@DIVINE Community Altar 1228 Oretha Castle Haley Blvd. (504) 239-4784
sarahndpiti@gmail.com www.at-divine.tumblr.com
 Open all of P.3: Sat-Thurs 10am-3pm, Fri 10am-7pm and by
appointment.
@Divine is an interactive grouping of new installation works and collaborative
design by 10 local artists of widely varying backgrounds, disciplines and
techniques. The artists have taken an overgrown lot of unused land with a view
of Downtown New Orleans and have created an altar of the elements, an
amalgam of personal treasures and venerated imagery. The installation will host
a variety of events throughout its run, including fundraisers for local arts
programs, children's workshops and a late evening opening celebration. The
exhibition will feature work by artists Rahn Broady, Erika & Nicho Busciglio,
Elizabeth Eckman, Fat Kids, Brent Houzenga, MRSA, Sarah Rose, Adam Tourek,
& Francis Wong.
A.I.R. Pioneers: Portraits by Judy Cooper Newcomb Archives, Tulane University
(504) 865-5234 susannah@tulane.edu www.tulane.edu/newcomb/tulane
 Open 10/23-12/31 Mon-Fri 9am-5pm, Sat 2pm-5pm.
This exhibition will feature portraits completed by internationally known
photographer Judy Cooper. These portraits are of a group of women mostly in
their late sixties, seventies and eighties who, in 1972 came together in New York
to launch the first ever gallery of, by, and for women artists in the United States.
In 2007, Cooper returned to photograph them and a few others who joined them
shortly after the 1972 founding. The women called themselves the A.I. R.
Pioneers and Cooper chose this name for this body of work. Cooper’s large
format photographs reveal the strength and individuality of the women, as well
as the collective spirit of the enterprise they began. The exhibition presents
twenty-five images of such women as Nancy Spero, Louise Kramer, Howardena
Pindell, and Dotty Attie. A small catalogue, which includes a brief history of the
founding of A.I.R. and bios of each of the Pioneers, written in their own words,
accompanies the exhibition.
Above Canal: The Creative Alliance of New Orleans, (CANO)'s Creative Spaces in
Central City- Group exhibition, “Rights and Revival” at the Myrtle Banks Building,
3rd Floor 1307 Oretha Castle Haley Blvd. (504) 218-4807 nathan@cano-la.org
www.cano-la.org
 Open all of P.3: Thurs-Sun 11-4pm
Above Canal: Rights and Revival, an exhibition of works by creative artists and
producers reflecting on the past and continuing struggle for civil rights and the
contrasting celebratory spirit of New Orleans. The Creative Alliance of New
Orleans reprises its “Studio at Colton”, presented on St. Claude Avenue during
Prospect.1 that welcomed over 20,000 people to view the work of New Orleans
area based artists, and helped stimulate the redevelopment of the downriver
neighborhoods. The current exhibition explores the cultural legacy of Central
City’s historic role in the civil rights movement, issues of race and culture in our
city today, and showcases the work of a diverse spectrum of New Orleans based
artists.
American Alligator Automobile The Warehouse Grille, 869 Magazine St. (504) 3222188 lisaabanner@aol.com
 Public Sculptural Installation viewable on the patio for the duration of P.3:
Daily Dusk-Midnight
“The American Alligator Automobile” (AAA) is a public sculpture designed by
artist Christopher Smith to engage and connect to the people of New Orleans.
Installed on the patio of the Warehouse Grill for the duration of Prospect.3, “The
American Alligator Automobile” will reveal video footage of ravenous alligators
and wild animals native to New Orleans, inside the windshield of an older
American vehicle. They will appear as if they are actually living inside the car,
drawing people toward the work to experience something unexpected, funny,
and educational. “AAA” exemplifies how normal everyday objects can be
transformed into art. It presents art in a place that is neither sacred nor
common, and creates a sense of pride and connectedness to the community.
The project will re-purpose the windshield of a classic American vehicle with
digital Rear Projection Screen customized to become the tableau for a 27:00
minute digitally projected video portraying alligators ferociously snapping at
prey, behaving as they do in their natural habitat. The scene is special and
specific to Louisiana and New Orleans’ wild environment. The project is
designed to relate to everyone and to inspire the idea that there are endless
possibilities to interpret the world around us. It reconsiders the means by which
we travel, and integrates local wildlife into the community.
Atemporal Macramé (Kitschy Kitschy Cuckoo) 723 Louisa Street Digest, 723 Louisa St.
(504) 503-3862 digest@723Louisa.org www.digest.723Louisa.org
 Open all of P.3: Mondays 10am-12pm, coffee served
 Potluck Brunch Events 10/26, 11/9, 12/14, 1/11
11am-3pm
723 Louisa Street Digest is a potluck open studio event hosted in a shotgun
apartment in the St. Claude Arts District. From 2010-2012 Digest presented
openings of group shows on Second Saturdays, artist brunches, and Porch TV.
Projects and events are currently presented on an organic schedule. For
Atemporal Macramé (Kitschy Kitschy Cuckoo) We bring you: 3D Drawings (In
the Studio.) Black Velvet Paintings (In the Den.) Black Light Art (In the
Stairwell.) Tchotchkes (In the Kitschen.) The participating artists are the
members of the newly formed (and soon to disband) collective, the Crypto-Data
Actualists of the Amphibidiculous Dusk, a group of artists who have never
previously shown work in this dimension.
BAMBOULA / NOLA Howard-Tilton Memorial Library, 7001 Freret St. Satellite space at
2402 Royal St. (337) 280-3561 phil.a.landry@gmail.com
www.bamboulanola.tumblr.com
 Open all of P.3
 Main Space: Fri-Sun 12pm-6pm
 Satellite Space: Tues-Fri 10am-6pm, Sat 12-6pm, Sun 12-5pm
Howard-Tilton Memorial Library at Tulane University, the Newcomb
Department of Music, and the May Space Gallery & Residency are co-hosting a
series of sound art installations, round table discussions, and performances that
will expose a world of composition and artistry born of Louisiana’s natural and
cultural environment yet which exists largely off the grid of the popular and
academic music industry. This exhibit will primarily exist across Tulane campus
but also as a satellite space adjacent to the May Gallery so as to create a physical
bridge between Tulane and May, uptown and downtown, academia and
community. Artists include; Jane Cassidy, Matthew Thompson, Justin Peake,
Peter Leonard, William Thompson IV, Generic Art Solutions, Rick Snow, Lotte
Geeven, Thomas Grill, Philippe Landry, Spencer Topel, Christopher Trapani.
Barrister's Gallery 2331 St Claude Ave (504) 710-4506 andy.antippas@gmail.com
www.barristersgallery.com
 Open all of P.3: Mon-Sat, 11am-5pm Sun by appointment
 2nd Saturday openings
10/11-11/1 Group Show: Jessica Goldfinch, Amy Guidry, Nikki Crook, Gin Taylor.
11/8-12/6 Group Show: Curated by Srdjan Loncar. And Beau Von Hoffacker
“New Work”
12/13-1/2 Carol Leake “New Work” and J.Castillo Bambaren “Peruvin
Metaphysicals”
1/10-1/31 Christopher Saucedo “New Work” and Meg Turner “Exploring Infinity
as a Search for Utopia”
Below Canal : CANO's Creative Space at St. Maurice Church in Holy Cross in Lower
9th Ward, “Reverberations”, Performances and exhibitions by New Orleans Airlift;
Monique Moss and dancers; David Sullivan and Kent Wood, visual works. Sponsored in
part by Blake Jones, the City of New Orleans and the New Orleans Tourism Marketing
Corporation605 St. Maurice Ave (504) 822-8281 Gaspard@cano-la.org www.canola.org
 Open all of P.3: Fri-Sun 11am-4pm
St. Maurice Church on St. Maurice Street in the Lower 9th ward holds a special
place in the hearts of area residents who have fought disinterest and
disinvestment to bring their neighborhoods back. The Creative Alliance of New
Orleans will respect that place through exhibitions, installations, and especially
performances that will showcase the work of creative artists, producers and
organizations “Below Canal”, in collaboration with creatives from elsewhere.
The space, cleared of religious structures and materials, with few walls, and
many windows, lends itself particularly to installations and performances. We
will also address themes of neighborhood disaster and regeneration, both
environmental and human. We will collaborate with other cultural and
community entities in the area and throughout the city. We will work with a
curatorial team of artists and cultural leaders, with whom we have had initial
conversations, for the selection of works to be presented, as we did at the
Studio at Colton. We expect most productions to be presented by independent
entities. CANO’s role will be primarily to oversee the utilization of the space and
to market events. We will be working with public relations partners who have
agreed to support our initiative with this and other CANO initiatives for
Prospect.3.
Blank Canvas C3 Gallery, 526 Caffin Ave. (310) 779-0019 jane4c@aol.com
 Public Installation on view for all of P.3
Blank Canvas, public sculpture installation by Castillo
Charles and Norah Lovell Open Studios 4116 Camp St. (504) 309-2640
charleslovellart@gmail.com nlovell@cox.net www.charleslovell.com
www.norahlovell.com
 Open all of P.3: Sat and Sun 12-5pm
Charles Lovell's "New Orleans Unseen" is recent work from the back streets of
New Orleans, views that are not seen by the normal person in the urban centers
and more tourist oriented settings. While wandering the many New Orleans
neighborhoods and attending second line parades, he has produced a new
series of photographs based on the skin of the city, the banal, and the largely
unseen.
Norah Lovell's "Battle of New Orleans" is an installation of paintings, objects
and sculptures. Linear flow will be broken at intervals along the wall by vertical
elements or other inclusions that create a disturbance of the narrative. The
narrative includes details from the battle (1815) but also other conflicts, surreal
passages, and the narrative of twins Ethel and Jeanne Magafon, obscure WPA
muralists who painted a version of the Battle in 1943.
