2012

Literary fiction
Eija Hetekivi Olsson was born in 1973 and grew up in the Gothenburg suburbs Gårdsten and Bergsjön. She has worked as a cleaner and as a waitress, before studying to become a teacher. Ingenbarnsland is her debut.
Januari 2012, 324 pages
Senior Editor: Susanna Romanus
Rights sold to: Schildts & Söderströms, Finland
The parks are littered with trash; the streets are covered with cigarette butts. The litterbins outside the school are on fire, and so is the rage inside Miira.
Asphalt court yards, concrete buildings and faces hard as stone. The place is called Gårdsten, a suburb outside Gothenburg, just like any other working-class suburb outside any other town. Bored teenagers, junkies and alcoholics share the semi-empty squares and staircases. The litterbins outside the school are on fire, and so is the rage inside Miira.
Miira is not like the others in the class; shoved together with these kids with similar backgrounds, pre-determined by the school as future cleaners and industrial workers. But
Miira wants to become a prime minister or a brain surgeon when she grows up. She alone chooses advanced math in school and shoplifts medical books to study at home. She is the kind of girl who never ducks for a fight, who won’t giggle when guys grope her, who won’t accept any injustices around her. But she is also heavily weighed down by the burden of her own class—she wants to be better, to do better, but the society won’t always let her. This is a “no child’s land”, cemented by blunt bureaucracy and suppressed dreams.
Eija Hetekivi Olsson’s eye-opening debut novel Ingenbarns-
land / No Child’s Land is set in the Gothenburg suburbs in the eighties, and we follow the girl Miira from her pre- adolescence to her becoming a young woman. Hetekivi
Olsson writes expressively and with rarely seen intensity; like a welding flame the novel depicts Sweden after the
Welfare State. The portray of Miira is one of the strongest in recent years’ fiction.
Press voices:
“This is a ferociously strong debut /…/ seldom have I read such a translucent, acute and contemporary description of the extreme vulnerability of children who live an unprotected life” Dagens Ny- heter
”Reading Ingenbarnsland is like being flung round in a centrifuge.
The world is not the same afterwards.” Norrköpings Tidningar
”Ingenbarnsland with its grim realism is a wonderful debut novel, filled with extreme linguistic fantasy and with an intelligently executed street view of Swedish class-based society of 25 years ago . I doubt it looks any different today. In an interview I read that Eija
Hetekivi Olsson is burning with the desire to write more books.
Good! I really want to read more of her work!” Skånska Dagbladet linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

Literary fiction
Helena Thorfinn was born in 1964 and worked for many years as a journalist for newspapers as well as for TV before making a career change to work as a social analyst for Save the Children and the Swedish International Development Cooperation
Agency (SIDA). After three years at the Swedish Embassy in
Dhaka she and her family returned to Sweden and settled in
Lund. Innan floden tar oss is her debut novel.
March 2012, 432 pages
Senior Editor: Susanna Romanus
Lead title in major book club
Sample translation in English available
Rights sold to: Silke Forlag, Norway
“On Saturdays throughout the spring he had sat in countless Södermalm cafés along with other fathers of young children, sipped latte and eaten sourdough bread rolls with brie, crunched on the red pepper that came with the brie and explained: ‘I’ve been a teacher now for almost 15 years. It’s time to try something else for a while. Sometimes you’ve got to have the courage to make a change. This is Sofia’s big chance.’”
Sofia has high expectations of her new job as head of development co-operation at the Swedish embassy in Dhaka, the capital of Bangladesh, and Janne grudgingly accepts that going with her means he will have to assume the role of stay-at-home dad for their two young children.
from the village, and despite the different circumstances their lives soon become linked. The story reveals a world of grand embassy receptions, exploited textile workers and
Swedish family life. Careerists and idealists gather around the same swimming pool, and tennis matches and terrorism impact everyday life.
Innan floden tar oss / Sisters by the River is a novel vibrant with colour and teeming with life and it takes us to places and events at whirlwind speed. With immediacy and humour Thorfinn describes the Swedes’ attempts to do good while being politically correct, and she movingly narrates the dreams and misfortunes of the Bangla girls. A sweeping, powerful and exciting portrayal touching on the urgent, difficult issues as well as the everyday ones.
At the same time a young woman, Mukta, is murdered by her husband in a small village deep in the countryside. Her little sisters Mina and Nazrin decide to take their destiny into their own hands and flee to Dhaka.
Press voices:
”Sisters by the River” is an unusually mature and well-written debut, as sharp in its depiction of contemporary customs as in the analysis of a failure of development policies. It will surely get many readers. ” Sydsvenskan
Confronting the reality of Dhaka is equally as overwhelming for Swedish Sofia and Janne as it is for the young sisters
”Exciting and enlightening novel of the Swedish development aid industry ” Aftonbladet linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

Literary fiction
Gunnar Ardelius was born in 1981 and made his debut with his YA novel Jag behöver dig mer än jag älskar dig...
/ I Need You More Than I Love You... (Rabén & Sjögren).
The book has been translated into many languages including English, French and German. It was nominated for the August Prize and won the Slangbellan Prize for best debut. The book has also been made into a short film.
Friheten förde oss hit is Gunnar Ardelius’ fourth book and his first aimed at adult readers.
March 2012, 208 pages
Senior Editor: Håkan Bravinger
“The sweat ran down their backs. The long journey from an icy and chilly Stockholm was over; they had arrived in Yekepa. The powerful sun beat down on patches of unprotected skin and the dust settled quickly again on the ground. Like a herd of frightened animals they clung close together.” the Snake Boy, the family’s unconventional gardener, and meets red-haired Ingela who loves Hitchcock and The
Saint. Mårten is living in a new era: he believes in change and in the international solidarity of the proletariat, and he sides with the Liberians against the colonialists. However, his conviction and naiveté inevitably drive events to the edge of catastrophe and place the whole family – and the
Snake Boy – in danger.
Hektor, Margret and their teenage son Mårten have just landed in Liberia. It is the end of the 1960s and Hektor is about to start his new job with the Swedish mining company LAMCO. The journey carried with it the promise of a new start but he soon realises that his career at the mine will not be straightforward. He is alarmed by the management’s attitude towards the local inhabitants and unofficial strike action is looming.
Friheten förde oss hit / The Love of Liberty Brought Us Here, the story of a Swedish family’s destiny in 1960s Liberia, is intensely gripping with its sense of foreboding and is a fascinating documentation of an often overlooked part of contemporary Swedish history.
His wife Margret is unhappy in her new environment and finds the Liberians both frightening and exasperating.
The heat is oppressive, her nerves are in shreds and she is missing her lover Axel back in Sweden.
The only member of the family to feel at home in the new country is seventeen year-old Mårten. He soon befriends
Press voices:
“The novel is a quiet gem, continuously moving, very melancholy.”
Göteborgs-Posten
“an exciting novel, vividly formed with a drive which also gives a realistic picture of how it could actually be for a Swedish family in Africa in the 1960s. And he writes a precise, nuanced Swedish with at times original metaphors, without any hint of cliché or repetition. ” Helsinborgs Dagblad linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

