The Tragedy of Macbeth A Study Guide Any play that opens with witches, thunder, and lightening - all in a desert place - with a war going on in the background, is unlikely to promise much in the way of belly laughs. But we might also wonder what it might have to do with reality. We are prepared for some tale that will be set in a time long ago and a place far away. But Macbeth is very real, and despite the elements of the supernatural, it is the story of a very human - too human - man and woman. Remember this when the witches begin to prophecy, daggers materialise in mid-air, murderers appear out of nowhere, and a ghost comes to dinner. Act One I, i The witches or the "weird sisters" do appear to have the gift of prophecy. After all, they seem to be pretty confident that they will meet Macbeth later on that day. But their most important lines here are the following: Fair is foul, and foul is fair, Hover through the fog and filthy air. (I,i, ll 11-12) What does this suggest? It seems to warn us that beauty may be evil, the horrible may be good, and that things in general may not be what they seem. Things "hover", hanging suspended above the ground, neither on earth nor in the sky. The fog and the "filthy air" suggest that the elements earth, air, fire, and water - are confused, muddled all together in some unnatural way. The world seems to be in chaos, at least within the realm of humankind. Does this suggest that Shakespeare's view of the world is a bleak one in which humankind is by nature evil. No, but the confusion and chaos does suggest a struggle between great forces. You will see several such struggles in the play. Rebellious lords will rise against a King; husband and wife will struggle to set a plan in motion. But the great struggle will be within individuals, as each confronts the dual nature of humankind; not "good" and "evil" but "reason" and "appetite" or what Alexander Pope might call, "Self Love". Read the following lines from Alexander Pope's great work, "Essay on Man": Know then thyself, presume not God to scan; The proper study of Mankind is Man. Placed on this isthmus of a middle state, A being darkly wise and rudely great: With too much knowledge for the Skeptic side, With too much weakness for the Stoic's pride, He hangs between; in doubt to act, or rest, In doubt to deem himself a God or Beast; In doubt his Mind or Body to prefer, Born but to die, and rea'sning, but to err; Alike in ignorance, his reason such, Whether he thinks too little, or too much: Chaos of Thought and Passion, all confused; Still by himself abused, or disabused; Created half to rise, and half to fall; Great Lord of all things, yet a prey to all; Sole judge of Truth, in endless Error hurled: The glory, jest, and riddle of the world. Epistle II, ll 1-18 Pope's words describe the human being as a creature caught in between two warring sides. We possess the reasoning ability of the angels and the instincts and appetites of the beast. We are moved by logic and by passion, lifting ourselves up with the first and dragging ourselves down with the second. Ultimately, the goal would be to embrace reasoning and the higher passions - love of God - and escape the lower, dangerous emotions that can lead us to acts of great cruelty and, eventually, our own destruction. This dual nature is easier to understand when one considers the old idea of the Great Chain of Being. This metaphor was used to describe the fragile order of Nature as a whole. The Chain represents the perfectly ordered world created by God. Everything that existed in the world had its assigned place on the chain. At the top were the angels, beings of pure Reason, whose only purpose was to adore God. They were free of vice and passion. Next came Man, halfway between the angels and the "ruder" beasts. Below Man came the kingdoms of the beats, fishes, birds, minerals, and so on. Within every kingdom, there was a first rank. Among trees it was the oak; among minerals, gold; among animals, the lion; among men - the King! The function of everything on the chain was to be the most perfect type of thing its Nature imposed. The function of a horse was to be a horse. A horse should not try to be an elephant. The function of a tailor or a lord was to be the best of tailors or the best of lords. Be what Nature intends. Accept your nature and the duty or duties that go with it. But a tailor should not try to be a lord, and a lord should not try to become a King. To do so was to break the chain, and if that break came high enough, chaos would enter at the break and spread through the world. Thus, those who believed in the idea of the chain would look at Macbeth's attempt to become King by an act of 2 regicide and be horror struck. This act, if successful, would break the chain at its highest earthly point, and all below would suffer. Of greater importance to Macbeth himself would be the