JAHF Annual Bibliography, 2000-2006
(Version 4.0)
Table of Contents
1. REFERENCES AND SURVEY BOOKS
A. REFERENCE BOOKS AND BIBLIOGRAPHIES
B. WEB RESOURCES
C. SURVEY BOOKS AND ARTICLES
D. EXHIBITION AND COLLECTION CATALOGUES (w/cross-listing)
1. Exhibitions
2. Collections and Collectors
2. ARCHITECTURE AND GARDENS (PRE-MODERN)
3. CRAFTS AND FOLK ARTS
A. CERAMICS
B. LACQUERWARE
C. METALWORK
D. MINGEI (FOLK ARTS)
E. NETSUKE, INRO AND OJIME
F. TEXTILES AND BASKETRY
G. THEATRICAL ARTS: COSTUMES AND MASKS
4. PAINTINGS, PRINTS, AND CALLIGRAPHY
A. PAINTING AND CALLIGRAPHY (Note: for Ukiyoe--see section 4B, below)
1. Broad Studies
2. Studies on Individual Artists and Lineages
B. UKIYOE PRINTS, PAINTINGS, AND ILLUSTRATED BOOKS
1. Broad Studies
2. Studies on Individual Artists, Types of Prints, and Lineages
5. THEMATIC AND INTERDISCIPLINARY STUDIES
A. ARCHAEOLOGY
B. CROSS CULTURAL INFLUENCES AND INTERNATIONAL CONTACTS
C. GENDER STUDIES/SEXUALITY IN ART
D. RELIGIOUS SITES, ICONS, AND OTHER DEVOTIONAL ARTS
1. Buddhist Art and Architecture
2. Shinto Art and Architecture
3. Folk Religion and Syncretic Religious Arts and Architecture
E. SAMURAI ARTS, ARMS, AND ARMOR
F. TEA CEREMONY AND RELATED ARTS
G. MODERN AND CONTEMPORARY ART AND ARCHITECTURE
1. Modern and Contemporary Art
JAHF Annual Bibliography 00-06 – PAGE
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2. Modern Architecture
3. Photography
H. OTHER THEMATIC AND INTERDISCIPLINARY STUDIES
1. Edo/Early modern Japan
2. Literati and Literary Themes
3. Representations of Nature
4. Important People in the Field
5. Museums and Museumology
6. DISSERTATIONS AND POST- DOCTORAL THESES
A. IN NORTH AMERICA
B. IN EUROPE
JAHF Annual Bibliography 00-06 – PAGE
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Bibliography 2000-2006
1. REFERENCES AND SURVEY BOOKS
A. REFERENCE BOOKS AND BIBLIOGRAPHIES
 2005
Arthur M. Sackler Gallery (Smithsonian Institution), Freer Gallery of Art, and Smithsonian
Institution. The Arts of Japan: A Teacher's Guide. Washington, DC: Smithsonian Institution,
2005.
 2004
Irvine, Gregory. Guide to Japanese Art Collections in the UK. London: Hotei Publications, in
conjunction with the Japan Society, 2004.
Morse, Anne Nishimura, and Michio Yonekura. "A Tribute to Yanagisawa Taka." Orientations 35,
no. 1 (2004): 77.
Ormhang, Knut, and Frode Sandvik, eds. “Diversions in the Floating World: Selected Ukiyo-e
Prints from the Bergen Museum of Art” in Ukiyo-e: Bilder fra den Flytende Verden (Pictures
from the Floating World). Translated by Julie Nelson Davis. Bergen Kunstmuseum, 2004.
Suchomel, Filip. "Japanese Lacquerware from the Main Czech Collections from the 17th and 18th
Centuries, Part II." In The Role of Urushi in International Exchange. Tokyo: Tokyo National
Museum, 2005, 47-61.
Suchomel, Filip. Mysterious Grace of the East. Japanese Art from the Collections of Rainer
Kreissl. Roztoky u Prahy: The Central Bohemian Museum at Roztoky, 2004.
 2003
Graham, Patricia, J. "An Interview with Dr. Kurt A. Gitter and Alice Rae Yelen." Orientaions 33,
no. 8 (2003): 77-81.
McCormick, Melissa. "Genji Goes West: The 1510 Genji Album and the Visualization of Court
and Capital." The Art Bulletin 85, no. 1 (2003): 54-85.
Meech, Julia. "Edwin Grabhorn: Printer and Print Collector." Impressions 25 (2003): 55-69.
Mostow, Joshua. "What is 'Japanese Beauty'?: Museum as 'Hometown'." In Japan at the
Millennium: Joining Past & Future. Edited by David W. Edgington. Vancouver: University
of British Columbia Press, 2003, 222-244.
Waterhouse, David. "Some of My Teachers." In The Best Teacher I Ever had. Personal Reports
from Highly Productive Scholars. Edited by Alex C. Michalos. London, Ontario: The
Althouse Press, 2003, 278-282.
JAHF Annual Bibliography 00-06 – PAGE
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B. WEB RESOURCES
C. SURVEY BOOKS AND ARTICLES
 2006
Addiss, Stephen, Gerald Groemer, and J. Thomas Rimer. Traditional Japanese Arts and Culture:
An Illustrated Sourcebook. Honolulu: University of Hawai'i Press, 2006.
McCormick, Melissa. "On the Scholarship of Chino Kaori." Review of Japanese Culture and
Society (Japanese Art: The Scholarship and Legacy of Chino Kaori) XV (December 2003),
(2006): pp. 1-24.
 2005
Dunn, Michael. Inspired Design: Japan's Traditional Arts. Milano: 5 continents, 2005.
Mason, Penelope E., and Donald Dinwiddie. History of Japanese Art. 2nd ed. Upper Saddle River,
N.J: Pearson Prentice Hall, 2005.
Robertson, Jennifer Ellen. A Companion to the Anthropology of Japan. Malden, MA ; Oxford:
Blackwell Pub, 2005.
D. EXHIBITION AND COLLECTION CATALOGUES (w/cross-listing)
1. Exhibitions
 2006
Hánová, Markéta. "Příroda v Japonské Malbě a Grafice” (Nature in Japanese Painting and
Graphics)." In Asian Art : Guide to the Permanent Exhibition of the Collection of Oriental Art
of the National Gallery in Prague. Edited by Michaela Pejčochová. Prague: National Gallery
in Prague, 2006.
Hockley, Allen. Public Spectacles and Personal Pleasures: Four Centuries of Japanese Prints
from a Cincinnati Collection. Cincinnati: Cincinnati Museum of Art, 2006.
Irvine, Gregory. Japanese Cloisonné: The Seven Treasures. London: Victoria & Albert Museum,
2006.
Meech, Julia. "Tiffany’s Collection of Asian Art at Laurelton Hall." In Alice Cooney
Frelinghuysen, Louis Comfort Tiffany and Laurelton Hall: An Artist’s Country Estate. New
York, New Haven, and London: The Metropolitan Museum of Art, Yale University Press,
JAHF Annual Bibliography 00-06 – PAGE
4
2006, 157-175.
Michael C. Hughes, LLC. An Important Collection of Chinese, Korean and Ryukyuan Lacquer.
New York: Michael C. Hughes, LLC, 2006.
Pollard, Clare. "Zen Mind: The Development of Zen Buddhism." In Zen Mind, Zen Brush:
Japanese Ink Paintings from the Gitter-Yelen Collection. Sydney: Art Gallery of New South
Wales, 2006.
Reeve, John. Floating World: Japan in the Edo Period. London: British Museum, 2006.
Suchomel, Filip. Photographs of Japan: The Times of Joe Hloucha. A Collection of Albumen
Prints from the Museum of Decorative Arts in Prague. Roztoky u Prahy: The Central
Bohemian Museum at Roztoky, 2006.
Suchomel, Filip, and Marcela Suchomelová. Journal of a Voyage, the Erwin Dubský Collection:
Photographs from Japan in the 1870s. Brno: Moravian Gallery in Brno, 2006.
Trede, Melanie, with Julia Meech, eds. Arts of Japan: The John C. Weber Collection (Kunst Aus
Japan: Die John C. Weber Sammlung). New York and Berlin: Museum für Ostasiatische
Kunst, Staatliche Museen zu Berlin, 2006.
 2005
Chance, Frank L., and Matthew Mizenko. Modern Impressions: Japanese Prints from the Berman
and Corazza Collections, 1950-1980. Collegeville, Pa: Philip and Muriel Berman Museum of
Art at Ursinus College, 2005.
Los Angeles County Museum of Art. Japan Goes to the World's Fair: Japanese Art at the Great
Expositions in Europe and the United States, 1867-1904. Nagoya, Japan: NHK Promotions
Co., Ltd, 2005.
Atkins, Jacqueline M. ed. Wearing Propaganda: Textiles on the Home Front in Japan, Britain,
and the United States, 1931-1945. New Haven, Conn.: Published for the Bard Graduate
Center for Studies in the Decorative Arts, Design, and Culture by Yale University Press,
2005.
Failla, Donatella. Dipinti e Stampe Del Mondo Fluttuante: Capolavori Ukiyoe Del Museo
Chiossone Di Genova. Milano: Skira, 2005.
Faulkner, Rupert. "A New Generation: Artist-Craftsmen of the Mingei Movement." In
International Arts and Crafts. Edited by Karen Livingstone and Linda Parry. London:
Victoria & Albert Museum, 2005, 312-327.
Grossman, Nancy et al., eds. Art of Japan : Masterpieces from the Cleveland Museum of Art.
Cleveland, Ohio: Cleveland Museum of Art, 2005.
Irvine, Gregory. "Collecting Japanese Arms and Armour: A European Perspective with an
Emphasis on the Collections of the Victoria & Albert Museum." Oriental Art Magazine LV,
no. 1 (2005): 37-46.
JAHF Annual Bibliography 00-06 – PAGE
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Kreiner, Josef. Japanese Collections in European Museums: Reports from the
Toyota-Foundation-Symposium, Königswinter 2003. Bonn: Bier'sche Verlagsanstalt, 2005.
Maucuer, Michel. "Kofun Period Bronze Mirrors Rediscovered in Enrico Cernuschi's Collection."
Orientations 36, no. 5 (2005): 35-39.
Mueller, Laura J. Strong Women, Beautiful Men: Japanese Portrait Prints from the Toledo
Museum of Art. Amsterdam: Hotei Publishing, 2005.
Oertling, Sewall Jerome. Japanese Paintings from the Henricksen Collection. Ithaca, NY: Herbert
F. Johnson Museum of Art, Cornell University, 2005.
Schulenburg, Stephan von der. Faszination Keramik : Moderne Japanische Meisterwerke in Ton
Aus Der Sammlung Gisela Freudenberg. Frankfurt; Köln: Museum für Angewandte Kunst;
Wienand Verlag, 2005.
Suchomel, Filip. "Japanese Art at Castles and Chateaux in the Czech Republic." In Japanese
Collections in European Museums II. Edited by Josef Kreiner. Bonn: Bier'sche Verlagsanstalt,
2005, 199-201.
Teramoto, John Tadao, and Heisaku Harada, eds. Japanese Masterworks: Paintings from the
Indianapolis Museum of Art. Indianapolis: Museum of Art, 2005.
Tiffin, Sarah. Sparse Shadows, Flying Pearls: A Japanese Screen Revealed. Brisbane: Queensland
Art Gallery, 2005.
Volk, Alicia, with a contribution by Helen Nagata, and Milwaukee Art Museum. Made in Japan:
The Postwar Creative Print Movement. Milwaukee, Wis: Milwaukee Art Museum in
association with University of Washington Press, Seattle, 2005.
Volk, Alicia. Modern Japanese Art, a Concise History: Gallery Guide to the Collection of the
National Museum of Modern Art, Tokyo. Tokyo, Japan: The Museum, 2005.
 2004
Buckland, Rosina. Golden Fantasies: Japanese Screens from New York Collections' Exhibition
Catalogue. New York: Asia Society, 2004.
Irvine, Gregory. Well-Hammered: the Art of Japanese Metalwork. Bournemouth, Russell-Cotes
Museum, 2004.
Morse, Anne Nishimura. The Art of the Japanese Postcard: The Leonard A. Lauder Collection at
the MFA, Boston. Boston: Museum of Fine Arts, Boston, 2004.
Stevenson, John. Japanese Kite Prints: Selections from the Skinner Collection. Seattle: Drachen
Foundation with University of Washington Press, 2004.
 2003
Faulkner, Rupert. "Cultural Identity and Japanese Studio Ceramics." In Quiet Beauty: Fifty
Centuries of Japanese Folk Ceramics from the Montgomery Collection. Edited by Robert
JAHF Annual Bibliography 00-06 – PAGE
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Moes. Art Services International: Alexandria, Virginia, 2003, 236-245.
Hutt, Julia. "The Japanese Collection of Lacquerware in the Victoria and Albert Museum." In The
Role of Urushi in International Exchange. Tokyo: National Research Institute for Cultural
Properties and Tokyo National Museum, 2003, 46-51.
Pollard, Clare. The Art of Hokusai – Masterpieces of Japanese Printing in the Chester Beatty
Library. Dublin: Town House, 2003.
Tomii, Reiko. "Artists’ Biographies" In Japan: Rising. Edited by Michael Rush and Matsui Midori.
Palm Beach Institute of Contemporary Art: Palm Beach, 2003.
 2002
Faulkner, Rupert. "The Making of the Montgomery Collection." In Timeless Beauty: Traditional
Japanese Art. Edited by Edmund de Waal et al. Milan: Skira Editore SpA, 2002, 161-225.
Faulkner, Rupert. "The Toshiba Gallery at the Victoria & Albert Museum." In Acts of Renewal:
Japanese Art Re-Interpreted. Edited by Naren Barfield and Allan Walker. London: Victoria
& Albert Museum, EYECON, and Wimbledon School of Art, 2002, 10-11.
Hockley, Allen. Inside the Floating World: Japanese Prints from the Lenoir C. Wright Collection.
Greensboro, N.C.: Weatherspoon Art Gallery, 2002.
Kawai, Masatomo, Robert T. Singer, Felice Fischer, Hollis Goodall, and Kiyoko Kakeya.
Munakata Shiko: Japanese Master of the Modern Print. Tokyo: Art Media Resources, 2002.
Suchomel, Filip. "Japanese Collections in the Czech Republic." In A Visit from Prague --Japanese
Art from Czech Museums, Puraha Kara no Bi no Tayori. Satogaeri no Nihon Bijutsu. Kyoto:
Kyoto National Museum, 2002, 10-16.
Suchomel, Filip, and Zlata Černá. Enamels of the Far East: The Art of Colour, Metal and Fire.
Roztoky u Prahy: The Central Bohemian Museum at Roztoky, 2002.
Suchomel, Filip, and Markéta Hánová, eds. Art Treasures from Kyoto. Masterpieces from the
Kyoto National Museum. Prague: National Gallery in Prague, 2002.
Suchomel, Filip, and Marcela Suchomelová. A Surface Created for Decoration: Japanese
Lacquer Art from the 16th to the 19th Centuries. Prague: National Gallery in Prague, 2002.
Yonemura, Ann, Donald Keene, Andrew Gerstle, Elizabeth de Sabato Swinton, and Joshua S.
Mostow. Masterful Illusions: Japanese Prints from the Anne Van Biema Collection.
Washington: University of Washington Press, 2002.