Literary fiction
Robert Åsbacka was born in 1961 in Terjärv, Finland, but now lives in Sweden. He made his debut in 1988 with the poetry collection Med tungorna
hängande but his breakthrough came with Dö-
belns Gränd in 2000. Åsbacka has been shortlisted and awarded numerous prestigious awards, among them the Runeberg Prize (shortlisted
2005 and 2008), the Finlandia Prize (shortlisted
2006) and the Nordic Council’s prize for literature (shortlisted 2008). His latest novel, Orgelbyg-
garen, 2008, has been published in Sweden and translated into Finnish and German.
September 2012, 240 pages
Senior Editor: Mari Koli, Schildts & Söderströms
August 2008, 300 pages
Senior Editor: Mari Koli, Schildts & Söderströms
Rights sold to: Hanser, Germany
around her as much as he can.
“It was my first record ever. I was thinking that I just have to have a record player. It was about time. If only
I had a record player I could sit by myself at home, in bed and listen and bob my foot just like Bo and Viola were doing now. If I had a record player and a room.”
Robert Åsbacka’s tone is unsentimental and precise, loaded with meaning and feeling. Through Tom’s recollections and matter-of-fact police protocols, Samlaren / The Collec-
tor tells the unnerving story of a young boy and the traumatic chain of events that came to affect his life.
It is winter 1969. Twelve year-old Tom lives with his mother and older sister Karin in a small flat. He keeps his possessions and collections in boxes under the sofa in the living room where he sleeps, looking forward to the day his sister will finally move out. His best friend Mats moved a couple of months earlier, without him there is not much to do in this dull small town. Sometimes he goes out looking for things for his collection, but when he does he has to be careful so that The Brothers don’t find him and beat him up.
Press voices for Robert Åsbacka’s previous work:
”The most vivid, intense and provoking novel I’ve read in a long time. Read! ” Huvudstadsbladet
”The Organ Builder is really an impressive novel creation that captivates its reader from the first moment.” Vasabladet
”A hopeful expression of the possibilities in the art of making a novel.” Svenska Dagbladet
Outside his window Tom can see his neighbour Bo’s big fancy American cars parked in the backyard. Bo is also a collector; he is handsome, quiet and secretive. Tom knows that Bo writes strange letters to Karin, even though he has a girlfriend, Viola. Tom loves watching Viola and tries to be linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

Literary fiction
Aleksander Motturi, born 1970, has worked at Åbo Academy in Finland, The Wittgenstein Archives at the University of Bergen, on the cultural journal Glänta and is one of the driving forces behind the Clandestino Institute in Göteborg.
He has translated and written a PhD thesis about Ludwig
Wittgenstein’s remarks on Frazer, written drama and is the author of the book Etnicism dealing with the contemporary metamorphosis of racism. Svindlarprästen is Motturi’s second novel.
September 2012, 282 pages
Senior Editor: Håkan Bravinger qw b u
Women fell for his charm and lost all they owned.
Bishops and chief executives were swindled out of millions. Someone called John Peter Daniels is deported from Hong Kong to India, his assumed country of origin.
Aleksander Motturi’s multilayered novel is partly about a man whose whole existence was built on a remarkable combination of total honesty and deception, and partly about those who were close to him, the family who, throughout the years, have swung between trying to understand, putting it behind them, forgiving, starting again, and finally, once and for all, distancing themselves from him.
He is ill, with not long to live. In a way he is at home everywhere and nowhere. He speaks many languages: Gujarati,
Kutchi, English, Swahili, Swedish, Finnish, Spanish and
German, but he has no genuine passport. He seems equally acquainted with Christianity and Islam as he is with world politics, but he has no formal education. No-one attends his funeral at the St James cemetery in Baroda.
Svindlarprästen / The Swindling Priest is based on the author’s father who lived as a conman. The case was reported in every newspaper and the Swindling Priest became part of 1980s vernacular.
In this novel Aleksander Motturi traces the life of his father, the man who one day abandoned his wife and children and quite simply went up in smoke. He disappeared, only to return enmeshed in a web of deceit, making front page news in all the Swedish evening papers. So who was the man said to be buried in St James cemetery? The man who was known by many names but died as John Peter Daniels? Is he even dead? Or is his death feigned, to allow him to continue with his frauds?
Press voices for Alexander Motturi’s previous work:
”Among the best things about Aleksander Motturis fictional debut Diabetikern is that it so irresistibly strange./.../ The identity political reasonings are some of the funniest parts of this novel along with the cutting satirical depiction of the art world that the protagonist’s girlfriend Natacha moves in.” Svenska Dagbladet
“a solid novel, as screamingly funny as it is moving, sugar sick but never ingratiating nor sweet.” Göteborgs-Posten linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

Literary fiction
R O M A N
Karolina Ramqvist, born in 1976, is a journalist and author. For a long time she has been a powerful voice in social debate. She has written for Swedish national daily Dagens Nyheter and the magazine Bang. She was also editor in chief of Arena magazine. Her latest book Flickvännen / The Girlfriend,
2009, was nominated for Sveriges Radio’s Novel Prize and awarded Vi
Magazine’s literature prize. It has been translated into several languages.
R O M A N
June 2012, 389 pages
Senior Editor: Eva Gedin
Option publishers:
Tiderne Skifter, Denmark
Helsinki Books, Finland
BBNC, Netherlands
Gyldendal, Norway
Karolina Ramqvist
Saga remembers only too well the moment of her arrival. It would be strange if she didn’t; every birthday her mother shows her the film of her birth, the moment when the tiny child who would become
Saga was pushed into the world. sights. He is older, knows everyone and more to the point everyone wants to know him. They begin a relationship. Or rather, he allows her to have sex with him. He commands, she obeys. Their relationship is secret, destructive and degrading. There are other men in her life but the only one she really wants to be with is Viktor.
Saga has longed for everything adult life has to offer. Her mother is an artist and a radical feminist and as the daughter of such a woman she is expected to be independent and take advantage of everything life has to offer.
This is Stockholm in the 90s and Saga starts a new school and quickly makes friends. They spend their days drinking coffee and smoking cigarettes and whenever they can get in, they go to clubs. But Saga is plagued by a nagging sense of futility and the feeling that she ought to be doing something, like her mother’s generation with their feminist movement, demonstrating for free abortion and nursery care. They had a goal and a purpose; Saga feels her generation is lacking exactly that.
Saga and her friend Pauline spend a lot of time getting to know the right people; they sleep around, they party, they are free. For some time Saga has had Vikor Schantz in her
Karolina Ramqvist’s new novel Alltings början / The Begin-
ning of Everything is the story of a young woman’s passage through the stages of her youth, as she takes her first steps away from childhood and hurtles into an independent adult life. Written with boldness and clarity this is about a generation trapped between spoken and unspoken demands, and marked by a feeling of abandonment.
Press voices for Karolina Ramqvist’s previous work:
”A strong and important book about a woman who is held hostage in her own life. A definite four stars!” Gomorron Sverige,
Swedish Television
”Karolina Ramqvist wipes out the boundary between the ’normal’ majority and society’s outsiders and the result is completely dazzling, I don’t want her book to end.” Amelia Magazine *5 out of 5* linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

