Reality TV and Representation Representation and Reality TV Representation: the versions of the ‘real world’ constructed by the media. Some forms of reality TV are constructed to appear more ‘real’ than others – but they can only represent the world and are never ‘transparent’ or neutral. Every representation – and every reality TV show – has a point of view. Look for what is left out as well as what is included. All representations reflect the ideas, biases and assumptions of the producers and the broadcaster. Audiences will also read the representations in a variety of ways, or from particular points of view. © English and Media Centre Representation of Presenters What types of reality show are these presenters associated with? What types of audiences might each one appeal to? What can you tell from their posture, gesture, facial expression, cropping of shot, props, background? What values and ideas do these presenters represent – and what do they suggest about the shows they front? © English and Media Centre Representation of Contestants These BB10 contestants have chosen to represent themselves in particular ways. How have they constructed these representations (e.g. dress, body language, style)? How do they connect with the demographics and lifestyles of the target BB audience? © English and Media Centre Reading Reality Stills Denotation: the content of the shot – what you can actually see. Connotation: ideas and associations the shot suggests to you. The next shots all feature a seated group of ‘ordinary people’. In terms of denotation, the images are similar: they show 'real people’ of a variety of different ages and stages onscreen. But in terms of connotations, the images suggest very different sets of ideas, and represent different genres of reality shows. Talk about the differences you notice in terms of their visual codes, especially: posture and body language, facial expression, clothing and style the grouping of participants, and their possible relationships cropping and framing of shots; props; background and locations. © English and Media Centre What Idea do these Reality TV Contestants Represent? © English and Media Centre How Does The Apprentice Represent Itself Online? © English and Media Centre How Does The Apprentice Represent Itself Online? © English and Media Centre The ‘Social Experiment’ Show The Secret Millionaire and The Choir both share a ‘social experiment’ format. How is this represented in their website home pages? In what ways are they similar? In what ways are they different? © English and Media Centre © English and Media Centre Representations Online A study of Representation in reality TV isn’t just about the values and messages in an individual show. It’s also about looking at the ways the different broadcasters represent their identity and ‘mission’. Look at the two home pages for two rival reality talent shows. Both denote the well-known features of the show. Do the connotations of the page differ? Or do they suggest similar ideas? Consider: colour codes use of images navigation iconography invitations to the audience. What does each page suggest about the format and values of the show? What does each page tell you about the broadcasting institution behind the show? © English and Media Centre © English and Media Centre © English and Media Centre Stereotypes and Reality TV Stereotype: a simplified view of a person or groups of people, in which one or two characteristics are used to represent the whole person, and the whole group s/he belongs to. A classic example: ‘the dumb blonde’ stereotype, based on repeated and usually inaccurate ideas and media imagery which categorises all young blonde women as being silly, vain and uninformed. The contestants in reality TV game shows are often edited to represent selective or stereotypical behaviour. The most obvious example is Jade Goody, who built a career, life and death around versions of – and challenges to – her dumb blonde stereotype. The next two slides explore the ways she has been represented onscreen and in the tabloid press – and the ways she chose to represent herself. Talk about: the different types of stereotype the images suggest the ways these ideas have been constructed through the format and editing of BB and CBB the role played by the tabloid press in supporting or challenging these stereotypes. © English and Media Centre © English and Media Centre © English and Media Centre Stereotypes in Reality TV Are there typical, or stereotypical ways in which reality TV shows represent social groups like: celebrity wannabes, older women, black men, certain kinds of professionals or performers, certain age-groups? Discuss if there are particular stereotypes associated with the kinds of show listed below. Then decide if the stereotype is positive or negative. If it is negative, does that matter? fashion or beauty make-over shows parenting reality shows social experiment shows docusoaps. © English and Media Centre Brat Camp How do these web-pages for C4’s Brat Camp represent: the show’s view of ‘brats’ the format of the show the concerns of the audiences for the show. © English and Media Centre Messages about the World In your group select a particular show to evaluate together. What kind of messages does your show suggest? Does it: suggest certain ideas, values or behaviour are normal or right? For example, certain ways of looking, dressing or behaving? rely on out-dated or inappropriate ideas of gender, age, or different cultural groups? present particular ideas about body image, lifestyle, acceptable behaviour? feature only good looking, young, usually heterosexual people – or does it offer a wider range of representations? give audiences a limited or broad impression of what is ‘normal’? © English and Media Centre A Representation Summary If you’ve got this far, you should be able to: explain some of the issues about representation raised by reality TV discuss ideas about stereotyping, and whether it is a problem in reality TV identify some common representations in the constructed world of reality TV start investigating how these representations can be constructed and reinforced by print and online media reflect on the idea of a reality ‘star’, and explain how some participants become stars. © English and Media Centre