Essentials of Understanding Psychology 9th Edition By Robert Feldman PowerPoints by Kimberly Foreman Revised for 9th Ed by Cathleen Hunt Copyright McGraw-Hill, Inc. 2011 1 Chapter 3: Sensation and Perception 2 Copyright McGraw-Hill, Inc. 2011 MODULE 8: Sensing the World Around Us • What is sensation, and how do psychologists study it? • What is the relationship between a physical stimulus and the kinds of sensory responses that result from it? 3 Copyright McGraw-Hill, Inc. 2011 MODULE 8: Sensing the World Around Us • Sensation – Activation of the sense organs by a source of physical energy • Perception – Sorting out, interpretation, analysis, and integration of stimuli carried out by the sense organs and brain 4 Copyright McGraw-Hill, Inc. 2011 MODULE 8: Sensing the World Around Us • Stimulus – Any passing source of physical energy that produces a response in a sense organ • Psychophysics – Study of the relationship between the physical aspects of stimuli and our psychological experience of them 5 Copyright McGraw-Hill, Inc. 2011 Absolute Thresholds: Detecting What’s Out There • Absolute Threshold – Smallest intensity of a stimulus that must be present for it to be detected 6 Copyright McGraw-Hill, Inc. 2011 Difference Thresholds: Noticing Distinctions Between Stimuli • Difference Threshold – Smallest level of added (or reduced) stimulation required to sense that a change in stimulation has occurred • Just noticeable difference • Weber’s law – Just noticeable difference is a constant proportion of the intensity of an initial stimulus 7 Copyright McGraw-Hill, Inc. 2011 Sensory Adaptation: Turning Down Our Responses • Adaptation – An adjustment in sensory capacity after prolonged exposure to unchanging stimuli 8 Copyright McGraw-Hill, Inc. 2011 MODULE 9: Vision: Shedding Light on the Eye • What basic processes underlie the sense of vision? • How do we see colors? 9 Copyright McGraw-Hill, Inc. 2011 Basic Cells of the Eye 10 Copyright McGraw-Hill, Inc. 2011 Illuminating the Structure of the Eye • Cornea – Protects eye and refracts light • Pupil – Opening depends on amount of light in environment • Iris – Colored part of eye • Lens – Accommodation 11 Copyright McGraw-Hill, Inc. 2011 Illuminating the Structure of the Eye • Reaching the Retina – Light is converted to electrical impulses for transmission to the brain • Rods – Receptor cells sensitive to light • Cones – Cone-shaped; responsible for sharp focus and color perception – Concentrated in the fovea 12 Copyright McGraw-Hill, Inc. 2011 Illuminating the Structure of the Eye • Sending the Message from the Eye to the Brain – Optic nerve • Ganglion cells • Blind spot • Optic chiasm 13 Copyright McGraw-Hill, Inc. 2011 Illuminating the Structure of the Eye • Processing the Visual Message – Takes place in the visual cortex of the brain • Feature detection 14 Copyright McGraw-Hill, Inc. 2011 Color Vision and Color Blindness: The Seven-Million-Color Spectrum • Explaining Color Vision – Trichromatic theory of color vision • Suggests that there are three kinds of cones in the retina – Blue-violet colors – Green colors – Yellow-red colors » Not successful at explaining afterimages 15 Copyright McGraw-Hill, Inc. 2011 Color Vision and Color Blindness: The Seven-Million-Color Spectrum • Opponent-process theory of color vision – Receptor cells are linked in pairs, working in opposition to each other • Blue-yellow • Red-green • Black-white – Explains afterimages 16 Copyright McGraw-Hill, Inc. 2011 MODULE 10: Hearing and the Other Senses • What role does the ear play in the senses of sound, motion, and balance? • How do smell and taste function? • What are the skin senses, and how do they relate to the experience of pain? 17 Copyright McGraw-Hill, Inc. 2011 The Ear 18 Copyright McGraw-Hill, Inc. 2011 Sensing Sound • Sound – Movement of air molecules brought about by a source of vibration • Eardrum – Vibrates when sound waves hit it – Middle ear • Hammer, anvil, stirrup 19 Copyright McGraw-Hill, Inc. 2011 Sensing Sound • Inner Ear – Changes sound vibrations into a form in which they can be transmitted to the brain • Cochlea – Filled with fluid and vibrates in response to sound • Basilar membrane – Dividing cochlea into an upper chamber and lower chamber – Covered with hair cells 20 Copyright McGraw-Hill, Inc. 2011 Sensing Sound • The Physical Aspects of Sound – Frequency • Number of wave cycles that occur in a second – Pitch – Amplitude • Spread between the up-and-down peaks and valleys of air pressure in a sound wave as it travels through the air – Decibels 21 Copyright McGraw-Hill, Inc. 2011 