ENGLISH 101 Sec. E3, Writing 1 M, W, F; Noon - 12:50 PM; 108 Clemens Hall I came to explore the wreck. The words are purposes. The words are maps. I came to see the damage that was done and the treasures that prevail. (Adrienne Rich, "Diving into the Wreck") Instructor: Office: Home Phone: E-Mail: Office Hours: Mailbox: Patrick F. Walter Clemens 516 (716) 983-1982 (For emergencies only!) pfwalter@buffalo.edu Monday and Wednesday 1:00 - 2:00 or by appointment. Located outside the English Graduate Office, Clemens 302 Required Texts (Available at Talking Leaves Bookstore, Main Street Location) Maasik, Sonia, and Solomon, Jack. Signs of Life in the USA: Readings on Popular Culture for Writers, 5th edition. Harris, Muriel. Prentice Hall Reference Guide, 6th edition. Required Materials A good dictionary. (I recommend Webster's or American Heritage.) A sturdy folder in which you keep typed journal entries. A sturdy folder to use for your portfolio and to store drafts of your writing assignments. A disk on which you can save your work. Course Description: Writing on Popular Culture In this course, we will be taking a semiotic approach to the study of popular culture. In other words, we will learn how to read and write about popular mediums such as music, television and advertising by treating these mediums as signs of cultural identity. Regardless of our goals in higher education, it is important for us to know how to read and respond to the many texts of popular culture. Each day of our lives, we are bombarded with messages about who we are and who we should become. This course Walter 2 should provide us with a survival kit of critical tools for decoding these messages. As your instructor, my primary goal is to teach you how to become a more persuasive and effective writer and reader, but I also hope my course helps you to become more thoughtful, active consumers of world around you. In part, our readings will consist of short essays covering everything from popular music, to toys, to shopping malls. Each of these readings will focus on how certain cultural artifacts construct gender, sexuality, race and class as categories of identity. These readings should function both as models you can look to when composing your own critical essays and as introductions to current debates and theories about popular culture. However, beyond these readings, I'm expecting you to begin reading the cultural signs that surround you. Don't panic! Most of you have already started doing these readings every time you watch television, go to a movie or choose what clothes to wear in the morning. Your writing is the key component of this course. Through consistent writing assignments, workshops and peer reviews we will learn how to compose and constantly revise our writing. While many of us have debated about music, movies and television with our friends, many of us have not written critically about popular culture. Through the writing assignments in this course, we will learn how to analyze, think and write thoughtfully about popular texts. The Writing Assignments Personal Essay, Encounter with Pop Culture (3-4 pgs) Critical Analysis of Advertisement (3-4 pgs) Cultural Artifact Essay (4-5 pgs) Cultural Mythology Essay (4-5 pgs) Combat Journal Note: In the combat journal, you have the chance to record your day-to-day encounters with the many, often scary and at times amusing, messages of popular culture. I call this a "combat" journal because I'm asking you to use this writing space as a place to wrestle with the various stereotypes constructed in the mass media. Course Requirements and Grading Policy UB uses a lettered grading policy, A - F, including + and - grades. Your final grade will be calculated according to the following breakdown: An incomplete grade may only be given to students who fulfill the attendance requirement and complete all but one of the written assignments. Attendance, Participation and Reading Quizzes: 10% You will be allowed three absences without a penalty. After missing three classes, each absence will result in a reduction of your final grade by 1/3. Arrival to class Walter 3 more than 15 minutes late will result in an absence. If you arrive after class has begun, you are responsible to inform me of your attendance. Three weeks of absences without a documented medical excuse and completed make-up work will result in the failure of this course. You are responsible for contacting either a fellow class member or myself if you miss a class. You are also responsible for turning in any work that is due on the day you return. I realize that there are many valid excuses for missing class (sickness, weather, family crises, etc.) and these excuses are why I'm allowing three absences. So plan accordingly. The attendance and participation component of your grade will also reflect your ability to contribute thoughtfully to classroom discussions, peer reviews and workshops. This class thrives on discussion and teamwork. Your success will partially depend on your engagement with the materials and your classmates. There will be a handful of pop reading quizzes. If you read the assigned material for the day, these quizzes