1
The bibliography below is excerpted from MODERN AND CONTEMPORARY ASIAN
ART: A Working Bibliography 2011 Version, By John Clark
The whole bibliography is available at
http://sydney.edu.au/arts/art_history_film/documents/MCAA_bib_2011.pdf
No updating has been planned from 2011 since John Clark is retiring from October 2013..
Authorized for use and edited re-use by JAHF as members require.
John Clark, February 12th 2013.
JAPAN
General Works
Busson, Dominique, L'Artisanat du Japon, Paris, Hermé, 2004, p. 123.
Clark, John, ‘Asian Modernisms’ [reprinted from Humanities Research, No.2, 1999] in Marg, Spring,
Vol. 53, No.2, 2002, p. 102-111.
Clark, John, Japanese Exchanges in Art [with other contributions by Luke Gartlan, Colin Osman,
and John Fraser], Sydney, Power Publications, 2001.
Clark, John, ‘Modernities, Histories: the Japanese Case’, 1995 [unpublished original of following
shortened version]; ‘Modernités, Histoires; Le Cas Japonais’, [traduit par Lacoste, J.) in
Harry Belleter, ed., Face à l’Histoire , Paris, Centre Georges Pompidou, 1996.
Clark, John, ‘Modernity in Japanese Painting’, in Art History, Vol. 9, No .2, June 1986, p. 213-231.
Clark, John, ‘Surface and Subterranean Monuments in Modern Japanese Art’, in The Nature of the
Masterpiece in Europe and Japan, Sainsbury Centre of the University of East Anglia, Norwich,
September 1997 [to date only published in Japanese translation].
Collectif, Butô(s), textes réunis et présentés par Colette Aslan et Béatrice Picon-Vallin, Paris,
CNRS Editions, 2002, 288 p.
Collectif, Casques, masques et armures des seigneurs de l’ancien Japon /Helmets, Masks and armor of the
Lords of old Japan, éd. bilingue, Paris, Torii links, 2003, 207 p.
Collectif, Estampes japonaises : splendeurs du monde flottant au Grand Palais, Paris, nº hors-série de ‘
Télérama ‘, septembre 2004. 98 p.
Collectif, Images du monde flottant. Peintures et estampes japonaises, XVIIe-XVIIIe siècles, Galeries
nationales du Grand Palais, Paris, 27 septembre 2004-3 janvier 2005, commissaire Hélène
Bayou, Paris : Réunion des musées nationaux, 2004, 398 p.
Collectif, Isamu Noguchi Sculptural Design, Maison de la Culture du Japon à Paris, Vitra Design
Museum, 2002, 320 p.
Collectif, Kuroda, Paris, Maeght, 2002, 230 p.
Collectif, Les arts du Japon à l’époque d’Edo, 1603-1868 : peinture, sculpture, estampe, porcelaine, textile,
laque, armure, cat. d’expo. Musée des beaux-arts de Valenciennes, Tournai (Belgique), La
Renaissance du livre, 2003, 189 p.
Collectif, Moriyama Daidoh, cat. d’expo. à la Fondation Cartier pour l’art contemporain, Paris /
Arles, Fondation Cartier / Actes Sud, 2003, 160 p.
Collectif, Narahara Ikko : photographies 1954-2000, catalogue d’expo. à la MEP, Paris, Maison
européenne de la photographie, 2003, 211 p.
Collectif, On Kawara. Consciousness, Meditation, Watcher on the Hills, cat. de l’exposition au
Consortium et à l’Ikon Gallery, Dijon / Birmingham, Presses du réel / Ikon, 2002, 334 p.
Collectif, Petites natures ?, installations de Kôichi Kurita et Yoshihiro Suda, texte de Dominique
Truco, Paris, Maison de la culture du Japon, 2004, 16 p.
Collectif, Ukiyo-e : 1730-1830 à Edo, Paris, Galerie Tanakaya, 2004, 84 p.
Collectif, Within shops, éd. trilingue franç.-angl.-néerlandais, Berlin, Feierabend, 2003.
Collectif, Yôkaï — Bestiaire du fantastique japonais, Paris, Maison de la culture du Japon, 2005, 144
p.
2
Collectif, Yokoo Tadanori, catalogue d’exposition, trad. Dominique Palmé, co-édition Fondation
Cartier et Actes Sud, 2006.
Conant, Ellen P (ed.), Challenging Past and Present : the metamorphosis of nineteenth-century Japanese art,
Honolulu, University of Hawai’i Press, 2006.
Clark, J., ‘Modernity in Japanese Painting’, Art History, Vol.9, No.2, June 1986, pp.213-231.
Clark, J., ‘Some Models in Japanese Art History’, The Burlington Magazine, Vol.CXXVIII,
No.1005, December 1986.
Genshoku Gendai Nihon no Bijutsu [Modern Japanese Art in Natural Colours, text in Japanese only
but large full colour plates have a clear English index], 10 vols, Tokyo: Shogakkan, 19771980.
Date, Toshio, Outils japonais : tradition, esprit et usages, Vial, 2004.
Delay, Nelly, Le regard audacieux : Peintres japonais de la tradition non conformiste, Paris, Phébus, 2005.
Delay, Nelly, L’estampe japonaise, Hazan, Paris, 2001, 328 p.
Delay, Nelly, Le jeu de l'éternel et de l'éphémère, Arles, P. Picquier, 2004.