Condensed Milk The Aquarium Gallery, 934 Montegut St. (504) 701-0511
theaquariumgallerynstudio@gmail.com
theaquariumstudios.wix.com/theaquariumstudios
 Open 10/25 6-10pm, 10/26 12-4pm and by appointment
Condensed milk, you love it, you hate that it's so good and it’s so easy to
overdose on, so we are serving it up to you. Artwork so sweet, so in your face
you might need a towel. The Aquarium Studios has been an art collective for 3
years and as of late we are feeling the New Orleans summers. We work too hard
and just want to have fun and what helps us through the day is pie. Many cold
liquids and hot coffee too, but for sure that burst of sugar keeps us going.
Featured Artists: Sadie Sheldon, Jacob Reptile, Jaime Bird, Felici Asteinza, Joey
Fillastre, Mary Logan Rooney and Kayla Wroblewski.
Convergence: JMC@Prospect.3 | Curated by Deborah Willis Joan Mitchell Center
Studios, 1000 N Rampart St. (504) 355-3423, info@joanmitchellcenter.org
http://joanmitchellfoundation.org/artist-programs/center
 Open all of P.3: Wed-Sun 11am-4pm.
con-ver-gence (noun) “A coming together from different directions, especially a
uniting or merging of groups or tendencies that were originally opposed or very
different”
New Orleans is a place where cultures merge and people from different
backgrounds come together to make art, investigate history, create music, eat,
and dance. The city is a roux: the rich, perfectly rendered foundation from which
delicious results emerge. The ten artists, Katrina Andry, Aaron Collier, Jer’Lisa
Devezin, Dave Greber, Norah Lovell, Mario Padilla, Brooke Pickett, Rontherin
Ratliff, Ayo Scott, Carl Joe Williams, in this exhibition construct, paint, project,
write, and research as they produce provocative, occasionally subtle imagery.
Their content ranges from pleasure to politics, music, and new media, as well as
the gendered body, memory, slavery, rebellion, and home. Abstraction is rooted
in all of the works. Each of these artists successfully melds formal aesthetics
and personal experiences with cultural production. The convergence of cultures
within the work of each of these ten artists expands the notion of community
and politics as they re-imagine spaces in which to tell their stories. The
interdependence of artist and audience, the need for interaction and
identification, the significance of a shared popular culture and historical
references, and the necessity of a dynamic exchange are at the heart of each of
these artists’ works, set the theme for this exhibition, and bode well for the
future of visual art from New Orleans.
Crevasse 22: “Surge”, a pop up Sculpture Garden presented by Creative Alliance of
New Orleans, sponsored by Torres-Burns Trust, Sidney D. Torres III and Roberta
Burns. 8122 Saro Lane, Poydras, LA (504) 218-4807 Gaspard@cano-la.org www.Canola.org
 Open all of P.3: Fri-Sun 11am-4pm
Crevasse 22 is an outdoor sculpture exhibition, with related performances,
special events and forums. It is related to first a natural crevasse, then a
deliberate explosion to open a manmade break, or crevasse near-by, in the levee
on the Mississippi river planned by New Orleans civic, business and political
leaders. The leaders, over vehement opposition from St. Bernard and
Plaquemines Parish leaders and citizens, aimed to achieve supposed relief from
the 1927 flood that some believed threatened the city of New Orleans. As
predicted by engineers, a break further upriver of New Orleans saved the city.
The preemptive creation of a crevasse at Poydras, however, destroyed much of
the infrastructure, farmlands, wildlife and human life in St. Bernard and
Plaquemines parishes in one of the nation’s worst disasters before Katrina. This
event became the long-standing foundation of profound suspicion on the part
of Louisianans about public decision-making regarding natural disasters and the
management of their prevention and aftermath. This exhibition, sited at the
exact location of the crevasse, and adjacent to the still remaining “blue hole”, or
a residual bayou like waterway, explores the resonance of the dramatic events in
1927 with the planning and events surrounding recent natural disasters in
Louisiana and elsewhere as global warming and other factors continue to erode
coastal lands.
D R E A M T H R O A T Hotel Monteleone, 214 Royal St. (305) 282-3350
dreamthroatdream@gmail.com www.dreamthroat.com
 For exclusive showings and reservations on Saturday, October 25th,
please call or email.
D R E A M T H R O A T, a project of Michael Arcos and Marnie Ellen, is a video
installation delving into the hauntings and history within rooms that once
inhabited numerous tenants and experiences. D R E A M T H R O A T contains
an 18-minute fictional video documentation dealing with four separate couples
of assorted ethnicities and sexual orientations. This document focuses on the
altercations, sexual experiences, and ambiguity within their relationships in one
specific room. These occurrences stain the walls and seep into the floors,
literally and metaphorically. D R E A M T H R O A T is an in depth and darkened
view of a room dressed with red rose wallpaper and an exotic array of
taxidermy. The still, spectral presence of this taxidermy, the ephemeral glances
into human relationships, and the backdrop of a New Orleans hotel, rich in its
own history, create an environment and experience that allows for a dark yet
invigorating corner of Prospect.3. If these roses had eyes, they'd be telling lies.
The thorns on its side have plenty to hide. There'd be nothing to contrive, if this
taxidermy were alive. We will be conducting an installation screening of the
video project titled “D R E A M T H R O A T” inside of a room in Hotel
Monteleone during a one-night opening with four separate screenings of this 18-
minute long production at maximum capacity. For exclusive showings and
reservations on Saturday, October 25th, please call (305) 282-3350 or email
dreamthroatdream@gmail.com.
Exhibit BE The De Gaulle Manor Community, 3010 Sandra Dr. (504) 676-7512
ExhibitBeNOLA@gmail.com exhibitbe.com
 Please visit exhibitbe.com for opening times
Exhibit BE proposes a project to shed light on the increasing movement of
artistic practices out of the gallery and into the public domain. Art that exists in
the streets and on the faces of architecture has the potential to highlight the
myriad of issues plaguing New Orleans' communities. These issues include the
prevalence of dilapidated properties, lack of housing, poverty, a failing
educational system, and minimal exposure to the full array of artistic practices.
Our aim is to reflect the community in a way that is empowering and will shatter
the a priori assumptions of visitors by utilizing the unapologetic creativity of
street art/graffiti. Graffiti is often viewed as complicit in the destruction of a
property, but we aim to change that narrative by opening this space to creativity
and activating it with dialogue about artistic production outside the sphere of
commodification.
Faster, With More Knowledge 1028 Port St. (646) 400-3869
newyorksaint@gmail.com www.brianstcyr.com
 Open all of P.3: Sat and Sun 12-5pm
New large format drawings by Brian St Cyr.
Five in Four Rabbit Ears, 8225 Oak St. (985) 212-0274) rabbitearsnola@gmail.com
 Open all of P.3: Tues-Sat 12-6pm
John C. Thomson, my great-grandfather was an early commercial
photographer; his friend Arthur Allie was a landscape painter. Arthur Allie
married John Thomson’s daughter and started taking pictures of his family life
and as studies for his paintings. My mother’s father, Glennon Argenbright
documented life in WW1 boot camp, and around the family farm. My father,
John Allie also documented home life and used photography as a tool in his
commercial artwork. When I was 14 my father built a darkroom and taught me
basic photography; I have used it as my primary art form ever since. Over the
years I collected the negatives from the photographers that came before me; I
have printed and framed the best of these negatives and present them with
some of my own in a way that they relate to each other, and tell a story about
the history of my family and the times in which we’ve lived. - Renee Allie
Foodways presented by Pelican Bomb, 725 Howard Ave. (504) 252-0136
events@pelicanbomb.com www.pelicanbomb.com
 Open all of P.3: Wed-Sun 11am-4pm
How do we preserve our local and regional cultures in a country where defining
interests are often pushing towards sameness? In spite of great demographic,
economic, and environmental change, New Orleans has shown America that
food is a powerful way to honor unique histories and heritage across
generations. ‘Foodways’ unites contemporary artists whose work engages
regional practices related to the growing, preparation, and sharing of food as a
means to maintain and transfer traditions. Throughout its run, this thirteenweek exhibition pairs visual art with chef and community partners to create a
multi-media, multi-sensory experience and dynamic roster of public
programming.
For When Goblins Sit Down Siberia, 2227 St. Claude Ave. (504) 265-8855
rhinestonerecords@hotmail.com panaceatheriac.com
 Open all of P.3: daily, 5pm-2am.
"For When Goblins Sit Down" is an exhibition of large color photographs of
anthropomorphic puppets and mini-magic landscapes by Panacea Theriac.
There will be an addition spirit stick installation by Milagros Collective. The
opening night (October 25th) will also be the dance party night "Disco
Nouveaux" with DJ's Kelph and Rotten Milk and The Isa.
Frahn Koerner Open Studio 7576 Pearl St. (504) 261-7227 frahnkoerner@gmail.com
www.frahnkoerner.com
 Open all of P.3: Sun 11am-4pm and by appointment
Frahn Koerner Studios will be open to the public. Solo show and work in
progress will be on view for the duration of P.3.
Good Children Gallery 4037 St. Claude Ave. (504) 975-1557
info@goodchildrengallery.com www.goodchildrengallery.com
 Open all of P.3: Sat and Sun 12-5pm.
 2nd Saturday Openings
“Crowning Glory” (10/24-1/4), is an exhibition conceptualized as a collective
meditation of the members of the Good Children Gallery. The exhibition will
focus on the psychogreography of the gallery, the topography, the building, and
its past lives through exploring notions of memory, history, and amnesia. The
term ‘crowning glory’ evokes a triumphant resolution, a climax, a gathering of
energy. The artists will respond to the topic with newly produced work
stemming from their individual practices.
