Viewing Texts: Word as Image and Ornament in the Medieval Mediterranean
Bibliography
1-47, 181, 213, 223
D Aanavi, "Devotional Writing: Pseudo-Inscriptions in Islamic Art," Bullettin of the Metropolitan Museum of
Art, New Series 26 (1968): 353-8.
Don Aanavi, "Islamic Pseudo Inscriptions" (Phd Thesis, Columbia University, 1969).
B. N. Abakfelyan, S. G. Barkhudaryan, and K. G. Ghafadaryan, Divan Hay Vimagrutyan, Corpus Inscriptionum
Armenicarum. 8 vols. Vol. 1-8 Erevan 1960-.
J Akbar, "Gates as Signs of Autonomy in Muslim Towns," Muqarnas 10 (1993): 141-47.
H Al-Harithy, ""The Concept of Space in Mamluk Architecture" " Muqarnas 18 (2001): 73-93.
Jenny Albani, "The Painted Decoration of the Cupola of the Western Gallery in the Church of the Holy
Apostles at Leondari," Cahiers Archeologiques 40 (1992): 161-80.
Kirk Ambrose, "Visual Poetics of the Cluny Hemicycle Capital Inscriptions," Word & Image 20, no. 2 (2004):
155-64.
A. Argyriou, "Perception De L'islam Et Traductions Du Coran Dans Le Monde Byzantin Grec," Byzantion 75
(2005).
Marcia Ascher, and Robert Ascher, Code of the Quipu: A Study of Media, Mathematics and Culture (Ann
Arbor, 1981).
Nikolas Bakirtzis, "The Visual Language of Fortification Façades: The Walls of Thessaloniki," Mnemeio &
Peribàllon 5 (2005): 15-34.
Nikolas Bakirtzis, and Philippos Oreopoulos, An Essay on Byzantine Fortification. Northern Greece 4th-15th
Century., Byzantine Hours (Thessaloniki, 2001).
Thierry J.-M. Baladian A. T., Mahé J.-P., Le Couvent De Horomos D'après Les Archives De Toros Toramanian.
Vol. 81, Monuments Et Mémoires De La Fondation Eugène Piot (Paris, 2002).
Oskar Batschmann, "Text and Image: Some General Problems of Art.," Word & Image 4, no. 1 (1988): 11-25.
Simon Battestini, African Writing and Text (Brooklyn, 2000).
Franz H. Bauml, "Varieties and Consequences of Medieval Literacy and Illiteracy " Speculum 55 (1980): 23765.
George Ewart Bean, Journeys in Northern Lycia 1965-1967, Etc, (O\0308sterreichische Akademie Der
Wissenschaften. Denkschriften. Bd. 104.)Wien; Graz, p. pp. 36: plates; illus. 30 cm.
George Ewart Bean, Mitford, and Terence Bruce Mitford, Journeys in Rough Cilicia 1964-1968, Etc,
(O\0308sterreichische Akademie Der Wissenschaften. Phil-Hist. Klasse. Denkschriften. Bd. 102.)Graz,
pp. pp. 277: plates; illus., maps. 30 cm.
———, Journeys in Rough Cilicia in 1962 and 1963, Etc, [O\0308sterreichische Akademie Der
Wissenschaften. Phil.-Hist. Klasse. Denkschriften. Bd. 85.]pp. 44. pl. XI. Hermann Bo\0308hlaus
Nachf.: Wien, 1965), p. fol.
D. Behrens-Abouseif, "Beyond the Secular and the Sacred: Qur'anic Inscriptions in Medieval Islamic Art and
Material Culture," in Word of God, Art of Man: The Qur'an and Its Creative Expressions, , ed. F.
Suleman (Oxford, 2007).
———, "The Facade of the Aqmar Mosque in the Context of Fatimid Ceremonial," Muqarnas 9 (1992): 2938.
Irene Bierman, "The Art of Public Text:Medieval Islamic Rule," in World Art: Themes of Unity and Diversity.
Acts of the Xxvi International Congress of the History of Art. , ed. Irving Lavin (London, 1989), pp.
283-90.
———, "Inscribing the City: Fatimid Cairo," in Islamische Text, Kunst Des Mittelalters: Actuelle Probleme
(Riggisberg, 1997), pp. 105-14.
———, Writing Signs: The Fatimid Public Text (L.A.: University of California Press, 1998).
———, ed., Text & Context in Islamic Societies (Reading: Ithaca, 2004).
Maria Pia Billanovich, "Falsi Epigrafici," Italia Medievale e Umanistica 10 (1967): 25-110.
1
Thérèse Bittar, and Marthe Bernus-Taylor, Pierres Et Stucs Épigraphiés. ed. Musèe du Louvre (Paris, 2003).
Sheila Blair, "Floriated Kufic and the Fatimids," in L'égypte Fatimide: Son Art Et Son Histoire, ed. Marianne
Barrucand (Paris, 1999), pp. 107-16.