loss of his soul and the eternal damnation that would follow. I, ii We hear of Macbeth's courage and we see blood. This is the bloodiest of Shakespeare's plays. A "good and hardy soldier", a "brave friend" - in other words, a man who has done his duty to his King - reports to us about the battle the witches spoke of. Duncan is King of Scotland, and Macdonwald, a rebel lord, has tried to overthrow him, disturbing the natural order with this treason. Macbeth has battled bravely for Duncan's side, and had killed "the slave" Macdonwald by cutting him in two. Duncan's cry, "O valiant cousin! Worthy gentleman" pinpoints the rightness of Macbeth's great bloodletting; Macbeth is his relative and his loyal subject. The soldier goes on to mention that the King of Norway, who we later hear had the help of yet another traitor, the Thane (or Lord) of Cawdor, decides to take advantage of the confusion and launch his own attack on Scotland. Again, it is Macbeth who rushes in and defeats the rebels. Was Macbeth not dismayed by these new enemies, asks Duncan? "Yes," answers the bloody soldier, "as sparrows, eagles, or the hare, the lion." Explain why these animal and bird images are appropriate in this context. Duncan is grateful, and also, a little stupid. He decides to reward Macbeth by giving him the title of Thane of Cawdor. With the title would go land and castles. In other words, having been threatened by two great Lords of his own country, Duncan now makes Macbeth the greatest Lord of all. I, iii The witches meet again, and for a while, seem a little silly. One, annoyed by a big-bummed sailor's wife's refusal to share some chestnuts, has caused a storm at sea by making mischief with the winds. This will condemn Big Butt's husband to many days of sleepless sailing. But notice she cannot sink the "bark" or ship. Thus we realize that there are limits to the powers of these weirdies. They cannot assign us our fate. They can only make the journey difficult. And just how seriously can we take a creature that collects thumbs for a hobby, or her friends who get excited by the new addition to the collection! Now, finally, we meet Macbeth, whose first words are significant. What impact do they have on the audience/reader? With Macbeth is Banquo, another great general who fought on Duncan's side, and a great friend to Macbeth. You need to keep in mind that friendship imposes its own duties. He confronts the witches and notes that they are not "natural" creatures; they are neither one thing nor the other. Macbeth is not impressed by their appearance and orders them to speak. They respond with the famous predictions. Macbeth, notes Banquo, responds rather strangely to their words, seeming to 3 "fear/ things which do sound so fair." Why fear? Have the witches, by luck or skill, stumbled on a hidden desire? Banquo, noting that Macbeth is wrapped up in God only knows what thoughts, demands that the witches offer him some prophecies. They respond with three riddles. Macbeth comes out of his trance long enough to demand more info, but the witches vanish. Banquo is a cautious man. He wonders if he and Macbeth have lost their minds. Have we taken poison? Do we hallucinate? Is reason trapped? Macbeth does not seem to be bothered by such concerns; he is fixed on the prophecies. Then Ross arrives with a message from the King, and the first prophecy comes true! Now come Macbeth's "asides" "Asides" are meant to be seen as internal thoughts. Essentially, the actor is talking to him/herself. This is fortunate for we discover that, at least mentally, Macbeth is being a very naughty little thane indeed. He struggles with something fair and foul. The fair bit is the fact that he is now Thane of Cawdor. But what is the foul? It must be the fantasy "whose horrid image doth unfix my hair/ And make my seated heart knock at my ribs/Against the use of nature." Following lines continue this confusion. Whatever thought is now banging around his thanely brain, it is so horrible, it "shakes so [his] single state of man that function/Is smothered in surmise, and nothing is/But what is not." He knows these thoughts are evil. In fact, how has Shakespeare already made it clear that this is not the first time the idea of being King had crossed his fuzzy little thane's brain? Does Banquo see this? What warning does he give his friend? Does Macbeth hear a word Banquo said? Likely not. But on his own he decides, " If chance will have me King, why chance/May crown me." What does this mean? Please note the form being used to incorporate quotations in this guide. I, iv Cawdor - the original, not Macbeth - has been executed. Significantly, he died bravely, apologizing, and throwing away his life " as t'were a careless trifle." Duncan moans about how unhappy he is to have been so betrayed by one he trusted. He then greets the man who will do exactly the same thing, but