Crime Fiction
Michael Hjorth was born in 1963 in Visby. He is one of scandinavia’s most accomplished screenwriters and producers, and one of the founders of the internationally successful production company tre Vänner.
Hans rosenfeldt was born in 1964 in Borås. He has written screenplays for twenty drama series and has hosted both radio and television shows.
August 2010, 423 pages
August 2011, 417 pages
August 2012, 487 pages senior editor: susanna romanus full english translation of Det fördolda available
Scandinavia’s hottest new crime writing duo Michael
Hjorth and Hans Rosenfeldt got off to a flying start with the publication of their debut Det fördolda / Dark Secrets in 2010. With psychologist and profiler Sebastian Bergman
– an arrogant and narcissistic womanizer with a personal trauma – in the lead role, Hjorth & Rosenfeldt had created an instant success.
Months before Det fördolda was published in Sweden, translation rights were sold to nine countries. After the
Swedish publication in August 2010, to great reviews, the novel could soon be found on the hardcover bestseller list, where it remained for eight months. So far Det fördolda has sold 163.000 copies in Sweden.
Lärjungen / The Disciple was published in August 2011.
This second part in the series reveals to the readers even more about Sebastian Bergman, in a breath-taking roller coaster ride where Sebastian is confronted with his past, and with his nemesis. Since publication, Lärjungen has sold more than 42.000 copies.
Rights to the Sebastian Bergman series have been sold to 19 countries to this date.
Norway / Aschehoug
Danmark / Hr Ferdinand
Finland / Bazaar
Iceland / Bjartur
Germany / Rowohlt the Netherlands / De Bezige Bij
France / Serpent à Plumes
Italy / Einaudi
Greece / Psichogios
Poland / Czarna Owca
Czech Republic / Host
Russia / Corpus
Romania / Editura Trei
Hungary / Animus
Turkey / Pegasus
Brazil / Intrinseca
Australia & New Zealand / Murdoch
UK / Trapdoor/Little, Brown
US / Grand Central
”The best Swedish crime export of 2011.” Die Welt
The third part of the series, Fjällgraven / The Mountain
Grave, will be published in August 2012. linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

Crime Fiction
Robert Kviby, born 1976, lives in Stockholm and works as a market manager in a media company.
De korrupta is his litterary debut and the first title in the series about Annie and Max Lander.
Februari 2012, 311 pages
Senior Editor: Annika Seward-Jensen, Telegram
Sample translation and extensive summary in
English available
Rights sold to: Rowohlt, Germany
mother. And then suddenly she is gone.
”They were all prostitutes. All under thirty. Found in wooded areas and parks. Naked. They had been killed elsewhere and dumped where their bodies were discovered. She was convinced it was systematic. All four of them had met the same man, and it had led to their deaths. ”
Annie’s husband Max soon realizes that the police won’t exert themselves to find her, that it is all up to him. He follows her investigation to a country manor owned by a powerful corporate magnate, close to where her mother had been found dead thirty years earlier. But nothing has prepared him for what he will find.
Friday night, January 1989, criminal reporter Annie Lander is the last one left in the editorial office as usual. For some time she has been working on a story about four murdered prostitutes, convinced that there is a pattern between them. The talk of the town is that a private club hosts parties filled with prostitutes and that there might be connections to the murders. Then she is ordered by the newspaper to seize with her investigations.
Press voices:
“To the true conspiracy theorist, MTG-director Robert Kviby’s hard-boiled detective story is a pleasure. To gather research Kviby has tiptoed around the Wanted editorial team and got inside info from various gentlemen’s clubs. Well done! “ Metro
Annie continues on her own and is starting to get close, both to the real story about the women, as well as to the truth about her own life and the unsolved murder of her
De korrupta / The Corrupt is a thrilling read from the first page to the last. This impressive debut novel introduces Annie and Max Lander, and their crusade against the corrupt.
linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

crime fiction
Press voices for Kommer aldrig mer igen / Never Coming Back:
”Naturally Hans Koppel, alias Petter Lidbeck, should use his swift-minded punchy stile to write crime novels.” Dagens Nyheter
“Koppel is a very fine writer but it’s as a machine perfectly designed to provoke compulsive page-turning that makes this book so sensational. I read it in two long sessions and if you’re the sort of person who doesn’t need much sleep, you’ll do it in one.” Morning Star
”A supremely professional piece of work with a palpable sense of tension, and couched in unvarnished prose.” The Independent
”crisp and simple yet devastatingly effective, this is an unrelenting, terrifying slab of a psychological thriller which ticks all the right boxes.” Daily Mirror
“There are some fine stories out there and this is probably one of the best.” 612 ABC Brisbane Radio
“It is exciting and there aren’t many superfluous scenes here. It reminds me of Hitchcock’s devilishly effective paranoia films /.../ Lidbeck/Koppel has a sure sense of style, not least when it comes to a genre where most Swedish thriller-writers fail: to write entertaining and hard-hitting dialogue which also moves the plot along.” Helsingborgs Dagblad
“An icecold and cleverly composed thriller on guilt and revenge.” Sydsvenskan
“Lidbeck is a skilled writer.” Expressen
”If you like your books on the gritty and violent side – it really isn’t pretty in that cellar – then why not try this harrowing tale of bitter revenge.” Peterborough Evening Telegraph
”It is exciting form the first page to the last. The author builds up an infernal and nail-biting dramatic situation.” DAST Magazine
The Book of the Month (March 2011, Your Life Magazine):
”Hans Koppel’s crime thriller is skilfully construed and sometimes really, really scary /.../ you are pushed along at a furious pace, curious as to how it will end.”
”[Hans Koppel] writes refreshingly direct/.../ he touches upon loneliness and male friendship with sensitivity. Delightfully unpleasant read-in-one-go material, the plot is just bloody disgusting.”
”Revenge is not just sweet; it can also be very, very raw – which Hans Koppel proves to me in his new thriller. /.../ and although I have a suspicion how it will all end, I am sucked into the exciting plot and can’t stop reading. I want more, more, more.”
”A dense thriller of the suspenseful type with an unexpected ending.” BTJ
”Hans Koppel’s thriller debut is not for the faint of heart, because the Swedish author understands superbly how to spread fear and terror. He plays perfectly on the instruments of the genre and keeps up the tension literally until the last page.” buchjournal
”Just 24 hours with a break of six hours sleep - that’s all I needed to read Kommer aldrig mer igen. Despite it being a 350-page thick novel. But as soon as I had grabbed hold of Hans Koppel’s debut novel, stopping was no longer an option. The Scandinavian author has achieved an incredibly engrossing thriller that is selling like hot cakes in ten countries already.” Berliner Kurier
”The detective novel is strongly reminiscent of the fate of Natascha Kampusch, who was also kidnapped and held prisoner in a small basement room for more than 3069 days by her tormentors /.../ Hans
Koppel presents in his debut thriller a psychological novel that skilfully mixes reality and fantasy into a dense fabric. ” Siegener Zeitung linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se
Författarfoto: Anna-Lena Ahlström | Formgivning: Jens Magnusson | Omslagsfoto: Patrick Ryan

