The Rime of the Ancient
Mariner
Part the Sixth
Cassandra, Labonno, Robyn, Kyle Leigh
Stanzas 1-3
FIRST VOICE.
But tell me, tell me! speak again,
Thy soft response renewing—
What makes that ship drive on so fast?
What is the Ocean doing?(410)
SECOND VOICE.
Still as a slave before his lord,
The Ocean hath no blast;
His great bright eye most silently
Up to the Moon is cast—
If he may know which way to go;(415)
For she guides him smooth or grim
See, brother, see! how graciously
She looketh down on him.
Gloss: The Mariner hath been cast into a
trance; for the angelic power causeth the
vessel to drive northward faster than
human life could endure
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The Mariner has passed out and now
hears two voices speaking above him.
These voices speculate about the
Mariner's current situation.
Personification- capital letters for the
ocean and the moon; refers to the Moon
as she and the Ocean as he.
This personification suggests that the
two objects have a relationship
and indicates the influence of the moon
on the ocean, with the moon as a leader
or form of guidance for the sea.
This first voice questions how it is
possible for the ship to be moving so
quickly, to which the second explains
that the moon controls the ocean's
actions.
Stanzas 4-6
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FIRST VOICE.
But why drives on that ship so fast,
Without or wave or wind?(420)
SECOND VOICE.
The air is cut away before,
And closes from behind.
Fly, brother, fly! more high, more high
Or we shall be belated:
For slow and slow that ship will
go,(425)
When the Mariner's trance is abated.
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The first voice still questions how it is
possible for the boat to be moving without
any waves or wind to propel it forward.
Alliteration: "without or wave or wind?"
The second voice explains that there is some
force pushing the ship forward.
Inner-line rhyme: "Fly, brother, fly! more
high, more high" and "For slow and slow that
ship will go"
Once the Mariner awakens, the ship will not
continue on as quickly because it seems to be
moving faster than any human could possibly
handle.
"Without wave or wind"
Stanza 7
I woke, and we were sailing on
As in a gentle weather:
'Twas night, calm night, the Moon was high;
The dead men stood together. (430)
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Gloss: The supernatural
motion is retarded; the
Mariner awakes, and
his penance begins
anew.
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The mariner awakens to the movement of
the ship and the sight of the dead men
standing on the deck.
The Mariner seems to focus on the stillness
of the night and the calm weather.
In the poem, there is a consistent correlation
between magical happenings and the
nighttime; this is not the first time that the
dead have risen on his ship
The aforementioned "pennance" comes back
again
Stanzas 8-10
All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the Moon did glitter.
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The pang, the curse, with which they died,(435)
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.
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And now this spell was snapt: once more
I viewed the ocean green.(440)
And looked far forth, yet little saw
Of what had else been seen—
Gloss: The curse is finally expiated.
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The dead men transfix their eyes on the Mariner and the
Mariner acknoweldges that the curse is still alive with them
in their death.
There is visual imagery of their eyes glittering in the moon.
This mention of glittering eyes is reminiscent of the
mariner's own "glittering eye"
Rhyming: often the second and fourth lines rhyme
The phrase "charnel-dungeon fitter" means that the dead
men looked like they were in a morgue-like dungeon
The Mariner is entranced by the men and is unable to even
call for God's help.
All of a sudden, the curse seems to end and the Mariner
can turn away from the men.
The ocean is no longer crimson; he now sees it as green
because the ship is no longer possessed with evil
Stanzas 11-14
Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on, (445)
And turns no more his head;
Because he knows, a frightful fiend
Doth close behind him tread
But soon there breathed a wind on me,
Nor sound nor motion made:(450)
Its path was not upon the sea,
In ripple or in shade.
It raised my hair, it fanned my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,(455)
Yet it felt like a welcoming.
Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew. (460)
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Anaphora: 'and'
Rhyming
Personification: "there breathed a wind on me"
The mariner seems excited and happy to be free
of the curse- he describes how the wind was "like
a welcoming"
The mariner also seems scared at the same time.