better. He falls all over Macbeth, thanking him and promising him great rewards. Macbeth does what any great person would do here; he sucks up, coming out with a kind of, "Golly gee whiz, it weren't nothin"" speech. But part of all this modesty is important. Show that Macbeth knows what his duty is. Duncan now says, " Welcome hither/I have begun to plant thee, and will labour/To make thee full of growing." No, he isn't going to cover Macbeth with dirt. This is an important metaphor, a significant motif. A rightful King is being compared to a good gardener, and the kingdom is the garden. In a country ruled by a divinely sanctioned King, good people will be "full of growing" rich and prosperous. In a country ruled by an unnatural King, weeds will corrupt the garden, and nothing true will grow. 4 Now Macbeth listens to all this horticultural stuff, no doubt thinking of the witches words and saying to himself, " Go on, ya old windbag, 'cause I know something you don't know." But then Duncan does the unexpected! He shatters Macbeth's newly revived fantasies. How does he do this? And Duncan isn't finished. He then announces that he will go to Macbeth's castle, Inverness. Now look at Macbeth's reaction! What happened to letting Chance crown him? How does one "overleap" a Prince? Does one simply go up and say, "Excuse me, but I was here first?" Suddenly, our favourite thane wants darkness. Why does he want his eye to "wink" at his hand? I, v This scene belongs to Lady Macbeth, and she is awesome in the true sense of the word. The "natural" Lady of a Lord owes her duty first to God, then to her King, then to her Lord/Husband, then to family, then to her guests, and then to those who serve her. But the history of the time is filled with "Ladies" who had no difficulty overlooking the minor problems these duties brought on, and Lady Macbeth is a towering example of the type. No thought is given to chance crowning anyone. Macbeth will be King. But she worries about his good nature, complaining that he would go about it only in moral ways. He has too much "milk" (another key motif) and not enough "illness". He is not diseased or unnatural enough "to catch the nearest way." She, however, has the right poison - her words -, which she will pour into his ear to urge him towards the "golden round". She is wise enough to see her own limits and to recognize that she, too, has good in her, and that this might get in the way. Recognizing that she will need help, she calls upon the evil spirits to fill her with cruelty. To prevent guilt, and to make sure that nothing "natural" in her will interfere, she asks them to "make thick my blood" and to "come to my woman's breasts/And take my milk for gall." She, too, calls for darkness so that her hand, like his, will see nothing. Both seem to hope that, whether it be by stars "hiding their fires" or by the "smoke of hell'" creating a "blanket of the dark”, heaven will not see. They seem to not realize what one character in the famous play, The Duchess of Malfi, noted when he realized that, while some crimes can be hidden, "blood flies upward". In other words, "Murder will out." And so, when her husband appears, she begins her attack on his better self. No-one reminds us more of the witches words that "Fair is foul". She tells him to deceive, to close the book of his face so that no man can "read strange matters" that may be in his heart. He must, "look like the innocent flower/But be the serpent under it." This is a powerful image of evil, reminding us of the snake in the Garden of Eden. Macbeth is not convinced, and suggests they will talk more. Instantly, she counters: "You shall put/This night's business into my dispatch.../Leave all the rest to me." She 5 will develop the plan. She will set the wheels in motion. She is Medusa reborn, another powerful woman, who, if it is necessary, will cut an old man's body into bits. I, vi “This castle hath a pleasant seat,” says the Dim Duncan – not one of Scotland’s brighter lights, for all his golden blood and silver skin – and he then goes on to greet his honoured hostess. He has no idea, of course, what honoured hostess has in mind for him. We, however, knoweth what the lady thinketh. That means this is what kind of irony? The Lady sucks up magnificently, echoing her husband’s words about duty. Duncan takes her hand and they walk in together. Ironically, the sun is shining, one of the very few scenes in this play during which this occurs. I, vii This is Shakespeare at his best. The scene opens with the first of the great soliloquies. A soliloquy, a long “aside”, is a dramatic speech delivered by a character usually alone on stage. It is understood that this is essential an internal monologue, thought rather than spoken, but watching an actor think might be boring, and in Hollywood, futile, so better they should speak! As we read these lines, we need to ask