"The Pigeons in This Town Taste Like Shit" (1/10-2/8) A solo exhibition by
Stephen Collier, the exhibition will include paintings, drawings, sculptures, and
video that hover around the rituals of revelry, debauchery, masking, and the
fete of the leisure class. The installation will delve into issues of authenticity,
empowerment, individualism verses collectivity, psychological barriers, and
escapism.
Guns in The Hands of Artists Jonathan Ferrara Gallery, 400a Julia St. (504) 522-5471
matthew@jonathanferraragallery.com www.jonathanferraragallery.com
 Open all of P.3: Mon-Sat 10am-5pm and by appointment.
Since 1996, gun violence in New Orleans and America has continued to be a
major issue that affects the very fabric of our culture. Guns permeate the
American landscape and the numbers of shootings continue to rise, with deadly
violence a daily occurrence in our society. From the kid on the street corner
killed by a stray bullet to the mass murders at Columbine and Sandy Hook, guns
and the people that use them are wreaking havoc on America. With the recent
mass shootings of the past years and the still-high murder rate in New Orleans,
Artist/ gallery owner Jonathan Ferrara, the producer of the original Guns in The
Hands of Artists project has been compelled to revisit the exhibition and reopen
the dialogue that was started many years ago. By taking guns off the streets and
channeling them to artists to use in their art, Guns In The Hands of Artists is a
way of having a conversation about guns in our society without the often
partisan and fever pitched politics around the issue. By the very nature of the
project, the conversation is brought into the realm of art...art as the language
for a dialogue... about the issue of guns in our culture. Artists will transform
these once deadly weapons into works of art. Art can comment, very
poignantly, about a subject and make people think in a totally different way. In
the 19th century, artists would paint the objects that would inhabit their
immediate world, a bowl of fruit, or a glass on the night table... today that
object on the bedside table may likely to be gun. Now is the time to continue
this conversation anew. Jonathan Ferrara is working with the City of New
Orleans/ NOPD and has secured 186 guns taken off the streets by way of the
existing NOPD gun buy back program. The guns are decommissioned and then
will be distributed to artists to use as the raw materials in their art. The resulting
artworks will be exhibited for three months at Jonathan Ferrara Gallery in the
New Orleans Arts District. The exhibition will take place from October through
January 2015 to coincide with Prospect.3 New Orleans, the largest biennial of
contemporary art in the US, which draws national and international art media,
curators and collectors to New Orleans. With the exhibition on view at the
gallery, it will be a perfect backdrop for frank dialogue, panel discussions and
public engagement around the topic, stimulated by the creative transformations
of the guns by the artists. As a successful national gallerist for over 17 years,
Jonathan Ferrara has produced over 150 exhibitions in New Orleans, across the
United States and Europe. With a history of community activism, public service,
engagement on a local and national level and having produced the first Guns In
The Hands of Artists, Ferrara is uniquely positioned to make the 2014 exhibition
another stimulating, thought provoking and highly successful exhibition with
quality works of art by professional artists from New Orleans and across the US.
This project presents a unique opportunity for New Orleans to be positioned at
the forefront of this issue, which plagues the city and country, and to benefit
from positive press and public relations on a national level. In addition, New
Orleans has become a national destination for contemporary art and a leader in
the production of contemporary art. This exhibition taking place in New Orleans
will further spotlight the creative forces at work in our city and showcase the
creative partnerships that arise from the public and private sectors working
together. With the national connections of Jonathan Ferrara and his gallery, the
intention is that the exhibition will travel the country to museums, art centers
and the like, furthering the conversation about guns in our society and the
impact of the exhibition. A select list of artists have been invited to participate in
this project and exhibition. The exhibition is being curated by Jonathan Ferrara,
with recommendations from well-known curators and artists. This exhibition
will garner both art press and mainstream media coverage as well while
furthering the dialogue on this critical topic in hopes to change the dynamic
around this issue.
Artists: Neil Alexander, MK Guth, Katrina Andry, Generic Art Solutions, Luis
Cruz Azaceta, Heathcliffe Hailey, John Barnes, Marcus Kenney, Ron Bechet,
Deborah Luster, Brian Borrello, Bradley McCallum, Mel Chin, Adam Mysock,
Andrei Codrescu, Sybille Perreti, Michael Combs, Ted Riederer, Stephen Paul
Day, Peter Sarkisian, Michel De Broin, Dan Tague, Luke DuBois, Bob Tannen,
George Dureau, Nicholas Varney, Margaret Evangeline, William Villalongo,
Skylar Fein, Sidonie Villere, Jonathan Ferrara, Paul Villinski, Rico Gatson.
Hairs and Tears Swan River Yoga, 2940 Canal St. 3rd Floor (504) 931-6425
corradettimartin@gmail.com http://postmedium.com/martincorradetti
 10/26 and 1/25 11am-4pm
HOW DO YOU GIVE SOMEONE NOTHING?
We all have a story that we tell ourselves: This is who I am, this is how I look, this
is what I believe in, and this is what I do. They are stories that we create or
fabricate about who we are.
Can that story be rewritten? Can we ever really start over? Can you sit next to
someone and let part of who they are seep into your pores? The collaborative
works of Ariya Martin and Valerie Corradetti use visual signifiers as a means of
exploring human perception. Martin and Corradetti play with the balance and
tension that exists in the actions as well as the stillness that we believe makes up
who we are. But what happens if that is stripped away? What are we left with?
Does the truth lie within us or does it get reflected back by another?
In the video “hairs & tears,” the viewer is asked to engage with the work using a
different kind of consciousness. The video separates the viewer from excessive
distractions of the environment and the overactive mind and attempts to lure
the viewer into a meditative state. In a space that creates stillness, the flow of
the piece is layered with icons of feminism and moments of self-reflection. As a
single moment carried out in repetition through the medium of video,
emphasized by the audible meditation bells, the artists offer the viewer isolated
psychological space with which to do nothing.
I Am Not Garbage St. Alphonsus Art and Cultural Center, 2025 Constance St. (504)
524-8116 maniak_mik@hotmail.com www.stalphonsusneworleans.org
 Open all of P.3: Tues, Thurs, Sat 10am-2pm
I Am Not Garbage presents Mike Kilgore's new body of mixed media
compositions made with salvaged, discarded, and repurposed materials. By
using these materials the artist seeks to challenge the audience to reconsider
the culture of wastefulness and disposability that contributes to need, greed,
and environmental degradation. Instead, he seeks to demonstrate conversation
and resourcefulness. In this body of works, the artist takes discarded materials
and allows them to be repurposed as part of an artistically relevant work and in
doing so, makes an analogy to the dignity and value of all human beings. This
exhibition will contain original works by the artist as well as those made
collaboratively as part of an outreach project to those which society has
discarded, allowing them to demonstrate their value to the world and document
the process.
IMPERMANENCE 2930 Burgundy St. (504) 231-7875 inkwellpress@gmail.com
http://postmedium.com/floresolution
 Public Installation on view for all of P.3
At the intersection of Burgundy and Press streets by the tracks in the heart of
the Bywater, there is a wall that stands as one of the only updated public murals
in the city. We call it the 9 wall. It has showcased graffiti murals since the early
nineties, and possibly longer. For Prospect.3 the wall will be curated to exhibit a
generational span of artists who have graced it from the past to the present.
The murals will be painted in conjunction with other openings during the
duration of P.3. There will be multiple artists who paint during Prospect and a
time-lapse video capture of their work. The video will illustrate a brief look into
the history of New Orleans graffiti as well as an evolution of style. It will also
shed light on the notion that graffiti is the freest expression of an American art
form that exists. Artists paint not for resale or personal recognition, but purely
for technique and peer appreciation, despite knowing that the artwork is not
permanent and is subject to removal or censorship at any moment. We also
hope to highlight the similarities and differences between what is known as
street art and graffiti. Best of all, this exhibit is free and open to the public, and
will continue to evolve longer after the P.3 event is over.
In Empathy We Trust New Orleans City Hall, 1300 Perdido St. (504) 309-4249
emily@octaviaartgallery.com www.e2empathy.com
 Open all of P.3: Mon-Fri 8am-5pm
New Orleans artists Epaul Julien and Elizabeth Kleinveld (E2) will stage a
photography exhibition at City Hall from October 15, 2014 to January 30, 2015.
The photographs are from a body of work, In Empathy We Trust, that takes
iconic images from paintings, photography, film and literature and remakes
them with a twist. Beginning with Flemish Primitives and spanning almost 600
years of art history, this series of work strives to capture and re-present carefully
selected masterpieces through a new lens, in so doing challenging stereotypes.
Highlights of the series include works based on: van Eyck. Rafael, Velazquez,
Rembrandt, Vermeer, Gainsborough, Fragonard, David, and Manet.
Intimate Immensity Rocheblave and Orleans (917) 848-4762 silviemargot@gmail.com
or kiraperry8@gmail.com www.silviedeutsch.com www.kiraperryakerman.tumblr.com
 Open 10/25-11/25, 7 days, 7-10pm
Intimate Immensity is an installation, an otherworldly landscape. Projections of
stop motion animation will create a fluent, fluid world that brings to life the
history, labor and potential of place, and makes place indistinguishable from
people— the viewers— who are asked just to be themselves. It may be seen as a
sort of prayer: an experience of being together with the environment. Work by
Silvie Deutsch and Kira Akerman.
Jimmy Mac Studios Open House Events 2139 Dauphine St. (504) 301-1614
jimmymacinnola@gmail.com www.jimmymacstudios.com
 Open studio events on 10/25, 11/8, 12/13, and 1/10 from 6-10pm
Open studio featuring recent work and works in progress with artist present
La Oruga y La Mariposa Café Istanbul, 2372 St. Claude Ave. 504-301-7668
wsofilm@gmail.com
 Screening on 11/10, 6-8pm.
