What is a Scale Length?
A guitar’s (or any fretted instrument’s) scale length is the basic distance between the nut or zero fret
and the bridge’s saddle. This measurement not only determines the placement of the frets for proper
intonation, but has a profound effect on string tension, tone, and in some cases, tuning stability.
Scale length and compensation
While the scale length is the basis for nut, fret and saddle placement, the actual string length will be a
bit longer, due to the string being stretched sharp on its way to the fret. An amount of compensation is
required, and this varies with the string diameter and height. This is why saddles on most guitars are
placed on an angle rather than at right angles to the centerline of the neck. Compensation is discussed
in a separate article here, but to accurately determine an instrument’s scale length, measure from the
front edge of the nut to the center of the twelfth or octave fret, and double the result. In the case of a
fretless instrument, look for the octave harmonic and use that as the reference point.
Scale length and string tension
The physics is fairly easy to grasp. If two guitars of different scale lengths (i.e. Fender and Gibson guitars)
are strung with equal gauge strings and tuned to normal concert pitch, the shorter scale Gibson will
have less tension, resulting in a “looser” feel.
You can prove this to yourself by capoing any guitar at the first fret (effectively shorting the scale length)
and then retuning down to concert pitch. The strings will now be under less tension, making them easier
to bend and vibrato. You may also notice that the instrument now has more “buzzing” and “fret rattle”
when played, because of the increased vibrating amplitude of the looser strings.
The math is that for a given pitch and ‘unit weight’ (this is the weight of the string in pounds per inch),
string tension changes with the square of the vibrating length. The unit weight, and hence the tension,
can be adjusted by changing the material used for the string or, on wound strings, changing the ratio of
core to winding. Consequently ‘heavier” strings can produce “lighter” tension, if they are made for this!
Scale length and tone
While some electric guitarists use a shorter scale instrument to achieve less string tension and easier
playability, others see it as an opportunity to get a “thicker” tone utilizing heavier gauge strings. For
instance, take two identical electric guitar bodies, one fitted with a 25 1/2″, and the other with a 24 3/4″
scale neck. If you find your technique requires using .009 – .042 gauge strings on the long scale, you’ll
probably get the same feel utilizing a heavier .010 – .046 gauge on the short scale instrument, The
heavier gauge strings will also have the side-effect of inducing more voltage in your pickups, resulting in
a “thicker” fundamental note, and more output.
The scale length also has sonic implications connected with acoustic instruments. A shorter scale
acoustic guitar often produces a “woody” tone with an overall warm timbre, while a longer scale is
perceived as having more power overall, with increased clarity and distinction in the bass registers. Both
sounds are valid, and historically it is not without precedent for a manufacturer to issue two models of
guitars whose main difference is scale length (i.e. Martin’s 000 and OM models) or offer the same model
with long or short scale as an option (Ramirez concert classicals).
Comfort and Playability
Beyond tonal and tension considerations, hand sizes differ! Some players find long-scale instruments
physically harder to play because of the increased reach. A full-scale classical guitar has a scale length of
about 650 mm, but this is not comfortable for some players, so scales ranging down to 630 mm also
available. Many beginners and people without large hands use these guitars, and there’s no reason not
to, if it makes playing more enjoyable.
Scale length and frequency range
Long-scale instruments are noted for increased bass output. This is partly because the greater length
allows lower sub-frequencies to develop, and the increased tension means that more energy is
transmitted to the vibrating surface. You might have noticed that sub-woofer audio systems tend to
need a lot more power than high-frequency components. Instruments like baritone and bass guitars,
mandolas, cellos, and upright basses make use of this to move more air at low frequencies.
Conversely, instruments like mandolins that are pitched to a relatively high frequency use short scales to
reduce tension to an amount that a string – and the instrument – can withstand! It’s notable that the
5th string G on a 5-string banjo is tuned high. and the 5th string peg is usually at the 5th fret,
significantly shortening its length.
Comparison Chart
Here’s a chart that shows the scale lengths of a number of instruments around the shop at the moment.
Instrument
Fender Telecaster or Stratocaster
Gibson Les Paul or SG
Fender Precision or Jazz Bass
Hofner Beatle bass
Hagstrom 8-string bass
Gretsch White Penguin, 6118, or Billy Bo Jupiter
Martin D-18 or D-28
Martin 000-28
Ramirez 4NE
Gibson J-45 Legend
Various Mandolins – Gibson, Collings, Kentucky
Gibson L-4
Gibson Advanced Jumbo
Larrivee Baritone
Trinity College Octave Mandolin
Collings UC-2 Soprano Ukulele
Kala Tenor Ukulele
Information was taken from
http://www.12fret.com/content/2011/07/11/scale-lengths/
Scale (Inches)
25.5”
24.75″
34”
30”
30 11/16”
24.625”
25.4”
24.9”
25.59”
24.625”
13.86”
24.75”
25.5”
26.9”
20.16”
15”
17”
Scale (mm)
647.77 mm
628.65 mm
863.6 mm
762 mm
779.5 mm
625.5 mm
645.2 mm
632.5 mm
650 mm
625.5 mm
352 mm
628.7 mm
647.7mm
683.3 mm
512 mm
381 mm
431 mm