 2001
Earle, Joe. ed. & trans. Serizawa: Master of Japanese Textile Design. Sendai: Tohoku Fukushi
University, Serizawa Keisuke Art and Craft Museum Sendai, 2001.
Earle, Joe. Netsuke: Fantasy and Reality in Japanese Miniature Sculpture. Boston: MFA
Publications, 2001.
JAHF Annual Bibliography 00-06 – PAGE
7
Earle, Joe. Splendors of Imperial Japan: Arts of the Meiji Period from the Khalili Collection.
London: Khalili Family Trust, 2002.
Morse, Anne Nishimura. "Netsuke in the Museum of Fine Arts, Boston." In Netsuke: Fantasy and
Reality in Japanese Miniature Sculpture. Boston: Museum of Fine Arts, Boston, 2001, 11-15.
Jackson, Anna. "Art and Design: East Asia." In The Victorian Vision: Inventing New Britain.
Edited by John MacKenzie. London: Victoria & Albert Museum, 2001, 296-313.
Tomii, Reiko. "History as Memory—One Day, I Thought about Yukinori Yanagi in New York."
In Yanagi Yukinori: Akitsushima. Hiroshima: Hiroshima City Museum of Contemporary Art,
2001.
 2000
Cort, Louise, and Bert Winther-Tamaki. Isamu Noguchi and Modern Japanese Ceramics.
Washington, D.C.: Arthur M. Sackler Gallery in association with University of California
Press, Berkeley, 2000.
Earle, Joe. Japanese Lacquer: The Chiddingstone Castle Collection. London, 2000.
Earle, Joe. The Robert S. Huthart Collection of Iwami Netsuke. Hong Kong, 2000.
Graham, Patricia J. "Festivals of the Twelve Months: Japanese Ceremonial and Seasonal Time." In
Tempus Fugit: Time Flies (Exhibition Catalogue). Edited by Jan Schall. The Nelson-Atkins
Museum of Art: Kansas City, MO, 2000, 282-287.
Jaffer, Amin. "Textiles." In Mingei: Beauté Du Quotidien Au Japon, La Collection Montgomery.
Nice: Musée des Arts Asiatiques, 2000, 117-139.
Rappard-Boon, Charlotte van, Lee Bruschke-Johnson, and Rijksmuseum (Netherlands). Surimono:
Poetry & Image in Japanese Prints. Leiden; Amsterdam: Hotei Publications; Rijksmuseum,
2000.
Suchomel, Filip. "Early Examples of Japanese Export Lacquerware in Czech Collections." In
Ostasiatische Und Europäische Lacktechniken (East Asian and European Lacquer
Techniques). Edited by Michael Kühlenthal. München: ICOMOS, 2000, 51-56.
Suchomel, Filip, and Oldřich Palata. The Japanese Collection of the North Bohemian Museum in
Liberec. Prague: National Gallery in Prague, 2000.
 1999
Earle, Joe. Splendors of Meiji: Treasures of Imperial Japan, Masterpieces from the Khalili
Collection. Wilmington, Delaware: China Broughton International Publications, 1999.
2. Collections and Collectors
 2006
JAHF Annual Bibliography 00-06 – PAGE
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Meech, Julia. "William Slattery Lieberman (1923–2005): Curator and Collector." Impressions 28,
(2006-2007): 104-112.
Pollard, Clare. "Zen Mind: The Development of Zen Buddhism." In Zen Mind, Zen Brush:
Japanese Ink Paintings from the Gitter-Yelen Collection. Sydney: Art Gallery of New South
Wales, 2006.
Trede, Melanie, with Julia Meech, eds. Arts of Japan: The John C. Weber Collection (Kunst Aus
Japan: Die John C. Weber Sammlung). New York and Berlin: Museum für Ostasiatische
Kunst, Staatliche Museen zu Berlin, 2006.
 2005
Davies, Barry, Shea Albert, Kaplan-Kushlick Foundation, and South African Jewish Museum.
Hidden Treasures of Japanese Art : The Isaac Kaplan Collection. 2nd ed. Cape Town, South
Africa: Kaplan Kushlick Foundation, 2005.
Little, Stephen. "The Richard Lane Collection." Orientations 36, no. 2 (2005): 93-100.
Tokyo Kokuritsu Hakubutsukan, and Yomiuri Shinbunsha. Splendid and Refined: Imari Ware and
Kyoto Ware Ceramics. Tokyo: Yomiuri Shimbun, 2005.
 2004
Buckland, Rosina. Golden Fantasies: Japanese Screens from New York Collections' Exhibition
Catalogue. New York: Asia Society, 2004.
Guth, Christine. Longfellow's Tattoos: Tourism, Collecting, and Japan. Seattle: University of
Washington Press, 2004.
Meech, Julia. "Richard Lane (1926-2002): Scholar and Collector." Impressions 26, (2004):
107-113
 2003
Goodall, Hollis, Virginia G. Atchley, Sebastian Izzard, Neil K. Davey, Christine Drosse, Odile
Madden, and Robert T. Singer. The Raymond and Frances Bushell Collection of Netsuke: A
Legacy at the Los Angeles County Museum of Art. Chicago & Los Angeles: Art Media
Resources, 2003.
Pollard, Clare. The Art of Hokusai – Masterpieces of Japanese Printing in the Chester Beatty
Library. Dublin: Town House, 2003.
 2002
Earle, Joe. Splendors of Imperial Japan: Arts of the Meiji Period from the Khalili Collection.
London: Khalili Family Trust, 2002.
Hockley, Allen. Inside the Floating World: Japanese Prints from the Lenoir C. Wright Collection.
Greensboro, N.C.: Weatherspoon Art Gallery, 2002.
JAHF Annual Bibliography 00-06 – PAGE
9
 2000
Earle, Joe. Japanese Lacquer: The Chiddingstone Castle Collection. London, 2000.
Earle, Joe. The Robert S. Huthart Collection of Iwami Netsuke. Hong Kong, 2000.
 1999
Earle, Joe. Splendors of Meiji: Treasures of Imperial Japan, Masterpieces from the Khalili
Collection. Wilmington, Delaware: China Broughton International Publications, 1999.
2. ARCHITECTURE AND GARDENS (PRE-MODERN)
 2006
Watanabe, Toshio. "Japanese Imperial Architecture: From Thomas Roger Smith to Ito Chuta." In
Challenging Past and Present: The Metamorphosis of Nineteenth-Century Japanese Art.
Edited by Ellen P. Conant. Honolulu: University of Hawaii Press, 2006, 240-253.
 2005
Nakagawa, Takeshi. The Japanese House: In Space, Memory, and Language. Tokyo, Japan:
International House of Japan, 2005.
Young, David E., and Michiko Young. The Art of the Japanese Garden. North Clarendon, VT:
Tuttle Publishing, 2005.
 2004
Butler, Lee. “Patronage and the Building Arts in Tokugawa Japan.” Early Modern Japan 12:2
(Fall-Winter, 2004), pp. 39-52.
 2000
Berthier, François (Graham Parkes, trans.). Reading Zen in the Rocks: The Japanese Dry
Landscape Garden. Chicago, Ill: University of Chicago Press, 2000.
Earle, Joe. Infinite Spaces: The Art and Wisdom of the Japanese Garden (translations from the
11th-century Sakuteiki). London, 2000.
3. CRAFTS AND FOLK ARTS
A. CERAMICS
 2006
JAHF Annual Bibliography 00-06 – PAGE 10
Pollard, Clare. "Gorgeous with Glitter and Gold: Miyagawa Kozan and the Role of Satsuma
Export Ware in the Early Meiji Ceramic Industry." In Challenging Past and Present: The
Metamorphosis of Nineteenth Century Japanese Art, edited by Ellen P. Conant. Honolulu:
University of Hawai'i Press, 2006.
Rousmaniere, Nicole Coolidge. Vessels of Influence: China and Porcelain in Medieval and Early
Modern Japan. London: Duckworth, 2006.
 2005
Audsley, George Ashdown, and James Lord Bowes. Ceramic Art of Japan. Boston, Mass.:
Adamant Media Corp, 2005.
Earle, Joe, Halsey North, and Alice North. Contemporary Clay: Japanese Ceramics for the New
Century. Boston, Mass: MFA Publications, 2005.
Jabn, Gisela. The Art of Japanese Export Porcelain and Satsuma Ware 1868-1912. Stuttgart,
Germany: Arnoldsche Art Publishers, 2005.
Navarro, Maria Roman. “Bizen wares: Momoyama revival and the creation of national identity.”
In Stephan von der Schulenburg, ed. Faszination Keramik. Moderne japanische
Meisterwerke in Ton aus der Sammlung Gisela Freudenberg. Colonia: Wienand Verlag,2005,
pp. 30-39.
Navarro, Maria Roman. "The Impact of the Korean Campaigns (1592-98) on Bizen Ceramics." In
Über Japan Denken. Japan Überdenken. Festschrift Für Sepp Linhart Zu Seinem 60.
Geburtstag Von Seinen Schülerinnen Und Schülern. Edited by Roland Domenig, Susanne
Formanek, and Wolfram Manzenreiter. Viena y Munich: LitVerlag, 2005, 345-368.
Pollard, Clare. "Marvels Or Aberrations? Early Products of the Kōzan Studio." TAASA Review, the
Journal of the Asian Art Society of Australia 14, no. 4 (December, 2005): 10-12.
Tokyo Kokuritsu Hakubutsukan and Yomiuri Shinbunsha. Splendid and Refined: Imari Ware and
Kyoto Ware Ceramics. Tokyo: Yomiuri Shimbun, 2005.
 2004
Cort, Louise. “Remembering Hirano-sensei,” in Special Exhibition: With Shigaraki Ceramics
Kanroku-gama Kiln and Yuto-jin. Shigaraki, Japan: Shigaraki Ceramic Cultural Park, 2004.
Cort, Louise. Shigaraki: Potters' Valley. New York: Weatherhill, 2004.
 2003
Cort, Louise. "A Tosa Potter in Edo," in The Artist as Professional in Japan, Takeuchi, Melinda
ed., Stanford CA: Stanford University Press, 2004
Cort, Louise. “Clay as Content: The Significance of Shigaraki Clay in Japanese Ceramics,” Taoci
(Oriental Ceramic Society of France) no. 3 (December 2003).
Murase, Miyeko, ed. Turning Point: Oribe and the Arts of Sixteenth-Century Japan. New York:
JAHF Annual Bibliography 00-06 – PAGE 11
Metropolitan Museum of Art. 2003.
Pollard, Clare. Master Potter of Meiji Japan: Makuzu Kozan (1842-1916) and His Workshop.
Oxford: OUP Oxford Oriental Monographs, 2003.
Wilson, Richard L. "Oribe Ceramics and the Oribe Imagination." In Turning Point: Oribe and the
Arts of Sixteenth-Century Japan. Edited by Mieko Murase. New York: Metropolitan Museum,
2003.
Wilson, Richard L. "Plastic, Graphic and Plain: Momoyama-Era Wares from Mino." Orientaions
34, no. 10 (2003): 14-19.
 2002
Cort, Louise. “A Short History of Woodfiring in America,” in Great Shigaraki Exhibition:
Rediscovery and Revival of the Beauty of Yakishime Stoneware (Shigaraki, Japan: The
Shigaraki Ceramic Cultural Park and Asahi Shimbun, 2001); reprinted in The Log Book (The
International Publication for Woodfirers), nos. 9-12 (2002).
Cort, Louise. “Sodeisha: The Emergence of a Ceramic Avant-garde in Japan,” Kerameiki Techni
International Ceramic Art Review, issue 45 (December 2003).
 2001
Cort, Louise. “Early Ceramic Production in the Shigaraki Valley—An Outline of its Social and
Economic Basis,” In Kinsei Shigarakiyaki wo megutte, Kyoto: Kansai Tojishi Kenkyukai,
2001.
Wilson, Richard L. "Containing Images: Kenzan-Style Ceramics in the Freer Gallery of Art."
Orientaions 32, no. 3 (2001): 14-19.
Wilson, Richard L. The Potter’s Brush: The Kenzan Style in Japanese Ceramics. Great Britain:
Freer Gallery of Art in Association with Merrell Publishers, 2001.
 2000
Cort, Louise. “The Death and Life of Woodfiring in Asia,” Studio Potter vol. 28 no. 2 (June,
2000).
Cort, Louise. "Shopping for Pots in Momoyama Japan." In The Arts of Japan: An International
Symposium. Edited by Mieko Murase and Judith Smith. New York: Metropolitan Museum of
Art, 2000.
Cort, Louise, Massumeh Farhad, and Ann Gunter. Asian Traditions in Clay: The Hauge Gifts.
Washington D.C.: Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian
Institution, 2000.
Cort, Louise, and Bert Winther-Tamaki. Isamu Noguchi and Modern Japanese Ceramics.
Washington, D.C.: Arthur M. Sackler Gallery in association with University of California
Press, Berkeley, 2000.
JAHF Annual Bibliography 00-06 – PAGE 12
Navarro, Maria Roman. “La vaiselle de porcelaine japonaise du 19ème siècle”, Bulletin
Association Franco-Japonaise, No. 69 (Juni 2000), pp. 6-17. 2000
B. LACQUERWARE
 2006
Bincsik, Monika. "Japanese Maki-e Incense Boxes Exported in the Meiji Period." Arts of Asia
July-August, (2006): 72-83.
Bincsik, Monika. "Lotus Flowers of the Lacquer Pond." Orientaions 37, no. May (2006): 53-55.
Hutt, Julia. "From the Eight Views of the Xiaoxiang to the Omi Hakkei: A New Interpretation of the
Iconography of the Mazarin Chest." Transactions of the Oriental Ceramic Society 71,
(2006-2007): 3-18.
Michael C. Hughes, LLC. An Important Collection of Chinese, Korean and Ryukyuan Lacquer:
[Exhibition] March 2006. New York: Michael C. Hughes, LLC, 2006.
 2005
Faulkner, Rupert. "Murose Kazumi and the Victoria and Albert Museum." In Urushi: Works of
Murose Kazumi. Edited by Mejiro Institute of Urushi Research and Conservation. Tokyo:
Arrow Art Works and Ohori Kazuhiko, 2005, 86-89.
Hutt, Julia. "The Mazarin Chest Project: Japanese Export Lacquer in the Victoria & Albert
Museum." Arts of Asia 35, no. 5 (2005): 101-106.
Impey, O. R., and C. J. A. Jörg. Japanese Export Lacquer: 1580-1850. Amsterdam: Hotei, 2005.
Suchomel, Filip. "Japanese Lacquerware from the Main Czech Collections from the 17th and 18th
Centuries, Part II." In The Role of Urushi in International Exchange. Tokyo: Tokyo National
Museum, 2005, 47-61.
 2004
Kress, Else and Heinz Kress, “Japanese Lacquer Objects from the Collection of Chinese
Emperors.” In Bulletin Association Franco-Japonaise no. 85, Été 2004, French text, Paris.
 2003
Jackson, Anna. ‘La passion du Laque’, Dossier de l’art hors série de l’estampille/L’object d’art,
No 95, April 2003, pp.52-57.
Hutt, Julia. "The Japanese Collection of Lacquerware in the Victoria and Albert Museum." In The
Role of Urushi in International Exchange. Tokyo: National Research Institute for Cultural
Properties, and Tokyo National Museum, 2003, 46-51.
Hutt, Julia, and Lesley Kehoe. Unryuan: Master of Traditional Japanese Lacquer: Selected Works.