ourselves whether or not Macbeth has made up his mind. He certainly seems aware of a dilemma. If he could kill the king and avoid the “life to come” – damnation – then perhaps he’d pick up his knife, hike up his robes, and scamper off to stab! But he knows about Nemesis (retribution or punishment) and this is slowing him down. Nemesis is the answer to Hubris (great insolence/pride) and Hamartia (act of evil or bad judgment), or at least it is in Shakespearian drama, where fate plays a different role than it does in Sophoclean tragedy. In the strange language of adolescence, Nemesis might be described as “What goes around comes around”. Macbeth, not an adolescent, describes it differently. What two images does Macbeth use? Comment on their effectiveness. Macbeth has other concerns, however; in fact there are two. What are they? By the end of the soliloquy, Macbeth has clearly come to a decision, and he is ready to inform his wife of this at the first opportunity, which comes … well … quickly. And how do you imagine Old Breasts of Gall is going to take this bit of news? The answer is, not well! She immediately launches an attack on his courage, clearly unimpressed by his cutting in two of Mr. Macdonwald. Macbeth doesn’t wimp out immediately. His answer, “I dare do all that may become a man;/Who dares do more is none.” is important How would you explain these words? She goes on, however, and her words become increasingly terrible. In terms of the concept of Nature presented in this play, she hits bottom here. Explain why. 6 Macbeth is still not overwhelmed. He asks, “If we should fail?” She responds, “we fail.” However, some people feel there should be a question mark at the end of her comment. Others assert the period is entirely appropriate. Given your impressions of the Lady thus far, how do you feel it should be read? Pay attention to Macbeth’s diction as the act ends. How do his words echo those of other characters? I think it is important to understand that Lady Macbeth has yet to make any mention of herself being queen. Act Two It is midnight! The stars (heaven’s candles) are all out. There is no moon. Get the picture? Now Banquo, it seems, is having his own very nasty thoughts. How does he deal with them? He and Macbeth talk, and Banquo leaves, taking his son, Fleance, with him. This seems a good move. Would you leave your kid with Macbeth? Now comes the second great soliloquy, but before you rush off to read and reread this, it’s time to learn what a tragic hero is, or at least this kind of tragic hero. The Tragic Hero The T.H. is an individual great by birth and nature, possessing outstanding virtue or strength. This virtue will struggle with an equal flaw. The flaw will overcome the virtue. The T.H. is ultimately responsible for his own fate. The T.H. will become isolated and tormented. The T.H will encounter Nemesis. The T.H will somehow escape the hatred of the audience. Instead, we may feel pity, fear, or even awe. The above should tell you why the soliloquy you may now reread is so key. If Macbeth had left his wife, hollering, “Let me at ‘em!”, we would blame her, and Macbeth would become pathetic, a 7 victim of his wife’s powerful manipulations. By the end of the soliloquy, how has the character of Macbeth evolved? What is the impact of his diction in the second half? II, ii Lady Macbeth enters, alone. She has been drinking but she is by no means drunk. She has done her part and seems nervous. As she speaks, however, she will say a few things that give us a glimpse at how the “thick blood” strategy is working. Is it? The bloody Macbeth now enters. What does the Lady’s role now become? Why should a man who apparently bisects people regularly be bothered by blood on his hands? Note Lady Macbeth recommends the application of a little water – ever the housewife or Shakespeare setting something up? She then notices that MacTwit has brought the daggers with him. Not pleased, she orders them returned. He refuses. The great warrior will not go back. She must carry the murder weapons back to the corpse. While she is gone, Macbeth continues to moan. He imagines himself trying to wash his hands in the ocean. What is the outcome? How is this consistent with the imagery and themes of the play? 8 II, iii This scene opens with the famous “Porter’s Scene”. This is an example of Comic Relief, the interruption of a serious work with a short humourous scene designed to relieve tension. Unfortunately, the Porter’s scene has not aged well, especially for a modern high school audience. This is a pity because the porter goes on at some length explaining the impact of alcohol upon a man’s ability to “entertain” in bed. The lines are hilariously filthy, and an Elizabethan audience, largely drunk, would have been rolling on the floor. Don’t you hate it when someone tells a joke and you don’t get it? However, Shakespeare never