Petter Lidbeck, f ödd 1964 i Helsingborg, är flerfaldigt prisbelönad barnboksförfattare.
2008 debuterade han under pseudonymen
Hans Koppel som skönlitterär författar e för vuxna med kritikerhyllade Vi i villa
Stockholm med fru och dotter.
. Han bor i
Mike Zetterberg bor med sin hustru Ylva och deras dotter i en villa strax utanför Helsingborg. När Ylva försvinner spårlöst riktas misstankarna snart mot Mike.
Vad har egentligen hänt bakom gardinerna i villaidyllen?
Polisen gissar passionsdrama med olyckligt slut men saknar bevis. Efter en tid kan ingen föreställa sig att Ylva fortfarande är i livet. Allra minst Mike. Men Ylva lever. Och hon är betydligt närmare än någon kan föreställa sig …
Kommer aldrig mer igen är en gastkramande thriller med oväntad upplösning. Sällan har begreppet bladvändare kommit mer till sin rätt. Boken är redan såld till tio länder och produktionsbolaget som filmade Stieg Larssons
Millenium-böcker har köpt filmrättigheterna.
Hans Koppel är pseudonym för Petter Lidbeck.
.
Crime Fiction
P etter Lidbeck, born 1964, lives in Stockholm. Under the pseudonym ‘Hans Koppel’ he has previously published three satirical novels about the Swedish middle class of today. Kom-
mer aldrig mer igen / Never coming back is his first thriller in a planned trilogy, with an international touch and a fast-paced tempo.
January 2011, 251 pages
Senior Editor: Annika Seward Jensen, Telegram
English translation available
Tidigare titlar av om Vi i villa (
Expressen
2008)
»vårens bästa samtidsskildring«
»Norénkänsla och humor i skön mix«
Aftonbladet
»stilren och effektiv«
Svenska Dagbladet
–––––– om Medicinen (2009)
»synnerligen underhållande«
Tidningen Kulturen
»humor och sanningar i en skruvad roman«
Tidningen Vi
»ett riktigt lyckopiller«
Bibliotekstipset
–––––– om Kungens födelsedag (2010)
»Ett stycke lysande samtidssatir.«
Kristianstadsbladet
»osviklig känsla för skenbart banala detaljer, distinktioner och tecken i tiden«
Dalarnas Tidning
»dags att kliva ut på scenen och tacka för de väl förtjänta applåderna«
Sydsvenskan
Författarfoto: Anna-Lena Ahlström | Formgivning: Jens Magnusson | Omslagsfoto: Patrick Ryan
A woman is held imprisoned just a stone’s throw from her own home and she knows why: her past has caught up with her. The revenge that strikes her is cruel, drawn out and meticulously served.
In Kommer aldrig mer igen / Never Coming Back Hans Koppel paints, in his characteristically sharp prose, a claustrophobic nightmare where evil deeds – even those seemingly buried in the dust of time – never go unpunished.
Mike Zetterberg, his wife Ylva and their daughter Sanna live in a house in Helsingborg in Southern Sweden. One
Friday evening, Ylva doesn’t come home after work as expected. Mike passes it off as a drink with a colleague, but when she’s still missing the next day, he starts to worry.
As Mike battles suspicion from the police and his own despair, he is unaware that Ylva is still alive, just a stone’s throw from their own home. On a TV screen in the cellar where Ylva is kept, she can see what happens outside her own home. She can catch glimpses of Mike and Sanna, how their everyday life goes on in her absence but Ylva’s abductors make it clear that she will never speak to them again.
Through degrading treatment and rape she is going to be taught, just like a girl Ylva knew many years ago, that her life is not worth living. And just like her, Ylva’s only way out of this hell is to take her own life...
Rights sold to:
Little, Brown, UK
Pegasus, US
Front Forlag, Norway
Bruna, the Netherlands
Heyne, Germany
Presses de la Cité, France
Piemme, Italy
Ayrinti, Turkey
Eurasian, Taiwan
Weltbild/Swiat Ksiazki, Poland
Verus/ Record Publishing Group, Brazil
58 000 copies have been sold in the UK and 50 000 in Sweden. The second novel is scheduled for publication in 2013.
linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