Sensing Sound • Sorting Out Theories of Sound – Place Theory of Hearing • States that different areas of the basilar membrane respond to different frequencies – Frequency Theory of Hearing • Suggests that the entire basilar membrane acts like a microphone, vibrating as a whole in response to a sound 22 Copyright McGraw-Hill, Inc. 2011 Sensing Sound Balance: The Ups and Downs of Life • Vestibular System – Semicircular canals • Main structure of vestibular system • Three tubes containing fluid that sloshes through them when the head moves, signaling rotational or angular movement to the brain – Otoliths • Sense forward, backward, or up-and-down motion, as well as the pull of gravity 23 Copyright McGraw-Hill, Inc. 2011 Smell • Olfaction – Sense of smell is sparked when the molecules of a substance enter the nasal passages • Olfactory cells – Pheromones 24 Copyright McGraw-Hill, Inc. 2011 Taste • Gustation – Taste qualities • • • • • Sweet Sour Salty Bitter “Umami” – Taste Buds • Supertasters • Nontasters 25 Copyright McGraw-Hill, Inc. 2011 The Skin Senses: Touch, Pressure, Temperature, and Pain • Substance P • Gate-control Theory of Pain – Particular nerve receptors in the spinal cord lead to specific areas of the brain related to pain • Acupuncture 26 Copyright McGraw-Hill, Inc. 2011 Managing Pain • • • • • • • Medication Nerve and brain stimulation Light therapy Hypnosis Biofeedback and relaxation techniques Surgery Cognitive restructuring 27 Copyright McGraw-Hill, Inc. 2011 How Our Senses Interact • Synesthesia • Multimodal perception – Brain collects the information from the individual sensory systems and integrates and coordinates it 28 Copyright McGraw-Hill, Inc. 2011 MODULE 11: Perceptual Organization: Constructing Our View of the World • What principles underlie our organization of the visual world and allow us to make sense of our environment? • How are we able to perceive the world in three dimensions when our retinas are capable of sensing only two-dimensional images? 29 Copyright McGraw-Hill, Inc. 2011 MODULE 11: Perceptual Organization: Constructing Our View of the World • What clues do visual illusions give us about our understanding of general perceptual mechanisms? 30 Copyright McGraw-Hill, Inc. 2011 31 Copyright McGraw-Hill, Inc. 2011 The Gestalt Laws of Organization • Series of principles that focus on the ways we organize bits and pieces of information into meaningful wholes – gestalts 32 Copyright McGraw-Hill, Inc. 2011 Top-Down and Bottom-Up Processing • Top-Down Processing – Perception is guided by higher-level knowledge, experience, expectations, and motivations • Bottom-Up Processing – Consists of the progression of recognizing and processing information from individual components of a stimulus and moving to the perception of the whole 33 Copyright McGraw-Hill, Inc. 2011 Top-Down Processing 34 Copyright McGraw-Hill, Inc. 2011 Depth Perception • Ability to view the world in three dimensions and to perceive distance – Largely due to the fact that we have two eyes • Binocular disparity • Monocular cues – Motion parallax – Relative size – Texture gradient – Linear perspective 35 Copyright McGraw-Hill, Inc. 2011 Perceptual Constancy • Phenomenon in which physical objects are perceived as unvarying and consistent despite changes in their appearance or in the physical environment 36 Copyright McGraw-Hill, Inc. 2011 Motion Perception: As the World Turns • Cues about perception of motion – The movement of an object across the retina is typically perceived relative to some stable, unmoving background – Movement of images across the retina – We factor in information about our own head and eye movements, along with information about changes in the retinal image – Apparent movement 37 Copyright McGraw-Hill, Inc. 2011 Perceptual Illusions: The Deceptions of Perceptions • Visual Illusions – Physical stimuli that consistently produce errors in perception • Muller-Lyer illusion 38 Copyright McGraw-Hill, Inc. 2011 Culture and Perception • Cultural differences are reflected in depth perception – Zulu vs. Westerner perspectives 39 Copyright McGraw-Hill, Inc. 2011 Subliminal Perception • Perception of messages about which we have no awareness – Called priming • Written word • Sound • Smell 40 Copyright McGraw-Hill, Inc. 2011 Extrasensory Perception (ESP) • Perception that does not involve our known senses – Most psychologists reject the existence of ESP, asserting that there is no sound documentation of the phenomenon – Psychological Bulletin • “Anomalous process of information transfer” or psi 41 Copyright McGraw-Hill, Inc. 2011