Delay, Nelly, Le monde des estampes japonaises, Paris, Gallimard, collection ‘ Découvertes ‘, 2004.
Delay, Nelly, Le regard audacieux : Peintres japonais de la tradition non conformiste, Paris, Phébus, 2005.
Deneyer, Marc, Kujoyama, Cognac, Le Temps qu’il fait, 2005, 146 p.
Elisseef, Danielle, Les arts de l’Extrême-Orient, Paris, PUF, coll. Que-sais-je ?, n° 77, 2003, 128 p.
Fahr-Becker, Gabriele, Les estampes japonaises, Cologne, Taschen, 2003, 208 p.
Fahr-becker, Gabrielle, Hatano, Narami, and Frahm, Klauss, Ryokan, Séjour dans le Japon
traditionnel, Cologne, Könemann, 2005, 335 p.
Faure, Robert, L'esprit du geste : philosophie et pratique de la peinture à l'encre de Chine tch'an et sumi-e, Éd.
du Chêne, 2004.
Fei Ling and Pons, Philippe, Jeunes Japonais : vertige des corps, Paris, Autrement, 2002, 158 p.
Fujieda, Teruo, ‘Jokyo toshide no sakuhin, monoha’, Nihon kingendai bijutsushi jiten, Tokyo Shoten,
2007, p.236.
Geoffroy-Schneiter, Bérénice, Arts d’Asie : Inde, Chine, Japon : images et symboles, Paris, Assouline,
2002, 199 p.
Gonse, Louis, L’art japonais, Paris, You-Feng, (1ère éd., Paris, A. Quantin, 1883), 2005, 368 p.
Held, Suzanne, & Random, Micheal, Japon : vision des formes et des couleurs, Hermé, vision, Paris,
2001, 245 p.
Higashiyama, Kaii, Les quatre saisons de Kyôto, Paris, Le Seuil, 2003, 200 p.
Hirasawa, Caroline, ‘The Inflatable, Collapsible Kingdom of Retribution: A Primer on Japanese
Hell Imagery and Imagination ’ in Monumenta Nipponica 63/1: 1-50, 2008
Kanno, Hachiro, Une promenade au Japon, Paris, Albin Michel, 2003.
Kaori, Chino, ‘Gender in Japanese Art’, in Mostow, Joshua S. & Bryson, Norman, eds., Gender
and Power in the Japanese Visual Field, University of Hawai’I Press, 2003, p. 17-34.
Kawakita, M., Modern Currents in Japanese Art, Tôkyô, Weatherhill, 1974
Kimura, Rieko, et. Al., Dance in Japanese Modern Art (Catalogue), Tochigi Prefectural Museum of
Fine Arts, 2003
Kitano, Takeshi, Rencontres du septième art, Paris, Arléa, 2003, 96 p.
Koyama-Richard, Brigitte, Kodomo-e. L'estampe japonaise et l'univers des enfants, Paris, Hermann, 2004,
115 p.
Koyama-Richard, Brigitte, La magie des estampes japonaises, Paris, Hermann, 2003, 208p.
Lucken, Michael, L’art du Japon au vingtième siècle - pensée, formes, résistances, Paris, Hermann, 2001,
350 p.
Miyagawa, T., Modern Japanese Painting, Tôkyô, Kôdansha, 1967.
Mostow, Josua S; Bryson, Norman; and Graybill, Maribeth, ed., Gender and Power in the Japanese
Visual Field, Honolulu: University of Hawai’i Press, 2003
Munsterberg, H., The Art of Modern Japan, 1868-1968, New York, Hacker, 1978
3
O, Kwangsu, ‘Jeom gwa seon i hengwihanun segeseong (The globality where lines and the dots
perform)’, Space (May, 1978), pp.38-43.
Ringgenberg, Patrick, L'union du ciel et de la terre : la peinture de paysage en Chine et au Japon, Les Deux
océans, 2004.
Sale, Giovanni S.J. (dir.), L’art des jésuites, Paris, Mengès, 2003, 318 p.
Shimizu, Christine, L’art japonais, Paris, Flammarion, coll. Tout l’art, 2001, 448 p.
Shimizu, Christine, Le grès japonais, Paris, Massin, 2001, 171 p.
Stanley-Baker Joan, and Dider, Jacqueline, L'art japonais, Thames & Hudson, 2004.
Takumi, H. et al, Japanische Malerei im Westlichen Stil, Köln, Museum für Orientalische Kunst,
1985.
Ueda, Makoto. Literary and Art Theories in Japan. Cleveland: Press of Western Reserve University,
1991.
Wasserman, Michel, Le Sacre de l’hiver - La Neuvième Symphonie de Beethoven, un mythe de la modernité
japonaise, Paris, Les Indes savantes, 2006, 129 p.
Winther-Tamaki, Bert, "Oriental Coefficient: The Role of China in the Japanization of Yôga" in
Modern Chinese Literature & Culture 18:1 (Summer 2006), pp.85-119
Yoshida, Kimiko, Marry me: les mariées intangibles, Arles, Actes Sud, 2003, 128 p.
Yoshimoto, Midori, Into Performance: Japanese Women Artists, New York, New Kersey & London,
Rutgers University Press, 2005.
Individual Artists
Ai Mitsu: Ai-Mitsu, Tokyo, The Mainichi Newspapers, 2007
Aida, Makoto: ‘Makoto Aida: Donki-hote’ (review), ArtAsiaPacific, No. 47, 2006; Charlesworth,
J.J, ‘Makoto Aida: Man in the Holocene (at IBID Projects)’ (review), Flash Art, Vol.
