Index in pdf

advertisement
INDEXES
Index I: Collections
T h is in d e x lists a ll th e e x ta n t paintings, oil sketches and d raw in gs
ca talo gu ed in th e p resen t v o lu m e . C opies h ave also b een in clu d ed .
T h e w o rk s are listed a lp h a b e tic a lly accord ing to place.
R eferen ces to th e n u m b e r o f th e catalo gu e en tries are given in b o ld ;
then fo llo w p a ge referen ces and fin a lly figure n u m b e rs in italics.
A A C H E N , S U E R M O N D T MU S E U M
A n o n y m o u s, pa in tin g :
The Fa ll o f the D am ned, N0.52; 208, 209, 219,
228-230, 237; f ig -159
ANCONA
T a p e stry :
The A ssu m p tion o f the V irg in , N0.35 ; 144
ANTWERP, CATHEDRAL
R ubens, pain tings:
The A ssu m p tion o f the V irg in , N0.43; 21, 26,
138,141,152, 1 5 9 , 170,172-178; fig - ii 6
The R esurrection o f C h rist N o .i; 22, 23, 25,
31-34. 36 , 46, 70, 71, 119, 192; f ig -3
St John the B aptist N0.2; 22, 25, 34-35, 38;
fig -4
S t M a rtin a , N0.3; 22, 25, 32, 35-37, 1%', f ig -5
Tw o A n gels g u a rd in g the Tom b o f C h rist, N0.4;
22, 25, 37- 3 8 ; fig .i
(?) W .J .H e rre y n s, pain ting:
P ortrait o f Ja n M o retu s, N0.5; 38; fig .6
A n o n ym o u s, e m b ro id e ry after R ubens:
The R esurrection o f C h rist, N o.i ; 31
A N T W E R P , J. D E C L E R C Q
Rubens, pa in tin g :
C h rist T riu m p ha n t over Sin and D eath, N0.14;
7,22,23,24, 34, 59,60,63,64-68,69,70,71 ;
fig-2*
A N T W E R P , K O N I N K L I J K MUS E UM V O O R
SCH ONE KUNSTEN
ANTWER P, R O C K O X HOUSE
A n o n y m o u s, p ain tin g:
P ortra it o f N icolas R ockox, N0.19; 87
A N T W E R P , ST C H A R L E S B O R R O M E O
A n o n ym o u s, pain ting:
The A ssu m ption o f the V irg in , N0.37; 149;
cf. fig . 110
AUGSBURG, HEILIG- KRE UZ- KI RC HE
R ubens, p ain tin g:
T he A ssu m ption o f the V irg in , N0.42 ; 9,26,138,
141,169-171, 174; fig .1 1 2
BASLE, KUNSTMUSEUM, K U P F E R S T I C H ­
KABINETT
M .H e rr, d ra w in g after R u b ens:
The D escent o f the H oly S p irit, N0.27 ; 103
B ERL I N, S T A A T L I C H E MUSEEN
PRE US SI SC HER KU LT UR BE S IT Z,
KUPFERSTICHKABINETT
A n o n ym o u s, d ra w in g a fte r R ubens :
A G rou p o f D am ned Souls and D em ons, N0.52;
222
B E R L I N , D D R , B O D E MU S E U M
R ubens, pain tin g:
T he G iv in g o f the Keys, N0.23 ; 22, 57, 83, 87,
91-94. 96 ,100; fig .53
B E S A N Ç O N , MU S É E DE S B E A U X - A R T S
A n o n ym o u s, p a in tin g a fte r R u b ens:
T he H oly W om en at the Sepulchre, N0.6 ; 39
Rubens, pain tings:
The Incred u lity o f S t Thom as, N0.18 ; 22,23,25,
41, 47, 57, 62, 81-87, 88, 93, 94, 96, 97;
fig - 4 «
P ortrait o f A d ria n a P ereç, N0.20 ; 22,25, 89-90,
9 3 ; fig - 5 i
P ortra it o f N icolas R ockox, N0.19; 22,25,87-89,
931 f ig -50
R u b ens and assistant, pain ting:
The A rm s o f N icholas R ock o x an d A d ria n a P ereç,
N0S.21-22; 22, 25, 91, 93; fig s.5 2 a , b
A N T W E R P , MU S E U M P L A N T I N M O R E T U S
A n o n y m o u s, p ain tin g:
The Incred u lity o f St Thom as, N0.18; 81
394
BRUGES, STEDELI JKE MUSEA, STEINMETZ
CABINET
A n o n ym o u s, d ra w in g a fte r R ubens:
A G rou p o f W om en, N0.53; 234
B R US S E L S , MUSÉES R O Y A U X DES B E A U X - A R T S
R ubens, pain tings:
T he A ssu m ption o f the V irg in , N0.38; 26, 138,
140,145,1 4 7 . 157-161, 170, 174; fig -98
T he Coronation o f the V irg in , N0.47; 195-198,
199; fig -130
BRUSSELS, N O T R E DA ME DE L A C H A P E L L E
A n o n ym o u s, p a in tin g a fte r R u bens:
T he G iv in g o f the Keys, N0.23; 91, 93
I N Dl ' X
C A E N , M l ' S E E DE S B E A U X - A R T S
A n o n ym o u s, pain ting after R ubens:
T h e A s s u m p tio n o f the V ir g in , N o .4 3 a ; 179
C A M B R I D G E , F I T Z WI L I . I AM MUS E UM
R ubens, d raw in g:
A N u d e F ig u re f i l l i n g b a ck w a rd s, N o v i a l 218;
f ig - iß S
C A M B R I D G E , M A S S . , F O G G A R T MUS E UM
R ubens, d raw in gs:
S tu d y o f D r a p e r y , N o . t f e ; 2 7 ,1 5 6 -,jig .g 6
S tu d y o f T w o Y o u n g M e n lo o k in g u p w a r d s ,
N o . ) j d ; 2 7 , 155-156, 172; f i g -95
A n o n ym o u s, pain ting a fte r R ubens:
C h r is t a n d the P en iten t S in n e rs, N0.11; 55
CAP EST HO RNE HALL, MACCLESFIELD,
C H E S H I R E , SI R W A L T E R B R O M L E Y
DAVENPORT
(?) R ubens, oil sketch:
S tu d y o f the H ea d s o f T w o B ea rd ed A p o stle s,
No.42a; 171-172; J ig .t 14
C H A TS W O R TH , DERBYSHIRE,
T H E D U K E OF D E V O N S H I R E
A n o n y m o u s, d raw in g after R ubens:
T h e L a st J u d g e m e n t, N 0 .5 1 ; 214
COL UMB US , O H I O , THE COL UMBUS GA LLE RY
OF F I N E A R T S
Rubens, pain ting:
C h r is t T r iu m p h a n t o v er S in a n d D e a th , N0.13;
7, 22, 23, 24, 34, 03-64, 65, 70, 7 i ; fig .2 7
C O P E N H A G E N , S T A T E N S MU S E U M F O R K U N S T ,
KO NG EL IG E KOB BE RSTI KSAMLI NG,
‘ RUBENS c a n t o o r '
A n o n ym o u s, d raw in gs after R ubens:
A n A p o stle seen f r o m b eh in d , N 0 .43 ; 172
A p o stle seen f r o m b eh in d lo o k in g in to the S a rco ­
p h a g u s , N 0 .42 ; 169
C h r is t’s T o r so , N o .i4 b ; 69; jig .32
Christ’s Torso, N 0 .14 ; 64
C h r is t T r iu m p h a n t o v er S in a n d D ea th , N o .i4 a ;
68; f i g -33
C h r is t T r iu m p h a n t o v er S in a n d D ea th , N o .i4 b ;
6 9 ’, f i g -33
D e v il d r a g g in g a w a y T w o F ig u re s, N 0 .49; 201
.4 F ig u re seen f r o m the back w ith h is left arm ben t
ov er /iis H ea d , N 0 .52 ; 222
A G r o u p o f F ig u re s to rm en ted by D em o n s,
N 0 .52 ; 223
A G r o u p o f F ig u re s to rm en ted by D em o n s,
N 0 .52 ; 223
G r o u p o f L io n a n d D em o n s to rm en tin g S o u ls in
H e ll, N 0 .52 ; 222
I : C O L L E C T I O N S
G r o u p o f S ix F ig u re s o f the B lessed , N 0 .49; 201
G r o u p o f V e ry F a t F ig u re s, N 0 .52 ; 222
T h e L a st J u d g e m e n t, N o.4 9 a; 207
S t M a r tin a , N 0 .3 ; 35-36
.4 R ig h t Foot o f a Male F ig u re , N 0 .49 ; 201
Three D a m n e d F ig u re s, N 0 .49: 201
7'wo D em o n s, N 0 .52 ; 222
7 wo F a llin g W o m en p u lle d d o w n w a r d s b v a
D em o n , N 0 .52 ; 223
T w o F ig u res a tta ck e d bv D em o n s, N 0 .52 ; 223
7'wo F ig u re s fa llin g h ea d lon g , N 0 .52 ; 223
.4 V e ry Fat M a n , N 0 .52 ; 222
A W o m a n p u lle d d o w n w a r d s by a D em on ,
N 0 .52 ; 222
C H O M E R , C H U R C H O F SI M A R (, ELI N U S
M. II. G h eeraerts, pain ting in grisaille:
T h e S u p p e r at E m m a u s, N 0 .9 ; 48
C R A W L E Y , S U S S E X , MRS B R I È R E ( . 0 1 . 1. I NS
A n o n ym ou s, pain ting after R ubens:
Study o f the H ea d s o f T w o B earded A p o stle s,
N o.4 2 a; 168, 172
D R F. S D E N , G E M Ä I, D E G A I, E III E
(?) R ubens, m o d e llo :
T h e L a s tju d g e m e n t, N o ,4 9 a; 20(1-209,2 1 2 , 2 1 9 ;
fig -‘ 3*
DRESDEN, KUPFERSTICHKAHINE' I 1
R ubens, d raw in g:
S tu d y o f A r m s a n d H a n d s, N 0.37C; 27, 155;
f i g -97
DUBLI N, N A T I O N A L G A L LE RY OF I RE LAND
A n o n ym ou s, d ra w in g after R ubens:
A D r a g o n ’s H ea d , N 0 .52 ; 221
D U N K I R K , MUS É E DES B E A U X - A R T S
A n o n ym o u s, pain ting after R ubens:
'/'he H o ly W o m en a t the S ep u lc h r e, N o .6 : 39
D Ü S S E L D O R F , KUNSTMUSEUM
R ubens, pain ting:
T h e A s su m p tio n o f the Virgin, N 0 .4 1; 9, 26,
138-139, 140, 143, 146, 162, 163-168, 170,
i 7 4 ; f ig - io y
EL E S C O R I A L , MU S E O S N U E V O S
A n o n ym ou s, pain ting after Rubens;
T h e S u p p e r a t E m m a u s, N 0 .9 ; 48
F E I . D S B E R G , M O R A V I A , N E UE P F A R R K I R C H E
V.H anti, pain ting after Rubens:
T h e A s su m p tio n o f the Virgin, N 0 .44; 181
F L O R E N C E , P A L A Z Z O P I T 1' I
Rubens, pain ting:
T h e R esu rr ec te d C h r ist T r iu m p h a n t, N 0 .16 ; 7,
23, 2 4,34, 70-71 : f i g . j 5
395
I NDEX r. C O L L E C T I O N S
F L O R E N C E , U F F I Z I , G A B I N E T T O DI SEGNI
E STAMPE
H .W itd o eck , d raw in g retou ch ed b y R ubens:
The A ssu m ption o f the V irg in , N o ,4 4 d ; 27,184,
187-189; fig -1 2 6
H .W itd o e ck , d raw in g after R ubens:
The S u pper at Em m aus, N0.9; 48,188; jig .iy
G H E N T , ST B A V O
A n o n ym o u s, pain ting:
The Conversion o f S t Patti, N0.31 ; 124
GHENT, UNIVERSITY LIBRARY
P .P on tiu s, e n gra vin g retou ch ed b y R ubens:
The A ssum ption o f the V irg in , N o .4 ia ; 168-169;
fig-*07
G L A S G O W , A R T G A L L E R Y A N D MUS E UM
A n o n ym o u s, pain ting after R ubens:
The A ssu m ption o f the V irgin, N0.41 ; 164
P .P ontiu s, d ra w in g re w o rk e d b y R ubens:
The D escent o f the H oly Sp irit, N o .2 7 a ; 2 7 ,1 08n o ; ./ig.62
A n o n ym o u s, d raw in gs after Rubens :
Four Figures tum bling Head dow nw ards,
N0.52; 221, 233
G rou p o f D am ned Souls and Dem ons, N0.52 ;
219-220, 230-232; fig . 160
G rou p o f D am ned Souls and D em ons, N0.52;
220, 230-232; Jig. 162
G ro u p o f D am ned Souls an d D em ons, N0.52;
220, 230-232 ; jig . 163
G rou p o f D am ned Souls and Dem ons, No,52;
220, 230-232; jig . 1 64
G rou p o f D am ned Souls and Dem ons, w ith a
M any-H eaded D ragon, N0.52; 220, 230-232;
h - l6L
L O N D O N , BUCKINGHAM PALA CE , C O L L E C ­
T I O N OF H.M. THE QUEEN
G R A Y , H A U T E - S A Ô N E , MU S É E B A R O N MA R T I N
P .M .D e la fo n ta in e , p ain tin g after R u bens:
P ortra it o f N icola s R ockox, N0.19; 87
T H E HAG UE , MAURI TSHUI S
R ubens, oil sketch :
The A ssu m ption o f the V irgin, N o .4 3 a ; 1 6 1 ,1 7 1,
178-180, i8 i;jig .i2 o
HAMBURG, KUNSTHALLE
A n o n ym o u s, pain ting after R ubens:
The A ssum ption o f the V irg in , N0.41; 163,10 7;
fig . 106
A n o n y m o u s, d raw in g after R ubens:
C h rist’s Charge to S t Peter, N0.25 ; 9 9 ;J ig .j6
L E N I N G RA D, HERMI TAGE
R ubens, d raw in g:
H ead o f a W om an looking upw ards, N0.44C;
187; jig . 1
R ubens, oil sketch:
The A ssu m ption and Coronation o f the Virgin,
N0.46; 23, 25-26, 26-27, 138-141, 145, 147,
149-150, 152, 154, 156, 157, 1 7 3 , 17 4 , 189,
190-194; f ig -129
L I S B O N , MUS EU N A C I O N A L D E A R T E A N T I G A
A n o n ym o u s, pain ting after R ubens:
C h rist T riu m phan t over Sin and D eath, N0.14;
7 , 64
L O N D O N , B R I T I S H MUS E UM
R ubens, d raw in gs:
Figures o f the Blessed being carried u pw ards by
A n gels N o .5 ja ; 161, 239-240, 2 4 1; f ig .172
Studies fo r a Lion H u n t and o f a Large D ragon
and stru g gling A n im a ls and Figures, No.52a;
161, 232-233, 239, 240; fig .16 9
396
R ubens, pain ting:
The A ssu m ption o f the V irg in , N0.35; 25, 138,
140, 141, 144-146, 147, 149-150, 15 r, 158,
159, 168, 174, 182; fig .S f
L O N D O N , C O U R T A U L D INSTI TUTE OF A RT,
PRINCES GATE C OL LEC TI ON
R ubens, paintings:
The A n nu nciation o f the D eath o f the V irg in ,
N0.34; 135-137; fig ' 79
The Conversion o f St P a u l, N0.30; 22, 25, 33,
113, 114-118, 123, 131, 169, 2 o 6 ’, f i g .6 j
R ubens, oil sketches:
The A ssum ption o f the V irg in , N o.44 a ; 184-185,
1 8 6; f i g . 1 2 3
The C onversion o f St P a u l, N o .3 o b ; 2 6 ,119 ,
120-122, 123, 124; f ig .jo
R ubens, d raw in gs:
The C onversion o f St Paul, No.3oa; 115, 117,
118-120, 122, 147; fig.69
A n gels escorting the Blessed to P aradise, w ith an
Adoration o f the M agi, N o .4 9 b ; 72, 209-210,
239 ; f i g. 141
L O N D O N , V I C T O R I A A N D A L B E R T MUS E UM
R ubens, d raw in g:
S tu d y o f a N u d e M a le Figure torm ented by a
D em on, N o .5 2 b : 233; fig . 137
LONDON, WALLACE COLLECTION
R ubens, pain ting:
C h rist’s Charge to Peter, N0.24; 22, 23, 25, 64,
83, 87, 92-99, 100; jig .y4
LS T IB O R, B OHE MI A
J.R einisch, p a in tin g a fte r R ubens:
The A ssu m ption o f the V irg in , N0.44; 181
I NDEX I : C OL L E C T I O N S
L Y R E S T A D ( s w e d e n ), p a r i s j i c h u r c h
A n on ym o u s, pain ting after Rubens;
The R esurrection o f C h rist, N o .i; 31
Frans II Francken, pain ting after Rubens:
T h e In cr ed u lity o f S t T h om a s, fragm ent (T h r o u g h
D o o rw a y ) o f a B a n qu et in the H ou se o f B u rg o ­
m a ster R o c k o x , N 0 .18 ; 8 1 ; fig-46
M A D R I D , C O N V E N I ' O F ' I HE D E S C A L Z A S
REALES
M U N I C H , B A Y E R I S C H E S N A T I O N A I. M US E U M
A n on ym o u s, pain ting after Rubens:
The Supper at Em m aus, N 0 .9 ; 48
MADRI D, DU QU E DEL I N F A N T A B O
A. d el A rco, pain ting after Rubens:
T he R esu rrectio n o f C h r is t, N o .i ; 31
J.G .S artor, gouache after Rubens:
C h r ist a n d the P en iten t S in n e rs, N o . i i ; 55
MUNICH, S T A AT L I CH E GR AP HI S CHE
SAMMLUNGEN
(?) J. de Bisschop, d raw in g after Rubens:
T h e L a st J u d g e m e n t, No.49a; 207, 208
M A D R I D , MUS E O DEI , P R A D O
Rubens, pain ting:
A n o n ym ou s, d raw in g a lter Rubens:
T h e M a in E lem en ts in the C o m p o sitio n o f 'T h e
The S u pper at lim m aus, N 0 .9 ; 2 1,2 2 ,2 5 ,4 5 ,4 7 ,
48-52; fig . 16
F a ll o f the D a m n e d ', N 0 .52 ; 222, 232
N E W H A V E N , C O N N . , Y AI . E U N I V E R S I T Y A R T
M A D R I D , P A I . A C I O DE I . I RI A, A I . BA
G A 1. 1. F. It Y
Rubens, oil sketch:
COLLECTION
A n on ym ou s, pain ting after Rubens:
The Supper at lim m aus, N 0 .8 ; 43-44
M A D R I D, REAL A C A D E M I A DE SAN F ER N A N D O
A n on ym o u s, d raw in g after Rubens:
The Last Judgem ent, N0.51; 213-214, 217;
T h e A s su m p tio n o f the \ ' 1
h , N 0.44b ; 185-187;
Jig -1 -4
NEW Y O R K , THE ERICK C O L L E C T I O N
Rubens, d raw in g:
A n g els e sco rtin g the B lessed to P a r a d ise, N0.49C ;
72, 210-212, 210, 2 4 9 '.fig - 142
J ig -‘ 47
N E W Y O R K , M E T R O P O L I T A N MUS E UM O F A R T
M A I N Z , H. KI. F. NK
A n on ym ou s, pain ting after Rubens:
C h r is t's C h a rg e to P eter, N0.24; 94-1)5
Rubens, oil sketch:
'The G lo rifica tio n o f the E u ch a rist, N o . 17a; 72,
73 , 75- 77, 78, 79 , 80. 81; fig.40
M E L K , AI I BEY
A n o n ym o u s, pain ting after R ubens:
The H olv W om en at the Sepulchre, N os.6,7;
39, 41. 4 3 : .f e -9
NEW Y OR K, P I E R P O N T MORGAN LIBRARY
A n on ym ou s, d ra w in g after R ubens:
G r o u p o f F ive D im m ed S o u ls to rm en ted by
B easts. N 0 .52 : 221, 231
MI LAN, PRI VA TE C O L L E C T I O N
G.