JAHF Annual Bibliography 00-06 – PAGE 13
Melbourne, Australia: Lesley Kehoe Galleries, 2003.
 2002
Suchomel, Filip, and Marcela Suchomelová. A Surface Created for Decoration. Japanese Lacquer
Art from the 16th to the 19th Centuries. Prague: National Gallery in Prague, 2002.
 2001
Hutt, Julia. "Lacquerwork of Japan and Korea." In The World of Lacquer: 2000 Years of History.
Edited by Pedro de Moura Carvalho. Lisbon: Calouste Gulbenkian Foundation, 2001, 67-79.
Suchomel, Filip. "Masterpieces of the 17th and 18th Century. Japanese Export Lacquer Ware in
the Czech Collections." Orientaions 32, no. 5 (2001): 59-66.
 2000
Earle, Joe. Japanese Lacquer: The Chiddingstone Castle Collection. London, 2000.
Faulkner, Rupert: ‘Beyond Maki-e', Asian Art in London, 2000, pp.16-17.
Hutt, Julia. "East and West in Japanese Export Lacquerware: Some Problem Pieces in the Victoria
and Albert Museum." In Ostasiatische Und Europäische Lacktechniken, East Asian and
European Lacquer Techniques. Munchen: Bayerisches Landesamt fur Denkmalpflege, 2000,
19-26.
Hutt, Julia. "Unryuan – Looking Back as a Way Forward." In Creativity within Tradition: The
Lacquer Art of Kitamura Tatsuo – Unryuan: Precious Makie. Edited by Nomura Art Museum.
Kyoto: Nomura Art Museum, 2000.
Hutt, Julia, and Stephen Overbury. Namiki: The Art of Japanese Lacquer Pens. Toronto, Ontario:
Pens Unlimited, 2000.
C. METALWORK, ENAMELS, CLOISONNÉ
 2006
Irvine, Gregory. 2006. Japanese Cloisonné: The Seven Treasures. London: Victoria & Albert
Museum.
Yamamori, Yumiko. "Export Carved Furniture: From Official Pieces to the 'Meiji Baroque'."
Orientations 37, no. 4 (2006): 41-46.
 2005
Evans, Michael and Rovert Wolf, eds. Kokeshi: Wooden Treasures of Japan. Carmel: Vermillion,
2005.
Irvine, Gregory. "Shippōyaki: ‘The Art of Japanese Cloisonné." Arts of Asia 35, no. 5 (2005):
76-86.
JAHF Annual Bibliography 00-06 – PAGE 14
Ogyu, Shinzo, Teiko Utsumi, and Nihon Mingeikan. Otsue: Nihon Mingeikan Shozo. Osaka-shi:
Toho Shuppan, 2005.
 2004
Irvine, Gregory: Well-Hammered: the Art of Japanese Metalwork. Bournemouth: Russell-Cotes
Museum, 2004.
 2003
Wilson, Richard, L. "Modern Japanese Ceramics into Mingei: Art, Industry and Idea." In Mingei
Legacy: Continuity and Innovation through Three Generations of Modern Potters. Edited by
Michel Conroy. Erie, Colorado: NCECA, 2003, 13-24.
 2002
Irvine, Gregory. "Metalwork." In Timeless Beauty: Traditional Japanese Art from the
Montgomery Collection. Edited by Edmund de Waall et al. Milan: Skira Editore SpA, 2002,
254-287.
 2001
Earle, Joe. “Japanese Bronzes of the Early Meiji Period (1868–1912): Meaning and Motivation,”
Apollo, vol. 154, no. 477 (Nov. 2001), pp. 36–41.
 2000
Irvine, Gregory, and Anna Jackson. "The Finest Piece of Bronze which an Artist’s Hand Ever
Produced: The life and Times of a Japanese Incense Burner." Apollo Vol. 152, no. 465 (2000):
18-23.
D. MINGEI (FOLK ARTS)
 2005
Faulkner, Rupert. "A New Generation: Artist-Craftsmen of the Mingei Movement." In
International Arts and Crafts. Edited by Karen Livingstone and Linda Parry. London:
Victoria & Albert Museum, 2005, 312-327.
 2002
Irvine, Gregory. "Masks." In Timeless Beauty: Traditional Japanese Art from the Montgomery
Collection. Edited by Edmund de Waal et al. Milan: Skira Editore SpA, 2002, 227-253.
E. NETSUKE, INRO & OJIME
 2006
JAHF Annual Bibliography 00-06 – PAGE 15
Moss, Paul. More Things: In Heaven and Earth: Japanese Netsuke and Ojime. London: Sydney L.
Moss, 2006.
Tanabe, Willa J., University of Hawaii Art Gallery, and Department of Art and Art History.
Painting with Threads : The Art of Japanese Embroidery. Honolulu, Hawaii: University of
Hawaii Art Gallery, 2006.
 2005
Benjamin, Betsy Sterling. Rozome Masters of Japan. Boston, Mass: Massachusetts College of Art,
2005.
Dees, Jan. "The Ethereal World of Uzawa Shogetsu." Orientations 36, no. 4 (2005): 45-54.
Jirka-Schmitz, Patrizia. The World of Netsuke: The Werdelmann Collection at the Museum Kunst
Palast Dusselsorf. Stuttgart: Arnoldsche Art Publishers, 2005.
Kress, Else, and Heinz Kres. "Inro - Collecting and Collections in Europe." In Japanese
Collections in European Museums, Volume I: General Prospects. Edited by Josef Kreiner.
Bonn: Bonn University, 2005, 97-115.
Kress, Heinz, and Else Kress. "Intoroduction of Historical Documents: Sketchbooks for Inro and
Netuke and the Makie Workshop of Kanyiai." In Shikki Shi, History of Lacquer Art. 2005,
50-63.
 2003
Goodall, Hollis, Virginia G. Atchley, Sebastian Izzard, Neil K. Davey, Christine Drosse, Odile
Madden, and Robert T. Singer. The Raymond and Frances Bushell Collection of Netsuke: A
Legacy at the Los Angeles County Museum of Art. Chicago & Los Angeles: Art Media
Resources, 2003.
Hutt, Julia. Japanese Netsuke. London: Victoria & Albert Museum, 2003.
Jackson, Anna. "Tessuti Del Mondo Fluttuante; Stoffe Tradizionali Nelle Xilografie Giapponesi’
[Fabrics of the Floating World: Traditional Textiles in Japanese Woodblock Prints]." In In
Giappone Coloir Indaco: La Collezione Montgomery. Milan: Biblioteca di via Senato
Edizioni, 2003, 10-13.
 2002
Kress, Else & Kress, Heinz, “Inro of the Ryûkyûs, Lacquered Medicine Containers.” Monograph,
127 pages, English text, Bonn, Germany. 2002.
 2001
Earle, Joe. Netsuke: Fantasy and Reality in Japanese Miniature Sculpture. Boston: MFA
Publications, 2001.
Morse, Anne Nishimura. "Netsuke in the Museum of Fine Arts, Boston." In Netsuke: Fantasy and
Reality in Japanese Miniature Sculpture. Boston: Museum of Fine Arts, Boston, 2001, 11-15.
JAHF Annual Bibliography 00-06 – PAGE 16
 2000
Earle, Joe. The Robert S. Huthart Collection of Iwami Netsuke. Hong Kong, 2000.
Kress, Heinz, “Inro Motifs, Part VII.” In International Netsuke Society Journal, volume 20,
number 2, 2000, page 46 - 57.
F. TEXTILES AND BASKETRY
 2006
Harris, John Wesley. The Traditional Theatre of Japan: Kyogen, Noh, Kabuki, and Puppetry.
Lewiston, N.Y: Edwin Mellen Press, 2006.
Leiter, Samuel L. Historical Dictionary of Japanese Traditional Theatre. Lanham, Md: Scarecrow
Press, 2006.
Stinchecum, Amanda Mayer. “Tradition and Transformation in Yaeyama: Symbol of Island
Identity.” In Josef Kreiner, ed., Japaneseness versus Ryukyuanism? Aspects of Okinawan
Identity and Emigration. Bonn: Bier’sche Verlagsanstalt. 2006.
 2005
Atkins, Jacqueline M. ed. Wearing Propaganda: Textiles on the Home Front in Japan, Britain,
and the United States, 1931-1945. New Haven, Conn.: Published for the Bard Graduate
Center for Studies in the Decorative Arts, Design, and Culture by Yale University Press,
2005.
Jackson, Anna. "Fashion for the Foreign: The Taste for Exotic Textiles and Dress in Momoyama
and Edo Period Japan." Oriental Art LV, no. 1 (2005): 28-36.
Loveday, Helen. "Tokens of Faith: Japanese Altar Cloths of the Edo Period." Orientations 36, no.
4 (2005): 37-44.
Van Assche, Annie, and Stefano Ember. Fashioning Kimono: Dress and Modernity in Early
Twentieth-Century Japan. Milan; Woodbridge: 5 Continents, 2005.
 2004
Mayer, Amanda. "Tradition and Transformation in Yaeyama: Symbol of Island Identity." In
Japaneseness Versus Ryukyuanism? Aspects of Okinawan Identity and Emigration. Edited by
Josef Kreiner. Bonn: Bier'che Verlagsanstalt, 2004.
Stinchecum, Amanda M. “Yaeyama Minsa-: A Cotton Sash and Its Transformation across
Boundaries of Usage, Class, and Meaning in Okinawa.” In Tokyo National Research
Institute of Cultural Properties, ed., Moving Objects: Time, Space, Context, 146-156.
Tokyo: Tokyo National Research Institute of Cultural Properties. 2004.
 2003
JAHF Annual Bibliography 00-06 – PAGE 17
Jackson, Anna. "Ritual and Drama: Japanese Costume in the Victoria and Albert Museum." Arts of
Asia 33, no. 2 (2003): 102-109.
 2002
Jackson, Anna. "Textiles." In Timeless Beauty: Traditional Japanese Art from the Montgomery
Collection. Edited by Edmund de Waal et al. Milan: Skira Editore SpA, 2002, 289-355.
 2001
Earle, Joe. ed. & trans. Serizawa: Master of Japanese Textile Design. Sendai: Tohoku Fukushi
University, Serizawa Keisuke Art and Craft Museum Sendai, 2001.
Stinchecum, Amanda M. “Threads of Okinawan History.” Natural History 110:7, 2001, pp. 54-61.
 2000
Cort, Louise, and Bert Winther-Tamaki. Isamu Noguchi and Modern Japanese Ceramics.
Washington, D.C.: Arthur M. Sackler Gallery in association with University of California
Press, Berkeley, 2000.
Jackson, Anna. Japanese Textiles in the Victoria and Albert Museum. London: Victoria and Albert
Museum, 2000.
Jackson, Anna. ‘Textiles.’ In Mingei:Beauté du Quotidien au Japon, La Collection Montgomery.
Nice, Musée des Arts Asiatiques, 2000, pp.117-139.
G. THEATRICAL ARTS: COSTUMES AND MASKS
 2005
Cavaye, Ronald, Paul Griffith and Akihiko Senda, ed. A Guide to the Japanese Stage: From
Traditional to Cutting Edge. Tokyo: Kodansha, 2005.
4. PAINTINGS, PRINTS, AND CALLIGRAPHY
A. PAINTING AND CALLIGRAPHY (Note: for Ukiyoe--see section 4B, below)
1. Broad Studies
 2006
Addiss, Stephen. 77 Dances: Japanese Calligraphy by Poets, Monks and Scholars, 1568-1868.
Boston, MA: Weatherhill/Shambhala Publications, 2006.
Kouwenhoven, A. Japanese Prints: An Introduction. Leiden; Abingdon: Hotei, 2006.
JAHF Annual Bibliography 00-06 – PAGE 18
 2005
Addiss, Stephen. The Art of Chinese Calligraphy. Philadelphia: Running Press, 2005.
Seckel, Dietrich. The Portrait in East Asia, 2005.
Hánová, Markéta. “The Image of Mount Fuji in the Perceived Reality of Japanese Landscape
Painting.” (Obraz hory Fudži v kontextu vnímání reality v japonské krajinomalbě). In
Bulletin of the National Gallery in Prague, 2005, pp. 71-85 (in English).
McKelway, Matthew P., Yoko Woodson, Melissa M. Rinne, Asian Art Museum--Chong-Moon
Lee Center for Asian Art and Culture, and Kyoto Kokuritsu Hakubutsukan. Traditions
Unbound: Groundbreaking Painters of Eighteenth-Century Kyoto. San Francisco: Asian Art
Museum--Chong-Moon Lee Center, 2005.
 2004
Buckland, Rosina. Golden Fantasies: Japanese Screens from New York Collections' Exhibition
Catalogue. New York: Asia Society, 2004.
Buckland, Rosina. “The Message of the Monkeys.” Oriental Art, vol. XLIX, no. 5, 2004, pp. 2-10.
 2003
Hánová, Markéta. “Reflection of Reality in Japanese Landscape Painting.” In Bulletin of the
European Association for Japanese Studies. No. 63, June 2003, (in English).
Katz, Janice. Japanese Paintings in the Ashmolean Museum, Oxford. Oxford: Ashmolean
Museum, 2003.
Meech, Julia. "The Early Years of Japanese Print Collecting in North America." Impressions 25,
(2003): 15-53.
 2002
Addiss, Stephen. "Epilogue: Edo-Period Painting in the Gitter-Yelen Collection." In An Enduring
Vision. Edited by Lisa Retondo-McCord. New Orleans: New Orleans Museum of Art, 2002,
213-222.
Hánová, Markéta. “Harimaze screens” (Paravány harimaze). In Bulletin of the National Gallery in
Prague. 2001-2, pp. 65-72, (in English).
Murase, Mieko, ed. The Written Image: Japanese Calligraphy and Painting from the Sylvan
Barnet and William Burto Collection. New York and New Haven: Metropolitan Museum of
Art and Yale UP, 2002.
2. Studies on Individual Artists and Lineages
 2006
JAHF Annual Bibliography 00-06 – PAGE 19
Buckland, Rosina, Timothy Clark, and Shigeru Oikawa. A Japanese Menagerie: Animal Pictures
by Kawanabe Kyosai. London: British Museum, 2006.
Keene, Donald. Frog in the Well: Portraits of Japan by Watanabe Kazan, 1793-1841. New York:
Columbia University Press, 2006.
McKelway, Matthew P. Capitalscapes: Folding Screens and Political Imagination in Late
Medieval Kyoto. Honolulu: University of Hawai'i Press, 2006.
 2005
Addiss, Stephen. "Nanga: Transformations in Japanese Literati Painting." Orientaions 36, no. 77
(2005): 48-56.
Bruschke-Johnson, Lee. Dismissed as Elegant Fossils: Konoe Nobutada and the Role of
Aristocrats in Early Modern Japan. Leiden: Hotei Publishing, 2005.
Croissant, Doris. “Hokusai and Takahashi Yuichi: Changing Concepts in Still Life painting.” In
John Carpenter, ed., Hokusai and His Age. Ukiyoe-Painting, Printmaking and Book
Illustration in Late Edo Japan. Hotei Publishing, Amsterdam, 2005, pp. 217-233.
Johnson, Hiroko. Western Influence on Japanese Art: The Akita Ranga Art School and Foreign
Books. Amsterdam: Hotei, 2005.
Scheidegger, Ildegarda. Bokutotsusô: Studies on the Calligraphy of the Zen Master Musô Soseki
(1275-1351). Bern ; New York: P. Lang, 2005.