Screening and Q&A- Twelve minutes excerpts of a documentary by Afro-Cuban
filmmaker William Sabourin O'Reilly "La Oruga y La Mariposa" (The Caterpillar
and The Butterfly). Using Santiago de Cuba and its vibrant carnival competition
as a dramatic backdrop, La Oruga y La Mariposa exposes the complex realities
of the Cuban underground through the generational conflicts and power
struggles that permeate the island’s most musical city. Documenting the daily
lives of five men devoted to a struggling tradition, the film takes a close look at
the dynamics of power within Cuban society. Focusing on the fierce rivalries
among the Conga Groups, the perennial survival mode in which they prepare for
the annual contest, and the complexity of the state-run competition, the film
takes us into the eventful life of these characters, presenting a stunning portrait
of today’s Cuba. Through the colorful trajectory of some of these men, the film
also explores the historical and cultural connections between Haiti, Santiago de
Cuba and New Orleans.
La Petite Mort 2033 Magazine St. (504) 919-9949 info@besotoro.net
www.besotoro.net
 Open all of P.3: Mon, Wed, Fri-Sun 2-6pm
Group Exhibition featuring work by James Taylor Bonds, Blaine Capone, and M.
Silver Smith.
Le Adoración de MAXIMON Barrister's Gallery, 2331 St. Claude Ave (540) 710-4506
andy.antippas@gmail.com barristersgallery.com
 10/28, one night only event, 6pm-12am
David Ford presents "LA Adoración de MAXIMON", a passion play dedicated to
the patron saint of bad habits, an interdisciplinary civic performance held
annually on October 28th. MAXIMON sits immobilized in an altar receiving
offerings of vice from the community, drawing hundreds yearly to expose their
weaknesses to a stranger in a cross-cultural spiritual setting. Actors create a
framing device for "the saint", blurring the art contact point to activate this
performance. Ford seeks to implicate the viewer in a collective search for
meaning, initiating collaborations with clergy, exotic dancers, second line bands
and Mayan Indians. MAXIMON, highlights the backwards days in the Mayan
calendar and finds a place for dark activities without judgment. Vices and
vocations associated with them are an aspect of the human condition. Through
acknowledging the incongruities that this poses in a socially responsible society
and placing them within devotional parameters the performance alleviates the
ostracization of individuals within such a society.
Linked 2118 St. Claude Ave. (504) 975-2185 sal502@cox.net sallyheller.com
 Public Mural on view for all of P.3.
LINKED, ink jet print mounted to plaster wall, 20 x 60 feet by Sally Heller.
Material donated by FloorSignage, LLC.
MAGDALENA International House Hotel, 221 Camp St. (504) 462-0911
britneyp@ekistics.net whoismagdalena.com
 Open 12/12-1/11, 7 days, 24 hrs (hotel lobby)
No one in the Christian pantheon except Jesus, Mary his mother or perhaps John
the Baptist has inspired artists more than Mary Magdalene. Her themes remain
remarkably vivid today in a global conversation about women, female power,
participation, and sexuality. She is currently at the epicenter of a cultural
movement, and as always, art finds itself at the leading edge, the prism through
which one sees what popular culture believes about a person at particular
moments in time. We know her as Mapia. Maria. Miriam. Mandala. Migdal.
Magdala. Magdalena, Mary of Magdala and Mary Magdalene. But, people are
asking: Who was she? Why was she? Among the most wronged women in
human history. Her identity purposely reshaped. Rewritten and diminished.
Bad girl of the Bible. Christianity's most notorious sinner. Repentant prostitute.
Demon-possessed crazy woman. Her gospel said not to exist. Her truth
suppressed for 2000 years, with roughly 91 generations misled. With recent
relief, her whisper harkening through the ages, dusted digs and clouded pages
of history. Like a tuning fork, they say her truth resonates through a fabricated
storyline. Evidence in Leonardo's tantalizing clues. In Rilke's poems. Pagels'
scholarship. The Gnostic Gospels. The Gospel of Magdala revealed and an
inspirational woman rediscovered. And this view is converts. With it generally
accepted that in deed Magdalena was Jesus' closest confident and trusted
apostle, by far, the most influential among them. Was she this pivotal leader?
His lover? Secret wife? Even some say the mother of their child? Partner in a
shared vocation that shook the world? Join us for the second annual Magdalena
show, a juried art exhibition inviting photographers and mixed media artists to
re-imagine this complex, enigmatic icon. A portion of all art sales will be
donated to KIVA, empowering female entrepreneurs.
Messiahs of Vulgarity- The After Party 225 N. Peters St 4th floor (510) 390-0804
beanblackett@gmail.com
 10/25 one night only event 9:30pm-1am
Bean Blackett and Tokyo Stone will exhibit individual and collaborative works
including paintings, photographs, and video. There will also be a
trap/bounce/r&b DJ.
Mexican Consulate Gallery 901 Convention Center Blvd. Suite 118 (504) 528-3722 ext.
2105 bfloress@sre.gob.mx
 Open 10/2-10/30 and 11/6-11/30 Mon-Fri 9am-5pm.
(10/2-10/30) "Shooting from the hip: Mexico" by Michael Alford.
Michael Alford is a multidisciplinary conceptual artist. His work ranges from
documentary photography to large-scale public sculpture to Land Art. “My work
often explores and challenges the conventional ideas of Art and what can be
used to create it.” Michael spent the first half of his life as a member of the U.S.
Armed Forces Special Operations. He eared his B.F.A. from Baylor University
while on active duty and recently an M.F.A. for Louisiana State University. His
work has been exhibited in several corporate and private collections, both
nationally and internationally.
In his artist statement Michael Alford explains: “On a recent trip to Mexico City, I
decided to take a different approach. In a more conceptual attitude, a plan was
formulated and the project began. The images would be captured in a more
“street/gorilla” fashion. My camera was concealed in a shoulder bag and images
were taken using a remote control. The images were not be manipulated post
process and are presented as such. I did however use different lenses and filters
according to lighting and weather conditions. What you see is what I got. I did
not attempt to take or make a perfect photograph. For this project, I worked
intuitively with the camera yet allowed it to find its own composition. These
images represent a real, raw, and non-manipulated moment in time. It is a
unique flash of life that can’t and won’t ever be replicated. More than 200
images were captured but these are some of my favorites."
(11/6-11/30) "Citizens" by Tony Makhlouf.
MirrorFugue The Historic New Orleans Collection, 410 Chartres St. (504) 481-4713
sharon@nolavie.com
 Open 12/10-12/20, Tues-Sat, 9:30am-4:30pm
MirrorFugue will take place in the Historic New Orleans Collection at 410
Chartres Street in the heart of the French Quarter. MirrorFugue is the creation of
Xiao Xiao, a doctoral student in the MIT Media Lab. It uses a player piano
augmented with life-sized projection that triggers the illusion that a virtual
"reflection" is playing the physically moving keys. The piece will feature
performances recorded by Allen Toussaint, Jon Cleary, Ellis Marsalis and Nick
Sanders in this unique installation for player piano that conjures the presence of
four pianists, each playing his own style of New Orleans music. It will serve as an
opportunity to precipitate a dialogue on the interaction between technology
and the arts within the creative community of New Orleans, building a bridge
between the innovation culture of the MIT MediaLab and the artistic culture of
the artist's hometown.
MotherShip II: Dreaming of a Future Past and MotherShip III: The Station Tulane
University School of Public Health, 1440 Canal St. and 1024 Elysian Fields Ave
(504) 392-4460 dawndedeaux1@aol.com www.dawndedeaux.net and
www.dawndedeaux.com
 Open all of P.3
 MotherShip II (Canal St.): Fri-Sun, 12-5pm. Closed for holidays; 11/27,
11/28, 12/24, 12/25, 12/31 and 1/1.
 MotherShip III (Elysian Fields): Thurs-Sun 2-5pm. Closed for holidays.
MotherShip by Prospect veteran artist Dawn DeDeaux is a composite of art
installations that examine future challenges. Presented are both postulations of
myth and math that foretell a future not dissimilar. The exhibition offers key
focus on the crisis in Louisiana where a football field of land is lost every 35
seconds. Selected works were realized in collaboration with Tulane University
Center of Bioenvironmental Research during her residency at Tulane affiliate A
Studio in the Woods.
New Orleans Community Printshop 1201 Mazant St. (504) 975-1484
communityprintshop@gmail.com www.nolacommunityprintshop.wordpress.com
 Open all of P.3: Tues/Thurs 6-10pm, Sat 10am-2pm and by appointment.
 2nd Saturday opening receptions
“PROSPECT 3-D - Sculptural Prints by The New Orleans Community Printshop”
(10/25-11/29) presents new work by printshop members: Kiernan Dunn, Vanessa
Adams, Sarah Ball, Natalie Woodlock, Pippin Frisbie-Calder, Rachel Speck,
Sophie Radl, Julian Wellisz and Alisha Ray. Pushing the boundaries of traditional
printmaking, this show of new work includes installation, video, relief, and
sculpture from a print origin. Objects made and assembled by hand through
both painstaking and automated methods blur the boundaries between digital
and analogue, printed object and precious artifact, 3-d printing and printing in
more than two dimensions.
“Are We there Yet” (12/13-1/3) approaches to portraiture by Breonne DeDecker,
Colin Roberson, and Meg Turner. - I primarily photograph landscapes impacted
by human development- rural areas encroached upon by industrial
development, urban environments affected by disinvestment, slowly decaying
suburban landscapes designed as a liminal space between these two poles.
These spaces, though seemingly abandoned, are not devoid of people. The
people I encounter may not have constructed these landscapes, but they
depend on these spaces for their livelihoods and sense of identity; Observation
is an intimate act. A momentary glance decides how much, or little, we wish to
know. We construct our audiences through self-definition. Without words, can
we arrive at mutual understanding? As I observe I persistently wonder, "what
truth can be gained from a look?"; Since 2001 I have used vintage photo booths
to capture and reinforce my sense of self when it felt threatened or in doubt.