Literary fiction
Mikael Bergstrand is a journalist and author from Malmö, in the south of Sweden. For the last few years, he has lived with his family in New Delhi but has now moved back to
Sweden.
September 2011, 329 pages
Senior Editor: Susanna Romanus
Sample translation in English available
Sold in 15 000 copies
Rights sold to:
Modtryk, Denmark
Aschehoug, Norway
Bazar, Finland
Signatuur, the Netherlands btb, Germany
Piemme, Italy
La Campana, Spain (Catalan)
Gaïa, France
Alfaguara, Spain (Spanish)
In Delhis vackraste händer / The Most Beautiful
Hands in Delhi, a middle-aged Swedish man meets the bustling and colourful life in India and encounters unexpected passion where he least expected to find it. Mikael Bergstrand describes this meeting with warmth and with a large portion of humour.
Göran awaits his inevitable death.
But then Yogendra “Yogi” Singh Thakur walks through the door, a spirited textile merchant armed to the teeth with inexhaustible optimism. With Yogi by his side, Göran is taken on an inner and outer journey through India, filled with adventure, strong friendship and intense love.
Press voices:
“Bridget Jones goes 52-year old flabby football nerd”
Tara
Göran Borg is what you might call a “loser”: middle-aged, increasingly chubby, and without ambitions. His waking hours are mostly spent on reading a fan blog for football and thinking about his ex-wife, who left him 8 years, 4 months and 3 days ago. This is his every-day life until one day when he suddenly gets fired (due to extensive surfing on said fan blog for football) and is given a year’s worth of salary in compensation.
”Yogendra Singh Thakur, I would gladly meet him again.”
Sydsvenskan
”It is impossible to write a reflection on India better than Shanta-
ram, but Mikael Bergstrand succeeds in bringing the readers along to filthy backyards, spicy smells and brightly coloured saris” Metro
”Incredibly funny book. I appoint it the next ‘Centenarian-success’.” Radio P4, Värmland
When Göran has processed the worst of his bitterness, he decides to join his best friend Erik on a group trip to India.
But the trip doesn’t at all turn out the way Göran expected; already at the airport Erik abandons him for the company of a hot, young girl in the group, and once they have arrived Göran is struck with a horrible case of the “Delhi
Belly”. Sick, alone and deserted at a shabby hotel in Jaipur,
“It is so joyful and entertaining to read. You are coming along on a delightful journey /.../ With a smile on your face you join
Göran on his adventures.” Radio P4, Halland linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

Literary fiction
Sigrid Combüchen lives in Lund. She has written several novels that have been widely praised by the critics, and made a major breakthrough in 1988 with Byron. Honoured with a number of awards, she has also been nominated for the August Prize several times before winning it for Spill in 2010.
August 2010, 450 pages, Senior Editor: Eva Gedin
Awarded The August Prize 2010
More than 140 000 copies sold
Full German and Italian translations and sample translation in English available
Rights sold to:
Antje Kunstman, Germany
Agora, Norway
Tiderne Skifter, Denmark
Ponte alle Grazie, Italy
De Geus, the Netherlands
Gondolat Kiadó, Hungary
BCC Publishing, Romania
MIS Publishing, Slovenia
An author receives a letter from an observant reader.
The letter is written by an elderly lady on the sunny
Spanish coast who recognises herself on a family photograph – described in one of the author’s novels.
The picture of the Carlsson family – in which Hedda is the only daughter – becomes more complex through the letters of the old Hedda and what the author reads from other sources. Parallel to this, a story of Hedda comes into being.
About how her entire life came to be formed by chance occurrences and spontaneous decisions when she was nineteen years old. Circumstances, or fate, blew her off the calm course that seemed to be taken for granted for a girl from the upper middle classes. And we know now that she ended up a housewife and now a pensioner in southern Spain.
Between the author and the old Hedda, a tug of war develops over how this should be interpreted. The author falls in love with the past and that which never came to be; Hedda is interested in the present as it is, and she protests against the idea that her life might have been wasted.
Press voices:
“With the distracted elegance of a master, such that needs long experience and hard work to achieve, Sigrid Combüchen captivates the reader /…/ With her new novel Spill, Combüchen has as usual made a revolutionary literary achievement and I find the book, as you will have understood, a success down to the last detail.” Sydsvenskan
“Sigrid Combüchen is, without a doubt one of the most sophisticated of contemporary authors – stylistically, technically and thematically. This she exhibits with amazing emphasis in her new novel Spill, which is formally perfect and one can more or less say that it overtakes all the prose writing of today. /.../ It is quite simply a completely priceless novel about the deepest of human concerns, despite all the differences we share. It must be read.” Svenska Dagbladet
“With Spill, Sigrid Combüchen has written her most outstanding and challenging novel.” Magazine Kulturen
“Sigrid Combüchen has perfect pitch in her writing and this makes Spill a joy to read.” Femina
“Secret trysts that give you goose bumps” Tidningen VI linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

Literary fiction
Anneli Jordahl, born 1960, is an author and literary critic. Her first novel, published in
2009, was highly appreciated by the media and also took its starting point from a historical period and described a few years of the life of author Ellen Key.
August 2011, 227 pages
Senior Editor: Håkan Bravinger
Rights sold to:
Vega, Norway
Suhrkamp, Germany
June early 1890s, poet Andreas Öman arrives in the small provincial spa town of Augustenbad. It soon becomes evident that he has not journeyed here out of his own free will, rather he is obeying orders from his wealthy wife and her family.
Andreas also gets to know a young girl with bright eyes who irons the first-class-residents’ attire. In a drunken haze during the traditional Midsummer Festivities, he seduces her with tragic results.
Reluctantly, Andreas steps into the consulting room of the renowned Dr Arvid Liljedahl. Andreas is given information about ‘the chronic toxic illness’ that is poisoning his brain and should therefor be treated with daily baths in water at 6 degree Celsius and by following the doctor’s ninety-nine rules down to the last detail.
Andreas is not impressed and he continuously tries to avoid or break the doctor’s advice and rules. Trying to handle the effects of his abstinence, he takes long nightly walks and encounters sleepless Amanda Eggerts, the severely syphilis-strucken wife of a Justice Counsellor, who keeps herself out at nights and out of sight. Andreas is captivated by her beauty and is attracted to her despite her face being covered with nasty boils.
In Augustenbad en sommar / Augustenbad, One Summer, people from different social classes meet – in an age marked by syphilis, morphine addiction and large class dividends.
P ress voices:
“‘A book you read slowly to make it last for a long time.”
Ystads Allehanda
“Anneli Jordahl manages to include a lot in her novel; class structure, quackery, love, betrayal. But nowhere does she get lost or loses her grip on the story. Instead it becomes a poetic tale.” Tara
“Anneli Jordahl’s prose rests solidly on nicely carved 1890s legs, and contributes to making Augustenbad en sommar a well realized novel, which makes me grateful that I was not a woman alive just over a hundred years ago.” Svenska Dagbladet
“What a wonderful novel” Västerbottens-Kuriren linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