 2004
Addiss, Stephen. “Impressions.” In Ishwar C. Harris, The Laughing Buddha of Tofukuji.
Bloomington IN: World Wisdom Press, 2004, pp. 121-125.
Gerhart, Karen M. "Vision of the Dead: Kano Tan'yu's Paintings of Tokugawa Iemitsu's
Dreams." Monumenta Nipponica 59, no. 1 (2004): 1-34.
 2003
Gerhart, Karen M. "Talent, Training, and Power: The Kano Painting Workshop in the Seventeenth
Century." In Copying the Master and Stealing His Secrets: Talent and Training in Japanese
Painting. Edited by Brenda Jordan and Victoria Weston. Honolulu: University of Hawaii
Press, 2003.
Graham, Patricia, J. "Fans Afloat: Samurai Taste in Japanese Yamatoe Design." Orientaions 34,
no. 11 (2003): 20-29.
 2002
Addiss, Stephen. "The Flourishing of Nanga." In An Enduring Vision. Edited by Lisa
Retondo-McCord. New Orleans: New Orleans Museum of Art, 2002, 27-48.
Addiss, Stephen. "Nanga: The Literati Painting of Japan." In Delightful Pursuits. Tokyo: Suntory
JAHF Annual Bibliography 00-06 – PAGE 20
Museum, 2002.
Graham, Patricia J. "The Later Flourishing of Literati Painting in Edo-Period Japan." In An
Enduring Vision: Paintings from the Manyo'an Collection from the 17th to the 20th Century.
Edited by Tadashi Kobayashi. New Orleans: New Orleans Museum of Art, 2002, 69-87.
Kawai, Masatomo, Robert T. Singer, Felice Fischer, Hollis Goodall, and Kiyoko Kakeya.
Munakata Shiko: Japanese Master of the Modern Print. Tokyo: Art Media Resources, 2002.
Suchomel, Filip. "Painting Gardens of Jun Shirasu." In Language of the Dawn Garden Aquatics Jun Shirasu, Tokyo 2002. Tokyo: Bunpodo Gallery, 2002.
 2001
Gerhart, Karen. "Issues of Talent and Training in the Seventeenth-Century Kano Workshop." Ars
Orientalis 31, 2001, pp. 103-128.
Graham, Patricia J. "China's Influence on Japanese Edo Period Paintings at the Indianapolis
Museum of Art." Orientaions 32, no. 3 (2001): 78-92.
Klompmakers, Inge. Japanese Erotic Prints: Shunga by Harunobu and Koryusai. Leiden: Hotei,
2001.
 2000
Addiss, Stephen. "The Life, Art and Poetry of Kodojin." Orientaions (2000): 54-61.
Addiss, Stephen, and Jonathan Chaves. Old Taoist: The Life, Art and Poetry of Kodojin. New York:
Columbia University Press, 2000.
Gerhart, Karen M. "Kano Tan'yu and Horin Josho: Patronage and Artistic Practice." Monumenta
Nipponica 55, no. 4 (Winter 2000): 483-508.
B. UKIYOE PRINTS, PAINTINGS, AND ILLUSTRATED BOOKS
1. Broad Studies
 2006
Hockley, Allen. Public Spectacles and Personal Pleasures: Four Centuries of Japanese Prints
from a Cincinnati Collection. Cincinnati: Cincinnati Museum of Art, 2006.
Lane, Richard. Images from the Floating World: The Japanese Print. New York: Princes
Risborough, 2006.
McKee, Daniel. Japanese Poetry Prints: Surimono from the Schoff Collection. Ithaca, NY:
Herbert F. Johnson Museum of Art, Cornell University, 2006.
Reeve, John. Floating World: Japan in the Edo Period. London: British Museum, 2006.
JAHF Annual Bibliography 00-06 – PAGE 21
Screech, Timon. “Shunga in the Edo Period” In Amy Newland, Amy ed., The Hotei Encyclopedia
of Ukiyo-e. Leiden: Hotei, 2006.
 2005
Calza, Gian Carlo. Ukiyo-e. London; New York: Phaidon, 2005.
Chance, Frank L., and Matthew Mizenko. Modern Impressions: Japanese Prints from the Berman
and Corazza Collections, 1950-1980. Collegeville, Pa: Philip and Muriel Berman Museum of
Art at Ursinus College, 2005.
Failla, Donatella, and Museo d'arte orientale E. Chiossone. Dipinti e Stampe Del Mondo
Fluttuante: Capolavori Ukiyoe Del Museo Chiossone Di Genova. Milano: Skira, 2005.
Formanek, Susanne, and Sepp Linhart. Written Texts--Visual Texts: Woodblock-Printed Media in
Early Modern Japan. Amsterdam: Hotei, 2005.
Meech, Julia. "Ukiyo-e Print Collecting in America." In the Hotei Encyclopedia of Japanese
Woodblock Prints. Edited by Amy Newland Reigle. Amsterdam: Hotei Publishing, 2005,
402-411.
Meech, Julia, and Ann Yonemura. "The Ukiyo-e Society of America: Approaching Thirty-Five."
Impressions 27, (2005): 99-109.
Morse, Anne Nishimura. "Exploiting a New Visuality: The Origins of Russo-Japanese War
Imagery." In A Much Recorded War: The Russo-Japanese War in History and Imagery.
Boston: Museum of Fine Arts, Boston, 2005, 32-51.
Newland, Amy Reigle, ed. The Hotei Encyclopedia of Japanese Woodblock Prints. Amsterdam:
Hotei Publishing, 2005.
Ormhang, Knut, and Frode Sandvik, eds. “Diversions in the Floating World: Selected Ukiyo-e
Prints from the Bergen Museum of Art” in Ukiyo-e: Bilder fra den Flytende Verden (Pictures
from the Floating World). Translated by Julie Nelson Davis. Bergen Kunstmuseum, 2004.
Screech, Timon. ‘Shunga and Edo’, in Gian Carlo Calza, et al. eds., Ukiyo-e. London: Phaedon,
2005.
Sharf, Frederic Alan, Anne Nishimura Morse, and Sebastian Dobson. A Much Recorded War: The
Russo-Japanese War in History and Imagery. 1st ed. Boston, MA: MFA Publications, 2005.
 2004
Davis, Julie Nelson, “Diversions in the Floating World: Selected Ukiyo-e Prints from the Bergen
Museum of Art” in Ukiyo-e: Bilder fra den Flytende Verden (Pictures from the Floating
World), edited by Knut Ormhaug and Frode Sandvik, Bergen Kunstmuseum, 2004. Also
translated into Norwegian.
Stevenson, John. Japanese Kite Prints: Selections from the Skinner Collection. Seattle: Drachen
Foundation with University of Washington Press, 2004.
JAHF Annual Bibliography 00-06 – PAGE 22
 2002
Addiss, Stephen. "The Artistic World of Kameda Bosai,” “Supernatural Art in Japan,” “Visions of
Enlightment: Japanese Zen Painting and Calligraphy,” “Haiga: the Haiku-Painting
Tradition,” “The Life, Art and Poetry of Kodojin,” “The Artistic World of Kameda Bosai,” In
Arts of Japan: Paintings, Prints and Screens – Selected Articles from Orientations 1984-2000.
Hong Kong: Orientations, 2002, 4-12, 24-36, 93-101, 227-236, 360-367.
Hockley, Allen. Inside the Floating World: Japanese Prints from the Lenoir C. Wright Collection.
Greensboro, N.C.: Weatherspoon Art Gallery, 2002.
Suchomel, Filip. "Lyricism Amid the Cannon Salvos. Japanese Prints from Sino-Japanese War in
Czech Collections." Andon 70 (January), (2002): 5-16.
 2001
Hockley, Allen. "Cameras, Photographs, and Photography in Nineteenth-Century Japanese
Prints." Impressions 23, (2001): 42-63.
Morse, Anne Nishimura, Timothy Clark, Louise Virgin, and Allen Hockley. The Dawn of the
Floating World 1650-1765: Early Ukiyoe Treasures from the Museum of Fine Arts, Boston.
Royal Academy of Arts: London, 2001.
2. Studies on Individual Artists, Types of Prints, and Lineages
 2006
Davis, Julie Nelson. “A Second Glance.” Art Quarterly. Autumn 2006, pp. 36-39.
Haft, Alfred. "Harunobu and the Stylishly Informal: Furyu Yatsushi as Aesthetic Convention."
Impressions 28, (2006-2007): 23-29.
Hockley, Allen. "New Age Warriors: Redeploying the Heroic Ethos in the Late Meiji Period." In
Chikanobu: Modernity and Nostalgia in Japanese Prints. Amsterdam: Hotei Publishing,
2006, 109-115.
King, James. Japanese Warrior Prints, 1646-1904. Leiden: Hotei Publishing, 2006.
Mostow, Joshua. "Setsugekka: Snow, Moon and Cherry." In Chikanobu: Modernity and Nostalgia
in Japanese Prints. Edited by Bruce A. Coats. Leiden: Hotei Publishing, 2006.
Salter, Rebecca. Japanese Popular Prints: From Votive Slips to Playing Cards. Honolulu:
University of Hawaii Press, 2006.
 2005
Carpenter, John T. Hokusai and His Age: Ukiyo-e Painting, Printmaking and Book Illustration in
Late Edo Japan. Amsterdam: Hotei Publishing, 2005.
JAHF Annual Bibliography 00-06 – PAGE 23
Davis, Julie Nelson. "Kitagawa Utamaro and His Contemporaries, 1780-1804." In The Hotei
Encyclopedia of Japanese Woodblock Prints. Edited by Amy Newland. Amsterdam: Hotei
Publishing, 2005.
Gerstle, C. Andrew, Timothy Clark, and Akiko Yano. Kabuki Heroes on the Osaka Stage,
1780-1830. Honolulu: University of Hawai'i Press, 2005.
Kobayashi, Tadashi (translated and adapted by Julie Nelson Davis). "The Kanbun Bijin: Setting
the Stage for Ukiyo-e Bijinga." In The Hotei Encyclopedia of Japanese Woodblock Prints.
Edited by Amy Newland. Amsterdam: Hotei Publishing, 2005, 83-87.
Kobayashi, Tadashi. "Light and in Shadow Ukiyo-e Paintings by Hokusai's Daughter Katsushika
Oi." In Hokusai and His Age. Edited by John T. Carpenter. Amsterdam: Hotei, 2005.
Marks, Andreas. "A Country Genji: Kunisada’s Single-Sheet Genji Series." Impressions 27,
(2005-2006): 58-79.
Screech, Timon. “Hokusai and the Microscope” In John T. Carpenter, ed., Hokusai and his Age,
Leiden: Hotei, 2005.
Stevenson, John. Yoshitoshi's Strange Tales. Amsterdam: Hotei Publishing, 2005.
Varshavskaia, Elena. Heroes of the Grand Pacification: Kuniyoshi's Taiheiki Eiyu Den. Leiden:
Hotei, 2005.
Waterhouse, David. "The Birth of the Full-Colour Print: Suzuki Harunobu and His Age (Early
1760s to Early 1780s)." In the Hotei Encyclopedia of Japanese Woodblock Prints. Edited by
Amy Newland Reigle. Amsterdam: Hotei Publishing, 2005.
 2004
Davis, Julie Nelson. "Artistic Identity and Ukiyo-e Prints: The Representation of Kitagawa
Utamaro to the Edo Public." In The Artist as Professional in Japan. Edited by Melinda
Takeuchi. Stanford: Stanford University Press, 2004.
Waterhouse, David. “The Cultural Milieu of Suzuki Harunobu.” In Amy Reigle Newland, ed., The
Commercial and Cultural Climate of Japanese Printmaking. Amsterdam: Hotei Publishing,
2004.
Waterhouse, David. “Harunobu in Chiba” (review-article). Impressions. The Journal of the
Ukiyo-e Society of America. No. 26 (2004), pp. 118-26.
 2003
Davis, Julie Nelson. “A Gift of Distinction: New Year’s Pine Tree Festival by Teisai Hokuba,” The
Bulletin of the Allen Memorial Art Museum. Oberlin College, March 2003, pp. 53-59.
Hockley, Allen. The Prints of Isoda Koryusai: Floating World Culture and its Consumers in
Eighteenth-Century Japan. Seattle: University of Washington Press, 2003.
Pollard, Clare. The Art of Hokusai – Masterpieces of Japanese Printing in the Chester Beatty
JAHF Annual Bibliography 00-06 – PAGE 24
Library. Dublin: Town House, 2003.
Snow, Hilary K. "Kiyochika's Women of the Three Cities, Santo Bijin." Cantor Arts Center
Journal vol. 3 (2002-2003): pp. 59-63.
 2002
Faulkner, Rupert. "The Making of the Montgomery Collection." In Timeless Beauty: Traditional
Japanese Art. Edited by Edmund de Waal et al. Milan: Skira Editore SpA, 2002, 161-225.
Mostow, Joshua. "Court Classics and Popular Prints: Poetry and Parody in Ukiyo-e." In Masterful
Illusions: Japanese Prints from the Anne Van Biema Collection. Edited by Ann Yonemura.
Washington, D.C: The Arthur M. Sackler Gallery, Smithsonian Institution, 2002.
Yonemura, Ann, Donald Keene, Andrew Gerstle, Elizabeth de Sabato Swinton, and Joshua S.
Mostow, eds. Masterful Illusions: Japanese Prints from the Anne Van Biema Collection.
Washington: University of Washington Press, 2002.
 2001
Faulkner, Rupert. Hiroshige Fan Prints. London: Victoria & Albert Museum, 2001.
 2000
Hockley, Allen. "Shunga: Function, Context, Methodology." Monumenta Nipponica 55, no. 2
(2000): 257-269.
Kobayashi, Tadashi. "The Coquetry of the Kanbun Beauty." In The Arts of Japan: An
International Symposium. Edited by Mieko Murase and Henry DeWitt Smith. Translated by
Julie Nelson Davis. New York: The Metropolitan Museum of Art, 2000, 211-220.
5. THEMATIC AND INTERDISCIPLINARY
STUDIES
A. ARCHAEOLOGY
B. CROSS CULTURAL INFLUENCES AND INTERNATIONAL
CONTACTS
 2006
Bincsik, Monika. “Collecting Japanese art in Hungary around the turn of the 20th century.” Andon
80, June 2006. pp.31-45.
Birnbaum, Phyllis. Glory in a Line: A Life of Foujita, The Artist Caught between East and West.
New York: Faber and Faber, 2006.
JAHF Annual Bibliography 00-06 – PAGE 25
Conant, Ellen P. "Japan 'Abroad' at the Chicago Exposition, 1893." In Challenging Past and
Present: The Metamorphosis of Nineteenth Century Japanese Art. Edited by Ellen P. Conant.
Hawai'i: University of Hawai'i Press, 2006, 254-280.
Feldman, Martha, and Bonnie Gordon. The Courtesan's Arts: Cross-Cultural Perspectives. New
York: Oxford University Press, 2006.
Hutt, Julia. "From the Eight Views of the Xiaoxiang to the Omi Hakkei: A New Interpretation of the
Iconography of the Mazarin Chest." Transactions of the Oriental Ceramic Society 71,
(2006-2007): 3-18.
Peschard-erlih, Erika. « Visages dans l’art japonais, no.2 », in Université Kyoritsu,
Sogobunkakenkyûjô-nenpô, vol.12, 2006, pp.109-125 (en fr. avec résumé en anglais).