XXXVIII, No. 244, October, 2005. ; Maerkle, Andrew, ‘Makoto Aida. No more War; Save
Water; Don’t pollute the Sea’, in ArtAsiaPacific, No. 59, July/August, 2008, pp. 132 – 141;
Maerkle, Andrew, ‘No More War; Save Water; Don’t Pollute the Sea’, in Art Asia Pacific,
No. 59, 2008.
Akasegawa Genpei: review Robinson, Joel, ‘Genpei Akasegawa at SCAI The Bathhouse’, Exhibition
Reviews, Thailand Feature, Asian Art News, Vol. 12, No. 1, January/February 2002
Aki Kuroda: Collectif, Kuroda, Paris, Maeght, 2002
Ando Tadao: ‘Ando Tadao Special Issue’, The Japan Architect, vol 1, No. 1991; Pare, Richard &
Ando Tadao, Tadao Ando : couleurs de lumière, Paris, Phaidon, 2001.
Aoki, Ryoko: (review) ArtAsiaPacific, No. 48, 2006.
Aoshima, Chiho: Kandell, Susan, ‘Chiho Aoshima: Oops, I Dropped My Dumplings’, Art & Text
73, May-July 2001. ; review, Art in America, Vol. 93, iss. 9, Oct 2005.
Arai Shin-ichi: Angramy, Bérénice, Social Tensions : Arai Shin-ichi – Creativity and Abject
Nationalism’ in Art Asia Pacific, No. 40 (Spring 2004), pp. 70-73
Araki Nobuyoshi: Sawaragi Noi, ‘Desire and Decay’, World Art, No.2, 1995; Silva, Arturo, ‘Tokyo:
Nobuyoshi Araki’, Artforum International, Vol.30, Issue 5, January 1992; Decter, Joshua,
‘Nobuyoshi Araki’, Artforum International, Vol.36, Issue 6, February 1998. ; Araki
Nobuyoshi, Love Hotel, trad. du japonais par Karine Chesneau, Denoël, 2004, 240 p;
Ammann, Jean-Christophe, Araki Nobuyoshi, Araki Mythologie, Paris, Images modernes,
2001, 252 p; ‘Nobuyoshi Araki: Self. Life. Death’ (review), ArtAsiaPacific, No. 48, 2006;
Zhang Wubin, ‘Of Love and Flowers’, Asian Art News, Vol. 15, No. 3, 2005; review,
Artforum, vol 44, No. 1, Sep 2005; Sans, Jérôme, Araki par Araki, Taschen, Berlin, 2001,
600 p; Sans, Jérôme, Araki, Cologne, Taschen, 2002, 632 p. ; Okazaki, Manamai,
‘Shashinjinsei: Nobuyoshi Araki’s photo journey’, in Art Monthly Australia, Issue No. 211,
July 2008, pp. 17 – 19. ; Sans, Jérôme, Araki par Araki, Taschen, Berlin, 2001, 600 p. ;
Sans, Jérôme, Araki, Cologne, Taschen, 2002, p. 632; Yi, Hyewon, ‘Crossing Boundaries:
An Interview with Nobuyoshi Araki’, in Trans-Asia Photography Review, Vol. 1, No. 2, Spring
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2011, available online, http://quod.lib.umich.edu/cgi/t/text/textidx?c=tap;view=text;rgn=main;idno=7977573.0001.205; Okazaki, Manamai,
‘Shashinjinsei: Nobuyoshi Araki’s photo journey’, in Art Monthly Australia, Issue No.: 211,
July 2008, pp. 17 – 19.
Ban, Chinatsu: review, Art in America, Vol. 93, iss. 9, Oct 2005.
Ciezo, Taro: Spring, Justin, ‘New York: Taro Chiezo’, Artforum International, Vol.34, Issue 10,
Spring1996
Dumb Type: Hagenberg, R., ‘Heartbeat with a hiccup’, Asian Art News, Vol.5, No.2, March/April
1995; Tripp, Laura, ‘Dumb Type, smart noise’, World Art, No.2, 1996. ; Shikata Yukiko,
‘White out’, Art AsiaPacific, 27, 2000
Ekaku, Hakuin: Morgan, Robert C. ‘Zen and the Art of Calligraphy’, in Asian Art News Vol. 20,
No.6 November/ December 2010
Emi Kinuko: Emi Kinuko: Retrospective, Momiyama Masao (ed), Kamakura & Hayama: Museum of
Modern Art, Kanagawa, 2004.
Enoki, Chu: review, Artforum, Vol. 45, Iss. 2, 2006.
Ezawa, Kota: review, Parachute, 121, 2006.
Faret Tachikawa: ‘Art into Function’, Asia-Pacific Sculpture News, Vol.1, No.1, Winter, 1995.
Fuiji, Hikaru: Krischer, Olivier, ‘Hikaru Fujii: The Revolution Will Be Televised, Live’, in Last
Words, 4A Centre for Contemporary Asian Art, Sydney, 2010.