Presented as 8x10 tintypes, my photo booth group and auto portraits, capture a
self-awareness that encompasses doubt, defiance, cringing awkwardness and a
stumble through adolescence and adulthood.
“What Editions” (1/10-1/25) This show includes the work of three artists in
collaboration with printmakers Julian Wellisz and Cora Lautze. Cora and Julian
work with the artist to develop a series of images and then together decide on
the best processes to use. The processes used include screenprinting, etching,
woodcut and collagraph. The collaboration results in a series of editioned prints
each signed by the artist. Cora and Julian are excited to work with nontraditional printmakers to further explore the limits of printmaking.
P.3+ at the Parlor 3913 St. Claude Ave. (504) 723-6593 klc@karenlouisecrain.com
karenlouisecrain.com
 Open all of P.3: Sat and Sun, 12-5pm.
 2nd Saturday opening receptions
Fine art and local color presented by Oliver Manhattan and Karen Louise Crain.
Group exhibition featuring new work by New Orleans artists Oliver Manhattan,
Alex Podesta, Laurel Porcari, and Epaul Julien
PAPER/WEIGHT Chateau Curioso, 641 Caffin Ave. (718) 757-8119
msmaria@earthlink.net www.chateaucurioso.com
 Open all of P.3: Fri and Sat 12pm-4pm
PAPER/WEIGHT will be a three-person exhibit of artists who are using the
materiality of paper and its printed surface to create works that belie the
thinness and fragility of its construction. The three artists, Stacy Greene, Jill
Stoll and Maria Levitsky, all have backgrounds in photography. This exhibit will
present work that is extending the medium of photography to include found
printed matter, handmade paper, hand and computer-assisted laser cutting as
well as traditional photographic prints. Stacy Greene has developed an ongoing
series of city portraits using collected ephemera and her own original images
from worldwide travels. Entitled "Searching for Pierre Loti", the series is an
elegant collection of collage-based pieces anchored by the circular mandala
shape. The work references pop and op art, mid-century design and 1960s
advertisements, with echoes of the Bauhaus and Yayoi Kusama, yet exude a
unique handmade esthetic while creating intimate evocations of place and
circumstance. This series has been featured a number of times at the DieuDonne annual hand made paper show fundraiser in New York. Jill Stoll's artful
handmade mail-art postcards are available through a subscription-only process,
and are fabricated out of recycled photographic prints, found magazine imagery
and laser-cut paper shapes with over-lays of hand-typed text, all beautifully
packaged in a vintage paper envelope. The edges interrupt the cutouts, with
polka dot excerpts of vintage silver gelatin prints containing miniature slices of
landscapes, like quotations from lines of poetry. The pieces are displayed in
hanging grids of transparent pockets, making both sides visible. The work is
both intimate and universal, small enough to hold yet reaching as far as the post
office will reach. Maria Levitsky's black and white photo collages are reimagined architectural fantasies made from photographs of buildings in
transitional states, which are then cut out by hand and built newly out of paper.
The re-configured architectural images began as a reaction to the shifting
landscape of the New Orleans built environment after Katrina and the artist's
observations of ubiquitous demolition and reconstruction in the city. The exhibit
will take place in the newly renovated Chateau Curioso in the Holy Cross
neighborhood of the 9th ward of New Orleans. During the length of the exhibit
there will be three community events related to the show- a collage workshop, a
mail art presentation and a photography workshop.
PARSE 134 Carondelet St. (262) 60-PARSE parsegallery@gmail.com
www.parsenola.com
 10/21 6:30pm visiting curator Geir Haraldseth Lecture at Loyola
University, Miller 114
 Late November/early December TBD
The launch of a new initiative that will operate in tandem with PARSE
called niños malos on the third floor of the space at 134 Carondelet
Street. niños malos supports experimental sound, music, theater, dance,
performance, video, film, and fashion. Veronica Hunsinger-Loe and Nat
Kusinitz of Skin Horse Theater will present a new experiential work
through this program. They will present a series of performances that
utilizes the third floor of PARSE and the surrounding area to investigate
the possibility of applying the Dadaist "readymade" format to theater.
Passing It On: Tribute to John T. Scott The McKenna Museum, 2003 Carondelet St.
(504) 586-7432 jwilliams@themckennamuseum.com
http://www.themckennamuseum.com/
 Open all of P.3: Wed-Sun 11am-4pm
John T. Scott adopted the phrase “Pass it On” as an affirmation and a personal
duty to extend knowledge, wisdom and passion for the process of creating art to
everyone that knew him. In Mr. Scott's 40 plus years as a professor at Xavier
University in New Orleans, he was able to live this ideal through countless young
people in New Orleans, many of which are still practicing art today. Artists in
this exhibition have experienced John Scott as a teacher, mentor, father figure
and friend. This exhibition examines a personal approach to John T. Scott’s life’s
work featuring rarely seen pieces in his home and personal collection, including
John T. Scott’s first painting of a dog completed circa 1954, a silver point
drawing of his wife Anna Rita Scott and several other works from different
periods of his career including a few of his sketch books. This exhibition
attempts to illustrate Scott's work through several different mediums,
accompanied by the work of artists whom he directly influenced as teacher,
colleague, and friend. Curated by N.O.N. Gallery: Ayo Scott, Carl Joe Williams,
and Gian Smith. Featuring work by John T Scott, Ron Bechet, Lin Emery, Carl
Joe Williams, Martin Payton, Ayo Scott, Augustus Jenkins, David Geary, Steve
Prince, Cecilia Givens, Irving Johnson III, and Jeffrey Cook.
Peep This! L9, 539 Caffin St. (504) 941-5159 L9arts@gmail.com L9artcenter.org
 Open all of P.3, Wed-Sun 11am-5pm
Peep This! is a group exhibition of contemporary multidisciplinary artists who
represent the current state of the art in African American culture. The title Peep
This! is a colloquialism that invites viewers to actively look at and engage with
investigations of beauty, self-representation, power, and history. These
accomplished artists, whose works encompass photography, performance,
painting, textile art, sculpture, installation, and graphic design, are a
multigenerational group whose work has been exhibited and published locally
and internationally. The Peep This! artists are: Keith Calhoun, Chandra
McCormick, Maurice M. Martinez, Marilyn Nance, Martin Payton, Rafia Santana,
Vitus Shell, and Deborah Willis. A panel discussion featuring a group of the
participating artists and moderated by curator Carla Williams will provide a
candid, lively discussion on self-representation, technology, and new media in
contemporary creative practice. Date and time TBD.
Press Street's Antenna Gallery 3718 St. Claude Ave. (504) 298-3161 info@pressstreet.org, www.press-street.org
 Open all of P.3: Tues-Sun, 12-5pm- weekdays call ahead.
“Buick on Fire” (10/11-11/2) is a group show featuring work created by the
members of Press Street's Antenna Collective- Amanda Cassingham-Bardwell,
Angel Perdomo, Angela Driscoll, Ashley Teamer, Ben Fox McCord, Bob Snead,
Bottletree, Brad Benischek, Carl Joe Williams Courtney Egan, Ernest Littles,
Gretchen Faust, James Goedert, Laura Gipson, Natalie McLaurin, Robin Levy,
Shawn Hall, and Susan Gisleson- that focuses on the idea of tributes and
memorials.
“Nocturnal Emissions” (11/8-12/7) highlights the work of New Orleans artist Brad
Benischek. Benischeck will create apocalyptic paintings on paper.
“Team Draw Activate!” (12/13-1/4) An exhibition focused on collaborative
projects that center on drawing. These projects include drawings that have
traveled around the country being embellished by a variety of artists, a joint
video installation, large-scale exquisite corpses, and some mixed-media
sculpture. Artists include Collen Dubose, Craig Branum, Ben Fox-McCord,
Caesar Meadows, Issac Lyons, Jane Cassidy, Dan Alley, Caleb Henderson,
Patrick Coll, and Devin Reynolds
"Welcome to My Homepage!"(1/10-1/28) Curated by Amanda CassinghamBardwell, will be inspired by animated GIF, MIDI and ASCII text art that adorned
personal webpages on the 1990's and early 2000's.
Public Practice The Embassy, 1342 Franklin Ave. (347) 784-5226
info@neworleansairlift.org www.neworleansairlift.org
 10/25, 3-5pm
New Orleans Airlift presents a one-night curated performance of New Orleans
ceremonial practices entitled Public Practice. This project takes place along
Franklin Avenue, the fractious border between the 8th and 9th wards. Public
Practice seeks to counter prevalent representations of crime-ridden
neighborhoods. This unfolding performance highlights community practices
where pride, caring and nurturing weave through the daily displays of vernacular
creativity. Centered around Ace’s Car Wash & Sweet Shop, Public Practice is the
opening ceremony for partner project The Embassy, an historic gun buyback
program organized by The Museum of Old and New Art, (Hobart, Tasmania), in
collaboration with the New Orleans Jefferson Parish Gun Buy Back Committee.
Public Practice explores the dual nature of the notion of practice in the context
of a city where Mardi Gras/Black Indian practices, and other forms of
contemporary vernacular and all out experimental artistic and performance
practices, rival for daily visibility. Artists and community participants have
worked with organizers to self-direct their roles within the choreographed
unfolding of Public Practice. Maroon Queen Cherice Harrison-Nelson’s
delegation of black Carnival Queens shifts masculine paradigms and advances
women’s voices within sacred traditions. The 504 Boys Horse Club, with an array
of exotic animal walkers and dove bearers display idiosyncratic style and
empathy in their relationships to their fellow creatures. City rappers, female
motorbike riders Caramel Curves and a juvenile bicycle club assert freedom of
expression and forms of mobility. Deborah Luster’s Passion Play photographs
that depict inmates from Angola Penitentiary will be displayed publically for the
first time ever on the outside of the Abiding Temple Ministries. These works
combine to complicate notions of repentance, transformation and redemption.