Rousmaniere, Nicole Coolidge. Vessels of Influence: China and Porcelain in Medieval and Early
Modern Japan. London: Duckworth, 2006.
Watsky, Andrew M. "Locating ‘China’ in the Arts of Sixteenth-Century Japan." Art History 29, no.
4 (2006).
 2005
Bincsik, Monika. “The Establishment and Early History of the Japanese Collection at the Ferenc
Hopp Museum of Eastern Asiatic Arts.” In Japanese Collections in European Museums, II.
Josef Kreiner, ed., Bonn: Bier’sche Verlagsanstalt, 2005, pp. 229-243.
Boot, W. J. "Frontier Contact between Choson Korea and Tokugawa Japan." Harvard Journal of
Asiatic Studies 65, no. 2 (2005): 473-483.
David, Catherine. "Acrobatic Encounters: Korean Horseback Acrobats in Tokugawa Japan and
their Representation in Popular Art." Arts of Asia 35, no. 5 (2005): 107-112.
Atkins, Jacqueline M. ed. Wearing Propaganda: Textiles on the Home Front in Japan, Britain,
and the United States, 1931-1945. New Haven, Conn.: Published for the Bard Graduate
Center for Studies in the Decorative Arts, Design, and Culture by Yale University Press,
2005.
Hánová, Markéta “Tradice výstav mimoevropského, zejména asijského umění v českých zemích”
(Tradition of Asian Art Exhibitions in the Czech lands), in: Mimoevropské umění v českých
sbírkách; soumrak někdejší slávy? Seminář o studiu mimoevropského umění v souvislosti s
českými sbírkami, jejich zpracováním a vystavováním (Symposium on non-European Art
Studies with regards to Czech collections and their presentations). Carolinae, Císařský sál,
May 6, 2005, Department of Far East Studies, Charles University in Prague, 2005 (in Czech).
Jackson, Anna. “Dynamic lines and Syncopated Rhythms: Art Nouveau and Art Deco Designs in
Early Twentieth-Century Kimono.” In Annie van Assche, ed., Fashioning Kimono: Dress
and Modernity in Early Twentieth Century Japan. Milan: 5 Continents Editions, 2005. pp.
30-37.
Jackson, Anna. "Fashion for the Foreign: The Taste for Exotic Textiles and Dress in Momoyama
JAHF Annual Bibliography 00-06 – PAGE 26
and Edo Period Japan." Oriental Art LV, no. 1 (2005): 28-36.
Lambourne, Lionel. Japonisme: Cultural Crossings between Japan and the West. London:
Phaidon, 2005.
Los Angeles County Museum of Art, Tokyo Kokuritsu Hakubutsukan, Nihon Hoso Kyokai, NHK
Puromoshon, Osaka Shiritsu Bijutsukan, and Nagoya-shi Hakubutsukan. Japan Goes to the
World's Fairs: Japanese Art at the Great Expositions in Europe and the United States,
1867-1904. Los Angeles, CA.: LACMA, Tokyo National Museum, NHK, and NHK
Promotions Co, 2005.
McCausland, Shane. "Nihonga Meets Gu Kaizhi: A Japanese Copy of a Chinese Painting in the
British Museum." Art Bulletin 87, no. 4 (2005): 688-713.
Morris, Meaghan, Siu Leung Li, and Stephen Ching-kiu Chan. Hong Kong Connections:
Transnational Imagination in Action Cinema. Durham: Duke University Press; Hong Kong
University Press, 2005.
Navarro, Maria Roman. "The Impact of the Korean Campaigns (1592-98) on Bizen Ceramics." In
Über Japan Denken. Japan Überdenken. Festschrift Für Sepp Linhart Zu Seinem 60.
Geburtstag Von Seinen Schülerinnen Und Schülern. Edited by Roland Domenig, Susanne
Formanek and Wolfram Manzenreiter. Viena y Munich: LitVerlag, 2005, 345-368.
Screech, Timon. ""Pictures (the most Part Bawdy)": The Anglo-Japanese Painting Trade in the
Early 1600s." Art bulletin 87, no. 1 (2005): 50-72.
Sharf, Frederic Alan, Anne Morse Nishimura, and Sebastian Dobson. A Much Recorded War: The
Russo-Japanese War in History and Imagery. Boston, MA: MFA Publications, 2005.
Shimomura, Roger, William W. Lew, Roger Daniels, and Rudolph E. Lee Gallery. Minidoka
Revisited: The Paintings of Roger Shimomura. Clemson, S.C; Seattle: Lee Gallery, Clemson
University; Distributed by University of Washington Press, 2005.
Thomson, Grace, Jan Gates, and Japanese Canadian National Museum. Shashin: Japanese
Canadian Photography to 1942. Burnaby, B.C: Japanese Canadian National Museum, 2005.
Volk, Alicia. Modern Japanese Art, a Concise History: Gallery Guide to the Collection of the
National Museum of Modern Art, Tokyo. Tokyo, Japan: The Museum, 2005.
Wilson, Richard. “Notes on Chinese Ceramics Excavated in Japan.” Tradition and
Transformation: Studies of Chinese Art in Honor of Chu-tsing Li. Lawrence, Kansas: Spencer
Museum of Art, 2005, pp. 472-493.
Wong, Aida Yuen. Painting the Mist: Discovering Japan and the Rise of National-Style Painting
in Modern China. Honolulu: University of Hawaii Press, 2005.
 2004
Faulkner, Rupert. "Personal Encounters: Europeans in East Asia." In Encounters: The Meeting of
Asia and Europe, 1500-1800. Edited by Anna Jackson and Amin Jaffer. London: Victoria &
JAHF Annual Bibliography 00-06 – PAGE 27
Albert Museum, 2004.
Guth, Christine, Emiko Yamanashi and Alicia Volk. Japan & Paris: Impressionism,
Postimpressionism, and the Modern Era. Honolulu: Honolulu Academy of Arts, 2004.
Guth, Christine. Longfellow's Tattoos: Tourism, Collecting, and Japan. Seattle: University of
Washington Press, 2004.
Hockley, Allen. "First Encounters, Emerging Stereotypes: Westerners and Seisha in the Late
Nineteenth Century" In Geisha: Beyond the Painted Smile. Edited by Peabody Esses Museum.
New York: George Braziller, 2004.
Hutt, Julia. "Asia in Europe: Lacquer for the West." In Encounters; the Meeting of Asia and
Europe 1500 - 1800. Edited by Anna Jackson and Amin Jaffer. London: Victoria & Albert
Museum, 2004, 234-253.
Irvine, Gregory. "East Asian Metalwork for the Export Market." In Encounters: The Meeting of
Europe and Asia 1500-1800. Edited by Anna Jackson and Amin Jaffer. London: Victoria &
Albert Museum, 2004.
Irvine, Gregory. "The Impact of European War Technology." In Encounters: The Meeting of
Europe and Asia 1500-1800. Edited by Anna Jackson and Amin Jaffer. London: Victoria &
Albert Museum, 2004.
Irvine, Gregory. "Japanese Diplomatic Relations with Europe." In Encounters: The Meeting of
Europe and Asia 1500-1800. Edited by Anna Jackson and Amin Jaffer. London: Victoria &
Albert Museum, 2004.
Jackson, Anna. "Visual Responses: Depicting Europeans in East Asia." In Encounters: The
Meeting of Asia and Europe. Edited by Anna Jackson and Amin Jaffer. London: Victoria &
Albert Museum, 2004.
Jungmann, Burglind. Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese
Nanga. Princeton, N.J: Princeton University Press, 2004.
 2003
Bincsik, Monika. “Meiji Period Export Lacquer and the Hungarian Collectors of Japanese
Lacquerware.” In The Role of Urushi in International Exchange. Tokyo: National Research
Institute for Cultural Properties, 2003.
Faulkner, Rupert. "Cultural Identity and Japanese Studio Ceramics." In Quiet Beauty: Fifty
Centuries of Japanese Folk Ceramics from the Montgomery Collection. Edited by Robert
Moes. Art Services International: Alexandria, Virginia, 2003, 236-245.
Jackson, Anna. "Art Deco in East Asia." In Art Deco: 1910-1939. Edited by Charlotte Benton, Tim
Benton and Ghislaine Wood. London: Victoria & Albert Museum, 2003, 370-381.
Jackson, Anna. "Inspiration from the East." In Art Deco: 1910-1939. Edited by Charlotte Benton,
Tim Benton and Ghislaine Wood. London: Victoria & Albert Museum, 2003, 66-77.
JAHF Annual Bibliography 00-06 – PAGE 28
Morse, Anne, Nishimura. "Art Nouveau and its Reception in Japan: Selections from the Leonard A.
Lauder Collection of Japanese Postcards." Apollo (2003): 7-11.
 2002
Bincsik, Monika. “The Trade in Japanese Art during the Meiji Period with Special Reference to
Lacquer, as Mirrored in the Collections at the Ferenc Hopp Museum of Eastern Asiatic Arts.”
Budapest, In Ars Decorativa. 2002. pp.103-143.
Jackson, Anna, and Amin Jaffer, eds. Encounters: The Meeting of Asia and Europe. London:
Victoria & Albert Museum, 2002.
Suchomel, Filip. "Japanese Collections in the Czech Republic." In A Visit from Prague - Japanese
Art from Czech Museums, Puraha Kara no Bi no Tayori. Satogaeri no Nihon Bijutsu. Kyoto:
Kyoto National Museum, 2002.
Watanabe, Toshio, and Yuko Kikuchi. "The British Discovery of Japanese Art." In The History of
Anglo-Japanese Relations 1600-2000. Edited by G. Daniels and C. Tsuzuki. Basingstoke and
New York: Palgrave Macmillan, 2002.
 2001
Toshio Watanabe 2001 ‘Japonisme’, Crafts, 173, pp. 42-45.
 2000
Jackson, Anna. "Orient and Occident." In Art Nouveau 1890-1914. Edited by Paul Greenhalgh.
London: Victoria & Albert Museum, 2000.
C. GENDER STUDIES/SEXUALITY IN ART
 2006
Croissant, Doris. "Visions of the Third Princess. Gendering Space in the Tale of Genji
Illustrations." Arts Asiatiques 60, (2006).
Weisenfeld, Gennifer. "Women and Words: Two Language Artists in Contemporary Japan." In
Persistence/Transformation: Text as Image in the Art of Xu Bing. Edited by Jerome
Silbergeld and Dora Ching C.Y. Princeton: P.Y. and Kinmay W. Tang Center for East Asian
Art, Department of Art and Archaeology, Princeton University in association with Princeton
University Press, 2006, 59-85.
 2005
Kornicki, P. F. "Unsuitable Books for Women: Genji Monogatari and Ise Monogatari in Late
Seventeenth-Century Japan." Monumenta Nipponica 60, no. 2 (2005): 147-193.
Lindsay, William. "Religious and the Good Life: Motivation, Myth, and Metaphor in a Tokugawa
Female Lifestyle Guide." Japanese Journal of Religious Studies 32, no. 1 (2005): 35-52.
JAHF Annual Bibliography 00-06 – PAGE 29
Mezur, Katherine. Beautiful boys/outlaw Bodies: Devising Kabuki Female-Likeness. New York:
Palgrave Macmillan, 2005.
Miyazaki, Fumiko. "Female Pilgrims and Mt. Fuji: Changing Perspectives on the Exclusion of
Women." Monumenta Nipponica 60, no. 3 (2005): 339-391.
Molony, Barbara, and Kathleen Uno. Gendering Modern Japanese History. Cambridge, Mass:
Harvard University Asia Center, 2005.
Teasley, Sarah. “Home Builder or Homemaker? Reader Presence in Articles on Homebuilding in
Commercial Women’s Magazines in 1920s Japan.” Journal of Design History 18:1 (Spring
2005): pp. 81-97.
Uhlenbeck, Chris, and Margarita Winkel. Japanese Erotic Fantasies: Sexual Imagery of the Edo
Period. Amsterdam: Hotei Pub, 2005.
Yoshie Akiko. "Gender in Early Classical Japan: Marriage, Leadership, and Political Status in
Village and Palace." Monument Nipponica 60, no. 4 (2005): 437-479.
 2004
Volk, Alicia. “Katsura Yuki and the Japanese Avant-garde.” Woman’s Art Journal, vol. 24 no. 2,
2003.
Teasley, Sarah. “Visits in the Mediated Metropolis: Women’s Magazines and the Modern
Japanese Home.” Angela Liu ed. Sophia AGLOS Working Papers Series No. 2: Urban
Space/Global Consumption (2004): pp. 65-81.
 2003
Mostow, Joshua. "The Gender of Wakashu and the Grammar of Desire in Late 17th Century Edo."
In Gender and Power in the Japanese Visual Field. Edited by Joshua Mostow, Norman
Bryson and Maribeth Graybill. Hawai'i: University of Hawai'i Press, 2003.
Mostow, Joshua "Gender and Cultural Capital: The Hakubyō and Kubo-Family Tales of Ise
Illustrated Scrolls." In Review of Japanese Culture and Society, special issue, Japanese Art:
The Scholarship and Legacy of Chino Kaori, vol. XV (December 2003): pp. 104-105.
Mostow, Joshua S., Norman Bryson, and Maribeth Graybill. Gender and Power in the Japanese
Visual Field. Honolulu: University of Hawai`i Press, 2003.
Mostow, Joshua. "What is 'Japanese Beauty'?: Museum as 'Hometown'." In Japan at the
Millennium: Joining Past & Future. Edited by David W.Edgington. Vancouver: University of
British Columbia Press, 2003.
 2002
Ruch, Barbara. Engendering Faith: Women and Buddhism in Premodern Japan. Ann Arbor, Mich:
Center for Japanese Studies, University of Michigan, 2002.
JAHF Annual Bibliography 00-06 – PAGE 30
D. RELIGIOUS SITES, ICONS, AND OTHER DEVOTIONAL ARTS
1. Buddhist Art and Architecture
 2006
Fowler, Sherry. "Travels of the Daihōonji Six Kannon Sculptures." Ars Orientalis (36): 178-214.
2006.
Heinrich, Amy V. "Seasons of Sacred Celebration: Flowers and Poetry from an Imperial
Convent." New York: Institute for Medieval Japanese Studies, 2006.
Kaminishi, Ikumi. Explaining Pictures: Buddhist Propaganda and Etoki Storytelling in Japan.
Honolulu: University of Hawai`i Press, 2006.
Levine, Gregory P. A. Daitokuji: The Visual Cultures of a Zen Monastery. Seattle: University of
Washington Press, 2006.
Pollard, Clare. "Zen Mind: The Development of Zen Buddhism." In Zen Mind, Zen Brush:
Japanese Ink Paintings from the Gitter-Yelen Collection. Sydney: Art Gallery of New South
Wales, 2006.
Mack, Karen J. "The Phenomenon of Invoking Fudo for Pure Land Rebirth in Image and Text."
Japanese Journal of Religious Studies 33, no. 2 (2006).
Steiner, Evgeny. Zen-Life: Ikkyu and Beyond. St.Petersburg: Orientalia, 2006.
 2005
Barnet, Sylvan, and William Burto. "Finial for a Monk's Staff." Orientations 36, no. 8 (2005): 89.
Berthier, François, and Graham Parkes. Reading Zen in the Rocks: The Japanese Dry Landscape
Garden. Pbk. ed. Chicago: University of Chicago Press, 2005.