A .P ian ta, pain ting after Rubens:
The Resurrection o f C h rist, N o .i; 31
MUNICH, ALTE PI NAKOTHEK
O S L O , N A SJ O N A I. C, A 1. 1. E It I ET
R ubens, d raw in g:
A p o stle s su r r o u n d in g the Virgin's T om b , N 0 .39;
138, 161-162; fig .1 02
R ubens, paintings:
The A ssu m ption o f the Blessed, N0.53; 22, 24,
208, 229, 233-238, 243 ; fig. 1 j o
C h rist and the Penitent Sinners, N0.11; 7, 22,
24, 54, 55- 5
fig. 2 2
The Descent o f the H olv Spirit, N0.27; 21, 66,
103-108, n o , 162, 168; 203, 204; fig .6 0
The Tall o f the D am ned, N0.52; 9, 22, 215-217,
219-232, 234, 239, 240, jig . 158
The Last Judgem ent ('G r e a t'), N0.49; 22, 24, 25,
33, 62, 66, 72, 105, 201-206, 207, 210-213,
215, 216, 218-219, 243; f g . 13 7
T he L ast Judgem ent ( ‘Sm a ll’), N0.51; 22, 25,
204, 210, 211, 213-218, 225-227, 230, 235,
2 4 1; f ig . 146
O T TA W A , NATIONAL GALLERY OF CANADA
A n o n ym ou s, d raw in g after R ubens:
G r o u p o f D a m n e d S o u ls u n d D em o n s, N 0 .52 ;
220-221, 230-232
O X F O R D , A S I I M O I . E A N MUS LI M
Rubens, oil sketch:
T h e C o n v ersio n o f St P a u l, N o .3 ia ; 129-131;
jig - 7 S
A n o n ym ou s, d raw in g after R ubens:
A N u d e Alan T o r m e n te d by D em on s, N 0 .52 ; 221
P A R I S , P. D U B A U T
T . G éricau lt, d raw in g after R ubens:
G r o u p o f F ig u res, N 0 .5 1 ; 214
397
IN D E X i: COLLECTIONS
PARIS, BIBLIOTHÈQUE NATI ONA LE
H. W itd o eck , p r o o f o f en gravin g, retou ch ed by
R ubens:
PI TT S BU R G H, CAR NE GI E INSTITUTE,
MU S E U M O F A R T
(?) V a n D yck , p ain tin g after R ubens:
T h e S u p p e r a t E m m a u s, N o a ja ; 27, 52-53 ;
f i g - 19
C h r is t’s C h a rg e to P e te r, N0.24; 47, 57, 94
PRAGUE, NA TI O NA L GALLERY
PARI S, I NSTI TUT NÉ ER L AN D AI S ,
F O ND AT IO N CUSTODIA
J. d e Bisschop, d ra w in g after R ubens:
T h e L a st J u d g e m e n t, N o .4 9 a ; 207, 209
P. van L in t, d raw in gs after R u bens:
A p o stle s loo kin g in to the S a rco p h a g u s, N 0.43 ;
172
(?) F .L u y ck x , pain ting after R ubens:
T h e A n n u n c ia tio n o f the D ea th o f the V ir g in ,
N0.34; 135, 136; fig .& o
A n on ym ou s, pain ting after R ubens:
T h e A n n u n c ia tio n o f the D ea th o f the V ir g in ,
N0.34; 135
R O T T E R D A M , MUS E UM B O Y M A N S - V A N
C h r is t T r iu m p h a n t o v er S in a n d D e a th , N 0 .14 ; 64
A n o n y m o u s, d raw in gs after R ubens:
T h e M a in E lem en ts in the C o m p o sitio n o f ‘ The
F a ll o f the D a m n e d ’ , N 0 .52 ; 222, 232
A W o m a n p u lle d str a ig h t d o w n w a r d s by her
H a ir, N 0 .52 ; 222
BEUNI NGEN
R ubens, d raw in gs:
T h e H e a lin g o f th e L a m e M a n , N0.33 ; 26, 1331 3 5 ; f i g -77
S tu d y o f T h re e H o rsem en , N0.30C; 122-123,
W , f ig - 7 1
P A R I S , MU S É E DU L O U V R E , C A B I N E T DES
(?) L . V o rste rm an , d raw in g, retou ch ed b y
DE S S I N S
R ubens:
A n o n y m o u s, d raw in g reto u ch ed b y R ubens:
T h e C o n v e rsio n o f S t P a u l, N 0 .32 ; 1 1 3 ,131-13 2;
T h e H o ly W o m e n a t the S ep u lch re, No.6a; 27,
41, 42-43, 10 9 ; f i g .t o
(?) V an D y ck , d raw in g:
f i g -73
A n o n y m o u s, d raw in gs after R ubens :
T h e C o n v e rsio n o f S t P a u l : T h e G r o u p o f S t P a u l
a n d the F orem ost S o ld ier on the R ig h t, N 0 .29 ;
n o —x 11
C h r is t’ s C h a rg e to P eter, N0.24; 95; f i g . j j
A n o n ym o u s, d raw in g after R ubens :
T h e A s s u m p tio n o f the V ir g in , No.44a; 184
RIJSBERGEN, PARI SH C HUR CH
Christ's C h a rg e to P e te r, N 0.25 ; 99
C h r is t a n d the P e n ite n t S in n e rs, N o .x x ; 55
M o u n te d H orsem a n , N 0 .29 ; 111
T h e S u p p e r a t E m m a u s, N 0 .8 ; 44
A n o n ym o u s, p ain tin g after R u bens:
T h e S u p p e r a t E m m a u s, N0.8; 44
S C H L E I S S HE I M , NEUES S CH L O S S
R ubens, pain tin g:
PARIS, M U S É E RODIN
A .R o d in , pain ting after R ubens:
T h e A s s u m p tio n o f the V ir g in , N0.40; 26, 138,
139, 141, 161-163; fig -to 4
P o r tr a it o f A d r ia n a P e r e ç , N 0.20; 90
S IGMA RI NGE N, SCHLOS S
P A R I S , ST E U S T A C H E
R ubens, pain ting:
A n o n ym o u s, pain ting after R ubens :
T h e L a st J u d g e m e n t, N0.50; 212; fig . 143
T h e S u p p e r a t E m m a u s, N 0 .8 ; 2 2 ,2 5 ,4 1,4 3 -4 8 .
4 8 , I 52;
f ig .1 4
PA M PLO N A, BANDRES C OL LE C TI O N
A n o n y m o u s, pain ting after R ubens:
T h e C o n v e rsio n o f S t P a u l, N 0 .3 1 ; 124
P A S A D E N A , C A L I F . , N O R T O N S I M O N MUS EUM
OF A RT
Rubens, pain ting:
T h e H oly W o m en a t the S ep u lch re, N 0 .6 ; 2 1,22 ,
39- 43, 136; f ig s .S , 12 , 13
P H I L A D E L P H I A , J O H N G. J O H N S O N
COLLECTION
J. B ru egh el, pain ting after R ubens :
C h r is t's C h a rg e to P e te r : F ra g m en t o f V e n u s a n d
C u p id in a P ic tu re G a lle r y ', N 0 .24 ; 94
398
S I N T - J O O S T - T E N - N O D E , BRUSSELS,
C H U R C H O F ST J O O S T
(?) P. II van d er B orch t, pain ting after R u bens:
T h e A s s u m p tio n o f the V ir g in , N0.41 ; 164, 166
S T A N F O R D , C A L I F . , U N I V E R S I T Y MUS E UM
T . G éricau lt, d raw in g after R ubens:
G r o u p o f F ig u re s, N0.51 ; 214
S TO CK H O L M , NATIONALMUSEUM
R ubens, d raw in gs:
A n A d u lt A n g e l, No.i6a; 71-72; fig -3 7
T h e R e su r r e c te d C h r is t T r iu m p h a n t, No.xyd;
79 , S o ; fig .4 3
(?) C . de V os, pain ting after R u bens:
T h e L a st J u d g e m e n t: F ra g m en t o f the S o -C a lle d
'R u b e n s -S a lo n ’ , N0.51; 2 1 3 ; f ig . 13 6
I N D E X 1: C O L L E C T I O N S
W o rk sh o p o f N .Tessin ju n ., d raw in g after
Rubens:
T h e D esc e n t o f the H o ly S p ir it, N 0 .2 7; 103
A n o n y m o u s, pain ting after Rubens:
T h e L a st J u d g e m e n t, N o .4 9 a; 207
S tu d y o f a Y o u n g M a n lea n in g fo r w a r d , N o .3 7 b ;
2 7 ,1 5 3 ,1 5 4 - 1 5 5 ,1 5 6 , 172 ; fig .Q J
J .D an hauser, d ra w in g a fte r R ubens:
T h e In c r e d u lity o f S t T h om a s, N 0 .18 ; 82
A n o n ym o u s, d raw in gs after R ubens:
A n A p o stle Seen in P ro file on th e R ig h t, N 0.43 ;
S T R A S B O U R G , MUS E E DE S B E A U X - A R T S
R ubens, pain ting:
C h r is t T r iu m p h a n t ever S in a n d D ea th , N o .12;
7, 22, 23, 24, 34. 60, 01-63, 65, 70, 71 ; Jig-20
172
T h e A s su m p tio n o f the V ir g in , N 0 .41 ; 164
V I E N N A , K U N S T H I S T O R I S C H E S MUS E UM
Rubens, pain ting:
TOURNAI, CATHEDRAE
R ubens, pain ting:
T h e A s c e n t o f S o u ls f r o m P u r g a to ry , N 0 .54 ; 21,
2 4 1 - 2 4 5 ; Jig . 1 73
T R O Y E S , MUS É E
(?) R .T assel, pain ting after R ubens:
T h e S u p p e r a t E m m a u s, N 0 .8 ; 44
TURIN, G AL ER IA SABAUDA
A n o n y m o u s, paintings:
C h r is t a n d th e P en iten t S in n e rs, N 0 .11 ; 55
C h r is t T r iu m p h a n t o v er S m a n d D ea th , N 0 .14 ;
64
V A D U Z , C O L L E C T I O N OF T H E P R I N C E
OF LIECHTENSTEIN
Rubens, pain ting:
T h e A s su m p tio n o f the V ir g in , N 0 .44; 21, 26,
13 8 ,14 1, 152, 173 ,18 1-18 4 , 186, 187: fig .1 2 2
VIENNA, ALBERTINA
R ubens, d raw in gs:
T h e A s s u m p tio n o f the V ir g in , N 0 .36 ; 25, 138,
146-149, 159, 174, J94; f ig - M
T h e A s su m p tio n o f the V ir g in , N 0 .3 7 ; 25, 20,
138, 141, 145, 147, 149-153, 154. 155, 156,
174, 19 2: fig .H r
W A S H I N G T O N , D. C . , N A T I O N A L G A L L E R Y
OF ART
(?) R ubens, oil sketch:
T h e A s su m p tio n o f the V ir g in , N o .4 3 b ; 180-181 ;
f i g . 12 1
R ubens, d raw in g:
S tu d y o f a Y o u n g W o m a n w ith ra ised left A r m ,
N o .3 7 f; 15 7 '. f i g -04
A n o n y m o u s, pain ting after Rubens:
T h e A s s u m p tio n o f the V ir g in , N o.4 3 a ; 179;
f ig . 12 1
WII. TON HOUSE, WI LT SH IRE , THE EARL
OF P E MB RO KE
A n o n y m o u s, pain ting after Rubens:
T h e A s su m p tio n o f the V ir g in : The U p p er H a lf o f
the C o m p o sitio n , N 0 .3 5 ; 144
W I N T E R T H U R , O. RE I NHA RD! '
A n o n ym o u s, pain ting after R ubens:
T h e C o n v e rsio n o f St P a u l, N 0 .3 1; 123
A N u d e F ig u re w ith O n e H a n d on his H ead
tu m b lin g d o w n w a rd s , N o .5 ib ; 218-219;
fig -W
W O L V E R H A M P T O N , ART GALLERY
A n o n ym o u s, d ra w in g after Rubens:
T h e R esu rr ectio n o f C h r is t, N o . i ; 31
S tu d y o f the F ig u res o f M e lch ise d ec h , E lija h a n d
A n g e l, N o .iy b ; 78-79, 80, 81; fig - 4 i
W O R C E S T E R , MA S S . , W O R C E S T E R
S tu d y o f an O ld M a n B en d in g F o r w a r d , N o - f f a ;
A R T MUS E UM
27, I 5 3 -I5 4 ;.fe 9 2
S tu d y f o r T h ree or F o u r S a in ts, N 0 .17C ; 79, 80;
fig-42
R ubens, oil sketch:
T h e C o ro n a tio n o f the V ir g in , N o.48 a: 200;
f i g - ‘ 33
399
Index II: Subjects
Th is in d ex lists all th e subjects h e re catalogu ed .
U n d e r each title are ga th e re d a ll k n o w n represen tation s;
these in clu d e b o th w o rk s b y Rubens h im s e lf and copies m ad e b y o th er artists after th em .
T h e n u m b e r o f th e catalogu e e n try is given first, fo llo w e d b y p age references.
SC E N E S F R O M T H E LIF E OF
C H R IS T A F T E R T H E P A S S IO N
A N D T H E A C T S OF T H E
APOSTLES
ch rist descending w ith
a c r o w n , N 045
A fte r R ubens, oil sk etch (fo rm e rly N e w Y ork ,
T . d e Budai) N0.45; 13 8 -143.189-190 ; f i g - t i f
T H E C O N V E R S I O N O F S T P A U L , N 0 .29
R ubens, p ain tin g (C ou rtrai, p riva te collection)
T H E A S C E N S I O N O F C H R I S T , N 0 .26
(?) R ubens, o il sketch (fo rm e rly Spa, G. Regout)
N0.26; 101-103; fig . jS
A n o n y m o u s, p ain tin g (fo rm e rly C o lo gn e , pri­
v ate collection ) N0.26; 101
S. a B olsw ert, en gra vin g, N o,26; 101 ;fig .j9
C h r is t ’s c h a r g e t o
p e t e r , N 0 .24
R ubens, pain ting (Lon d on , W allace C o llection )
N o .24; 22, 23, 25, 64, 83, 87, 92, 93, 94-100;
f ig -54
(?) V an D y ck , p ain tin g (Pittsbu rgh , C arn egie
N0.29; 22, 25, n o - 1 1 4 , 118, 124, 132; fig .6 4
A n o n y m o u s, p ain tin g (w h ereab ou ts u n kn ow n )
N0.29; 110
A n o n y m o u s, pain ting (Florence, private co llec­
tion) N0.29; n o
A n o n y m o u s, The group o f S t P au l and the forem o st
Soldier on the right, d ra w in g (Paris, L o u vre,
C a b in e t des Dessins) N0.29; n o - 1 1 1
A n o n ym o u s, M o u n ted H orsem an, d raw in g
(Paris, L o u v re , C a b in e t des Dessins) N0.29;
in
T H E C O N V E R S I O N O F ST P A U L , N 0.30
Institute, M u se u m o f A rt) N0.24; 47, 57, 94
R ubens, p ain tin g (London, C o u rta u ld Institute
J. B ru egh el, fr a g m e n t o f V enu s and C u p id in a
o f A rt, Princes G ate C o llection ) N0.30; 22,25,
P ictu re G allery, p ain tin g (Philadelphia, John
G .Johnson collection ) N0.24, 94
A n o n y m o u s, pain ting (M ainz, H .K le n k ) N o .24;
9 4 -9 5
A n o n y m o u s, pain ting (fo rm e rly O stend,
p riva te collection ) N o .24; 95
A n o n y m o u s, p ain tin g (fo rm e rly F ran k fu rt,
F.
W iesn er) N o .24; 95
A n o n ym o u s, The H ead o f C h rist and the A p ostle
stan d in g n ex t to H im , pain ting (fo rm e rly L o n ­
d on, F .A .S zarva sy) N o,24; 95
(?) V an D y ck , d ra w in g (R o tterd am , M u seu m
3 3 ,1 1 3 ,1 1 4 - 1 1 8 ,1 2 3 ,1 3 1 ,1 6 9 , 206; fig . 67
A n o n ym o u s, pain ting (fo rm e rly Berlin,
B.