———, Islamic Inscriptions (Edinburgh: Edinburgh University Press, 1998), pp. xii,243p.
———, "Legibility Versus Decoration in Islamic Epigraphy: The Case of Interlacing," in World Art. Themes of
Unity and Diversity. Acts of the Xxvi International Congress of the History of Art, ed. Irving Lavin
(London, 1989), pp. 329-34.
———, The Monumental Inscriptions from Early Islamic Iran and Transoxiana (Leiden ; New York: E.J. Brill,
1992), pp. xv, 307 p.
———, "Sureveyor Versus Epigrapher," Muqarnas 8 (1991): 66-73.
J.M. Bloom, "The Qarafa Mosque in Cairo," Muqarnas 4 (1987): 7-20.
Richard Brilliant, "The Bayeux Tapestry: A Stripped Narrative for Their Eyes and Ears," Word & Image 7, no.
2 (1991): 98-126.
Leslie Brubaker, "When Pictures Speak: The Incorporation of Dialogue in the Ninth-Century Miniatures of
Paris Gr.510," Word & Image 12, no. 1 (1996): 94-109.
Ludwig Budde, Antike Mosaiken in Kilikien, (Beitra\0308ge Zur Kunst Des Christlichen Ostens. Bd. 5,
6.)Recklinghausen: Verlag Aurel Bongers, 1969), p. 2 Bd.; illus. 28 cm.
Charles Burnett, "Scandinavian Runes in a Latin Magical Treatise, with Postscript by Marie Stoklund,"
Speculum 58 (1983): 419- 29.
M. Burzachechi, "Oggetti Parlanti Nelle Epigrafi Greche," Epigraphica 24 (1962): 3-54.
Michael Camille, "The Book of Signs:Writing and Visual Difference in Manuscript Illumination," Word &
Image 1, no. 2 (1985): 133-48.
———, "The Devil's Writing: Diabolic Literacy in Medieval Art," in World Art. Themes of Unity and Diversity.
Acts of the Xxvi International Congress of the History of Art, ed. Irving Lavin (London, 1989), pp.
355-60.
———, "Seeing and Reading: Some Visual Implications Od Medieval Literacy and Illiteracy," Art History 8,
no. 1 (1985): 26-49.
Tewfik Canaan, "The Decipherment of Arabic Talismans," Berytus IV: 69-110.
———, "The Decipherment of Arabic Talismans (2)," Berytus V, no. 1 (1938): 141-51.
C Carletti "Testimonianze Scritte Nelle Catacombe Romane," in Epigrafia Medievale Greca E Latina.
Ideologia E Funzione. (Spoleto, 1995), pp. 197-222.
Guglielmo Ed Cavallo, and Cyril Ed Mango, Epigrafia Medievale Greca E Latina : Ideologia E Funzione
(Spoleto: Centro Italiano di Studi sull altu Mediono, 1995).
Guglielmo Cavallo, and F. Magistrale, "Mezzogiorno Normanno E Scritture Esposte," in Epigrafia Medievale
Greca E Latina. Ideologia E Funzione. (Spoleto, 1995), pp. 293-329.
M. T. Clanchy, From Memory to Written Record : England 1066-1307. 2nd ed. ed (Cambridge, Mass ; Oxford:
Blackwell, 1993), pp. xviii,407p.
Paul Connerton, How Societies Remember (Cambridge, 1989).
Alison Cooley, The Afterlife of Inscriptions : Reusing, Rediscovering, Reinventing & Revitalizing Ancient
Inscriptions, Bulletin of the Institute of Classical Studies (London: Institute of Classical Studies,
School of Advanced Study, University of London, 2000), pp. xiii, 203 p.
C. Corbier, Donner À Voir, Donner À Lire. Mémoire Et Communication Dans La Rome Ancienne (Paris, 2007).
Hakan Coşkunarslan, Selçuklu Devri Kale Kitabeleri. ed. Mehmet Tütüncü, Corpus of Turkish Islamic
Inscriptions / Türk İslam Kİtabelerİ Dİzİsİ (Haarlem, 2010).
David Dalby, Africa and the Written Word (Lagos, 1986).
Peter Daniels, and William Bright, The World's Writing Systems (New York, 1996).
Glenys Davies, "The Inscriptions on the Ash Chests of the Ince Blundell Hall Collection: Ancient and
Modern.," in The Epigraphy of Death: Studies in the History and Society of Greece and Rome, ed. G.J.
Oliver (Liverpool, 2000), pp. 187-216.
J.W. Day, "* Interactive Offerings: Early Greek Dedicatory Epigrams and Ritual," Harvard Studies in Classical
Philology 96 (1994): 37-74.
John DeFrancis, Visible Speech: The Diverse Oneness of Writing Systems (Honolulu, 1989).
2
Georgios Deligiannakis, "Christian Attitudes Towards Pagan Statuary: The Case of Anastasios of Rhodes. ,"
Byzantion 78 (2008).