gets too far away from his themes, and in the porter’s idiocy are references to his imagined surroundings. Where does he claim to be? Why is this significant? Macbeth greets his late night visitors and they talk about the weather. Strange weather! What we are getting here is an example of something called “Pathetic Fallacy”. This device is used to suggest that nature can actually respond in sympathy to human emotions and/or actions. Thus, clouds may week when your heart is broken; flowers may wither and die if you are cruel. What might be responsible for the rather weird weather described? Note Macduff’s diction as he returns from the King’s bedchamber. Don’t dismiss it as simply hyperbole. Examine the words carefully. How are they significant? Lady Macbeth now joins the crowd. At first Macduff refuses to tell her what has happened out of concern for her delicate femininity. Yes, you may snicker. When she does hear the news, she makes a mistake, an error that will begin raise Banquo’s suspicions. What is her error? But the important lines in this scene are Macbeth’s. Remember, no one knows that he did the killing. Yet his words would make sense to them. Why? Nonetheless, something must be happening because Lady Macbeth decides that she needs to do something to shut him up. That’s right, dear readers, it’s a fake faint. What do you think Macbeth was doing that moved her to fall down and go boom? Malcolm and Donaldbain, Duncan’s sons, do not seem all that broken hearted at Papa’s passing. However, they are political children, the sons of a king, and so they talk to each other in pretty practical terms. What do these very bright boys quickly realize? What is their plan. Of course, what unfortunate consequence might this plan have? II, iv The act ends with a short scene filled with pathetic fallacy. Find three examples and be prepared to discuss why Shakespeare chose the ones he did. The other important event concerns Macduff. Macbeth, we learn, is to be crowned King. His coronation is approaching. Will Macduff attend? Why is the answer to that question significant? 9 Act Three The act opens with Banquo, alone, considering everything that has happened. It is obvious that he has begun to think certain thoughts. What are they? Now, as a loyal and natural human being, what should duty compel him to do? Yet, to what does his mind turn? The question is: Has Banquo sinned? The Macbeths enter, now crowned King and Queen. Crime, it seems, does pay. They greet Banquo with what appears to be great friendship, insisting that he attend " our great feast " and Banquo promises that duty makes him theirs to command. But while all this verbal handshaking and backslapping is going on, Macbeth slips in three apparently innocent questions. Go ahead! Be suspicious. Might Macbeth have any motive other than curiousity for these queries? At the end of the scene, look back at these and see the irony! There is another rather horrible irony in Banquo’s responses. Do you get it? Macbeth orders everyone - everyone! - out. This is a sure sign a soliloquy is about to burst out. Sure enough, the "charming" King reveals his innermost thoughts. What is his state of mind? How does he see Banquo? What else is bothering him? Remember Duncan's use of garden images - ' I have begun to plant thee and will labour to make thee full of growing"? Can you see three words that suggest something about Macbeth's "garden"? At this point, two rather scruffy individuals appear, and Macbeth, after sending his attendant away, speaks to them. What does he appear to be trying to get them to believe? Does he appear to be warning them, begging them, or challenging them? Eventually, his purpose is clear. By comparing them to dogs with the idea that some dogs are better and nobler than others, he is insulting them, and soon enough, he drives home his conclusion. Before you read past line 100, can you figure out what it is Macbeth is trying to do? Very good! But Macbeth is King! Why doesn't he just do it himself? What's planned is horrible enough. But how does it become even more so before it’s complete? Usually, it is the people on stage who are important. But who is not there during this exchange, and why is this significant? III, ii O.K., so Macbeth isn't in the best of moods. What about Old Ironsides, she of the not-sothick blood. Is she happy? What worries her? What is she attempting to do? Note that she will do this through the rest of the scene, and, while she is able to, through the rest of the play. What previous crime is already exacting its revenge? Who do both Macbeths envy? Why? 10 Lady Macbeth tries to calm her husband, while he bitterly rants on about the necessity of flattering (kissing up) to folks like Banquo. Then, Macbeth bursts out with an anguished metaphor. What does he mean? Who and / or what are the scorpions? In lines 44 - 61, Macbeth sounds like the