Fuji Hiroshi, Nakamura Masato, Nishiyama Minako: Kuroda Raiji, ‘Something strange in the cities Three Japanese artists living in Japan’ in Fukuoka Art Museum, 4th Asian Art Show
Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994; Grout, Catherine,
‘Masato Nakamura, What Goes on Between’ in Parachute, 115 (2004), pp. 72-83
Fujiwara, Yasuko: ‘Yasuko Fujiwara Contemporary Art Factory’ (review), Flash Art, Vol. XXXIX,
No. 248, May-June, 2006.
Fukami, Sueharu: Ebony, David, 'Sueharu Fukami at Garth Clark', Art in America, Vol. 90, Issue
12, December 2002
Furuhashi, Teiji: Brown, Azby, ‘Tokyo: Teiji Furuhashi’, Artforum International, Vol.34, Issue 1,
September 1995. ; London, Barbara, ‘Teiji Furuhashi: Diamonds are Forever’,
ArtAsiaPacific, No. 51, 2007.
Genpei, Akasegawa: Genpei, Akasegawa. ‘The Art That Destroyed Itself’, translated Clark, John,
in Reconstructions, Oxford, Museum of Modern Art, 1985; : Tomii, Reiko, ‘Akasegawa
Genpei as a Populist Avant-Garde: An Alternative View to Japanese Popular Culture’, in
Kontur: Culture, History, Politics, Tidsskrift for Kilturstudier, No. 20, årgang 2010; Tomii, Reiko,
‘Before Tomason: Akasegawa Genpei’s Print Adventures—Model 1,000-Yen Note Incident and
The Sakura Illustrated,’ in Genpei, Akasegawa, Hyperart Thomason, trans. Matthew Fargo,
New York: Kaya Press, 2010, p. 375-90; Tomii, Reiko, ‘State v. (Anti-)Art: Model 1,000Yen Note Incident by Akasegawa Genpei and Company’, in Positions, Vol. 10, No. 1,
Spring 2002; Tomii, Reiko, ‘Akasegawa Genpei as a Populist Avant-Garde: An Alternative
View to Japanese Popular Culture’, in Kontur, No. 20, Special Issue: ‘Visualizing Asian
Modernity’, 2010, available online:
http://kontur.auinstallation05.cs.au.dk/fileadmin/www.kontur.au.dk/Kontur_20/Microso
ft_Word_-_VAM-TOMII_MOD.pdf
Gim Gichang: Joohyun Lee, ‘In Search of Identity: The Figurative and Abstract Works of Gim
Gichang from 1945 to 1970’, in Orientations, Vol. 35, No. 5, June, 2007.
Higashida, Zero: Borum, Jenifer P., ’Reviews: Zero Higashida’, Artforum International, Vol.30, Issue
6, February 1992
Higashionna Yuichi: review, Contemporary Visual Art, 29, 2000
Hirakawa Noritoshi, Kitagawa Yuji, Bulbous Plants: Shikata, Y., ‘Breaking Tokyo’s Taboos’ World Art,
November 1993; Lumby, Catherine, ‘Public Image’, World Art, No.1, 1996; Decter,
Joshua, ‘Noritoshi Hirakawa’, Artforum International, Vol.37, Issue 6, February 1999
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Hiroshi, Kitao: Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The
Japan Foundation Asia Center, 2002.
Hiroshi Teshigahara: Ashton, Dore, The Delicate Tread Teshigahara’s Life in Art, Tokyo: Kodansha
International, 1997
Hitoshi, Nomura: Tomii, Reiko, ‘The Culture of Showing: The Operational Context for Nomura
Hitoshi’s Early Works’, in Hitoshi Nomura: Early Works, (Exhibition Catalogue), New York,
McCaffery Fine Art, 2010, p. 68-79.
Hosokawa, Fumimasa: review, Art in America, Vol. 93, iss. 9, Oct 2005.
Hyakuda, Tatsuzo: review, Flash Art, Vol. XXXIX, No. 251, Nov-Dec 2006.
Ikeda, Ryoji: Koplos, Janet, 'Shadows and symbols' [review Ryoji Ikeda and painter Kazumi
Nakamura], Art in America, Vol. 91, Issue 4, April 2003; Lanctot, Nicole, ‘Ryoji Ikeda’ in
Artforum, Vol 47, Iss. 5, Jan. 2009, p. 138; review, Artforum, vol 44, no. 1, Sep 2005.
Ikemura, Leiko: review, Artforum, vol 44, No. 1, Sep 2005.
Imamura, Shohei: Niogret, Hubert, Shohei Imamura - entretiens et témoignages, Paris, Dreamland, 2002,
215 p.
Ishihara, Tomoaki: Shiner, Eric C., ‘Portraiture through Production’, ArtAsiaPacific, No. 49, 2006.
Isozaki Arata: ‘Arata Isozaki’, The Japan Architect , 1993-4;
Itô, Tôyô : Itô, Tôyô, Tôyô Itô : structures légères, détails, trad. du japonais par Kae Oki et Carine
Cheval, Paris, Moniteur, 2003, 263 p.
Kaihatsu, Yoshiaki : ‘Yoshiaki Kaihatsu: Ceiling’ (review), ArtAsiaPacific, No. 47, 2006.
Kaneko, Jun: Yood, James, ‘Chicago: Jun Kaneko’, Artforum International, Vol.34, Issue 5, January
1996.
Kaneuji, Teppei Keehan, Reuben, ‘Four Long Paragraphs’, in Contemporary Visual Art+ Culture
Broadsheet, Vol. 40, No. 1, March 2011.