Bowring, Richard John. The Religious Traditions of Japan, 500-1600. Cambridge, UK; New York:
Cambridge University Press, 2005.
Fowler, Sherry Dianne. Muroji: Rearranging Art and History at a Japanese Buddhist Temple.
Honolulu: University of Hawai'i Press, 2005.
Ford, James L. "Competing with Amida: A Study and Translation of Jokei's Miroku Koshiki."
Monument Npponica 60, no. 1 (2005): 43-79.
Kanda, Fusae. "Behind the Sensationalism: Images of a Decaying Corpse in Japanese Buddhist
Art." Art Bulletin 87, no. 1 (2005): 24-49.
Kimbrough, R. Keller. "Reading the Miraculous Powers of Japanese Poetry Spells, Truth Acts and
a Medieval Buddhist Poetics of the Supernatural." Japanese Journal of Religious Studies 32,
no. 1 (2005): 1-33.
Leighton, Taigen Dan. "Dogen's Appropriation of Lotus Sutra Ground and Space." Japanese
JAHF Annual Bibliography 00-06 – PAGE 31
Journal of Religious Studies 32, no. 1 (2005): 85-105.
Loveday, Helen. "Tokens of Faith: Japanese Altar Cloths of the Edo Period." Orientations 36, no.
4 (2005): 37-44.
Miyamoto, Yuki. "Rebirth in the Pure Land of God's Sacrificial Lambs? Religious Interpretations
of the Atomic Bombings in Hiroshima and Nagasaki." Japanese Journal of Religious Studies
32, no. 1 (2005): 131-159.
Morse, Anne Nishimura, Jacki Elgar, and Richard Newman. "A Technical Study of the Hokkedō
Konpon Mandara." In Scientific Research on the Pictorial Arts of Asia. Edited by Anne
Morse Nishimura, Jacki Elgar and Richard Newman. Washington, D.C: Freer Gallery of
Art,Smithsonian Institution.Smithsonian Museum, 2005d.
Mueller, Laura J. Strong Women, Beautiful Men: Japanese Portrait Prints from the Toledo
Museum of Art. Amsterdam: Hotei Publishing, 2005.
Pier, Garrett Chatfield. Temple Treasures of Japan. Whitefish, MT: Kessinger Pub, 2005.
Quinn, Shelley Fenno. Developing Zeami: The Noh Actor's Attunement in Practice. Honolulu:
University of Hawaii Press, 2005.
Thal, Sarah. Rearranging the Landscape of the Gods: The Politics of a Pilgrimage Site in Japan,
1573-1912. Chicago: University of Chicago Press, 2005.
Tsang, Carol Richmond. "Marriage, Adoption, and Honganji." Japanese Journal of Religious
Studies 32, no. 1 (2005): 53-83.
Winfield, Pamela D. "Curing with Kaji: Healing and Esoteric Empowerment in Japan." Japanese
Journal of Religious Studies 32, no. 1 (2005): 107-130.
 2004
Barnet, Sylvan, and Burto William. "Thinking about Buddhist Ritual Objects." Orientations 35, no.
1 (2004): 67-69.
Hunter, Harriet. "Faquan’s Transmission of the Susiddhi Category of the Esoteric Buddhist
Teachings." Journal of the International College for Advanced Buddhist Studies 8. Tokyo:
The International College for Advanced Buddhist Studies, 2004.
Kanda, Fusae. "Hōnen’s/Senchaku/Doctrine and His Artistic Agenda." Journal of Religious
Studies 31, (2004): 3-27.
Pradel, Chari. "The Tenjukoku Shucho Mandara: Reconstruction of the Iconography and Ritual
Context." In Images in Asian Religious Texts and Contexts. Edited by Phyllis Granoff and
Koichi Shinohara. Vancouver & Toronto: UBC Press, 2004.
Watsky, Andrew M. Chikubushima: Deploying the Sacred Arts in Momoyama Japan. Seattle:
University of Washington Press, 2004.
 2003
JAHF Annual Bibliography 00-06 – PAGE 32
Addiss, Stephen. "Zen no Sho." In Zen no Sho: The Calligraphy of Fukushima Keido Roshi. Edited
by Jason Wirth. Santa Fe: Clear Light Publisher, 2003.
Fister, Patricia. "Art by Buddhist Nuns: Treasures from the Imperial Convents of Japan." New
York: Institute for Medieval Japanese Studies, 2003.
Glassman, Hank. "'Show me the Place Where my Mother Is!' Chūjōhime, Preaching, and Relics in
Late Medieval and Early Modern Japan." In Approaching the Pure Land: Religious Praxis in
the Cult of Amitābha, Richard Payne & Kenneth Tanaka eds., Honolulu: Kuroda
Institute/University of Hawaii Press, 2003.
Graham, Patricia, J. "Shingon in Japanese Visual Culture, 17th to 20th Century." Bulletin of the
Research Institute of Esoteric Buddhist Culture October, (2003): 119-138.
 2002
Glassman, Hank. "The Nude Jizō at Denkōji: Notes on Women's Salvation in Kamakura
Buddhism." In Engendering Faith: Women and Buddhism in Pre-Modern Japan, Ruch,
Barbara ed., Ann Arbor: Center for Japanese Studies, University of Michigan, 2002.
Hunter, Harriet. "A Late Heian Period Reinterpretation of the Rishukyô Mandara." Japanese
Religions 27/1. Special Issue on Shingon Buddhism. Kyoto: NCC Center for the Study of
Japanese Religions, 2002.
Waterhouse, David. "Buddhism and the Teaching of Jūdō." In Teaching Buddhism in the West.
from the Wheel to the Web. Edited by Victor Hori Sogen, Richard Hayes P and James Mark
Shields. London: Routledge Curzon, 2002.
 2001
Harriet Hunter. "Late Tang Chinese Handbooks for the Garbhakoça Rite." Embodying Wisdom:
Art, Text and Interpretations in the History of Esoteric Buddhism. Rob Linrothe and Henrik
Sorensen, eds. Copenhagen: The Seminar for Buddhist Studies, SBS Monographs 6, 2001.
Fowler, Sherry. “Shifting Identities in Buddhist Sculpture: Who’s Who in the Murōji Kondō.”
Archives of Asian Art 52 (2000–2001): pp. 83–104.
 2000
Fowler, Sherry. "The Splitting Image of Baozhi at Saioji and His Cult in Japan." Oriental Art 46,
no. 4 (2000): 2-10.
Peschard-erlih, Erika. "Les peintures des enfers du Rokudo-e du monastere Shoju-Raigoji", In
Kyoritsu Kokusai bunka, n.17, 3.2000 (March 2000), pp.13-46. (in fr. with a summary in
Japanese).
2. Shinto Art and Architecture
JAHF Annual Bibliography 00-06 – PAGE 33
 2005
Butler, Lee. "'Washing Off the Dust': Baths and Bathing in Late Medieval Japan." Monumenta
Nipponica 60, no. 1 (2005): 1-41.
3. Folk Religion and Syncretic Religious Arts and Architecture
 2001
Addiss, Stephen. "Daoist Themes in Early Modern Japanese Painting." Oriental Art 47, no. 1
(2001): 47-53.
E. SAMURAI ARTS, ARMS AND ARMOR
 2005
Bottomley, Ian. Shogun: The Life of Lord Tokugawa Ieyasu. Leeds, U.K.: Royal Armouries, 2005.
Harris, Victor. Cutting Edge: Japanese Swords in the British Museum. North Clarendon, VT:
Tuttle Pub, 2005.
Irvine, Gregory. "Collecting Japanese Arms and Armour: A European Perspective with an
Emphasis on the Collections of the Victoria & Albert Museum." Oriental Art Magazine LV,
no. 1 (2005): 37-46.
 2004
Butler, Lee. “Patronage and the Building Arts in Tokugawa Japan.” Early Modern Japan 12:2
(Fall-Winter, 2004), pp. 39-52.
Earle, Joe. Lethal Elegance: The Art of Samurai Sword Fittings. Boston, 2004.
 2001
Irvine, Gregory. "The Japanese Sword." Orientations 32, no. 10 (2001): 36-38.
 2000
Irvine, Gregory. The Japanese Sword: The Soul of the Samurai. London: Victoria & Albert
Museum, 2000.
F. TEA CEREMONY AND RELATED ARTS
 2006
JAHF Annual Bibliography 00-06 – PAGE 34
Lawrence, Robyn Griggs. The Wabi-Sabi House: Japanese Art of Imperfect Beauty. New York;
Enfield: Random House, 2006.
 2005
Pitelka, Morgan. Handmade Culture: Raku Potters, Patrons, and Tea Practitioners in Japan.
Honolulu: University of Hawai'i Press, 2005.
 2004
Faulkner, Rupert. “Imported Ceramics and Japanese Tea Drinking,” In Anna Jackson and Amin
Jaffer eds., Encounters: The Meeting of Asia and Europe, 1500-1800, London, V&A, 2004.
Pitelka, Morgan. "Tea Taste: Patronage and Collaboration among Tea Masters and Potters in Early
Modern Japan." Early Modern Japan: An Interdisciplinary Journal Fall, (2004): 20-38.
 2003
Cort, Louise. "Shopping for Pots in Momoyama Japan." In Japanese Tea Culture: Art, History,
and Practice. Edited by Morgan Pitelka. London and New York: RoutledgeCurzon, 2003.
Faulkner, Rupert. Tea: East and West. London: Victoria & Albert Museum, 2003.
Faulkner, Rupert. 'What's in a Teabowl: The Case of Raku Kichizaemon XV', Taoci (Transactions
of the Oriental Ceramic Society of France) no. 3, December 2003, pp.49-56.
Graham, Patricia J. "Karamono for Sencha, Transformations in the Taste for Chinese Art." In
Japanese Tea Culture: Art, History, and Practice. Edited by Morgan Pitelka.
Routledge-Curzon Press: London, 2003.
Watsky, Andrew M. "Commerce, Politics, and Tea: The Career of Imai Sōkyū." In Japanese Tea
Culture: Art, History, and Practice. Edited by Morgan Pitelka. London: Routledge, 2003.
G. MODERN AND CONTEMPORARY ART AND ARCHITECTURE
1. Modern and Contemporary Art
 2006
Conant, Ellen P. ed. Challenging Past and Present: The Metamorphosis of Nineteenth-Century
Japanese Art. Honolulu: University of Hawai'i Press, 2006.
Croissant, Doris. “In Quest of the Real: Portrayal and Photography in Japanese Painting Theory.
In: Ellen P. Conant, ed., Challenging Past and Present: The Metamorphosis of Japanese Art
in the Nineteenth Century. University of Hawai’i Press, Hawai’i , 2006.
Tomii, Reiko. "An Invitation to ‘Comparative Art History’: Katsuhiro Saiki and Christoph
Weber." Vienna: Sumazo, 2006.
JAHF Annual Bibliography 00-06 – PAGE 35
Tomii, Reiko. "Recent Painting by Mizue Sawano: Passionate Expressions of Nature’s Forces
Enduring in Peace." Mizue Sawano. Tokyo: Takashimaya Art Gallery, 2006.
Weisenfeld, Gennifer. “Women and Words: Two Language Artists in Contemporary Japan."
Persistence/Transformation: Text as Image in the Art of Xu Bing. Edited by Jerome
Silbergeld and Dora C.Y. Ching, 2006.
 2005
Brown, Kendall H., Sharon Minichiello, and Honolulu Academy of Arts. Taisho Chic: Japanese
Modernity, Nostalgia, and Deco. Seattle: University of Washington Press, 2005.
Concannon, Kevin. “War Is Over!: John and Yoko’s Christmas Eve Happening, Tokyo, 1969.” In
1960s Japan: Art Outside the Box, special issue of Review of Japanese Culture and Society,
Tomii, Reiko, ed., Vol. 17, Josai University, (December 2005).
Hirasuna, Delphine, and Kit Hinrichs. The Art of Gaman: Arts and Crafts from the Japanese
American Internment Camps, 1942-1946. Berkeley, Calif: Ten Speed Press, 2005.
IDB Cultural Center. Nikkei Latin American Artists of the 20th Century: Featuring Artists of
Japanese Descent from Argentina, Brazil, Mexico, and Peru. Washington, D.C:
Inter-American Development Bank, Cultural Center Art Gallery, 2005.
Kenji Kaneko. Modern Craft Art Japan: Works from the Crafts Gallery, the National Museum of
Modern Art, Tokyo. Tokyo: National Museum of Modern Art : International distribution by
Coherence, 2005.
Kuroda Raiji. “A Flash of Neo Dada: Cheerful Destroyers in Tokyo.” In 1960s Japan: Art Outside
the Box special issue of Review of Japanese Culture and Society, Tomii, Reiko, ed., Vol. 17,
Josai University, (December 2005).
Kuroda Raiji. “Kyushu-ha as a Movement: Descending to the Undersides of Art.” In 1960s Japan:
Art Outside the Box special issue of Review of Japanese Culture and Society, Tomii, Reiko,
ed., Vol. 17, Josai University, (December 2005).
Miwa, Kenjin, ed. Ajia no Kyubizumu: Kyokai Naki Taiwa (Cubism in Asia: Unbounded
Dialogues). Tokyo: National Museum of Modern Art, 2005.
Mori, Hitoshi. Japanizu Modan: Kenmochi Isamu to Sono Sekai. Translated by Sarah Teasley.
Tokyo: Kokusho Kankokai, 2005.
Morse, Anne Nishimura, J. Thomas Rimer, and Kendall H. Brown. Art of the Japanese Postcard.
Aldershot: Lund Humphries, 2005.
Murakami Takashi. Little Boy: The Arts of Japan's Exploding Subculture. New York: Japan
Society: New Haven, CT : Yale University Press, 2005.
Ngai, Sianne. "The Cuteness of the Avant-Garde." Critical Inquiry 31, (2005): 811-847.
Oyobe, Natsu. Human Subjectivity and Confrontation with Materials in Japanese Art: Yoshihara
Jiro‚ and Early Years of the Gutai Art Association, 1947-1958, 2005.
JAHF Annual Bibliography 00-06 – PAGE 36
Rhee, Jieun. "Performing the Other: Yoko Ono's 'Cut Piece'." Art History 28, no. Feb (2005):
96-118.
Schattschneider, Ellen. "The Bloodstained Doll: Violence and the Gift in Wartime Japan." Journal
of Japanese Studies 31, no. 2 (2005): 329-356.
Sharf, Frederic Alan, and Portsmouth Athenaeum (Portsmouth, N.H.). The Art of Propaganda :
Lithographs Published during the Russo-Japan War, 1904-1905. Newbury, Mass.:
Newburyport Press, 2005.
Sorgenfrei, Carol Fisher. Unspeakable Act: The Avant-Garde Theatre of Terayama Shuji and
Postwar Japan. Honolulu: University of Hawai`i Press, 2005.
Teasley, Sarah. 20Th Century Design History. Tokyo: Petit Grand Publishing, 2005.
Tomii, Reiko, ed., 1960s Japan: Art Outside the Box special issue of Review of Japanese Culture
and Society, Vol. 17, Josai University, (December 2005).
Tomii, Reiko. “Japanese Art Since 1945: The First PoNJA-GenKon Symposium (Proceedings)” In
1960s Japan: Art Outside the Box special issue of Review of Japanese Culture and Society,
Tomii, Reiko, ed., Vol. 17, Josai University, (December 2005).