Sirarpie Der Nersessian, "Deux Tympans Sculptés Armeniens Datant De 1321," Cahiers Archeologiques 25
(1976): 139-22.
Jacques Derrida, Of Grammatology (Baltimore, 1976).
William J. Diebold, "Medium as Message in Carolingian Writing About Art," Word & Image 22, no. 3 (2006):
196-200.
A.N. Doane, and Carol Braun Pasternak, eds., Vox in Texta: Orality and Textuality in the Middle Ages.
(Madison, 1991).
Erica Cruikshank Dodd, "The Image of the Word; Notes on the Religious Iconography of Islam," Berytus XVIII
(1969): 35-80.
Erica Cruikshank Dodd, and Shereen Khairallah, The Image of the Word : A Study of Quranic Verses in
Islamic Architecture ([Beirut]: American University of Beirut, 1981), p. 2 v.
N Dolev, "Jerusalem, D.C. (David City): The Pun and the Ready-Made.," in World Art: Themes of Unity and
Diversity. Acts of the Xxvi International Congress of the History of Art., ed. Irving Lavin (London,
1989), pp. 273-79.
Dwight M. Donaldson, "Significant Mihrabs in the Haram at Mashhad," Ars Islamica 2 (1935): 118-27.
Johanna Drucker, The Alphabetic Labyrinth : The Letters in History and Imagination (London: Thames &
Hudson, 1995).
———, Figuring the Word : Essays on Books, Writing, and Visual Poetics (New York, 1998).
Lawrence Duggan, "Was Art Really The "Book of Illiterate"?," Word & Image 5, no. 3 (1989): 227-51.
Antony Eastmond, "Narratives of the Fall: Structure and Meaning in the Genesis Frieze at Hagia Sophia,
Trebizond," Dumbarton Oaks Papers 53 (1999): 219-36.
Richard Ettinghausen, "Arabic Epigraphy: Communication or Symbolic Affirmation," in Near Eastern
Numismatics, Iconography, Epigraphy and History. Studies in Honour of George C. Miles. (Beirut,
1974), pp. 297-319.
———, "Kufesque in Byzantine Greece, the Latin West and the Muslim World," in Colloquium in Memory of
George C. Miles. (New York, 1976).
Richard Ettinghausen, and Priscilla Parsons Soucek, Content and Context of Visual Arts in the Islamic World :
Papers from a Colloquium in Memory of Richard Ettinghausen, Institute of Fine Arts, New York
University, 2-4 April 1980, Monographs on the Fine Arts (University Park ; London: Published for the
College Art Association of America by the Pennsylvania State University Press, 1988), pp.
xxii,261p.,[16]p. of plates.
Clementine Faik-Nzuji, "Symboles Graphiques Africaine Dans La Liturgie Chretienne," Actes du colloque
international "Vie monastique à la lumiere des traditions et de situations africaines" (1989): 323-52.
———, Symboles Graphiques En Afrique Noire (Paris, 1992).
Robert Favreau, "La Memoire Du Passé Dans Les Inscriptions Du Haut Moyen Age," in Ideologie E Pratiche
Del Reimpiego Nell'alto Medioevo (Spoleto, 1999), pp. 937-76.
D Feissel, Recueil Des Inscriptions Chretiennes De Macedonie Du Iii Au Vi Siecle (Athens, 1983).
L Fernandes, "The Foundation of Baybars Al-Jashankir: Its Waqf, History, and Architecture," Muqarnas 4
(1987): 21-42.
Joan Ferrante, ""Licet Longinquis Regionibus Corpore Separati": Letters as a Link in and to the Middle
Ages," Speculum 76: 877-95.
Nezih Firatli, and Catherine Metzger, La Sculpture Byzantine Figurée Au Musée Archéologique D'istanbul
(Paris, 1990).
Carol Garrett Fisher, The Brocade of the Pen: The Art of Islamic Writing. (East Lansing, 1991).
Maria Vittoria Fontana, "Byzantine Mediation of Epigraphic Characters of Islamic Derivation in the Wall
Paintings of Some Churches in Southern Italy," in Islam and the Italian Renaissance, eds. Charles
Burnett and Anna Contadini (London: The Warburg Institute, 1999), pp. 61-76.
Simon Franklin, "Literacy and Documentation in Early Medieval Russia," Speculum 60: 1-38.
———, Writing, Society and Culture in Early Rus, C. 950-1300 (Cambridge, 2002).
Shen Fu, Glenn D Lowry, and Ann Yonemura, From Concept to Context : Approaches to Asian and Islamic
Calligraphy (Washington, 1986).
3
Albertine Gaur, A History of Writing (London, 1992).
Sharon Gerstel, Beholding the Sacred Mysteries: Programs of the Byzantine Sanctuary (Seattle, London,
1999).
———, "* Liturgical Scrolls in the Byzantine Sanctuary," Greek, Roman and Byzantine Studies 35, no. 2
(1994): 195-204.
