Global Collaborative Projects Frost still encrusts the tussock grass in the shade of the red gums. Mist lies along the base of the rocky hills. Small groups of students work away on the regular tasks: turning the compost heap, cleaning out the fowl house, cautiously checking the school bee hives. Students in clouds of foggy breath are thinning the winter vegetables. A student is noting the output from the computerized weather station. A common first-session sight at a rural secondary school? Yes, but there is a difference. These are students working collaboratively with students they will never meet, thousands of kilometers and a cultural vastness away in West Africa. Through this semicommercial, organic agriculture project, techniques are shared, experiments are conducted, failures noted and success celebrated. Both learn from each other and each teaches its own community. The West African group has become known as the “family survival unit” because, due to drought, the produce has become essential to village life. Through computer communications and computer processing two so very different groups of young people learn together and hold hands across continents and oceans. There is no frost on the casuarina and banyan-shaded beach of the Carpentaria Gulf island far to the north. A warm breeze and a lapping sea accompany children gathering shells and flotsam for their global project of collecting and describing marine island environments. Descriptions, drawings and photos will later be posted to the school web site. Returning to school, they turn to work on mapping puzzles of central European and North American lands sent by partner schools. They will tackle grids, compass points and riddles, seeking to find treasure. Both they and the distant collaborating classes will give hints and set tasks as they search each other’s landscape in a collaborative and competitive quest. From beachcombing cartographers and organic farmers we turn to a team of Grade Three and Four aeronautical engineers in the hills of the metropolitan fringe. The international challenge they have set for the best paper aeroplane involves them in planning and design of aircraft, construction, testing, measuring, collating. They use email, word-processors, spreadsheets. They build links with children in other lands; they author web pages to celebrate their collective achievements. As the winter evening falls five girls work together discussing the selection of student prose and poetry from the hundreds of pieces contributed to a dedicated electronic newsgroup. Three of the students are in a Victorian country school, two in a crowded Pakistan city. The culmination of their year-long collaboration, the selection, formatting and editing of a global anthology of student writing, is approaching. Having overseen the reception of the writings, encouraged contributing writers to comment on each other’s work they now hold almost daily electronic meetings of their editorial team. Bob Carter: iEARN Australia 1 In these diverse ways teachers and students take advantage of the opportunities information and communication technologies (ICT) offer to their daily school lives. Collaborative projects bring together two or more geographically-diverse groups of students who work together on a theme or question or who contribute to a compilation of materials on a topic. They use the full range of ICT, including newsgroups, email, web pages, video-conferencing. Many projects also involve physical exchanges of student work either as part of the process of the project or as a culmination of it. Some collaborative projects engage a substantial number of groups in a fairly freeflowing interaction; some are more structured. While some projects have a planned life of a limited duration, others are on-going with, perhaps, an annual calendar of project stages. Such projects eschew the "pen-pal" approach to the classroom use of ICT believing this to have very limited benefits. Rather, they seek to involve students in discussions of issues, production of materials, creative efforts and seek to engage students through commitment to meaningful work with others. The place of the computer in the classroom remains problematic or, at least, is a focus of on-going re-examination for the reflective educator. What value and what role do computers and their attendant facilities have in the education of young people? Do they provide a handy, efficient way of enabling students to revise and develop their writing? Do they provide access to hitherto unimagined information and opinion? Are they a diversion and waster of time through students’ addiction to gaudy presentation, the successful production of fancy software tricks? Has email simply made the note-aroundthe-classroom more efficient and less detectable? Do we teach software technicalities? And, if so, do we do it in a context of broader knowledge, analysis and synthesis? Do we teach web publishing in the SOSE class as part of our teaching of Egyptian ancient culture? Or do we teach web publishing in an ICT class and permit, encourage or require the production of a web document for successful presentation of a student’s achievements in understanding the life of 3000year-ago Nile valley inhabitants? Are computers a diversion or are they the liberation from a stultifying teacher-centered régime? Despite the dilemmas and despite the unresolved (irresolvable?) questions, to drive the computer and ICT from the classroom is, obviously, neither realistic nor a productive response to the challenge. The simple reality of ICT’s dominance of social and industrial life requires schools to involve themselves. This reality will no more stay outside the classroom than will the latest episode of the television soap. And it would be, almost undeniably, to discard the youngster along with the bubbles. Other have, and will, define the conundrum better than I but the questions seems to be whether we can make computers serve teachers’ pedagogical ambitions in all or some of Bob Carter: iEARN Australia 2 its myriad dimensions. Will kids learn better the things we want them to learn? Will their knowledge broaden and deepen? Will their skills in hypothesis, analysis and ability to argue a case be more greatly developed? Will they be better equipped to solve a problem? Will they, through the presence of ICT in their classrooms, become more capable adults? Collaborative project work perhaps provides one doorway to a classroom environment where these questions are addressed. It potentially creates an ITC-affected ambience which allies the potential of computers to the teacher’s ambition: through making ICT the vehicle through which is engendered challenge and commitment and through which students will seek accomplishment beyond what a teacher would otherwise draw out. Collaborative projects involve students in some form of contractual arrangement with another class or with groups of students in a number of schools, sometimes spread across countries and continents. A commitment, often stronger than a teacher can directly impose, is created. Students will, very quickly, know names, not only of schools and classes but also of individual students in these partnering classes. They become aware of the efforts and enthusiasms of these partners. A feeling of obligation arises. The teacher does not demand the efforts required of them, they are demanded by the commitment they have made to their fellow students, perhaps many thousands of kilometers distant. The members of the