should not be difficult. Personal Essay, Encounter With Popular Culture 10% Critical Analysis of an Advertisement 10% Cultural Artifact Essay 30% Cultural Mythology Essay 30% Final Portfolio 10% All essays should be handed in on the due date. Each essay should be in a reasonable font (11-12pt), normal times, double-spaced, with a 1 inch margin. There will be no exceptions on this point. Nothing, including your absence on the due date, will excuse a late essay, and late essays will receive a 1/2 grade reduction for each day they are late. I will not grade essays without a cover letter or essays that have not been typed to fit the above format. Essays will be evaluated for: quality (your command of technical and mechanical elements and the richness of your ideas); your sense of audience, your ability to organize your ideas into a coherent structure that develops your thesis statement; and, most importantly, your ability to revise through successive drafts. Assignments submitted more than a week late will receive an F. You must submit all assignments and a final portfolio to receive a passing grade. I use an A - F scale. However, at times I may assign an R, meaning that I'm requesting you to revise your essay before I give you a grade. You have the right to revise your assignment for a higher grade as many times as you like. Please meet with me if you plan to do this. All revisions are due, along with the original graded copy, no later than 11/26 . For the last two weeks of class, we will be revising for our portfolios. Walter 4 Plagiarism: Plagiarism is using another person's words and ideas as though they were your own. It is easy to avoid plagiarism: simply put the material you have taken from someone else's writing in quotation marks and cite the person's name and publication in your paper. Plagiarism is a serious offense which can result in expulsion from the University. A paper which contains any plagiarized material at all will receive an F; two such plagiarized papers will result in the student receiving an F for the course. (Note: plagiarism is not restricted to the use of published work; the passing of another student's work as your own is also a case of plagiarism.) ENG 101 SCHEDULE Week 1 M 8/27: Introduction of the course, personal introductions Homework Reading: The syllabus. Writing: Write a letter (1 pg.) to me regarding any questions or concerns you have about the syllabus or about the course. W 8/29: Discussion of the syllabus and plagiarism. Introduction to the personal essay/personal narrative form. What is the personal? Homework Reading: Kevin Jennings' "American Dreams" pg. 464-468 Ilana Fried's "Don't Let Social Notions Curb Ability" pg. 482-485 Writing: In your Combat Journal, free write a page about one of these essays. Try to find the author's main idea. What parts of the essay really grab you? Think of three possible encounters you've had with popular culture that could make an interesting essay. F 8/31: Discussion of the readings. The difference between a story and a personal essay, Developing an argument through claims and support. Claim/support exercise. Homework Reading: Deborah Tannen's "There is No Unmarked Woman" pg. 499-503 Writing: In your cj, free write one page about what you feel to be the most effective essay we've read thus far. Each of these essays has used the personal in some way. Why do you feel this essay was the most effective at using the personal? Think about which of your own encounters would work best in an essay. Walter 5 Week 2 M 9/3 Labor Day W 9/5 Discussion of the reading. Formal introduction of the first essay. Homework Writing: Begin writing essay 1. Have a draft to bring to class on Friday. ----------------------------------------------------------------------------------------------------------Essay 1: An Encounter with Popular Culture Descrition For this 3-4 pg personal essay, I'm asking you to describe an encounter you have had with a cultural artifact that has changed how you view yourself. Remember, cultural artifacts can be anything from a television program to a suburb. It is up to you to describe your artifact, your encounter with it, and how this encounter changed the way you view yourself. I'd recommend being specific. For example, instead of telling the reader that listening to rock music made you rebellious, try describing one encounter with a certain band or artist that changed the way you viewed a certain aspect of your life. Purpose The purpose of this assignment is to help you to start thinking critically about the popular culture that surrounds you. By "thinking critically" I mean considering the messages that certain cultural artifacts are sending about who we are, what we should be, what we should and shouldn't do, etc. What I Will Be Looking For 1) While this is a personal essay, I'm still looking for a thesis that can be argued. As a reader, I want to know what you are trying to explain to me, what is at stake. Your job is to try to convince me of some idea, so state this idea up front. A clear thesis will also help you to organize your essay. 