Dickinson 1 Ashton Dickinson Dr. Bianchelli CLAS 1020H MWF 11:15 20 November 2014 The Different Interpretations of Theseus The Greeks took pride in their artwork: depicting their gods, traditions and styles. In this way we have learned much about what they held dear as well as which aspects of their culture influence their daily lives most. Images date back millenniums and are recorded proof of the life and culture of the Greek people. Artistic source number 41 is a black-figure neck-amphora depicting the story of Theseus retrieving the sandals and sword that his father King Ageas left for him many years ago, after which he presents the objects proudly to his mother Aethra. The pottery itself is garnished with gorgons running about as well as various animals accentuating the vase’s shape as well as its main illustrations. Crafted between the years 625 and 575 A.D., this vase contains inscriptions including Herakles and Netos and also depicts Herakles finding and killing Netos the centaur. When looking at the vase, there seems to be cracks in the clay where it was at one point completely shattered and as a result once glued back together. Unfortunately, some of these crevices distort the painted on stories and images on the pottery. The attention to detail defining the lip of the vase and its handles is exquisite. Owls and swans cover the handles from all angles. Dolphins and geese are also apart of the elaborate design of this vase. I believe the scene of Herakles and Netos painted on the vase is represented for the purpose of linking Herakles’ strength and vigor that of the Greeks meant to spur on Dickinson 2 and encourage the Greek’s advancement and superiority of other nations. Netos upon seeing Deianeira, Herakles wife, is overcome with passion and steals her. While essentially trying to rape her, Netos is caught off guard as Herakles slaughters him. Before he dies, Netos convinces Deianeira to take some of his blood and if Herakles ever proves to be unfaithful put some on him to tame his attentions. The story told on one side of this vase is that of Theseus and Aethra. Other pottery reflects Theseus’s father hiding the sword and sandals beneath the large boulder awaiting the day Theseus would have the strength and vigor to retrieve them. The way this image is presented could look as if Theseus intends to do harm to his mother by revealing a sword when in reality he’s excited to show his mother what he’s found. This particular piece illustrates Aethra’s motherly instincts begging Theseus to stay and remain safe from harm and the outside world while Theseus is determined to make his way in the world and find his father. The images made to depict this story could change the meaning if in fact Theseus did intend on hurting his mother; without the words illustrations leave lots of room for interpretation and add-ons causing many possible variations of the same incident. It is possible that the image did in fact mean to present Theseus’s thirst of blood but not his mother’s. Medea, wife of Theseus’s biological father Ageas, recognized Theseus immediately as the first son of her husband (as well as Poseidon) upon his arrival to Athens. Fear that her own son would lose his claim to the thrown after Ageas, Medea immediately sets out to kill Theseus. In hopes of making it less messy and obvious that it was her own will that he die, Medea watches as Theseus sets off to kill the Marathonian Bull, a task no normal human being should return alive from. Defying logic and further proving his hero-like qualities, Theseus returns victorious Dickinson 3 still unknown to Ageas that he is his own flesh and blood. He finally becomes conscious of this fact when Medea tries her last trick: poisoning his wine cup, Medea waits for Theseus to drink and die until her husband foils the plan by noticing the sword and sandals, knocking over the poisoned beverage, and claiming Theseus as his own. It could be confused that in this image Theseus is actually defending himself from Medea. I believe the story of Theseus and Aethra is represented on this vase which might have been used for wine mixing at parties in order to draw a connection between the Greeks lives and Theseus’ determination to set out into the world on his own despite the forces beyond his control. In this way the Greeks idealized that they too were apart of something greater. Either way the story from the image chooses to come to life, I admire Theseus’s determination and valiant strength shown when he sets out into the world uncertain of his fate along with returning triumphantly from Medea’s impossible task. Theseus throughout his myths consistently expresses his hero-like ability, which, in my opinion, calls into question if Poseidon is in fact Theseus’s biological father. There isn’t enough evidence but Theseus himself to determine definitely whether the truth is one way or another. Had Poseidon claimed him as a son Theseus would have had a much different destiny and may have not had the opportunity to be known as one of the greatest rulers Athens has ever seen.