S. Goldhill, "* the Naive and Knowing Eye: Ecphrasis and the Culture of Viewing in the Hellenistic World," in
Art and Text in Ancient Greek Culture (Cambridge, 1994), pp. 197-223.
Jack Goody, The Interface between the Written and the Oral (Cambridge, 1987).
———, The Power of the Written Tradition (Washington ; London, 2000).
Cyrus H. Gordon, "Riddles of the Wise," Berytus XXI (1972): 17-38.
André Grabar, "Deux Portails Sculptés Paléochretiens D'egypte Et D'asie Mineure, Et Les Portails Romans,"
Cahiers Archeologiques 20 (1970): 15-28.
Oleg Grabar, "The Qur'an as a Source of Artistic Inspiration," in Word of God, Art of Man: The Qur'an and Its
Creative Expressions, ed. F. Suleman (Oxford, 2007), pp. 27-40.
———, "Reflections on Mamluk Art," Muqarnas 2 (1984): 1-12.
D.H. Green, "Orality and Reading: The State of Research in Medieval Studies " Speculum 65: 267-80.
Michael Greenhalgh, The Survival of Roman Antiquities in the Middle Ages (London: Duckworth, 1989).
Timothy Greenwood, "Armenian Epigraphy," (Edinburgh: University of St Andrews, ?).
———, "A Corpus of Early Medieval Armenian Inscriptions," Dumbarton Oaks Papers 58 (2004): 27-91.
Francis L. Griffith, The Nubian Texts of the Christian Period (Berlin, 1913).
Sidney H. Griffith, "From Aramaic to Arabic: The Languages of the Monasteries of Palestine in the Byzantine
and Early Islamic Periods," Dumbarton Oaks Papers 51 (1997): 11-31.
Adolf Grohmann, "The Origin and Early Development of Floriated Kufic," Ars Orientalis 2 (1957): 183 - 214.
Margherita Guarducci, Epigrafia Greca. [with Illustrations.]Roma, 1967), p. 8º.
Andre Guillou, Recueil Des Inscriptions Grecques Medievales D'italie, Collection De L'ecole Française De
Rome (Roma: Ecole française de Rome, 1996), pp. x,257p.,16p. of plates.
William W. Hallo, and K. Lawson Younger, The Context of Scripture (Leiden: Brill, 2000), pp. xxvi, 438 p.
Michael Harbsmeier, "Inventions of Writing," in State and Society. The Emergence and Development of
Social Hierarchy and Political Centralization., eds. George Gledhill and Barbara Bender (London,
1988), pp. 253-76.
Elizabeth Hill Boone, and Walter D. Mignolo, eds., Writing without Words. Alternative Literacies in
Mesoamerica and the Andes. (Durham and London, 1994).
R. Hillenbrand, "Qur'anic Epigraphy in Medieval Islamic Architecture," in Studies in Medieval Islamic
Architecture, ed. R. Hillenbrand (London, 2001).
Valerie Hope, "Inscription and Sculpture: The Construction of Identity in the Military Tombstones of Roman
Mainz," in The Epigraphy of Death: Studies in the History and Society of Greece and Rome, ed. G.J.
Oliver (Liverpool, 2000), pp. 155-86.
Lucy-Anne Hunt, "Art and Colonialism: The Mosaics of the Church of the Nativity in Bethlehem (1169) and
the Problem Of "Crusader" Art," Dumbarton Oaks Papers 45 (1991): 69-85.
Jeffrey H. Hurwit, "The Words in the Image: Orality, Literacy, and Early Greek Art," Word & Image 6, no. 2
(1990): 180-97.
Martin Irvine, "Medieval Grammatical Theory and Chaucer's House of Fame," Speculum 60: 850-76.
Liz James, "'and Shall These Mute Stones Speak?' : Text as Art " in Art and Text in Byzantium, ed. Liz James
(Cambridge, 2007).
———, ed., Art and Text in Byzantine Culture (Cambridge, 2007).
Fathi Jarray, Inscriptions Des Momuments De La Regence Tunis a L’époque Ottomane. ed. Mehmet Tütüncü,
Corpus of Turkish Islamic Inscriptions / Türk İslam Kİtabelerİ Dİzİsİ (Haarlem 2010).
Jeremy Johns, "Die Arabischen Inschriften Der Normannenkönige Siziliens: Eine Neuinterpretation," in
Nobiles Officinae: Die Königlichen Hofwerkstätten Zu Palermo Zur Zeit Der Normannen Und Staufer
Im 12. Und 13. Jahrhundert ed. Seipel Wilfried (Milan, 2004).
———, The Painted Ceilings of the Cappella: Islamic Art, Supplement I (Genova and New York: The
Bruschettini Foundation for Islamic and Asian Art and The East-West Foundation, 2005).
4
Jeremy Johns, and Nadia Jamil, "Signs of the Times: Arabic Signatures as a Measure of Acculturation in
Norman Sicily’," Muqarnas 21 (2004): ??
