David Murphy Comprehensive Questions March 29, 2013 Q1: [Conceptual] Investigating the phenomenon of how young people use media to learn music outside of educational institutions requires appropriate frameworks to inform the data collection and analysis. What are the key conceptual frameworks that have been used to investigate the use of media in informal music learning? Which of the key conceptual frameworks might be used to investigate the mediated, informal music learning of Vancouver youth? The active engagement in media use is a demonstration of what has been described as informal learning. Researchers have used the term informal learning to describe the phenomenon of out-of-school, learner-lead education (Batt-Rawden & DeNora, 2005; Feichas, 2010; Gower, 2012; Green, 2008b; Jenkins, 2012; Söderman & Folkestad, 2004). Youth who are engaged in informal learning demonstrate a high level of motivation and achievement (Partti & Karlsen, 2010; Kamin, Richards, & Collins, 2007; Väkevä, 2010). Furthermore, positive social outcomes (e.g., community involvement, confidence, sense of belonging, prosocial behavior) have been associated with this form of learning (Faulkner, 2011; Green, 2008a; Henley, Caulfield, Wilson, Wilkinson, 2012; Söderman & Folkestad, 2004). Some researchers have demonstrated the value of using the practices of informal learning to advise education curriculum development (Gower, 2012; Green 2008b; Jenkins, 2011). Conceptually I will explore how informal, user-initiated learning is linked to two main theoretical concepts; 1) experiential learning (Kolb, 1975; Krathwohl, 2002; Krathwohl, Bloom, & Masia, 1964; Bloom, 1956) and 2) communities of practice (Wenger, 1998; Lave & Wenger, 1991; Barton & Tusting, 2005). Experiential learning incorporates the connection between knowledge, motivation, and application (or performance). Kolb’s (1975) theories of applied experiential learning target distinct learning styles and include connections between concrete experience to reflective observation and abstract conceptualization (e.g., participation in media production and the social reaction to this). The concrete experience of media practices can be the source and motivation to develop reflexive observation and promote learning. The second theoretical foundation I am using is based on Wenger’s (1998) notion of communities of practice, where learning is a result of social participation (Lave & Wenger, 1991). I am interested in how young people understand and make meaning from the community of practice that is established around media interaction and how it relates to identity formation and motivation. I will draw from these theories to develop my modes of inquiry and analysis in this research looking specifically at motivations for learning and the development of identities within the media use practices students. David Murphy Comprehensive Questions March 29, 2013 References: Aday, L.A., (1996). Designing and conducting health surveys (2nd. Ed.). San Francisco: Jossey-Bass Publishers. Batt-Rawden, K. & DeNora, T. (2005). Music and informal learning in everyday life. Music Education Research, 7(3), 289-304. Barton, D. & Tusting, K. (eds.). (2005). Beyond Communities of Practice; Language, Power, and Social Context. Cambridge: Cambridge University Press. Bloom B. S. (1956). Taxonomy of Educational Objectives, Handbook I: The Cognitive Domain. New York: David McKay Co Inc. Dewey, J. (1938). Experience and Education. New York: Collier Books. Faulkner, S. (2011). Drumbeat: In search of belonging. Youth Studies Australia, 30(2), 9-14. Feichas, H. (2010). 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