W ald n e r) N0.30; 114
R ubens, d ra w in g (London, C o u rta u ld Institute
o f A rt, Princes G ate C ollection ) N o.3oa; 115,
117, 118-120, 122, 147 ;fig .6 ç
R ubens, oil sk etch (Lon don C o u rta u ld Institute
o f A rt, Princes G a te C o llection ) N o.30b; 26,
119, 120-122, 123, 124; jig.70
R ubens, Stu d y o f Three H orsem an, d raw in g
(R otterd am , M u se u m Boym an s-van Beuningen) N0.40C; 122-123, I M - f i g - 7 1
B oym an s-van B eunigen) N0.24; 95', fig j 5
P .S p ru yt, etching, N0.24; 95
F.Eisen, en gravin g, N o.24; 95
J .H u n in , en gravin g, N o.24; 95
J .L .K ra fft, en gravin g, N o.24; 95
A .C a rd o n , en gravin g, N o.24; 95
T H E C O N V E R S I O N O F ST P A U L , N o .J I
R ubens, pain ting (fo rm e rly B erlin , Kaiser Friedrich -M u scu m ) N 0.31; 22, 33, H 3, 114, 117,
123-129, 130, 131, 169; fig -74
(?) A . van D iep cn b eeck , pain ting in grisaille
(fo rm e rly th e E arl o f N o rth u m b e rlan d )
C h r is t ’s c h a r g e t o
p e t e r , N 0.25
R ubens, d ra w in g (W h erea b o u ts u n kn o w n )
N 0.25; 26, 99-100
A fte r R ubens, d ra w in g (H am b u rg, K un sth alle)
N0.25; 9 9 ; fig -56
A n o n y m o u s, d ra w in g (Paris, L o u v re , C ab in et
des Dessins) N0.25; 99
400
N 0 .31; 123
A n o n ym o u s, p a in tin g (W in terth u r, O . R ein ­
h ard t) N 0 .31; 123
A n o n ym o u s, pain ting (P am plona, Bandres col­
lection) N 0 .31; 124
A n o n ym o u s, pain ting (G h ent, St Bavo) N 0 .31;
124
I N D E X II : S U B J E C T S
A n o n ym o u s, pain ting (exclu d in g the ligu res on
the le ft o f the original com position) (w h ere­
abou ts u n kn ow n ) N o .31 ; 184
A n on ym ou s, d raw in g (fo rm e rly A n tw e rp ,
A n on ym ou s, pain ting (M elk , A b b ey) N o.6; 39,
41, 4 3 : f i g -9
A n on ym ou s, pain ting (D u n kirk, M usée des
B eaux-A rts) N o.6; 39
A n on ym ou s, pain ting (Besançon, M usée des
S .H artveld ) N0.31 ; 124
B eaux-A rts) N o.6; 39
S. a B olsw ert, en gravin g, N o .31 ; 124
M o n o g ra m m ist RvB (?), painting (w h ere­
Rubens, oil sketch (O xford, A sh m olean
M useu m ) N o.31a; 129-131 ; Jig-7}
abou ts u n kn ow n ) N o.6; 39
A n on ym ou s, pain ting (form erly A n tw e rp ,
T H E C O N V E R S I O N O F ST R A U L , N 0.32
S .H artveld ) N o.6; 39-40
A n o n ym o u s, d raw in g retou ch ed by Rubens
(Paris, L o u v re, C a b in et des Dessins) N o .32;
113, 13 1-13 1: f ig -13
A n on ym ou s, pain ting (form erly Sir Ian W a l­
ker, Bart.) N o.6; 40
(?) L. V o rste rm an , d raw in g, retouched by R u ­
T H E D E S C E N T OF T H E HOI . Y S P I R I T , N 0 . 2 7
Rubens, pain ting (M unich, A lte Pin akoth ek)
N o .2 7 ;2 i,6 6 , 103-108, n o , 162, 168, 203,204;
bens (R otterd am , M useu m Boym ans-van
B euningen) N o.6,1; 27, 41, 42-43, 109; Jig. 10
L. V o rste rm an , en gravin g, No.6a ; 4 1 , 42,4 .3;
fig -1 '
fig. 6°
W . van H erp, pain ting (fo rm e rly Friar's H ouse,
H ereford , M rs. G rev ille Phillips) N o .27; 103
T H E H O L Y WO MF . N A T TUP. S E P U L C H R E , N 0 . 7
A fte r Rubens, pain ting (M elk, A b b ey) N o.7; 41,
A n on ym o u s, pain ting (w h ereab o u ts u n kn ow n )
4 3 ; f i g -9
N o .27; 103
M .H err, d ra w in g (Basle, K u n stm u seu m , K u p ­
T H E I N C R E D U L I T Y O F ST T H O M A S , N 0 . 1 8
R ubens, pain ting (A n tw erp , K on in klijk
ferstich k ab in ett) N0.27; 103
M u seu m v o o r Schone Kunsten) N0.18; 22,
W o rk sh o p o f N .T essin , ju n ., d raw in g (Stock­
h o lm , N ational M useum ) N o.27; 103
23, 25, 41, 47 57, 62, 81-88, 93, 96 , 9 7 i fig - 4 s
P. Pontius, rew o rk e d by R ubens, d raw in g (L o n ­
Frans II Francken, fra g m e n t (through d oorw ay)
don, British M useum ) N o.27a; 27, 108-110;
o f A B a n qu et in the H ou se o f B u rg om a ster
fig .6 2
R o e k o x , pain ting (M unich, A lte Pin akoth ek)
No. 18; 81 ; f ig .46
P .P on tiu s, en gravin g, N o.27a; 106; 107, 108,
<09', fig-6 J
G.
T H E D E S C E N T O F H O L Y S P I RI T ,
No.28
Rubens, pain ting (w hereab outs u n kn ow n )
N o.28; 107, 1 10
T H E G I V I N G O F T H E KE Y S ,
d em y o f Arts) No. 18; 81 :Jig.4^
A n o n ym ou s, pain ting (A n tw erp , M useu m
Plantin M oretus) No. 18; 81
A p o n ym ou s, pain ting (w hereab outs un kn ow n )
No.2J
Rubens, p ain tin g (Berlin, D D R , Bode M useum )
N0.23; 22, 57, 83, 87, 91-94, 96, 100; Jig. y3
A n o n ym o u s, pain ting (Brussels, N otre D am e
N 0.18; 81
A n o n ym ou s, p a in tin g (form erly Brussels, J. Duw aert) No. 18; 81
A n o n ym ou s, partial copy o f the H ea d s o f the
de la C h a p e lle ) N o.23; 91, 93
B.
T h o m as, fra g m e n t o f T h e S tu d io o f a Voung
p a in te r , pain ting (form erly H on olu lu , A ca­
Beschey, pain ting (M adrid, private co llec­
Y o u n g A p o stle in the fo r e g r o u n d a n d S t P eter,
pain ting (fo rm e rly H am b u rg, G .A .R e m é )
tion) N o. 23; 91-92
A n on ym ou s, pain ting (fo rm e rly L em on co llec­
N o .18; S r . f ig .4 9
J. D an hauser, d ra w in g (Vienna, A lb ertin a)
tion) N o .23; 92
N 0.18; 82
P. de Jode, en gravin g, N o .23; 91
P .S p ru yt, etching, No. 18; 82
R ubens, S tu d y f o r the H ea d s o f T w o dpostl« , oil
T H E H E A L I N G O F T H E L A M E M A N , N 0.33
R ubens, d ra w in g (R otterd am , M u seu m Boym ans-van Beuningen) N0.33; 26, 133-135;
f ig -17
THE H O L Y W O M E N AT THE S E P U L C H R E ,
N o .iS a ; 87; fig .4 9
THE RE SUR RE C TI ON OF C HRI ST, N o .l
No.6
R ubens, pain ting (Pasadena, C alif. N orton Si­
m on M u se u m o f A rt) N o.6; 21, 22, 39-42, 43,
136: fig s.fi, 12, i j
sketch (fo rm e rlv H am b u rg, G .A .R e m é )
Rubens, p ain tin g (A n tw erp , C a th ed ra l) N o .i;
22, 23, 25, 31-34, 36, 40, 70, 71, 119, 192; fig -J
A. d el A rco, pain ting (M adrid, D u q u e d e l Infantado) N o.i ; 31
4 01
I N D E X II : S U BJ E C T S
G. A . Pianta, pain ting (M ilan, private collection)
N o .i; 31
R E P R E S E N T A T IO N S
OF T H E V IR G IN
A n o n y m o u s, pain tin g (Lyrestad, Sw eden)
Parish C h u rch , N o .i ; 31
A n o n y m o u s, d ra w in g (W o lve rh a m p to n , A r t
THE A N N U N C I A T I O N OF THE D E A T H
OF T H E V I RG I N, N 0 .3 4
G a lle ry ) N o .i ; 31
A n o n y m o u s, e m b ro id e ry on the reverse o f a
R ubens, p ain tin g (London, C o u rta u ld Institute
o f A rt, Princes G ate C o llection ) N0.34; 135—
ch asu b le (A n tw erp , C ath ed ral) N o .i ; 31
S.
a B o lsw ert, e n gravin g, N o .i ; 31
M .K ü se ll, e n gravin g, N o .i ; 31
T H E S U P P E R A T E MMA US ,
N0.8
R ubens, pain tin g (Paris, St Eustache) N o .8; 22,
25, 43- 48 , 41. 49 , 152; f ig .1 4
137; fig -79
(?) F .L u y ck x, pain tin g (Prague, N ation a l G al­
lery) N0.34; 135, 136; fig .8 o
A n o n y m o u s, p ain tin g (Prague, N ation al G a l­
lery) N0.34; 135
A n o n ym o u s, pa in tin g (fo rm e rly in the collec­
A n o n y m o u s, p ain tin g (M adrid, Palacio de Liria,
tion o f M m e . K .O o m s-v a n Eersel) N0.34;
A lb a C o llection ) N o .8; 43-44
(?) R .T assel, pain tin g (Troyes, M usée) N0.8; 44
F.
A n o n y m o u s, pain ting, (fo rm erly B erlin , Levy)
135
van den Steen, en gravin g, N o .34; 135,136;
fig -S i
N 0.8; 44
A n o n y m o u s, pain tin g w ith th e figures in halfle n g th (fo rm e rly Sharsted C o u rt, Sittingsb o u rn e, K en t, John H .R a tzer) N o .8; 44
APOSTLES SURROUNDING THE VIRGIN S’
T O M B , N 0 .3 9
R ubens, draw 'ing (Oslo, N asjon algalleriet)
N o .39; 138, 161-162 ; fig .1 0 2
A n o n y m o u s, pain tin g (R ijsbergen , Parish
C h u rch ) N0.8; 44
THE A S S UM P TI O N OF T H E VI RGI N,
A n o n y m o u s, d raw in g (Paris, L o u v re , C ab in et
des Dessins) N o .8; 44
C o lle ctio n o f H .M . th e Q ueen) N o .35; 25,
W .S w a n e n b u rg , e n gravin g, N0.8; 44, 46, 47;
138, 140, 141, 144-147, 149-151, 158, 159, 168,
f i g -15
174, 182; f ig .8 j
P. v a n S om pelen , e n gravin g, N o.8 ; 44
W . H o lla r, e n gravin g, N o .8; 44
A .L o m m e lin , e n gravin g, N o .8; 44
T HE S UP P E R AT EMMAUS,
A n o n ym ou s, pain ting (fo rm e rly L o n d on , W . Sabin) N o .35; 144
A n o n y m o u s, pain ting (w h erea b ou ts u n kn ow n )
N 0.35; 144
N0.9
R ubens, p ain tin g (M adrid, Prado) N0.9; 21, 22,
A n o n ym o u s, p ain tin g after th e u p p e r h a lf o f
th e com position , (W ilto n H ouse, W iltsh ire,
25, 4 5, 4 7, 48-52; f ig .1 6
th e E arl o f P e m b ro k e ) N o .35; 144
A n o n y m o u s, p a in tin g (El Escorial, M useos
N uevos) N0.9; 48
A n o n y m o u s, pa in tin g o f th e lo w e r h a lf o f the
com position (w h ereab ou ts u n k n o w n ) N0.35 ;
A n o n y m o u s, p ain tin g (M adrid, C o n v e n t o f the
144
D escalzas Reales) N0.9; 48
A n o n y m o u s, p ain tin g (fo rm erly A n tw e rp ,
(?) A . van D iep en b eeck, pain tin g (fo rm e rly
L o n d on , P .L arsen) N 0.35; 144
A . T roost) N 0.9; 48
M . II G h eeraerts, p ain tin g in grisaille (Chokier,
C h u rch o f St M arcellinus)
N 0.9; 48
H . W itd o e c k , d ra w in g (Florence, U ffizi, Gabin e tto D isegni e Stam pe) N0.9; 48, 188;
fig -i 7
A n o n y m o u s, d raw in g (w h ereab o uts u n kn ow n )
N o,9 ; 48
H.
W itd o e c k , e n gravin g, N0.9; 48; f i g .i S
E n gra vin g pu b . b y V a n M erlen , N0.9; 48
H.
W itd o ec k , P r o o f o f en gravin g, reto u ch ed b y
R u bens (Paris, B ib lio th èq u e N ationale)
N o.9a ; 27, 52-53; f ig . 19
H . W itd o e c k , ch iaroscuro e n gravin g, N o.9a; 52
402
N0.35
R ubens, pa in tin g (London, B u ck in g h a m Palace,
S.
a B o lsw ert, en gra vin g, N 0.35; 14 4 ', f i g M
C. G a lle, e n gra vin g o f th e u p p e r h a lf o f th e
com position , N 0.35; 144
T a p e stry (Ancona) N o .35; 144
THE A SSU MP TI ON OF T H E VI RGI N,
N0.36
Rubens, d raw in g (V ienna, A lb e rtin a ) N0.36;
2 5 ,1 3 8 ,1 4 6 - 1 4 9 ,1 5 9 ,1 7 4 , 194',fig -86
THE A S SU MP TI ON OF THE V IRGI N, N 0 .3 7
Rubens, pa in tin g (V ienna, K unsthistorisches
M useu m ) N 0.37; 25, 26, 1 3 8 ,1 4 1 ,1 4 5 , 147,
149-157, 174, 192; fig-87
A n o n ym o u s, p ain tin g (A n tw erp , St C h arles
B o rrom eo) N 0.37; 149; f i g . n o
I N D E X II : S U B J E C T S
Rubens, S tu d y o f on O ld M a n b e n d in g fo r w a r d ,
d ra w in g (Vienna, A lb ertin a) N o j z a ; 27,
153-154; f i g -92
Rubens, S tu d y o f a Voiih# M a n lea n in g fo r w a r d ,
d raw in g (Vienna, A lb ertin a) N o.37b; 2 7,15 3 ,
(D resden, K u p fcrstich kab in ett) N o.37c; 27,
1 5 5 1f i g -92
R ubens, S tu d y o f T w o Y o u n g M a n lo o k in g u p ­
w a r d s , d ra w in g (C a m b rid ge, Mass. F ogg A r t
M useu m ) N o.37d ; 27, 155-156, 172; fig .9 5
A n o n y m o u s, T w o H ea d s, d ra w in g (form erly
Kassel, J.-W .N ah l) N o.37d; 1 5 4 ,15 5 ;fe -9 |
R ubens, S tu d y o f D r a p e r y , d raw in g (C am b rid ge,
M ass., Fogg A rt M useu m ) N o .37e; 27, 156;
f i S -96
R ubens, S tu d y o f a Y o u n g W o m a n w ith ra ise d le ft
Arm , d ra w in g (W ash in gton , N ation al G a llery
o f A rt) N o.37f; 157; fig. 94
litz) N o.41 ; 164
A n o n y m o u s, d raw in g (Vienna, A lb ertin a)
(?) P. Pontius d ra w in g (E nglan d, private co llec­
tion) N o.4 1 ; 27, 164, 169
P .P ontiu s, en gravin g, N o.41; 27, 164, 167;
fig. tot]
C .J .Jegh e r, w ood cu t, N 0.41; 164
P. Pontius, e n gra vin g retou ch ed b y Rubens
(G hent, U n iversity Library) N o .a ia ; 168-169;
Jig. 107
T H E A S S U M P T I O N OF T HE V I R G I N , N 0 .4 2
Rubens, p a in tin g (A u gsb u rg, H eilig-K reuzKirche) N o.42; 9, 26, 138, 141, 169-171, 174;
fig .1 1 2
A n o n y m o u s, A p o s tle Seen f r o m B ehin d Lookin g
in to the S a rco p h a g u s, d ra w in g (C op en h agen ,
N0.38
R ubens, pain ting (Brussels, M usées R oyaux des
B eau x-A rts) N o .38; 26, 138, 140, 145, 147,
15 7-16 1, 170, 17 4 ; fig .ç S
E.
