Bibliography 1 – Composers

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Composers (Bibliography 1)
Boss, J. 1994, "Schoenberg On Ornamentation and Structural Levels +
The 1932 Radio-Lecture On 'OP.22' And Developing Variation In
Atonal Music", Journal Of Music Theory; J.Music Theory, vol. 38, no.
2, pp. 187-216.
Boss, J. 1992, "Schoenberg OP.22 Radio-Talk And Developing
Variation In Atonal Music", Music Theory Spectrum; Music Theory
Spectr., vol. 14, no. 2, pp. 125-149.
Fox, C. 1999, "Luigi Nono and the Darmstadt School: Form and
meaning in the early works (1950–1959)", Contemporary Music
Review, vol. 18, no. 2, pp. 111-130.
Guerrero, J. 2009, "The Presence of Hindemith in Nono's Sketches: A
New Context for Nono's Music", Journal Of Musicology, vol. 26, no.
4, pp. 481-511.
Harrison, D. 2004, "Max Reger introduces atonal expressionism",
Musical Quarterly, vol. 87, no. 4, pp. 660-680.
Metzer, D.J. 2004, "The Paths from and to Abstraction in
Stockhausen's Gesang der Junglinge", Modernism/modernity, vol.
11, no. 4, pp. 695-721.
Mori, A. 1997, "Proportional exchange in Stravinsky's early serial
music", Journal Of Music Theory; J.Music Theory, vol. 41, no. 2, pp.
227-259.
Roeder, J. 1994, "Interacting Pulse Streams in Schoenberg Atonal
Polyphony", Music Theory Spectrum; Music Theory Spectr., vol. 16,
no. 2, pp. 231-249.
Santini, A. 2012, "Multiplicity - Fragmentation - Simultaneity: SoundSpace as a Conveyor of Meaning, and Theatrical Roots in Luigi
Nono's Early Spatial Practice", Journal of the Royal Musical
Association, vol. 137, no. 1, pp. 71-106.
Straus, J.N. 1999, "Stravinsky's “Construction of Twelve Verticals”: An
Aspect of Harmony in the Serial Music", Music Theory Spectrum,
vol. 21, no. 1, pp. 43-73.
Whittall, A. 2001, “The Atonal Music of Arnold Schoenberg” 19081923.
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