Kaoru Arima: Vergne, Phillipe, ‘Kaoru Arima’ in Art Asia Pacific, Issue 37 (2003), p. 88
Kaoru, Isima: Griffin, Tim, ‘Billboard: Isima Kaoru, Traffic Accident’, Art & Text 74, Aug.-Oct.
2001
Kasahara, Emiko: Cheung, Stephanie, ‘Seeing Self’, Asian Art News, Vol. 15, No. 5, 2005.
Kawara On, Woo Jung-Ah, ‘Terror of the Bathroom: On Kawara’s Figurative Drawings and
Postwar Japan’, in Oxford Art Journal, Vol. 33, Issue 3, October 2010, p. 261-276; Woo
Jung-Ah, ‘On Kawara’s Date Paintings: Series of Horror and Boredom’, in Art Journal, Vol.
69, Issue 3, Fall 2010, p. 62-72.
Kenji Yanobe: Sumitomo, Fumhiko, ‘Kenji Yanobe at the National Museum of Art’ (Review) in
Art Asia Pacific, No. 39, Winter 2004, p. 85
Kitagawa Atsushi: ‘Atsushi Kitagawa’, The Japan Architect 1992-4; Brown. Azby, ‘Tokyo: Atsushi
Kitagawara’, Artforum International, Vol.30, Issue 4, December 1991.
Kobayashi, Shinchiro: review, Art in America, Vol. 93, iss. 9, Oct 2005.
Kubota Sjhigehiko: S(h)igeko Kubota: Video Sculptures, Berlin, Daadgalerie, 1981.
Kudo, Tetsumi: Chong, Doryun, ‘Proliferating Chain Reaction’ (Interview), in Art Asia Pacific, No.
62, March/ April 2009; Holmberg, Ryan, ‘Dystopia man: Tesumi Kudo: nuclear angst and
ecological breakdown are specters haunting the first U.S. retrospective to treat this major
figure of the Japanese postwar era’, in Art in America 97.3, March 2009, p. 96(8); Kastner,
Jeffrey, ‘Tetsumi Kudo’, in Artforum, Vol 47, Iss. 3, Nov. 2008, p. 348.
Kuniyasu, Takamasa: Koplos, Janet, 'Takamasa Kuniyasu at MACA', Art in America, Vol. 90, Issue
11, November 2002; Clark, Timothy, Kuniyoshi, Royal Academy, 2009.
Kuramata, Shiro: Pascucci, Ernest, ‘San Francisco: Shiro Kuramata’, Artforum International, Vol.35,
Issue 9, May 1997
Kurokawa Kisho: ‘Kisho Kurokawa’, The Japan Architect 1995-2;
Kusama Yayoi: Friis-Hansen, Dana, ‘Yayoi Kusama’s Feminism’, Art & Text 49, September 1994;
Love Forever, Yayoi Kusama, 1958-1968, Los Angeles, Los Angeles County Museum, 1998
[rev: Chattopadhyay, Charlotte , Asian Art News, Vol.8, No.3, May/June 1998]; Munroe,
6
Alexandra, ‘Radical Will: Yayoi Kusama in New York’, Art AsiaPacific, No.16, 1997;
Birnbaum, Daniel, ‘Yayoi Kusama’, Artforum International, Vol.40, Issue 4, December 2001;
Matsui, Midori, ‘Beyond Oedipus: Desiring Production of Yayoi Kusama’, Parkett, No. 59,
2000; Panhaus-Bühler, Ursula, ‘Between Heaven and Earth: This Languid Weight of Life’,
Parkett, No.59, 2000; Pollock, Griselda, ‘Three Thoughts of Feminity, Creativity and
Elapsed Time’, Parkett, No.59, 2000. ; Flanagan, Sue Morrow ‘International Bonds’,
ArtAsiaPacific, No. 48, 2006; ‘Yayoi Kusama’ (review), ArtAsiaPacific, No. 45, 2005; review,
Asian Art News, Vol. 15, No. 3, 2005; Kuresawa Takemi, ‘An unwritten biography’, Art
AsiaPacific, 30, 2001; King, Natalie, ‘In full bloom’, Art AsiaPacific, 26, 2000.
Kurosawa, Kiyoshi: Taubin, Amy, ‘Weights and Measures’, in Artforum International, Vol. 47, No. 2,
March 2009.
Lee U-fan: Chiba, Shigeo, Gendai bijutsu ittsudatsushi 1945-1985, Shobunsha, 1986, p.122; Lee Ufan,
The Search for Encounter, Samsung Museum of Modern Art, 2003; Lee, Ufan, ‘Mannam ui
hyeonsanghakjeok seoseol (Introduction to encounter)’, Space (August, 1975), pp.50-57;
Lee Ufan, Yeobaek ui misul (Art of the empty space), trans. by Kim Chun-mi, Hyeondae
Munhak, Seoul, 2002. ; Koplos, Janet, ‘Clamour and Quiet: Concurrent Museum Surveys
of Work by Two Important Figures Evoked Contrasting Impulses in Post-War Japanese
Art’, 94:3, Art in America, March 2006. ; Yamawaki, Kazuo, ‘Aspects of Contemporary
Japanese art centred on Lee U-fan’, in Seven Artists: Aspects of Contemporary Japanese Art,
Santa Monica, Santa Monica Museum of Art, 1991; Westfall, Stephen, ‘Opposites and
essences: Lee Ufan: in Lee Ufan's quietly resonant work, iron and stone are arranged with
the care of brushstrokes on canvas, and painted marks attain the weight of
sculpture’.(FOCUS ASIA) in Art in America 96.11 (Dec 2008): 114(6).; Rawlings, Ashley.
