SEMLAC case study: Cultural Entitlement Title Stakeholders Location Duration Grant Project Benefits Developing outreach at the Agricultural Museum, Brook part of the Kent Cultural Entitlement (CE) programme Agricultural Museum, Brook, Ashford Canterbury City Council Museums & Galleries Service (CCCMGS) Brook Community Primary School, Brook Kent, South East region July 2005 – June 2006 £20k from SEMLAC’s Strategic Commissioning Programme funded by DCMS and DfES through the Museum, Library and Archive Council (MLA) for the whole CE model This case study focuses on one aspect of the Kent CE model, which explored how museum learning could be embedded into the National Curriculum through a ‘pupil-led’ development approach. This particular element focused on the partnership between one of the smaller independent museums (Agricultural Museum, Brook) and one school (Brook Community Primary) in Kent through the development of new learning provision. The museum worked in depth with the teacher and pupils to explore and develop ideas for outreach resources. A number of benefits have resulted for the museum and school involved. Staff at the museum are much more confident about approaching and working with schools and the production of a resource has raised the profile of the museum to local schools. The teachers have a more positive attitude towards the museum and an enhanced understanding of how the collection can be used across the curriculum. The pupil-led approach has enabled the children to have a role and voice in the development of the new resources, which will be available for other children to use in the future. This case study is written for government and cultural organisations interested in the development of a cultural offer to schools. It will also be useful for museums who are not already working with schools, but who wish to begin development of learning programmes. 1 Audience and purpose The Agricultural Museum, Brook is an independent museum with a diverse agricultural collection housed in 14th century barn. It is situated in an isolated rural area and is managed by a team of 2 staff and around 20 volunteers. The limited staffing, location and opening times have made a pro-active approach to working with schools difficult in the past. The museum receives only a few visits from schools each year and had little experience of working with this audience. The museum has acknowledged its potential educational role and was keen to discover how the collection could be made more accessible to local schools. In order to begin to develop learning provision, museum staff worked in depth with teachers and pupils at the local primary school. Museum staff were keen to find out more about how their collections could be relevant within the National Curriculum and how they could encourage the local school (and others) to use their resources. This project was supported by an Education Programme Coordinator, who was funded as part of the wider CE programme to work at CCCMGS and 2 other smaller museums in Kent, who developed similar provision. Project aim All of the Cultural Entitlement models shared the same aims: Supply: To increase the capacity of museums to work with schools. Demand: To meet the demand from schools for museum learning. Brokerage: To broker partnerships between museums and schools. Specific objectives included: A pupil-centered focus to enable pupils to lead the process of determining what they would like to see and do on a visit to the museum. Recording of pupil responses of their experiences at the museum and in school. Enabling pupils to conduct their own research using primary sources during the process of consultation. Enabling pupils to make recommendations for the development of learning provision at the museum and to respond to these accordingly. Developing some learning resources for use at the museum as a result of the process. Using the process of working with schools as a tool for further development of education provision at the museum. To work alongside the other 2 museums involved in the CE model, with support from CCCMGS in order to develop a best practice approach to education through information and skill sharing. The process 1. Initial contact made with school Prior to contact being made with the school, initial ideas were explored between the Education Programme Co-ordinator and museum staff. A visit to the museum was made to gain more of an understanding about the set up, the collections and what would be possible. The museum met with the other museum partners in the wider programme to explore the concept of ‘pupil-led development’ and the need to provide learning experiences which were interactive, creative and enjoyable. 2 The Education Co-ordinator then made contact with the school on behalf of the museum. A visit to the school to meet the Headteacher and class teachers resulted in two teachers’ involvement at Year 1/2 and Year 5/6. 2. School visits to museum As a result of this initial contact, both classes from Brook primary visited the museum. The pupils were introduced to the collection by the Curator, they took part in a question and answer session and looked at artefacts and archive materials. The pupils also took their own photographs and video recording as a record of their visit and for their follow up work back in school. 3. Outreach sessions at school A series of sessions with the museum staff and Education Co-ordinator followed at school. Based on their visit, the Year 1/2 pupils made suggestions for ways in which the museum could be more child and family friendly. The Year 5/6 pupils made suggestions for the development of loan boxes, so further work was conducted with the pupils on developing ideas for the content and interpretation of objects for these loan boxes. This also presented an opportunity for the museum staff to familiarise themselves with the school context and classroom-based learning. 