C. Jolivet-Lévy, and N. Lemaigre Demesnil, "'Saint-Serge De Matianè, Son Décor Sculpté Et Ses Inscriptions',"
Travaux et Memoires 15 (2005): 67-84.
Sophia Kalopissi-Verti, "Painters in Late Byzantine Society: The Evidence from Inscriptions," Cahiers
Archeologiques 42 (1994): 139-58.
Ikumi Kaminishi, "Etoki, or Deciphering Pictures, of Biddhist Propaganda," Word & Image 18, no. 3 (2002):
191-208.
Calvin Kendall, The Allegory of the Church: Romanesque Portals and Their Verse Inscriptions. (Toronto,
1998).
———, "The Gate of Heaven and the Fountain of Life: Speech-Act Theory and Portal Inscriptions," Essays in
Medieval Studies 10 (1993): 111-25.
Machiel Kiel, Ottoman Inscriptions from Albania and Bulgaria. ed. Mehmet Tütüncü, Corpus of Turkish
Islamic Inscriptions / Türk İslam Kİtabelerİ Dİzİsİ (Haarlem, 2010).
Georges Kiourtzian, "Le Psaume 131 Et Son Usage Funeraire Dans La Grece, Les Balkans Et La Cappadoce À
La Haute Époque Byzantine," Cahiers Archeologiques 45 (1997): 31-39.
Jens E. Kjeldsen, "Talking to the Eye: Visuality in Ancient Rhetoric," Word & Image 19, no. 3 (2003): 133-37.
Bernard Knox, "Silent Reading in Antiquity," Greek, Roman and Byzantine Studies 9 (1968): 421-35.
Kostis Kourelis, "Writing Off the Wall: Writing as Resistance," in Objects - Buildings - Situations, 2008).
Dickran Kouymjian, and George Carpenter Miles, Near Eastern Numismatics, Iconography, Epigraphy and
History : Studies in Honor of George C. Miles ([Beirut]: American University of Beirut, 1974), pp.
xxv,478p.
Gerhardt Ladner, "Medieval and Modern Understanding of Symbolism: A Comparison " Speculum 54 (1979):
223-56.
Mogens Trolle Larsen, "The Role of Writing and Literacy in the Development of Social and Political Power,"
in State and Society: The Emrgence and Development of Social Hierarchy and Political Centralization,
eds. George Gledhill and Barbara Bender (London, 1988), pp. 173-91.
B. Lavagnini, "L'epigramma E Il Committente," Dumbarton Oaks Papers 41 (1987).
Irving Lavin, World Art : Themes of Unity in Diversity : 26th International Congress of the History of Art :
Papers. 3 VolsPennsylvania State University Press, 1989).
T Leisten, "Between Orthodoxy and Exegesis: Some Aspects of Attitudes in the Shariʿa toward Funerary
Architecture " Muqarnas 7 (1990): 12-22.
———, "Mashhad Al-Nasr: War and Victory Monuments in Medieval Islamic Art," Muqarnas 13 (1996): 7-26.
Jules Leroy, "Signatures Vraies Ou Supposées De Peintres a Doura Europos," Cahiers Archeologiques 21
(1971): 25-30.
Dan Levene, A Corpus of Magic Bowls : Incantation Texts in Jewish Aramaic from Late Antiquity (London:
Kegan Paul, 2003), pp. xiv, 223 p.
A.L. Littlewood, "The Classical Tradition in the Byzantine Letter," in Byzantium and the Classical Tradition. ,
eds. Margaret Mullett and R. Scott (Birmingham, 1981).
Ruth Samson Luborsky, "Connections and Disconnections between Images and Texts: The Case of Secular
Tudor Book Illustration," Word & Image 3, no. 1 (1987): 74-85.
Henry I. Mac Adam, "Epigraphy and Village Life in Southern Syria During the Roman and Early Byzantine
Periods," Berytus XXXI (1983): 103-16.
M.C.A MACDONALD, "Reflections on the Linguistic Map of Pre-Islamic Arabia," Arabian Archaeology and
Epigraphy 11, no. 1 (2000): 28-79.
Ruth Macrides, and Paul Magdalino, "* the Architecture of Ekphrasis: Construction and Context of Paul the
Silentiary's Ekphrasis of Hagia Sophia," Byzantine and Modern Greek Studies 12 (1988): 47-82.
Saki Mafundikwa, Afrikan Alphabets (New York, 2004).
Henry Maguire, Art and Eloquence in Byzantium (Princeton, 1981).
J.-P. Mahé, "Le Testament De Tigran Honenc': La Fortune D'un Marchand Arménien D'ani Aux Xiie-Xiiie
Siècles," Comptes Rendus de l’Académie des Inscriptions et Belles Lettres (2001): 1319-41.
Cyril Mango, "Antique Statuary and the Byzantine Beholder," Dumbarton Oaks Papers 17 (1963): 55-75.
J.C. Mann, "Epigraphic Consciousness," Journal of Roman Studies 75 (1985): 204-06.