Tomii, Reiko. "“Zero Dimension,” “Miwa Yanagi,” “Tsuyoshi Ozawa,” and “Hisashi
Tenmyouya”." In Grove Art Online. New York: Oxford University Press, 2005.
Tomii, Reiko. "Genpei Akasegawa, the State of Japan, and Expo ’70 in Osaka." In Resounding
Spirit: Japanese Contemporary Art of the 1960s, the Gibson Gallery Collection. Edited by
Shin'ya Watanabe. New York: White Box, 2005.
Tomii, Reiko, and Josai Daigaku. ""Art Outside the Box" in 1960s Japan: An Introduction and
Commentary." In Review of Japanese Culture and Society Saitama-Ken. Saitama-ken, Japan:
Josai International Center for the Promotion of Art and Science, 2005.
Vartanian, Ivan. Drop Dead Cute: The New Generation of Women Artists in Japan. San Francisco,
Calif: Chronicle, 2005.
Volk, Alicia, with a contribution by Helen Nagata, and Milwaukee Art Museum. Made in Japan:
The Postwar Creative Print Movement. Milwaukee, Wis: Milwaukee Art Museum in
association with University of Washington Press, Seattle, 2005.
Yoshimoto, Midori. Into Performance: Japanese Women Artists in New York. New Brunswick,
N.J: Rutgers University Press, 2005.
 2004
Cort, Louise. “Isamu Noguchi & Modern Japanese Ceramics.” In Ceramics: Art and Perception
no. 55, 2004.
Cort, Louise. “Crawling through Mud: Avant-garde Ceramics in Postwar Japan,” in Studio Potter
vol. 33 no. 1 (December, 2004).
JAHF Annual Bibliography 00-06 – PAGE 37
Guth, Christine, Alicia Volk & Yamanashi Emiko. Japan and Paris: Impressionism,
Post-Impressionism and the Modern Era, University of Washington Press and Honolulu
Academy of Arts, 2004.
Hockley, Allen. "The Zenning of Shiko Munakata." Impressions 26, (2004): 77-87.
Imada, Kinichi, "Typography Review 04: Succeeding the History of Typefaces." Sarah Teasley,
trans. IDEA 304 (May 2004), pp 119-134.
Katashio Jiro. "Typography Review 06: Concern about Future Typefaces without Roots." Takao
Kawaguchi, trans. IDEA 306 (September 2004), pp. 137-152.
Reiko Tomii. “Historicizing ‘Contemporary Art’: Some Discursive Practices in Gendai Bijutsu in
Japan.” Positions 12.3 (Winter 2004).
Morse, Anne Nishimura. The Art of the Japanese Postcard: The Leonard A. Lauder Collection at
the MFA, Boston. Boston: Museum of Fine Arts, Boston, 2004.
Tomii, Reiko. "Who Needs Globalism?: Exploring the Local in Contemporary Art in Japan,
Echigo-Tsumari Art Triennial 2003." Art Asia Pacific 39, (2004).
Tomii, Reiko. "‘Another Story’: Some Aspects of Post-1945 Japanese Painting, as seen through
the Gibson Gallery Collection." In Resounding Spirit: Japanese Contemporary Art of the
1960s, the Gibson Gallery Collection Potsdam, N.Y.: Roland Gibson Gallery, SUNY, 2004.
Weisenfeld, Gennifer. "‘From Baby’s First Bath’: Kaō Soap and Modern Japanese Commercial
Design." The Art Bulletin LXXXVI, no. 3 (2004): 573-598.
Volk, Alicia. “When the Japanese Print Became Avant-garde: Yorozu Tetsugorô and
Taishô-period Creative Prints.” Impressions: The Journal of the Ukiyo-e Society of America,
no. 26, 2004.
 2003
Cort, Louise. “Sodeisha: The Emergence of a Ceramic Avant-garde in Japan.” Kerameiki Techni
International Ceramic Art Review, issue 45 (December 2003).
Tadanori, Yokoo. “The Complete Writings of Yokoo Tadanori.” Teasley, Sarah, trans. Idea
International Graphic Art 298 (May 2003), pp. 119-166.
Teasley, Sarah. "Design in the Past, Design from Now On" (Interviews with Tadanori Yokoo,
Kazumasa Nagai, Naoto Fukasawa, Shutaro Mukai), IDEA 300 (September 2003), pp.
185-200.
Tomii, Reiko. “Akai Akai Asahi Asahi -- Red, Red Is the Rising Sun: Wartime Memory in
Akasegawa Genpei's Sakura gahō” Jōsai University, Review of Japanese Culture and Society
15 (December 2003).
Volk, Alicia. “Katsura Yuki and the Japanese Avant-garde.” Woman’s Art Journal, vol. 24 no. 2,
2003.
JAHF Annual Bibliography 00-06 – PAGE 38
 2002
Earle, Joe. “Marketing the Marvellous: The Promotion of Textiles and Ceramics in the Later Meiji
Era.” Orientations (Sept. 2002), pp. 63–70.
Kawai, Masatomo, Robert T. Singer, Felice Fischer, Hollis Goodall, and Kiyoko Kakeya.
Munakata Shiko: Japanese Master of the Modern Print. Tokyo: Art Media Resources, 2002.
Tomii, Reiko. “A Cosmic Sensibility: Hitoshi Nomura’s Photographic Works,” Persimmon 2, no.
3 (Winter 2002).
Tomii, Reiko. “Akasegawa Genpei’s The Sakura Illustrated: When the Good Old Man Makes a
Dead Tree Flower and the Bad Old Man Throws a Fire Bomb,“ International Journal of
Comic Art 4, no. 2 (Fall 2002).
Tomii, Reiko. "Contemporary Art,” (“Contemporary Painting), "Nishonga," "Sculpture" and
"Yoga"." In Encyclopedia of Contemporary Japanese. Edited by Sandra Buckley. London:
Routledge, 2002.
Tomii, Reiko. “State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and
Company,” Positions 10.1 (Spring 2002).
Volk, Alicia. "Kasahara Emiko; Kawamata Tadashi; Murakami Takashi; Yanagi Yukinori
(Individual Entries)." In Contemporary Artists. Edited by Sara Pendergast and t. Pendergast.
Detroit: St. James Press, 2002.
Weisenfeld, Gennifer. Mavo: Japanese Artists and the Avant-Garde, 1905-1931. Berkeley:
University of California Press, 2002.
 2001
Earle, Joe. Splendors of Imperial Japan: Arts of the Meiji Period from the Khalili Collection.
London: Khalili Family Trust, 2002.
Morse, Anne Nishimura. “At the Intersection of ‘Old Japan’ and ‘New Japan’: The Museum of
Fine Arts, Boston and the Meiji Era.” In Japan at the Dawn of the Modern Age: Woodblock
Prints from the Meiji Era. Boston: Museum of Fine Arts, Boston, 2001.
Morse, Anne Nishimura. "Japan at the Dawn of the Modern Age: Woodblock Prints from the Meiji
Era." In Japan at the Dawn of the Modern Age: Woodblock Prints from the Meiji Era. Boston:
Museum of Fine Arts, Boston, 2001.
Tomii, Reiko. "History as Memory—One Day, I Thought about Yukinori Yanagi in New York."
In Yanagi Yukinori: Akitsushima. Hiroshima: Hiroshima City Museum of Contemporary Art,
2001.
Tomii, Reiko. "Thought Provoked: Ten Views of Tokyo, Circa 1970." In Century City: Art and
Culture of the Modern Metropolis. London: Tate Modern, 2001.
 2000
JAHF Annual Bibliography 00-06 – PAGE 39
Tomii, Reiko and Kevin Concannan. "Chronology: Exhibitions, Concerts, Events, etc." YES Yoko
Ono. New York: Japan Society, 2000.
Tomii, Reiko. “Rebel with a Cause: Akasegawa Genpei’s Greater Japan Zero-Yen Note.” In
M’Ars (magazine of the Museum of Modern Art Ljubljana) 12, nos. 3 – 4 (2000), theme issue
of “Worthless (Invaluable): The Concept of Value in Contemporary art.”
Weisenfeld, Gennifer. "Japanese Modernism and Consumerism: Forging the New Artistic Field of
Shōgyō Bijutsu (Commercial Art)." In Being Modern in Japan. Sydney: Australian
Humanities Research Foundation, 2000.
Weisenfeld, Gennifer. "Touring ‘Japan as Museum’: NIPPON and Other Japanese Imperialist
Travelogues." Positions: East Asia Cultures Critique (Visual Cultures of Japanese Imperialism) 8
(3): 747-793. 2000.
 1999
Earle, Joe. Splendors of Meiji: Treasures of Imperial Japan, Masterpieces from the Khalili
Collection. Wilmington, Delaware: China Broughton International Publications, 1999.
2. Modern Architecture
 2005
Pollock, Naomi R. Modern Japanese House. London; New York: Phaidon, 2005.
Rao, Peggy Landers, Len Brackett, and Aya Brackett. Building the Japanese House Today. New
York: H.N. Abrams, 2005.
Sand, Jordan. House and Home in Modern Japan: Reforming Everyday Life 1880-1930.
Cambridge, Mass.: Harvard University Press, 2005.
Takahashi, Masaaki. Design City Tokyo. Chichester, England: Wiley-Academy, 2005.
Tschumi, Christian and Wernli Markuz Saito, eds. Mirei Shigemori: Modernizing the Japanese
Garden. Berkeley: Stone Bridge Press, 2005.
 2004
Teasley, Sarah. “Reforming the Inside Out: Kogure Joichi on Furniture and Architecture.” Design
History 2, (June 2004): 75-114.
Tseng, Alice. "Styling Japan: The Case of Josiah Conder and the Museum at Ueno, Tokyo."
Journal of the Society of Architectural Historians (December 2004): 472-497.
 2003
Teasley, Sarah. “Furnishing the Modern Metropolitan: Moriya Nobuo's Designs for Japanese
Domestic Interiors, 1922-1927.” Design Issues 19:4 (October 2003): 57-71.
JAHF Annual Bibliography 00-06 – PAGE 40
 2001
Teasley, Sarah. "Nation, Modernity and Interior Decoration: Hybridity and Identity in the 1922
Peace Commemoration Tokyo Exposition Culture Village Houses.” Japanstudien 13
(October 2001): 49-88.
 2000
Jackson, Anna. “Tradition and Modernity: Japan and the Creation of Art Nouveau.” New
Architecture. Vol 6, October 2000, pp. 38-45.
3. Photography
 2006
Hockley, Allen. "Expectation and Authenticity in Meiji Tourist Photography." In Challenging
Past and Present: The Metamorphosis of Nineteenth-Century Japanese Art. Edited by Ellen P.
Conant. Honolulu: University of Hawaii Press, 2006.
Suchomel, Filip. Photographs of Japan: The Times of Joe Hloucha. A Collection of Albumen
Prints from the Museum of Decorative Arts in Prague. Roztoky u Prahy: The Central
Bohemian Museum at Roztoky, 2006.
 2005
Thomson, Grace and Jan Gates. Shashin: Japanese Canadian Photography to 1942. Burnaby, B.C:
Japanese Canadian National Museum, 2005.
O'Donnell, Joe. Japan 1945: A U.S. Marine's Photographs from Ground Zero. Nashville:
Vanderbilt University Press, 2005.
 2004
Hockley, Allen. “Packaged Tours: Photo Albums and Their Implications for the Study of Early
Japanese Photography.” In Reflecting Truth: Photography in Nineteenth-Century Japan,
Rousmaniere, Nicole Coolidge & Hirayama, Mikiko eds. Amsterdam: Hotei Publishing
(2004).
Morse, Anne Nishimura. "Souvenirs of ‘Old Japan’: Meiji-Era Photography and the Meisho
Tradition." In Art and Artifice: Meiji-Era Photography. Boston: Museum of Fine Arts, 2004.
Peschard-erlih, Erika. Japon: un autre portrait – photographes 1945-1965, « Comment déchiffrer
la photographie du Japon d’après-guerre ». Paris, 2004 (translation into French of an essay
by Hiraki Osam not published in Japanese).
Rousmaniere, Nicole Coolidge, and Mikiko Hirayama. "Packaged Tours: Photo Albums and their
Implications for the Study of Early Japanese Photography." In Reflecting Truth: Japanese
Photography in the Nineteenth Century. Edited by Nicole Coolidge Rousmaniere and Mikiko
JAHF Annual Bibliography 00-06 – PAGE 41
Hirayama. Amsterdam: Hotei Publishing, 2004.
 2002
Tomii, Reiko. “A Cosmic Sensibility: Hitoshi Nomura’s Photographic Works.” Persimmon 2, no.
3 (Winter 2002).
Teasley, Sarah. "The National Geographics of Design: The Rhetoric of Tatami in 1920s and 30s
Japanese Interiors." In De-Placing Difference: Architecture, Culture and Imaginative
Geography. Edited by Samer Accach. Adelaide: University of Adelaide Centre for Asian and
Middle Eastern Architecture, 2002.
 2001
Volk, Alicia. "Contemporary Japanese Photography." In Encyclopedia of Contemporary Japanese
Culture. Edited by Sandra Buckley. New York and London: Routledge, 2001.
H. OTHER THEMATIC AND INTERDISCIPLINARY STUDIES
1. Edo/Early Modern Japan
 2006
Haft, Alfred. "Harunobu and the Stylishly Informal: Furyu Yatsushi as Aesthetic Convention."
Impressions 28, (2006-2007): 23-29.
Screech, Timon. “Going to the Courtesans: Accessing the Pleasure Districts in Edo Period Japan.”
In Martha Feldman & Bonnie Gordon eds., The Courtesan’s Arts. New York & Oxford:
Oxford, 2006.
Screech, Timon. Secret Memoirs of the Shoguns: Isaac Titsingh and Japan, 1779-1822. London;
New York: Routledge, 2006.
 2005
Saunders, Rachel. "Pursuits of Power: Falconry in Edo Period Japan." Orientations 36, no. 2
(2005): 82-92.
Screech, Timon. Japan Extolled and Decried: Carl Peter Thunberg and the Shogun's Realm,
1775-1796. London; New York: Routldge, 2005.
 2004
Butler, Lee. “Patronage and the Building Arts in Tokugawa Japan.” Early Modern Japan 12:2
(Fall-Winter, 2004), pp. 39-52.
Butler, Lee. “Introduction: Pre-modern Japan Through the Prism of Patronage.” Early Modern
Japan 12:2 (Fall-Winter, 2004), pp. 3-10.
JAHF Annual Bibliography 00-06 – PAGE 42
Cort, Louise. "A Tosa Potter in Edo" In The Artist as Professional in Japan. Melinda Takeuchi, ed.
Stanford CA: Stanford University Press, 2004.
Lillehoj, Elizabeth. Critical Perspectives on Classicism in Japanese Painting,
1600-1700.University of Hawaii Press, 2004.
Mostow, Joshua. "A New 'Classical' Theme: The One Hundred Poets--from Elite to Popular art in
the Early Edo Period." In Critical Perspectives on Classicism in Japanese Painting,
1600-1700. Edited by Elizabeth Lillehoj. Hawai'i: University of Hawai'i Press, 2004.
2. Literati and Literary Themes
 2006
Addiss, Stephen. “Yomeiride: Haiga as Dowry.” Reeds Vol. 4, September 2006, pp. 12-16.
Bundy, Rosalee. "Solo Poetry Context as Poetis Self-Portrait: The One Hundred-Round Context of
Lord Teika's Own Poems." Monumenta Nipponica 61, no. 1 (2006): 1-58.