Unprecedented and potentially polemical, Public Practice seeks to reveal
uncomfortable truths and foster uncommon associations stemming from coping
mechanisms that constantly shift the boundaries of accepted representations
within this most indomitable and unfathomable city. Public Practice is
organized under the artistic direction of Delaney Martin and Claire Tancons for
New Orleans Airlift as a partner project of The Embassy, conceived by Kirsha
Kaechele for The Museum of Old and New Art.
Reckon Liberty Lumber Yard, 5385 Tchoupitoulas (504) 899-6341 jyniven@gmail.com
www.jackniven.com
 Mural on view for all of P.3.
Reckon, a mural by artist Jack Niven installed at Liberty Lumber, investigates a
type of calculation- an attempt to assess spatial relationships but without
summation or judgment. A moment containing multiple points of view. The 8'
x 24' mural has plywood build outs across the surface and a geometrically
patterned background employing public advertising signage motifs. It is
overlapped with an aggregation of circular figures, Panoptic Vortexes:
mnemonic devices, which combine allusions to the atom, our solar system, and
eyeballs.
REPARATION: Contemporary Artists from New Orleans NOMA, 1 Collins Diboll
Circle (504) 658-4100 www.noma.org
 Open all of P.3: Tues- Thurs 10-6pm, Fri 10-9pm, Sat and Sun 11-5pm.
REPARATION: Contemporary Artists from New Orleans is an exhibition of 191
works by 186 New Orleans artists, young and old, and is part of a larger project
which is less than 10 years old–Luciano Benetton’s Imago Mundi collection.
Curated by Diego Cortez, hundreds of New Orleans artists were invited to create
works utilizing the same format–a 4 x 4 3/4” canvas. These new works will join
the larger Imago Mundi collection of tens of thousands of international
artists. Imago Mundi embodies a visual tapestry of the human artistic condition.
It focuses on the society as opposed to the individual artist or art star. It rejects
the notion of a universal theory of art in order to embrace a more open theory of
art predicated on diversities of expression. In REPARATION, we partake visual
equations of our whole genetic being, illustrations of a bio-diversity, variations
on a single theme–that of humanity. Instead of constructing a collective
exhibition in search of common themes, common practices, similarities, trends,
movements–consensus and aesthetic harmony, we can also take an opposite
approach and emphasize disparity, dissent, rebellion, diversity, even politicallyincorrect stances. REPARATION breaks with the Imago Mundi practice to focus
on national cultural identities to instead investigate the cultural identity of a
city–New Orleans.
Shotgun Cinema at the Marigny Opera House 725 St Ferdinand St. (504) 408-2032,
shotguncinema@gmail.com, shotguncinema.org
 11/12 and 12/3, 7p (doors at 6)
Monthly screenings of new independent and repertory films programmed and
presented by Shotgun Cinema. Titles TBD
Show and Tell at Gallery Inferno- 6601 St Claude Ave. (504) 945-1878,
mail@studioinferno.com.
 Open all of P.3: Mon-Sat 10am-4pm, 2nd Sat hours 10am-8pm.
 Opening of Arti(fiction) 1/8
Show and Tell is a group exhibition of mixed media, glass, metal, screen prints,
woodcuts, and paintings from artists Mitchell Gaudet, Mary Jane Parker, Gary
Oaks, Karen Edmunds, Erica Larkin, and JoLean Laborde. Artists' Lectures: 11/6
at 7:30pm- Mitchell Gaudet and Erica Larkin Gaudet 11/20 at 7:30pm- JoLean
Laborde and Karen Edmunds 12/11 at 7:30pm- Mary Jane Parker and Gary Oaks
1/8- Opening Reception of Arti(fiction), and exhibition focusing on the 200th
anniversary of the Battle of New Orleans.
Space Rites presented by New Orleans Airlift at CANO’s Below Canal Creative Space,
St. Maurice Church, 605 St. Maurice Ave. (347) 784-5226
delaney@neworleansairlift.org www.neworleansairlift.org
 Open all of P.3: Fri-Sun 12pm-5pm.
 Events on 10/26, 11/22, 12/13, 1/7, 7pm
New Orleans Airlift presents Space Rites an interactive installation and
performance series at the deconsecrated St. Maurice Church in the Lower 9th
Ward as part of “Below Canal”: CANO Creative Spaces. Footsteps, voices and
specially conceived performances will use the natural acoustics of the space to
see sound. New Orleans artist Taylor Lee Shepherd’s ingeniously rewired
televisions act as oscilloscopes, creating responsive and diverse, light-filled
visualizations of sound in the nave of the old church. An inaugural musical
performance at 7pm on Sunday, October 26th brings the installation to life by
uniting choirs from the Lower 9th Ward and beyond for a ceremonial
performance experience. Earlier in the day, hear and see the booming voice of
Reverend Duplessis, of Mt. Nebo Bible Baptist Church. As part of Airlift’s
programming, the Reverend will conduct his services on select Sundays
throughout the run of the project. His congregation continues rebuilding their
church nearly ten years after the storm. More interactive performances occur
monthly on Nov. 22nd, December 13th and January 7th in collaboration with
guest musical curators like experimental guitarist Rob Cambre. Japanese
percussionist Tatsuya Nakatani performs his participatory gong orchestra with
local Lower 9th ward residents and musicians in November. Please continue to
check Airlift’s website for all performance and community activity details.
Staple Goods 1340 St Roch Ave. (504) 908-7331 staplegoodsnola@gmail.com
postmedium.org/staplegoods
 Open all of P.3: Sat and Sun, 12-5pm.
 2nd Saturday openings
Check Out (10/11-11/2) The Staple Goods collective, located in a former corner
grocery store, purveys an eclectic array of members’ mixed media works.
Katrina Andry, Thomasine Bartlett, Elizabeth Chen, Aaron Collier, Robyn Denny,
William DePauw, Anne Nelson, Jack Niven, Laura Richens, and Cynthia Scott.
"Suspension of Disbelief" (11/8-12/7) Urban spelunking in a stalactite-studded
cave questions human's interference with the planet- and each other. Work by
Cynthia Scott.
"Brothers x 2." (12/13-1/4) Two sets of brothers expand the dialogue on
form/function/aesthetics. Abe and Andrew Geasland (SOS Design), metal.
Clutch and Don Sims, wood.
"YYNN" (1/10-2/8) YYNN is uncertain. It lacks conclusions. It is not celebratory.
Materials are chosen for their ambiguous or impermanent properties and
building techniques are generic, simple, and lack mystery. Work by Elizabeth
Chen
TEN Gallery 4432 Magazine St. (504) 214-3589 tengallery@gmail.com
tengallerynola.com
 Open all of P.3: Sat and Sun, 12-5 and by appointment.
 Openings 11/1, 12/6, 1/3, 6-9pm
10/25-11/30: “New Works” by Matthew Kirscht and Kathy Rodriguez; "Where
You Stay At?" presents a range of artists that each hold a relationship with the
Southern region, a place full of triumphs and absurdities. This exhibit, curated
by Jonathan Mayers, features thoughtful works which draw upon the idea of
existing and engaging in this environment, an extension from Franklin Sirmans’
curatorial theme of Prospect.3, which references Southern Existentialism, but
focuses more specifically on southern Louisiana. Works in the exhibit include
installation, sculpture, ceramics, printmaking, painting, collage, and
photography. The artists curated into the exhibit are Simon Alleman, Carrie Ann
Baade, Silas Breaux, Sarah House, Kelli Scott Kelly, Austyn-marie Mayers, Herb
Roe, and Michael Williams.
12/6-12/28: "Down the Hatch" a two-person exhibition by Wendell Brunious and
Angel Perdomo, who synthesize pop culture using super flat painting, electric
color and formal exploration. Also on view, "New Works by Jono Goodman"
1/3-1/31: "LOUISIANACORE" This newest series by Jonathan Mayers reveals
comically charged works that draw from the artist’s exploration into his Cajun
ancestry, its folklore, his imagination, and the comparable Kaiju from the ever
popular Godzilla series. LOUISIANACORE will feature painting and installation
by the artist. "Study", Recent works on paper by Natalie Sciortino Rinehart. This
exhibit focuses on the relationship between drawing and painting while
exploring themes of surreality and maternity.
Terratour Dancing Grounds, 3705 St. Claude Ave. (504) 535-5791
nolaflyladies@gmail.com www.dancinggrounds.org
 Open all of P.3: Mon-Fri 6-9pm, Sat 9am-3pm.
The New Orleans Society of Fly Ladies and Dancing Grounds present a
collaborative, interactive public art installation that weaves together sculpture,
painting, and movement to build a community space for healing, discovery, and
collective problem solving. The installation is comprised of a series of large
stackable building blocks. The environment will be designed cohesively, and
each block will also carry its own aesthetic. New Orleans Society of Fly Ladies’
artists will craft the interior spaces, moments of assemblage and small sacred
altars within the blocks. Combining several artists’ work, with different but
complementary aesthetics, the installation builds strength through diversity.
The blocks, which can be moved and rearranged, will serve as elements of an
evolving landscape in a series of performances. Choreographers will create sitespecific movement that interacts and communicates with the physical
architecture. This mobility will generate a variety of dimensions and outcomes
for the installation. From afar, the installation can be seen as a large-scale
sculptural monument. Viewers can observe the blocks individually with the help
of ladders, stools, or staircases. The audience is invited to participate by moving
the blocks themselves, using their own movement to affect the space. The
physical act of rearranging individual blocks to create new outcomes will
encourage creative problem-solving and spatial innovation. These themes
reflect the continuing social and physical development of New Orleans. The
installation will be located in the heart of the St. Claude Arts District, at the
Pocket Park on the corner of St. Claude Avenue and Independence Street.