most evil of unnatural beings, like some dark wizard from the underworld, casting spells and planning horrors. You can almost hear him cackle. And he tells her yet he doesn't tell her what's to come. What significant change has occurred? At this point, do you see Macbeth as free or trapped? If you think the latter is the case, what traps him, and does this fit into the definition of the tragic hero given earlier in the guide? III, iii Scene three is short but important. How successful in Macbeth's plan? Is Banquo an innocent victim of Macbeth's evil, or is there a touch of nemesis in his fate? Was there anything in the scene that surprised you? Something that shouldn't be, yet was? I think a bonus mark is appropriate - if you can spot the unexpected! III, iv Meanwhile, back at the castle, King Macbeth is greeting his guests, ably assisted by Her Majesty. They seem friendly, even jovial, mixing with their guests as equals, rather than formally separating themselves from those theoretically their inferiors. The, the returning murderer calls Macbeth, and he 11 gives him the mixed news. As the story unfolds, how does Macbeth's mood change? Do you think he will ever again achieve the state of mind he desires? Macbeth talks about serpents and worms. To whom does he refer, and what do his words mean? Lady Macbeth calls - a bit impatiently - for her husband to come back and be the good host, and Lennox invites him to sit. Before he does, he suggests that Banquo's absence from the feast is due to rudeness rather than accident, and he points out that, "Here had we now our country's honour roof'd/Were the grac'd person of our Banquo present." At which point, a rather terrible irony occurs, and Banquo's answer to Macbeth in III, scene I, achieves an irony Banquo did not intend. Macbeth reacts to the ghost - whom no-one else, even the lady, can see. Remember, the most powerful people in the country are in the room, and they see only their King, ranting at what appears to be an empty stool. Lady Macbeth tries to calm both her husband and the lords with what appears to be a mixture of anger and despair. Macbeth’s lines, of course, will give the whole thing away to the lords as soon as Banquo's body is discovered and the wounds are counted. More importantly, in what retributive way do even the laws of Nature itself seem to be ganging up on the guilty Macbeth? If you were one of the people at the table, would Macbeth's words or Lady Macbeth's make you feel any more relaxed? Macbeth, apparently having not learned that it is better to let sleeping ghosts lie, and that it is not a great idea to mention dead Banquos at dinner, does so again. What happens? Macbeth looses his composure (“cool") a second time. Then, unbelievably, he tells his guests to remain but since he can't seem to shut up about what he has seen and since the guests are getting curious, his wife finally tells the lords to leave - now! 12 Macbeth's line, “Blood will have blood”, is one of the most famous in Shakespeare, and it says nothing other than the truth. Discuss at least two ways these words are significant. How much does Macbeth trust any of the lords? Where will he go now? Why? How far will he go to keep what he has gained? What phrase that he claimed to hear on the night of the murder seems to be coming true? III, iv Lennox’s words are heavily sarcastic. He is pointing out that there has been an unusual amount of father-killing going on. What does this suggest the Macbeths have been saying was the likely cause of Banquo's death? More importantly, lines 25-40 establish the possibility that what two important characters are going to meet? Where will this meeting take place, and why will it take place there? Keep in mind that there exists both a practical and symbolic reason. Act Four IV, i The witches have apparently been to Ye Olde Bulk Barn, for a number of unusual items go into the potion. Some are traditional witchy stuff, but some are significant. Anything having to do with poison reminds us of the "serpent" images common in the play. Anything having to do with those not baptized reminds us of Macbeth's position outside the Chain of Being. The lines are wonderfully rhythmic, and the fact that they rhyme as well make these the most popular lines in all of Shakespeare's plays. Go ahead. Reread them! Picture yourself as something out of Hallowe'en XIII. It's especially neat if you read them out loud, but it is likely a good idea to wait until the rest of the family is somewhere else. Macbeth's next lines show just how far from the rest of humanity he has moved. Note what he is willing to see happen to all of Nature as long as he gets what he wants. The last ingredients that go into the cauldron are significant. Do you see why? Note the predictions! The first Macbeth has figured out. But look at the second and the third. These words comfort Macbeth, and at first