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from
A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
by José Ángel GARCÍA LANDA
(University of Zaragoza, Spain)
ZORA NEALE HURSTON
(1901-1960)
(Black US novelist, daughter of a preacher and a teacher, raised in
Eatonville, st. Howard U, Washington, Barnard College NY, m. and div.,
remarried)
Works
Hurston, Zora Neale. Sweat.
_____. "The Gilded Six-Bits." Short story. 1933. In Perrine's
Literature: Structure, Sound, and Sense. By Thomas R. Arp
and Greg Johnson. 8th ed. Boston (MA): Thomson LearningHeinle & Heinle, 2002. 631-41.*
_____. "What White Publishers Won't Print." In The Norton
Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al.
New York: Norton, 2001.
_____. "Characteristics of Negro Expression." 1934. In American
Literature, American Culture. Ed. Gordon Hutner. New York:
Oxford UP, 1999. 258-69.*
_____. "Characteristics of Negro Folk Expression." In The Norton
Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al.
New York: Norton, 2001.
_____. Dust Tracks on a Road. Autobiography. 1942.
_____. Their Eyes were Watching God.
_____. Seraph on the Sewanee. 1948.
_____. Tell My Horse.
Criticism
Casas Maroto, Inés (U de Santiago de Compostela). "'So This was a
Marriage?' Intersections of Natural Imagery and the Semiotics
of Space in Zora Neal Hurston's Their Eyes Were Watching
God." Journal of English Studies 11 (2013): 69-82.
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Fraile Marcos, Ana María. "Zora Neale Hurston y su aportación a la
literatura afro-americana: un estudio de Sweat." XVI Congreso
de la Asociación Española de Estudios AngloNorteamericanos. Valladolid: Secretariado de Publicaciones de
la Universidad de Valladolid, 1994. 97-104.*
_____. Planteamientos estéticos y políticos en la obra de Zora Neale
Hurston. Valencia: Universitat de Valencia, 2003.
Frías Rudolphi, María. "Marriage Does Not Make Love: Zora Neale
Huston's Dust Tracks on a Road and Their Eyes Were
Watching God." REDEN 9 (1995): 37-44.*
_____. "Ken/Barbie Style Marriage: Zora Neale Hurston's Seraph on
the Sewanee (1948)." Proceedings of the XIXth International
Conference of AEDEAN. Ed. Javier Pérez Guerra et al. Vigo:
Departamento de Filoloxía Inglesa e Alemana da Universidade
de Vigo, 1996. 281-86.*
_____. "Dusty Roads and Cages in Afro-American Autobiographies:
Zora Neale Hurston's Dust Tracks on a Road (1942) and Maya
Angelou's I Know Why the Caged Bird Sings (1968)." In
Estudios de literatura en lengua inglesa del siglo XX, 3. Ed. P.
Abad, J. M. Barrio and J. M. Ruiz. 1996.
Gates, Henry Louis. The Signifying Monkey: A Theory of AfroAmerican Literary Criticism. Oxford: Oxford UP, 1990.
_____. "Zora Neale Hurston and the Speakerly Text." From Gates,
The Signifying Monkey. In The Novel: An Anthology of
Criticism and Theory 1900-2000. Ed. Dorothy J. Hale.
Blackwell, 2006. 511-34.*
Hite, Molly. "Romance, Marginality, and Matrilineage: The Color
Purple and Their Eyes Were Watching God." In Reading Black,
Reading Feminist. Ed. Henry Louis Gates, Jr. New York:
Penguin Meridian, 1990. 431-453.
Humm, Maggie. "Simultaneous Translators: Zora Neale Hurston and
La Malincha." In Humm, Border Traffic. Manchester:
Manchester UP, 1991. 94-122.*
Johnson, Barbara. "Metaphor, Metonymy, and Voice in Their Eyes
Were Watching God." 1984. In Johnson, A World of Difference
155-71.*
_____. "Metaphor, Metonymy, and Voice in Their Eyes Were
Watching God." In The Novel: An Anthology of Criticism and
Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 25770.*
_____. "Thresholds of Difference: Structures of Address in Zora
Neale Hurston." 1985. In Johnson, A World of Difference 17283.
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Orr, Elaine Neil. Subject to Negotiation: Reading Feminist Criticism
and American Women's Fictions. (Feminist Issues; Practices,
Politics, Theory). Charlottesville: UP of Virginia, 1997.*
Sadoff, Dianne F. "Black Matrilineage: The Case of Alice Walker
and Zora Neale Hurston." Signs 11.1 (Autumn 1985): 4-26.
Suárez, Juan A. "Modernism, Caribbeanism, and Cultural Critique in
Zora Neale Hurston's Tell My Horse." In Narratives of
Resistance: Literature and Ethnicity in the United States and
the Caribbean. Ed. Jesús Benito and Ana María Manzanas.
Cuenca: Ediciones de la Universidad de Castilla-La Mancha,
1999. 113-30.*
Tratner, Michael. "Cultural Autonomy and Consumerism: Their Eyes
Were Watching God." In Tratner, Deficits and Desires:
Economics and Sexuality in Twentieth-Century Literature.
Stanford (CA): Stanford UP, 2001. 173-94.*