5
N.I. Marr, "'Nadpis Epifaniia, Katalikosa Gruzii (Iz Raskopok V Ani 1910 G.)', [Inscription of Epiphane,
Catholicos of Georgia (from the Excavations at Ani in 19190)," Izvestiia Imperatorskoi Akademii
Nauk 4 (1910): 1433-42.
Henry-Jean Martin, The History and Power of Writing (Chicago and London, 1988).
Orazio Marucchi, and John Armine Willis, Christian Epigraphy. An Elementary Treatise. With a Collection of
Ancient Christian Inscriptions Mainly of Roman Origin ... Translated by J. Armine Willis. [with Thirty
Plates.]pp. xii. 460. University Press: Cambridge, 1912), p. 8º.
Mohammad Abdil Aziz Marzouk, "The Evolution of Inscriptions on Fatimid Textiles," Ars Islamica 10 (1943):
164-67.
Rosamond Mc Kitterick, The Carolingians and the Written Word (Cambridge, 1989).
M.D. Mc Leod, "Asante Gold-Weights: Images and Words," Word & Image 3, no. 3 (1987): 289-303.
Ino Michaelidou Nicolaou, "Inscriptiones Cypriae Alphabeticae 1960-1961, I," Berytus XIV, no. II (1963): 129
- 41.
George C. Miles, "Epitaphs from an Isfahan Graveyard," Ars Islamica 6 (1939): 151 -57.
Graeme Miles, "The Representation of Reading In "Philip the Philosopher's" Essay on Heliodorus. ,"
Byzantion 79 (2009).
J. Mitchell, "The Display of Script and the Uses of Painting in Longobard Italy," in Testo E Immagine Nell'alto
Medioevo (Spoleto: Centro Italiano di Studi sull'Alto Medioevo, 1994), pp. 887-951.
Stanley Morison, Politics and Script: Aspects of Authority and Freedom in the Development of Graeco-Latin
Script from the Sixth Century Bc to the Twentieth Century Ad (Oxford, 1972).
Simon Morley, Writing on the Wall. Word and Image in Modern Art (Hong Kong: Thames and Hudson, 2003).
Kathleen Morrison, and Mark Lycett, "Inscriptions as Artifacts: Precolonial South India and the Analysis of
Texts " Journal of Archaeological Method and Theory 4, no. 3-4 (1997): 215-37.
C. MORSS, "Byzantine Letters in Stone," Byzantion 73 (2003).
P.M. Muradian, Gruzinskaia Epigrafika Armenii. Istochnikovedcheskoe Issledovanie, [Georgian Epigraphy in
Armenia] (Erevan, 1977).
Claude Mutafian, ed., Arménie, La Magie De L'écrit (Paris: Somogy, 2007).
R. Nath, Calligraphic Art in Mughal Architecture (Calcutta, 1979).
Joseph Naveh, and Shaul Shaked, Amulets and Magic Bowls : Aramaic Incantations of Late Antiquity
(Jerusalem: Magnes Press, 1985), pp. 293p.,40p.of plates.
Gulru Neci̇poğlu-Kafadar, "The Suleymaniye Complex in Istanbul: An Interpretation," Muqarnas 3 (1985):
92-117.
Laïla Nehmé, "Les Inscriptions Des Chambres Funéraires Nabatéennes Et La Question De L'anonymat Des
Tombes," Arabian Archaeology and Epigraphy 44, no. 2 (2003): 203-58.
Robert Nelson, "Image and Inscription : Pleas for Salvation in Spaces of Devotion " in Art and Text in
Byzantium, ed. Liz James (Cambridge, 2007).
Julian Obermann, "Inscribed Tiles from the Synagogue of Dura," Berytus VII, no. 2 (1942): 89-138.
Walter Ong, Orality and Literacy. The Technologizing of the World (London, 1982).
———, The Presence of the Word (New Haven, 1967).
A. Papalexandrou, "'Echoes of Orality in the Monumental Inscriptions of Byzantium'," in Art and Text in
Byzantine Culture, ed. Liz James (Cambridge, 2007), pp. 139-60.
———, "'Text in Context: Eloquent Monuments and the Byzantine Beholder'," Word & Image 17, no. 3
(2001): 259- 83.
Amy Papalexandrou, "The Church of the Virgin at Scripou: Architecture, Sculpture and Inscriptions in NinthCentury Byzantium", Princeton University, 1998).
Evelyn Patlagean, "* Discours Ecrits, Discours Parlé. Niveaux De Culture a Byzance Aux Viiie-Xie Siècle," in
Structure Sociale, Familiale, Chrètienne a Byzance, Ie-Xe Siècle (London, 1981).
Michela Pereira, "Alchemy and the Use of Vernacular Languages in the Late Middle Ages," Speculum 74:
336-56.
Armando Petrucci, Public Lettering : Script, Power, and Culture (Chicago ; London: University of Chicago
Press, 1993), pp. vi, 152p., [96]p. of plates.