W .S trach an ) N o.41; 164
A n on ym ou s, pain tin g (fo rm e rly Berlin, G.R och-
N o .41 ; 164
154-I55, 156, 17 2 ',fig.L)1
R ubens, S tu d y o f A r m s a n d H a n d s, d raw in g
T H E A S SU M P T I O N OF THE V I RG I N,
A n o n ym o u s, pain ting (form erly Bristol,
D elacroix, pain ting (w h ereab ou ts u n kn ow n )
N0.38; 157
A n o n ym o u s, oil sketch o f the lo w e r h a lf o f c o m ­
position (Brussels, p rivate collection ) N o .38;
Statens M useu m fo r Kunst, K on gelige Kobb erstik sam lin g, ‘ Rubens C a n to o r’) N o .42;
169
A n o n ym o u s, B ea rd ed A p o stle loo kin g u p w a rd s,
d raw in g (w hereab outs u n k n o w n ) N o.42; 169
A n o n y m o u s, Y o u n g A p o stle lo o k in g in to the
T o m b d raw in g (E ngland, private collection )
N o.42; 169
(?) R ubens, Study o f the H ea d s o f T w o B earded
157
A p o stle s, oil sketch (C apesth orn e H all,
T H E A S S U M P T I O N O F T H E V I R G I N , N 0 .4 O
R ubens, pain ting (Schleissheim , N eu es Schloß)
N0.40; 26, 138, 139, 141, 161, 162-163; f ig . 104
W .P a n n e e ls, etching, N o.40; 162; f ig . i p ]
T H E A S S U M P T I O N O F T H E V I R G I N , N 0 .4I
R ubens, p ain tin g (D ü sseld orf, K u n stm u seu m )
M acclesfield, Cheshire, Sir W a lte r B ro m le y
D aven p ort) No.42a: 1 7 1 - 1 7 2 ; fig .t 14
A n o n y m o u s, S tu d y o f the H ea d s o f T w o B earded
A p o stle s, pain ting (C ra w le y, Sussex,
M rs B rière Collin s) No.42a; 168, 172
THE A S SU M P T I O N OF T H E V I RG I N, N 0 4 3
N 0.41; 9, 26, 138-140, 143, 146, 162, 163-168,
R ubens, p a in tin g (A n tw erp , C a th ed ra l) N o.43;
170; 174; f i g - l 0 5
A n o n y m o u s, pain ting (H am b u rg, K un sth alle)
P. van Lint, pain ting (w h ereab ou ts u n kn ow n )
N 0.41; 163; 167; fig. 106
A n o n y m o u s, p ain tin g (oval) (w h ereab ou ts u n ­
k n o w n ) N o .4 1 ; 164
(?) P. v a n d er B orch t II (Sint-Joost-ten-N ode,
Brussels, C h u rch o f Sr. Joost) N 0 .41; 164,
N0.43; 172
J.C . N icolié, P art o f an In te rio r o f A n tw e r p C a th e ­
d r a l, pain ting (form erly A n tw e rp , Baron de
P ret van E rtb orn ) N o.43; 172
P. van L in t, A p o s tle s loo kin g into the sarcophagus,
d ra w in g (Paris, In stitu t N éerlandais, Fonda­
166
A n o n y m o u s, p ain tin g (fo rm e rly Potsdam ,
Sanssouci) N0.41 ; 164
A n o n y m o u s, pain ting (G lasgo w A r t G a lle ry
and M useu m ) N o.41 ; 164
A n o n y m o u s, pain ting (fo rm e rly C o lo gn e,
S ch m ittm an ) N 0.41; 164
A n o n ym o u s, p ain tin g (fo rm erly M arseilles,
G.
21, 26, 138, 141, 152, 159, 170, 172-178; f i g .t 16
A b eille) N o .41; 164
tion C ustodia) N0.43; 172
A n o n ym o u s, A n A p o stle seen f r o m b eh in d , d ra w ­
in g (C op en h agen Statens M u se u m fo r Kunst,
K o n gelige K o b b e rstik sa m m lin g, ‘ Rubens
C a n to o r’) N0.43; 172
A n o n ym o u s, A n A p o stle seen in P ro file on the
n ig h t (V ienna, A lb ertin a) N o.43; 172
A .L o m m e lin , en gravin g, N0.43; 172
403
I N D E X II : S U B J E C T S
C . W o u m a n s, en gravin g, N0.43; 172
THE AS SUMP TION AND C O R O N A T I O N
Rubens, o il sketch (T h e H ague, M auritshuis)
OF THE VI RGI N,
No.43a; 161, 171,173 -18 0 , 181;
N0.46
R ubens, o il sketch (Leningrad, H erm itage)
f ig . 1 20
N0.46, 23, 25-27, 138-140, 141. 145. 147> 149-
A n o n ym o u s, pain ting (W ash in gton , D .C ., N a­
iso , 152, 154, 156, 157, 173, 174, 189, 190-194;
tion al G a lle ry o f A rt) No.43a; 179;
f i S -'29
A n on ym ou s, pain ting (form erly Berlin,
fiS-12'
A n on ym ou s, pain ting (Caen, M usée des Beaux-
J .Hirsch) N o.46; 190
A n on ym ou s, pain ting (fo rm e rly M un ich , pri­
A rts) No.43a; 179
A n on ym ou s, pain ting (U .S.A., A .S .K a rlsen )
v a te collection ) N0.46; 190
No.43a; 179
A n o n y m o u s, pain ting (fo rm e rly Basle, N estel)
No.43a; 179
S.
a B olsw ert, en gra vin g, No.43a; [79; 181
(?) R ubens, oil sketch (W ash in gton D .C ., N a­
tion al G a lle ry o f A rt) N o.43b; 180-181;
Rubens, pain ting (Brussels, M usées R oyau x des
B eau x-A rts) N0.47; 195-198, 19 9 ',f ig - '3 o
P.P on d u s, en gravin g, N0.47; 195
M .v a n d en E n den , en gravin g, N o .47; 195
Rubens, o il sketch (Brussels, private collection)
f ig . 12 1
THE ASSUMPTION OF THE VIRGIN,
T H E C O R O N A T I O N OF THE VI RG I N, N 0 .4 7
N o.47a; 198; fig .13 1
N0.44
C . Fauci, en gravin g, after a d ra w in g b y L .L o ren zi, N 0.47; 198; fig . 134
Rubens, pain ting (V ad u z, C o llectio n o f the
Prince o f Liechtenstein) N o .44; 21, 26, 138,
I4I, 152, I73, I8I-I8 4, l86> I& 7 \ fig -1 2 2
T H E C O R O N A T I O N OF THE VI RG IN,
J.D an saert, painting (fo rm e rly Brussels, St.
Fried rich -M u seum ) N0.48; 21, 198-200;
C a th e rin e ’s C h u rch ) N o.44; 181,18 3
J.D an saert, pain ting (w h ereab ou ts u n kn ow n )
f i g - '32
A n o n ym o u s, T h e H ea d o f the V ir g in , pain ting
N0.44; 181
J .C ro k a e rt, pain ting (w h ereab ou ts u n kn o w n )
(fo rm e rly Paris, R .B ou ch erot) N0.48; 199
J. van Balen, pain ting (fo rm e rly B erlin , J. U n ­
N0.44; 181
V .F an ti, pain ting (Feldsberg, M oravia, N eue
ger) N o.48; 199
R ubens, o il sketch (W orcester, M ass., W o rce s­
P farrkirche) N0.44; 181
J.R einisch, pain ting (Lstibor, B ohem ia) N0.44;
N0.48
Rubens, p ain tin g (fo rm e rly Berlin, Kaiser
ter A r t M useu m ) No.48a; 200; f ig . 133
(?) R ubens, oil sk etch (fo rm e rly M unich,
181
J.B öh ler) N o.48b; 201-206; f ig . 135
A n o n y m o u s, pain ting (fo rm e rly B ilbao,
Crescencio) N o.44; 181
A n o n y m o u s, pain ting (fo rm e rly H agen , W e st­
phalia, R. Schm itt) N0.44; 181
THE VI RGI N I NT E RC E DI NG BE FO RE CHRI ST,
N o.io
R ubens, p ain tin g (w h ereab ou ts u n k n o w n , p re ­
su m a b ly lost) N o .io ; 53-55
A n o n y m o u s, p ain tin g (fo rm e rly V ienn a,
O . B erggru en ) N0.44; 181
van Pan deren , en gravin g, N o .io ; 53 if ig - t S
E.
A n o n ym o u s, painting, (w h ereab o u ts u n kn ow n )
N0.44; 181
Rubens, o il sketch (Lon d on , C o u rta u ld Insti­
tu te o f A rt, Princes G ate C ollection ) No.44a;
184-185, i 8 6 ; f i g . i 2 j
A n o n y m o u s, d raw in g, (R otterd am , M useu m
TH E LA ST JU D G EM EN T
A N D A S S O C IA T E D
E S C H A T O L O G I C A L SC E N E S
Boym an s-van B euningen) No,44a; 184
Rubens, o il sketch (N ew H aven, C o n n ., Yale
U n iversity A rt G a llery) N o.44b; 185-187;
f i S -l 2 4
Rubens, H ea d o f a W o m a n lo o k in g u p w a r d s ,
d ra w in g (Len in grad, H erm itage) No.44c;
fig -'2!
H.
W itd o ec k , d ra w in g reto u ch ed b y Rubens
(Florence, U ffizi, G ab in etto D isegni e Stam pe)
N o.44d; 27, 184, 187-189; fig .1 2 6
40 4
T H E A S C E N T OF SOULS F ROM P U R G A T O R Y ,
N0.54
Rubens, p ain tin g (Tournai, C a th ed ra l) N o .54;
21, 241-245; f ig . 173
THE A S SU MP TI ON OF T H E BLESSED,
N0.53
R ubens, p ain tin g (M unich, A lte P in akoth ek)
N o. 53, 22, 24, 208, 229, 233-238, 2 4 3 ; f ig . 1 70
A n o n ym o u s, pain ting (fo rm e rly D u c de R iche­
lieu) No. 53; 229, 234, 237
I N D U X
A n on ym o u s, part o f a pain ting (form erly G e ­
I I : S i l l $J K C T S
A n o n ym ou s, C h r is t 's T o rso , d raw in g (C o p en ­
noa, M archese Cesare D u razzo ) N o .53; 234
hagen, Statens M useu m for Kunst, k o n g e lig e
A n on ym o u s, A G r o u p o f W o m e n , d raw in g (B ru ­
K o b b erstik sam lin g, ‘ Rubens C a n to o r’)
N o .14; 64
ges, S ted elijk e M usea, S tein m etz C abinet)
R .H ynhoudts, etching, No. 14; 64-65 :/ig.*o
No. 53; 234
F. Rosaspina, en gra vin g, N o .53; 234, 238
S.
Rubens, F ig u res o f the B lessed bein g cu rr ie d u p ­
H .W itd o e ck , en gra vin g, N o .14; 65
a B olsw ert, en gravin g, No. 14; 65
w a rd s by A n g els, d ra w in g (London, British
M useu m ) N o.53a; 101, 239-240, 241 ; j ig .iy 2
R ubens, oil sketch (w h ereab ou ts u n kn ow n )
R ubens, Studies ja r G r o u p s o f the B lessed , d raw in g
A n o n ym ou s, d raw in g (C op en h agen . Statens
No. 14a; 60, 65, 67, 68-69; j i g .j i
(Hngland, private collection) N o.53b; 240-
M u seu m for Kunst, K on gelige K ob b erstik ­
241; jig . 174
sam lin g, 'R u b ens C a n to o r') No. 14a; 68;
C H R I S T A N D T H E 1*1;N i l ENT S I N N E R S ,
N o.II
R ubens, pain ting (M unich, A lte Pin akoth ek)
No. 11 ; 7, 22, 24, 54, 55-58 ;fig .2 2
A n on ym ou s, pain ting (T urin, G alleria Sabauda)
N o.i i ; 55
A n on ym ou s, painting, (C a m b rid ge, Mass.,
Fogg M u seu m o f A rt) N o .i i ; 55
A n on ym ou s, pain ting (form erly W aubachL im b u rg , T h e N etherlan ds, J. A. H einrichs)
N o .it ; 55
A n on ym ou s, pain ting (form erly G enoa,
P alazzo G avotti) N o .i 1 ; 55
J.C . Sartor, painting, go u ach e (M unich, B ayeri­
sches N atio n alm u seu m ) N o.i 1 ; 55
A n on ym ou s, d raw in g (Paris, L o u vre, C a b in et
des Dessins) N o.i 1 ; 55
A n on ym ou s, en gravin g, pub. by L au w ers and
by M. van den lin d en, N 0 .11, 55
C H R I S T T R I U M P H A N T O V E R SIN A N 1) D E A T H ,
N o .12
Rubens, pain ting (Strasbourg, M usée des
B eaux-A rts) No. 12; 7, 22, 23, 24, 34, do, 01-03,
6 5 , 70 , 7 1 1Jig-26
CHRI S T' T R I U M P H A N T O V E R SIN A N D D E A I I I ,
N 0 .I3
Rubens, pain ting (C o lu m b u s, O hio, T h e C o ­
lu m b u s G a llery o f Fine Arts) No. 13 :7 , 22-24,
34, 63-65, 70, 71; f i g -27
C H R I S T T R I U M P H A N T O V E R SIN A N I ) D E A T H ,
N0.I4
R ubens, pain ting (A n tw erp , J.D eclercq ) N o .14;
7, 22-24, 34. 59, 00, 63, 04-68, 69, 70, 7 t '.fig .2 li
A n o n ym o u s, pain ting (Lisbon, M useu N ational
de A rte A n tiga) N o. 14; 7, 04
A n on ym ou s, pain ting ( Turin, G aleria Sabauda)
N o. 14; 64
A n o n ym o u s, pain ting (fo rm e rly Brussels,
L .Seyffers) No. 14; 64
P. van Lint, d raw in g (Paris, Institut N éerlandais,
Fondation C ustodia) No. 14; 64
fiX -3.!
Rubens, oil sketch (w h ereab ou ts u n kn ow n )
No, 14b; 69
A n on ym ou s, d raw in g (C op en h agen , Statens
M useu m for Kunst, K on gelige K o b b erstik ­
sam lin g, 'R u b ens C a n to o r’) N o.14b ; 69;
fiX -33
A n on ym ou s, C h r is t's torso, d raw in g (C op en ­
hagen, Statens M useu m for Kunst, K on gelige
K o b b erstik sam lin g, 'R u b ens C a n to o r’)
No. 14b; 69; J ig .ji
CHRI ST TRIUMPHANT
OVI . l t SIN A N D D E A T H ,
N 0 .I5
Rubens, pain ting (form erly Potsdam , Sans­
souci) N 0.15; 7, 22-24, 34. 69-70, 7 f , f i g -34
T H E EAI . L O F T H E D A M N E D , N 0 . 5 2
Rubens, pain ting (M unich, A lte Pin akoth ek)
N o .52; 9, 22,2 15, 216, 217, 219-232, 234, 239,
240 : Jig. i jti
A n on ym ou s, pain ting (A achen, S u erm on d t
M useu m ) N o .52; 208, 209, 219, 228-230, 237;
f ix - w
A n on ym ou s, G r o u p o f D a m n e d S o u ls a n d D em on s,
d ra w in g (Lon don British M useu m ) N0.52;
2 19-220, 230-232 ; Jig. 1 60
A n on ym ou s, G r o u p o f D a m n e d S o u ls a n d D em o n s,
w ith a m a n y h ea d ed D ra g o n , d raw in g (London,
British M useum ) N o .52; 220, 230-232;
f ig . 161
A n on ym ou s, G r o u p o f D a m n e d S o u ls a n d D em on s,
d raw in g (London, British M useu m ) N o .52;
220, 230-232; fig. 162
A n on ym ou s, G r o u p o f D a m n e d S o u ls a n d D em o n s,
d ra w in g (L on d on British M useu m ) N o .52;
220, 230-232; Jig. 1 6j
A n on ym ou s, G r o u p o f D a m n e d S o u ls a n d Demons,
d raw in g (London, British M useu m ) N o .52;
220, 230-232; jig. 164
A n on ym ou s, Group o f D a m n e d S o u ls a n d D em on s,
d raw in g, (O ttaw a, N ation al G a lle ry o f C a n a ­
da) N o ,52; 220-221, 230-232
405
IN D E X I I : S U B J E C T S
A n o n y m o u s, G r o u p o f D a m n e d S o u ls a n d D em o n s,
A n o n ym o u s, A fig u r e seen f r o m the back w ith his
d ra w in g (w h ereab ou ts u n kn ow n ) N o .52;
le ft A r m ben t o v er his H ea d , d raw in g (C op en ­
221, 230-232
h agen, ibid., ‘R ubens C a n to o r’) N o .52; 222
A n o n y m o u s, G r o u p o f D a m n e d S o u ls a n d D em o n s,
d ra w in g (fo rm e rly L o n d on , V .K o c h ) N o .52;
221, 230-232
A n o n y m o u s, G r o u p o f D a m n e d S o u ls a n d D em o n s,
d ra w in g (w h ereab ou ts u n k n o w n ) N o .52;
221, 230-232
A n o n y m o u s, G r o u p o f F iv e D a m n e d S o u ls, to r­
m en ted by B easts, d ra w in g (N ew Y o rk , Pier­
p o n t M o rga n L ib rary) N o .52; 221, 231
A n o n ym o u s, G r o u p o f L io n s a n d D em o n s to rm en ­
tin g S o u ls in the H e ll, d ra w in g (fo rm e rly Paris,
L .H u te a u ) N o .52; 221, 231, 233
A n o n y m o u s, A d ev il A s tr id e a M a n seen f r o m be­
h in d , d raw in g (fo rm e rly Kasteel H ey en, L im ­
b u rg, T h e N eth erlan ds) N0.52; 221, 231, 233
A n o n y m o u s, F o u r F ig u re s tu m b lin g H ea d d o w n ­
w a r d s , d raw in g (Lon don B ritish M useu m )
N 0.52; 221, 233
A n o n y m o u s, A N u d e M a n to rm en ted by D em o n s,
d ra w in g (O xfo rd, A sh m o le a n M useu m )
N 0.52; 221
A n o n y m o u s, A D r a g o n ’s H ea d , d raw in g (D ublin ,
N ation al G a lle ry o f Ireland) N o .52 ; 221
A n o n ym o u s, A V e r y F a t M a n , d ra w in g (C op en ­
hagen, ibid., ‘R u bens C a n to o r’) N o .52; 222
A n o n ym o u s, A G r o u p o f F ig u res to rm en ted by
D em o n s, d raw in g (C op en h agen , ibid., ‘ R u ­
b ens C a n to o r’) N o .52; 223
A n o n ym o u s, Two F ig u re s a tta ck e d by D em o n s,
d ra w in g (C op en h agen , ibid., ‘ Rubens C a n ­
to o r’) N0.52; 223
A n o n ym o u s, A G r o u p o f F ig u re s to rm en ted by
D em o n s, d ra w in g (C op en h agen , ibid., ‘R u ­
b ens C a n to o r’) N0.52; 223
A n o n ym o u s, T w o F ig u re s f a llin g H ea d lo n g , d ra w ­
in g (C op en h agen , ibid., ‘R ubens ca n to o r’)
N 0.52; 223
A n o n ym o u s, Two F a llin g W o m e n p u lle d D o w n ­
w a r d s by a D em o n , d raw in g (C op en h agen ,
ibid., ‘R u b ens C a n to o r’) N o .52; 223
P .S o u tm a n , A M a n y -H e a d e d D r a g o n a n d the
F ig u re s su r r o u n d in g it, en gravin g, N o .52; 216,
223, 231
R. V a n O rle y , etching, N0.52; 223
A n on ym ou s, A G r o u p o f A n im a ls a n d D em o n s
to rm en tin g S o u ls, en gravin g, N0.52; 223
A n o n y m o u s, A D e v il w ith B a t’s W in g s a n d a M a n
Rubens, S tu d ie s f o r a L ion H u n t a n d o f a la rg e D r a ­
f a llin g b a c k w a rd s, d ra w in g (w h ereab o u ts u n ­
g o n a n d str u g g lin g A n im a ls a n d F ig u re s, d raw in g
k n o w n ) N o .52; 222
(London, B ritish M useu m ) N o.52a; 161, 232-
A n o n y m o u s, d raw in g after th e m ain d e m e n ts
in th e com position (Paris, In stitu t N é er­
landais, Fondation C ustodia) N o .52; 222, 232
A n o n y m o u s, A W o m a n p u lle d str a ig h t d o w n ­
233, 239, 2 40 ; fig .1 6 9
R ubens, S tu d y o f a N u d e M a le F ig u re to rm en ted
by a D em o n , d ra w in g (London, V ictoria and
A lb e r t M useu m ) N o.52b; 233; f ig . 1 5 j
w a r d s by her H a ir, d ra w in g (Paris, Institut
N éerlandais, Fondation Custodia) N o .52; 222
A n o n y m o u s, d raw in g o f th e m ain ele m e n ts in
th e com position (M unich, Staatliche G rap h i­
sche S am m lu n g) N o .52; 222, 232
A n o n y m o u s, A G r o u p o f D a m n e d S o u ls a n d D e ­
m o n s, d raw in g B erlin , Staatliche M useen
Preußischer K u ltu rb esitz, (K u pferstichkab i­
n ett) N 0.52; 222
A n o n y m o u s, G r o u p o f L ion a n d D em o n s to rm en ­
THE LAST JUDGEMENT
( ‘ G R E A T ’),
N0.49
Rubens, p ain tin g (M unich, A lt e Pin akoth ek)
N0.49; 22, 24, 25, 33, 62, 66, 72, 105, 201-206,
207, 210, 211, 212, 2t3, 215. 216, 218-219, 243;
f i g -137
A n o n ym o u s, p ain tin g (form erly Leip zig,
Franke) N0.49; 201
A n o n y m o u s, Two M e n a n d a S k u ll, p ain tin g (for­
m e r ly T e l A v iv , E .K erts) N0.49; 201
tin g S o u ls in H ell, d ra w in g (C op en h agen , Sta­
A n o n ym o u s, G r o u p o f s ix fig u r e s o f the B lessed ,
tens M u seu m fo r K unst, K on gelig e K obber-
d ra w in g (C op en h agen , Statens M u se u m for
stiksam lin g) N0.52; 222
A n o n y m o u s, A W o m e n p u lle d d o w n w a r d s by a
D em o n , d raw in g C o p en h agen , ibid., ‘ Rubens
C a n to o r’) N o.52, 222
A n o n y m o u s, T w o D em o n s, d raw in g (Copen-
K unst, K on gelig e K ob b estik sam lin g, ‘R ubens
C a n to o r’) N0.49; 201
A n o n ym o u s, D e v il d r a g g in g a w a y T w o F ig u re s,
d ra w in g (C op en h agen , ibid., R u b ens C a n ­
to o r’) N0.49; 201
gagen , ibid., 'R u b ens C a n to o r’) N0.52; 222
A n o n ym o u s, T h ree d a m n ed fig u r e s , d raw in g
A n o n ym o u s, G r o u p o f v e ry F a t F ig u re s, d raw in g
(C op en h agen , ibid., ‘R u bens C a n to o r’)
(C op en h agen , ibid., ‘ R ubens C a n to o r’)
N0.52; 222
406
N0.49; 201
A n o n ym o u s, A rig h t F o o t o f a M a le F ig u re , d raw -
I N D I' X I I : S U K J F C T S
the com position , (form erly Prague, C o u n t
in g (C op en h agen , ibid., ‘ Rubens C a n to o r’)