2) As a reader, I'll also be looking for you to make claims and back these claims up with supporting evidence. For a personal essay, this will probably involve some narrative or story. However, remember that you are not simply writing a story. Your accounts of your experience should be proving a point, or supporting a claim. The claim/support method of argumentation also entails giving your reader details and specifics rather than generalizations. For example, "The Sex Pistols made me question authority" is a fine claim to make, but it is rather general, which means it will have to be backed up by detailed support. What about The Sex Pistols made you question authority? Was it their songs? Their lyrics? What songs? What lyrics? 3) Finally, as a reader, I'll be looking for coherence at every level of writing. I'll be looking to see that each paragraph makes sense in relation to the rest of the essay, and that each paragraph has a topic sentence followed by support. A good way to work on coherence is by having other people read and comment on your essay. Have another person read the essay to you aloud and try to hear what you've written as though you were a reader. Does your writing make sense? Does it hold your attention? --------------------------------------------------------------------------------------------------------------------------------- F 9/7: Peer review, what is it, why and how do we do it. Begin peer reviewing. Homework Writing: Continue revising/writing your personal essay. Walter 6 Week 3 M 9/10 Peer Review of Personal essay Homework Reading: Ann Norton's "The Signs of Shopping" (83-89) Writing: Continue your revision process. Essay due for evaluation on Friday. W 9/12: Discus Reading. How do we analyze ads? Homework Readings: Look at the ads in the book. Writing: Find some ads that seem to speak to you. Perhaps they bother you in some way. Perhaps you find them sexy, offensive or humorous. In your CJ, free write a page on one ad in you CJ. BRING THE ADS THAT YOU FIND TO CLASS. F 9/14 First Essay Due for Evaluation. Thinking about identity as a construct. How we write on ads. Group work on ads. Homework Reading: Jack Solomon's "Masters of Desire" (409-419) Writing: In your CJ, free write a page on one of the essays we've read thus far. What is the essay saying about desire, consumerism and identity? Begin your critical analysis of an ad by taking notes on various factors in the ad that construct a message. Week 4 M 9/17 Discuss readings. Introduction of Critical Analysis Essay. Homework Writing: Begin writing your critical analysis of an ad. -----------------------------------------------------------------------------------------------------------Essay 2: Critical Analysis of an Advertisement Description For this 3-4 page essay, I'm asking you to compose a critical analysis of an advertisement from magazines, newspapers or television. Remember that advertisements not only play to our desires but also help to shape our desires. By telling us what we should want, these ads tell us who we should be. In coming up with a thesis about what your ad is saying, I'd suggest thinking about some of the general categories regarding identity (race, gender, sexuality and class). Usually, you will find that your ad is implying something regarding at least two of these categories. Also, when trying to get at the implied message of your ad, think about what this message says about identity and social power. Try to come up with a specific thesis to organize your analysis. Also, try to organize what details about that ad help to support your thesis. For example, perhaps the color of a models clothing in your fashion ad doesn't really speak to your thesis. Okay, then you needn't mention this detail. Walter 7 Purpose The purpose of this assignment is to help you to develop your analytic skills, and combine these skills with your critical writing. Really, this assignment involves two simultaneous processes: the analysis of an artifact in which you find out what the ad is saying and the composition of the critical essay, in which you explain your interpretation to your reader. Combining analysis and explanation is a key to becoming an effective writer. What I'll be Looking For 1) I'll be looking for a strong thesis that I can follow through your entire essay. Remember, I'm not looking for you to analyze every aspect of your ad and give me random ideas. I want you to decide what you think is the most important, implied message of the ad. Your thesis is where you tell the reader, "Okay, this is what I think this ad is really saying." 2) I'll also be looking for organized analytic work. Your analysis should function as support for the claims that you make regarding the ad. For example, as a reader, I should know why you are talking about a models hair style. What significance does this detail have to your overall thesis? 3)I'll also be looking for an attempt to incorporate another critical voice into your work. We've read a number of essays on advertising, and something one of these authors has said will probably speak to your own ideas. 