Elements of the installation will also be displayed across the street at Dancing
Grounds (3705 Saint Claude Avenue NOLA 70117). The core participants in this
project are New Orleans-based artists: Monica Kelly, Anna Quinn, Caitlin
Waugh, Kate Hanrahan, Eric Lind, Laura Stein and Dancing Grounds performers.
Additional visual artists, dancers, and musicians will be invited to participate.
The piece will be accessible to viewers for the duration of Prospect 3, with sitespecific performances staged for the opening and closing events, Second
Saturdays and Fringe Festival. The New Orleans Society of Fly Ladies is a
network of fierce female entrepreneurs, largely focused on the arts and cultural
philanthropy. They collaboratively produce events to promote the work of local
artists and raise funds for non-profit organizations. Dancing Grounds is a
nonprofit community arts organization that provides high-quality, accessible
dance education and performance by supporting a diverse community of dance
students, teachers, artists and audiences.
The Art House on the Levee 4725 Dauphine St. (917) 232-9034 rtannen@cox.net
www.robertctannen.com
 Open All of P.3 Fri-Sat, 11-4pm
The Art House on the Levee in the Lower 9th Ward is the studio of Robert C.
Tannen. The Art House consists of interior and exterior spaces at the foot of the
levee on the Mississippi river for exhibits, performances, community meetings
and special events. The Art House includes the work of Robert. C. Tannen, the
work of the Lower 9th Ward Vision Coalition, and an exhibit of work of Tannen
and Rob Lempert, “The Cone of Uncertainty” that explores the profound
uncertainty surrounding the impact of global warming and other environmental
factors submerging the marshes of Louisiana, and documenting alternative
environmental scenarios for New Orleans during the next 100, 200, and 300
years. The L9VC organized a planning process with assistance from the Tulane
University City Center to generate alternative uses for the former Holy Cross
School site and plans to work on land use issues in the Lower 9th Ward going
forward.
The Chapel of the Almighty Dollar 3919 St. Claude Ave (504) 522-5471
info@jonathanferraragallery.com www.jonathanferraragallery.com
 Open all of P.3 Wed-Sun, 11am-4pm and by appointment
Money is the frontline of any topic for consideration for any administration
including religious type chapels. The difference here is that the purpose is not to
brainstorm on how to make more money, but the considerations are on its
affect on society: social status, how its distributed, its effectiveness as a
structure, dependency, relationship to success, etc. The structure of the chapel
is based on the pyramid on the back of a one-dollar bill but with the peak
missing. At the top of the structure there will be a statue dedicated to monetary
pursuits. A reliquary that holding an actual folded bill reveals the message The
Almighty Dollar. Filling the walls and encompassing the viewer there are largescale wheat pasted folded bill messages of The Almighty Dollar in the center,
The Root Of All Evil on the left, and Pursuit of Happiness on the right. An
original music score sampling a Gregorian chant referencing the end times, an
African drum beat aimed at conjuring spirits of prosperity, and sounds of coins
being poured down a tin roof plays throughout the chapel. In all I want to
create a place to seriously reflect the associations of wealth and money on
several levels. Sculpture by Dan Tague.
The Embassy Ace's Car Wash and Sweet Shop, 1342 Franklin Ave. 1-855-GUN-BANK
info@cash4guns.org www.cash4guns.org
 Open 10/25-11/21 Tues-Sat 11-6pm.
People die young in New Orleans, caught in a tragic cycle of honor and revenge.
At funerals pastors scream, “The killin’ has got to end!”
Cash 4 Guns! Ace’s 8th Ward Car Wash & Sweet Shop is transformed into a
neighborhood amnesty zone to host a gun buyback and recording studio.
Imperceptible to the passerby, The Embassy is discovered through a 1-800
number, radio ads and billboards throughout the city, all works created by guest
artists. The Embassy is also home to Gun Metal Records, a recording studio
where local rap and bounce celebrities collaborate with neighborhood youth on
an album denouncing further bloodshed. Sounds sampled from the breaking of
guns by blacksmith’s anvil feature in its beats. The opening ceremony is
presided over by local reverends with Public Practice by Delaney Martin and
Claire Tancons for New Orleans Airlift, a choreographed ceremony celebrating
New Orleans’ passionate vernacular creativity. The evening progresses into a
mélange of mothers and rappers, youth and lavender, cars and hot plates,
dancers and libations of style, soul and celebration.
NBA + NFL Partners (On Billboards): Elfrid Payton Jr – Magic, Keenan Lewis,
New Orleans Saints, Randy Livingston, President of LivOn Basketball.
Most of what we call crime is, from the point of view of the perpetrator, the
pursuit of justice. Most homicides are really instances of capital punishment,
with a private citizen as judge, jury and executioner. –Steven Pinker.
Gun Metal Records Musicians: Mr Serv On, Sess 4-5, DJ KLC (No Limit Records),
Hot Boy Ronald, Ace.
A Project by Kirsha Kaechele for Museum of Old and New Art (MONA), in
partnership with Randy Livingston of LiveOn Basketball, featuring work by
artists: Tora Lopez, Lisa Lozano, Meghan Boody, Randy Polumbo, Ben Beams,
Benjamin Hancock.
Gun Purchase Performed By: Reverend Norwood Thompson, New Orleans and
Jefferson Parish Gun Buy Back Committee, New Orleans Police Department.
The Eumenides UNO Campus Fine Art Gallery, 2000 Lakeshore Dr.
lala.rascic@gmail.com
 Open 11/3-12/3, M-F, 8:30am-4pm.
The Eumenides is a solo exhibition of Lala Rascic's new work based on J.P.
Sartre's drama, The Flies. The project focuses on Act III of the play, in which the
Furies, ancient goddesses of revenge torment Electra and Orestes, and on the
base premise of play: Humanity is Free. The exhibition will feature new videos
and an improvised stage set where visitors are invited to participate in
experimental readings of the play, interact with the set design, and use the
exhibition furniture.
The Front 4100 St Claude Ave. (305) 898-8630, nolafront@gmail.com nolafront.org
 Open all of P.3: Sat and Sun, 12-5pm and by appointment.
 2nd Sat openings 6-9pm
The Front, an artist-run collective and not-for-profit gallery, fosters the
development of contemporary art in the city of New Orleans through innovative
exhibitions, lectures, screenings, performances, and other arts programming, all
of which are free and open to the public. Founded by artists in 2008 amidst the
post-Katrina resurgence of New Orleans and committed to a spirit of grassroots
DIY determinism, The Front cultivates new and experimental work, in particular
from emerging artists, but also from nationally and internationally known
artists. During the months of Prospect.3, The Front will exhibit a variety of
group shows including an exhibition featuring the works of all 18 members:
Angela Berry, Kyle Bravo, H. Cole Wiley, Lee Deigaard, Imen Djouini, Morgana
King, Edna Lanieri, Cristina Molina, Stephanie Patton, Brooke Pickett, Alex
Podesta, Claire Rau, Megan Roniger, Jamie Solock, Jonathan Traviesa, Jessie
Vogel, John Isiah Walton, and Ryn Wilson. In November The Front will host a
group show in collaboration with Photo NOLA and will feature the work of Lee
Deigaard, Edna Lanieri, Jonathan Traviesa, and Ryn Wilson. In December the
exhibition program will focus on three solo shows by artist members Edna
Lanieri, Cristina Molina, and Jessie Vogel. For January's exhibition The Front's
collective exchange program will present Mass Art Gallery from Austin, Texas.
The Goddess Revisited, Willendorf to Trucker Mudflaps Mural on view at 826 Gravier
St. (504) 427-9746 angaries7@gmail.com.
 On view for all of P.3,
 Opening Night 10/25 7pm; Unveiling with performance, readings, music
& video. All collaborators will be in attendance. Incantation and
chanting by Sallie Ann Glassman & La Source Ancienne Ounfo and Sula
Spirit & Zion Trinity among other surprise guests.
Myths and stories of Goddesses are abundant and compelling. This
monumental mixed media mural will weave the ancients; Aphrodite, Artemis,
Athena, Eve, Isis, Mary and Willendorf with contemporary Goddesses; Lady
GaGa, Madonna, Angelina, Marilyn, Barbie and trucker mud flaps. Mythology,
symbolism, lore and exploitation, the evolutionary Divine Feminine path and the
Goddess within will capture the imagination of the viewer. Steel, plastic, glass,
rope, chain, silk, sisal, vessels, canvas, paint, stone, wood, language, film and
music will illustrate a transformational and enlightened image of the Goddess.