N o .49; 201
F .-A .N o w o kra d skv ) N o .51; 214
(?) R ubens, m o d e llo (D resden, G e m ä ld e ­
T. G éricau lt, G r o u p o f F ig u res, d raw in g (Stan­
ford U niversity M useum ) N o .51; 214
galerie) N o .49a; 206-209, 212, 219; fig. 1 f l
A n on ym ou s, pain ting (S tockh olm , N ational
T. G éricau lt, G r o u p o f F ig u res, d raw in g (Paris.
P .D u b a u t) N o .51 ; 214
M useu m ) No.49a; 207
J. de Bisschop, d ra w in g (Paris, Institut N éer­
J.Su yd erhoef, en gravin g. N o .51: 214, n o :
landais, Fondation Custodia) No.49a; 207,
fig ‘ M
R ubens, A \tide Figure fa llin g b a ck w a rd s, d ra w ­
209
(?) J. de Bisschop, d raw in g (M unich, Staatliche
in g (C a m b rid ge, F it/w illiam M useum )
N o .5 ia ; 218; J ig .i j)
G raph isch e S am m lu n gen ) N o.jo a ; 207, 208
A n on ym ou s, d raw in g (C op en h agen , Statens
Rubens, A X u d e F ig u re w ith one H a n d 011 his
M u seu m fo r K unst, K on gelige K obberstik-
H ead tu m b lin g d o w n w a r d s , d raw in g (Vienna,
sam lin g, ‘ Rubens C a n to o r’) No.49a; 207
A lb ertin a) N o.51b ; 218-219; f i g .i j o
Rubens, A n g e ls e sco rtin g the B lessed to P a ra d ise,
w ith tin A d o r a tio n o f the M a g i, d raw in g (L on ­
d on, C o u rta u ld Institute o f A rt, Princes C a te
C o llection ) N o.49b; 72, 209-210, 249; fig. 141
Rubens, A n g e ls e sco rtin g the B lessed to P a ra d ise.
d ra w in g (N ew Y ork, T h e Frick C ollection )
N0.49C; 72, 210-212, 216, 239; fig. 142
HIE
R E S l R R E C I El) C H I U S I
I T U I M l> 11 A N I ,
N 0 .I6
Rubens, pain ting (Florence, Pala/zo Pitti)
N o .10: 7, 23, 24, 34, 70-71. 7 2 : Jig -.lt
Rubens. An A d u lt A n g el, d raw in g (S tockh olm ,
N ation alm u seu m ) N o .10.1; 71-72 ; fig. ; -
T H E L A S T J U D G M E N T , N0.5O
R ubens, pain ting (fo rm erly Brussels, M. Ro­
byns) N o .50; 25, 209; 212-213
A n on ym ou s, painting, grisaille (Sigm aringen,
SAINTS AN D OTHKR
RELIGIOUS SUBJECTS
Schloß) N o .50; 212 ; Jig. 14 )
C .V isschers, en gra vin g, N o .50; 208, 209, 212;
T H E L A S T J U D G E M E N T , ( ‘ . S M A L L ’ ),
T H E G L O R I F I C A T I O N ( >F I H L 1.1 ( I I A IU S I ,
N 0 .I7
j i g - 144
N0.5I
R ubens, pain ting (M unich, A lte P in akothek)
N0.51 ; 22, 25, 204, 210, 2 1 1, 213-218, 225, 226,
227, 230, 235, 241 ; Jig. 146
(?) C o rn elis de V os, F ragm en t o f the so-called
‘ R u b e n s-S a lo n ’, pain ting (S tockh olm , N atio­
n alm u se u m ) N o .51; 213; fig . j 36
A n o n ym o u s, pain ting (fo rm e rly N o rth w ick
P ark , C aptain K .C . Spencer C h u rch ill) No. 51 ;
213
A n on ym ou s, pain ting (form erly B erlin, A. Reim an n ) N o .51 ; 213
A n o n ym o u s, pain ting (w h ereab o u ts u n kn ow n )
N o .51 ; 213
A n on ym ou s, G r o u p o f S tr u g g lin g F ig u res, fo r­
m e r ly Paris, H .B e rle w i) N o .51; 213
A n on ym ou s, d raw in g (M adrid Real A cad em ia
de San Fernando) N o .51 ; 213-214, 217;
f i g -147
A n o n ym o u s, d ra w in g after the lo w e r h a lf o f
G .S egh ers a lter Rubens, painting (lorm erlv
A n tw e rp , C h u rch o f the Shool C arm elites)
N o .17; 24, 02, 72-75, 78
Rubens, oil sketch (N ew Y ork, M etropolitan
M useu m o f A rt) No. 17a; 72, 73, 75-77, 78, 79,
80, 81 ; fig-40
Rubens, S tu d v o f the F ig u res o f M e lch ise d cc,
F lija h a n d A n g el, d raw in g (Vienna, A lb ertin a)
No. 17b; 78-79, 80, 81 ; tig.41
Rubens, S tu d y fo r three or fo u r S a in ts, d raw in g
(Vienna, A lb ertin a) No. 17c; 79, 80; fig-42
R ubens, T h e R esu rrecte d C h r ist Triumphant,
d ra w in g (Stockh olm , N ation alm u seu m )
N o .i7 d ; 79, 80; fig.44
R ubens, S tu d y fo r M e lch ise d ec , F.hjah, an A n g el
a n d C h r is t, d raw in g (form erly London,
L.B u rch ard ) N o .17e; 80-81; fig .42
ST J O H N T H E B A P T I S T ,
No.2
Rubens, pain ting (A n tw erp . C ath ed ral) N o .2;
22, 25, 34- 35, f l ; Jig-4
the com position (C h atsw o rth , D erbysh ire,
D u k e o f D evon shire) N o .51; 214
J.Jordaens, T h e F ig u re o f C h r is t, d raw in g
(w h erea b o u ts u n k n o w n ) N o .51; 214
A n on ym ou s, d raw in g after the lo w e r h a lf o f
ST M A R T I N A ,
N0.3
Rubens, pain ting (A n tw erp , C ath ed ral) N o .3;
22, 25, 32, 35- 37, 38; Jig.t
A n o n y m o u s, d ra w in g (C op en h agen , Statens
407
I N D E X II : S UB J E C T S
M u seu m for Kunst, K ongelige K obberstiks am lin g ; 'R u ben s C an to o r’) N o .3; 35-36
S. a B olsw ert, St Barbara, engraving, N o .3 ; 36
L . V o rste rm an , St Catherine, engraving, N o .3 ;
36;.fe-7
TWO
AN GELS G U A R D I N G T H E TOMB
CHRIST,
OF
N0.4
R ub ens, painting (A n tw erp, C athedral) N o .4;
22, 25, 37 -38 ; Jig .i
PORTRAITS
PORTRAIT
OF A D R I A N A P E R E Z ,
No.20
PORTRAIT
OF NI CO LA S
ROCKOX,
N 0 .I9
R ubens, pain ting (A n tw erp, K o n in k lijk M u ­
seum vo or Schone Kunsten) N o. 19 ; 22, 25,
87-89, 93 ; fig-50
P .M .D e lafo n tain e , painting (C ray, H auteSaône, M usée Baron M artin) N o .19 ; 87
B aron D enon, painting (form erly Paris, Baron
Denon) No. 19 ; 87
A nonym ous, painting (A n tw erp, R o ck o x
House) N o .19 ; 87
A nonym ous, painting (bust lenght) (fo rm e rly
Brussels, C .L .Cardon) N o .19 ; 88
A nonym ous, painting (bust lenght) (fo rm erly
N e w Y o rk, M .I-Iorowitz) No. 19 ; 88
R ub ens, painting (A n tw erp, K on in klijk
M u seu m v o o r Schone Kunsten) N o.20 ; 2 2 ,2 5 ,
89-90, 93 ; fig - J 1
A .R o d in , painting (Paris, M usée Rodin) N o .20;
90
PORTRAIT
OF J A N
MORETUS,
N0.5
R ub en s, painting (lost) N o .5; 22, 25, 38-39
(?) W .J.H e rre y n s, pain ting (A n tw erp, C ath e­
d ral) N o .5 ; 38 ;fig-6
408
OTHER SUBJECTS
THE
ARMS
AND
ADRIANA
OF N I C H O L A S
PEREZ,
ROCKOX
N o S .2 I - 2 2
R ub en s and assistant, painting (A n tw erp ,
K o n in k lijk M useum vo or Schone Kunsten)
N o s .2 1-2 2 ; 22, 25, 9 1, 93; figs.}2a,b
Index III: Other Works by Rubens mentioned in the Text
T h e fo llo w in g abbreviations are used th rou gh ou t this in d ex:
D — d r a w in g : E — e n g r a v in g ; P — p a in tin g ; S — oil s k e tc h ; T — ta p e stry .