4) As usual, I'll be looking for clarity and coherence at every level of your writing. -----------------------------------------------------------------------------------------------------------W 9/19 TURN IN YOUR CJ!!! Discussion of readings continued. Discuss second essay and workshopping. Homework Writing: Continue writing your critical analysis. F 9/21 Workshop one personal essay. Homework Writing: Continue writing your critical analysis to be peer reviewed next Wednesday. Week 5 M 9/24 Claims and support method in relation to an ad. What's a paragraph? Working with an outside source. . Homework Writing: Continue writing your critical analysis. W 9/26 Peer review of critical analysis. Homework Writing: Continue writing your critical analysis. F 9/28 Peer review of critical analysis essay. Homework Walter 8 Writing: Finish revising critical analysis essay. Due next class. Week 6 M 10/1 Second Essay Due for Evaluation. Cultural Myths and Cultural Artifacts. The next two assignments. Identity: Race, Class, Gender and Sexuality. Homework Reading: Gary Cross's "Barbie, G.I. Joe, and Play in the 1960s" (772-779) Writing: In your CJ, free write a page on this reading. What artifact is the author talking about? How is this artifact described? What myth is the author talking about? W 10/3 Discus readings. What myths and artifacts are these writer looking at? How to define an artifact. Homework Reading: Gwendolyn Pough's "Women, Rap and Wreck" (275-283) Writing: In your CJ, free write a page on how this author defines an artifact. What other aspects of popular music might she look at in here analysis? Begin drafting the cultural artifact essay. F 10/5 Discuss readings. Introduction of Cultural Artifact Essay. Homework Writing: Begin drafting Cultural Artifact Essay. Have a topic for conferences. -----------------------------------------------------------------------------------------------------------Essay 3: Cultural Artifact Description In this 4-5 page critical essay, I'm asking you to pick one cultural artifact and write about how it constructs a myth of identity. Our readings have been showing how popular culture influences our understanding of cultural identity. In your Combat Journal, you've been looking critically at various mediums that also construct certain cultural myths. Now is your chance to develop your own critical essay on one of these mediums. When writing this essay you should consider three basic tasks. First, you need to explain your artifact. Let your reader know what you are taking about. For example, if you choose a song, let the reader know the title of the song, the artist who recorded it, and the album on which the song appears. If you are writing on a television program, let the reader know the title of the program or any specific episodes you mention. Next, you need to analyze your artifact. This involves quoting and interpreting song lyrics, describing and interpreting certain scenes of a TV program or describing and interpreting various images or words in an advertisement. DO NOT just tell the reader that a perfume add uses derogatory representations of women to sell a product; explain how these images are constructed and how they are derogatory. Finally, you will need to bring in one of the secondary readings from SLU. Consider these readings as support for the claims you make in your own essay. Remember, it is up to you to decide what constitutes an artifact. However, if chose a more general artifact such as "rap music" or "the family sitcom" you will still need to provide specific examples of how this artifact is constructing certain myths. Purpose This essay is designed to teach you how to read and write critically about cultural artifacts. It should help you learn how to move between talking generally about popular mediums to analyzing specific Walter 9 instances of these mediums. It should also help you learn how to incorporate secondary sources into your own critical writing. What I'll Be Looking For 1) Your thesis, your ability to define your artifact, and your ability to focus on a single myth of identity are crucial to a coherent essay. Take control of the essay and attempt to speak like the expert you are. As a reader, I want to know what area of popular culture you're looking at. I'll also want to know what you're looking at in terms of this artifact. For example, rap music provides us with many messages about race, gender sexuality, class, crime, urban community, etc. What factors do you want to talk about? 2) I'll also be looking again for coherent and detailed analytic work, that is, work that helps to support your thesis. Like the previous essay, this process of analysis should be clear to the reader. 