Literary fiction
Amanda Svensson is 24 years old and lives in Malmö.
She has studied creative writing at Fridhem’s College and works as a journalist at Sydsvenska Dagbladet and Expressen. Hey Dolly, published in 2008, was her much acclaimed debut.
September 2011, 208 pages
Senior Editor: Håkan Bravinger
Sample translation in English available
Rights sold to: Actes Sud, France
Amanda Svensson is back after her much-praised debut Hey Dolly, this time with a love triangle set in
Malmö and Copenhagen.
pleasure to read someone who has so totally understood and exploited the full potential of language.” Sydsvenskan
“An experimental and playful story, characterized by both suffering and humour.” Kristianstadsbladet.
Greta works in a hip wok house, but dreams of becoming a DJ. She lives in a communal household with two selfcentred, pretentious boys using her as a muse. All the more desperate, she needs a change in her life. Then one day she meets Simon who is the best triangle drawer in Copenhagen. He is not like anyone she has ever met before. With
Simon comes Claus. It soon becomes clear that this is not a golden triangle, but one that inevitably must break. One of them must go – the question is who?
“Masterly, to say the least.” Smålandsposten
“‘Fiercly skillful’ and ‘brilliantly clever’, yes, but I’m not sure what
I can say about Amanda Svensson’s world without coming across like a salesperson making a pitch for the latest miracle medicine.
Here’s the point - if all authors were endowed with her literary energy and whimsy, then every book would be worth reading./…/
The story itself has excellent structure, but what you really take away from the book is the language - one moment low, the next moment high, over-the-top then precise, and at no point does the writing feel anything other than just right.” Svenska Dagbladet
Amanda Svensson’s longed-for second novel is a story of three people who all feel increasingly lost in their social context. Three people all in need to be understood.
“The style is exuberant, energetic and poetic. /…/ Amanda means
‘someone worthy of love’. I love this Svensson.” Hudiksvalls Tidning
Press voices:
”Amanda Svensson’s language is reminiscent of nothing short of contemporary poetry. It is constantly flexible and sensitive, with an unpredictability often verging on the lyrical. /…/an absolute
“I’m in love with a book. /…/ Amanda Svensson’s language is both playful and endlessly energetic, skillfully contained within the bounding limits of pure genius.” Norrköpings Tidningar linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

Literary fiction
Lena Einhorn is an author and a successful filmmaker and director. She received the prestigious August Prize (2005) for her book Ninas resa / Nina’s Journey and the film with the same name was awarded two Guldbagge for best film and best manuscript. Siri is her much longed-for literary debut.
August 2011, 350 pages, Senior Editor: Eva Gedin
25 000 copies sold
Lead title in major book club
Siri wants to become an actress, it has always been her burning passion, ever since she was a little child.
But as a baroness, and particularly one married to a captain of the guards, she can of course under no circumstances enter the stage.
“A powerful drama /…/ Lena Einhorn skillfully builds a convincing psychological study of two people who seem to be made for each other, but she naturally reserves her sympathies for Siri, who exchanges a prison for a lunatic asylum.” Dagens Nyheter
“Well-known drama elegantly told /.../ Einhorn gives new life and a new approach to these two personalities, strained to the point of breaking. We are familiar with the story, but her psychological interpretation and the reader are held in a firm grip.”
Sundsvalls Tidning
Siri von Essen really does leave everything behind in order to fulfill her dreams; she leaves her husband and child and everything common convention demands to lead her new life with August Strindberg. She is welcomed into the circle of authors, artists and actors around Strindberg, and manages, despite the social conventions, to establish an acting career within the national royal theatre, Dramaten.
But life doesn’t turn out as happily as she had hoped, and as far as ‘battles’ are concerned, Siri would soon have more than she bargained for.
“Einhorn has written a sad, beautiful story” Smålandsposten
”the novel about Siri von Essen is so gripping and well written that I want to bang my fist on the table. ”
Helsingborgs Dagblad
”Siri is such a captivating story that you devour the book in one sitting. I am convinced that Einhorn’s fictional debut will recieve a large readership.” Norrköpings Tidningar
Lena Einhorn describes a strong woman with an appetite for life, a woman who dares to break the social rules of her time, and especially those of her own class.
“Love that stings” Folkbladet
”the book speaks straight to my heart.” Tara
Press voices:
“Einhorn convinces and brings to life” Aftonbladet linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

narrative non-fiction
Ingrid Carlberg is a journalist and author. She worked for the major Swedish daily newspaper, Dagens Nyheter, for the last 20 years. Her latest book, Pillret / The Pill, was awarded no less than three prizes among them Guldspaden, for best investigative journalism 2008.
May 2012, 750 pages
Senior Editor: Stefan Hilding
Sample translation in English available
Raoul Wallenberg had envisioned a different life. He sought no hero role and no real adventure. In the spring of 1944, he would turn 32 years old and he worked for a small trading company that imported geese, turkeys and egg powder from Hungary. He was trained as an architect, went for a career in business but found it difficult to find his ways.
Then the Holocaust came to Hungary. An American-Swedish Rescue Action for the last remnants of Europe’s Jewish population was discussed. Swedish Government was urged to send someone. But who? A series of coincidences meant that all eyes fell on the food retailer Raoul Wallenberg. of an historical research effort in up until now unknown and unexploited archives. For the first time ever, the full story of Raoul Wallenberg is presented, using all the sources available today - his childhood and early career in
Stockholm during the War, the dramatic short six months in Budapest, the circumstances surrounding his arrest and imprisonment in the Soviet Union, and the lengthy political game about his fate until this day. For the first time we get to follow Raoul Wallenberg’s family through the entire series of tragic diplomatic failures, which led to him never coming back.
The story sheds new light on why it was that Raoul Wallenberg in the late seventies was highlighted as an American hero and became a high priority in the White House.
Six months later, thousands of Hungarian Jews had the young Swede to thank for their lives. In January 1945
Raoul Wallenberg voluntarily went to meet the Soviet troops in a bombed out Budapest. He would never return to Sweden.
Det står ett rum här och väntar på dig is not only a great story that will take your breath away. It is also the result
The author Ingrid Carlberg has with scientific precision produced a shattering reading experience, where famous characters in history come to life. The person Raoul Wallenberg emerges from the shadows, as well as his life in
Moscow prisons. Recurrent connections to recent history creates a deeper understanding of what really happened and why.
linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

narrative non-fiction
Daniel Goldberg och Linus Larsson are two of Sweden’s most well known tech- and IT journalists. Their articles have been published in among others, Washington Post and quoted in BBC News,
The New York Times och The Sydney
Morning Herald.
316 pages, Published in April 2011
Senior Editor: Stefan Skog
This is a book about people, not about machines. A story about the motley crew of people who are lumped together under the name ‘hackers’, and a look into one of the most mythical sub-cultures of our time.
In this book you will meet several of them. Sixteen-yearold Philip from Uppsala, who fooled both the FBI and the most important IT-experts in the American universities for several years while a world-wide IT-security affair was unravelled around him. Vuxna Förbannade Hackare – Adult
Angry Hackers – the mysterious hacker group who led a wave of comprehensive attacks against Swedish companies and web sites during the winter of 2007 and spring of 2008.
The Swedish net activists who played a role in everything from file-sharing debates to votes in the European Parliament and the ‘Green revolution’ in Iran. the people behind many of the most spectacular cases of unauthorized access to computer systems in our days.
Press voices:
”Goldberg and Larsson are gifted with a stylistic ability to make the technical arguments understandable.” Folkbladet
”Swedish Hackers is the story of how advanced technology quickly fell into the hands of the public and the strange effects it had. Everything written in a prose that gives people with a brand new computer license an actual chance to keep up.
And yes, it ends with some good safety tips. Don’t forget to update your virus protection now.” Aftonbladet
The book is an attempt at putting these stories in a larger context, at letting you get a look inside a world that can best be described as the digital underground. They are true stories, taken from a contemporary Sweden where the established power finds it all the harder to retain control of technology and information. On the way, we get to meet
”Some are idealists, other criminals. The thing they all have in common is that they know everything about computers and they use anonymous aliases. In the book ”Swedish hackers” Linus Larsson and Daniel Goldberg describe a mythical subculture where only one thing counts - who’s the best.” Dagens Nyheter linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