OLD T ESTA M EN T
Abraham, Isaac and Jacob D (Paris, M usée du
L o u vre ) 192
The Meeting o f Abraham and Melchiçedek T
(M adrid, D escalzas Reales) 50
The Braçen Serpent P (London, C ourtauld Institu te G alleries, Princes G ale Collection) 187
Samson and Delilah P (London, N ational G allery)
46, 84, 88
K ing D avid D (Paris, M usée du Lou vre) 192
The Defeat o f Sennacherib P (M unich, A l te Pinakoth ek) 1 1 6 - 1 1 7 , 119 - 12 0 , 125, 128, 225; fig.66
— D (V ienna, A lb ertina) 120
The Torments o fjo b P (lost) 2 17
— D (B orrestad , C oun t Pontus de la Gardie) 2 17
Daniel in the Lions’ Den P (W ashington, N ational
G a lle ry o f A r t 2 15
Susanna P (R om e, G alleria Borghese) m
M ARIOLOGY
The Woman o f the Apocalypse P (M unich, A lte
Pin akoth ek) 204
M adonna and Child with Female Saints P (Toledo,
O hio, T h e T o led o M u seu m o f A rt) 200
M adonna in a Flower Garland P (M unich, A lte
Pin akoth ek) 70
Penitent Saints before the Virgin and Child P
(Kassei, Staatliche K un stsam m lu n gen ) 56-57
NEW T E S T A M E N T
The Visitation D (Bayonne, M usée Bonnat) 119 ,
147
The N ativity P (M unich, A lte Pinakothek) 22, 66,
104, 203-204
— P (P resu m ab ly lost) 110
The Adoration o f the Shepherds P (Ferm o, San Filippo) 1 1 5 , 123
— S (L en in grad , H erm itage) 192
— D (A m ste rd am , H istorisch M useum ) 1 1 7 , 123
The Adoration o f the M agi P (M adrid, Prado) 86,
2 10
— P (M echlin, Sint-Janskerk) 2 10
— P (P re su m ab ly lost) 110
The Présentation in the Temple D (London, C o u r­
tauld In stitu te G alleries, Princes G âte C o llec­
tion) 119 , 147
The Circumcision P (Genoa, San t'A m brogio) 1 1 2
Return front the Flight into Egypt P (F o rm erly
N e w Y o rk, M etropolitan M useum o f A rt) 86,
88
The Preaching o f John the Baptist D (R otterd am ,
M u seu m B oym ans-van Beuningen) 12 3
The Feast ofH erod P (Edinburgh, N ational G a l­
le ry o f Scotland) 50
Christ asleep during the Storm P (D resden, S taat­
liche G em âld egalerie) 134
The Miraculous Dranght ofFishes S (Cologne,
W allraf-R ich artz M useum ) 120
— E (P .Sou tm an) 120
The Transfiguration P (Nancy, M usée des B eau xA rts) 1 1 1 - 1 1 2
The Woman taken in Adultery P (Brussels,
M usées R o yau x des B eau x-A rts de B elgiq u e) 50
Christ in the House o f Simon P (Leningrad,
H erm itage) 57
The Raising o f Laçants P (Turin, G alleria Sabauda) 134
The Flagellation P (A n tw erp, Sint-Pauluskerk) 1 1 5
The Crowning with Thorns P (Grasse, C ath ed ral)
46, m
The Carrying o f the Cross S (Copenhagen, Statens
M u seu m fo r Kunst) 186
— S (A m sterd am , R ijksm u seu m ) 186
The Raising o f the Cross P (A n tw erp, C ath ed ral)
7-8, 27, 86, 1 1 5 , 119 - 12 0 , 163
— P (lost) 2 1 1
— S (Paris, M usée du Lou vre) 192
The 'Coup de Lance’ P (A n tw erp, K o n in k lijk
M u seu m vo o r Schone Kunsten) 84, 88
Christ Crucified between two Thieves D (London,
B ritish M useum ) 109
Christ on the Cross P (A n tw erp, K o n in k lijk
M u se u m vo o r Schone Kunsten) 84, 88
The Descent fro m the Cross P (A n tw erp, C ath e ­
dral) 84, 88, 150, 163
Pietà with St. Francis o f Assisi P (Brussels, M usées
R o y a u x des B eau x-A rts de B elgiq u e 72
— E (P.Pontius) 72
The Entombment P (R om e, G alleria B orghese) n i
The Résurrection o f Christ P (M arseilles, M usée
des B eau x-A rts) 32
— P (lost) 32
— E (Breviarium Romanum) 32
The Ascension o f Christ P (Lost) 10 1
409
I N D E X III : O T H E R W O R K S BY R U B E N S
— S (V ienna, A k a d e m ie d er b ild en d en Künste)
— E (L. V o rsterm an ) 215-217
S tP e te r P (M adrid, Prado) 86
lo i
— E (B re v ia ru m R o m a n u m and M issa le R o m a n u m )
io i, 103
T h e M a r ty r d o m o f S tP e te r P (C olo gn e, SanktP eterskirch e) 27
T h e D e sc e n t o f the H oly S p ir it S (Lost) 107-108
— E (B re v ia riu m R o m a n u m ) 104, 107, 109
— D (Basle, K u n stm u seu m ) 27
T h e A s su m p tio n o f the V ir g in P (lost) 141, M3,
T h e M a r ty r d o m o f S t S le p h e n P (Valenciennes,
146 , 1 4 9 - 1 5 0
S tS im o n E (N .R yckm an s) 86
M usée des B eaux-A rts) 7, 71, 1 17
— E (Breviarium R o m a n u m and M issa le R o m a n u m )
T h e T ra n sv e rb e ra tio n o f S t T eresa o f A v ila P (lost)
141-142, 161, 168 ,‘ f ig .8 4
T h e C o ro n a tio n o f the V ir g in S (London, C o u rta u ld
S t T eresa o f A v ila In te rced in g fo r the S ou l o fB e r n a r d i-
Institute G alleries, Princes G ate C o llectio n ) 8
158-159
n u s o f M e n d o z a P (A n tw erp , K o n in k lijk M u ­
seu m v o o r Schone Kunsten) 211, 244
SAI NTS
T h e M a r ty r d o m o f S t A n d r e w P (M adrid, San
A n d rés de los Flam encos) 187
S t A u g u s tin e betw een C h r is t a n d the H o ly V ir g in P
St Thomas E (P. Isselburg) 86
— E (N .R yckm an s) 86
T he M ir a c le o f S t W a lb u r g a P (Leipzig, M uséu m
d er b ild en d en Kunst) 117, 120
T h e C o ro n a tio n o f a H oly B ishop E (P .S ou tm an ) 107
(M adrid, A cad em ie de San Fernando) 55
T h e M a r ty r d o m o f S t C a th e rin a P (Lille, M usée des
MYTHOLOGY
Beau x-A rts) 78
S t F ra n c is o f A s s is i re ceiv in g th e S tig m a ta D (BerlinD a h le m , Staatliche M useen) 147
T h e B a ttle o f th e A m a z o n s P (M unich, A lte P in ako­
— E (L. V o rsterm an ) 43
th ek) 117, 161
— D (London, British M useum ) 125
T h e L a st C o m m u n io n o f S t F ra n c is o f A s s is i P (A n t­
T h e D ea th o f A r g u s P (C ologn e, W allraf-R ich a rtz
w e rp , K o n in k lijk M u se u m v o o r Schone K u n ­
sten) 239-240
T h e M ir a c le s o f S t F ra n cis o f P a o la S (Sideley G astle,
M rs. G .D e n t-B ro ck le h u rst) 117-118
T h e M ir a c le s o f S t F ra n cis X a v ie r P (Vienna, Kunsthistorisches M useu m ) 27,150 , 157, 187, 203-204
— D (London, V ictoria and A lb e r t M u seu m ) 206
S tG r e g o r y the G r ea t s u r r o u n d e d by oth er S a in ts S
(B erlin -D ah lem , Staatliche M useen) 112
S t H elen a P (Grasse, C a th ed ra l) 111
T h e M ir a c le s o f S t Ig n a tiu s o f L oy ola P (Vienna,
K unsthistorisches M useu m ) 117,150,20 3-20 4
S tlld e fo n s o T rip ty ch P (V ien n a, K unsthistorisches
M useu m ) 27, 41, 200
— S (Len in grad, H erm itage) 200
M useu m ) 215, 225
B oreas a b d u c tin g O re ith y ia P (Vienna, A k a d e m ie
d er b ild en d en K ünste) 211, 215, 225
T h e T h ree G r a ce s S (London, D u lw ich C o lle g e
Pictu re G allery) 240-241
— D (O xford , C h rist C h u rch C o lle g e ) 241
H ercu les S u b je ct D (London, British M useu m )
240
— D (Paris, M usée d u L ouvre) 240
H ero a n d L e a n d e r D (E din bu rgh , N ation al G a lle ry
o f Scotland) 123
T h e D ea th o f F lip p o ly tu s P (London, C o u rta u ld
Institute G alleries, Princes G a te C ollection )
117, 125
— D (Bayonne, M usée Bonnat) 119, 121, 215
— E (H .W itd o e ck ) 27
T he T em p le o f J a n u s P (Lost) 33
T h e R a p e o f th e D a u g h te r s o f L e u c ip p u s P (M unich,
S t Ja m es the G r ea ter P (M adrid, Prado) 90
S t J o h n the E v a n g e list E (P. Isselburg) 86
M e le a g e r a n d A ta la n ta P (M unich, A lte P in ako­
— D (A m sterd a m , H istorisch M useu m ) 78
— E (N .R yckm an s) 86
T h e M a r ty r d o m o f S t L a u ren ce P (M unich, A lte
P in ako th ek) 27, 165
— E (L. V o rsterm an ) 27
i't M a tth e w P (M adrid, Prado) 46
S t M ich a e l s tr ik in g d o w n th e R eb elio iis A n g e ls P
(M unich, A lte Pin akoth ek) 22, 104, 106, 218
— P (lost) 225
— D (T h e H ague, P rivate C o llection ) 204;
2
f ig S .lJ - l J J
410
A lte Pin akoth ek) 57, 128
th ek) 52
T h e F a ll o f P h a eth o n P (London, Private C o lle c ­
tion) h i
P ro m e th e u s P (Philadelphia, Ph iladelp hia M u seu m
o f A rt) 215, 225
— D (Paris, M usée d u Louvre) 215, 218
T h e R a p e o f P ro se rp in a P (lost) 211
P sy ch e D (W indsor, R oyal C ollection ) 218
V e n u s a n d A d o n is P (D üsseldorf, K u n stm u seu m )
168
I N D U X I I I : O T I I K R W O R K S BY R I I B Ii N S
ALLEGORY
T h e A p o th e o sis o f the D u k e o f B u ckin g h a m S (London,
N ational G allery) 77
Vernis F rig id a P (A n tw erp , K on in k lijk M useu m
v oor Schone Kunsten) 204
P re p a ra to r y S tu d ie s f o r a M a r ty r d o m o f a Fem ale
S a in t a n d H ero a n d L ea n d er D (R otterd am ,
M u seu m Boym ans-van Bcuningen) 8, 217
TITLE-PAGES
— P (Kassel, Staatliche K u n stsam m lu n gen ) 204
A e d o y G a lla r i, Y ia g e d el In fa n te C a rd e n a l E 102
HISTORY
11. C o n te n u s , C a ten a P a tru m E 102
H .G o lt ç iu s , Y iv a e Omnium fe r e im p era to ru m im a­
The M a r r ia g e o f C o n sta n tin e S (Present w h ere ­
abou ts un kn ow n ) 211
T h e D ea th o f Decius M u s P (V ad u z, l’ rin te o f
Liechtenstein) 118, 125, 128, 131
T h e B irth o f M a r ia d e' M e d ic i P (Paris, M usée du
L o uvre) 65
T h e C o ro n a tio n o f M a r ia d e ' M e d ic i S (Leningrad,
H erm itage) 69
'Hie M a r r ia g e o f M a ria d e ’ M e d ic i S (M arquess o f
G h olm on d eley) 128-129
T h e D ea th o f M a x e n tiu s T 117
T h e R a p e o f the S a b in es P (London, N ational G a l­
g in e s E 53
H .G o lt f i u s , O p e ra O m n ia E 53
M .S a r b ie v iu s , L y rico ru m Libri 1Y E 102
ARCHITECTURE AND
SCULPTURE
'The C r o w n in g o f an A lta r Portico S (E nglan d,
Private C o llection ) 73-74
'The F ra m e o f an A lta rp ie c e D (Vienna, A lb ertin a)
77
COPIES A N D A D A P T A T I O N S
lery) 182
T h e Seven Sages d e d ica tin g a T r ip o d to A p o llo S
(Philadelphia, Philadelphia M useu m o f A rt,
Johnson C ollection ) 8
F lora F a rn ese , after antiq u e scu lpu te E (Ph. Ru­
bens, F lecto ru m L ih ri D u o ) 38
T u rkish R id e r s , after A .E lsh e im e r D (London,
British M useum ) 115, 117, 122-123
GENRE
The G a r d e n o f Love P (M adrid, Prado) 150, 182
— D (N ew Y ork, M etro po litan M useu m o f Art)
119
S h ep h erd a n d S h ep h erd ess P (M unich, A lle Pin ako­
th ek) 52
H U N T I N G SCENES
L ion H u n t P (D resden, Staatliche G e m ä ld e ­
galerie) 128
— P (M unich, A lte Pin akoth ek) 33, 125-129
— P (lost) 125
— S (Len in grad, H erm itage) 121, 130-131
— D (London, British M useum ) 33
W o l f a n d F o x H u n t P (N ew Y o rk , M etropo litan
M u seu m o f A rt) 128
'Hie B attle o f A n g h ia ri, after L. da V inci D (E din ­
b u rgh , N ation al G a llerv of Scotland) 112-113
— D (London, British M useum ) 112-113
— D (Paris, M usée du Louvre) 112-113
— D (H .M . the Q u een o f the N etherlands)
1 12-113
The T riu m p h o f C a esa r , after A. M antegna D
(Paris, M usée du Louvre) 78
T he B attle o f the L a p illis a n d the C e n ta u r s , alter
M ichelan gelo D (Paris, Institut N éerlandais) 200
— D (R otterd am , M useu m Boym ans-van
Bcuningen) 200
'T ityus, after M ichelan gelo D (Paris, M usée du
Louvre) 227
G o d the F a th er, after Pordenone D (London,
C o u rta u ld Institute G alleries, Princes Gate
Co llection ) 150,192
PORTRAITS
M I S C E L L A N E O U S S UB J E C T S
S a ra B reyll P (San Francisco, M .H . D e You n g
B attle G r o u p D (E din bu rgh , N ational G a llerv o f
M em o ria l M useum ) 43
R o g ie r C la r iss e P (San Francisco, M .H . De Y ou n g
M em o ria l M useum ) 43
T h e D u k e o fL e r m a P (M adrid, Prado) 111
STUDI ES
A N u d e M a n p a r tly seen f r o m beh in d D (O xford,
A sh m o le an M useum ) 211
Scotland) 123
C h r ist C a lle d up on on B e h a lf o f P oo r F a m ilies S
(A n tw erp , K o n in k lijk M useu m voor Schone
K unsten) 8, 54
'The G a r la n d o f F ru it P (M unich, A lte P in akothek)
70
M u sic -m a k in g A n g els P (V ad uz, Prince o f L iech ten ­
stein) 7, 193-194
411
Index IV: Names and Places
This in dex lists n am es o f artists, authors, collectors, ow ners,
historical persons and antique m odels. W orks o f art are in clu d ed ;
but, in ord er to avoid duplication, no reference is m ad e to w o rk s
by Rubens and his assistants or to the copies after these w o rk s.
A b eille, G. 164
A bresch, E u g en 63
A edo y G a lla rt 102
A elst, Pieter van
The Conversion o f Satil (tapestry after Raphaël),
Vatican, M u se u m 1 1 2 , 12 1
A gar, W . E. 132
A gn ew , T . 12 3, 164, 220, 2 21
A lb a, D u ke o f 5 1, 97
A lb e rt o f A u stria, A rch d u k e 2 1, 23, 97, 110 , 15 8 -
A ru n d e l 209, 2 13
A u gsb u rg, G e m ald egalerie 56, 162
A u gsb u rg, H eilig-K reuz-K irche 170
A u gu stu s III, K in g o f Poland and E lector o f Saxony
155
Austin
180
B ab au lt 15 2
Backer, Jaco b de
Last Judgement, A n tw e rp , K on in klijk M u seu m
159
A lb e rt o f Sachsen-Teschen, D u k e 7 1, 80, 146, 153,
v o o r Schone K unsten 24, 203, 224
154, 218
Bacon, W . R. 91
A m m an , Jo st
B aillie-H am ilton , Hon. M rs. 18 1
The Conversion o f St Paul (woodcut) 1 1 7
B ald u n g G rien , H ans
A m ste rd am , H istorisch M u seu m 78, 1 1 7 , 123
The Conversion o f St Paul (w oodcut) 1 1 5
A m ste rd am , R ijk sm u se u m 186
B ale, C h arles S. 155, 156
A n d rew s, H. C. 133
B alen, Ja n van 199
B arendsz, D irck
A ngerstein, J . J . 195
A n tw e rp
The Assumption o f the Virgin, G ouda, M u seu m
A cad em y 85
142
Churches
B arn ard , Jo h n 99, 100, 168, 184
C ath ed ral 7-8, 2 1, 26, 27, 3 1, 33, 34, 35, 54, 76, Barocci, Federico
84, 88, 1 1 5 , 1 19 - 12 0 , 14 1, 145, 14 7-14 8 , 150,
The Assumption o f the Virgin, M ilan, C ollection o f
159, 163, 170, 17 4 -17 5 , 180, 189, 19 1, 2 1 1
P rin cipe C esare di C astelbarco A lb an i 140,
Jesu its (St C h arles B orrom eo) 7, 9, 27, 32, 74,
143
77, 86, 87, 88, 10 1, 107, 14 1, 142, 143, 149, 1 5 1 St Peter and the Lame Ma?1 (fresco), V atican, Casino
152, 170, 1 7 1 , 180, 197, 198, 204, 208, 2 15 , 225
o f P iu s I V 134
R ecollects 8 1, 84, 85, 87, 88, 90, 9 1, 195, 198, B aron iu s 77
199, 201
B asle, K u n stm u se u m 27
Shod C a rm é lites 24, 62, 72, 73, 74, 76, 78, 203 Baussel, A d o lf van 61
St G eorge 66, 68
Bayonne, M u sée B onnat 119 , 12 1 , 147, 2 15
St M ichael 74, 168
B éatrizet, N icholas
St P au l 3 3 , 1 1 5
The Conversion o f StPaul (engraving after M ichelSt W alb u rg a 66, 67
angelo) 1 1 5
K on in klijk M u se u m vo o r Schone K un sten 8, 24, B eau ne, H ôtel-D ieu 224
54, 62, 77, 84, 86, 88, 150, 174, 203, 204, 206, 2 1 1 , B ed d n e ll 13 2
224, 239-240, 244
B eeck m an s 52
B eh am , B a rth e l
M u seu m Plan tin -M oretu s 34, 39, 86
M u seu m V leesh u is 1 1 3
Battles o f N ude Me?i (engravings) 118
T o w n H a ll 86
B e lla rm in e , St R o b e rt 56, 244
Apollo Belvedere (antique sculpture) 38
B en avides, M an u e l de, D u q u e de Santisteban 8
Arco, A lon so d e l 3 1
B en d er, F. 34
A rezzo, San Francesco 136
B erb ie, G. 39
A rtaria, D . 39
B erch e m , de 176
4 12
I N D E X IV : N A M E S A N D P L A C E S
B erch em , M arie van 90
B erggru e n , O scar 18 1
B ergh e, F .-J.V an d en 234, 237
B ergh e, M atthijs van den
Vision o f StLidw ina o f Schiedam, Sint-Gillis (B ru s­
sels), D iscalced C arm élites 193
B ergh e, Sibilla van den 73
B ergues, StW in n o c’s A b b e y 39
B erle w i, H enri 2 13
B erlin -D ah lem , Staatliche M usecn 50, 54, 55, 1 12 ,
147
B ernini
Conuiro Chapcl, R om e, Santa M aria délia V ittoria
153
Raimondi Chapel, R om e, San Pietro in M ontorio
B olsw ert, Schelte a 3 1, 36, 65, 10 1, 102, 124, 1 3 1 ,
144, 146, 160, 168, 178, 179, 180 ; fig.59, 84
B ontourlein, C om tesse 238
Boot, D .C o rn elia 1 5 1 , 1 5 3
Boots, Ja n 236, 238
Borcht, Pieter II van d er 164, 166
B orgo San Sepolcro, C ath ed ral 86
B orrestad, C ount Pontus de la G ardie 2 17
Bosch, H ieronym us
Fall o f the Damned, V enicc, Palazzo D ucale 224,
238
Last Judgement 24
Bosch, J. 51
B oucherot 199
B ourbon 2 13
B o u rlam aq u e 52
B out, A. 57, 58, 144
Bouts, D ieric
Ascent o f the Blessed; Fall o f the Damned, Lille,
Palais des B eau x-A rts 24, 202, 224, 238
Coronation o f the Virgin, V ienna, A kad cm ie
196
B oxberg, M. von 189
B oym ans, F .J.O . 95
B raam cam p , G e rrit 93, 133 , 184
B randt, Elisab eth van den 182
Brant, B arb ara 97, 99
B rant, Isabella 236
Breadalb ane 18 1
B rcd el, C harles A. 75
B red el, the M isses 75
Brée, Ignace van 2 12
Brescia, Pinacoteca T osio e M artinengo 49, 51
B re vll, Sara 43
B rin d l 2 12
B roeck, C rispin van den
Last Judgement, A n tw e rp , K o n in k lijk M useum
vo or Schone K un sten 24, 203, 224
Last Judgement, B russels, M usées R o yau x des
B eau x-A rts 24, 203, 224
B ru egh el, Ja n the E ld e r 5 1, 52, 57, 92, 93, 94
Battle o f the Israélites and Amalekites, D resden, Gem ald egalerie 1 1 7
The Conversion o f StPaul, w h ereabo uts un know n
153
Beschey, B alth asar 85, 9 1, 93
B cuningen , D .G . van 122, 134
B eyerlin ck, Lau ren tius 54
B iesu m , V an 238
B ingen , Pfarrkirch e 142
Bisschop, Ja n de 207-209
B lain v ille, D e 205
B le u w a rt, J. 33
B lo cklan d t, A nthonie
The Assumption o f the Virgin, Bingen, P farrkirch e
142
B lo m 177
B ock, Paul
The Assnmption o f the Virgin, N cu b u rg , Jesu it
C hurch 204
B ode, W . von 6 1, 123
Boeckhorst, Ja n 103, 189, 208, 2 15 - 2 16 , 228, 235,
236-237, 238
Penitent Saints before the Virgin and Child, v h e r e abouts u n k n o v 11 56
B ô h ler, Ju liu s 201
Bois, D u 142
B ol, Ferdinand
The Holy Wowen at the Sepulchre, C openhagen,
Statens M u seu m fo r K u n st 42
B old rin i
The Conversion o f StPaul (w oodeut after Titian)
112
B ologn a, G iovanni da
113
A ltar o f Liberty (sculpture), Lucca, D u om o 76
B ru egh el, Pieter the E ld e r 83, 92, 93
Bologna
The Conversion o f StPaul, V ienna, KunsthistoriC hurches
sches M u se u m 1 1 3
C orpu s D o m in i 25, 139, 140, 19 1
The Résurrection (en gravin g after) 32
S .G iacom o M aggiore 1 1 2
B ruges
San Paolo 243
St Salvator 32
Pieve di C ento 143
G roeninge M u se u m 24, 55, 203, 206
Pinacoteca N azion ale 140
T o w n H all 55
B ologn etti, G iovann i B attista 188
B run , L e 163, 220
413
I N D E X IV : N A M E S A N D P L A C E S
Brussels
C a th erin e II, E m p ress o f Russia
187, 190
C e re s (antique sculpture)
C h u rch es
C arth u sian
2.1, 181, 184
D iscalced C a rm e lite s
P o ggio Im p eriale
157-159
36
R o m e, V illa Borghese
K a p e lle k e rk (N o tre-D am e de la C h apelle)
V atican, M u se u m
36
38
54, 74- 91, 93- 94, 163, [64-166
S tC a th e rin e 181, 182, 184
C h âlon s-sur-M arne, M usée des B eau x-A rts
S tG u d u le
C h a m p io n , W .