Keyes, Roger. EHON: The Artist and the Book in Japan. New York Public Library with University
of Washington Press, 2006.
White, James J., Lugene B. Bruno, and Kazunori Kurokawa. Yuuga: Contemporary Botanical
Watercolors from Japan: Catalogue of an Exhibition, 23 March-30 June 2006. Pittsburgh, Pa:
Hunt Institute for Botanical Documentation, Carnegie Mellon University, 2006.
 2005
Addiss, Stephen, “The Haiku Spirit” Ukiyo-e Society of America Newsletter, Winter 2005, p. 4.
Croissant, Doris. “Zeuxis goes East: Negotiating mimesis in Early Modern Japan.” Hamburger
Forschungen zur Kunstgeschichte. Berlin, Akademie Verlag, 2005.
Oxenboell, Morten. "Images of Akuto [Evil Bands]." Monumenta Nipponica 60, no. 2 (2005):
235-262.
 2004
Addiss, Stephen. “Haiga Study: Two Deer.” Reeds: Contemporary Haiga. No. 2, 2004, pp. 4-9.
Addiss, Stephen. “Haiga, East and West,” Modern Haiku. Vol. 35 No. 2, Summer 2004, pp. 56-60.
Addiss, Stephen.“The Haiku of the ‘Old Taoist’ Fukuda Kodojin.” Simply Haiku (E-Journal) Vol.
2 No. 5, September-October, 2004.
Gerhart, Karen M. "Classical Imagery and Tokugawa Patronage: A Redefinition in the
Seventeenth Century." In Critical Perspectives on Classicism in Japanese Painting,
1600-1700. Edited by Elizabeth Lillehoj. Honolulu: University of Hawaii Press, 2004.
JAHF Annual Bibliography 00-06 – PAGE 43
Sakomura, Tomoko. "Japanese Games of Memory, Matching, and Identification." In Asian Games:
The Art of Contest. Edited by Colin Mackenzie and Irvin Finkel. New York: Asia Society,
2004, 253-271.
Waterhouse, David. "Portrayals of Japanese Court Dance: The Shinzei Kogaku Zu/ Bugaku no
Byōsha, ‘Shinzei Kogaku-Zu’ o Megutte." In Nihon no Gakki. Atarashii Gakkigaku e Mukete
Japanese Musical Instruments (Toward a New Organology). Edited by Tōkyō Bunkazai
Kenkyūjo. Tōkyō: National Research Institute for Cultural Properties, 2004, 42-54 (English
section), 123-31 (Japanese section).
 2003
Addiss, Stephen. "A Brief History of Haiga." Reeds: Contemporary Haiga. No. 1, 2003, pp.
51-53.
 2002
Addiss, Stephen, ed. Haiku Landscapes. New York: Weatherhill, 2002.
Addiss, Stephen. “Riddle-Haiku,” Blue Ridge Haiku Journal No. 14, 2002, pp. 9-10.
Lillehoj, Elizabeth. “Tôfukumon’in Masako and Art.” Bijutsu Forum 21: 5 (Winter 2002), 40-45.
Lillehoj, Elizabeth. “Empress Tôfukumon’in (1607-78) and Documents (in Word and Image).”
Across Time and Genre: Reading and Writing Japanese Women’s Texts. 2002.
 2001
Stinchecum, Amanda M. "Who Tells the Tale?: `Ukifune': A Study in Narrative Voice." In
Bloom's Modern Critical Interpretations. Edited by Harold Bloom. Broomall, Pa.: Chelsea
House, 2001.
Mostow, Joshua. "Canonization and Commodification: Illustrations to the Tales of Ise in the
Modern Era." In Stephen D. Miller, ed., Issues of Canonicity and Canon Formation in
Japanese Literary Studies. Proceedings of the Association for Japanese Literary Studies, vol. 1
(Summer 2000), pp. 89-119.
3. Representations of Nature
4. Important People in the Field
 2006
Waterhouse, David. "B.W. Robinson (1912–2005): Curator and Collector." Impressions 28,
(2006-2007): 100-103.
JAHF Annual Bibliography 00-06 – PAGE 44
 2001
Meech, Julia. Frank Lloyd Wright and the Art of Japan: The Architect’s Other Passion. New York:
Harry Abrams and Japan Society Inc., 2001.
5. Museums and Museumology
 2003
Mostow, Joshua. "What is 'Japanese Beauty'?: Museum as 'Hometown'." In Japan at the
Millennium: Joining Past & Future. Edited by David W. Edgington. Vancouver: University
of British Columbia Press, 2003, 222-244.
6. DISSERTATIONS AND POST DOCTORAL
THESES
A. IN NORTH AMERICA
 2006
Fraser, Karen. "The Tomishige Studio and the Development of Domestic Commercial
Photography in Meiji Japan (1868-1912)." Ph.D. diss., Stanford University, 2006.
Kinoshita, Yumi. "Case Study: American Neo-Imperialism, Interdisciplinarity and Identity." Ph.D.
diss., University of California, Santa Barbara, 2006.
Mack, Karen J. “Function and Context of Fudo Imagery from the Ninth to Fourteenth Century in
Japan.” Ph.D. Dissertation. University of Kansas, 2006.
Monika Dix, “Writing Women into Religious Histories: Re-reading Representations of Chujohime
in Medieval Japanese Buddhist Narratives.” Ph.D. dissertation, University of British
Columbia, 2006
 2005
Carr, Kevin Gray. "The Lives of Shotoku: Narratuve Art and Ritual in Medieval Japan." Ph.D.
diss., Princeton University, 2005.
Cathcart, Adam. "Chinese Nationalism in the Shadow of Japan, 1945-1950." Ph.D. diss., Ohio
University, 2005.
Cuccio, Claire S. "Inside Myojo (Venus, 1900-1908): Art for the Nation's Sake (Japan)." Ph.D.
diss., Stanford University, 2005.
Dusselier, Jane E. "Artful Identifications : Crafting Survival in Japanese American Concentration
JAHF Annual Bibliography 00-06 – PAGE 45
Camps." Ph.D. diss., University of Maryland, 2005.
Fowler, Elizabeth. "The Rockwood Sage: Kitaro Shirayamadani, Japanism, Art Nouveau, and the
American Art Pottery Movement, 1885-1912." Ph.D. diss., University of Minnesota, 2005.
Fujiki, Hideaki. "Multiplying Personas: The Formation of Film Stars in Modern Japan." Ph.D.
diss., University of Wisconsion, 2005.
Fukuoka, Maki. "Between Seeing and Knowing: Shifting Standards of Accuracy and the Concept
of Shashin in Japan, 1830-1872." Ph.D. diss., University of Chicago, 2005.
Hirasawa, Caroline. "Hellbent on Heaven: Female Damnation and Salvation in Tateyama's
Mandalas (Japan)." Ph.D. diss., Stanford University, 2005.
Horiuchi, Lynne. "Dislocations and Relocations: The Built Environments of Japanese American
Internment." Ph.D. diss., University of California at Santa Barbara, 2005.
Johnson, Sarah. "Zen and Artists of the Eighth Street Club: Ibram Lassaw and Hasegawa Saburo."
Ph.D. diss., City University of New York, 2005.
Kasa, Naomi. "Constructing Animerica: History, Style and Spectatorship of Anime in the United
States (Japan, David Bordwell)." Ph.D. diss., Regent University, 2005.
Kim, Yong Dae. "Takashi Murakami and the Mass Production of Arts: Representation and
Re-Presentation of Art Products." Ph.D. diss., State University of New York at Binghamton,
2005.
Lai, Yu-chih. "Surreptitious Appropriation: Ren Bonian (1840-1850) and Japanese Culture in
Shanghai, 1852-1895." Ph.D. diss., Yale University, 2005.
Lee, Young ji. "The Benjaminian Concept of the Aura and Dialectical Images Mariko Mori's
Digital Montages and a Historical Modernity." Ph.D. diss., State University of New York at
Buffalo, 2005.
Lindsey, Michael. "House of the Ritual: Impermanence Revealed." Ph.D. diss., University of
Florida, 2005.
Lisica, Cindy. "Multiple Dimensions of the Superflat: The Work of Takashi Murakami." Ph.D.
diss., California State University, Long Beach, 2005.
MacDonald, Ian McCullough. "'The Monk One Hundred Poets' in Word and Images: Parody,
Satire and Mitate in Seventeenth-Century Comic Poetry." Ph.D. diss., Stanford University,
2005.
Nakazawa, Hiromi. "Works of Mariko Mori and Lynne Yamamoto: Identity Search of Japanese
and Japanese American Women." Ph.D. diss., School of the Art Institute of Chicago, 2005.
Onoda, Natsu. "Tezuka Osamu: An Intertextual History of Comics in Post-World War II Japan."
Ph.D. diss., Northwestern University, 2005.
Sanabrais, Sofia. "The Biombo Or Folding Screen: Examining the Impact of Japan on Artistic
JAHF Annual Bibliography 00-06 – PAGE 46
Production and the Globalization of Taste in Seventeenth-Century New Spain (Mexico)."
Ph.D. diss., New York University, 2005.
Suzuki, Yui. "The Medicine Master: Yakushi Buddha Icons and Devotional Practices in Heian
Japan." Ph.D. diss., University of California, Los Angeles, 2005.
Szostak, John Donald. "The Kokuga Sôsaku Kyôkai and Kyoto Nihonga Reform in the Meiji,
Taishô and Early Shôwa Years (1900-1928)." Ph.D. diss., University of Washington, 2005.
Tezuka, Miwako. "Jikken Kobo (Experimental Workshop): Avant-Garde Experiments in Japanese
Art of the 1950s." Ph.D. diss., Columbia University, 2005.
Thomsen, Hans. "The Visual Salon: Ito Jakuchu and the Rokuonji Temple Ensemble of 1759."
Ph.D. diss., Princeton University, 2005.
Volk, Alicia. "The Japanese Expressionist : Yorozu Tetsugorô (1885-1927) and the Language of
Modern Art." Ph.D. diss., Yale University, 2005.
Wattles, Miriam. "The Life and Afterlife of Hanabusa Itcho (1652-1724)." Ph.D. diss., New York
University, 2005.
Weng, Jackie. "The Idealism of Katsushika Hokusai's Landscape Art." Ph.D. diss., State
University of New York, 2005.
 2004
Katz, Janice. Collecting and Patronage of Art in Seventeenth Century Japan: The Maeda Daimyo.
Ph.D. dissertation, Princeton University, 2004.
Langlois, Lisa. Exhibiting Japan: Gender and National Identity at the World’s Columbian
Exposition of 1893. Ph.D. dissertation, University of Michigan, 2004.
Lyman, Laurel. The Influence of Japonisme on the American Impressionists and Their Circle,
1893-1915. Ph.D. dissertation, City University of New York, 2004.
Maeda, Tamaki. Tomioka Tessai's Narrative Landscape: Rethinking Sino-Japanese Traditions.
Ph.D. dissertation, University of Washington, 2004.
Oba, Mitsutoshi. Eclectic Symbolism: The Interplay of Japonisme and Classicism in the Folding
Screens by Thomas Wilmer Dewing, 1896-1900. Ph.D. dissertation, City University of New
York, 2004.
Takenaka-O'Brien, Akiko. The Aesthetics of Mass Persuasion: War and Architecture Sites in
Tokyo, 1868-1945. Ph.D. dissertation, Yale University, 2004.
Tseng, Alice. Art in Place: The Display of Japan at the Imperial Museums, 1872-1909. Ph.D.
dissertation, Harvard University, 2004.
 2003
Cressman, Elizabeth. Actor Prints from the School of Utagawa. Ph.D. dissertation, University of
JAHF Annual Bibliography 00-06 – PAGE 47
Louisville, 2003.
Kal, Hong. The Presence of the Past: Exhibitions, Memories, and National Identities in Colonial
and Postcolonial Korea and Japan. Ph.D. dissertation, SUNY Binghamton, 2003.
Lee, Susan. The Sōōji Screens and the Teinai Yūrakuzu. Ph.D. dissertation, University of Michigan,
2003.
Lippit, Yukio. The Birth of Japanese Painting History: Kano Artists, Authors, and Authenticators
of the Seventeenth Century. Ph.D. dissertation, Princeton University, 2003.
Murai, Noriko. Authoring the East: Okakura Kakuzo and the Representations of East Asian Art in
the Early Twentieth Century. Ph.D. dissertation, Harvard University, 2003.
Oshima, Ken Tadashi. Constructed Natures of Modern Architecture in Japan, 1920-1940:
Yamada Mamoru, Horiguchi Sutemi, and Antonin Raymond. Ph.D. dissertation,
Columbia University, 2003.
Sapin, Julia Elizabeth. Liaisons between Painters and Department Stores: Merchandising Art and
Identity in Meiji Japan, 1868-1912. Ph.D. dissertation, University of Washington, 2003.
Tiampo, Ming. Gutai and Informel: Post-war Art in Japan and France, 1945-1965. Ph.D.
dissertation, Northwestern University, 2003.
 2001
Bambling, Michele. The Kongo-ji Sun-Moon Landscape Screens. Ph.D. dissertation, Columbia
University, 2001.
Fabricand-Person, Nicole. Filling the Void: The Fugen Jurasetsunyo Iconography in Japanese
Buddhist Art. Ph.D. dissertation, Princeton University, 2001.
Lippit, Miya. Figures of Beauty: Aesthetics and the Beautiful Woman in Meiji Japan. Ph.D.
dissertation, Yale University, 2001.
Pitelka, Morgan. Raku Ceramics: Tradition and Cultural Reproduction in Japanese Tea Practice,
1574-1942. Ph.D. dissertation, Princeton University, 2001.
 2000
Drogin, Melanie Beth. Images for Warriors: Unkei’s Sculptures at Ganjojuin and Jorakuji. Ph.D.
dissertation, Yale University, 2000.
Goldberg, Deborah. Isamu Noguchi: The Artist as Engineer and Visionary Designer, 1918-1939.
Ph.D. dissertation, Institute of Fine Arts/New York University, 2000.
McCormick, Melissa. Tosa Mitsonobu’s Ko-E: Forms and Functions of Small-Format
Handscrolls in the Muromachi Period (1333-1573). Ph.D. dissertation, Princeton University,
2000.
Nagata, Helen. Reading a Pictorial Narrative: A Study of the Illustrations Attributed to Hishikawa
JAHF Annual Bibliography 00-06 – PAGE 48
Moronobu in “Yoshiwawa koi no michibiki” (“A Guide to Love in the Yoshiwara”), 1678.
Ph.D. dissertation, Stanford University, 2000.
Post, Pamela. East Meets West: The Model Homes Exhibits at the 1939-1940 New York and San
Francisco World’s Fairs. Ph.D. dissertation, University of California at Santa Barbara, 2000.
B. IN EUROPE
 2005
Haft, Alfred. "Patterns of Correspondence between the Floating World and the Classical Tradition:
A Study of the Terms Mitate, Yatsushi and Furyu in the Context of Ukiyo-e." Ph.D.
dissertation, University of London, SOAS, 2005.
 2003
Navarro, Roman, Maria. "The Development of Bizen Wares from Utilitarian Vessels to Tea
Ceramics in the Momoyama Period (1573-1615)." Ph.D. dissertation, Heidelberg University,
2003.
JAHF Annual Bibliography 00-06 – PAGE 49