the characteristics of an adjacent sound. Bilabial: A sound that involves contact between the two lips. Continuant A sound which involves the continuous expulsion of air, as opposed to a stop sound where the air is blocked by one or more articulator. Dental: A dental sound is made when the place of articulation is on or near the teeth. Elision or Ellipsis: The deletion of certain sounds in connected speech. Egressive The normal direction of airflow is out through the mouth or nose called egressive. Final position: The position of a sound at the end of a syllable or word. Fortis: A fortis sound involves greater effort, ie muscular tension, to produce and are usually voiceless. Fricative: A term applied to the manner of articulation of consonants where the constiction of the air flow between articulators causes friction. Glottal: Sound made where the vocal folds are the articulators. Glottis: The space between the focal folds or cords. Initial position: Tthe position of a sound at the beginning of a syllable or word. Ingressive Speech produced by breathing in is called ingressive. Intervocalic: A sound that comes between vowel sounds, as for the / t / in butter. IPA :The International Phonetic Association Labial: A sound articulated with the lips. Labiodental: Place of articulation involving the upper lip and the lower teeth, such as /f/. Larynx (also known as the voice-box): An organ at the top of the windpipe, containing the vocal cords which produce voice. Lateral: Describes a manner of articulation of consonants where contact between articulators restricts central air flow so that the air escapes around the sides or laterally, as in /l/ Lenis:. A lenis sound is pronounced with less muscular tension than a fortis sound and is usually voiced. Medial position: A consonant is in medial position (or intervocalic position) when it comes between vowel sounds, as the /t/ in butter. Nasal: A consonant sound, produced with the soft palate lowered so that air passes through the nasal cavity, such as /n/. Palatal: A sound produced on or near the hard palate. Palato-alveolar: Describes sounds produced just behind the alveolar ridge. Palate: The roof of the mouth whcih can be subdivided into the hard and the soft palate (velum) Phoneme: An abstract unit representing the smallest distinctive speech sound that distinguishes one word from another. Plosive (also described as a ’stop’): Describes a manner of articulation of consonants where the air is compressed behind a closure within the mouth, before being released as the sound is produced, such as /p/ pr /t/. Prosodic: describes features of speech above the level of phonemes or segments, such as stress and intonation. RP: Received Pronunciation. A term used to define a variety of southern English which is commonly used as the standard pronunciation model, despite the fact that few people speak it in its full form. Stress: Refers to the relative prominence of a syllable within a word (ie word sress), or a word within in a sentence (ie sentence stress). . Tone unit: a chunck of speech, either a phrase or word, that is gnerally marked by pauses at its boundary Tonic syllables: The syllable within a tone unit that carries the most prominence. Sonorant: refers to sounds where there is no constriction of the air flow by the articulators, as for example with vowels. Syllable: A phonological unit describing the number of speech sounds into which a word may be divided. Syllable structure can vary considerably from language to language. Unvoiced / voiceless sound: describes sounds where the vocal cords do not vibrate. Velar: A velar sound is produced at the velum, or the soft palate. Velum: The soft palate, ie tThe part of the palate that is just behind the hard palate. A sound produced in this area is called a velar sound. Vocal cords or folds: Voice-producing part of the larynx. Voiced sound: a sound produced with vibration of the vocal chords Resources Pronunciation animations One of Cambridge University Press’s ELT resources sites. Clickable IPA vowels chart to hear what they sound like Common mistakes in English by language background Ted Powers website on common pronunciation errors by language group David Brett’s excellent interactive Flash-based resources for phonology and phonetics Easily confused phonetic symbols John Wells' list of common errors when using the International Phonetic Alphabet. International Phonetic Association Phonetics information and resources (e.g. downloadable IPA charts and sound files). Paul Meier’s Dialect Services Fascinating online resources from the international voice and dialect coach. Peter Ladefoged's phonetics resource page includes language maps, IPA symbol search, sound index and a phonetics of English course Phonetics Flash Animation Project This site contains animated diagrams of speech sounds for English, German and Spanish. Developed by the University of Iowa. Phonetics resources a wide range of useful and interesting resources from the University of Aberdeen. Speech Accent Archive hundreds of samples of English accents recorded with detailed transcriptions and notes on phonological features for each accent. Speech Internet Dictionary Comprehensive dictionary of phonetics and phonology edited by John Maidment Voice and Speech Sounds lots of interactive voice and speech resources, including phonetics charts by Eric Armstrong, University of York, Canada. Web Tutorials in phonetics by John Maidment. Lots more from University College London’s Department of Phonetics and Linguistics. Feedback If you could give your feedback by completing this questionnaire, it would be greatly appreciated. Questionnaire