“Illusions and Interrelationships” ArtAsiaPacific Issue 62 Mar/Apr 2009.
Machida, Kumi: revivew, Flash Art, Vol. XXXVIII, No. 242, May-Jun, 2005.
Maki Fumihiko: Maki Fumihiko’, The Japan Architect 1994-4;
Masato Tanaka: Lim, Shing Ee., ‘Interview with Masato Tanaka’, in Vehicle: Contemporary Visual
Arts, No.10, 2003, p.8-11.
Matsue, Taiji: review, Artforum, Vol. 44, Iss. 10, 2006.
Matsui, Chie: Shiner, Eric C., ‘Portraiture through Production’, ArtAsiaPacific, No. 49, 2006.
Matsui, Fuyuko: review, Asian Art News, Vol. 16, No. 5, 2006.
Matsutani, Takesada: Gómez, Èdward M., ‘Matsutani’s Moment’, in Art in America, May 2010.
Minako Kitayama: Vergne, Phillipe, ‘Minako Kitayama’ in Art Asia Pacific, Issue 37 (2003), p. 90
Miwa Yanagi: review, Art in America, Vol. 94, iss. 2, Feb 2006; Effedy, Rifky, ‘Miwa Yanagi’ in Art
Asia Pacific, Issue 37, 2003, p. 42.
Miyagi, Futoshi: review, Artforum, Vol. 45, iss. 5, 2007.
Miyajima Tatsuo: Auping, Michael, Tatsuo Miyajima: Big Time, London, Hayward Gallery & Forth
Worth, Modern Art Museum of Fort Worth, 1996-7; Fouser, Robert J. ‘Life without zero:
an interview with Miyajima Tatsuo’, Art AsiaPacific, No.17, 1998; Miyajima Tatsuo
interview with Lynne Cooke and Mark Francis, in Carnegie International 1991, Vol.I,
Pittsburgh, The Carnegie Museum of Art & New York, Rizzoli, 1991; Odom, Michael,
‘Tatsuo Miyajima’, Artforum International, Vol.35, Issue 8, April 1997; Miyajima Tatsuo: Big
Time, London, The South Bank Board, 1997 [review Kent, Art AsiaPacific,No.18, 1998];
Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist’s Book Series, Tatsuo Miyajima,
Whole Relitivity of the Cosmos 133651, Kitakyushu: Center For Contemporary Art, 1998;
Parkett, ‘Insert- Tatsuo Mijajima’, Parkett, No. 34, 1992; Gookin, Kirby, ‘Tatsuo Miyajima’,
Artforum International, Vol.39, Issue 7, March 2001. ; King, Natalie, ‘Tatsuo Miyajima’, Art
and Australia, Vol. 43, No. 3, 2006.
Miyake, Shintaro: review, ArtAsiaPacific, No. 49, 2006.
7
Miyako, Ishiuchi: Lew, Christopher Y., ‘All About my Mother: Miyako Ishiuchi’, ArtAsiaPacific,
No. 45, 2005; Holmberg, Ryan. 'Miyako Ishiuchi: Meguro Museum of Art’. in Art in
America,7.5, May 2009, 168 (1).
Momoko: review, Asian Art News, Vol.12, No.4, 2002
Mori Mariko: Blair, Dike, ‘We’ve got twenty years’, Purple Prose, 9, Summer 1995; Magnan,
Kathleen, F., ‘The artist as model - Mori Mariko’, Art & Asia Pacific, Vol.3, No.2, 1996;
Bryson, Norman, ‘Cute Futures: Mariko Mori’s Techno Enlightment’, Parkett, No.54,
1998-1999; Goodeve, Thyrza Nichols, ‘Mariko Mori’s Cyborg Surrealism’, Parkett, No.54,
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Mackie, Vera, ‘Liberation and light: the language of opposition in Imperial Japan’, East Asian
History, No.9, June 1995.
Mitchell, R.H., Thought Control in Prewar Japan, Itahca, Cornell University Press, 1976.
Myers, R.H. & Peattie, M.R., The Japanese Colonial Empire, 1895-1945, Princeton, Princeton
University Press, 1984.
Najita Tetsuo, Hara Kei in the Politics of Compromise, 1905-1915, Cambridge, Harvard University
Press, 1967.
Najita Tetsuo, ‘Japan’s Industrial Revolution in Historical Perspective’, in Miyoshi Masao &
Harootunian, H.D. eds., Japan in the World, Durham, Duke University Press, 1993.
Nolte, Sharon H., Liberalism in Modern Japan: Ishibashi Tanzan and His Teachers, 1905-1960,
Berkeley, University of California Press, 1987.
Notehelfer, F.G., Kotoku Shusui: Portrait of a Japanese Radical, Cambridge UP, 1971.
Pyle, Kenneth B., ‘Profound Forces in the Making of Modern Japan’, in Journal of Japanese Studies,
Vol. 32, No. 2, Summer 2006.
Silberman, Bernard S. & Harootunian, Harry D., eds, Japan in Crisis: Essays in Taishô Democracy,
Princeton, Princeton University Press, 1974.
Smethurst, Richard J., A Social Basis of Japanese Militarism: The Army and the Rural Community,
Berkeley, University of California Press, 1974.