glance, they seem to suggest that he will win. But what did Banquo warns us might be true about anything told to us by the powers of darkness? Still not satisfied, Macbeth wants the answer to what question? Despite the witches' warning, he persists. What does the last vision - stage directions and lines mean? Note that an honest man, Lennox, does not see the witches. What irony escapes Macbeth's lips? Despite the predictions that seem to guarantee his safety, what has Macbeth planned? How has he changed from the cautious and morally troubled man we met in Acts One and Two? IV, i A foil is a character whose qualities or actions emphasize those of the protagonist by 13 providing a strong contrast. Banquo, Malcolm, and Macduff are all, to some degree, foils to Macbeth. For example, Macduff's willingness to put himself in danger in order to restore a natural king to the throne of Scotland is in direct contrast to Macbeth's willingness to sacrifice himself to accomplish the opposite. Lady Macduff is obviously meant to be a foil to Lady Macbeth. Point out at least two significant ways in which the ladies differ. The son will utter one of the dumbest lines in Shakespeare before his brief moment on the stage comes to a bloody end, but he will demonstrate great courage, and he is one example of an interesting contrast. All the good men in the play - Banquo, Macduff, Duncan, Siward - have sons; Macbeth does not. In history, the real Macbeth had a son. Why might Shakespeare have changed history? In many of Shakespeare's plays, innocents die. Desdemona in Othello, Lady Macduff and her son in Macbeth, Ophelia in Hamlet, and, arguably, Juliet in Romeo and Juliet all die because of the sins of others. In each case, their deaths show us the nature and the extent of the evil that can spread when the Tragic Hero gives in to the flaw within his character. IV, iii This is a key scene; it is also the longest in the play. By now, the forces of Good are gathering, and the fortunes of the tragic hero are falling faster and faster. But the road back to a natural world will not be an easy one. The scene finally brings Malcolm and Macduff together. Macduff has come to ask Malcolm to return to Scotland and take back the throne. He describes the condition of Scotland under an unnatural king and we, of course, are aware that it is even worse than he knows. But if you were Malcolm - a politically clever little orphan - what might you wonder about your Scottish visitor? Malcolm's words insult and depress Macduff, who turns to go back to Scotland. But Malcolm is moved enough to try one last test of Macduff's loyalty. He mentions that England has promised to lend him "goodly thousands" (soldiers) but the test begins later. What picture of himself does he paint? Why does he do this? Macduff passes the test. How does he do so? Malcolm now completely confuses Macduff. What new picture of Malcolm emerges. We have already mentioned Edward the Confessor, England's saintly King. How is he established as a foil to Macbeth? Ross now appears. His lines indicate that things in Scotland are getting worse. Most importantly, he brings horrible news to Macduff, news we are already aware of. Malcolm's words are sincere, but foolish. Macduff's response, "He has no children", refers to one of two possible characters. Who are they? What vow does Macduff make? What is about to happen? 14 Act Five V, i Now it begins - the final act of a Shakespearian tragedy. We know that Good will triumph. We know that Macbeth and his wife will die. Why bother to read on? There are many reasons. We do not know what form Nemesis will take when she deals with Lady Macbeth. Will the punishment fit her crime? To whom will Shakespeare give the sword that kills Macbeth? How will this once great man die? How great will his suffering be? Will he accomplish more evil? Will yet another child die? And what of the witch's prophecies? How can things so impossible come true, and yet they must come true, for we know the witches equivocate? Remember, this is not a whodunit mystery novel. The tragedy, the drama, and the horror: all will be psychological in nature. We are about to see a great man fall. How low will he go? That is what we read to discover! Lady Macbeth goes first. The scene opens with a Doctor and a Gentlewoman waiting for Lady Macbeth to appear. The Gentlewoman has told the doctor of the strange things she has seen, but she refuses to say what she has heard Lady Macbeth say. We can only assume that the words are too horrible to be repeated. As we see and hear in the scene, Nemesis has attacked with madness and irony. To fully appreciate what happens, remember Lady Macbeth's words and actions before and after the murder. Verbal and visual ironies quickly emerge. We can only begin to imagine the mental horror she must be experiencing. Is pity evoked? What lines have the greatest