3) I'd like you to attempt to incorporate another outside source into this essay as we've discussed in class. ----------------------------------------------------------------------------------------------------------- Week 7 M 10/8 Conferences W 10/10 Conferences F 10/12 Review of common issues from the conferences. Peer review of Cultural Artifact essay. Homework Writing: Continue drafting the cultural artifact essay. Week 8 M 10/15 Workshop one Critical Analysis essay. Homework Writing: Finish drafting the Cultural Artifact essay. Due next class for peer review. W 10/17 Peer review cultural artifact essay. How to properly cite an author. Homework Writing: Continue revising cultural artifact essay. F 10/19 Peer review cultural artifact essay. How to properly cite an author. Homework Reading: Naomi Wolf's "The Beauty Myth" (486-494). Writing: Finish drafting Cultural Artifact essay. Due next class for evaluation. In your CJ free write a couple of pages about one artifact that constructs the beauty myth. Week 9 Walter 10 M 10/22 THIRD ESSAY DUE FOR EVALUATION! Discus readings. Myths as intersections of stereotypical notions of race, gender, sexuality and class. Homework Reading: Michael Omi's "In Living Color" (549-559) Writing: In your CJ, free write about one artifact you see contributing to a myth of racial identity discussed by Omi. W 10/24 Discuss reading. Understanding myths as intersections of beliefs about race, class, gender and sexuality. Homework Reading: Aaron Devor's "Gender Role Behaviors and Attitudes" (458-464). Writing: In your CJ, brainstorm about one cultural myth that shapes popular understandings of identity and artifacts in which we see this myth. F 10/26 Discuss Devor and Omi. Homework Read over assignment description for Cultural Mythology essay. Beginning drafting the essay. -----------------------------------------------------------------------------------------------------------Essay 4: Cultural Mythology Description No single television aspect of pop culture is responsible for a cultural myth of identity. Cultural myths develop through the combination of various cultural artifacts. In this 4-5 page essay, I'm asking you to write about how one myth of identity is constructed in two or more cultural artifacts. Through our readings, we've been learning how certain myths of identity can be found in various popular mediums. This is your chance to explore how these mediums work together. Keep in mind that you will be writing on a number of different artifacts here. You will need to be attentive to the different analytical methods these mediums demand. Looking at a pop song involves a different process of analysis and quotation than looking at a toy. Your focus here should be how the myth changes or stays the same as it moves through various mediations of popular culture. This essay requires a bit of legwork on your part because I'm asking you to track a myth. However, you may find that you've already been doing this tracking in your Combat Journal. Remember to focus on one specific myth or stereotype. Writing just about race or just about gender is far too general. Myths are stories that tell us something specific (often something reductive, derogatory and disempowering) about categories of identity. Purpose The purpose of this essay is to help you to write about a specific myth of identity, and combine various analytic methods. Thus far, artifacts have been our central focus, and you may find that focusing on a myth is more complex, demanding more independent thinking on your part. This essay should help you to do this. Walter 11 What I'll Be Looking For 1) First off, this assignment demands that you be specific. An effective essay will explain and focus on a specific myth of identity, and give me a thesis about this myth is saying regarding identity. 2) I'll also be looking for your analysis of various artifacts in which this myth is embodied. You'll find that the easiest way to support your explanation of your myth is to show the reader a concrete example of this myth at work. Again, your analysis should be organized and understandable for a reader. It should help support your thesis. 3) Again, I'll be asking you to effectively incorporate another critical voice into your essay. This involves accurate citation and responsible representation of your outside source. 4) As usual, I'll be looking for coherence at every level. ------------------------------------------------------------------------------------------------------------ Week 10 M 10/29 Finish up discussing the readings. How do we write on myths? Homework Writing: Continue writing Cultural Mythology essay. W 10/31 CJ DUE!!!! Workshop one cultural artifact essay. Homework Writing: Continue writing Cultural Mythology essay. F 11/2 Formal introduction of Cultural Mythology essay. Grammar issues we've encountered. Homework Writing: Continue writing Cultural Mythology essay. Due next class for peer review. Week 11 M 11/5 Peer review Cultural Mythology essay. Homwork Writing: Continue drafting cultural mythology essay. W 11/7 Peer review Cultural Mythology essay. Homework Writing: Continue drafting cultural mythology essay. Due next class for evaluation. Walter 12 F 11/9 Final Essay Due. Wrap-up discussion of myths. Week 12 M 11/12 What are Portfolios and discussion of the remainder of class. W 11/14 Workshop one cultural mythology essay. F 11/16 Methods of revision. How to make the most of a peer review and a revision process. Week 13 M 11/19 Workshop one Cultural Mythology essay. W 11/21 FALL RECESS F 11/23 FALL RECESS Week 14 M 11/26 Peer review for Portfolio W 11/28 Peer review for Portfolio F 11/30 Peer review for Portfolio Week 15 M 12/3 Peer review for Porfolio W 12/5 Peer review for Portfolio F 12/7 Last Day of Class. PORTFOLIO DUE!