An ever-morphing amalgam of energy, imagination and spirit will be the
collective creative force driving this heroic and ambitious installation. Artists:
Angela King- Project Creator, Artistic Director, Diana Souza - Goddess Illustrator
and Conceptual Collaborator, Elizabeth Conway - Writer and Artistic
Collaborator, Sus Corez- Composer, Musician, Audio Artist, Janet Walker BausFilmmaker, Elena Reeves-Walker - Designer, Katrina Andry - Illustrator,
Elizabeth Eckman - Fiber Artist, Carolina Gallop - Textile Artist, Steph Smith Documentarian/ Cinematographer, Project Assistants- Julie Jacobs, Nancy
Gonsalves, Kaiya McCormick, Tiffany Salter, Sallie Ann Glassman & La Source
Ancienne Ounfo - Incantation, Sula Spirit and Zion Trinity -Incantation
The Lowndes County Idea / Deltaworkers Resident Artist Performance Program
Chateau Curioso, 641 Caffin Ave. info@deltaworkers.org www.deltaworkers.org
Events and programming TBD
The Nature of Now 3308 Magazine Street (415) 987-6148 thenatureofnow@gmail.com
 Open all P.3, Sat 10am-2pm and by appointment
The Nature of Now is a group exhibition, curated by Pamala Bishop. The
collection of works serve as new tapestry; a multi-sensory experience of
aesthetic thread woven together to create a lyrical story. Suspended between
dissonant philosophical viewpoints, the show is a labyrinthian journey focused
on the impasse of nature and man. The Nature of Now is a conversation with the
environment; a dialogue that purposefully seeks to confound the authority of
human thought. Each of the artists uses land and organic materials as partialmedium, positing a non-anthropomorphic viewpoint for self-inquiry and to
prompt reevaluation of our own ecological stewardship within the natural
environment. The show seeks to unhinge the rationality of the anthropologist
and assimilate into such thought the wild chaos inherent to nature. The work
probes at-risk culture and ecology, specifically that of Louisiana in connection to
its own nativity, touching thematically on literary concepts such as
eucatastrophe and dues ex machina. By examining the systemic order of nature
and interpreting the implications of human modification, the work becomes a
platform for discussing sustainable development and the threat it poses to a
disappearing land. Featuring work by artists Angel Chen, Anne Senstad, Shana
Robbins, Brandon Ballengee Performing Artists: Ellery Burton, Nicole Gruter,
Alberto Roman, Marion Spencer, and Genevieve Belleveau.
The Poydras Corridor Sculpture Exhibition presented by the Helis Foundation 1001700 Poydras St. (361) 441-6527 info@sculptureforneworleans.org
www.sculptureforneworleans.org
 Public sculptures on view for all of P.3
Sculpture for New Orleans began shortly after Hurricane Katrina with the
mission of lifting the spirits of the people of New Orleans through public art and
to provide local and regional artists the opportunity to show in a public venue. In
partnership with the Ogden Museum of Southern Art and The City of New
Orleans Department of Parys and Parkways, the Poydras Corridor Sculpture
Exhibition was launched in January 2013. The project is generously
underwritten by The Diana Helis Henry and The Adrienne Helis Malvin Art Funds
of The Helis Foundation. 16 sculpture have been installed on Poydras Street
since 2013: John Henry, "Zach's Tower" Russell Whiting, "Man Defeats Chair" Ed
Wilson, "Nethership", Jason Kimes, "Before" Jason Kimes, "At Rest" Enrique
Alferez, "Gymnast" James Surls, "Vase with Flowers" David Borgerding,
"Sassakasoon" Welsey Wofford, "Reawakening" Mia Kaplan, "Swamp Flower"
Carlo Borer, "Number 386" Martin Payton, "Savoy" Rrica Larkin Gaudet,
"Enchanting" Grendels's Mother (Trisha Kyner and David Friedheim), "PINK
RABBIT" Chakaia Booker "Foci" Mark Di Suvery, "Stairway to the Stars"
Treo 3835 Tulane Ave. (504) 304-4878 paulinepatterson@ymail.com
www.treonola.com
 Open all of P.3: Daily, 11:30am-12am
(10/25-11/20) "Vir Heroicus Sublimis" with work by Dan Tague, Bill McKenna,
and Heathcliffe Hailey. "Rta Bound" by John Isiah Walton. "Synesthesia" by Carl
Joe Williams: Music and visual art will always be linked together. Sound and
Vision are how we perceive the world around us. Even as infants we learn to
connect and associate distinctive sounds, such as voices, sounds from toys etc.
We do all of this before we understand the meaning of words, written or spoken.
In the human experience sound always precedes language. Language leads to
our conscious and cognitive understanding of our visual world. Visual art reveals
the importance of language, for instance ‘a picture is worth a thousand words”
becomes a truism for the sounds that are associated with the visual. All
throughout our history artists have explored the relationship between sound
and vision. Some artists create from music through the process of working to
music in there studios. Some artists explore the musical structure to create
visual interpretations of musical ideas and concepts. Some artists create original
music and incorporate it into art practice. Synesthesia is an attempt to explore
that process through the work of four Louisiana artists who work with or from
music.
(11/25-12/20) joint show, "Insitu" and "Elan Vitale" by Charlie Hoffacker and
Karen Ocker. Also on view will be "My New Orleans Neighborhood; a collection
of Photography".
(12/25-1/25) husband and wife artists Chicory Mules and Malcolm McClay's show
"Draught". Also on view will be "Waxing Lyrical"
Tulane Contemporary.3 Carroll Gallery, Woldenberg Art Center, Tulane University
(504) 314-2228 LRichens@tulane.edu carrollgallery.tulane.edu.
 Open all of P.3: Mon-Fri, 9am-4pm
Group Exhibition of tenured and tenure track faculty of the Newcomb Art
Department of Tulane University; Teresa A. Cole, AnnieLaurie Erickson, Ronna S
Harris, Jeremy Jernegan, Kevin H. Jones, and Gene Koss.
United Bakery Gallery and Annexes 1325-1337 St. Bernard Ave. (504) 495-6863
benaleshire@gmail.com
 Open all P.3: Gallery- Sat and Sun 1-5pm: Annexes-Sat and Sun, 12-6pm
 Record parties 11/4, 12/9, 1/6 7pm-11pm
 Poetry Speakeasy 11/8 7-9pm
 Book and Bake Holiday Print Sale 12/13 and 12/14 1-5pm
 Closing Reception 1/24 and 1/25 1-7pm
United Bakery Gallery- "The Stars Are Just Like Us: Portraits and Prints by
Natalie Woodlock, Kate Kibby, and Ben Aleshire". Bakery Annex "A Rising Tide
Lifts All Boats" group exhibition. 1337 St Bernard- "On Backs: What Have We
Built?" solo exhibition by Tamar Taylor
Urban Sidewalk/Installation Space 441 Gravier St. (504) 251-4968
info@thevestigeproject.org www.thevestigesproject.org/web/trinitas and
www.bureauofchange.org.
 Open all of P.3: 7 days, 24 hours
Urban Sidewalk/Installation Space (US/IS) is a hub to explore the purposeful and
industrious undertakings of the New Orleans creative community engaged in art
as a social practice. Conceived as a transdisciplinary center for growing ideas,
US/IS is a collective space for the narration of principle and inspiration.
Exhibitions on view:
VESTIGES/trinitas brings together displaced New Orleans artists with members
of their former community in a large-scale, wetlands-inspired wall installation
configured by artists Jan Gilbert and Debra Howell of New Orleans-based The
VESTIGES Project. Begun in 2011 to mark the sixth anniversary of the PostKatrina flood and the first anniversary of the BP oil spill, VESTIGES/trinitas is
about coming to terms with what’s been lost on a personal and regional scale,
possibly forever. Gilbert, Howell and the contributing artists embrace the slow
fading effect they expect sunlight exposure at the site will have on their
collective work, which will exhibit indefinitely at US/IS.
BUREAU of CHANGE is an entity of artists that engages non-artists to
reimagine institutional function and philosophy. BUREAU produces projects
that acknowledge the transformative power of creative, collaborative
communication in our networked global society, as well the vitality of
personalized interventions. The exhibition BUREAU of CHANGE: Social
Services presents a new interactive work by BUREAU founder Margot Herster
that reframes internet-sourced imagery of current affairs and reflects rifts
between what we are shown and what we see.
A third exhibition presents assemblages by Jimmy Descant from his series The
Shape of Louisiana Commenting on the Shape of Louisiana, first presented at the
Ogden Museum of Southern Art, with recent sculptural works by New Orleans
artist Ross Lunz. Each in his own way, Descant and Lunz transform objects and
materials they collect as detritus of commercial society to form meticulously
crafted statements on social, technological and environmental conflicts that are
simultaneously intensely particular to Southeast Louisiana and pervasively
American.
Artists: Monica Koechli Arpin, Jacques Arpin, Alex Baker, Dave Baker, Jacqueline
Bishop, Barbara Brainard, Pearl Clarkm, Andrei Codrescu, Dylan Cruz, Luis CruzAzaceta, Jimmy Descant, Lee Deigaard, Karen Oser Edmunds, Michael Fedor,
Alan Gerson, Jan Gilbert, Brandon Graving, Maggie Hadleigh-West, Shawn Hall,
Rachel Harris-Beck, Margot Herster, Debra Howell, Elizabeth Howie, Sharon
Jacques, Krista Jurisich, Lori A. Kent, Elizabeth Kleinveld, Mari Kornhauser,
Crystal Kile, Frahn Koerner, Susan Loeb, Ross Lunz, Kevin J. McCaffrey, Page
Moran, Darlene Olivo, Mary Jane Parker, Mary Perrin, Francine Prevost, Kathy
Randels, Rontherin Ratliff, Laura Richens, Ama Rogan, Ben Schenk, Cynthia
Scott, Caroline Senter, Mary Sherman, Maxx Sizeler, Jamuna Yvette Sirker,
Susan Svendsen, Jan Villarrubia, Michele White, Nancy E. Wyllie, Alexis Wreden
With Light, With Love The Tigermen Den, 3113 Royal St. (917) 414-3985
contact@thetigermenden.com www.thetigermenden.com
 Open all of P.3: Saturdays 1-5pm
The Tigermen Den is a former corner store built in the 1830's, recently
historically restored and converted to a Community Art & Performance Space.
The building sits as an art piece in itself, representing the workmanship of New
Orleans past. The Artists in this show represent a vibrant and talented selection
of the present day and future of the New Orleans creative arts community.
10/23-12/6 Work by Veronica Cross, Caroline Yes, Lindsay Abromaitis-Smith,
Gretchen Faust
10/13-1/25: outdoor installation by Lee Kyle, Marcella Singleton, and Joy
Patterson
12/13-1/25: Work by Nina Nichols, Jade Brandt, Shawn Hall, Myrna L.
Enamorado, Joy Patterson, and Magda Boreysza.