impact? The Lady, of course, is alone, yet to whom are her words addressed? What lines of the doctor’s have the greatest significance? When Lady Macbeth leaves the stage, she does not return. This is our last glimpse of her. Later, we will hear she has committed suicide. How appropriate was her Nemesis? V, ii The forces of Good approach Dunsinane, Macbeth's castle. The lines spoken by Angus are the most important. What notable simile is expressed? The army begins to march. How is Malcolm described? What other King in the play does this link him to? What two mentions of Macbeth are made? V, iii Macbeth's moods will swing violently in these last scenes. How is his mood when the scene opens? On what foundation has he built his hopes? Now a servant enters, trying to report that 10,000 English soldiers are approaching, but Macbeth, angered by what he sees as cowardice, orders him away. Nonetheless, he got the message, and what subsequently happens to his mood? Of what does he complain? 15 In line 35, Seyton, Macbeth's last loyal servant, confirms the news about the English army. Where does Macbeth's mood go now? The Doctor brings word of the Queen's deteriorating mental state. Macbeth pleads with him to cure the illness, but is it clear who he is saying needs the medicine? Where does Macbeth suggest the disease has taken root? Do you notice the "slip of the tongue" in the Doctor's reply? Macbeth's mood goes up and down in lines. He asks the doctor to find and drive out ( purge ) the illness of his land. What irony exists here? What "doctor(s)" will purge Scotland of her "illness"? What mood - and what mistake – return at the end of the scene? V, iv Don't skip the little scenes! What order does Malcolm give? Once this order is carried out, what might we think we were seeing if we happened to look down from the walls of Dunsinane? How do you imagine Macbeth will react to this news? V, v Macbeth is still defiant; indeed, he wishes he had enough soldiers to go out of the castle and meet Malcolm's army " beard to beard ". But now a scream echoes in the castle. Macbeth, you will remember, was startled and frightened by the strange noises he heard the night of the murder. How does he respond to this scream? What reason does he give? Finally, he hears the sad news about his wife. His response is famous: " She should have died hereafter." We do not know whether this suggests he no longer loved his wife, or whether he wishes she could have died later, at a time when he would have had the opportunity to mourn. Certainly, the scene shows a change in mood. Comment on the diction contained in the, “Tomorrow and tomorrow” lines. More news comes, and Macbeth reels in disbelief. This cannot be happening! What does he begin to realize, and what impact does it have on him. But, what mood returns yet again at the end? V, vii The battle is on. Macbeth is trapped in his castle, but he still clings to his faith in what? Young Siward enters, likely a youth of 15 or 16. This is his first battle, and he is no match for the skilled swordsman he confronts. Some directors have Macbeth toy with him before stabbing him or cutting his throat. In fact, so good a swordsman is Macbeth that we have to assume he would have met and killed others in this battle. Why is this the one that Shakespeare chooses to show? Now Macduff enters. He, too, is a great swordsman, but he has set a limit to his actions on this day. What is it, and why does he do this? V, iii Finally, Macbeth and Macduff meet. Macduff is a little less than polite to Macbeth, but this is understandable. Curiously, Macbeth refuses to fight with him. What reason does he give? Still, they come to blows. When they pause, Macbeth boastfully informs Macduff of the witches' final 16 prophecy. No doubt he is hoping Macduff will give up and go back to whatever is left of Fife. Then, Macduff reveals the last and most terrible equivocation . The words devastate Macbeth, and he will not fight. He throws down his sword. This presents Macduff with a problem. The Code of Honour was such that it would be impossible for a man of Macduff's standing to kill an unarmed opponent. How will he get Macbeth to pick up the sword so that Macduff may try to kill him? He finds a way. How does he do it? Macbeth picks up the sword but not the shield. Why does Shakespeare give Macbeth the kind of death he does? V, ix This scene is just a bunch of kingly small talk and an overall wrapping up. Macbeth's head is carried on, just to give the audience a little blood, and Malcolm rewards all the important people who helped him. He announces his intention to go to Scone to be crowned, and all is restored. And we are left to think about the story of Macbeth and his Queen, and to wonder if we, in his place, would have crept up upon the sleeping Duncan and drawn our dagger. Perhaps, confronted with our own Duncans, we already have. FINIS 17