———, "Spazi Di Scrittura E Scritte Avventizie," in Ideologie E Pratiche Del Reimpiego Nell'alto Medioevo
(Spoleto, 1999), pp. 981-1005.
6
Armando Petrucci, and Francesco Appendix Miscellaneous Petrarca, La Scrittura Di Francesco Petrarca.
[with a Portrait and Facsimiles, and with \201cindice Dei Codici Integralmente O Parzialmente
Autografi Del Petrarca.\201d], [Studi E Testi. No. 248.]pp. 155. pl. XXXVII. Citta\0300 del Vaticano,
1967), p. 8º.
Renato Polacco, "Considerazioni Sul Bilinguismo Greco-Latino Delle Iscrizioni Della Pala D'oro Di San
Marco," Venezia Arti 6 (1992): 15-24.
Ljubica Popoviç, "Hitherto Unidentified Prophets from Nova Pavlica," Zograf 19 (1988): 25-43.
S. Redford, and G. Leiser, Victory Inscribed: The Seljuk Fetihnāme on the Citadel Walls of Antalya, Turkey.
Vol. 7, Adalya Supplementary Series (7) (Antalya: Vehbi Koç Vakfı,, 2008).
Repertoire Chronologique D'epigraphie Arabe, (Cairo, 1931-37).
S Riccioni, "Épiconographie De L’art Roman En France Et En Italie (Bourgogne/Latium). L’art Médiéval En
Tant Que Discours Visuel Et La Naissance D’un Nouveau Langage " Bulletin du Centre d'études
médiévales d'Auxerre 12 (2008).
Alberto Rizzi, (198).
———, Scultura Esterna a Venezia. Corpus Delle Sculture Erratiche All'aperto Di Venezia E Della Sua Laguna
(Venice, 1987).
Mary Nooter Roberts, Allen F. Roberts, and S. Terry Childs, Memory, Luba Art and the Making of History
(New York, 1996).
Elizabeth Rodini, "Mapping Narrative at the Church of San Marco: A Study in Visual Storying," Word &
Image 14, no. 4 (1998): 387-96.
Franz Rosental, "Significant Uses of Arabic Writing," Ars Orientalis IV (1961): 15-24.
Charlotte Roueche, "Acclamations in the Later Roman Empire: New Evidence from Aphrodisias," Journal of
Roman Studies 74 (1984): 181-99.
———, "Looking for Late Antique Ceremonial: Ephesos and Aphrodisias," in 100 Jahre Osterreichische
Forschungen in Ephesos. Akten Des Symposions Wien 1995, eds. H. Friesinger and F. Krinzinger
(Vienna, 1999), pp. 161-8.
Charlotte Roueche, and Joyce Reynolds, Aphrodisias in Late Antiquity : The Late Roman and Byzantine
Inscriptions Including Texts from the Excavations at Aphrodisias Conducted by Kenan T. Erim
(London: Society for the Promotion of Roman Studies, 1989), pp. xxvii,371p.,48p. of plates.
M.A. Sacopoulo, "La Fresque Chretienne La Plus Ancienne De Chypre," Cahiers Archeologiques 13 (1962):
61-83.
P. Saenger, "* Silent Reading: Its Impact on Late Medieval Script and Society," Viator 13 (1982): 367-414.
———, * Space within Words: The Origins of Silent ReadingStanford University Press, 1997).
Linda Safran, "Language Choice in the Medieval Salento: A Sociolinguistic Approach to Greek and Latin
Inscriptions. ," in Zwischen Polis, Provinz Und Peripherie. Beiträge Zur Byzantinischen Geschichte
Und Kultur. Mainzer Veröffentlichungen Zur Byzantinistik. , ed. L. Hoffmann (Wiesbaden:
Harrassowitz., 2005), pp. 819-40.
———, "Public Textual Cultures. A Case Study.," in Textual Cultures of Medieval Italy, ed. William Robins
(Toronto: University of Toronto Press, 2010).
Geoffrey Sampson, Writing Systems : A Linguistic Introduction (Stanford, Calif.: Stanford University Press,
1985), p. 234 p.
M. Schapiro, Words and Pictures: On the Literal and the Symbolic in the Illustration of a Text (The Hague,
1973).
Annemarie Schimmel, Calligraphy and Islamic Culture, Hagop Kevorkian Series on near Eastern Art and
Civilization (New York ; London: New York University Press, 1984), pp. xiv,264p.,[12]p. of plates.
Warren Senn, "The Labyrinth Image in Verbal Art: Sign, Symbol and Icon?," Word & Image 2, no. 3 (1986):
219-30.
Ihor Sevcenko, "The Early Period of the Sinai Monastery in the Light of Its Inscriptions," Dumbarton Oaks
Papers 20 (1966): 255-64.
Nancy Sevcenko Patterson, "The Word on the Page," Word & Image 12, no. 1 (1996): 1-3.
Adel Sidarus, "Plurilinguisme En Égypte Sous La Domination Gréco-Romaine," Journal of Coptic Studies 10
(2008): 183-202.