St Job
94, 98, 100, 110
M usée C o m m u n a l (M aison d u Roi)
C h arles, D u c de C ro y
102
M usées R oyau x des B eau x-A rts de B elgiq u e
m en t
Budai, D r .T ib o r de
206, 217
C h o lm o n d e le y , M arquess o f
229-230, 236
128-129
Cign an i
189
B u rck h ard t-B lau , A ch ille
B u rlet, C .A . de
98
C h a tsw o rth , T ru stees o f the C h a tsw o rth S e ttle ­
110
B u ckin gh am , D u k e o f
136
178
24, C h a rle s V , E m p e ro r
47, 50, 72 ,14 0 , 203, 206, 224
B u rtin
94, 98
C h a n tilly, M usée C o n d é
126
R oyal Palace
174,
191
A s su m p tio n o f the V ir g in , N e u b u rg, Jesuit C h u rch
103
205
80
198, 201
Cigoli
B u ttery , H orace
H ea lin g o f the Lam e M a n , C arrara, A cca d em ia
S u p p e r a t E m m a u s, Florence, U ffizi 50, 51
172
26
St Peter a n d the L a m e M a n (en gravin g after)
C a lm an n , H.
240
134
C alon n e, C h . A . de
S t P e te r W a lk in g on the W a te r , C arrara, A ccad em ia
178
C a m p b e ll, John, 4th D u k e o f A r g y ll
Canisius, L ivinus
Claeissins, P.
C a p e lle , Iodoca van d er
R e su rr ec tio n , Bruges, St Salvator
74
C a p e llo , M arius A m b ro siu s
C a ra va ggio
I34 ;.fe. 7«
75
74
C-larisse, Louis
219, 226, 229
Clarisse, R o g er
25, 46
42, 43
T h e C o n v e rsio n o f S t P a u l, R om e, Santa M aria d el C la rk e , Sir Sim on
P o p o lo
In c r e d u lity o f S t T h o m a s, Potsd am , Sanssouci
85,
S u p p e r a t E m m a u s, Lo n d o n , N ation al G a lle ry
S u p p e r a t E m m a u s, M ilan , B rera
C o ck, Jerem ias
C ard o n , C h arles Leon
88, 189
C a rleto n , Sir D u d le y
C arlo s M igu el, 14th D u k e o f A lb a
C a m , Sir G u illia m
Co laes, Jan
C o ln a g h i’s
T h e A s s u m p tio n o f the V ir g in , B ologna, Pinacoteca
S an kt-P ieterskirche
240
C o lu m b a n u s d e B eren have, F.
A s su m p tio n a n d C o ro n a tio n o f the V ir g in , Bologna, C o m p o ste lla, D ,
C o rp u s D om in i
25, 139, 140, 191
C arrara, A ccad em ia
26, 134
Casale, U b erto di
196
Casey, S am u el B,
94
C o n ti, Prince de
132
C o ole, W yn an d
168
L a st J u d g e m e n t, Bruges, G roen in ge M u seu m
C o p en h a gen , Statens M u se u m fo r K u n st
94
C astelb arco A lb an i, Principe C esare di
414
165-166
150
C o orn h u ze, Jan van den
133
C asteels, P ieter
120, 215, 225
166
C o lv ille , C apt. N .
26, 140, 143
C arracci, Lo do vico
Cassirer, P.
27
W a llraf-R ich a rtz M u seu m
140
T h e A s su m p tio n o f the V ir g in , D resden , G e m ä ld e ­ C o lu m b a n u s
ga lerie
63
221
C o lo gn e
Carracci, A n n ib ale
N azion ale
93
63
C o llin s, N. B.
44
178
60, 63
60, 63, 65, 66, 67, 68, 105
C o eck e, M aria
203, 208, 212
158, 160
65
C o ck, H ieron ym us
47
95
101
187
C o b e rg h e r, W e n z e l
C o ck, D e
45
185
C le rk , G eo rg e D ou glas
C o b e n zl, C o u n t
97
C ard o n , A .
61, 144
C le m e n s, Jacques
125
32
42, 43
59, 60, 186
143
Co rd eriu s, B.
102
55
42, 47,
I N D E X IV : N A M E S A N D P L A C E S
D o n je u x, V in cen t
C o rt, C o rn elis
T h e D e sc e n t o f the H oly S p ir it (engravin g after
M .C o x cie )
R etu rn o f J a c o b ’s F a m ily f r o m E g y p t (engravin g
118
R ise n C h r is t (en gravin g after M .C oxcie)
C osw ay, R ichard
C o tte , R. d e
57
S t P e te r a n d the Lam e M a n (en gravin g after 11 Cigoli) 134
D o rm e r, C h e v alie r
D r e m e l, A.
54, 195, 2-33
129
81
D resden , G e m äld e ga le rie
131
C o xcie, M .
26, 117, 128, 134, 140,
143, 209
T h e D e sc e n t o f the H oly S p ir it (en gravin g after)
D rey, A . S.
91
D ru m m o n d
107-108
R ise n C h r is t (en gravin g after)
C o y pel, A .
132
D u b au t, Pierre
57
D u b ijk
13 r
C raig, M rs. G eorg e L.
133, 214
132
D u b lin , N ational G a lle ry o f Ireland
94
47, 50
D u b roecq , Jacques
Cran ach, L.
C h r ist T r iu m p h a n t o v er Sin a n d D ea th (engraving)
136
D u fresn e, François Ignace de
54
S u p p e r a t E m m a u s, B erlin, Staatliche M useen
D u m esn il, Frédéric
190
243
D uns, Scotland, Lan gton C astle
50
C re m o n a, M useo C ivico
C re sce n d o
D ü re r, A.
136
33
cut)
191
D ü sseld o rf
181
C ro m h o u t, J.
C apuchin C h u rch
193
108, 109, 164, 168, 169, 220
C u yp ers de R y m en a m , Baron de
C zern in , C o u n t Johann R u d o lf
F.lectoral G a lle ry
98
D u ta rtre
D a m a n t, N icolas
D a m a n t, P eter
D yce, A le x an d e r
98, 99
D an hau ser, Josef
D yck , A . van
82
181, 182, 184
D an zig, M u se u m Pom o rsk ie
202, 238
D a ven p o rt, W a lte r B ro m ley
172
D avies, Lt. C o l. T .
D avis, R, H are
D eclercq, J.
C h a tsw o rth S e ttle m e n t
m äld egalerie
123
206, 217
56
Christ a n d the P en iten t S in n e rs, Paris, M usée du
L o u v re
157,160
D elafon tain e, Pierre M axim ilien
D elah an te, A lex is
56
P o r tr a it o f N ico la s R o c k o x , Len in grad , H erm itage
87
61, 123
89
68
D en on , B aron D o m in iq u e V iv a n t
D en t-B ro ck leh u rst, M rs.G .
87
H arlom
117-118
D iep en b eeck, A b ra h a m van
50, 115,
122-123
102
Risen, F.
95
K lsheim er, A d am
170
D ishoek, E w o u t van, Lord o f D o m b u rg h
126-128
E d in b u rgh , N ational G a llery o f Scotland
123, 144
T h e A sce n sio n o f C h r ist (en gravin g after)
D ietrich, Paul Jacob
128
E d elin ck, G erard
D cscam ps 39, 85, 158, 179, 184, 199, 243
D é za llie r d ’A rg e n v ille , A .J. 227, 228
129
221, 233
56, 58, 94, 95, 125, 132, 148, 167,
C h r is t a n d the P e n ite n t S in n e rs, A u gsb u rg, G e ­
178-179
D elacroix, E u gen e
D israeli, C .R .
81
199
Antwerp S ketch b o ok, C h a tsw o rth , T ru stees o f the
64
D em id o ff, Prince
166
168
219
D u w aerts, Jules
57, 83, 93. 97, 98, 99
201, 205
22, 103, 201, 213, 219, 226-227,
234, 237
K u n stak ad em ie
39
K u n stm u seu m
D ansaert, J.
180, 181
188
T h e A s su m p tio n a n d C o ro n a tio n o f the \’ irg in (w ood-
181
C reusen , A n d re as
C ro k a e rt, J.
32
M a està , Siena, M useo d ell'O p e ra d el D u o m o
A p p e a r a n c e o f C h r is t to the V ir g in , Brussels,
K a p e lle k e rk
R esu rrectio n (sculpture), M ons, St W au d ru
D uccio
59
C raye r, C a sp a r de
C ro za t, P.
45, 47
D orign y, N icholas
107-108
after F. Floris)
6i
D ord rech t, M u seu m
61
Conversion o f S t P a u l, F rankfurt, Stadelsches
K u n stin stitu t
112, 113
415
I N D E X I V . ' N A ME S A N D P L A C E S
T h e D e lu g e , F rankfu rt, Städelschcs K un stin stitu t F ragonard, J.H . 94
C h r is t’s C h a rg e to P e te r (draw ing), w h erea b o u ts
U3
S to n in g o f S t S te p h en , E d in b u rgh , N ation al G a lle ry
o f Scotland
E nden, M artin us van den
Ernest, A rc h d u k e
E scorial
5 5 ,1 4 4 ,i7 9 > 195
nich, A lle P in akoth ek
Franke
T h e H o ly W o m e n a t the S ep u lch re, R otterd am ,
M u se u m B oym an s-van B eu ningen
42
F rankfu rt, Städelsches K u n stin stitut
Franz I, Prince o f L iech ten stein
Fraula, C o u n t de
65 ,f ig .2 o
135
201
F rom entin , E ugèn e
329
EyI Sluiter, H. van
81, 84, 86, 88; fig .4 6
Franckcnstein, Johann G o ll van
164
E yck, V an (?)
E yn hou d ts, R.
112, 113
181, 184
85
195
Frederick II, the G reat, K in g o f Prussia
164
199
F'ugger, C o u n t Johann M ax im ilian Joseph
Fanti, V in cen zo
163
Fu gger, C o u n t O tth ein rich
181, 183
Farnese C o llectio n
F aydh erbe, Lucas
R e su r r e c te d C h r is t (T o m b o f A r c h b ish o p A. C r c u se n )
(sculpture), M ech lin , St R o m u ald
Fede, A n to n io M aria
33, 34
144, 160
G alle, P.
227
T h e R e su rr ec tio n (en gravin g a fte r P. B ru egh el)
32
T h e C o n v e rsio n o f S t P a u l, Prague, N atio n a l G a lle ry
F en w ick, T .F itz ro y
210
115, 123
132
157
F lo ra F a rn ese (antique scu lptu re)
37, 3s
G ard ie, C o u n t Jacob G u sta f
71, 80
Gardie, C o u n t Pontus de la
72, 80
G eel, J. F.
Florence
34
G eel, W . van
204, 206, 215
39
G e ld o rp , G ortziu s
C h u rch es
O r San M ichele
P o r tr a its o f E lou ta p p el a n d his W ife C o rn e lia Boot,
136
Sta. M aria d el C a rm in e
L en in grad , H e rm itage
134
Floris, C o rn elis II 34; fig .2 4
B eati Servi (engravin g)
59, 60, 61
S ta tu tu m e st H o m in es (engraving)
01
P a lazzo G a vo tti
55
Sant’A m b ro g io
112
G e o rg e IV , K ing o f E n gla n d
G éricau lt, T .
Floris, Frans
A d o r a tio n o f the S h ep h e rd s, A n tw e rp , K on in k lijk
M u se u m v o o r Schone Kunsten
150, 174, 178
A s su m p tio n o f the V ir g in , w h erea b ou ts u n k n o w n
144
214
G erm an os, Patriarch o f C o n sta n tin o p le
R e tu r n o f J a c o b ’s F a m ily f r o m E g y p t (engravin g
D om in ican A b b e y
2x9
F ontaines, G illes des
F ou qu et, P.
G ilh a m , H e rb e rt
195
Foster, Richard
140, 243
Ghisi, G iorgio
R e su rr ec tio n (engravin g after G. R om an o)
118
F okke, Sim on
53-54
G hent
M u se u m v o o r Schone K u n sten
150, 174
243
G o e tk in t
124
206
H o u r s o f E tien n e C h e v a lier (m iniatures), C h a n tilly , G o ln itziu s, A b ra h a m
M usée C o n d é
136
73, 74
185
G oeth e, J.W . v o n
51
39
G odines, Ph ilip pe de
G oesin, A .
98
b ou q u et, Jean
416
153
G enoa
50, 51, 136
after)
54
Ganassini, M azzio
181,18 3
Ferm o, San Filippo
U ffizi
G a lle C .
G a lle , T h e o d o o r
107
F eld sb erg, Parish C h u rch
Casa B u on arotti
170, 171
190
198 i f ig .1 3 4
F lam en g, François
162,
204
Fasciani-Escher, A n ton io
Fauci, C a rlo
136
.4 B a n q u et in the H ouse o f B u rg o m a ster R o c k o x , M u ­
38
E w in g, W illia m
E yken s
Francesca, Piero della
Francken, Frans II
133
Este C o lle c tio n
100
158
A n n u n c ia tio n (fresco), A re z z o , San Francesco
97
48, 50
E sdaile, W .
unknow n
Francart, J.
1 1 5 ,1 2 2
G oltziu s, H u b ert
53
216
32
I N D E X IV : N A M E S A N D P L A C E S
G oltziu s, H.
H astings, Hlwin
F a ll o f the D a m n etI (en gravin g after Stradanus)
2 24
G on zag a
49
H azard, Jam es
H ealy, A .A .
185
G ood w in , W a lte r L ip p in cott
185
H ecq uet
109
184
68
108, 164
H eem sk erck , M. van
G ou d a, M u seu m
C'/irist T r iu m p h a n t o v er S in a n d D ea th , C o p e n ­
142
G ranada
hagen, Statens M useu m for Kunst
C o n v e n to de San A n to n io
H ospital del R efu gio
G ran t, W .L .
47
R esu rrectio n
47
32
H einrichs, J. A.
46, 111
55
H e lle p u tte Schollaert, G.
G reco, Hi
C o ro n a tio n o f the Virgin, Illcscas, H ospital de la
197
H éris
73, 74
107 H erp, \V. van
103
103
G reven s, A n n a
151, 155
H err, M ichael
G reven s, M aria
153
H erreyns, W .J.
G rev ille Phillips, M rs.
34,38, 39; /ig.u
H ertford , M arquis o f
03, 201
G rieberr, Benno
G risar F am ily
103
124
H eyen
221
H ey w ood H aw kins, J.
G ru p ello , G ab riel
H ib b ert, G eorge
P y ra m id (sculpture), M an n heim
217, 226
G uercin o
Hirsch, Josef
Paolo
243
H ollar, W .
164
44
H oogstraten , Sam u el van
G uerini, M archese
T he A n n u n cia tio n o f the D ea th o f the Virgin, w h ere ­
198
G u n d ack er, Prince o f
abou ts u n kn ow n
183
G u stavu s A d o lp h u s, K in g o f S w eden
G u stav III, K in g o f Sw eden
G u tm a n n , H erb e rt
H ope, H en ry
171
H oreb eke, J. van
207
H orem an s
198
207, 208, 229, 236, 237
236, 237, 238
183
H o u tap p el, Anna
H aarlem , T e y le r M u seu m
32
219, 234, 230, 237, 238
164
H am ilto n , W illia m
H am p to n C o u rt
H udson, T.
155
H unin, J.
68
151, 153
243
43, 100, 195
95
H u teau , L.
129
221
H uvbrechts, K dm ond
163
78
H an n em a n , A drian
m3
H an over, N iedersächsische Landesgalerie
118, 119
H arm an , Jerem iah
180
123
113
lllescas, H ospital de la C aridad
197
Isabella C lara Kugenia, Infante o f Spain
2 1,2 3 ,9 7 .
too, 107, 158-159
Isselburg. P.
H arrison, A n d re w s
H artveld , S.
232, 239
Huls, S. van
H am ilto n , 12th D u k e o f
H arris, G.
H uart, P.L .
H u flel, P eter van
58
H am , C a rola von
153
H o u tap p el, G od efrid u s
T h e C o n v e rsio n o f St P a u l, Prague, N arodn i G alerie
113
H ab ert, G elau d e
153
H o u tap p el, Christina
H aa rlem , C o rn elis van
136
64, 144
H ostitz, Johann
H ap p aert, J.P.
133
144
190, 193
H olford, R.S.
T h e A s ce n t o f S o u ls fro m P u r g a to r y , Bologna, San
94
2 10
H eseltine, J. P.
94, 100
164
198
H erm an s
T h e D esc e n t o f the I lo ly S p ir it, M adrid, Prado
G ros, J. A,
198
H eneage Finch, 5th Karl o f A ylesfo rd
C arid ad
59, 60
H eere, Lucas de
75 ,9 1
G rasse, C a th ed ra l
H allier
179
168
H eadfort, M arques o f
G ood w in , H en ry Sage
G ordon
123
H aurincourt, M arquis d ’
86
133
39,12 4
Hase, M axilian de
H asselaar, P .C . van
201
51
Jabach, K.
220
Jabach, G .M .
195
417
I N D E X IV : N A ME S A N D P L A C E S
L a n k r in k .P .H .