class, moreover, share the commitment. It is not too strong to suggest that the project creates an ethos of shared commitment, one that spurs on the individual but also unites the class as a body. Allied to this is the immersion of the students, as a group, in a project culture. Walking through the classroom door, students so often are affected by a feeling of walking into the project. They know what is expected; they feel pressure to tackle, advance or complete a task, a task that is expected of them by their far-away colleagues. There is no guarantee that the noise levels are any lower, or that scrambles for spots in the classroom are any less chaotic; collaborative projects have yet to solve all the problems attendant on gathering 25 adolescents or 20 Grade 1s in a confined space. But bring students with a common purpose together, make that purpose one that satisfies a teacher’s lofty aspirations, and sometimes it will all seem worthwhile, despite the incredibly persistent ability of young humans to send adults to a staff room seeking solace and sustenance in only 50 minutes. Collaborative projects have the capacity to immerse students in novel environments. It is one perhaps unique in education. What is in those other classrooms, in Karachi, in Mombassa, on Long Island, NYC or on the windy coast of Patagonia is part of this classroom on the red gum plains or Top End tropical coast. The values and voices, the routines and the problems, the demands and the sometimes-unfulfilled promises walk right in and take a seat among the bobbing heads of the Australian classroom. Teachers far away become important. Children who, unbelievably, have never heard of Aussie Rules affect the class dynamics. Time zones not ever before considered, seasons which are out-of-kilter, weather, food, forms of transport and modes of accommodation hitherto Bob Carter: iEARN Australia 3 unimagined become, if not exactly real and understood, at least sources of surprise and conjecture. Stories, naturally told, of taking roses to the teacher on Teachers’ Day astound. As do descriptions of the students mopping, dusting and scrubbing the school for a day to allow the cleaners to attend Cleaners’ Picnic Day. Students working in a collaborative project plan and execute their work for an audience. This is a strong motivator. It is also one of the most powerful tools put in a teacher’s hands. If the task is written: revision, correction, spelling, grammar become, not a teacher’s irritating obsession, but legitimate and necessary when created for an audience and for an audience which perhaps reads the English prose in their third or fourth language. Writing for an audience such as this requires slang to be eliminated or, at least, explained. Students are forced to reflect on things which they have always considered normal, explain them, describe them and, in doing so, understand their uniqueness and the way that they are creations of local custom and culture. Schools across the world are so different, as different as are the environments in which the students live. Attitudes to study, to teachers, to parents, to religion: so different and, yet, so often, so strikingly familiar. All these surround the student throughout the collaborative project. Just as importantly, the students are forced to be reflective about their own environment. It is staggering in many instances how little students really know about their surroundings. This is a lack of factual knowledge: the what, where, how many. It is more fundamentally a relative absence of conceptual knowledge: the why, the how. It is perhaps unsurprising but is significant. Relating a student’s study of geography, science, history, values and culture in a meaningful way to her daily experience is a challenge. No claims that collaborative projects have the magic key - but the requirement made by a project’s commitment to foreign friends does, sometimes powerfully, provide a powerful prod and rationale. Collaborative project work generally leads to a concrete outcome. It may be the collection of diaries, photos and souvenirs of a teddy bear exchange. Culture kits may be prepared and sent through the mail. A web page of investigative and research findings may be created by the individual classes or cooperatively. A hard copy booklet may be the outcome. Art pieces, created around a philosophical, cultural or environmental theme might be exchanged virtually or physically. The list has no limits: calendars, quilts made of pieces sewn in a dozen different schools, art exhibitions, newspapers, anthologies. Each is a physical manifestation of collaborative commitment of the students and teachers who have contributed to it. It is something to be proud of, to show parents and community, to showcase through newspapers and, literally or not, hold in the hand as a validation of cooperative effort and a striving for achievement. It is, just incidentally, a source of excitement and fun. Collaborative project work offers the teacher rewards beyond the achievements of their students. Whether through a network or through a one-to-one cooperation based on their students’ exchange, teacher interaction is natural and to be expected. As with their students, they enter a contractual commitment. But, in collaborative project work, this cooperation often erupts unexpectedly, sometimes overwhelmingly, into friendship. Bob Carter: iEARN Australia 4 It may be with the teacher in central Asia who, in linking with your class, is using the internet for the first time. She meets her students on Saturdays at the public-access computer center for them to type their messages, scan and load images and await response from this strange, unknown island south of the equator. It may be that the partner teacher lives and teaches among the New York canyons; efficient, energetic, perhaps a little brusque, he’s generous in his collaboration, forgiving of un-met deadlines and is not too bad at all with advice of software tricks. Or perhaps the partner’s school is in the shadow of the Hindu Kush. She overflows with ambitions and plans for her students, shares them with you and flatteringly seeks your advice. You express your fascination with this epicenter of history, promise to visit and … perhaps it just might happen. It is a common-place for these teacher-to-teacher relationships to go beyond the project parameters. Real friendships do develop: some transitory, some enduring. It is something quite special to talk regularly about teaching theory and strategies to a fellow teacher, thousands of kilometers away across oceans and deserts, one with whom you have shared hopes, work and success. And you might share school and family news, holiday plans, recipes and perhaps a scandal or two. If nothing else the Australian teacher might discover how to induce her students to bring her chocolates and roses on International Teachers’ Day. Collaborative project work is not without its challenges for teachers. Sometimes a project will deliver less than was hoped. It can make organizational demands, if not more burdensome, then at least different from those made by other curriculum delivery. And it requires a commitment. It is the powerful educative characteristics of collaborative projects and the way they draw together almost seamlessly that make them powerful. They have a way of changing lives. There is a big world beyond the classroom walls. Why engage with it? Well … maybe because, like Everest, it’s there. Bob Carter, iEARN Australia Bob Carter: iEARN Australia 5