Tanaka, Stefan, Japan’s Orient: Rendering Pasts into History, Berkeley, University of California Press,
1993.
64
Umetani, N., The Role of Foreign Employees in the Meiji Era in Japan, Tokyo, Institute for the
Developing Economies, 1971.
Yoshioka Hiroshi, ‘Samurai and self-colonization in Japan’, in Pieterse, J.N. & Parekh, B. Eds.,
The decolonization of the imagination, London: Zed Books, 1995.
Society
DeVos, G.A., Socialization for Achievement, Berkeley, University of California Press, 1973
Fuse, A., ‘Japanese Family in Transition’, Japan Foundation Newsletter, XIII, 3, 4, 1984.
Hardacre, Helen, Marketing the Menace Fetus in Japan, University of California Press, Berkeley, 1997
Hendry, J., Webber, J., eds., Interpreting Japanese Society, Anthropological Approaches, Journal of the
Anthropological Society of Oxford, Occasional Papers, No.5, 1986 (especially Part III.
‘The Significance of Leisure’)
Ishida, T., Japanese Society, University Press of America, 1972
Kumakura, I., ‘The Iemoto System in Japanese Society’, Japan Foundation Newsletter, IX, 4, 1981
Mackie, Vera, Creating Socialist Women in Japan: Gender, Labour and Activism, 1900-1937, Cambridge
University Press, Cambridge, 1997.
Mackie, Vera, Feminism in Modern Japan: Citizenship, Embodiment and Sexuality, Cambridge
University Press, Cambridge, 2003
Morse, R., Sugimoto, S., Images of Japanese Society, Kegan Paul International, 1986 (reVol.:
Silverberg, M., Monumenta Nipponica, 42, 3, Summer 1987).
Nakane, C., Japanese Society, Berkeley, University of California Press, 1970
Partner, Simon, ‘Peasants into Citizens?: The Meiji Village in the Russo-Japanese War’, in
Monumenta Nipponica, Vol. 62, No. 2, Summer 2007.
Powers, R.G. ‘The Study of Japanese Society: Figments of whose imagination?’, Japan Foundation
Newsletter, X, 5, 1983
Smith, R., Japanese Society: Tradition, Self and the Social Order, Cambridge UP, 1985
‘Symposium on ‘IE’ Society’, Journal of Japanese Studies, 11, 1, Winter 1985.
Takahashi, Yuichiro, ‘Kabuki Goes Official: The 1878 Opening of the Shintomi-za’, in
Leiter, S.L. (ed), The Kabuki Reader, M.E. Sharpe, New York, 2002, pp. 123-151
Tamanoi, Mariko Asano, ‘Songs as Weapons: The Culture and History of Komori
(Nursemaids), in Modern Japan’, The Journal of Asian Studies, 50(4), 1991, pp. 793-817.
Tanaka, Stefan, ‘Childhood: Naturalization of Development into a Japanese Space’, in
Humphreys, S.C.(ed), Cultures of Scholarship, University of Michigan Press, Ann Arbor,
1997, pp. 21-56.
Uno, Kathleen S., Passages to Modernity: Motherhood, Childhood and Social Reform in
Early Twentieth Century
Japan, University of Hawaii Press, Honolulu, 1999.
Wasserman, Michel, Le Sacre de l’hiver - La Neuvième Symphonie de Beethoven, un mythe de la modernité
japonaise, Paris, Les Indes savantes, 2006, 129 p.
Waswo, A., Japanese Society, 1868-1994, New York, Oxford University Press, 1996.
Yoshino, Kosaku, Cultural Nationalism in Contemporary Japan: a sociological enquiry, London, New
York: Routledge, 1992
Literary Representations [selected]
Two overall surveys are:
Keene Donald, Dawn to the West: Japanese Literature in the Modern Era, I Fiction, II Poetry and Drama,
New York, Henry Holt and Company, 1984.
Lewell John, Modern Japanese Novelists: A Biographical Dictionary,Tôkyô, Kôdansha International,
1993.
Araki, Nobuyoshi, Love Hotel, trad. du japonais par Karine Chesneau, Denoël, 2004, 240 p.
Bundy, Roselee, ‘Solo Poetry Contest as Poetic Self-Portrait: The One-Hundred-Round Contest
of Lord Teikas Own Poems’, in Monumenta Nipponica, Vol. 61, No. 1 & 2, Spring &
Summer 2006.
65
Copeland, Rebecca L., Lost Leaves: Women writers of Meiji Japan, University of Hawai’i
Press, Honolulu,2000
Doak, K.M., Dreams of Difference: The Japanese Romantic School and the crisis of Modernity, Berkeley,
University of California Press, 1994.
Dodd, Stephen, ‘Fantasies, Fairies, and Electric Dreams: Satô Haruo’s critique of Taishô’,
Monumenta Nipponica, Vol.49, No.3, 1994.
Fowler, E., The Rhetroic of Confession: Shishôsetsu in Early Twentieth century Japanese Fiction, Berkeley,
University of California Press, 1988.
Hill, Christopher, ‘How to Write a Second Restoration: The Political Novel and Meiji
Historiography’, in Journal of Japanese Studies, Vol. 33, No. 2, Summer 2007.
Ivy, Marilyn, The Discourse of Vanishing: Modernity, Phantasm, Japan, Chicago, University of Chicago
Press, 1995.
