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Archive
Buffalo Bill and William Gladstone: The ‘Champion Scalper’ and the ‘G.O.M’ in
Moonshine magazine, April–November 1887
Dave Huxley
353
Book Reviews
363
Konsthistorisk tidskrift
Journal of Art History
Articles
186 Mike Golding
Falsifying evidence: performing with photographic
indexicality
Volume 26
198 Tova Gamliel
Visualising traditional performance: ‘co-directed
observation’ as an ethnographic tool
of a Familiar Masterpiece Mark Smith Ur Carl Johan
Cronstedts arkitekturbibliotek: fyra kopior av Antoine
ISSN
213 Jana Temelová and Jakub Novák
Daily street life in the inner city of Prague under
transformation: the visual experience of socio-spatial
differentiation and temporal rhythms
260 Liz Hingley
Photographer as researcher in the project ‘Under Gods:
Stories from Soho Road’
270 Reviews
NOVEMBER 2011
ISSN 0023-3609
Jettatura, ou l’adieu au visible
Pascale McGarry
Interpretation, emotion, and belief: cognitive dimensions in art
historical investigation, featuring examples from Jan Vermeer,
Nicolas Poussin, and Gian Lorenzo Bernini
Margaretha Rossholm lagerlöf
Fallax Imago: Ovid’s Narcissus and the seduction of mimesis in
Roman wall painting
Hérica Valladares
Sculpted eloquence and Nicetas Choniates’s De Signis
Paroma Chatterjee
Reading the form: the function of typographic blanks in modern
poetry
Yra Van Dijk
In the wake of trauma: visualising the unspeakable/unthinkable
in Marie Darrieussecq and Hélène Lenoir
Jean H. Duffy
Claes Ellehag
VO LYM 8 0
HÄF T E 4
2011
www.tandfonline.com/skon
November 2011
YELLOW
A JOURNAL OF VERBAL/VISUAL ENQUIRY
Tilly En samling ritningar som tillhört Axel Oxenstierna
Number 3
MAGENTA
0266–6286
Volume 27 Number 4
October–December 2011
244 Paul Jobling
‘Twice the va va voom?’: transitivity, stereotyping
and differentiation in British advertising for
Renault Clio III
Desgodets opublicerade lektioner Linnéa Rollenhagen
2011
ISSN 0308-7298
November 2011
CYAN
November 2011
visual
studies
229 Sheila Fram and Eric Margolis
Architectural and built environment discourses
in an educational context: the Gottscho
and Schleisner Collection
4 Signorelli’s Court of Pan: A Search for the Subject
Number 3
OCTOBER–DECEMBER 2011
Savagery on show: The popular visual representation of Native American peoples
and their lifeways at the World’s Fairs (1851–1904) and in Buffalo Bill’s Wild West
(1884–1904)
Christina Welch
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325
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WORD & IMAGE
‘A fit of absence of mind’? Empire and urban life in early non-fiction films
(1895–1914)
Maurizio Cinquegrani
12/19/2011
Volume 26
309
4 VOLYM 80 HÄFTE 4
Visual diplomacy: Projections of power from the field in Ethiopia
Joshua Yumibe
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Volume 26 Number 3 November 2011
Journal of Art History
293
NOVEMBER 2011
Facing the ‘Other’: A Critical approach to the construction of identity narratives in
the early photographic practice of the Ottoman Empire
Fulya Ertem
NUMBER 4
271
VOLUME 35
Articles
The 1920s museum-sponsored expedition film: Beguiling encounters in an
all-but-forgotten genre
Alison Griffiths
Early Popular
VisualCulture
PHOTOGRAPHY
Volume 9 Issue 4
265
November 2011
Page 1
visual studies
NOVEMBER 2011
Preface
Empires 2. Colonialism and Display
Issue 4
2:21 PM
Visual Studies
HISTORY OF
Konsthistorisk tidskrift
ISSUE 4
CONTENTS
Early Popular Visual Culture
VOLUME 9
Volume 9
HISTORY OF PHOTOGRAPHY
Early Popular
VisualCulture
10/8/2011
ISSN 0023-3609
`
ISSN 1746-0654
From page to print: the transformation of the ‘wild woman’
in early modern Northern engravings
Michelle Moseley-Christian
‘What is this but stone?’ Priam’s statue in Marlowe’s Dido,
Queen of Carthage
Michelle Moseley-Christian
ISSN 1472-586X
BLACK
Digital Creativity
Early Popular Visual Culture
History of Photography
Konsthistorisk Tidskrift / Journal of Art
History
Studies in the History of Gardens & Designed
Landscapes: An International Quarterly
Third Text
Visual Studies
Word & Image: A Journal of Verbal/Visual
Enquiry