narrative non-fiction
October 2012, 236 pages,
Senior Editor: Stefan Skog
Markus Persson, to most of his fans know as ”Notch”, has become a legend. He is an inspiration and a beacon for thousands of small-scale game developers all over the world. But outside the video game industry, pretty much nobody has heard of him.
Three years ago, Markus Persson was a bored it-developer in Stockholm, spending his days at a mundane software development firm. In the evenings, he toiled away on a labour of love: an obscure game to be played online. The game was called Minecraft. Markus released it to the world in early
2009. At first hardly anyone cared, but the rumour of the ingeniously simple game quickly spread. to fill it with construction together with other players is the aim.
Minecraft is an unparalleled success, with twenty million registered users and thousands of fans who gather at Minecraft conventions, dressed up as their favourite characters from the game. In hundreds of schools throughout Europe and the US, Minecraft is being introduced as a teachers’ tool in helping young children understand concepts such as teamwork, social codes, engineering and computer science skills.
Today, Minecraft (named one of the top 50 inventions of
2011 by Time Magazine) is a global phenomenon and Markus Persson is a multi millionaire and in the world of computer games, he is a superstar - over half a million people follow his movements on twitter.
Minecraft is one of the fastest growing cultural phenomena of the internet age. In 2012 Norstedts will publish the first book on Minecraft, for which the authors have interviewed creator and online legend ”Notch”. It is a gripping and heartwarming tale that has never been told in full before, of one man’s unlikely rise from rags to riches. It is also an in-depth case study of a phenomenon that is changing global youth culture and challenging established billiondollar business models through the disruptive power of the internet.
Minecraft is more than a game, more like doing something together with others, it’s quite similar to a digital Lego box and a Minecraft-Lego is actually being produced. Almost anything can be built into the game’s block-and pixel world, linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

narrative non-fiction
Jesper Bengtsson is a journalist and author. He has followed developments in Burma for more than ten years. Jesper is the chairman of the Swedish section of Reporters sans frontières
[Reporters Without Borders].
New updated edition!
November 2011, 263 pages
Senior Editor: Stefan Skog
Rights sold to:
Spartacus, Norway
Minerva, Finland
HarperCollins, Australia
Potomac Books, USA
Amaryllis, India
De Geus, The Netherlands
Morning Star, Taiwan
In May 2010, Norstedts published Jesper Bengtsson’s biography on Burma opposition leader and Nobel Peace Prize laureate Aung San Suu Kyi. Since then, Aung San Suu Kyi was released from house arrest in November 2010 and in
February 2011 Jesper Bengtsson managed to interview her.
In November 2011, the revised and updated version of this celebrated biography was released.
Press voices:
“To anyone who wants to try to understand why, I highly recommended Burma scholar Jesper Bengtsson’s initiated, highly readable biography.” Östgöta Correspondenten
”An excellent biography” Tidningen Ångermanland
”An engaging and believable portrait of a remarkable woman who stands out against the harrowing backdrop of
Burma’s sad story, that Bengtsson know better than most.
I confess: my admiration is endless.” Dagens Nyheter
“We sit down in a sofa a few feet away from each other. She seems relaxed and perfectly composed. I ask her about her energy and apparently good mood.
’It´s not strange at all’, she says with an ironic glimpse in her eyes. ’The military gave me seven years of rest, so now I´m full of energy to continue my work.’
That´s mildly spoken an interesting approach to time, that someone with a less optimistic view on life would define as wasted. But that´s how she seems to be, this Nobel Prize laureate and democratic icon. She has survived all these years of isolation by embracing it and pick out the up sides rather than the obvious down sides.”
”Read this book. Not to get an objective analysis of Aung
San Suu Kyi’s political achievements, but to get a background and understanding of why she has been under house arrest for 14 of the last 20 years and why she chose not to travel to her husband’s deathbed in March 1999.” Norra Skåne linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

narrative non-fiction
Niklas Zetterling, born 1963, is an author and military historian working at the Swedish Military Academy in Stockholm. His first book Avgörandets ögonblick written together with Michael Tamelander was followed by a number of books on military history.
Dan Öberg is a military historian, he speaks Japanese and took his doctor’s degree in Japan.
September 2012, 318 pages
Senior Editor: Stefan Hilding
Option publishers:
Spartacus, Norway
Casemate Publishers, USA
Informations Forlag, Denmark
Niklas ZetterliNg
& DaN Öberg
De n ke j s er lig a ja pa n s k a flot ta n s h a ng a r fa rt yg
The Pacific War was the most extensive and costly naval campaign ever fought. Initially the Imperial Japanese Navy attained its strategic goals, but over time they met with increasingly powerful American resistance.
The Battle of Midway is the best known confrontation and is often called the turning point of the Pacific, but several other very dramatic naval battles feature in this book, in which the two Japanese aircraft carriers Shokaku and Zuikaku take centre stage. The men who found themselves in the Pacific war zone fought a battle in which they often lacked reliable information. In the Coral Sea, north east of
Australia, the first fleet action in history involving the engagement of aircraft carriers took place. Japanese carriers
Shokaku and Zuikaku took on the US fleet carriers Lexicon and Yorktown. battle before. The Pacific war saw rapid escalation with no time for full training, and the book describes the combatants’ attempts to adapt to changing circumstances.
The war at sea, involving aircraft carriers operating with the latest aircraft and newly-developed radar, was dependent on the most advanced technology of the day. Despite this, military personnel played a significant role. The book portrays human destinies on the aircraft carriers, based on diaries, letters, interviews with war veterans, archive material, and includes medical officers, pilots, radio engineers and many other individuals. The authors introduce characters in the wider context of war, with a discussion of issues such as the arrival of the kamikaze units, the willingness to fight against the American super power, field brothels and strategic planning.
We read about the Japanese pilots who searched in vain for their opponent’s main striking force, and the men onboard the carriers who witnessed the air attacks and experienced the bombings. Many mistakes and errors of judgment were made because no-one had been involved in this type of linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

