Literature Music: Cognition
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Balaban, M., Ebcioglu, K . & O. Laske (eds.) (1992). Understanding Music with AI: Perspectives
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Todd and D. G. Loy (eds.), Music and Connectionism. Cambridge: MIT Press.
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Musicology. In: Wallin, Nils L.; Merker, Björn & Steven Brown (eds.) (2000). The Origins of
Music. The MIT Press, Cambridge: 3-25.
Butler, D. (1992). The musician's guide to perception and cognition. New York: Schirmer.
Dannenberg, R. B. (1992). Time Functions, letter. Computer Music Journal, 16(3): 7-8.
Desain, P., & H. Honing (1992b). Musical machines: can there be? are we? Some observations onand a possible approach to- the computational modelling of music cognition. In: C. Auxiette, C.
Drake, & C. Gérard (eds.), Proceedings of the Fourth International Workshop on Rhythm
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Deutsch, D. (ed.) (1982). The Psychology of Music. New York: Academic Press.
Dibben, N. (1994). The Cognitive Reality of Hierarchic Structure in Tonal and Atonal Music.
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Dowling, W. J. & D. L. Harwood (1986). Music Cognition. London: Academic Press.
Eggar, Katharine (1920). The subconscious mind and the musical faculty. Proceedings of the
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Faltin, P. (1979). Phänomenologie der musikalischen Form: eine experimental-psychologische
Untersuchung zur Wahrnehmung des musikalischen Materials und der musikalischen Syntax.
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Gardner, Howard (1983). Frames of Mind: The theory of multiple intelligences, Basic Books, Inc.
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Gibson, J.J. (1975). Events are perceivable but time is not. In: The Study of Time, 2, edited by J.T.
Fraser & N. Lawrence. Berlin: Springer Verlag.
Guck, M.A. (1978). The Functional Relations of Chords: a Theory of Musical Intuitions. In
Theory Only, iv/6: 29-42.
Honing, H. (1993a). A microworld approach to the formalization of musical knowledge.
Computers and the Humanities, 27: 41-47.
Hoopen, G. ten, Hilkhuysen, G., Vis, G., Nakajima, Y., Yamauchi, F. & Sasaki, T. (1992). A new
illusion of time perception - II. Music Perception, 11(1): 15-38.
Howell, Peter; Cross, Ian, & Robert West (eds., 1985). Musical structure and cognition. London:
Academic Press.
Imberty, Michel (2000). The Question of Innate Competencies in Musical Communication. In:
Wallin, Nils L.; Merker, Björn & Steven Brown (eds.) (2000). The Origins of Music. The MIT
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Jones, M. R. (1976). Time, our lost dimension: Toward a new theory of perception, attention, and
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Jones, M. R. (1986). Attentional rhythmicity in human perception. In J. Evans & M. Clynes (Eds.),
Rhythm in language, learning and other life experiences. Springfield, IL: Charles C. Thomas.
Jones, M. R. (1988). What is an expectancy? Invited commentary submitted to Behavioral and
Brain Sciences, 11: 387-388.
Jones, M. R. (1990). A review of psychological foundations of musical behavior, (by Radocy, R.,
& Boyle, J.D.), American Journal of Psychology, 103: 284-290.
Jones, M. R. (1990). Learning and the development of expectancies: An interactionist approach.
Psychomusicology, 9: 193-228.
Jones, M. R. (2000) The Psychology of Music, sixteen years later. Journal of the Acoustical
Society of America 108 (3): 879-881.
Jones, M. R., Summerell, L., & Marshburn, E. (1987). Recognizing melodies: A dynamic
interpretation. Quarterly Journal of Experimental Psychology, 39A: 89-121.
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Jones, M. R., & Holleran, S. (Eds.), (1991). Cognitive bases of musical communication. American
Psychological Association, Washington, D.C.
Krumhansl, C. (1979). The psychological representation of musical pitch in a tonal context.
Cognitive Psychology, 11: 346-374.
Krumhansl, C. L. (1990). Cognitive Foundations of Musical Pitch. New York: Oxford University
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Krumhansl, Carol L. (2000). Articles - Rhythm and Pitch in Music Cognition. Psychological
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Large, E.W., Palmer, C., & Pollack, J. (1995). Reduced memory representations for music.
Cognitive Science, 19: 53-96.
Laske, O.E. (1984). Understanding Musical Listening Procedurally. Sonus, v/1: 61-71.
Longuet-Higgins, H.C. (1976). Perception of Melodies. Nature, cclxiii: 646-653; repr. in Machine
Models of Music, ed. S.M. Schwanauer and D.A. Levitt (Cambridge, MA, 1993): 471-495.
Longuet-Higgins, H.C. (1978). The Perception of Music. Interdisciplinary Science Review, iii:
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Longuet-Higgins, H.C. & C.S. Lee (1982). Perception of musical rhythms. Perception. 11: 115128.
Longuet-Higgins, H.C. (1987). Mental Processes. MIT Press.
Longuet-Higgins, H.C. & E. Lisle (1989). Modelling musical cognition. In: "Music, Mind and
Structure", edited by E. Clarke &S. Emmerson. Contemporary Music Review 3(1).
Mâche, François-Bernard (2000). The Necessity of and Problems with a Universal Musicology. In:
Wallin, Nils L.; Merker, Björn & Steven Brown (eds.) (2000). The Origins of Music. The MIT
Press, Cambridge: 473-481.
McAdams, S. & E. Bigand (1993). Thinking in sound: the cognitive psychology of human audition.
Oxford: Oxford University Press.
Michon, J.A. (1975). Time experience and memory processes. In: The Study of Time, 2, edited by
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Nakajima, Y., T. Sasaki, R.G.H. van der Wilk, & G. ten Hoopen (1989). A new illusion in time
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Kyoto, Japan: The Japanese Society of Music Perception and Cognition.
Nakajima, Y.; ten Hoopen, G. & R. van der Wilk (1991). A new illusion of time perception. Music
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Nettl, Bruno (2000). An Ethnomusicologist Comtemplates Universals in Musical Sound and
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Ornstein, R.E. (1969). On the Experience of time. London: Pinguin.
Narmour, E. (1992). The Analysis and Cognition of Melodic Complexity: The ImplicationRealization model. Chicago: University of Chicago Press.
Palmer, C. (1989). Mapping Musical thought to musical performance. Journal of Experimental
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Palmer, C. and C.L. Krumhansl (1990). Mental representations of musical meter. Journal of
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Pearce, Charles W. (1892). On listening to music. Proceedings of the Musical Association: for the
investigation and discussion of subjects connected with the art and science of music, Vol. 19: 53.
Peretz, I. & R. Kolinsky (1993). Boundaries of Separability between Melody and Rhythm in Music
Discrimination: a Neuropsychological Perspective. Quarterly Journal of Experimental Psychology
Section A: Human Experimental Psychology, xlvi/2: 301-325.
Povel, D.J. & P. Essens (1985). Perception of temporal patterns. Music Percept, 2: 411–440.
Ryan, T. (1996). Grouping Strategy in Rhythmic Perception: a Test of the Perceptual Salience of
Lerdahl and Jackendoff’s Grouping Preference Rules. Dissertation, Ohio State U.
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Steedman, M.J. (1977). The Perception of Musical Rhythm and Metre. Perception, vi: 555-595.
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Swinburne, J. (1918). Mental processes in music. Proceedings of the Musical Association: for the
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Tenney, J. & L. Polansky (1980). Temporal Gestalt Perception in Music. Journal of Music Theory,
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