Architectural Leaders
Captions and photo credits for Staples & Charles
Submitted 10.16.11
Detroit Institute of Arts
Installation photographs:
DIA-D-7999-012. Inspired by Italy.
Credit: Detroit Institute of Arts
DIA-D-7999-065. African Masquerades.
Credit: Detroit Institute of Arts
DIA-D-7999-068. African: Art and the Yoruba Spirit World.
Credit: Detroit Institute of Arts
DIA-D-7999-119. American: Late 19th Century Art
Credit: Detroit Institute of Arts
S&C-DIA-DSC_0006 or S&C-DIA-E2J2529. Case in European: 1700s Fashionable Living.
Credit: Robert Staples, Staples & Charles Ltd.
S&C-DIA-L1030301. Islamic Art: Sacred Manuscripts
Credit: Robert Staples, Staples & Charles Ltd.
S&C-DIA-S330diningcloseup. Detail of case in European: 1700s Fashionable Living.
Credit: Robert Staples, Staples & Charles Ltd.
Fabrication drawing:
S&C-DIA Corner Case. Staples & Charles fabrication drawing for cases in
European: 1700s Fashionable Living.
Credit: Robert Staples, Staples & Charles Ltd.
Renderings for Gallery of Islamic Art:
S&C-DIA-Islamic-Fret Wall Rendering.
Rendering of fret dividing wall in the Gallery of Islamic Art.
Credit: Jared Arp, Staples & Charles Ltd.
S&C-DIA-Islamic-Sacred Manuscripts Drawer Rendering.
Rendering of Islamic Art: Sacred Manuscripts drawer detail.
Credit: Jared Arp, Staples & Charles Ltd.
S&C-DIA-Islamic-Sacred Manuscripts Rendering.
Rendering of Islamic Art: Sacred Manuscripts.
Credit: Jared Arp, Staples & Charles Ltd.
MonticelloHouseJefferson’s Indian Hall
S&C-Monticello-Jefferson’s Indian Hall installed.
Jefferson’s Indian Hall recreated in his home at Monticello.
Credit: Robert Staples, Staples & Charles Ltd.
S&C-Monticello-Jefferson’s Indian Hall rendering.
Concept rendering for the recreation of Jefferson’s Indian Hall
in his Monticello home.
Credit: Maria Morga for Staples & Charles Ltd.
MonticelloThomas Jefferson Visitor Center
S&C-TJVC-Entry Lobby. At the entry to the Gallery at Thomas Jefferson Visitor Center,
visitors activate projected quotes in “The Words of Thomas Jefferson” when they
step on words imbedded in the floor.
Credit: The Washington Post
S&C-TJVC-Liberty rendering. Rendering of the interactive video wall in “Thomas
Jefferson and the Boisterous ‘Sea of Liberty’. Digital program by Small Design Firm.
Credit: Robert Staples, Staples & Charles Ltd.
S&C-TJVC-Liberty-Fabrication drawing for Monitor Frame. The array of 21 monitors in
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Architectural Leaders
Captions and photo credits for Staples & Charles
Submitted 10.16.11
“Thomas Jefferson and the Boisterous ‘Sea of Liberty’” are supported by a
sophisticated moveable frame.
Credit: Robert Staples, Staples & Charles
S&C-TJVC-Liberty. “Thomas Jefferson and the ‘Boisterous Sea of Liberty’”.
Credit: Matt Duffy, Staples & Charles
S&C-TJVC-Making Monticello rendering.
Rendering for “Making Monticello: Jefferson’s ‘Essay in Architecture’”
Credit: Matt Duffy, Staples & Charles Ltd.
S&C-TJVC-Making Monticello-Building Notebooks_0144. Reproductions of Jefferson’s
building notebooks in “Making Monticello: Jefferson’s ‘Essay in Architecture’”
Credit: Matt Duffy, Staples & Charles Ltd.
S&C-TJVC-Making Monticello-DSC_0060.
“Making Monticello: Jefferson’s ‘Essay in Architecture’”
Credit: Robert Staples, Staples & Charles Ltd.
S&C-TJVC-Making Monticello-DSC_0103. Visitors studying Jefferson’s building notebooks
in “Making Monticello: Jefferson’s ‘Essay in Architecture’”
Credit: Robert Staples, Staples & Charles Ltd.
S&C-TJVC-Making Monticello-Mont II.
Monitcello II in “Making Monticello: Jefferson’s ‘Essay in Architecture’”
Credit: Matt Duffy, Staples & Charles Ltd.
S&C-TJVC-Plantation Model-0169.
S&C-TJVC-Plantation Model-DSC_0092.
Visitors studying the Monticello Plantation Model.
Credit: Matt Duffy, Staples & Charles Ltd.
S&C-TJVC-Plantation Model-DSC_0092.
Detail of the readerrail on the Monticello Plantation Model.
Credit: Robert Staples, Staples & Charles Ltd.
S&C-TJVC-Plantation Model-DSCN2094.
Students studying the Monticello Plantation Model.
Credit: Barbara Fahs Charles, Staples & Charles Ltd.
S&C-TJVC-To Try All Things Intro. Introduction to “Monticello as Experiment: ‘To Try All
Things’” with bust of Jefferson by Houdon.
Credit: Robert Staples, Staples & Charles Ltd.
S&C-TJVC-To Try All Things-Threshing Model. Recreation of the threshing machine model
that Jefferson commissioned in England to learn the newest harvesting technology
in “Monticello as Experiment: ‘To Try All Things’”
Credit: Matt Duffy, Staples & Charles Ltd.
S&C-TJVC-To Try All Things-West Wall. “Monticello as Experiment: ‘To Try All Things’”
Credit: Matt Duffy, Staples & Charles Ltd.
MonticelloDependenciesCrossroads
S&C-Monticello-Crossroads-DSCN2669. In the central area under Jefferson’s Monticello
home, “Crossroads” presents how the house operated with enslaved labor and some
of the people who worked there.
Credit: Barbara Fahs Charles, Staples & Charles Ltd.
Yale University Art GalleryKahn Building
Installation photographs:
S&C-YUAG-DSCN1250. African Art.
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Architectural Leaders
Captions and photo credits for Staples & Charles
Submitted 10.16.11
Credit: Robert L. Staples, Staples & Charles Ltd.
S&C-YUAG-DSCN1253. Asian Art.
Credit: Robert L. Staples, Staples & Charles Ltd.
S&C-YUAG-DSCN1271. Modern & Contemporary Art.
Credit: Robert L. Staples, Staples & Charles Ltd.
S&C-YUAG-DSCN1274. Modern & Contemporary Art.
Credit: Robert L. Staples, Staples & Charles Ltd.
S&C-YUAG-Asian. Asian Art.
Credit : Robert L. Staples, Staples & Charles Ltd.
YUAG Kahn Gallery View. Yale University Art Gallery, 1953.
Credit: Yale University Art Gallery Archives
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