- Sarah Cox Ceramics

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Sarah Cox Ceramics

Sarah Stewart, 13 Keppel Road, Hastings, East Sussex, TN34 2DG

Tel / Fax : 01424 713870, email sarahcoxceramics@aol.com, web : sarahcoxart.co.uk

Graduated from Central Saint Martins College of Art and Design , Southampton Row, London WC1, in 1991 with a B.A.

( Hons ) in Ceramics. She has been making, exhibiting and selling her work ever since. First she worked from a railway arch in Peckham, then moved her home and studio to South Norwood and has since relocated to the coast. She also has over fifteen years experience in teaching ceramics, from children, to adults and for inset courses in education.

Where her work can be currently seen

The Old Court House Gallery , Market Place, Ambleside, Cumbria.

The Lion Gallery , Leominster, Herefordshire.

Fenwick Gallery , Castle Street, Warkworth, Northumberland

Sarah exhibits yearly at Art and Ceramic Fairs across the UK, including Art in Clay events, Ceramics South East, Art Space, the Sculpture Shows events etc. Sarah has had many solo and joint shows of her work since graduating and has constantly had work on view in many galleries across the country. She has had three joint exhibitions at the CCA Gallery in Cambridge with a painter and a print maker, and has many times at either the Orangery or Ice House in Holland Park since graduating.

The above galleries tend to hold a selection of Sarah's pieces, which are topped up regularly. She has also undertaken many commissions ranging from a squid sculpture for a marine biologist from Cape Cod, USA, to sixty-four pieces for a hotel in the British Virgin Islands. She has also worked a couple of seasons from Spring Studios, Bequia in the Caribbean and still exhibits her work on the island in various outlets. Her current body of work has been concentrating on large scale out door sculpture, which includes Elephant Water Features, Blue Bird, Bird Baths and numerous creatures for the garden. All of which are exhibited & sold at outdoor art events across the country.

Publications that her work has featured in

~ Trend Magazine , July 2011 featured a large images of one of her sculptures.

~ Craftsman Magazine , selected Sarah work for their online gallery 2007-until present day.

~ Ceramic Review May 2002, a sculpture features in the Gallery section and exhibition info about the Orangery ex. 02.

~ The publicity material Art in Clay 2000 & 2003 at the Maltings in Farnham, & 2011 & 2013 for Hatfield House.

~ The Lady Magazine featured a photograph and info about her exhibition at the Orangery Holland Park Oct 2000.

~ Craftsman Magazine July 1999 , featured one of her pieces in an article about Art in Clay at Hatfield House.

~ Period House Magazine August 1999, featured a photograph of her work and details about the Art in Clay shows.

~ Sarah wrote a piece for a book called 'Getting Started'. A piece of her work dominated the cover in 1999 & 2002.

~ Woman and Home , August 1998 in the dates for your diary, image used to promote the Art in Clay event.

~ Connect NK Commissioning Directory , launched 1998 features a section on Sarah and her work.

~ Design Gap Buyers Guide Sarah’s work has featured in many of them.

~ 4th Art in Clay Festival , one of her pieces featured on the flyer for the event.

~ Ceramic Review May / June 1997 issue, featured in the 'In view' section.

~ Homes and Ideas Magazine July 1997 issue, featured in the 'Must Order' section.

~ Crafts Magazine , March 1997 issue, photo and information within the calendar section.

~ Home and Garden , March issue 1997, photograph and information featured in the 'Bizarre' section.

~ The 1997 publicity for the Crafts Movement Shows , featured on all leaflets and publicity.

~ Image used on the publicity for the 'One Off' Contemporary Craft Show 96 at the Horticultural Halls, London.

~ Craft Galleries Book 1996, a photograph of one of her sculptures was used on the cover.

~ Time Out November 6th - 13th 1996, featured in an article about new galleries opening south of the river.

~ Time Out July 1994 image used in the 'Sell Out' section, Flux Exhibition at the Orangery, Holland Park, London.

~ Craft Galleries Guide ( book ) 1994, 1996, 1998, 2000 & 2002 volumes, representing Cambridge Contemporary Art.

~ Ceramic Review December 1992, featured in the 'In View' section in connection with an exhibition called Animalarium, at Art House, Route 76, Westow Street, Upper Norwood, London.

~ Wedding and Home Magazine, March / April 1992 issue 'Individual Art pieces for innovative,exciting wedding presents'.

Artists Statement

Whilst at college my ceramic work became inspired by the wonders of the sea, but the aquarium tanks of London Zoo and

Kew Gardens were as close as I could get to the real thing! I am now a keen diver and take inspiration from tropical seas and far away locations, and the plants and animals that inhabit such places. My ceramics are vividly colourful, humorous, animated creations that depict elements of both fantasy and reality. Blue birds, aardvarks, dogs, elephants and sea creatures are some of my themes. I make both large and small scale sculpture, my work is mainly 'one offs' but I do repeat some themes. My pieces also include anemone vases, mixed media pieces, wall pieces, mirrors and clocks. I use both slabs and coils of clay in the construction of my pieces, and a variety of surface treatments and textures. I inlay a vitreous slip to highlight the surface detail, and then spray my barium glazes so they blend into each other. The colours range from white, to yellow, to orange / red, to vivid green, to turquoise, to rich cobalt blue and black. I fire my pieces to 1100 degrees centigrade and the glaze surface quality ranges from smooth and waxy, to dry and rough. My latest collection of work has been running along side my smaller scale gallery work. I have been experimenting and exhibiting large scale stoneware pieces for the garden, which include sculptures and water features. I have been enjoying the challenge of the scale, and reformulating the base glazes to suit. Clients feel they don’t have the space in the home, but they do in the garden for larger scale work.

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