He describes how the wind "raised [his] hair" and
how "it mingled strangely with [his] fears"
The mood then changes to something much more
upbeat than the foreboding tone of the
beginning of these stanzas
Very pleasant/positive connotations with
mentions of "spring" and "softly"
Pleasant visual imagery- "Sweetly, sweetly blew
the breeze"
Personification- "She (the ship) sailed soflty, too"there is calmness
A lot of 's' sounds that show the ship is moving
with ease.
Stanzas 15-18
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Oh! dream of joy! is this indeed
The light-house top I see?
Is this the hill? is this the kirk?
Is this mine own countree
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Gloss: And the ancient mariner beholdeth his
native country.
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We drifted o'er the harbour-bar,(465)
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.
The harbour-bay was clear as glass,
So smoothly it was strewn!(470)
And on the bay the moonlight lay,
And the shadow of the Moon.
The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness(475)
The steady weathercock.
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The Mariner arrives on land in his home
country, mentioning the landmarks from the
very beginning of the story
Simile: "The harbour-bay was clear as glass"
Alliteration: "So smoothly it was strewn!"
The 's' sound provides smooth, clear sound
that emphasizes the clarity of the bay
Mention of the moon, positive connotations
here.
There is visual imagery of the water being
clear and smooth. The clearness of the
water symbolizes how the sea monsters and
problems he had are gone now.
Another mention of moonlight here
Interesting mention of the "steady
weathercock," implying that there is no wind
which further emphasizes the stillness and
peace of the scene.
The Shadow of the Moon
Stanzas 19-20
And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came. (480)
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Gloss: The angelic spirits leave the dead bodies,
A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!
Gloss: And appear in their own forms of light.
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Visual imagery: There is imagery related to
light- "The bay was white with silent light"
Sort of a hushed feeling/tone here as the
spirits leave the bodies
The imagery of the whiteness and light of the
bay contrasts with the darker imagery of the
"shadows in crimson colors."
Crimson is also used consistently to describe
the color of the boat's shadow in the water
Synesthesia: "Silent light"
In crimson colors came
Stanzas 21-24
Each corse lay flat, lifeless and flat,(485)
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.
This seraph band, each waved his hand:
It was a heavenly sight!(490)
They stood as signals to the land,
Each one a lovely light:
This seraph-band, each waved his hand,
No voice did they impart—
No voice; but oh! the silence sank(495)
Like music on my heart.
But soon I heard the dash of oars;
I heard the Pilot's cheer;
My head was turned perforce away,
And I saw a boat appear.(500)
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"By the holy rood" means that the mariner is
swearing by the cross
"Seraph-man" means a class of angel
Anaphora: "No voice;" Despite the fact that
the "seraph-band" didn't speak, they still
held a powerful presence and triggered
admiration in the Mariner.
Simile: "the silence sank/ Like music on my
heart."
This peaceful and uplifting scene is
interrupted by the sound of oars, and
another boat appears to the mariner.
A heavenly sight!
Stanzas 25-26
The Pilot, and the Pilot's boy,
I heard them coming fast:
Dear Lord in Heaven! it was a joy
The dead men could not blast.
I saw a third—I heard his voice:(505)
It is the Hermit good!
He singeth loud his godly hymns
That he makes in the wood.
He'll shrieve my soul, he'll wash away
The Albatross's blood.(510)
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Who is this mysterious Pilot and his son?
Mariner cries out to God, and even the dead men
can't ruin the mariner's joy at having found
company!
More excited/lively tone; the last stanza ends with
a hopeful note from the Mariner
The sight of the "Hermit good" inspires hope in the
mariner that he will be able to save his soul and
remove his burden, the curse of the Albatross.
Consistent with each part ending with a mention of
the Albatross
Overall Meaning
Part the Sixth of the poem seems to suggest that the
mariner may be forgiven for his sin, especially in the last
stanza when he sees the Hermit. The mariner wants to
believe that he can repent for the crime that he
committed, but later in the poem, we find that he
carries a burden for the rest of his life. The ghostly
voices present at the beginning of the section explain the
supernatural force that must be propelling the ship
onward. The mariner has reason to grow increasingly
hopeful as it seems that his luck has turned around
entirely with the spirits of the bodies ascending, and the
sighting of a ship to end the mariner's loneliness.