Janssens, A b ra h a m
C h r is t A p p e a r in g to the A p o stle s w ith S t T hom as,
w h erea b ou ts u n k n o w n
Jegher, C h risto ffel
Jelin ek
85
L apide, C o rn elis a
L a rp en t, Sophus
53, 164
Larsen, P au l
132
Jode, P. de
92
161
142
Lauch, C h risto p h
238
Johann W ilh e lm , D u k e o f N eu b u rg, E lecto r Pala­ L a u w ers
199
55
55, 56-57, 103, 107, 114, 163, 165, 166, 204, L aw ren ce, Sir T h o m a s
Joly, H u gu es-A d rien
L a yn ez
52
v o o r Schone K u n sten
211
L ed a (antique scu lptu re), R om e, G a lleria Borghese
41
140
S u p p e r a t E m m a u s (draw ing), Brussels, M usées
R oyau x des B e au x -A rts de B elgiq u e
47
S u p p e r a t E m m a u s, D u b lin , N ation al G a lle ry o f
Ju llien n e
244
L e a th a m , M rs. R .E .K .
6 4 ,1 1 0 ,2 1 4
T h e A s su m p tio n o f the V ir g in , G h en t, M u seu m
Ireland
1 0 8 ,1 0 9 ,1 1 8 ,1 1 9 ,1 5 5 , 209,
210, 211, 213, 220, 221, 222, 232, 239
205, 219, 227, 234
Jordaens, Jacob
240
194
144
Lasne, M ich el
Jogues, C h e v a lie r de
tine
118 ,119 ,15 5 ,15 6 ,2 2 0 ,2 2 2 ,2 3 2 ,2 3 9
L a ocoon (an tique scu lptu re)
Leersse, Sebastiaan
52
L eiffm an n , M o ritz
63
L eip zig, M u se u m d er b ild e n d e n Kunst
L e ly
47, 50
L e m p e re u r, J.D .
129
1 17,12 0
206, 207, 209
1 3 2 ,2 18 ,2 3 2
L en in grad , H e rm itage
57. 69, 12t, 130-131, 153,
192, 200
K arl-E usebius, Prince o f Liech ten stein
Kassel, Staatliche G e m ä ld e g a le rie
K eller, A lb e rt
181, 183
56-57, 204
L evy
T h e C o n v e rsio n o f S t P a u l, N u re m b e rg , C o llectio n
o f V .J .M a y rin g
L a m en ta tio n , w h erea b o u ts u n k n o w n 57
L a st S u p p e r , D o rd rech t, M u se u m 45, 47
144
204
220
64
K n o w sle y H a ll (Lancashire)
Koenings, Franz
232
rence, U ffizi
L lo y d , F.
94
L ö h r, H.
189
136
201
44, 172, 177; f i g . m
L o nd on
120, 122, 133, 184
B ritish M u se u m
3 3 ,1 0 9 ,112 -113 , n 5,12 5 ,2 4 0
C o u rta u ld Institute G alleries, Princes G a te C o l­
167
lection
123
8 ,1 1 7 ,1 1 9 ,1 2 5 ,1 4 7 ,1 5 0 ,1 8 7 ,1 9 2
D u lw ic h C o lle g e Pictu re G a lle ry
95
K reg lin ger, C h a rle s
Kress, S. H.
78, 202, 224, 238
63
63
L o m m elin , A .
94
122, 221
K ü sell, M.
71, 78, 79 ,8 0 ,19 5
64, 143, 172
L ip p m an , F.W .
180
K n igh ton , W illia m
Krafi't, J.L ,
197
T h e A n n u n c ia tio n o f the D e a th o f the V ir g in , F lo­
75
K n igh t, R. Payne
K olen yi
L ind e, M arie
L ip h a rt
K n e e lin g V e n u s (an tique scu lptu re)
K oetser, H.
105
Lippi, Filippo
K le in b e rg e r, F.
K n igh t, John
L ind e, H erm an n
Lint, P. van
61
181
K och, V .
L ier, St G u m m a ru s
L ille, Palais des B eau x-A rts
King, E d m u n d
75
44
L ign e, C h arles, Prince d e
113
K ey, W ille m
K ib b le, T h o m a s
112
L eop o ld W ilh e lm , A rc h d u k e o f A u stria
201
K eu n in ck, K erstiaen de
’ t K in t, F.
B a ttle o f A n g h ia r i (fresco), lo st
L eo p o ld II, K in g o f the Belgians
189
K ertes, E p h aim
L eon ard o da V in ci
198
M arlb o ro u g h G a lle ry
N ation al G a lle ry
180
45, 46, 77, 84, 88, 108, 182, 220
V ictoria and A lb e rt M u se u m
31
240-241
94
37,96, too, 112,
134
W illia m H allsb o ro u gh G a lle ry
L afon taine
L a m b e rh u rst (Kent), B ayh am A b b e y
L an celo tti, Lucas
L a n keren , J.B , van
4 18
Loo, H et
5 1 ,9 4 ,9 8
179
91
75
101, 123
117
L o on, T . van
T h e A s s u m p tio n o f the V ir g in , Brussels, M usées
R oyau x des B eau x-A rts d e B elgiq u e
140
I NDEX i v: N A M E S A N D P L A C E S
Lo ren zi, L o ren zo
L o skart, J.
M edici, L eop old o d c', C ard in al
198
Lorraine, C h arles o f
74
48, 187
M edici, M aria de', Q u een o f France
126-127, 129,
198
193
Lucca, D u o m o
M ed ole, Parish C h u rch
76
151
M elan, A .
135, 136, 137; fig .S o
M ella e rt
Lu cretia, M aria A n n a
Lu y ck x , Frans
54
142
133
M em lin g , Hans
Last Judgem ent, D an zig, M u seu m Pom orsk ie
A ca d e m ia de San Fernando
D escalzas Reales
M en saert, G .P .
55
Prad o
M erlen , V an
43
46, 86, 9 6 ,10 7, i n , 156, 182, 210
San A n d rés de los Flam encos
56. 58
C.
Schut)
140
85, 158, 159, 166, 184, 243
M ichelan gelo
Battle o f the Lapiths and C en taurs (sculpture), Flo­
43, 47
M an der, C . V an
rence, Casa B uon arotti
32, 59
M an n heim , E lectoral G a lle ry
M an sveld, D an iel
154
The Conversion o f St P aul (fresco), V atican, C a p ella
120
M an tegn a, A n d rea
Paolina
Bacchanal w ith a Silenus (engraving) 225
T rium ph o f Caesar, H am p to n C o u rt 78
M antua, P alazzo d el T e
M ariette, P.J.
215
Leah (sculpture), R om e, San P ietro in V in coli 38
R isen Christ (sculpture), R om e, Santa M aria sopra
231
M ark h of, M au tn er von
200
M arm o l, C o n seiller d el
244
M arseilles, M usée des B eau x-A rts
1 1 2 ,1 1 5 ,1 2 1 ,1 2 5
The Conversion o f St P aul (en gravin g after) 115
D a vid (sculpture), Florence, A ccadem ia 38
Last Judgem ent (fresco), V atican, Sistine C h apel
24, 25, 26, 202, 205, 224
52, 103, 220, 232
M ark , V an d er
M inerva
54, 57
Sistine C eilin g (fresco), V atican, Sistine C h apel
32
118
M asaccio
Life o f St Peter (fresco), Florence, Santa M aria del
C a rm in e
M aw son
M ichiels
71
M ichielsen, Jan
129
M ilan , Brera
94
M axim ilian , D u k e o f B avaria, E lecto r Palatine
25
47
M ild e rt, H ans van
73, 168
T the A ssu m ption o f the V irgin, Sint-Joost-ten-
125
M axim ilian E m an u el, D u k e o f B avaria, E lector
Palatin e
T ityus (draw ing), W in dsor C astle, R oyal L ibrary
227
134
37
M augis, A b b é
34, 54, 139
M o m p e r, Joos de
113
The Conversion o f St Paul, H an over, N ied er­
M ech el, C. van
The Conversion o f St P au l; D efea t o f Sennacherib
(engraving)
166
123, 133
M olan us, Joannes
124
M ayring, V .J.
N ood e (Brussels), C h u rch
M iles, Sir Philip
162, 163, 233
M ayer, E.J.
sächsische Lan desgalerie
M onconys, B althasar de
116
M ech lin
Ch u rch es
M on d , Sir R ob ert
155
M ons, S tW a u d ru
32
St-Janskerk
210
M o n t, F rederick
180
St R o m u ald
33, 34
M on te, C lara d el
52
M ed ici, Francesco M aria d e ’, C ard in al
M edici, F erdinando d e ’, C ard in al
205
206
M edici, F erdinando d e ’, G ran d D u k e o f Tuscany
70
204, 206, 215
Battle o fC a s c in a (draw ing), V ienna, A lb ertin a
213
58
M an teau , G alerie Louis
M attei
M eyssens, 1.
M ichel, J. F. M.
22t
219
M an, de
64
48
The A ssum ption o f the Virgin (engravin g after
187
M ainz, G em äld e g a le rie d er Stadt
M a lco lm , J.
39, 85, 87, 158, 159, 166, 184, 207
M ercês, M onastery
50
Palacio de Liria, A lb a C o llectio n
M alv é
24,
202, 238
M ad rid
M o n tesq u ieu
123
M on tarcy, L .T . de
M oran d
113
159
1 1 0 - in
61
M oretus, B althasar II
33
419
I N D E X IV : N A M E S A N D P L A C E S
M oretus, F.J.
N o rm an to n , E arl o f
34
M oretus, Jan I
25, 31, 33, 35, 36, 70, 7t
M oretus-de Pret, M aria P etro n ella
M organ -G ran ville-G avin , T . G. B.
M orritt, H .E .
M oser, K.
M u lle r
123
N orth w ick , L o rd (John R ushout)
34
18r
Nos, P. van
129
N o u ri
M oscow , Pushkin M u se u m
197
N o rth u m b e rlan d , Earls o f
85
152
N ow o k rad sk y , F.-A.
200
N utius, M artin
60
91
238
214
139
N u v o lo n e , Panfilo th e E ld er
T h e A n n u n c ia tio n o f the D ea th o f the V ir g in , C r e ­
M un ich
A lte P in akoth ek
2 2,27, 33, 52, 57,66, 81, 84, 86,
m o n a, M useo C ivico
136
104, 106, 114, 116 -117 , 119-120, 125-129, 161,
162, 165, 203, 204, 218
Bayerische S taatsgem äld esam m lu n gen
H ofgarten galerie
42, 162
O b erh o ltz e r, Hans
55, 103, 114, 166, 213, 219, 234 O g d en M ills
M u rm a n n , C h ristop h th e Y ou n ger
M urray, C . Fairfax
170
O lliv e , A .
221
M usson, M atthys
66, 106
75
164
O m m e n , O tm a r van
126, 129, 142, 172, 226, 228, 229
M uzian o, G iro lam o
33
O om s-van E crsel, M m e K arel
O p p e n h eim e r, H.
155
C h r is t’s C h a rg e to P e te r, R o m e, Santa M aria degli O ra n g e, Prince o f
114
A n g e li
26, 100
135
O rcagn a, A n d re a
T a b ern a cle (sculpture), Florence, O r San M ichele
136
N adal, Jero m e
1 3 9 ,1 9 1 ,1 9 6
N agler, K. F. F. von
N a h l,J .-W .
O rle y , J. van
222
155, 167
O u daan , M .
61
56,
58
A sh m o lean M u se u m
85, 118, 211
C h rist C h u rch C o lle g e
N em es, M arczell von
N em iu s, G aspar
N erot, M aria
91, 123, 201
D ra w in g School
74
179
P a illet
219
P aleotti
Jesuit C h u rch and C o lle g e
103, T04, 107, 201,
203, 204, 205
St P e te r’s C h u rch
204
34
P a lo m in o , A .
50
Paludanus, J,
54
Panné, Ph.
B rook lyn M u se u m
68
K le in b e rge r G alleries
Papebrochius, D .
54, 55,8 6 ,8 8 ,119 ,
128, 196
162, 163; f ig . 105
72, 150
Paris
Institut N éerlan dais
180
M usée C e n tra l
Nicolié, Joseph Ch ristian
N ieuw en h uys, C.J.
172
9 1,9 4 ,9 8
127
1 5 1 ,1 5 3 ,1 7 6
1 7 6 ,1 7 7
N o ie, R ob ert de
25, 34, 3 9 ,4 5 ,4 6 ,4 7,4 9 ,6 5 ,78 ,
192, 215, 218, 227, 240
43
Parm a, G alleria
32, 243, 244
Parm igian in o
153, 176, 177
N oort, L. van
S t P e te r a n d the L a m e M a n (w ood cu t after R a­
phael)
T h e R e su rr ec tio n (draw ing), H aarlem , T e y lc r
134
Passeri, B.
T h e A s su m p tio n o f the V ir g in (engravin g after)
32
N orb ertu s a Sancta Juliana
206
43, 81, 87, 90, 91, 179
M usée du L o u v re
S tE u stach e
N oie, A n d ries de
M u se u m
185
Panneels, W ille m
189
M etrop olita n M u se u m o f A r t
N oie, Jan de
53 ; fig .2 0
Pandern, E g b e rt van
N e w Y o rk
N ichols, R. P.
241
221
42
N e u b u rg
42 0
184, 209, 210, 211
164,168
O xfo rd
C h r is t a n d the P e n ite n t S in n e rs (engraving)
N oirte e r
144
O ttle y , W illia m Y o u n g
1 1 1 -1 1 2
NeefTs, Jacob
N estel
223
O rsay, C o m te d ’
N ancy, M usée des B eau x-A rts
N au d on
223
O rle y , R. van
73
143
I N D E X IV : N A M E S A N D P L A C E S
T h e R ecep tion o f the V ir g in in to H eav en (en gravin g P ourbus, P ieter
La st J u d g e m e n t, Bruges, G roen in ge M u seu m
after) 191
R esu rr ectio C h r isti G lo rio sa (engravin g after)
Prague
59
Passignano
C h u rch o f St Stephen
T h e A s c e n t o f S o u ls front P u r g a to ry , P arm a, G alleria
C am den
T h e A s su m p tio n o f the V ir g in , P h iladelphia,
M useu m o f A r t
Pauw els, F.
60
60, 113, 132
75
Pret van F.rtborn, Baron de
172
Procaccini, F.rcole
138
T h e C o n v e rsio n o f St P a u l, Bologna, S. C.iacom o
181
Pecquius, C h a n ce llo r
Peel, Sir R ob ert
M aggiore
178
112
Provost, Jan
108, 220
La st J u d g e m e n t, Bruges, G roen in ge M useum
129
P eltzer, R.
N arodni G alerie
Pratt, Jeffreys, second Harl and first M arquis o f
244
Patinir, Joachim
Peircsc
24,
203, 224
221
55
P e m b ro k e , T h o m as
Perez, A d rian a
Perez, Louis
P u d ic itia (antique statue)
144
Purling, John
8 1 ,8 4 ,8 9 ,9 0 ,9 1
41
144
90
P e te ge m (O uden aarde), A b b e y o f the U rbanist
Fathers
P eterle
Q u ellin us, F.rasmus II
199
P etel, G e o rg
T h e A sce n sio n o f C h r ist (oil sketch), w h ereab ou ts
u n kn o w n 10 2; f ig . j j
170
60
P h iladelp hia, M useu m o f A rt
P hilip II, K in g o f Spain
8, 138, 215, 225
Philip III, K in g o f Spain
97
P h ilip IV, K in g o f Spain
48, 50
P h ilip p L u d w ig, D u k e o f N e u b u rg
204
P h ilip p W ilh e lm , C o u n t o f the Palatinate
108
Philipps, L au ren ce
240
209-210
Pianta, G iu sepp e A n ton io
Picart, Jean
31
126-128, 129, 228, 229
Piles, R oger de
51, 126, 127, 225, 226, 227,
A le x a n d e r P la c in g the W o r k s o f H om er in the S a rco ­
p h a g u s o f A ch ille s (engravin g after Raphael)
185
Raparini
217
R a p e o f P ro se rp in e (an tique re lie f on a sarcophagus),
R om e, P alazzo Barberini
Raphael
T h e A s su m p tio n a n d C o ro n a tio n o f the V ir g in , V a ti­
p h a g u s o f A c h ille s (fresco), V atican, Stanza della
219
Plantin, C h risto p h er
P lantin, M artin a
Segnatura
.33, 142
138,139
Ploos van A m ste l, C o rn elis
P oggio Im periale
164. 207
164
2 7,72 , 106, 107, 108-109, 146, 164, 167-
168, 169, 195 if ig .6 2 , 63, 107, 10X
37
A s su m p tio n o f the V ir g in (fresco), T reviso , C a th e ­
P o tem kin
112, 12t
F ire in the Borgo (fresco), V atican, Stanza d el B orgo
235
V ictoria and A lb e rt M useu m
R atzer, John H.
25, 141
G o d the F a th er a n d A n g e ls (fresco), T reviso , C a th e ­ R egem orter, V an
d ra l
96, 100
T h e C o n v e rsio n o f S a u l (tapestry after)
S t P e te r a n d the Lam e M a n (cartoon), London,
Pordenone
d ral
M u seu m
C h r is t's C h a rg e to P e te r (cartoon), L ond on , V ic­
toria and A lb e rt M useu m
36
P om m e ra y e , G u yot de la
140, 143, 161-162
B lin d in g o f F.lym as, L ondon, V ictoria and A lb e rt
31, 33, 36
P lan tin -M oretu s fa m ily
Pontius, P.
191
A le x a n d e r P la c in g the W o r k s o f H om er in the S a rco ­
94, 98
Pitschaft
215
25, 34
can, M useu m
229
P inney
R aim ondi, M arcantonio
Ranier, P.
240
Philipps, Sir Jam es Hrasmus
Phillips, Sir T h o m as
102, 103
143, 161-162
240
Philipps, H on, W o ga n
T he Seven P rin ce s o f M ila n , Brussels, M usée C o m ­
m u n a l (M aison du Roi)
97
150, 192
91
P otsdam , Sanssouci
69, 85, 97, 164, 19t)
177
R egout, G eorges
101
R eim ann, A lb e rt
213
R einisch.J.
134
44
181
421
Download
Related flashcards

Christian soteriology

20 cards

Tirthankaras

25 cards

Create Flashcards