4. Ongoing evaluation Pupils’ perceptions of museums were traced at the preliminary stage in order to record any changes by the end of the project. Questionnaires and interviews were conducted with the pupils and teachers in order to monitor learning and progress. The teachers also made classroom based observations on progress and benefits of the work to the individual pupils and the school as a whole. 5. Museum partnerships Alongside this work, museum staff participated in a workshop on the development of museum loan boxes for schools, together with other museum partners. This provided an opportunity to find out more about the concept of museum learning in general as well as specific information and advice about the process of developing loan boxes. It was also a chance for networking and information sharing between partners. 6. Development of resources Pupil participation resulted in the development of two loan boxes covering different themes, relevant to the. The pupils selected objects which they regarded as interesting to include in the boxes. Based on their suggestions, the objects will be combined with stories, pictures and written sources, as well as notes for teacher’s work. Benefits for the participants and the organisation Knowledge and understanding The museum has a much greater understanding of factors which contribute to the successful development of learning provision for schools. Staff are much more aware of teacher and school priorities and how this relates to their work at the museum. They are also now more confident to pursue this based on their new knowledge and experience. The pupils have a greater awareness of their local history and know much more about the museum collection. The school has been able to develop a resource bank of materials relating to the museum which will be accessed by other pupils in the future. Skills Teachers, in particular, have valued the opportunity for the children to access and research primary and secondary sources. Pupils are now much more confident 3 and skilled to do this. The evaluation processes have also been embraced by the teachers as opportunities for the children’s reflection on their own learning. Attitudes and values Teachers can now see the potential for linking museum collections with a wide range of subjects in and out of the curriculum. Their perception about what the museum can offer has changed and is now more positive as a result of the proactive approach. Teachers have also valued the children’s participation in activities that have a “real purpose” and will benefit other pupils in the long term. Participation has also helped the museum to value partnership work and the benefits it can provide and staff are also encouraged by the school’s enthusiasm about museums. Enjoyment, inspiration and creativity Teachers have reported how the pupils have been inspired by the experience. They now have a greater connection with the local community as a result of participating, and a familiarity between museum staff and pupils in school. Teachers have also been encouraged by exploring the link between museums and their creative potential to advance cross curriculum work. Activity, behaviour and progression The museum has been able to lay the foundations for further education development based on a best practice approach. Staff are now involved in another project with the school (with a World War Two theme) which resulted from this work. It has been much easier for the museum to contribute based on their experience from this project. The museum has also been in contact another local school and discussions have begun about how they could work together in the future. Learning 1. Gaining the interest and enthusiasm of the school and individual teachers, in particular, was crucial to the project’s success. This was such a successful element that the teacher has become a great advocate of the museum and will help to give advice and support to the museum in the future. 2. It was also beneficial to have an exclusive focus on work with one school – a local school. This was a very useful way of starting to set up learning resources, rather than trying to achieve too much at once. This was also a two way process, with opportunities for equal contributions from the museum and school, which was also the key to success. 3. Advice and guidance from the other partners was also an important element. It was useful to be able to talk to museums professionals about their experiences and to benefit from the practical advice/support they were able to offer. Sustainability and next steps A number of new ideas have been generated across other areas of work. The museum is reconsidering the interpretation of the collection and how this could become more family friendly. This will have obvious benefits for a wide range of visitors. The school will also be involved in the museums’ annual art exhibition and the pupils will be creating art work to be displayed alongside professional work. The museum is also planning to work with further local schools with a target of engaging two schools for 2007 and three for 2008. The Year 5/6 teacher involved is currently looking at other areas of the curriculum the museum could link to in the 4 syllabus next year and increasing the number of visits they make to the museum with pupils. Contact details Thomas Hill - Secretary and Brian Wimsett - Curator Wye Rural Museum Trust, Agricultural Museum Brook, The Street, Brook, Ashford Kent, TN25 5PF E: hill.ta@tiscali.co.uk or brianwimsett@hotmail.com Vasiliki Tzibazi, Education Programme Co-ordinator Canterbury City Council Museums & Galleries Service (CCCMGS) 18 High Street Canterbury. CT1 2RA T: 01227 475 225 E: vasiliki.tzibazi@canterbury.gov.uk Case study written by Lisa Kerley in collaboration with project partners. Email: lisa.kerley@inspir-ed.co.uk 5