JOHANNES ANYURU, Om jag skulle dö under andra himlar / If I Were to Die Under Other Skies
HÅKAN BRAVINGER, Bära bud / The Messenger of Peace sold to: Gyldendal, Denmark / Arneberg, Norway / Btb, Germany / JC Lattès, France / Czarna Owca, Poland
STIG DAGERMAN – with newly written prefaces by PO Enquist, JM Le Clezio, Siri Hustvedt and Elfride Jelinek, Ormen / The Snake, Bränt barn / A Burnt Child, De dömdas ö / The Island of the Doomed,
Tysk höst / German Autumn sold to: Iperborea, Italy / Actes Sud, France / University of Minesota Press, US / amongst others
PER OLOV ENqUIST, Ett annat liv / Another Kind of Life sold to: MacLehose, world English / Actes Sud, France / Carl Hanser, Germany / Ambo Anthos, the Netherlands / Gyldendal, Norway / Rosinante, Denmark / Iperborea, Italy / Host, Czech Republic / Europa, Hungary / Destino, Spain
TORBJÖRN FLYGT, Underdog, Outsider
NINNI HOLMqVIST, Enhet / The Unit sold to: Cappelen Damm, Norway / Ambo Anthos, the Netherlands / Pendo, Germany / Other Press, world
English / RIPOL, Russia / Telemaque, France / Carobna Knijga, Serbia / Commonwealth, Taiwan / Hunan
People’s Publishing House, China
JONAS HASSEN KHEMIRI, Montecore    sold to: Piper, Germany / Gyldendal, Norway / Gyldendal, Denmark / Johnny Kniga, Finland /
/ Knopf, USA / Hayakawa Shobo, Japan / Roca, Spain
De Geus, Holland / Le Serpent à Plumes, France / Ugo Guanda, Italy / Gondolat, Hungary
TORGNY LINDGREN, Minnen / Reminiscences sold to: Gyldendal, Norway / Rosinante, Denmark / De Geus, the Netherlands / Tammi, Finland / Loomingu
Raamatukogu, Estonia / Actes Sud, France
KRISTINA SANDBERG, Att föda ett barn / Giving Birth linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

MARIA SVELAND, Bitterfittan / Bitter Bitch sold to: Versal, Norway / Modtryk, Denmark / Kiepenheuer & Witsch, Germany / De Geus, the Netherlands
/ Constable & Robinson, World English / Jota, Czech Republic / Czarna Owca, Poland
HELENA VON ZWEIGBERGK, Anna och Mats bor inte här längre / Anna and Mats Don’t Live Here Anymore
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THOMAS BODSTRÖM, Rymmaren / The Escapee, Idealisten / The Idealist, Lobbyisten / The Lobbyist sold to: Heyne, Germany / Pegasus, Turkey / Empik, Poland / Urdur, Iceland
ÅKE EDWARDSON - the Inspector Winter Series
Dans med en ängel / Dance With an Angel, Rop från långt avstånd / A Distant Cry, Sol och skugga / Sun and
Shade, Låt det aldrig ta slut / Never End et al sold to: Ullstein, Germany / Lattes, France / Simon & Schuster US, world English / Rosinante, Denmark / Tiden, Norway
/ Like, Finland / Bruna, the Netherlands / among others
DENISE RUDBERG - The Marianne Jidhoff Series:
Ett litet snedsprång / Stepping out of Line, Två gånger är en vana / Twice is a Habit sold to: Cappelen Damm, Norway
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HENRIK BERGGREN, Underbara dagar framför oss / Wonderful Days Ahead sold to: Versal, Norway / Politikens Forlag, Denmark / Otava, Finland / Btb, Germany/ Türkiye Is Bankasi,
Turkey
STIEG LARSSON, DANIEL POOHL, En annan sida av Stieg Larsson / Another Side of Stieg Larsson sold to: Columna, Spain (Catalan) / Modtryk, Denmark / Psichogios, Greece / Destino, Spain / quercus, UK
(World English) / Marsilio, Italy / Heyne, Germany linda.altrovberg@norstedts.se
catherine.mork@norstedts.se
maria.machirant@norstedts.se

—————————————————————————————————-----------------------------------------------------------------------------------------------------------------------------------------------------
Gunnar Ardelius
Mikael Bergstrand
Sigrid Combüchen
Eija Hetekivi Olsson
Einhorn
Anneli Jordahl
Aleksander Motturi
Karolina Ramqvist
Amanda Svensson
Helena Thorfinn
Robert Åsbacka
Friheten förde oss hit / The Love of Liberty Brought Us Here
Delhis vackraste händer / The Most Beautiful Hands in Delhi
Spill - En damroman / Waste - A Ladies Novel
Ingenbarnsland / No Child´s Land
Augustenbad en sommar / Augustenbad, One Summer
Svindlarprästen / The Swindling Priest
Alltings början / The Beginning of Everything
Välkommen till den här världen / Welcome to This World
Innan floden tar oss / Sisters by the River
Samlaren / The Collector
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Maria Lang
Robert Kviby
Mördaren ljuger inte ensam / The Murderer Doesn’t Lie Alone (1949/2012)
Farligt att förtära / Harmful if Eaten (1950/2012)
Inte flera mord / No More Murders (1951/2012)
De korrupta / The Corrupt (2012)
Michael Hjorth & Hans Rosenfeldt The Sebastian Bergman Series:
Hans Koppel
Det fördolda / Dark Secrets (2010)
Lärjungen
Fjällgraven
The Collin Series:
Mountain (2012)
Kommer aldrig mer igen / Never Coming Back (2011)
Book II (2013)
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Jesper Bengtsson
Ingrid Carlberg
Aung San Suu Kyi - En kamp för frihet / Aung San Suu Kyi - A Biography
Det står ett rum här och väntar på dig - Berättelsen om Raoul Wallenberg
/Raoul Wallenberg – a Biography
Daniel Goldberg & Linus Larsson Minecraft
Svenska Hackare / Swedish Hackers
Niklas Zetterberg & Dan Öberg Kampen om Stilla havet / The Battle of the Pacific
Linda Altrov Berg
Fiction, general-non fiction linda.altrov-berg@norstedts.se
Phone +46 10 744 20 33
Mobile + 46 705 65 22 70
Catherine Mörk
Fiction, general-non fiction catherine.mork@norstedts.se
Phone +46 10 744 20 34
Mobile + 46 702 04 26 05
Maria Machirant
Fiction, general-non fiction maria.machirant@norstedts.se
Phone +46 10 744 20 17
Mobile + 46 70 769 28 69
Coverdesign: Anders Timrén maria.machirant@norstedts.se