PROMPT: Chaucer’s vivid characterization does more than just create stereotypes that represent medieval English society. Chaucer was both an observer and a critic of his society. Analyze how Chaucer reveals his characters through description of appearance, profession, attitudes, behaviors, dress, manner of speech, interactions with other characters, and the tales. Then analyze how the characterization develops Chaucer’s message. Avoid plot summary. THESIS: The vivid characters of The Canterbury Tales reflect social class, religious order, and trade, and although these pilgrims often make shrewd and insightful observations about medieval England during their pilgrimage, the primary purpose of their tales, which is also Chaucer’s message, is to entertain and delight, thus showing the power of storytelling to transform, uplift, or merely amuse society. BODY: Paragraph 1 The frame story set up in the General Prologue primarily includes colorful and amusing descriptions of the pilgrims, which often hint at the irony of their behavior and demonstrate Chaucer’s careful attention to character development. o The Reeve: “No one had ever caught him in arrears. / No bailiff, serf or herdsman dared to kick, / He knew their dodges, knew their every trick; ” (19). o The Wife of Bath: “Bold was her face, handsome, and red in hue. / A worthy woman all her life, what’s more / She’d had five husbands, all at the church door, / Apart from other company in youth. . .” (15). o The Pardoner: “There was no pardoner of equal grace, / For in his trunk he had a pillow case / Which he asserted was Our Lady’s veil” (22). For each character, explain the irony of the description and how the effect is more entertaining than critical. Paragraph 2 The pilgrims are introduced in the General Prologue and then the storytelling contest that takes place on their pilgrimage to Canterbury develops the framework for the tales that follow. The individual tales develop from the pilgrims’ particular characters. The purpose of the storytelling contest is framed as a way to pass the time, thus suggesting Chaucer’s own view of the power of storytelling to affect reality and mood and even time. The Host’s character also brings out the emphasis on pleasure associated with the storytelling contest that he proposes. o The Host is described as “He served the finest victuals you could think / The wine was strong and we were glad to drink. / A very striking man our Host withal, / And fit to be a marshal in a hall. / His eyes were bright, his girth a little wide;/ There is no finer burgess in Cheapside. / Bold in his speech, yet wise and full of tact. . ./ After our meal he jokingly began / To talk of sport, and, among other things. . .” (23) The Host persuades the other pilgrims to join in the fun of storytelling because it will make the journey more enjoyable. o “Each one of you shall help to make things slip / By telling two stories on the outward trip / To Canterbury, that’s what I intend. . ./ And then the man whose story is best told, / That is to say who gives the fullest measure / Of good morality and general pleasure, / He shall be given a supper, paid by all . . .” (24). Even though the Host includes both morality and pleasure as his criteria for the storytelling contest, his own emphasis on pleasure in life and his comment about how the stories will help to pass the time suggest that this is the Host’s priority as well as Chaucer’s in entertaining his audience. Paragraph 3 Chaucer characterizes the Wife of Bath as a scandalous woman with five husbands who exposes the paradoxes and contradictions of marriage and other sacred ideals of society for what they are. She tells it like it is. o “Had God commanded maidenhood to all / Marriage would be condemned beyond recall, / And certainly if seed were never sown / How ever could virginity be grown?” (260). Chaucer also shows the Wife of Bath’s frankness when she explains her storytelling. o “But still I hope the company won’t reprove me / Though I should speak as fantasy may move me, / And please don’t be offended at my views; / They’re really only offered to amuse” (263). The Wife of Bath’s long history of her five marriages does include criticism of marriage and her manipulation of her husbands for her own use, but she even directly states that she only means to entertain. Paragraph 4 Even Chaucer’s Retractions suggest his concern for the storytelling power of his tales. o “And if there be anything that displeases them, I beg them also to impute it to the fault of my want of ability, and not to my will, who would very gladly have said better if I had had the power” (489). Clearly, Chaucer’s intention was to please, or entertain, his audience, so much that he apologizes for and retracts anything that fails to do so.