Jameson, Frederic, ‘Sôseki and Western Modernism’, in Miyoshi Masao & Harootunian, H.D.
eds., Japan in the World, Durham, Duke University Press, 1993.
Karatani Kôjin, Origins of Modern Japanese Literature, Durham, Duke University Press, 1993
Karatani, Kôjin, Architecture as Metaphor, Cambridge, MIT Press, 1995.
Kono, Kimberly Tae, ‘Writing Colonial Lineage in Sakaguchi Reiko’s ‘Tokeiso’, in Journal of
Japanese Studies, Vol. 32, No. 1, Winter 2006.
Kornicki, Peter F. (Peter Francis), ‘Unsuitable Books for Women?: Genji Monogatari and Ise
Monogatari in Late Seventeenth-Century Japan’, in Monumenta Nipponica, Vol. 60, No. 2,
Summer 2005.
Lippet, Noriko Misuta, Reality and Fiction in Modern Japanese Literature, New York, M.E.Sharpe,
1980.
Minear, Richard H., ‘Review Symposium: Orientalism and the Study of Japan’, Journal of Asian
Studies, XXXIX, No.3, May 1980
Miyoshi Masao, Accomplices of Silence, Berkeley, University of California Press, 1974.
Monnet, Lisa, Gender and Performance of Culture: Reading Contempoirary Japanese Fiction, Stanford,
Stanford University Press, 1997.
Monnet, Lisa, ‘Violence, gender, and sexuality,’ Japan Forum, Vol.8., No.1, 1996.
Monnet, Lisa, ‘Montage, cinematic subjectivity and feminism in Ozaki Midori’s Drifting in the
World of the Seventh Sense’, Japan Forum 11:1 1999
Moretti, Laura, Kanazoshi Revisited: The Beginnings of Japanese Popular Literature in Print’, in
Monumenta Nipponica, Vol. 65, No. 2, Autumn 2010.
Moritmer, Maya. Meting the Sensei: The Role of Master in Shirakaba Writers. Leiden: Brill, 2000.
Morris, Mark, ‘Barthes/Japan: The texture of Utopia’, in Rix, Alan & Mouer, Ross, ed., Japan’s
Impact on the World, Japanese Studies Association of Australia, 1984.
Murphey, Joseph ‘Economies of culture: the Taishô bundan dallies with the Movies.’ Japan
Forum 11:1 1999
Murayama Masao, Thought and Behaviour in Modern Japanese Politics, London, Oxford University
Press, 1963
Napier, Susan, The Logic of Inversion: Twentieth Century Japanese Utopias, Oxford, Nissan Occasional
Papers, No.15, 1991.
Napier, Susan, The fantastic in modern Japanese literature : the subversion of modernity, London :
Routledge, 1996.
Ortabasi, Melek, ‘Narrative Realism and the Modern Storyteller: Rereding Yanagita Kunio’s Tono
Monogatari’, in Monumenta Nipponica, Vol. 64, No. 1, Spring 2009.
Reichert, Jim, In the Company of Men: Representations of Male-Male Sexuality in Meiji
Literature, Stanford University Press, Stanford, 2006.
Reyns-Chikuma, Chris, Images du Japon en France et ailleurs : Entre japonisme et multiculturalisme, Paris,
L’Harmattan, 2005, 250 p.
Roquet, Paul, ‘Ambient Literature and the Aesthetics of Calm: Mood Regulation in
66
Contemporary Japanese Fiction’, in Journal of Japanese Studies, Vol. 35, No. 1, Winter 2009.
Suzuki Tomi, Narrating the Self: Fictions of Japanese Modernity, Palo Alto, Stanford University Press,
1996
Tanizaki Jun’ichiro, Childhood Years: a Memoir, trans. by McCarthy, P., Kodansha, Tokyo, 1988
Ueda, Atsuko, ‘The Production of Literature and the Effaced Realm of the Political’, in Journal of
Japanese Studies, Vol. 31, No. 1, Winter 2005.
Vincent, J. Keith, ‘Hamaosociality: Narrative and Fascism in Hamao Shiro’s The Devil’s Discipline’,
in Tansman, Alan, ed., The Culture of Japanese Fascism, Durham, Duke University Press, p.
381-408.
Web Resources
General sites:
http://www.aaa.org.hk
http://www.universes-in-universe.de/asia/jpn/english.htm
Specific sites:
http://www.dnp.co.jp/artscape/ mostly about contemporary art, has Japanese and English
interface and sections on ‘art words’
http://www.dnp.co.jp/artscape/reference/artwords/index.html
http://www.dnp.co.jp/museum/nmp/nmp_j/people/people_frame.htmlhttp://www.hiho.ne.jp/gallery/index.htm people lists
http://rarebook.ndl.go.jp/ National Diet Library, Rare books database
http://www.mfa.org/ Boston Museum of Fine Arts
http://www.musabi.co.jp/list.html Musashino Bijutsu list of contributors
http://www.momat.go.jp/search/ National Museum of Modern Art collection database
http://plaza.bunka.go.jp/index.html new media, need to register (for free)
http://www.mecenat.or.jp/doko/doko.html Association for Corporate Support of the Arts
(Mecenat) list of newspaper articles about art but no links directly to the articles.
http://www.asiasociety.org/arts/japan_guide/ The Asia Society’s introduction to Japanese art
page.
http://www.art-museum.city.yokohama.jp/bizyutu/bizy03.html gallery& museum information.