Priscilla Parsons Soucek, ed., Content and Context of Visual Arts in the Islamic World (London, 1988).
7
Gabrielle M. Spiegel, "History, Historicism, and the Social Logic of the Text in the Middle Ages," 65: 59-86.
Gregory Starrett, "Signposts Along the Road: Monumental Public Writing in Egypt," Anthropology Today 11,
no. 4 (1995): 8-13.
Brian Stock, The Implications of Literacy: Written Language and Models of Interpretation in the Eleventh
and Twelfth Centuries (Princeton, 1983).
M. Stroll, Symbols as Power. The Papacy after the Investiture Contest (Leiden, 1991).
Jesper Svenbro, * Phrasikleia: Anthropologie De La Lecture En Grèce Ancienne (Paris, 1988).
Yasser Tabbaa, Constructions of Power and Piety in Medieval Aleppo (Pensylvania, 1997).
Alice-Mary Talbot, "Epigrams in Context: Metrical Inscriptions on Art and Architecture of the Palaiologan
Era," Dumbarton Oaks Papers 53 (1999): 75-90.
Roger Tarr, "'Visibile Parlare': The Spoken Word in Fourteenth Century Central Italian Painting," Word &
Image 13, no. 3 (1997): 223-44.
Daniel Terkla, "Cut on the Norman Bias: Fabulous Borders and Visual Glosses on the Bayeux Tapestry,"
Word & Image 11, no. 3 (1995): 264-90.
Testo E Immagine Nell'alto Medioevo : Settimana Di Studio : Papers, Discussions and Programme, (Spoleto:
Centro Italiano di Studi sull'Alto Medioevo, 1994), p. In 2 vols.
Rosalind Thomas, * Literacy and Orality in Ancient Greece (Cambridge, 1992).
R Thompson, "Architectural Symbolism in Classical Armenian Literature," Journal of Theological Studies 30
(1979).
Eric Thunø, "Text Image and Time in Some Early Christian Mosaics," in Visual Representation and Cultural
History Seminar, (Harvard University: unpublished (?), 2006).
———, "The Word Made Flesh. Text as Image in Early Christian Rome," in Tensions between Image and
Text in Medieval Art, (College Art Association, Boston,, February 2006).
Denise Troll, "The Illiterate Mode of Written Communication: The Work of the Medieval Scribe," in Oral and
Written Communication: Historical Approaches, ed. Richard Enos (Newbury Park, 1990), pp. 96-125.
Mehmet Tütüncü, Selçuklu Devri Kervansaray (Han) Kitabeleri. ed. Mehmet Tütüncü, Corpus of Turkish
Islamic Inscriptions / Türk İslam Kİtabelerİ Dİzİsİ (Haarlem, 2009).
Mehmet Tütüncü, Turkish Palestine (1069-1917) Inscriptions from Al-Khalil (Hebron), Nebi Musa and Other
Palestinian Cities under Turkish Rule. ed. Mehmet Tütüncü, Corpus of Turkish Islamic Inscriptions /
Türk İslam Kİtabelerİ Dİzİsİ (Haarlem, 2008).
Mehmet Tutuncu, Turkish Jerusalem (1516-1917), Ottoman Inscriptions from Jerusalem and Other
Palestinian Cities. ed. Mehmet Tutuncu, Corpus of Turkish Islamic Inscriptions / Türk İslam Kİtabelerİ
Dİzİsİ (Haarlem, 2006).
Alicia Walker, "Meaningful Mingling: Classicizing Imagery and Pseudo-Arabic Script in Medieval Byzantium,"
Art Bullettin (2008): 32-53.
"The Wall Paintings and Inscriptions of Deir Musa Al-Habashi," Eastern Christian Art 4 (2007): 97-188.
Julian Weiss, "What Every Noblewoman Needs to Know: Cultural Literacy in Late-Medieval Spain,"
Speculum 81, no. 4 (2006): 1118-49.
Welch A., Keshani H., and A. Bain, "Epigraphs, Scripture, and Architecture in the Early Delhi Sultanate "
Muqarnas 19 (2002): 12-43.
Anthony Welch, Calligraphy in the Arts of the Muslim World (Folkestone, 1979).
Greg Woolf, "Monumental Writing and the Expansion of Roman Society in the Early Empire," The Journal of
Roman Studies 86 (1996): 22-39.
Merald Ernest Wrolstad, and Dennis F. Fisher, Toward a New Understanding of Literacy (New York: Praeger,
1986), pp. xi, 331 p.
Leyla Ylmaz, and Kemal Tuzcu, Antalya’da Turk Donemi Kİtabeleri, Corpus of Turkish Islamic Inscriptions
(Haarlem, 2010).
M Yussuf Siddiq, "An Epigraphical Journey to an Eastern Islamic Land," Muqarnas 7 (1990): 83-108.
48-9798-147148-180, 182-195196-212, 214-222, 224-230
8